Tumgik
#but that was really more just so there was a coherent them rather than just ‘a bunch of random shit that charlotte likes’
Note
Are Merch Mimics capable of using assimilation offensively against humans, for self-defense and otherwise? Like, if someone tried to break a toy/game/etc they were inhabiting, could the Mimic instead pull them in?
To a degree, yeah. I should mention though that Victor isn't "in" the TV in any magical sense; spoiler alert: he's the controller Vance is holding! Hence, the eye on the controller reacting to the dialogue. The Victor on the screen is actualy a model he rigged for a homebrew game he coded the old fashioned way, which responds to whatever inputs the controller sends to the Wii.
He actually is an active member of the homebrew community, and loves to mess with electronics the old fashioned way. Almost no one on the forums knows he's a toy bird, but are impressed nonetheless with his little projects, various rail-shooter games, and weird obsession with snarky anthropomorphic birds.
Victor could technically "jump into a game" on a tv screen, but it'd be a bit of a weird process if he doesn't know how to mod the game, so it'd look more like a shitty greenscreen effect rather than anything coherent. He'd need to learn in real time how the game is coded, how to inject arbitrary code into the system while it's running, etc etc. He CAN do that because he's a fucking NERD, but it wouldn't be a quick process at all.
I should also mention, mimics have an inherent ability to create dreams, since they come about from processing the thoughts and ideas of humans. If a human bonds with a mimic, such that the mimic now knows how the human thinks, they can pull a (somewhat) willing human into the dream when the human sleeps. So to wrap this all up: what Victor could do for a game he understands inside and out is pull a human into a dream that happens to match whatever he himself experiences as currently going on in the game. Basically the ultimate VR experience, with the mimic as a middle-man. Which might be something that'll happen in the comic soon....!
So that all seems a bit convoluted, right? Here's even more worldbuilding about matter assimilation by mimics below the cut. Stop here if you don't want a headache.
The reason so many hoops would be needed to pull a human into a game world is that assimilation is much easier on inert, inanimate objects that are not currently "in use" by a thinking thing, or something that relies on constant electrical signals to function. This can be something with brainwaves, or some other kind of animation like a normal robot. A mimic can convert a CRT TV that's turned off somewhat easily, but a TV that's turned on, with particles of every kind constantly moving into and out of it, is much harder to convert.
This means that humans and biological creatures in general are also trickier to convert, though it can still happen if done gradually enough. Hence, Victor wouldn't be able to rapidly convert Vance in one fell swoop, it'd be a whole process. It's easier to just pull a human into a dream instead, and if a mimic undersrands a video game, or a story in a book really well, they can basically make the fictional world into an extremely lucid reality for whatever human tags along with them.
I often describe mimics as just "jojo stands if they were corporeal and could just get up and move around on their own with no user"; you know how in jojo stand battles or old stories about magic curses, if you break the curse or kill the stand before its effect becomes permanent, all of the damage is magically undone? Like if you kill Green Day, the mold stand, all of the molding just instantly stops?
Mimics who use their powers of assimilation offensively work similarly; they can project their influence to a certain range, and partially assimilate matter in that range. If you knock out or kill the mimic, however, everything reverts to normal. A human who doesn't want to get converted can basically just turn around and walk away most of the time, or shoot the mimic, so the mimic in question needs to pull off some trick to get the human to stay within range for the assimilation to fully stick. A human can still break free and get out of range even if fully converted, but it's much harder, as assimilation usually means the mimic gaining greater control over the converted object in question. The exact range and effect mimics have is again like jojo stand ranges; it varies.
Different mimics have different affinities for different things. Victor can assimilate cheap electronics fastest because he likes them and understands how they work (it's why he's a toy bird mp3 player). Az can assimilate guns, and turn ammo into weird anomalous ammo with weird effects. Zachary is a genius who can assimilate any matter, including biological matter, faster than anyone... but he's also extremely picky and hates the sight of blood, so he only uses assimilation on things he really, really likes.
If I could somehow make another read more at this point, I would. It's gonna get messy:
What a weird power and setup though, right? Why? The true nature of mimics is unknown to most of them, but the deepest lore is that the first mimics were constructs made by a people long ago, who first made them as highly advanced machines that'd recognize the thoughts of their masters to fulfill any practical desire. Need a road built? Done. Need a ship repaired? Done. With physical needs all met, the people began to turn inward, and use the mimics to illustrate their own artistic ideas. Eventually, the will and consciousness of these people were assimilated and inherited by mimics, who themselves became people. Mimics spread, altered themselves, duplicated, deviated, fused, split, and wandered around. Getting into recreational wars, manifesting horrors and delights into reality because they could.
Somehow, after the dust settled, the strongest mimics, the angels, decide to set their sights to the stars, and observe other lifeforms develop technology and their own art. Did mimics come to earth millions of years ago, and simply watched humans grow, evolving with them in-tandem? Or did humans make the first mimics, and somehow became undone and set back to the stone age? The answer to this mystery is currently known only to the oldest of mimics. Except Zachary. He's old, but didn't care to remember.
This is generally why mimics seem so compatible with humans; they were made by either them, or people who were, for whatever the reason, very much like them, flaws and all. The ability to assimilate is basically the conversion of matter into a more malleable state of information. A virtually magical power, but this was achieved not through prayers and spells, but a very human-like obsession with developing technology to the point of exerting control over molecules, then atoms, then the lowest planks of matter. The obsession with scaling every mountain and crossing through every valley. To rip the natural world apart, and hopefully, put it back together before it's too late. Angels seek to ensure humanity walks the right path there, but with human's own desires and intent honored, for better or worse.
To answer your question: yes. A mimic of Mario can pull you into the game and you can jump with him and eat shitty low poly spaghetti with him.
The process for doing that is just convoluted and complicated, and you need to get to know each other a bit first. If he tries to use it as an attack though, it either won't work, or it might just wind up giving you mild brain damage.
46 notes · View notes
eldritchdyke · 3 days
Note
The recent Signalis anticommunism discussion on here made me stumble onto your take about it from last month, and while I do believe that Signalis is very... normie anticommunist (you seem to disagree), your post made me really curious, but at the same time it was very vague, and a lot of people interpreted it as "Signalis isn't anti-communist, it's anti-authoritarian". Would you be willing to elaborate?
Oof didn't realize there was more discussion to it than I thought so I won't wade into the whole of that cuz that wasn't what I was responding to at the time. Also just to preface two things; for one I am a communist myself and that did effect my reading of the text a great deal and for two I didn't say anything about the "Signalis isn't anti-communist, it's anti-authoritarian" thing myself that was a later addition from other people (personally I don't like the term "authoritarian" as a way to analyze the faults of certain socialist states but that's neither here nor there).
What I was driving at is the idea that the DDR imagery (and beyond that, as others have pointed out it isn't solely pulling from that) is doing a lot more than simple condemnation or any sort of post-war triumphalism over "dystopian" socialism. We can read a lot based on what was given attention in the text, and I think the ways that DDR imagery show up in the game are shown with a rather loving, even reverent light at times (you don't create a bunch of intricately designed DDR robot girl ocs and name some of them after historical DDR special forces units because you totally despise everything the DDR stood for). This is intentionally contrasted with the rotting and decayed state we actively find a great deal of these things in, which provides a great deal of contrast between the lowercase i ideal and the reality of an execution which was tainted by the literal bleeding psychology of collective trauma and the attempts at domination of individuals.
What results is less a coherent world as such that can be dissected as one might dissect typical worldbuilding lore and more an emotional portrait which depicts a sense of portrayal at the way the history of the DDR played out, and you may disagree with parts of that (I do with certain parts as well) but it isn't intended to reflect a dissertation on the flaws of the DDR. It's an emotion first conceptualization of tainted Ostalgie and the hauntological traces of a future which was not allowed to be for reasons internal and external, through that lens it is, to me, quite ambiguous over whether or not the source object was a negative or a positive. Instead its a truly conflicted portrayal of the emotional state one is left in after both the (again lowercase i) ideals of that revolutionary state and its practical execution, warts and all, have passed into the realm of cultural memory.
(I'm sorry that's probably a whole lot of words to not fully answer your question but tldr I don't think Signalis is as anticommunist as a lot of people think it is, I think people are generally reading the diegesis too literally and not really delving into the full emotional depth going on with how communist imagery is used in the game)
21 notes · View notes
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
web-weaving — eldest daughter syndrome
Repose – John Singer Sargent // Eldest Daughter – Isabel Pless // Old Soul – The Highwomen // I Miss Her and I Blame You – MALINDA // Goodbye – MARINA // Surface Pressure – Encanto
Violet Sargent – John Singer Sargent // Study for Carnation, Lily, Lily, Rose – John Singer Sargent // My Ego Dies at the End – Jensen McRae // You're On Your Own, Kid – Taylor Swift // The Hardest Part – Bre Kennedy and Hadley Kennary// Older Than I Am – Lennon Stella // seven – Taylor Swift
The Black Brook – John Singer Sargent // Eldest Daughter – Isabel Pless // 26 – Carol Ades // Eldest Daughter – Isabel Pless // You're Losing Me – Taylor Swift // champagne problems – Taylor Swift
Girl with a Sickle – John Singer Sargent // The Breakfast Table – John Singer Sargent // Surface Pressure – Encanto // Older Than I Am – Lennon Stella // Control – Bre Kennedy // Surface Pressure – Encanto // Old Soul – The Highwomen
A Dinner Table at Night – John Singer Sargent // this is me trying – Taylor Swift // Let the Rain – Sara Bareilles // The Hardest Part – Bre Kennedy and Hadley Kennary // Half Truths – JOSEPH // this is me trying – Taylor Swift
166 notes · View notes
Text
that’s just a tundra fae veilspun
#a better veilspun in some ways#worse in others#i hate their giant anime eyes and excessively saccharinely cutesy chibi overall look#the best veilspun between these guys and actual veils would probably mostly these guys#but with the veil's head and genes#and probably less fur#not necissarily NO fur but the amount that's there feels a bit excessive and kind of bunches up the silhoette#in a way that reminds me uncomfortably of the sausage bodies of coatl#flight rising#they kind of look like someone put an anime chibi filter on faes#also don't like the fact that it's YET ANOTHER cutesy fuzzy breed that can't even really be called a dragon so much as an undefined chimera#i like that they finally have a breed with decently pronounced horns that don't look ugly and literally any decoration on the tail though#but it's still basically just 4 legs 2 wings+#one other thing i do like about them off the bat is that they're the firt breed i've seen in awhile that looks like.#an actual whole complete breed#like they look like all their parts are part of the same creature#rather than just being a loose handful of disparate gimmicks that were hastily attached to a tube shape#their parts look like they BELONG together and have a visibly coherent thematic throughline#like it looks like they had more of a coherent solid idea than just 'include these parts' this time#i think i slightly prefer some elements of the quieter less cartoony vibes of veilspun but not the part where veilspun feel very unfinished#and very anatomically disproportionate#these guys look a lot more physically solid and packed-together complete than a lot of recent designs do#despite my intense distaste for exaggerated cutesy cartoony fluffy things my initial reaction is less bleak than usual#mainly because of the afformentioned 'they look like they had an actual coherent idea for a whole creature this time' thing#i'll have to scry some and see if my initial impressions change a few weeks down the line#further opinions have yet to be formed concretely#those babies are ATROCIOUS though good god#i kind of feel like something partway between this and veils#is what we should have had *instead* of veils#like this but with the quieter more gloomy toned down vibes of veils and less disproportionate fur and veil snotus instead of the anime nubs
2 notes · View notes
beenbaanbuun · 4 months
Text
ateez’s reaction to their s/o falling asleep waiting for them
Tumblr media
park seonghwa
he’s give you a familiar look when you tell him you’ll try and wait up for him
you can tell he doesn’t believe you but he lets you get on with it… if you want to try and stay up then so be it
when he gets home and sees you passed out in the couch, he just rolls his eyes before shuffling over to you to wake you up
“come on, darling,” he whispers and kisses your cheeks, “we’ve got to get to bed, okay?”
it takes a while to wake you up but he’s more than happy to support your tired body as he drags you up to bed
kim hongjoong
he’s used to coming home late to see you sleeping on the couch, but it never really gets old
he still finds it sweet every time he sees you face down, face pressed into a pillow with a string of drool running down your face
goes about getting ready for bed before even considering waking you up just so he can get into bed with you straight away
once he’s in his pyjamas, he’ll move over to the couch and whisper your name until your eyes flutter open
“hey there, gorgeous,” his voice is soft as you regain consciousness, “want to come up to bed with me?”
jeong yunho
so unbelievably soft for you when he comes home to see the netflix ‘are you still watching?’ screen and your body limp against the sofa
takes a commemorative photo before taking it upon himself to turn the tv off, as well as blow out the scented candle and turn the lamps off
kisses your forehead before lifting you up and carrying you to your bedroom in his grasp
when he dumps you down on the bed and notices you’re now half awake, he can’t help but smile
“go back to sleep, darling,” he says, “i’ll still be here when you wake up, okay?”
kang yeosang
the poor man probably thinks he’s done something wrong when he comes home to see you passed out on the couch rather than tucked up in his bed
will spend more than a few minutes wracking his brain to try and figure out what it is
by the time he’s come to the conclusion that he couldn’t have done anything wrong, his presence has woken you up and you’re calling out his name to grab his attention
when he looks over and sees you staring at him with open arms he realises that he’s probably just being paranoid
“angel,” he mutters as he shuffles closer and falls into your arms, “do you want to sleep in the bed?”
choi san
you never let san know that you were going to be waiting up for him, so when he comes home and sees a body facedown on the couch, he screams
it takes him a few seconds to realise that it isn’t a random body but is actually just you and he’s just woke you up from what seemed like a very peaceful sleep
he’s sheepish when you eventually come to and notice him blushing in embarrassment by the front door
he’s all over you in a desperate apology to make it up to you for waking you up…
“did you want me to carry you to bed? i can if you want!” he follows you up the stairs, “no? how about a cup of hot tea? no? you just want to sleep? but what about-”
song mingi
big baby blushes when he walks into your apartment and sees you on the couch sleeping peacefully in his hoodie
takes a few minutes to regain composure before waking you up, which he has no trouble with… the man is nothing if not straightforward
giggles when you try and have a groggy conversation with him, responding genuinely to everything you say as if it’s in any way coherent
literally puts you over his shoulder when you start to drop off again and drags you up the stairs to your bedroom
“uh-huh, princess,” he replies to whatever you just said, not that he understood it, “how about you go to sleep and you can carry on telling me about it tomorrow…”
jung wooyoung
oh! you fell asleep when you were supposed to be waiting up for him? good luck…
will wake you up straight away with a whine and a pout because of course he does! the man lives to be a walking, talking nightmare to everyone he knows
he loves it when you groan and apologise for falling asleep, but he isn’t quite done yet!
“you know you shouldn’t make promises if you’re not planning on keeping them!” he whines as you’re still trying to fully wake up, “i was really excited to come home and see my baby but what do i get? stabbed in the back!”
you’ve learned by now that the only way to get him to shut up is to kiss him and drag him to your bedroom to sleep
choi jongho
when jongho walks in late and sees you asleep on the couch, he just rolls his eyes and goes to get himself ready for bed
definitely makes just enough noise whilst doing so to wake you up… by ‘accident’, of course
waits in the bedroom for you to make your way to him, but when you don’t he pouts and goes to find out why
he notices that you’ve just fallen back asleep on the sofa, and whilst he’d love to wake you up and complain to you about not loving him enough to get in bed with him, he can’t bring himself to do it
just lifts you up and carries you into the bedroom before smothering you in his own body so he can sleep in peace with you by his side
1K notes · View notes
theliteraryarchitect · 2 months
Text
A Word of Advice About Critique Groups, Beta Readers, and Other Peer-Based Feedback on Your Writing
In my time as a professional editor, I've had many writers come to me with stories they've been trying to improve based on suggestions from critique groups, beta readers, or other non-professional feedback sources (friends, family, etc.). The writers are often frustrated because they don't agree with the feedback, they can't make sense of the comments they've gotten, or they've tried their best to implement the suggestions but now they've made a big mess of things and don't know where to go from here.
If this happens to you, you're not alone. Here's the deal.
Readers and beginning writers are great at sniffing out problems, but they can be terrible at recommending solutions. For that reason, critique groups can be a disastrous place for beginning writers to get advice.
Here's a good metaphor. Imagine you don’t know the first thing about cars. Someone tells you, “There’s oil leaking onto the driveway. You should cover the car with a giant garbage bag.” Alarmed, you oblige, only to be told the next day that “now the car smells like burning plastic and I can’t see out the windows.”
A mechanic would’ve listened to the critic’s complaint and come up with their own solution to the leaking oil, ignoring the amateur’s ridiculous idea, because they know how to fix cars and can use their skills to investigate symptoms and find the correct solution.
Critique groups actually aren’t bad places for experienced writers, because they can listen to the criticism, interpret it, and come up with their own remedies to the problems readers are complaining about. Beginning writers, on the other hand, can end up digging themselves into a deeper hole.
There's a great Neil Gaiman quote about this very conundrum:
Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.
So what to do?
First, try to investigate the reader's complaint and come up with your own solution, instead of taking their solution to the problem. Sometimes, in the end, the reader's solution was exactly right, which is lovely, but don't count on it. Do your own detective work.
Second, take everything you hear with a huge grain of salt, and run the numbers. Are 9 out of 10 readers complaining about your rushed ending? It's probably worth investigating. Does nobody have an issue with your abrasive antagonist except your cozy mystery-loving uncle? Then you might not need to worry about it.
Third, give everything you hear a gut check. Does the criticism, while painful, ring true? Or does it seem really off-base to you? Let the feedback sit for a week or so while you chill out. You might find you're less sensitive and open to what's been said after a little more time has passed.
Lastly, consider getting professional feedback on your writing. Part of my job as an editor is to listen to previous feedback the writer has gotten, figure out whether the readers were tracking the scent of legitimate problems, and offer the writer more coherent solutions. Of course, some professional editors aren't very good at this, just like some non-professional readers are amazing at it, so hiring someone isn't a guarantee. But editors usually have more experience taking a look under the hood and giving writers sound mechanical advice about their work, rather than spouting ideas off the top of their head that only add to the writer's confusion.
Hope this helps!
1K notes · View notes
dollfacefantasy · 17 days
Note
I want RE6 leon to fuck me until I pass out.
only a little drabble cause i'm having a hard time focusing rn but here you are cause this is real asf <3
cw: nsfw (18+), smut, p in v, overstimulation
Tumblr media
You weren't sure what it was about tonight, or more specifically, what was up with Leon tonight. The past couple days he'd been clingier with normal, which was totally fine by you. You'd rather have him attached to your side than barely able to speak to you as was the case after a hard mission or a night when he had a bad dream.
But the clingy he'd been over the past couple days wasn't his normal clingy. It wasn't a hand constantly on your waist or swarms of gentle kisses landing at your hair line. A more accurate word to describe this would be need.
He was giving you tons of kisses, but they weren't gentle. They were open mouthed and sloppy up and down the side of your throat. His hands lingered on your body but not in a protective or loving manner. They groped and squeezed. The mere feeling of being so desired gave you the smallest spark of pleasure in your belly, but his desire for you nearly had burnt through an entire fuse.
It came no surprise to you that in the evening, his hands were snaking beneath your clothing, maneuvering your limbs around as if they belonged to a doll.
Needy kisses continued all along your throat and collar bone. Little murmurs of "just wanna feel you, baby" and "need to be inside that sweet little pussy" drifted up to your ears. Your fingers found his hair and gave it a little tug, a switch putting him into a state of no return.
Now his hand was wrapped around your throat. Your legs were bent over his shoulder. He was as deep inside you as physically possible without causing you an injury. You'd cum a few times already, pussy sore and aching but still sucking him like he was essential to your survival.
"Leon, fuck!" you cry out as his shaft continues sliding in and out of you raw, massaging all the pleasure spots that drove you wild.
He groans into the crook of your neck, biting at the skin as a way to not lose it. He didn't really know what was going on either. His stomach was doing flips at every tiny whimper you made, and his heart was locking up each time your walls fluttered around him.
"I know, honey. Just a little more. I'm almost done. I swear," he murmurs thoughtlessly.
The words were simply tools of placation. Another method to keep him safe and secure where he needed to be, balls deep inside of you.
Your back arches as much as it can in this position, and you whine like a desperate animal.
"That's my girl. I know, baby, I know. You're such a good girl, always giving me what I need," he coos in a strained tone.
His hips have a mind of their own, you know this well by now. You can feel them beginning to move like they're possessed. No regard for your pleasure, and in a way, almost no regard for his. They move purely with the drive to claim you. The deep primal part of him that ached to own you.
Your thighs quiver violently and the ability to speak with any sort of coherence is ripped away from you. It's all so much, and it's been so much for however long he's been drilling into you.
The noises coming from where the two of you connect sound throughout the room, wet and lewd. Unbridled and desperate.
You cum again at some point, but he's still fucking going. He's whimpering almost as if he's in pain. From what you can see with you're fading vision, his eyes are screwed shut and his breaths are coming out in ragged puffs.
"Baby, Jesus, I... ah- oh fuck, baby, my baby," he mumbles against your skin.
The bed below you feels as if it's on fire. Your skin burns with absolute overstimulation. Your head feels cased in a foggy container of lust. You aren't sure when it happens, but somewhere in the middle of all this, you pass out.
You're gone for a good ten seconds, head lolled back, eyes vacant, mouth parted and silent.
That's what clues Leon in that something's up. Your passionate mewls for him had abruptly faded to nothing. The hands clawing at his back had dropped away in favor of being limp on the mattress.
He pulls his head back, eyes widening when he sees your incapacitated state. But he can't stop moving his fucking hips. He so can't stop that the words "baby are you ok?" get tangled up into a whiny, humiliating groan that he's happy you most likely won't remember.
As you come to again, he cums inside of you. He throws his head back with a silent moan. Your gaze shows your disorientation but also the pleasure still coursing through you. He fucks that cum into you like it's his mission, and when he's done, you're pretty sure he's the one passed out now.
877 notes · View notes
sanspuppet · 1 month
Text
Tumblr media Tumblr media
- MDNI smut drabble
dom!San x dom!Mingi x sub f. reader
W/T: hard rough sex, reader is their personal slut
Them two really enjoyed rearranging your guts, fucking your brains out so hard that you couldn’t even form a word and beg them to stop. However, even if you could they wouldn’t much care, oh no they wouldn’t ever stop until they’d be a hundred percent done with you. Most of the times you had sex with them, you ended up having all your body shaking like jelly, your ass cheeks burning like fire from their spank kink, your mind barely coherent enough to comprehend their speaking.
This was one of those nights, where you put yourself purposely on complete display for them two. Fuck, it was always a hard time holding back tears from the pain of their rough paces on you, but oh god, the pleasure was totally worth it.
Your arms and wrist were hurting from how long you’ve been on all fours for them, trying to hold back the tears as your throat was fully occupied by San’s girthy length. Even though you wanted to focus the fullest on his pleased expressions to give yourself the pride of being probably the best slut he’s ever had, it was pretty hard given the rough pace you were constantly hammered with by Mingi from behind.
You could feel his nails scratching messily your ass cheeks as he tried hard to keep your hips still. Low growls and profanities rolled out of his tongue, every thrust getting him closer to his desperately awaited orgasm. Meanwhile San was still halfway, surely you were good at sucking his dick, but your sloppy pace wasn’t enough to make him come. He pulled your hair, keeping your head in place as he dived into your mouth with a faster pace. God, his feline eyes looking down at you with nothing but arousal made you feel shivers all over body, goosebumps making you tremble.
Finally you felt it, that irreplaceable feeling of being bred. The warmth of Mingi’s cum spurting in you was incredibly satisfying, his long groan and his hands sliding down your ass meant that he was done. Mingi left another casual spank before getting up from the bed and headed towards the hotel’s bathroom to clean himself up.
San followed his moves with his eyes, before looking at you again, he let go of your hair and moved behind you in less than two seconds, eager to finish as well.
You didn’t even have enough time to recover from Mingi that you had your back pressed against the mattress just at the right angle for San to pound into you even rougher than Mingi did. You could see your veins pulsing on the back of your hands as you gripped hard the sheets, biting your lips as you were trying to focus more on clenching around San’s cock rather than simply let him take your exhausted cunt. Little thing that made him cum quickly, a matter of a few thrust and he was already releasing his seeds into you, mixing with Mingi’s. You were so full that their sperm started leaking out of you right when San came, surely a hot sight for him to finish with. He groped quickly one of your cheeks to feel your soft bottoms, before standing up and head towards the bathroom as well. Letting your sore body finally rest on the soft mattress of that 5 star hotel.
475 notes · View notes
bigfatbimbo · 28 days
Note
AHHHH, NUMBER ONE PLEAAASSSEEEEEE!!!
- 🤖/🫀(?) Anon
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
a/n — the prompt was this (first one), but if you want to educate yourself on this little au (HOUSE WIFE VOX AHH) of mine, here, here and here!
warnings — dom reader, sub vox, orgasm denial, handjobs, VERY rushed, not entirely proofread, my heart really wasn’t in it guys
summary — For once, Vox is being good and doing the dishes, so what could you do except for fuck with him until he gets the job done?
Tumblr media
On the rare occasion you came home and all of what Vox considered his duties around the house were done, you felt it right to reward him.
Of course, he wasn’t exactly done yet. His attention lay on the dishes in the sink, to which you decided happily to distract him from.
Sneaking up behind him, you placed your hands on either side of his hips, planting a kiss on the open spot on his neck, and where his apron was tied in the back. 
“What are you doing?” He inquired, almost sighing at the distraction, but not stopping his continuous scrub on the plate in his hands.
Your hands drifted from his hips, to his thighs, “You did a good job today. ‘Thought i’d give you some attention.”
He stopped moving when your hands slid under his apron and toyed with the zipper on his pants. “Watch it,” He warned.
“Well don’t stop on account of me,” You tease, planting another kiss on the nape of his neck, “Keep working, and so will I.”
“Jesus christ,” Vox groaned, seeing quickly where this was going. That didn’t stop your hand from slipping into his pants, “You know, that’s really not fucking fair—“
He was cut off with a moan as you wrap your hand around the length of his cock, slipping it out of his pants, touching the bare fabric of the apron. 
“Uh-huh, you’d, what, rather me stop?” You say, dragging your thumb along the tip of his cock. 
His hands almost drop the plate he was holding, before hissing out, “No.”
“Then, I suggest you keep working,” You say playfully, toying with his cock in your hands before finally giving him long strokes. 
Dragging your hand up and down his length, his hands begin to shake, biting back whines from your touch. Although humiliated, he tried to focus on small steps while trying to keep the composure to complete them. Rinse off the plate, put it on the rack. 
“Good boy,” You say, watching his hands rinse off a few cups. The praise went right through him and shot to his dick, which twitched in your hands.
He whimpered, before muttering a small, “Stop it.” Vox wasn’t entirely sure of what he was specifically referring to, but he knew that if you continued with words like that, he’d get nothing done.
He reminded himself of the task at hand, start on the next plate. Going through the motions became abruptly harder when, almost cruelly, your hand sped up. He whined at your motions, leaning his head back into you, resting it onto his shoulder. Which, however wasn’t as comfortable for you as it was for him, considering the pointy screen edgy poking into your jaw.
“Focus,” you remind, slowing down and drawing out a whine of disapproval. His hold on the dish grew tighter, as he scrubbed the plate harder, “Good, sweetheart, very good.”
“Oh god, f—fzz—fuck I can’t—“ He tried to speak, but was unable to form a coherent sentence under the pressure of getting his chore done, and the sensation of your hand gently stroking his length. 
Use soap to scrub the dish. He wasn’t sure why he was getting so worked up about a simple hand job. It was true, with your work, and his fragile mental state, you two hadn’t had enough time to do anything like this of late. Still, neither of you had expected him to be just so needy.
“Such a pretty, good little housewife for me, baby,” you cooed all too sweetly. Although, he didn’t find that to be much of a compliment. 
“No i’m— nngh— not!” He snapped, but his tone faltered into more of a whine than a hiss. But to his dismay, once glance down at the motion of his hands against a fine china dish proved him wrong. 
“Oh but you are, baby. And you’re so good at it too, ‘m so proud of you,” You drew on, planting another kiss on the tie of his apron against his neck. 
He moaned loudly and buffered to the point of almost dropping the dish he was holding. Just keep scrubbing. But he couldn’t focus, not with you rubbing in how submissive his role in the relationship was. His mind clouded up, and he could feel his release draw nearer. 
“Please, I’m gonna—“ Vox’s claws began to cause little cracks on the plate he was washing “—fuck, please, ‘m close.”
“Careful, sweetie. Wouldn’t wanna get your pretty little apron all dirty,” He let out a loud whine of disappointment at your comment, “I’d hate for you to have to run the laundry again, Vox.”
He whimpered pathetically at your indirect denial. Just keeping working, he reminded himself, although this hands started to shake uncontrollably. Scrub the plate, just keep scrubbing the plate.
But then, as expected, the plate broke cleanly into two. And just like that, your hand pulled away and your body followed, drawing out a noise of complaint from Vox.
“Hm,” You examine, “Maybe I was wrong. You’re a terrible housewife.”
And like that, you left him hard, exposed and desperate against the kitchen sink.
Tumblr media
a/n — Wow, this killed me! Which is actually such a bummer because I was so excited about this prompt too. But honestly, I was just trying to get it done because I can’t stand not finishing the things I start and I already took a day long break.
Anyways, basically, just take my brain scraps everyone. I AM NOT!!! proud of this. 😞
419 notes · View notes
eponymous-rose · 9 months
Text
A little thing I'm also really appreciating in this rewatch of TNG is something that seems to have all but disappeared in the age of tightly plotted, entirely serialized eight-episode miniseries TV: little slice-of-life moments that don't serve any driving plot purpose except to flesh out the world a little bit.
The scene with Picard's hairdresser earnestly telling him how he should better have handled diplomatic relations with the Romulans doesn't serve a deep narrative purpose in the sense of echoing the themes of the episode or foreshadowing some important moment with that hairdresser. It's there to share a little picture of the world - yes, there are still hairdressers in the future, yes, there's still awkward small-talk with said hairdressers. There's also the nice little reminder in all these domestic scenes that normal life is happening aboard the Enterprise, families and all, which adds to the sense of danger when the ship's in peril and paints the moments of war and conflict as uncomfortable juxtapositions. It's not there to serve the plot, it's there to build the world. And the characters! Picard's mostly-polite demurs, the reveal that Riker has been 100% humoring this guy like "oh man, we should've thought of that, you're so right". There's no reason to include it beyond reveling in the world.
I really miss that about a lot of modern TV - we get these needle-sharp hard dives through a world, coherent and concise and often quite lovely, but trying to take in the scope of the world around that plot is like watching out the window of a fast-moving train: you're getting nothing more than vague impressions at a remove. It's the difference between a guided tour of a museum and a self-guided tour: sometimes, at some museums, you just want to meander around a bit at your own pace and let it wash over you.
Given the choice, I'll almost always fall deeper in love with a show that's criticized for "filler" or "monster of the week" because I know it'll give its characters and its universe time to grow. That's what drew me to TV in the first place - I adore movies, but there's only so much you can do with character and world in 2-3 hours. Lately a lot of TV seems to be seen as a rather long movie with the odd break where you get up to make popcorn midway through. I think there's something unique about the format of television that's being lost in this attempt to emulate the structure of a movie, in the same way that some novels feel like they might as well just have been novellas or short stories. It's not just a longer version of the same thing. It has the potential to be something entirely different.
Give me the bloated 20-odd-episode seasons of the 90s and 00s, where characters grew and changed slowly, by inches, and we had the time to change along with them. I love the new stuff, don't get me wrong, but I sure miss that specific brand of mess.
1K notes · View notes
steddiehyperfixation · 4 months
Text
don't you forget about me (part seven)
(part one)(part two)(part three)(part four)(part five)(part six)
Eddie takes back everything he’d thought before; sex dreams are so much worse actually, especially when you wake up to the subject of them holding your hand. His face turns bright red the second his eyes open and land on Steve. He sits upright immediately, bunching up the blankets over his lap. 
The pounding of his heart - aka the rapid beeping of the heart monitor - alerts Steve who snaps awake instantly and tightens his grip on Eddie’s hand as he asks with urgent concern, “Are you alright? Did you have another nightmare?”
“No, no, definitely not a nightmare.” Eddie’s cheeks burn, feels the flush reach his ears and down his neck too. He clears his throat. “Just, uh- just a weird dream, that’s all. Not bad, just…weird, yeah. I’m fine.”
Steve relaxes. “Okay.” He hesitates, then adds hopefully, “Was it, uh- Do you think it was a memory?” 
Eddie shakes his head. “Definitely not.” 
“What makes you so sure?” Steve asks. 
“It was fantasy.” Eddie’s eyes rake over Steve, and he tries not to wonder just how accurate his dream was. 
Steve raises a skeptical eyebrow. “Fantasy?” 
“Yeah, fantasy. So unless you have some truly awesome news to give me about the existence of dragons,” Eddie lies (better to have Steve think he’d dreamt of riding on a dragon rather than that he’d dreamt of Steve riding him), “I’m pretty sure it was just a regular old dream.”
“Oh.” Steve's face falls; and Eddie almost wants to take it all back and tell a different lie, that it had been a memory, but he doesn't. “Yeah, no, I've yet to run into any dragons yet, I’m sorry.”
“No, I’m sorry,” Eddie says, running his thumb over Steve's hand. “I wish it was a memory. I mean- I wish I had more memories, and I'm sorry that I don't. I'm sorry that makes you so sad.” 
The apology only makes Steve look sadder. “Oh, Eddie, no, it's okay.” He shakes his head, squeezes Eddie's hand. “Don't apologize for that. It's not like you chose to forget.”
“I know. I’m still sorry though,” Eddie responds quietly. His dream-sparked lust has since curbed into something softer, inevitably. He looks into those downturned and devastating brown puppy dog eyes. “I didn't choose to forget, but I’m still the reason you're sad - I know that, so I'm sorry.” 
It's Steve this time who mutters “You don't have to worry about me so much, Eds, I'm alright,” and it's Steve this time who clasps Eddie’s hand in both of his and brushes a kiss over his knuckles. 
It sends a rush through Eddie's whole body to feel Steve's lips against his skin - in real life, that is. Heat rises in his cheeks again, heart rate kicking up for the millionth time. “Uh- yeah, uh, o-okay,” he stutters, can’t seem to form a coherent thought or sentence right now. He pulls his hand away and runs his fingers through his hair instead, changing the subject, “Um. Are you, uh- are you sticking around today?” 
“Yeah.” Though there’s still a trace of sadness behind his eyes, there’s something like flirtation there too as Steve smirks and says, “I’m all yours today.” 
God. Eddie really is done for, isn’t he.
It’s no wonder, then, that after spending another full day with Steve, another full day of being subjected to Steve’s bittersweet smiles and friendly banter and (that is, if Eddie’s not just being delusional, which is a very real and probable possibility) the occasional flirty comment, Eddie’s dreams soon turn sappy again:
They were sitting in some restaurant, in a corner booth, holding hands behind a propped up menu. Steve was looking gorgeous in a tastefully tight polo and perfectly styled hair streaked with gold, and he looked at Eddie with that warm little smile that always made his heart glow. It overflowed; Eddie almost couldn't take it. 
He said, “I know you said you wanted to do things right, so after how many dates can I ask you to be my boyfriend?” 
Steve's smile grew, eyes wide with a sort of wonder and disbelief and anticipation that was vaguely reminiscent of a child on christmas morning. “I, uh- I think the third date is just fine.” 
“Okay, good.” Eddie grinned. He caught Steve's other hand and held it right there out in the open without a care who saw or heard. “Because I like you so so much; you’re the best person I know, Stevie, and I wanna lock this down before someone else comes along and snatches you up. I want to be your boyfriend more than anything, and I want you to be mine, if you want that too. So, what do you say?” 
Steve must not’ve cared who saw or heard either because he immediately lunged across the table to kiss him, holding Eddie's hands tight as he pressed their lips together fervently. 
Eddie certainly wasn't about to complain. He indulged the kiss for a good long few moments before he pulled back to double check, “So that was a yes, right?” 
“Yeah, dumbass,” Steve laughed, fond and bright and beautiful. “That was absolutely a yes.” 
That ache is back when Eddie wakes up, the wanting, the wishing. 
He thinks this dream falls somewhere in between the events of the last two, like his brain is turning this fantasy into a whole connected narrative now, building and fleshing out this wishful story of him and Steve. Unless… No. Eddie can't let himself think like that. If these dreams have been memories, if that had really been the type of relationship they'd had, surely Steve would've said something. It's not unusual for Eddie's daydreams to become so involved and become entire worlds. This is, as he tells himself for the third time now, just another case of his overactive imagination. 
Steve doesn't ask about his dreams again, and he soon leaves for work and isn't around much that day, but that still doesn't stop Eddie's mind from continuing the fiction when he falls asleep holding Steve's hand, as always now, that night: 
Eddie sat on Steve's couch, his arm slung casually around Steve's shoulders as Steve leaned against him and idly played with the rings on Eddie's other hand while a movie played on the TV in front of them. It was Steve's turn to pick the movie, and there was a time when Eddie would've rolled his eyes and scoffed at the suggestion of watching The Breakfast Club, but it had just come out on VHS and Steve was so excited about it and Eddie was more than happy now to sit just there and watch Steve watch it. Because Steve was smiling and humming along to the songs on the soundtrack, and Eddie felt, suddenly, with such simple certainty that this is where he was meant to be, that this is who he was going to spend the rest of his life with. 
Something must've changed in his expression, in his stare, because Steve soon rolled his head to the side to look at Eddie and asked with an amused (and vaguely confused) smile, “What?” 
“Nothing, I just-” Eddie shook his head, pressed a kiss to Steve's temple and then said like it was the easiest thing in the world, “I think I've fallen in love with you.” 
Steve laughed as if this great big relief just bubbled free from his chest. “Oh thank god,” he said. “I’m in love with you too.” 
Eddie believed him, knew it with the same certainty as before. They shared gentle smiles and a sweet, chaste kiss. Steve slipped an arm around Eddie's waist and curled closer against his side. He went right back to watching the movie and Eddie went right back to watching Steve. And that was all there was to it. 
Clear, effortless, uncomplicated. Because how could they be anything else but in love with each other? 
Eddie sighs when he blinks awake. His eyes slowly shift to the side and he looks at Steve strangely for a few silent moments. 
Steve asks, “What?” 
Eddie's cheeks tinge pink, and Steve wonders, not for the first time, what Eddie had been dreaming about. He gets a devastating sense of deja vu when Eddie shakes his head and says, “Nothing.” But it stops there where Steve's memory doesn't. 
Although, Eddie is still considering him in that weird, just short of familiar way, and Steve wonders - again, not for the first time - if maybe Eddie just might remember too. But surely he'd say something if he did. 
Eddie taps his fingers against Steve's hand and asks after a long minute. “Are you gonna be around tomorrow?”
“I can be.” Steve is scheduled to work tomorrow, but he'd call out sick in an instant if Eddie asked him to.
“Okay, because, uh, that's when the doctor’s gonna have me try to walk and when they're gonna teach me and Wayne how to take care of my wounds at home for when I’m discharged, and I, um, I want you to be there for that too,” Eddie says. 
Steve finds himself a little surprised by this. “You really want me there?” 
“Yeah, I mean, If you don't mind,” Eddie starts, rambling like he's suddenly scared Steve might refuse, “I know it's not the most fun thing to be here for, but I just figured whatever the doctor tells us tomorrow you should know too, just in case, you know, like I might need you one day and Wayne can't be around all the time and-” 
“I’ll be there, Eddie,” Steve assures him, squeezing his hand. “Of course I’ll be there.”
And so he is. He calls out of work the next day, much to Keith’s annoyance, and stands there as the room fills with doctors and nurses and Eddie's uncle Wayne. 
Eddie's mobility is tested first. He makes a soft grunt of pain as he's instructed to swing his legs over the side of the bed, and then another when the doctor taps his knee and his injured leg kicks with the assessment of his reflexes. Satisfied with that response, the doctor moves on to pressing various pressure points on Eddie’s leg to measure how much he can feel (and Steve tries very hard not to feel so weirdly irrationally jealous at watching the doctor feel up Eddie's leg). After a few more soft painful hisses that let the doctor know Eddie's nerve endings are intact - or whatever it was she was testing - he's told to try and stand. He's understandably apprehensive, hesitant. The doctor and his uncle help coax him off the bed; the competent and the familiar. Steve hangs back still, sure he's not needed for this. 
But the second Eddie attempts to put pressure on his injured limb and he stumbles, his hand shoots out and it's Steve’s name he calls, as if on instinct. And, on instinct, Steve is there in a second to grab his hand and assist in steadying him. “I've got you,” he murmurs, guiding Eddie to the walker that's been set out for him. Eddie limps a few more feet with the help of the walker and the encouragement of Steve’s (hopefully) comforting hand on his shoulder until the doctor calls it and tells Eddie he can rest again. 
Once Eddie makes it back onto the bed, collapsing back into the pillows with a haggard sigh, the doctor and nurses immediately crowd him again, try to go straight into the next step of redressing his wounds. 
“Give him a second,” Steve snaps, protectively holding onto Eddie's hand and leaning over him. “Can't you see he's exhausted?” 
The doctor shoots the only other proper adult in the room a weary look. 
“They know what they're doing, kid.” Wayne's heavy hand lands on Steve's shoulder, both a reassurance and an alert for him to back off. 
“I’m okay, Stevie,” Eddie adds. He gives Steve a tired smile and squeezes his hand before prying it out of Steve's hold. “It's alright.” 
Steve reluctantly relents and steps back to give the medical professionals space to continue. 
Eddie's shirt is pushed up so the bandages on his chest and stomach are accessible as the nurses begin to explain and demonstrate the process of taking care of the injuries. Steve watches, listens intently, wants to absorb every ounce of information so he can best tend to Eddie if need be. Then his eyes flick up and he accidentally makes dead eye contact with Eddie who seems to realize then just how vulnerable and exposed he is right now because his cheeks burn red and his heart rate suddenly increases. 
The nurses don't seem to be too worried about this - if anything, they exchange knowing glances with everyone else in the room except Eddie and Steve before they continue their demonstration. Steve isn't worried either anymore - if anything, he finally resigns himself fully to the fact, the irrefutable proof, that Robin was right and Eddie really does have a schoolboy crush on him again. 
Steve does his best to keep paying attention, but in the background his mind is spinning and his heart aching. 
On the one hand it’s kind of sweet to know Eddie's feelings are not gone completely, that some level of attraction still swirls to the surface even through the empty space in his memory. And Steve has been indulging that crush the past couple days, little comments of flirtation just to feel like he still has Eddie in some way, just to see the reaction and have some evidence that Eddie still feels something at all for him. (Stupid, selfish.)
But on the other hand it is just a crush. Eddie used to love him, but now that's halved; and that's a very specific kind of agony. 
Steve’s not sure how much longer he can handle this. 
~
Something passed between them when they made eye contact; something sweet and sad flitted across Steve's expression, as it often does, but he looked away when Eddie blushed and has been avoiding his eyes again since. 
When the nurses are done showing them how to wrap him up, Steve retreats, saying kindly, though still not quite looking at him, “I'm gonna go get you some water, alright?” 
“Oh, yeah, thanks.” Eddie smiles gratefully after him. 
“Your boyfriend seems sweet,” Nurse Katie comments, carefully, as she secures the last of the fresh bandages. 
“Excuse me?” Eddie coughs, chokes on his own spit, spluttering, “I’m- he's not- we’re- it’s- um. He’s not my boyfriend.” 
“Oh, sorry,” the nurse is quick to apologize. “I didn't mean to assume, I just thought since he's always in here holding your hand, even before you woke up-” 
“We're friends,” Eddie says shortly. He feels a little dizzy at what she's suggesting and would really rather her stop talking. 
“Alright, my mistake.” Katie backs off the subject. 
Steve returns then anyways, further killing that topic of conversation. He hands a cup of water to Eddie, who takes it with another muttered “thanks” and starts gulping it down while the doctor goes off on some spiel about the process of having him discharged and more tests they’ll have to do tomorrow. Eddie’s not paying attention. He’s too tired. 
Not long after that, the doctor and nurses file out of the room, and Wayne stands to leave too. “I’m glad the two of you are getting close again,” he mentions to Steve and Eddie on his way out. “You were good for each other.” 
Whatever that means. 
Eddie doesn’t have the brainpower left to contemplate that. Being poked and prodded and trying to walk took a lot out of him. He’s exhausted, achy all over. It’s barely even late enough to be dinner time yet, but he could honestly just pass out right now. He sets his finished water cup on the bedside table and his now free hand reaches, once again, for Steve. 
“Tired?” Steve asks as he catches Eddie’s hand. 
“Mhmm.” Eddie settles against his pillows, closing his eyes. He adds in a sleepy mumble, “’M glad you were here today.”
“Me too.”
He feels Steve’s lips slide gently across the back of his hand, and then Eddie slides gently into sleep. 
Immediately, though, his dreams are not gentle; for the first time since he’s been falling asleep with Steve’s hand in his, Eddie dreams of the bats: 
Eddie was in that hell dimension, the scene all black and red and dotted with bats. But he wasn’t alone. Nancy Wheeler and Robin Buckley were there too, the three of them fending off the creatures with boat oars, and Steve- Steve was on the ground; two bats gnawed on his sides, another had its tail wrapped around his neck. Eddie’s heart was in his throat, roaring in his ears and pumping pure fear and adrenaline through his veins. He couldn’t save him; all he could do was try his best to keep more bats from joining in on the feast. 
Steve, however, seemed perfectly capable of saving himself. He managed to sink his teeth into the bat tail around his neck, getting it to let go. Eddie couldn’t see everything, too busy whacking away more incoming bats, but when the last of this fleet of creatures was fought off, Eddie turned back around to find Steve on his feet now, holding a bat by the tail and slamming it against the ground far more times than necessary. He watched as Steve stomped down on the bat’s neck and tore its head from its body. Blood from the bat’s tail hung from Steve’s lips in a thick, dark drip before he spat it into the dirt.
Eddie stared, jaw dropped, pounding heart pumping an entirely different sensation through his veins now. “That was the hottest thing I’ve ever seen in my entire life.” 
Steve gave him a bloodstained grin and Eddie’s knees felt weak. He would’ve dropped to the ground in front of him right then and there if- 
“Keep it in your pants, Munson.” Robin shoulder-checked him as she walked past. “At least until we get the hell out of hell.” 
Eddie settled instead for sidling up to Steve and, after taking a second to make sure he was alright, whispering low and close to Steve’s ear, “If we were anywhere else and you weren’t injured right now…” The muttered end of that sentence was something so filthy it made Steve’s face burn red, and he laughed. 
“Freak,” Steve said affectionately as he smacked a kiss to Eddie’s cheek. 
Eddie was quick to turn his head and catch Steve’s lips, locking them together in something searing and intense. 
“Boys!” Nancy snapped impatiently from a few feet ahead, which startled them apart. “Seriously? Time and place, come on.” 
Both Eddie and Steve laughed as they followed after the girls. 
Eddie wakes up a little bit disoriented from that dream. He doesn’t know what to call it: Was it a nightmare or not? Was it a memory or another fantasy? The lines are blurred and Eddie finds himself confused. 
Steve must’ve seen this on his face because he asks, “Everything alright?” 
“Yeah…” Eddie answers slowly. “I had a dream about the Upside Down…but it wasn’t quite a nightmare, I don’t think. I’m just- I’m not sure if it was a memory or not.” He hesitates, then decides screw it, he might as well try to get some sort of clarification on the reality of some details of his dream. “Did you…rip a bat in half with your bare hands?”
“I did, yeah,” Steve confirms. His expression shifts, sparking with something like hope. 
“And, uh, did I tell you that was the hottest thing I’d ever seen?”
“You did, yeah.” 
“Okay, cool,” Eddie says, reeling. “Just checking.”  
Steve is watching him almost expectantly, but when Eddie doesn’t say anything more on the subject, his face falls into something more like disappointment.
(final part is here!) taglist (CLOSED): @romanticdestruction @daydreamsandcrashingwaves @paintsplatteredandimperfect @hallucinatedjosten @mugloversonly @estrellami-1 @alongcomesaspider @thatonebadideapanda @tell-me-a-secret-a-nice-one @dragonmama76 @wxrmland @nuggies4life @sirsnacksalot @myguiltyartpleasure @lolawonsstuff @marklee-blackmore @vinteraltus @sebastiansstanswhore @0happyeverafter0 @scarlet-malfoy @hotluncheddie @xxfiction-is-my-realityxx @emsgoodthinkin @alyelf @warlordess @stevesbipanic @lil-gremlin-things @rockandrolodex @badcaseofcasey @bat-outta-hel @fandomcartographer @manda-panda-monium @littlewildflowerkitten @giopandaonice @mightbeasleep @queenie-ofthe-void @krazyperson @worldofshea @marvel-ous-m @tartarusknight @a-little-unsteddie @xenon-demon @goodolefashionedloverboi @xxsky-shockxx @mc-i-r @bookbinderbitch @aspenshade88 @slowandsteddie @thedragonsaunt @daydreaming-mood @space-invading-pigeon @irregular-child @a-lovely-craziness (taglist continued in replies; please lmk if you'd like to be removed from this list. if you didn't make the taglist but still wanna follow along, you can follow the tag #dyfamsteddiefic to keep up with new updates!)
733 notes · View notes
daytaker · 2 months
Note
Could you do headcanons with the MC that's constantly napping and sleeping but somehow can keep up with whatever is going on? Just imagine them sleep talking coherent replies in a conversation during a meeting or doing the dishes with their eyes closed and lightly snoring
The Brothers React to Functional Sleeping MC
If it wasn't for Belphie, this would have confused them all a lot more.
Considering Belphegor's constant napping and occasional conversation contributions through sleep-talk, they are much less surprised by this tendency of MC's than the vast majority of people would be. It's just a natural part of life that some people are capable of sleeping and carrying out day to day activities at the same time.
Right?
(Individual brothers below the cut.)
Lucifer finds it annoying, sure, but at least you're slow-moving. What he really fears is the MC whose intense energy shatters any semblance of peace in this house. At the end of the day, though, he's not doing anything for you that he wasn't already doing for Belphie, so it's an inconvenience he can live with.
Mammon can't tell when you're actually asleep. He's convinced that you fake it a lot, since that's something Belphie is known to do when he'd rather not participate in a conversation. So he's always suspicious when you're able to complete tasks and move around while ostensibly asleep. He tries to catch you off guard and prove that you're not really sleeping, but he's never able to do it. Still, he hates that he can never let his own guard down as far as what he says when you're sleeping nearby, since there's a 50/50 chance you'll somehow absorb what he's saying and remember it in your waking life.
Levi thinks it's cute; at least, at first he does. It's a common trope in slice-of-life anime, having super cute sleepy characters. At the same time, it's a little frustrating, because you tend to just nod off whenever he tries to talk to you for any extended length of time, and he isn't going to play the game where he keeps talking just because you might actually be absorbing what he's saying! If you aren't interested enough to stay awake, he'll just stop bothering you! Hmph.
Satan finds it kind of funny, mostly because of how his brothers react to it. Mammon acting suspicious and nervous, Levi getting his feelings hurt, Asmo fawning over you, and Beel carrying you to and from RAD like luggage. He doesn't have a tremendous amount of interest in you, exactly, but you provide some real entertainment, so he appreciates that. Plus, and big shocker here: did you know cats nap a lot? You gain points in his book for this resemblance you bear to nature's most magnificent creatures.
Asmo thinks it's just precious to watch the human sleep at the table, or at their desk, or on the floor in the library, or on the toilet, or at breakfast, or at dinner, or... Mmm, are you okay, sweetie? You need to work on your sleep schedule. If you're having trouble sleeping at night, you should just come visit him! He has all sorts of ideas for how you could wear yourself out at night so you'll be refreshed during the day! :)
Beel is a little thrown off at first, because in some ways it's like Belphie never left. You'll recall that when MC first arrives in the Devildom, the other brothers besides Lucifer think Belphie is in the human world as an exchange student. So Beel wonders if maybe there was some sort of equivalent exchange shenanigans going on. They sent up a sleepy demon, so maybe that meant a sleepy human had to come down? It's very comforting, at any rate. He makes himself your unofficial guardian, carrying you out of situations where it's not safe to just lie down and sleep, or guiding you back inside after you sleepwalk out of the House of Lamentation.
Belphie is convinced he's met his soulmate, and honestly, maybe he's right. I can only imagine that you're mellow as fuck, probably got over any hard feelings from Chapter 16, and you're fast friends with Belphie now. You nap together all the time. Belphie even shares his secret hiding places with you.
Sometimes you and Belphie have full conversations in your sleep, to the amazement and amusement of the other brothers.
MC: Hungry... Go out 'n eat... Belphie: Snnn.... Jus' stay here... Kitchen... MC: Burgers... Belphie: Too cold to walk... MC: Lazy... Belphie: No, you... MC: Wear a hat... Belphie: Fine... MC: ...Hell's Kitchen in twenty... Belphie: Hmm... *Both stand up and sleepwalk to the door.* Mammon: They're not actually asleep, right? MC: *walks directly into a wall, grumbles about traffic, then continues* Mammon: ....Right?
This is the rare MC that I'd pair with Belphie. Normally I'm a little wary about how that would pan out, but if their relationship is built on mutual sleepiness and shared hiding spots to nap, well. Love is love.
342 notes · View notes
thesunisatangerine · 7 months
Text
against all odds (to wait for you is all i can do) – part one
alexia putellas x photojournalist!reader
status: completed
(a/n in the tags) [parts: one, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve]
word count: 1.1k
The thing was, you didn’t plan on getting laid tonight. 
After a couple of days trying to settle in at Barcelona and looking for your lost luggage, all you wanted to do was to finally start your vacation. You just wanted to relax and experiencing the night life in Barcelona was definitely a good way to officially kick it off. 
So there you were at the bar of an (apparently) exclusive night club in the city–the location was emailed to you by Derek with a VIP pass and a note that said, ‘have fun ;)’–nursing your second, half-empty glass of mojito, the speakers blasting rhythmic reggaeton music, when a woman slid into the space next to you, cool and confident with the way she leaned on her elbows against the counter as she gave the bartender her order in smooth spanish, “A gin rickey, please.”
The woman looked to be several years older than you–and taller, too, even with your heels on–and maybe it was the alcohol or the proximity but there was no stopping yourself from openly admiring her. Her black, cropped top and her tight, high-rise pants revealed perfectly broad shoulders and toned arms, as well as the taught lines of her stomach. When your eyes travelled back to her face, you found her looking at you with a raised brow and immediately, your cheeks warmed. The fact that you were gawking shamelessly and got caught doing so… just wow.
Words of apology were already on your tongue but the curves of her lips were mesmerising, the elegant slope of her brows distracting, and those eyes… the depth in them threatened to drown you that all coherent thought deserted you. 
“Wow,” you breathed out.
“Excuse me?” Came the bemused question, an instant slap to the face that sobered you up immediately. 
“I’m so–I’m sorry, that’s what I meant to say. I’m–” You palmed a hand over your face as you began but a small chuckle stopped you halfway. You risked a peek through your fingers and saw the woman with her lips to the glass, something akin to a teasing smirk on her face while she remained leaning on the counter by her hip. 
“You’re not from around here, are you?” The woman asked as she took a sip from her drink.
Not really the question you were expecting but you’d rather take a reprieve over a disaster. And at that, you smiled sheepishly at her. “Is it that obvious?”
“Hmm, no, not really. Your slight accent gave you away but your Spanish is impressive.”
“I’m still working on losing it but I’ll take that as a win. I’m assuming you’re from around here?”
“My home town is about an hour away outside of the city but I stay here most of the time for work.”
“That must be nice, being close to home.” Feeling more at ease now, you sipped at your drink. The woman did the same. Then you continued. “So, what do you do?”
For a moment there was nothing but music and chatter as the woman regarded you with an unreadable expression. Her eyes glinted–with what exactly? curiosity?–her head cocked slightly to the side. Then she sipped at her drink again. Did you say something offensive? you wondered.
“I work between the sport stadiums. And you? Where is home and what brings you to Barcelona?” 
It was clear from the vagueness of her answer that the stranger didn’t want to talk about her job and it didn’t help your growing interest for her. You wanted to ask her about further details but the dismissive tone with which she answered made you hold your tongue and her question, anyway, made you pause as you pondered to answer.
As an orphan who lived a few years in the system, the subject of where home was had always been a sore spot for you even if the stranger didn’t mean anything deeper by it. In some sense, your adoptive mom was home but there was always a part of you that longed for… something.  But, of course, you couldn’t bring that up right now especially to someone you just met. So you just told her where you were from, that you were on vacation, and that you work as a photojournalist for a press agency you helped establish. Something in your answer must had piqued the woman’s interest because her brows shot up.
“Which branch do you work in?”
“Spot news. But I’ve been meaning to expand my portfolio and get into another branch. Maybe try sports or portrait?”
The woman hummed in appreciation. “Any sports in particular? Wait, do you even like sports?”
“I honestly know close to nothing so I haven’t made a decision yet, but it will definitely be women’s sports,” you replied. She nodded and sipped at her drink again, never breaking her gaze from yours and you felt your cheeks warm again. Those eyes… they were dangerous; they lit up every nerve in your body and it felt good. You continued. “What about you? Are you much of a sports person?”
And to your total bafflement, the woman beamed at you, radiant and glowing, dimples in her cheeks as mirth shone in her eyes.
“What?” you asked, a bit nervous and at somewhat of a loss. 
The stranger let out a small chuckle, shook her head slightly as she rubbed the bridge of her nose, an attempt to hide her smile. “Nothing, nothing. And yeah, I’m a big sports fan. Then a beat passed before she continued, “you ever thought of covering women’s football? There are plenty of matches happening in the domestic leagues right now.”
“Maybe I will,” you hummed, mulling it over. It sounded good actually. And then you asked, “what else do you suggest for someone to do in Barcelona?”
The woman downed her remaining drink and placed the empty glass on the counter. Before you knew it, you could feel the warmth of her breath against your ear and you shivered when she purred. “Dance, of course.”And then she was holding your hand, pulling you off of the stool you were on, and began dragging you to the direction of the dance floor. 
All at once, warmth encompassed you: the crowd immediately swallowed you both, bodies pressed on you but the heat that emanated from the woman before you was the sole beacon for your attention. She had a loose arm around your waist and as the both of you danced to the music, you took that opportunity to wrap your arms around her neck and pulled her closer. She slowed down and she still had enough height on you that she had to lower her head.
“I never caught your name,” you spoke into her ear. 
“I’m Ale,” she replied. She pulled back to smile down at you. And then, she kissed you. 
788 notes · View notes
zepskies · 6 months
Note
OMG I KEED A PART 2 TO SAM HAVING A CRUSH ON DEANS GF
Like idk maybe say Sam didn't listen to Dean and tried making a move on reader? Like ofc he wouldn't ever do that *I don't think* but in this hypothetical scenerio it happens
Hey hun!
Oooof, that's hard. You guys really like this angsty love triangle stuff, huh? 😂 I genuinely think Sam would rather saw off his own hand than hurt Dean that way. But this is like, the only thing I could think of on this one. 😅
See this imagine for context: You are Dean's one exception.
Pairing: Dean W. x Reader, one-sided Sam W. x Reader Word Count: 1,100
Imagine: Sam crosses the line.
Tumblr media
Goddamn witches.
That's the last coherent thought Sam has, before his mind is no longer completely his to control.
Well, it's still his mind. His body. But the careful door in his mind and in his heart, reinforced with steel and chained shut with titanium, combo-coded, locked and loaded, now has broken hinges.
Thoughts he hasn't allowed himself to think for months are pried open, with a sick kind of enjoyment in pain.
You're his brother's girl. Sam can't help but love you. He wants you. And now, he might be able to have you.
The witch is dead, but the spell she just hit Sam with remains. He's not dead, so that's a plus.
"Are you okay?" you ask him, slightly breathless. You're the closest to where he's sprawled on the ground, so you go to him. You touch his arm, and he can't help but clamp down on your hand. He looks at you with the thinly veiled eyes of a hunter as he smiles. Because your concern reaches the deepest parts of him.
"I'm fine," he says.
But Dean reads the hunger in his brother's eyes. He's subtle in the way he grasps your shoulder and Sam's (noticeably tighter).
"But what happened? How do you feel?" you ask, trying to take stock of what you're all dealing with here.
"I uh...feel fine, actually," Sam says. He rolls his shoulders. His gaze focuses on you. Dean holds him back from getting off the ground.
"Get the book. See if there's a way to fix this," Dean tells you without taking his eyes off Sam.
Sam tilts his head at Dean, the beginning of an angry frown on his lip as you rush away to find the witch's spell book.
"What's the matter, Dean?" Sam asks. He doesn't bother to lower his voice. (He literally doesn't have a filter anymore.) "Afraid of what might happen when she actually has the chance to choose?"
Dean's lips purse as his eyes darken. "This isn't you. And when you wake up from this, you're either gonna hate yourself for even thinkin' what you're thinkin', or you're gonna have one hell of a headache."
Sam stares back incredulously. He scoffs. "What're you gonna do, kill me?" They both know that's not happening.
But that's also when Dean knocks him the hell out.
When Sam wakes, it's to you stuffing tissues in his bloody nose. He groans a bit. He looks at you and still wants. But when he looks down at himself, he's in the bunker, handcuffed to the war room table.
You look worried for him as you go back to your side of the table with the book. Dean is oddly nowhere in sight. Sam thought he'd be watching you (and Sam) like a hawk.
"Dean'll be back in a sec. He's trying to get ahold of Rowena," you supply. "But how're you feeling? What's the spell doing to you exactly?"
Sam rolls the kinks out of his neck and removes the tissues, even though his entire face radiates with pain. His brother once promised to break his nose, and he did just that.
"Basically? I think it took away my inhibitions," he replies. More like threw them in a blender and put his deepest, headiest desires into overdrive.
You frown. "Like a really bad bender, or a truth serum kind of thing? But why would he punch you out for that?"
Your gears are turning rapidly, weighing out all the options. You always were smart. Sam leans forward slowly. Noting your thread of wariness, his face softens. He doesn't want to scare you...
He sighs. "Listen...there's something I've been wanting to tell you for a while now."
He reaches out a hand. You're looking at him in frozen surprise. His curled fingers brush your cheek. He leans in toward your face.
But you flinch and pull away.
"What the hell are you doing?" you ask.
Sam should've known, but it still hurts him. His jaw clenches. The spell takes away his self-preservation, however.
Just as he might've tried with words to finally confess the depths of his heart, the door creaks open.
The sound of Dean's heavy boots approaching makes him flinch. But Sam looks over with an unrepentant stare.
Dean glances at Rowena, nostrils flaring. "Fix him." He gestures at Sam before he joins you on your side of the table, resting a protective hand on your back.
Rowena shoots him a droll look. "Only because you asked so nicely."
"I don't need fixing!" Sam argues, glaring at Dean. His voice echoes on the bunker's walls. "You're just afraid of what happens if she knows the truth!"
Your eyes widen further. You look from Sam, to your boyfriend. Dean's jaw is clenched tight.
"Okay, what the fuck is going on?!" you ask in earnest. Dean meets your gaze for a moment, his face tense. His reluctant eyes communicate to you things you never knew. Things that clog emotion in your throat. Dean turns back to Sam.
"Don't do this, Sammy. It don't end well for you," Dean says.
"Like hell," Sam retorts.
"Okay, sleep now, dear," Rowena says. And with a wave of her hand and a haze of violet, Sam's world once again blackens.
When he next wakes, he's in his own bed. Not restrained. He indeed has a massive headache, and it's hard to breathe through his still broken nose. He groans and turns, and his brother is there.
When the overwhelming guilt sets in, Sam knows he's himself again, with all the careful walls around his heart put back in place. Rowena must've broken the spell when he was unconscious. Dean can see the truth in Sam's eyes.
"There he is," Dean remarks dryly. "Our giant Jekyll and Hyde."
Sam inhales deeply. "Dean..." I'm sorry doesn't quite cut it.
"She knows," Dean says, after a moment. "Obviously."
Sam nods, swallowing past a lump in his throat. He hesitates to ask the next burning question, because part of him knows the answer.
"It doesn't change anything."
Sam's head turns at the sound of your voice. You stand in the doorway, with your arms crossed despite the disheartened look on your face. Your eyes meet his, steady and sad, but firm.
"I know," Sam says, with a small, self-deprecating smile. "I'm sorry...for all this."
"It's not your fault," you reply. Spell or no spell, the way he feels is not his fault.
You step into the bedroom and go to Sam's bedside, laying a hand on Dean's shoulder. That hand smoothes up his neck, and your fingers briefly thread into his hair. Another silent conversation passes between you and Dean, the way only lovers that close can accomplish.
After a beat, Dean nods and gets up out of his chair. He thumbs at your cheek; it's both an answer to your unspoken request and an endearment. Then he pats Sam's shoulder before he leaves you and Sam alone in the room.
Trust. That's what that is. Dean trusts you, and now that the spell has worn off, he trusts Sam again.
Sam meets your gaze. As awful as he feels, he still loves you. He knows you know by the way your gaze meets his.
All he wants to do is touch you.
To apologize, and to touch you.
He hates himself.
You shake your head. "I love you, Sam. As my friend. My brother."
"I know," he nods. "I'm sorry."
"You don't have to be sorry," you reply. "You just have to respect that."
"'Course, I do," Sam nods again. You would've never known, if not for the damn spell.
You surprise him by taking his hand. Yours is soft and warm and kind.
Always kind...
But never truly his to hold.
Tumblr media
AN: GAH! The Angst. You could bottle it. 😩
Want to know what that conversation was like between Dean and the reader after she "found out?"
Read It Here: You and Dean talk about Sam's feelings.
Tumblr media
Dean Winchester Imagines
Dean Winchester Masterlist
Main Masterlist
Dean W. Tag List:
@hobby27 @kazsrm67 @letheatheodore @agothwithheavysetmakeup @jacklesbrainworms @foxyjwls007 @wincastifer @iamsapphine @simpforbuckyb @vanillawhiskeyflavoredkisses @roseblue373 @this-is-me19 @emily-winchester @spnexploration @deans-spinster-witch @deans-baby-momma @iprobablyshipit91
@melancholictearz @nic-kolas @sleepyqueerenergy @wayward-lost-and-never-found @thewritersaddictions @just-levyy @samanddeaninatrenchcoat @deanwanddamons @antisocialcorrupt @lacilou @adoringanakin @theonlymaninthesky @teehxk @midnightmadwoman @brianochka @branj19
@agalliasi @venicesem @chriszgirl92 @lyarr24 @ladysparkles78 @solariklees @xsophianicolex @deansbbyx @candy-coated-misery0731 @curlycarley @sarahgracej @bagpussjocken @ultrahviolentart @chernayawidow @beskarfilms @mimaria420
Tumblr media
580 notes · View notes
love-strawberry · 1 year
Text
we'll be alright
Tumblr media
summary : in which they fight but there's no doubt that they'll end up alright.
pairing : sherlock holmes x reader
warnings : slight spoiler for enola holmes 2, ooc!sherlock, slight angst
author's note : so, hi!! i love you, thank you for sticking around, i love you!! <3
tagged : @0oolookitsme
masterlist
navigation
----------
----------
“sherlock?” 
“enola. what are you doing here?” sherlock questioned, swaying as he tried to focus on his sister. “it’s not safe. there are scary people about”
“yes, let me know when you meet one,” enola sighed, walking towards him and standing close in case he fell over. “brother, are you quite yourself?”
“i’m fine, it was just a disagreement over a glass of wine and whose wine it was,” sherlock waved her off, looking around. “there was another disagreement that i had, not here, no. at home. it quite upset me. very much, in fact.”
“you fought with y/n?” enola asked, her eyebrows raising. she absolutely adored y/n and to hear that her brother and her sister-in-law were fighting was a shock considering they were totally smitten with each other.
“i find after wine, it’s very difficult to make your arms and legs move,” sherlock completely ignored her question, swaying dangerously. enola rushed to support, a wince escaping her as sherlock leaned on her for support. “i don’t usually imbibe but i’m not a case, you see. it’s proven rather tricky”
“cab,” enola called for a carriage, walking while supporting her brother’s weight, losing her footing every once in a while during their very short walk to the side of the road.
“hello,” both the holmes’ siblings greeted the driver, moving to sit inside.
“where are we going?” sherlock asked, looking at enola for answers.
“221 baker street,” enola replied, helping him get in the cab.
the ride to 221 baker street was filled with silence, with enola occasionally trying to ask about y/n and sherlock mindless chatter about his latest case.
the pair of siblings exited the cab, paying the driver and walked to the front door. after opening it, enola stood with sherlock in front of 221a and stopped, looking at her brother for any sort of indication that he was going to open it.
“that’s a and i’m b,” sherlock mumbled, his eyes unfocused as he first pointed at the door in front of them and then at the stairs going to the upper level.
enola sighed, rolling her eyes slightly as she moved over to the staircase. she looked at the number of stairs they’d have to climb before looking at her drunk brother.
“i didn’t know you had steps,” enola mentioned, wanting nothing more than to just sleep and wake up in a week or so.
“one should always have steps to avoid people stepping on you,” sherlock said, his words slurring together as he stood there. “that’s a tip, you should probably write that down.”
“alright,” enola started as she let go of him slightly and helped him lean against the wall, “how about i go upstairs and get y/n and she can help me get you upstairs?”
“y/n?” sherlock’s attention shifted to enola, his head leaning on the wall. “i don’t know if she’ll be here.”
“why not?” enola asked, worry growing in the pit of her stomach. had the fight really been that bad?
“she was quite upset with me,” sherlock spoke, his words stringing together to a somewhat coherent sentence. “i wouldn’t be surprised if she chose to go and stay with her sister for the time being.”
“we’re not at all done with this conversation as i’m very eager to know just how you’ve messed it up with the most loving and caring woman but we do need to get you upstairs,” enola said, her tone of voice sharp as she supported sherlock and guided him towards the first step. “all right, lift your left leg.”
“enola?” a voice questioned from the top of the stairs, making both the siblings look up. “and sherlock? what happened?”
“y/n!” enola exclaimed with relief in her voice, excited to see her sister-in-law and to get some help. “could you please help me in getting your drunk husband in the apartment?”
“y/n, love,” sherlock called out but his voice was ignored by both the ladies, leaving him with a frown on his face.
“oh my, i’m so sorry,” y/n rushed down the stairs, her dress flailing behind her as she went to sherlock’s other side and supported him. “did you get him here all by yourself?”
“had to,” enola informed, climbing up one step at a time. “he was drunk and got thrown out of an establishment.”
“god,” y/n mumbled, ignoring sherlock’s attempts to talk to her. it was obvious that she was angry with him. “i’m sorry you had to see him like this, enola.”
“it’s alright,” enola replied in her cheerful voice, the one that made y/n smile at the girl. the company of three finally reached the top of the stairs and y/n opened the door. “i can hold this incident over his head for years to come. at least, until he does something else.”
“i got him from here,” y/n assured the girl, her hands going over her husband’s shoulders as she supported him. “you go, get freshened up."
“alright,” with that enola went off in the direction of the bathroom, leaving sherlock and y/n alone.
“you should sit down, sherlock,” y/n said to her husband, leading him to the couch in the corner of the room. 
“you’re right,” sherlock mumbled, tripping as he moved across the carpet. “of course you are, darling.”
sherlock sat on the couch with a grunt falling from his lips, y/n’s hand automatically going to his shoulder while the other cupped his cheek, making him look at her. when she realised what she was doing, she quickly withdrew her hands and folded them in front of her, trying to ignore the confused look on her husband's face.
“are you okay?” she questioned, keeping in mind to keep her voice low.
“yes, i’ll be up and running in no time,” sherlock assured, reaching for her hands but stopped when she made no move to take his.
“i was worried when you stormed out and didn’t come back before nightfall,” y/n admitted, her fidgeting with the numerous rings she wore, a nervous habit she had; something sherlock always picked on.
“i apologise,” sherlock whispered, burying his head in his hands, the light from the lamps making his head hurt. “for worrying you. and for other things.”
“that’s alright,” y/n replied, chuckling lightly, though it was weak and she sounded tired. “i think i'll always be worrying when it comes to you. i’ve made my peace with it.”
"you're not mad?" sherlock asked, his voice muffled.
"we'll talk later, sherlock," y/n spoke, her voice sharp as she took a deep breath. "you make it hard to be mad at you, when you're in this stage."
“i suppose i don't make it any easier," sherlock asked, a small smile on his lips though y/n couldn't see it. "being me."
"you don't," y/n looked away, choosing to look at the portraits on the wall. "but that's okay."
sherlock was about to say something else when enola's voice sounded from their bathroom.
"i better go and see what she wants," y/n spoke though she made no move to leave. a moment passed between the couple before y/n moved towards him and pushed him to lay on the couch by his shoulders. "you, rest. please."
"if i must," sherlock said, leaning into her touch and craved it when it was gone. he settled and closed his eyes. "is she to stay the night?"
"yes," y/n spoke sternly, leaving no room for argument making sherlock grumble but he didn't object; knowing it would be fruitless.
y/n moved through the living room, making her way to the bathroom and knocked twice before waiting for enola to open the door.
"a moment," enola called from the inside and half a minute later, the door was thrown open and y/n was pulled inside.
"is everything alright?" y/n questioned, looking at the teenager whose hair were down, strands falling in her face.
"could you do my hair, please?" enola questioned, a pink tint on her face. "i usually just throw them in a bun and that does the trick but i love how you do your hair and since i'm here and you're here, maybe you could do my hair?"
"of course i will!" y/n exclaimed as she pushed enola's hair out of her face. "you shouldn't ask, enola. you're like my sister. i basically raised you."
"still, i felt the need to ask," enola shrugged, handing her the brush that was on the counter and turning around.
"you shouldn't," y/n reassured her, brushing her hair softly. "i'd never refuse."
"i'm glad to hear that," enola smiled at her, looking through the mirror in front of her. "is sherlock okay?"
"he's resting," y/n mentioned, starting to braid small braids. "at least, i hope so."
"did you two have a fight?" enola questioned, no longer being able to control her curiosity.
"he told you about it?" y/n asked, mild surprise on her face but still, she smiled at the girl.
"he wasn't sure if you'd be home when we reached here," enola spoke, wincing slightly as her hair got caught in one of the many rings y/n wore, the latter apologising profusely as she untangled them. "said you might've chosen to go to your sister's house. and he also mentioned something about a disagreement at home when i first saw him outside the bar."
"oh, um, we did have a fight," y/n admitted, a small frown on her face as she recalled the harsh words that were thrown around. "but i'd never just leave."
"did he apologise?" enola questioned, admiring the braid y/n had finished. "please tell me he did."
"he did," y/n assured the younger girl. "i wouldn't be here any longer if he didn't."
"that's good," enola smiled, her fingers twirling around the braid. "you're both good then?"
"i don't think it works like that, darling," y/n spoke slowly, her eyes trained on her hair, a sad smile on her face as she refused to look at her in the mirror. "it's not just a simple 'sorry' and then everything is fine."
enola stayed silent as she thought about what y/n and finally after a couple moments, spoke. "what do you mean?"
"i mean, you can't just hurt someone and then realise that what you did was wrong. you can't apologise and expect everything to be okay, that's not how it is," y/n spoke, her voice calm and controlled but her mind was filled with the words that sherlock and her had spoken—yelled at eachother. "the person you hurt, they're not just going to forget and forgive you."
"then, what are we supposed to do?" enola spoke, her voice a whisper as she watched y/n finish off the last braid and tuck it neatly with the others. "if we apologise but they don't accept it, then what? we're supposed to keep on telling them?"
"we need to show them," y/n corrected her, turning her around to she could pin up the strands that kept getting in her eyes. "with actions, not just words. with what we do, with gestures. they need to know that we cherish them, that we're thankful that they're here, with us, they need to know that we love them and that we're sorry."
"sherlock does that?" enola asked, her eyes on her sister in law.
"he does," y/n whispered, looking down as she felt the familiar burning in her eyes and the floor became a mosaic. "he really does."
"then why are you both not okay?" enola asked, comforting y/n as she rubbed her arms.
"because i'm so worried," y/n started, her breathing heavier and her voice choked up. "i'm so worried, enola. it's starting to affect me physically. he's taking on dangerous cases everyday, the next one more dangerous than the last and he goes out without any sort of protection and i'm so scared that he's not going to come back home to me."
"he's always going to come back to you," enola spoke, her hearting hurting when she heard y/n sniffle. "he's sherlock and you're y/n. you'll always find eachother."
"last night, he didn't come home until midnight and i had stay up waiting for him because i hate it when he comes back and there's no one greeting him and he had a cut on his upper arm and i freaked out," y/n rambled, her hands clutching enola's, the latter not letting go even for a second, "and we had a small argument about him coming this late and coming home hurt when i've told him many times to take someone from scotland yard with him but it ended in a big fight and we both went to bed angry, it was the worst. in the morning, i brought it up again and he just—yelled at me and i yelled at him and he just stormed out."
"i—i don't know what to say," enola breathed out, her hands still onto y/n's. "except, let me go out there and smack some sense into him."
y/n let out a shaky laugh, letting go of enola's hand to wipe her eyes.
"letting all of that out felt good," y/n admitted, sniffling slightly, twirling enola as she looked over her hair. "i needed this, thank you, enola."
"of course, y/n," enola smiled, her eyes sparkling under the lamp in the corner of the bathroom. "thank you, for doing my hair."
"don't mention it, love," y/n waved her off, her heart feeling lighter. "the guest room is neat and clean, you should get some sleep."
"ah, yes," enola spoke, looking at herself in the mirror before smiling at y/n. "i'll see you in the morning."
"of course," y/n smiled back tiredly, her head hurting.
"good night," enola called as she walked away from the bathroom and towards the guest room, her voice drifting as the door closed.
"good night," y/n whispered, knowing that there was no way she heard her. she looked at herself in the mirror, taking note of the year stained cheeks and how anyone could tell that she had been crying. her hair was a mess, flicks restricting her view.
she sighed, before opening the faucet and washing her face, cursing at herself for not doing it earlier as it already made her head feel less heavy.
after drying her face with a cloth, she made her way to the living and spotted sherlock in the same position in which she had left him. he seemed to have fallen asleep, with how even and deep his breathing was and how he was still and peaceful. there was no furrow of his eyebrows, y/n noted as she admired him.
"sherlock?" y/n called as he leaned over him, her voice barely audible as she didn't want to startle him. "we should head to bed."
sherlock groaned as his hands covered his face, moving slightly but he made no indication of sitting up.
"sherlock, please," y/n spoke, her hand on his shoulder. "let us go to bed."
"hm?" sherlock hummed, opening his eyes a fraction before closing them.
"sit up," y/n ordered, her voice still light. sherlock pushed himself up, looking up at her with tired eyes and y/n had to resist the urge to kiss his forehead.
“come on, let’s get you in bed,” y/n spoke softly, holding onto sherlock's shoulder as he stood up. she lead him to their bedroom, his body swaying slightly at the movement, making y/n grip onto him a bit tighter.
“that sounds nice,” sherlock mumbled, his hands holding her waist as he walked into their bedroom with her support.
“it does, doesn’t it?” y/n sat him on the bed, removing his coat, tie and vest. “have some water before you fall asleep. here.”
“i’m not going to fall asleep,” sherlock huffed before drinking the water y/n from the glass on the bedside table with a small ‘thank you’, “i’m not tired.”
“sure you aren’t, love,” y/n muttered, helping him get under the covers and adjusting the pillow under his head. “do you need anything else?"
"huh?" sherlock asked, his head falling against the pillow. "no, i suppose."
"alright," y/n moved towards the dressing room to change into her night gown. "i'll be back in a minute."
y/n only got a hum from him in reply as she made her way into the small attached dressing room and changing as fast as she could into her night gown. folding the dress as neatly as she could, she opened the door to find sherlock sitting up with his back to the headboard.
"sherlock?" y/n asked, confusing evident in her voice as she made way towards him. she sat on the edge of the bed, her worries increasing as sherlock stayed silent for the better part of a minute.
"i'm sorry," sherlock spoke, his voice small as he closed his eyes and leaned his head back. "for yelling, for storming out, for worrying you, everything. all of it."
"it's okay, love," y/n didn't even notice the term of endearment fall from her lips. "we can talk in the morning. you need to rest."
"no, it can't wait," sherlock argued, opening his eyes and looking at her with utmost seriousness. his hands clasped hers, holding them with a firm grip. "i have only just realised how much worry i cause you."
"sher—"
"if you were out there, i don't know what i would do," sherlock continued speaking, the words falling from his lips effortlessly. "and i realise that i have been selfish, worrying my wife about my well being, coming home late and sometimes even injured."
"darling—"
"i'll work on that," sherlock nodded, not noticing y/n trying and failing to speak. "i'll talk to lestrade about getting a constable with me on dangerous cases."
"love—"
"we already went to bed angry at eachother yesterday," sherlock spoke tiredly, his eyes dropping and his grip on her hands going lax. "i didn't want you to be mad at me tonight. i love you and i'm sorry, y/n."
"i love you and i'm not mad, not anymore," y/n shook her head, smiling as she leaned over and kissed his forehead, stroking his face with her thumb. "i just worry about you, a lot."
"and from now on, i won't give you a reason to," sherlock promised, leaning into her touch.
"good," y/n dropped another kiss to his forehead, smiling when he looked up at her and leaned in to kiss her on the lips. she smiled as she met him halfway.
the kiss was messy, with y/n leaning over him and sherlock's hand supporting her. y/n's hand found the front of his shirt, pulling him even more closer while sherlock's hand circled her waist, tracing small circles on her hips as he kissed her back with fervour.
they broke apart, their breathing heavy as they smiled at eachother, hearts beating fast.
"you need to sleep, mr. holmes," y/n reminded him, pulling away from him and moving towards her side of the bed. "you're tired."
"no," sherlock denied, watching her as she got in under the cover. "maybe, yes. god, am i tired."
"told you," y/n smiled at him with satisfaction. "sleep."
sherlock watched as she leaned over her bedside table and turned off the lamp settled comfortably, shifting slightly. he waited until she was fully settled in before moving close to her.
he laid his head in the crook of her neck, his nose touching her collarbone as his breath hit the exposed part of her neck, making her shiver. her hands automatically went to his hair, running her fingers through it.
minutes passed as y/n laid in bed, staring at the ceiling and running her fingers through her husband's hair.
"sherlock?" y/n asked, her voice barely a whisper.
after hearing no answers from him, she shifted lightly to get a good look on his face and smiled as she noticed that he was fast asleep. his mouth was parted slightly and each exhale of breath made y/n shiver and get goosebumps. his grip on her was relaxed and the look on his face was so peaceful that it made y/n feel at peace.
kissing the top of head, y/n inhaled deeply, closing her eyes and sending a prayer to whatever force that made him hers.
sure, they had their disagreements, both big and small. their difference of opinion cause a rift every now and then but still, there was no doubt.
we'll be alright, she thought before falling asleep with the love of her life.
----------
----------
5K notes · View notes
gothhabiba · 1 year
Note
What makes most "uninhabited wilderness narratives" more similar to like. The European settlement of the Americas than the Polynesian exploration of islands. Like I also get that vibe but I can't form a coherent ideological reason and you seem like maybe you could put it to words.
You’re getting it backwards if you think that the criticism of the “terra nullius” narrative consists of “it’s unethical to go to, poke around, or settle a place that was actually previously uninhabited by human beings.”
Rather, "terra nullius" is a set of concepts and frameworks created and disseminated by Europeans over the course of European settler-colonisation. It consists, roughly, of ideas about land (it is inactive, to-be-acted-upon, eternally stagnant if not acted upon; it must be 'worked' and this work is backbreaking, unpleasant, and a moral and religious duty; 'working' the land completely transforms it; the land is valuable and ownable insofar as it is worked and transformed; land can be bought, sold, and traded)—
—ideas about exploration (another way to act upon land, which is to-be-acted-upon, is by 'exploring' it; 'exploring' land, naming it, mapping it, viewing it from above, even painting landscapes of it. are activities that give you authority and ownership over the land; 'exploration' produces knowledge about land, which only Europeans can produce and disseminate)—
—and ideas about Indigenous peoples (they have not 'worked' the land or claimed ownership in a way we recognise; thus they have no control, authority, or ownership of the land; because of this they are the land, part of the flora, fauna, and landscape to be explored, mapped out [as in linguistics and anthropology], controlled, moved, worked [read: enslaved], and killed; and, crucially, in a final move, once they have been moved or killed, they were never here in the first place).
These ideas arose variously in European scientific, literary, religious, legal, and literary discourses; in sermons, in travel narratives, in paintings, in memoirs and folk stories written by settler-colonists and sailors and traders. They arose partly as a development of things that had already been happening in Europe in the transition to capitalism (enclosure and other forms of primitive accumulation that rendered once-public resources, including land, private property), and partly as a response to the fact that this land was not empty of human life.
Plainly, there were people in the Americas, in Oceania. In fact, they had altered the land in various ways. The scientific and anthropologic majority, at least in Europe from the 17th to the 19th centuries, even held that they were descended from the same stock as Europeans were (though there was debate on that score). Nevertheless, there were resources and money and land (among other things) to be gained through colonisation and genocide.
The idea that these lands, then, were terrae nullius, empty lands, arose as justification for said settling and genocide. There were never people here, and if there were, then they didn't really have the right to be here; they didn't claim the land in ways that Europeans or their descendents legally recognised (in other words, Europeans created property laws on purpose in such a way to deny Indigenous peoples property rights); perhaps they didn't work the land because they were inherently lazy, or promiscuous, or gluttonous, or savage, and that's how a legal discourse becomes a 'racial' one.
So the answer to your question is basically: because Europeans are the ones who wrote "uninhabited wilderness narratives." Because (the peoples who would become) Polynesians in 3000 BC did not invent a bunch of related popular, religious, scientific, legal, and literary discourses in order to deny or justify the fact that they were enslaving, driving off, or slaughtering millions of human beings, this just has nothing to do with them.
1K notes · View notes