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script-nef · 4 years

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How their relationship gets revealed (iv)

Characters: Lev, Iwaizumi, Sugawara, Kuroo

Category: fluff

Haiba Lev

The only reason Lev chose his current agency is because of you

Yeah, the agency is famed for being really good and putting the artists as its priority and all so he was interested, but the fact that you were going to be one of his seniors sealed the deal

You’re kind of his idol and he’s bought every single one of your photobooks and magazines

When he gets the chance to shoot an ad with you, he hops onto it with no second thought

And when he sees you in your outfit, looking amazing as hell, he nearly faints right there and then

Pulls a lot of NG because you’re waaaay too close and he can feel his face burn up. He’s absolutely sure you can hear his heart trying to break out of his chest.

But you’re so kind and understanding that he falls in love with you even more

Asks you for your phone number and keeps on dropping hints that he likes you but at the same time tries to rein it in since overly affectionate people can be uncomfortable (at least, according to his sister)

He’s not really good at this pulling and pushing thing which makes it even cuter and you accept his confession

He’s basically on cloud 9, just endlessly happy at the fact that you’re going out with him. You. And him. Lev regularly pinches himself to see if he’s dreaming.

But then a news of you dating another incredibly famous model breaks and he gets pissed

And in the spur of the moment, he uploads a video on his SNS account about it

“[Name]-san is dating me! Don’t believe fake news!”

As soon as he uploads it, he realises what he’s done

But it’s too late. At least 2,000 people have seen it. By the time he takes it off, the number grew to at least 4,500

Needless to say, the company was not impressed but thanks to that, the baseless news died down once they released an official statement

And now you’re allowed to go on public dates together, much to Lev’s glee

Iwaizumi Hajime

You worked as one of MBSY Black Jackals’ managers and transferred over to the National team during the Olympics

Iwaizumi became one of the people you talked most to since Hinata, Bokuto and Atsumu were always getting scolded for their lack of restraint when practising

Eventually you two grew close and found out you actually have quite a lot in common, other than constant exasperation for your troublesome hyperactive athletes

He asks you out on a date, face blazing red and eyes darting to every place that isn’t you

It was quite adorable under the blinking street light after he walked you home

Of course, you accepted and thus began the secretive dating while trying to win gold for your country

Displays of affection in workplaces were usually in the forms of glances or sitting closer during meetings and your hands lingering on each other’s longer while handing files

Some of the sharper ones—e.g. Komori, Hoshiumi, Yaku—kind of caught onto the vibe between you two but opted not to say anything

After all, Iwaizumi was more lenient if he was in a good mood, and that usually happened after he spent time with you

One day, at a dinner after winning a major match, he got absolutely wasted

Everyone was taking videos since he’s always the straight-laced and serious one, but now he’s all soft and giggly

And you tried to stop him from drinking even more, and he just stares at you

“I—Iwaizumi-san?”

*stares*

“You… really need to stop drinking, it’s not goo—”

And bam he just pulls your face to his and kisses you. When everyone’s watching. And they’re recording this

He lets you go and just immediately conks out

Leaving you with a red face and at least 15 pairs of wide, unbelieving eyes

Sugawara Koushi

If the students had to pick their favourite teacher, it would be a tie between you and Sugawara-sensei

Literally everyone—ranging from other teachers, PTA, students—love you two

In all seriousness, who wouldn’t? You’re both loving, kind, always stay behind for kids whose parents are running late, bring tons of sweets and so on.

Somehow all the students collectively think:

“[Surname]-sensei and Sugawara-sensei are so cute together!”

“We should nudge them together!”

“Operation Romance is a go!”

And they subtly (in their opinion but in reality not so much) try to hint at how good you guys will be in a relationship

Such as:

“Do you like that, [Surname]-sensei? I think Sugawara-sensei likes it as well! You two share a lot of interests and tastes in things.”

“You both graduated from Karasuno High? You guys have so much in common!”

It’s incredibly obvious and you both catch onto it by the second time but it’s absolutely adorable so you try to turn a blind eye to it

But then the students come up with a “scheme” to finally pull you two together for good

It’s a school festival and yours and his class decided to collaborate for a theatre play

And they hire you and Sugawara as two childhood friends who slowly fall in love

Any complications are shut down

“Um, you guys do know it’s supposed to be a class play, right? As in, students acting, not teachers?”

“But [Name]-sensei, we don’t know love yet! You and Sugawara-sensei are adults! We’ll do the writing and everything else!”

“But—”

“No buts!”

And somehow the play goes along well and you have a blast with everyone. It’s really funny to see how such little kids are so creative

At the end of the act, you and Sugawara get married and you realise this is what they’ve been scheming

“Aha! You’re married now! No take-backsies!”

“Hmmm, well okay… but you guys wanna know a secret?”

“?”

“We’re already married.”

Kuroo Tetsurou

Kuroo is incredibly well-liked in his department

He’s friendly, funny, helpful, knowledgeable in volleyball and full of enthusiasm—and with his good looks—a perfect co-worker

His nickname is “Mr Perfect From The Promotion Department”

Everyone in his department likes him, platonic or otherwise

A large majority of the workplace population have tried, and failed, to go out on a date with him

He rejects them all the time with a bright smile and a “sorry!”

They eventually find out it’s because he’s already dating someone and a lot of hearts are broken that day

He’s still very much loved, though

You wake up to your very rare free day which is always used to laze around the house and binge some new anime

But when you trudge into the kitchen, Kuroo’s neatly packed bento is sitting on the island counter

He forgot it for the first time since he has a vital meeting today and was stressed out over it

So being the amazing partner you are, you decided to bring it to him

Over in Kuroo’s company, he just closed a huge deal and the whole department is happy

He was going to eat his bento but seeing as it was gone and he didn’t want to disturb you on your day off, he just opted to tag along with his co-workers to a nearby restaurant

The moment he walked out of the building coincided with you arriving at the front door with his lunch and he just. Stops. And just runs to you while all of his friends call for him.

“[Name]? What are you doing he— Did you come to give me my lunch?”

“Um, yeah… It’s fine if you’re going to eat with your co-workers, I’ll go back home.”

“No way! Sorry, guys! I’m going to have to miss out today!”

Everyone just watches while he smiles dopily and hugs the life out of you even when you’re threatening him with violence to “get off! Your co-workers are all watching!”

And he takes you into the building so he can eat in peace and occasionally feed you away from prying eyes

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bookcalanthedaily · 3 years

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okay so what’s up with geralt and calanthe? why do i ship them, why do i love them so much, and a little bit about how i believe them to be the book example of courtly love.

okay so let me start with the fact i read the books for the first time back in 2012, no spoilers, no previous knowledge whatsoever and up until the point where calanthe’s death was announced in sword of destiny, i believed, or maybe hoped, that they would end up together.

it started during the feat in a question of price, with their obvious flirting and how geralt seemed to be mesmerized by calanthe. the way I see it, the narrator sees the world with geralt’s eyes, and the way calanthe is described is truly like nothing else. There aren’t any words that directly describe her as beautiful or sexually appealing, no description of her breasts or otherwise her body (which I feel is weird for sapkowski??) . She is described in ways that in a very unobvious way show her grace, her dignity, the aura that she has around her. but despite that there are, still, a few moments that obviously point to geralt’s attraction to calanthe;

‘But hasn't fascination with my beauty and charming personality clouded your judgement?‘ ‘So I'm honoured and proud to be sitting by Queen Calanthe of Cintra, whose beauty is surpassed only by her wisdom.’ ‘Very well,' said the witcher. 'I ask for your green sash, Calanthe. May it always remind me of the colour of the eyes of the most beautiful queen I have ever known.'

so it is obvious that the lack of more obvious descriptions of her beauty isn’t caused by her, well, not beaing beautiful, but rather because the physical aspect of her appeal is the less important one.

she not only invited geralt to her table. she sat him on her righthand side and treated him like a human being, not a mutant. she is the first character in the books to have this sentiment;

'It's true,' said Calanthe. 'Geralt, present here, is a witcher. His trade is worthy of respect and esteem. He has sacrificed himself to protect us from monsters and nightmares born in the night, those sent by powers ominous and harmful to man. He kills the horrors and monsters that await us in the forests and ravines. And those which have the audacity to enter our dwellings.'

and ever since that feast, geralt is known as the witcher whom even kings invited to their tables, just because calanthe was kind enough to do it.

after that, geralt dreams about her not once, but twice.

dream 1:

"A bower, warmth, the scent of flowers, the intense, monotonous hum of bees. He, alone, on his knees, giving a rose to a woman with mousy locks spilling from beneath a narrow, gold band. Rings set with emeralds–large, green cabochons–on the fingers taking the rose from his hand. ‘Return here,’ the woman said. ‘Return here, should you change your mind. Your destiny will be waiting.’ I shall never return here, he thought. I never… went back there. I never returned to… Whither? Mousy hair. Green eyes."

this is basically geralt reliving calanthe’s invitation for him to return to cintra, or even stay in cintra, if that was his wish. he never returned, and when he did want to return, it was too late.

dream 2:

‘There is no destiny,’ his own voice. ‘There is none. None. It does not exist. The only thing that everyone is destined for is death.’ ‘That is the truth,’ says the woman with the mousy hair and the mysterious smile. ‘That is the truth, Geralt.’ The woman is wearing a silvery suit of armour, bloody, dented and punctured by the points of pikes or halberds. Blood drips in a thin stream from the corner of her mysteriously and hideously smiling mouth. ‘You sneer at destiny,’ she says, still smiling. ‘You sneer at it, trifle with it. The sword of destiny has two blades. You are one of them. Is the second… death? But it is we who die, die because of you. Death cannot catch up with you, so it must settle for us. Death dogs your footsteps, White Wolf. But others die. Because of you. Do you remember me?’ ‘Ca… Calanthe!’ ‘You can save him,’ the voice of Eithné, from behind the curtain of smoke. ‘You can save him, Child of the Elder Blood. Before he plunges into the nothingness which he has come to love. Into the black forest which has no end.’ Eyes, as green as spring grass. A touch. Voices, crying in chorus, incomprehensibly. Faces.

to me, in this dream, calanthe is the physical embodiment of geralt’s guilt. of his belief that calanthe, pavetta and perhaps the entire cintra were hurt because he refused to face destiny. there is also the mysterious sentence from eithne;

“You can save him, Child of the Elder Blood. Before he plunges into the nothingness which he has come to love. Into the black forest which has no end.”

and while some might say that she was saying it to ciri... ciri is not present even for a moment during that sequence.

and finally, there is their farewell moment;

He looked into her glaring green eyes. She smiled. He could not decipher the smile.

There was a rosebush growing beside the summerhouse. He broke a stem and picked a flower, kneeled down, and proffered it to her, holding it in both hands, head bowed. ‘Pity I didn’t meet you earlier, White Hair,’ she murmured, taking the rose from his hands. ‘Rise.’ He stood up. ‘Should you change your mind,’ she said, lifting the rose up to her face. ‘Should you decide… Come back to Cintra. I shall be waiting. And your destiny will also be waiting. Perhaps not forever, but certainly for some time longer.’ ‘Farewell, Calanthe.’ ‘Farewell, Witcher. Look after yourself. I have… A moment ago I had a foreboding… A curious foreboding… that this is the last time I shall see you.’ ‘Farewell, O Queen.’

and to me, this is one of the most romantic scenes in the entire series. the way she brings the offered flower to her face, the words ‘pity i didn’t meet you earlier’ and how he cuts her off with a simple ‘farewell’, because thinking of what they could have been hurts too much.

and finally, his reacion to her death, where dandelion had to cut his story in half, stop mid-sentences to make sure he was fine.

in conclusion, i believe that geralt loved calanthe. perhaps she was even his first love, before he met yennefer. but he was a witcher, a mutant, and she was a queen. and he did not believe he deserved her, he did not believe he deserved being ‘saved from the darkness he has come to love’.

now, how does it tie in with the idea of courtly love?

courtly love is a highly conventionalized medieval tradition of love between a knight and a married noblewoman, first developed by the troubadours of southern France and extensively employed in European literature of the time. The love of the knight for his lady was regarded as an ennobling passion and the relationship was typically unconsummated.

and i personally believe calanthe and geralt check all of these boxes. geralt is a knight/warrior who falls in loce with a married noblewoman but that love never gets to be consummated. but, in the end, that love does ennoble him.

he goes from

'Duny,' said Geralt seriously, 'Calanthe, Pavetta. And you, righteous knight Tuirseach, future king of Cintra. In order to become a witcher, you have to be born in the shadow of destiny, and very few are born like that. That's why there are so few of us. We're growing old, dying, without anyone to pass our knowledge, our gifts, on to. We lack successors. And this world is full of Evil which waits for the day none of us are left.' 'Geralt,' whispered Calanthe.

‘I wouldn’t take the child. I couldn’t assume the responsibility. I wouldn’t agree to burden you with it. I wouldn’t want the child to tell you one day… As I’m telling you—’

and it is my belief, that her remarks, such as this;

‘I’ve pondered long over this,’ Calanthe continued, now without a smile. ‘And I’ve come to the conclusion that the selection of the children at the stage of the Choice has scant significance. What difference does it make, in the end, Geralt, which child dies or goes insane, stuffed full of narcotics? What difference does it make whose brain bursts from hallucinations, whose eyes rupture and gush forth, instead of becoming cats’ eyes? What difference does it make whether the child destiny chose or an utterly chance one dies in its own blood and puke? Answer me.’

were a part of what made him change his mind. geralt ends up, even after calanthe’s death, becoming very close to ciri, learning through her that neutrality that had been beaten into him as a young witcher in training was not the way to go. calanthe, and through calanthe also ciri, had a huge impact on geralt’s entire character

so, all in all, this is how i see it. a love, that was never meant to be. and whether you choose to see it as a platonic-friendship type of love or, like me, as romantic love - calanthe’s impact on geralt’s growth is undeniable.

#the witcher meta #rant #calanthe of cintra #geralt of rivia #geralt x calanthe #calanthe x geralt #calalt #courtly love

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maulusque · 4 years

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okay but seriously the clones are terrifyingly competent soldiers.

They are trained from birth by some of the most skilled people in the galaxy. They have a huge budget so there’s no lack of equipment. They also have the technology to do simulations more realistic than anything we could possibly imagine in the real world. And the clones are trained for ten years, day in, day out, no breaks, no days off, no vacations. Just training.

AND there’s also flash training, where they just get concepts and facts and figures and muscle memory pumped straight into their brains by Magic Space Tech. AND they’re genetically engineered to learn faster, learn better, and retain knowledge and skills perfectly. And they train for TEN YEARS.

Let’s do a real-world comparison with some real-life elite troops. Like the Navy SEALS. Those are pretty elite. How much training do you have to go through to become a navy seal? According to wikipedia, after bootcamp (7 weeks), there’s Naval Special Warfare Preparatory School (8 weeks), then Basic Underwater Demolition/SEAL training (24 weeks), Parachute Jump School (3 weeks), then SEAL Qualification Training (26 weeks), after which you get assigned to a SEAL team. Then, you cycle though deployments, and when you’re not deployed, you’re doing one of three 6-month blocks of further training. But you’re already a SEAL by that point.

So, total amount of training to become a SEAL and get deployed (i’m not going to count the 18 month training blocks after you become a SEAL because clone troopers also presumably spend time training after they’re deployed): 68 weeks of training, or 17 months. Or about 1.5 years. I know precisely jack shit about military careers, but i’m guessing most navy SEALs didn’t just speedrun the whole process, and probably interspersed some of the steps with regular Navy deployments while doing push-ups wearing scuba fins in their free time or something.

BUT clone troopers don’t spend time on regular deployments in between training, at least not while they’re growing up. They absolutely do speedrun their training, and essentially spend a decade straight in intensive training courses. During which they learn faster, retain better, pack on muscle mass faster, ingrain muscle memory faster, and remember better than regular humans, AND have knowledge and skills directly downloaded into their brains like Neo learning kung-fu in The Matrix. And these super-human brainiacs train for OVER SIX TIMES AS LONG as the US’s most elite force.

Fellas, we were ROBBED. Star Wars did an absolute SHIT job of showing how terrifyingly competent and unnaturally skilled the clones should be. Even Domino Squad would easily tear their way through a SEAL team. Even with Fives being a clumsy dipshit. An “incompetent” or “failed” clone would still likely be miles above the most highly-skilled military badass the real world can produce. Like, come ON, star wars. You had a real opportunity here. You coulda shown us WHY the whole galaxy was terrified of clone troopers, and WHY they were so much better than battle droids, and WHY an army of millions was unquestionably superior to the alternative, i.e. the Republic drafting it’s own civilians and forming a regular army of TRILLIONS. And how DESPITE the fact that they were Technology’s Perfect Killing Machines, they were still so achingly human. And young. And also i think it would be hilarious to watch Shiny!Fives parkour his way up an exploding building, dodging canon fire, take down six commando droids like he’s Jason Bourne, and then trip over his own feet and faceplant. star wars PLEASE. DAVID. i am BEGGING

#tcw meta #clone wars meta #my stuff #hc #star wars meta #clone wars #sw:tcw #star wars: the clone wars

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sugarcubetikki · 3 years

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The Ladynoir Fight Scene

I’m going to talk about the Ladynoir fight scene in the NY special and consequences of that because that was the biggest conflict in that episode. And a lot of the fandom have mixed opinions about it, I hear different opinions all the time. I’ve heard things from it’s all Ladybug’s fault to Chat Noir isn’t fit to be a superhero. I want to present some of my own opinions and analyze through the entire situation.

Firstly, I’d say the actual situation was caused due to a chain of events. Honestly, Adrien had quite a solid plan and it would’ve worked if he wasn’t trapped in the room with Marinette (basically if Aeon and Jess weren’t scheming). They were put in the worst case scenario and a lot of events led up to it: Marinette convincing Gabriel to let Adrien come, Gabriel’s own desire to go to NY for “villainous” reasons and wanting to leave Adrien out of it, Plagg wanting Adrien to have more freedom, Adrien being afraid of disappointing Ladybug, Aeon and Jess’s plan.

A chain of events adding together to lead to the worst situation as possible. Obviously, this was necessary to create conflict and evolve the characters.

Even if a chain of events did lead up to this, the characters did make mistakes.

Adrien

Let me clarify that his mistake wasn’t coming to New York but it was rather not informing Ladybug.

“Why didn’t you tell me you were going to New York?”

I do understand his situation, it was the first time he was entrusted with a responsibility, and he was so afraid to blow it and disappoint Ladybug.

It’s important to note that he thought he was obliged to stay in Paris. He thought she would be mad if he went to New York because he wasn’t able to carry out his responsibility. He didn’t understand that she wouldn’t be upset for telling her that he wasn’t going to stay in Paris. He was only given the responsibility because he was able to do it due to being in Paris. But if he couldn’t stay in Paris, that wasn’t his fault, and Ladybug would’ve understood that. If he informed her, she simply would’ve found another solution. No anger involved.

This also says a lot about Adrien. He feels obliged to do things and if he can’t do them, he’s expecting disappointment and anger. Wonder were that mentality came from? I’m looking at you, Gabriel.

With that mentality, he felt that informing Ladybug would anger her, because he doesn’t know what freedom tastes like. He’s allowed to have emotions, and he’s not always obliged to do things. As long as he communicates he’s fine. The result of his mistake comes from once again...his sheltered life and trashy parent (not to mention listening to Plagg).

Also, for people saying he doesn’t deserve to be Chat Noir for making a mistake, let me remind you that the whole point of the show is for the characters to learn from their mistakes. If they don’t make mistakes, there’s no development or conflict, and if you’re going to say he didn’t learn enough from his mistake, I’ll say accepting that you’ve made a mistake enough that you feel like you’re unworthy and punish yourself by taking away the one thing that makes you happy is more than enough.

Plagg

People say Plagg should know better. I agree. He should.

But he’s not Tikki. He’s more laidback (cue theories of Plagg having bad owners in the past).

And it’s important that he’s with Adrien because his influence on Adrien encourages him to get out of his shell, have more freedom. That doesn’t always go the right way though.

Like this time. I mean, there was no reason for Plagg to tell Adrien not to inform Ladybug, unless he also expects anger due to being abused by bad owners in the past which also makes him somewhat poor socially. I wonder if he sees a bit of his past self in Adrien. Coming back to track anyhow (save this topic for another time).

Plagg’s laidback nature and yearning for Adrien to have more freedom naturally pushes him to encourage Adrien because he cares.

And for Plagg, he actually gives some pretty useful tips for a backup plan. I mean, he’s a free spirit, I can’t expect him to be all strict and responsible like Tikki. But in all honesty, he seriously needs to take kwami tutoring classes if they exist. Tikki would be willing to offer lol.

Marinette

This one is going to be long. Because I’ve heard a lot of unreasonable claims against Marinette (as usual unfortunately).

Firstly, people think it’s hypocritical of Marinette to tell Chat to take care of Paris, and then blame him for coming, when she shouldn’t have been in New York herself. Like I said, she wasn’t mad at him for coming to New York, she was upset because he came without informing her. And she wanted him to take care of Paris, because he was her partner, and she thought he was going to be there anyways. He could alert her if it came to the worst case scenario, what if she wasn’t able to access her phone, or issues such as time zone differences. It’s obvious that she’d have to travel back whenever there’s an attack as she’s the only one who can purify the akuma and use the cure to fix everything. And saying she shouldn’t have gone in the first place? How else would they have the special? Also, she’s not obliged to stay stuck in Paris either, they can use their space powers or the horse miraculous to travel back anyways.

Second of all, people blame her for being mad at Chat. Saying that she shouldn’t have been mad in the first place. Since Chat is all supporting of her and all...

Well, I say she had every right to be mad.

In her point of view, she does have every right to be mad.

And comparing this situation to Chat being supportive of her when she makes mistakes isn’t fair. Those situations are different.

The most common comparison used is Miracle Queen and it’s not a fair comparison.

The mistakes she made didn’t involve anything that could make him angry. She was honestly torn up about it and communicated.

Over here, Chat didn’t communicate, and she was in a position where she could be angry, because the consequences of his mistake are also her own responsibility.

If he did communicate beforehand (I’ve said this too many times), he would’ve been upset about it, but she wouldn’t have been, she would’ve assured him that he needn’t be upset and she’d think of another backup plan instead.

But he didn’t. In her eyes, he could’ve and didn’t. And she doesn’t know if he would’ve told her. If there wasn’t an attack, she might’ve never found out. How is she supposed to feel about that?

His explanation doesn’t make sense in her eyes. It makes sense to us, the audience, because we know of his sheltered life, we know that he struggles with these kind of things. But she doesn’t. She knows nothing about his background. She doesn’t know his life behind the mask And it’s not her fault. She can only rely on their bond and partnership.

Ladybug: Why didn't you tell me that you were leaving?! Cat Noir: I was afraid you'd get angry!

Look at Ladybug’s perspective for a minute, forget about Adrien’s poor social skills, and really think if his answer was valid.

It doesn’t make sense why he would think she would get angry for telling her. It kinda sounds like he lacks faith in her (which we know is not the case). He hasn’t made a mistake this big before. And the way he reacts about it is that instead of confiding in his partner, he chooses not to tell her and makes decisions without her knowledge behind her back, I mean, how could she not get angry for that? Because they’re both the heroes of Paris. They’re meant to confide each other in things like this, If there’s a problem, they’re meant to communicate so things won’t go wrong.

Ladybug could’ve easily left Paris without telling Chat either. But she didn’t. She told him because he was her partner, and they work together as a team. She expected him to cover for her, and alert her, so she could make her way back to defend the team. But when he comes face-to-face with a problem? One that directly links with him not being able to stay in the city to defend it, he didn’t tell her. Instead, he leaves without her knowledge, and she didn’t know that Paris was left defenseless. Both of them our heroes. It’s both their responsibilities. When she confided in him, he didn’t do the same. And when asked why? All he says is that he was afraid she would get mad at him. That reasoning doesn’t even make sense, and it’s not something she can accept for not confiding in her. It runs deeper than just not informing her, it makes her feel like he’s not reciprocal in their partnership, that he lacks some sort of faith in her, that he thinks she would get mad that easily, and use that as an excuse. Remember, this is the same person who asked him:

“You don’t think I’m as evil as your nightmare, do you?”

Him not confiding in her is a scar to their bond. Not only does it endanger Paris. But it also makes her feel like he doesn’t have faith in her. He didn’t have enough faith in her to tell her that he was leaving. That he could use her getting angry as an excuse.

We know that due to his poor social skills and bad parent, he feels obliged to do things and expects disappointment when he can’t. It wasn’t that he didn’t have faith in her, more that he expects anger and disappointment when he can’t do something, and he was never taught to communicate when he comes across such a situation. And the fact that this was the first time he was given such a huge responsibility by her, and faces a problem, he doesn’t know how she’ll react, so he’ll expect she’ll react in the same way such as “someone we know” because he doesn’t know any better. Since he was never taught that communication is valid in a situation like this, he didn’t understand.

But she doesn’t all that about him. You’re all mixing fanon with canon. She knows barely anything about his personal life. How on earth is she supposed to know that he’s lived most of his life alone and his little experience with people? If she knew that, she probably would’ve reacted differently. But she didn’t. She assumed the first thing that came to mind.

So, maybe the line “I can’t trust you anymore, can I?” was more out of spite than anything else. She was just hurt.

Moreover, after he did accidently cataclysm Aeon, it wasn’t like she was jerky about it. She didn’t blame him after that at all. She said nothing to him. Because she does trust him. She does know that he didn’t mean to do it, and she probably guessed he was feeling guilty. Because unlike his poor social life, he does know that him enough that he’d feel guilty for doing that. I mean, anyone would, honestly. And even when Paris was destroyed, she said nothing to him after that, because she was considerate enough to not push the line, and not add even more to his guilt to what he was feeling. And she definitely felt bad about the whole situation herself.

In a overall, that whole argument was miscommunication and it really shows how troublesome their secret identities can be at times. That it limits what they know about each other and can cause misunderstandings. Since there was so much miscommunication and tension between them, they weren’t able to work together as a team, which lead to them being distracted, and causing the disaster.

This is why it is so important for them to trust and confide in each other. It makes them stronger as a team. And the New York Special definitely made them even more stronger after going through that conflict.

#sugar analyses #miraculous #miraculous ladybug #ml #mlb #miraculous new york #ml new york #ml new york spoilers #miraculous analysis #ml analysis #ladynoir #ml ladynoir #a 2000 word essay about why communication is important #geesh #very long post #but that's not unusual for me

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misteria247 · 2 years

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Bro-! Bro I just finished the episode The End of Lupin iii and holy fuck it was really good.

Spoilers for the episode under the cut as well as a somewhat personal ravings on the episode.

The episode was a Lupin and Zenigata based episode which was really nice to see because I adore these two to death. Anyways it was so cool seeing Zenigata being like really clever and smart about the entire situation involving Lupin's arrest. He was seriously like one step ahead of Lupin and was able to see what his next movements would be just from his knowledge of chasing him down for years. Like it was hella cool to see our usually goofy inspector actually get some moments where he outsmarted Lupin. Also lowkey the Italian Warden not really taking Pops seriously was honestly kinda funny and a little bit insulting.

Like my boy. You mean to tell me that this guy just didn't take Zenigata seriously even though it's been proven several times that the Inspector knows what he's talking about and has proven to be the only one to keep up with Lupin iii.

Wow no wonder Lupin gets out so easily sgsgsgsgsg. He's surrounded by idiots who ignore Zenigata who's like a tragic prophet who no one believes.

Anyways Pops finally gets Lupin to a secluded prison island and he personally keeps an eye on Lupin. And it was during this time that the episode like surprisingly got a bit deeper than I expected. Lupin basically gives up when he realizes that he has no chance of getting out so he just accepts dying. It was when he'd stated this fact that the episode really started to touch on some things. Mainly things involving Zenigata and what exactly his purpose was. The Inspector kinda goes on this self searching journey and he begins to question what exactly his life's purpose is since Lupin is behind bars and basically choosing to die rather than suffer in a steel box. Seeing Zenigata actually question what he's going to do with his life once Lupin's gone and what exactly his next move would be was really good to see. It gave him a deeper depth to him as he as well as us the viewers come to the realization that if Lupin's gone so is Zenigata's enthusiasm for doing his job.

Like Pops can't see himself really being Inspector Zenigata without having Lupin the Third as his equal in some way. He even tells Lupin in the episode that his biggest fear he'd come to realize was that if there was no Lupin, then there'd be no Inspector Zenigata because no one else could ever be enough of a challenge for him. Not only is this like a huge look into Zenigata and what he believes his career is supposed to be like but the episode also shows how much Pops actually cares about Lupin. Like Pops at first is so sure that one of Lupin's friends will come to get him at some point. He's so confident in this fact that when a few months pass with literally no signs of anyone showing up for Lupin he actually legitimately gets upset on Lupin's behalf.

He gets so upset about this that he literally just curses and yells into the sky asking if anyone actually gives a shit that Lupin is dying in a box. It was really interesting to see because it shows that not only does Zenigata hold Lupin to a somewhat equal and friendlyish standard but he holds the rest of the gang to that standard as well. So when Jigen, Goemon and Fujiko don't show up it's quite clear just how disappointed and somewhat hurt he is by their lack of not caring (when in reality they do care they just have an unshakable faith in Lupin). The whole episode basically just shows Zenigata struggling with himself in some way about his purpose in life, how Lupin's rivalry is actually extremely important to him, and how much he actually legitimately cares about the gentleman thief. Like several times throughout the episode he nearly unlocks the cell because of his worry for Lupin and his health. Like he's so conflicted by his need to be kind and the responsibility of doing his job he literally punches a rock because he's so overwhelmed by the choices.

Another thing I loved about this episode is I got to see Zenigata be hella strong. Like my dude this clumsy, awkward sweetheart of an Inspector literally picked up a bolder and threw it making it crack slightly. Like jesus bro if Zenigata is that strong then you know for a fact that he holds himself back whenever he gets into it with Lupin and his gang. Anyways of course the episode ends with Lupin outsmarting Zenigata and escaping from his prison and honestly seeing this was also hella cool. It's not often that I see Lupin plan so extensively and actually pull out all the stops with his plans so seeing this escape plan being made from literally the moment he was arrested and pulling it off by nearly starving to death to make it work was insane and clever as all hell. Like damn boy use that big brain cell holy shit. And of course the episode ends with Lupin being somewhat gleeful and locking Zenigata in the cell and Zenigata laughing as their rivalry is once again fueled by dedication and passion for the both of them.

Basically to end this long winded mindless rambling, this episode was really good. By far one of my favorite ones in this part! Seeing the Inspector and the Thief interact and seeing just how much the two of them really take this rivalry seriously and giving Zenigata depth was absolutely fantastic and I'd love to see more episodes like it!!! It just goes to show that no matter what Lupin and Zenigata are stuck together and in a way need each other to make everything more challenging and more exciting then it would be if the other wasn't there. They balance each other out and I love it.

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zaph1337 · 3 years

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Monster Hunter Rating 21: Khezu, the Blank Stare

When I reviewed Basarios, I made a joke about how the devs likely gave it human teeth over sharp teeth because the latter might not give children nightmares, but I don’t actually think that the devs ever intended Basarios to be more terrifying than any other monster in the game. This monster, however, is literally the stuff of nightmares, and I’m not misusing “literally” here. This may be the longest review I’ve written yet, so buckle up. Time to get spooky with Khezu!

(How it appears in Monster Hunter 1)

(How it appears in Monster Hunter Rise)

Appearance: I think there’s been a mistake here; last I checked, Capcom wasn’t making Silent Hill games. Seriously, this thing would fit right into that series, and not just ‘cause its phallic neck lends itself well to metaphors. The pale, veiny skin, the leech-like mouth, the complete lack of eyes...Khezu’s unlike any other monster in the series because it’s the only monster that’s meant to be horrifying to look at. It’s got flabby, tattered wings and gecko-like feet, but its main characteristic (other than the head) is its tail, the tip of which can open up into a suction cup that allows Khezu to stick to ceilings.

Obviously, Khezu’s an abomination that came from a really dark place in someone’s mind, but that’s just it: Khezu is a monster that appeared in an MH developer’s nightmare either before or during the production of the first Monster Hunter game, and said developer (I don’t actually remember who) decided to put it in the game. I learned of this from the Twitch streams of a streamer called DuncanCan’tDie, who’s a huge MH fan that’s on great terms with Capcom. Unfortunately, I can’t find any other sources for this claim, but I don’t think he’s lying for a few reasons; firstly, like I said, he’s on great terms with Capcom. He’s friends with some people who work there, and he even has a tattoo designed by someone on the MH team he called “Kaname-san” (who didn’t actually give him the tattoo, but drew the design that a tattoo artist used) and the only person who could go by that name is Kaname Fujioka, the man who literally directed several MH games, including the first one, and who was the art director for Monster Hunter World. So yeah. Duncan and Capcom get along great, and if he was spreading false rumors, they’d probably know about it.

The second reason I believe Duncan about Khezu’s origin is that someone once came into one of his streams (and I was there at the time) and started spouting “lore” about two monsters that looked like they could be related, but actually weren’t. Duncan flat out told this person that what they were claiming wasn’t mentioned anywhere and asked for sources...which the loregiver did not provide. In fact, after Duncan started getting on their case, I don’t think they said a word for the rest of the stream. Duncan believes that this person was just making stuff up to sound like they knew a lot about MH and weren’t aware that he was an MH expert, and I doubt that someone who would call someone out on that would do the same thing, especially if he had a reputation to uphold.

I apologize if I spent a lot of time talking about that, but I didn’t want people getting on my case because they couldn’t find anything to support my claims. But in conclusion, I believe that Khezu truly was born of a nightmare, and that’s awesome. It makes the Silent Hill comparison even more fitting since the enemies in those games are basically projections of the protagonists’ psyches. Disturbing enemies are much more effective if they scare(d) the people who created them, and Khezu is certainly disturbing. Because of that, as well as its ominous origin, I’m giving it a 9/10.

Behavior: Khezu mostly inhabit caves, jungles, and swamps due to the need for their skin to be moisturized, though they usually only leave caves to hunt, which they don’t have to do very often due to the plentiful fat beneath their skin, which also keeps them warm. Their favorite hunting strategy is to ambush their prey from a location usually concealed by darkness, which is made easier by their extendable necks. However, their reliance on darkness, as well as their preference to dwell in caves, has made them completely blind and reliant on their other senses; despite not having visible nostrils or ears, Khezu have great hearing and a very good sense of smell. Back to hunting, while they need to subdue larger prey, smaller ones, like Kelbi, are slowly swallowed whole...which is apparently something you can actually witness in the games, according to TV Tropes (I normally stick to the wiki and what I already know for resources, but I went to the “Monster Hunter / Nightmare Fuel” page while searching for another source for Khezu’s origin as a nightmare). As if this thing needed to be more disturbing, it doesn’t always kill its prey before it tries to swallow it, so the Kelbi you can see it eat is constantly struggling as the Khezu swallows it bottom-first. That’s...that’s messed up. But it gets worse.

Practically every monster in this series isn’t any more intelligent than what we consider a normal animal to be. Aside from Lynians, which are people, the smartest monster I’ve talked about is the Velociprey, which might not be as smart as, say, an irl crow, which is very intelligent by the standards of nonhuman animals. What I’m getting at here is that most of the monsters in this series don’t really take any sadistic pleasure in killing and eating prey; they just do it to survive. But Khezu is different. In several MH games, including Rise, the first time you go on a quest to kill a specific monster, the gameplay is preceded by a cutscene that shows off how powerful or intimidating that monster is (and in Rise’s case, you also get a poem). Here’s Khezu’s intro, and I want you to pay attention to what Khezu does from 0:24-0:30:

youtube

That’s right: this thing “looked” right at the monster it was going to eat, and smiled. That isn’t just me anthropomorphizing it, either; I’ve seen what Khezu looks like outside of that cutscene, and even with its mouth closed it has a neutral expression, so it smiling actually means something, and considering the context, it’s obvious what the devs wanted us to take from it: Khezu likes killing. It enjoyed the prospect of swallowing that monster whole while it was still alive and struggling, which means that this is the first monster I’ve talked about that we can definitively say is evil rather than just an animal. Rather fitting for a living nightmare, I would say. And if you thought all that was disturbing, I have some...unfortunate news. I hope you aren’t eating anything right now, ‘cause this next part is just gross.

Y’know how some wasps lay their eggs inside other bugs so the eggs have incubation they can eat when they hatch? Well, uh...Khezu do that, too. And they’re hermaphrodites that, from what I can gather, don’t need to mate, so any adult Khezu is capable of injecting another monster with its “whelps” (not saying that Khezu are always “pregnant,” just saying that any of them can be). And you know the really crazy part? After everything I said about Khezu, there are still people in the MH world that tame them and keep them as pets. Why would you want to have a slimy, flabby, sadistic, parasitoid, 14-to-40-foot abomination as a pet!? God, people are so freaking weird.

EDIT (05/07/2021): My older brother reminded me that I forgot about one of the odder aspects of Khezu; when you enter a fight with a Main Monster, its battle theme plays (don’t know if every monster has a unique theme, but several do, to my knowledge), but Khezu has no theme to speak of. I don’t know if this is true in every game, or even if it was intentional at first, but it’s still both funny and eerie at the same time. There’s no background music until you get in a fight, so if you somehow tick off a Khezu without seeing it, then it can sneak up on you. “But Zaph, the moment a monster enters ‘fight mode,’ it roars! So the Khezu will give away its position!” See, you’d be right about that if it wasn’t for the fact that, according to TV Tropes at least, Khezu’s roar sounds just like wind--howling wind, yes, but wind all the same. I don’t know if there’s any howling wind SFX in the areas where Khezu live, so for all I know you’ll still be able to identify it in a hurry, but just imagine what that’s like in-universe! Imagine that you’re walking around in the Frost Islands or something and hear a chilling wind from out of nowhere. Unless you’re an experienced hunter, you’d likely have no idea if that was a Khezu or not, so you wouldn’t know if it’s too late to run or not, or even if you should run at all. Going back out of universe, the details I just described are very nice touches to a monster that was already horrifying in behavior, so I’m bumping the score here up from the 7 I initially gave it to 8/10.

Abilities: All of the “Flying Wyverns” I’ve talked about so far have had a lot of trouble with the whole “flying” part, and Khezu are no exception; they’re better at it than Diablos and Gravios, but they still need to flap really frantically to stay in the air. They’re great at jumping, though, and their gecko-like feet allow them to scale walls and stick to ceilings, something that their tails also allow them to do. Khezu are Thunder-element monsters capable of discharging electricity in a manner of ways, including shooting balls of it from their mouths and emitting it all around their bodies. Since Khezu like to spend time around water, their attacks are even more dangerous, as everything near them will likely be wet and therefore more conductive. This also applies to Khezu themselves, which may be why they stick their tails onto the ground before discharging electricity; they ground themselves so that they don’t shock themselves. Finally, Khezu saliva is very dangerous; we don’t know if it’s electric or acidic, but anything that gives off smoke when it touches something probably isn’t good for your health, which is why owning a pet Khezu is so dangerous; their drool can literally kill you. 7/10.

Equipment: Most Khezu weapons are as interesting as you’d expect them to be, considering the monster they’re made from. Most of them have a horror aesthetic, like this Great Sword called the Khezu Shock Sword:

I just noticed that the skin is actually stretched over the blade, rather than being what the blade’s attached to. Gross, but I never expected Khezu weapons to look pretty. There are also weapons which emphasize the monster’s electric aspect, like this Gunlance called the Full Voltage:

It still has Silent Hill vibes due to its “rusty hospital” aesthetic, and looking at it long enough reveals little details it inherited from Khezu. Speaking of hospitals, there are a couple of weapons based off of syringes, such as the Khezu Syringe, which is a Light Bowgun, and a Lance from MHFG that’s literally a giant hypodermic needle, but I didn’t want to show those off in case they triggered anyone with needle phobia. The last weapon I’m gonna show will be very familiar to those of us who’ve played the Rise demo a lot: the Insect Glaive known as the Bolt Chamber!

I like the green tube running from the sac between the blade and the shaft of the glaive; according to the Bolt Chamber’s in-game description, it uses that “pulsating device” to steal energy from its targets. If you mentioned that to me before I grabbed its image for this review, I probably would have asked how it did that. If you then pointed out the mouth at the glaive’s end, I would have thanked you for cursing me with the knowledge of its existence. Seriously, I’ve used this thing probably more than 20 times, and until I saw this render, I never noticed that. As for the armor, here’s the Blademaster Khezu Armor from MHGU:

The male armor here is almost identical to the one from Rise--which sadly doesn’t have any pictures on the wiki yet--and yes, it does look like the main character from Assassin’s Creed. The female armor, on the other hand, looks almost like a nurse’s outfit, especially with that metal thing on the woman’s head with the cross. The more I look at this equipment, the more I feel like they wanted people to think of Silent Hill, and if so, that’s pretty cool. I’ve got another armor set to show you; the Gunner version of the Khezu R Armor from MHGU:

Jesus, is this an armor set or a medical emergency? I can’t imagine bandages are very effective at protecting your body from physical damage, but thankfully it looks like most of them are just covering actual armor...meaning that the people who designed this stuff in-universe wanted the people wearing it to look like they were in an accident. Not sure I get why, but I’m not here to--actually, I am here to judge, so never mind; it’s gross. Also the female set has Khezu mouths as arm coverings, which is someone’s fetish, I’m sure. The equipment as a whole is macabrely interesting (TIL that macabrely is a real word) and calls to mind a fascinating horror game franchise, so 8/10.

Final Thoughts and Tally: I figured that Khezu was gonna be interesting, but I didn’t know how far the devs would take the horror theming. Everything about this monster is creepy; it looks disturbing, it acts even worse, and its equipment makes me feel like I need a tetanus shot just from looking at it. But that’s not at all a bad thing...unless you’re really squeamish, in which case you were likely cringing this whole review. I’d apologize, but you made the choice to stick through ‘till the end. 8/10.

#monster hunter #monster hunter rating #monster hunter rise #zaph1337

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witchesoz · 3 years

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After Oz: Legends of Oz

I hesitated before doing this one, because this movie is mostly based on the book "Dorothy of Oz" by Roger S. Baum, and I haven't read said book. It is something that tends to get on my nerve, when people actually don't care about the original material an adaptation was based on, and consider the adaptation as its own entirely original piece of work, when in fact, a lot of it was taken from somebody's else work. I mean, the perfect exemple is Shining. Some people praise Kubrick for being a pure genius for inventing this story from A to Z, and consider Stephen's King television series a "poor attempt at a remake of the movie", when... you know, King originally wrote the Shining and Kubrick merely adapted it. In fact, people tend to forget most of Kubrick's movies were adaptation. Dr. Strangelove? Loosely based on "Red Alert". Lolita? Everyone knows it is Nabokov. A Clockwork Orange? Anthony Burgess. 2001: Space Odyssey? Inspired by shorts stories of Clarke, the co-author. Eyes Wide Shut? A 1920s German book, Traumnovelle. And so forth and so forth...

Hum. Sorry for the rant. I just needed to explain why I always want to take in consideration the original material when tackling an adaptation. But since I haven't read and can't get this book, I will mostly rely myself on the Wikipedia plot and other reviews I read. If you wonder, yes, Roger S. Baum is Baum's great-grandson (or great-great-grandson?), and he wrote "Dorothy of Oz" as a direct sequel to the first book, "The Wizard of Oz", ignoring all of the others, and... apparently he is not a really good writer. But anyway... I still decided to do a little something about this movie, because... well just because I wanted Oh yeah, another thing... an elephant in the room I have to adress right now. I only discovered it this year, by doing research about the movie (because before I only saw it at the time of its released and then forgot about it). You can know it, or completely ignore it - yes, I know that this whole movie was the result of a huge scam that robbed hundreds of people out of their money, and that the case has been even brought to trial. But... well the movie is still here, people still saw it, it is still around, will be for still quite a long time, and it is now part of the Oz inheritance, that you want it or not. Anyway, a lot of Oz movies had a dark and troubled production. It seems almost like a pre-requisite: if you do an Oz movie, you'll never end happy. Maybe it is a curse? Who knows.

So... let's get into the subject. Is "Dorothy's Return" a bad movie? (I'll use this name, because "Legends of Oz" was the name of the intended franchise of three, maybe ten movies). I wouldn't say so. A lot of people said it was crap, or worthless, but I wouldn't call it bad. People also said that it is a bland movie, and I would say yes - but only partially. I think a good lot of the extreme bad reactions were caused because of 1- people who just disliked the idea of more Oz adaptations, 2- people too old for this movie, because you have to remember that this is a movie aiming at children and 3- people who are hard-die fans of the MGM movie and not so much of the original Oz books. It may also play in account that Dorothy's Return was roughly released the same year, and played as a "rival" to "Oz the Great and Powerful".

Now, note that it isn't a memorable movie (except for a few bits). It isn't an excellent movie. It isn't a cult classic (even though it may become it with the whole scam background, who knows?). It isn't something I would watch again and again with pleasure. It isn't something exceptionnal or groundbreaking, it is even quite generic. But, it has some good parts, and it manages to be entertaining, and honestly as a child I could have sit in front of it and watch it with no problem. Because, yes, it is a children movie. The action is rushed, the characters lack depth, some moments are too sugary-sweet or even cringy (for exemple the song "We'll work together". Seriously, I just looked away and sped up a bit because that was too sickening-sweet for me.) As a result, as a child movie they missed things that could have been really good (the old tree agreeing to be use for a boat, which is played straight up as him being killed, the characters even say so, but then it turns out he is still alive as a boat? You could have had a great, deep, fascinating almost philosophical moment, but you just waste it for a happy ending). Anyway, what was I saying? Yes, a children movie. As a result, some people called the movie "too simple". On the other side, people called the story "too confusing".

To an Oz fan like me, it isn't actually confusing. It isn't at all - but indeed, for someone with a limited knowledge of Oz, it will be confusing. Because, while they base themselves on an Oz book that re-uses many elements from the books (the Queen of the Field Mices, the Sawhorse, the China Country...) it also decided to include a lot of elements from the MGM movie (the Wicked Witch of the West is the one from the MGM, Glinda is also quasi-identical from her MGM counterpart, the Winged Monkeys work with the evil people...). As a result, yeah, it may be confusing. But the inclusion of the MGM elements actually managed to correct some flaws of the original story. For exemple, in Roger S Baum's book, the Jester was merely a normal jester possessed by the ghost of the Wicked Witch of the West, through her magic wand. Wait, magic wand? There wasn't any magic wand mentionned in the original book! But in the movie, to use the broomstick of the Wicked Witch makes much more sense.

I'll take a short time here to comment on the character of the Jester, who is, I think, the highest point of this movie. He is a good villain. A cliché but interesting backstory cashing on the idea of Oz vilains as siblings, a clear shout-out to the Joker which isn't so bad, interesting plans. He is also the provider of many nightmarish elements (the fate of Dorothy's companions, which I think was a very good idea, or the people turning into puppets and being used for a creepy dance) that made this Oz movie feel... well Ozian. Because a good Oz work is a work that will traumatize your kids! I guess a bit part of why the Jester works so well is that he basically repeats and remakes all his sister, the Wicked Witch, did in the MGM movie, and let's be honest, she was a great villain. (And this again makes sense when you remember the Jester is originally supposed to be possessed by the Witch's ghost). But at the same time he has his distinctive signature and style, with his Jester persona, his circus-related punishment and his personal plots to conquer Oz. [People noticed obviously the sweet irony of things in this movie. You have a double-character that, on the Earth world is a cheater and criminal trying to steal people of their houses and using several fake identities, while in Oz it is a villain that turns people into puppets he can manipulate and relies mostly on cheating and misleading Dorothy to her doom. Which is eerily similar to what the creators of the movie/franchise did with their financers and investors.]

Talking about the Earth side... The whole "earthly" parts are all bland and not memorable. Just like Dorothy, who isn't really... anything to be honest. The songs sung aren't memorable either. All of that is a fail. A lot of people also considered the Earthly animation uncanny, or even disturbing, but I personally wasn't bugged by it at all. I saw much more uncanny animation.

When it comes to the Oz part, I actually think they managed to create a perfect "Ozian story". As in, the general schema of the girl entering in Oz through an uncommon mean (here a people-eating rainbow, that I have to say was quite a scary scene to look at), then passing through many small kingdoms, meeting new friends, forming a team, discovering the villain and fighting him off - this plot was repeated by Baum times and times and times again, and probably comes from the original novel Dorothy of Oz. But it still works, as simple as it can be. Plus, the use of the China Country and the Candy County (I think its their name?) was quite a good choice. The China Country was one of Baum's earliest invention, while the Candy County (originating from the Roger S Baum book) is eerily similar to the Bunbury village, an invention of Baum, inhabited by living baked goods that also get angry at the protagonists for trying to eating them. Yes, all in all, the characters feel really Ozian. As for the other member of the team, "Wiser the Owl". Well... he had the potential to feel an interesting and Baum-ian character. But it falls flat because he just becomes one living fat joke. I mean, fat jokes can be funny. But when the character is mostly the joke itself well... yeah, not really working. He had a much interesting role in the prequel comic book.

Because yes, there is a comic book associated with this movie! As I said before, originally the project was to create a franchise of several movies, with toys, goodies, applications and video games. (Or at least that was the project the scam used). The comic is however found under the original title for the movie "Dorothy of Oz". I don't have much to say about it, outside that is was quite pleasing (even though it sometimes doesn't make sense when put in direct relationship to the movie), and that it introduced one interesting idea: that the magic of the broomstick/Witch relied mostly on manipulating the weather and nature. The Jester causes a flood to destroy the Munchkin town, he causes an earthquake to break the China Country, he uses heatwaves to melt the Candy County... And another interesting point, the role of Wiser. Indeed, in the movie he is presented as a "motor-mouth" that keeps talking about everything, knows a lot of stuff and has the tendency to finish other people's sentences. But it gets quickly overshadowed by the fat jokes (cause a big part of his character is that he used to be able to fly but now, because of his love for candy, he is too fat to fly). However, in the comic book he has rather the role of the one voice of reason and intelligence that offers down-to-earth, simple solutions to problems where the other Ozians search for more extravagant and magical possibilities. Exemple (SPOILERS: when trying to create a rainbow, the team searches everywhere, thinks of asking witches, wizards and candy makers. Wiser has to remind them that anybody can create a rainbow with just a good crystal and some light. SPOILER ENDING.)

(I actually read the comic book before looking at the movie, which may explain why I consider it better than the movie.) To return to my opinion on the movie... Not the greatest Oz movie, but certainly not the worst. Average, but on the good side. Entertaining and interesting, even though bland and generic. They got the feeling of an Oz story but they just didn't found a way to freshen up or make the story shine on its own. A good villain for a heroine easy to forget. Simple. Ideal for children, or to kill time, or just to inspire one for more Oz work.

#oz #review #after oz #opinion #animated movie #legends of oz #dorothy's return #legends of oz dorothy's return

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crossdressingdeath · 3 years

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You know, as someone who is gay and has... more experience in abusive relationships than I ever wanted... hearing people talk about how unhealthy WangXian is upsetting. I know I can’t speak for everyone, but in my opinion WangXian is something more queer people need to see. And people calling it abusive when it isn’t is actually counterproductive when you think about it.

Like, I’ve had to play the guessing game of “Do my friends and family have a legit reason to be concerned, or are they secretly homophobic?”. Not a very fun game. You already have people online saying that gay relationships are sinful/toxic just by existing. Just seeing people misinterpret canonically gay couples as toxic/unhealthy just because the relationships isn’t perfect is going to make people not take actual claims on legitimate toxic/unhealthy fictional couples seriously.

I’ve seen so many people try to say that WangXian is either toxic or a stereotypical yaoi couple, and I just think “are we reading the same novel? what translation are you reading?”.

“Forced Gender Roles/Het Coding” – you mean how LWJ typically does more feminine chores, while WWX is more skilled/knowledgeable with traditionally masculine chore? Like in his dream, where LWJ is literally a housewife while his a busy husband?

“Stereotypical Seme/Uke dynamic” – not even mentioning the fact this isn’t yaoi (it’s danmei) and therefore, theydon’t really fit that genre, I really doubt it? Like, WWX is the one who decides nearly everything in the relationship. Regardless of what LWJ wants, he won’t push WWX into anything. In fact, WWX has to encourage LWJ to talk about what he wants/likes. Really, thinking about, WWX is kind of the one in charge.

LWJ might have WWX beat in terms of pure physical strength, but if you think LWJ could win in a fight without WWX letting him, then you clearly haven’t been paying attention. May I remind you, without golden core, WWX took on multiple armies? And the one that killed him only won because he let them. They technically didn’t even kill him! MXY’s body means WWX has a golden core now - he’s not as strong physically but he can work on that - he’s still stronger in every other aspect. It’s basically impossible for LWJ to overpower him.

“Rape/Noncon” - Where? There are two moments where LWJ crosses boundaries... but only one of those moments is an actual boundary crossed. Every other intimate moment that happens, LWJ makes certain that WWX is actually enjoying himself and consenting.

The infamous kiss. A lot of people misinterpret this as something the author threw in because it was “hot”. In actuality, this kiss is important for multiple reasons. While WWX isn’t upset by this kiss, LWJ clearly is. This moment is what causes LWJ to stop trying to force WWX to go back to CR with him – it’s this moment that makes him realize if he continues down this path, he will end up like his parents. This moment is the start of major character growth for LWJ, allowing him to become a better man, one that WWX can actually love wholeheartedly without any regrets. It’s this moment where he decides that he can’t just take little things from WWX anymore - he has to try a different approach to help him, and accept that WWX might never feel the same way (obviously he’s wrong). Like, the impact this has is huge, and it’s another reason why LWJ refuses to mention his feelings to WWX - he doesn’t want to force him ever again. So he won’t. Not even by having WWX agree to be with him out of graditude.

The other boundary crossed is when LWJ spanks WWX during sex. The narration makes it very clear at that moment that it’s not okay, that WWX is uncomfortable and doesn’t like it. And it stops, LWJ moves from it after some nudging from WWX. After the event, they have a serious talk where WWX makes it very clear that while he enjoys a lot of things, LWJ can’t do that ever again of he wants to continue being with WWX. LWJ could have argued, could have said that since they were under the influence of the incense burner, he shouldn’t be blamed for his actions. Instead, he swears never to do anything like that ever again.

This is so important! The message this sends is so important! This whole scene is saying that, no matter what kinks you might have or how kinky you are, your boundaries deserve to be respected. You don’t have to do something you’re uncomfortable with just because you’re kinky and your partner likes it. How can anyone read that and think it’s supporting rape?

Also... if I’m being honest... I actually thought CQL had a more stereotypical Seme/Uke dynamic than the novel. WWX is so much weaker and less observant/cunning... couple that with the fact the he’s not only not even a little guilty of his crimes but he’s actually made into a poor victim with lot of fainting into LWJ’s arms... yeah, he comes across much more like a uke than in the novel. LWJ is also so much more of a stereotypical overprotective seme too. Then there’s the whole thing lack of consent someone else mentioned, with how WWX forces LWJ to drink/how LWJ tricks WWX into marrying him (so he literally did the thing his father did that the fandom finds so unforgivable?). I like CQL, but a huge chunk of those fans are kind of obnoxious and toxic... and hypocritical I guess.

So, I just wanted to rant after seeing so many posts on this topic. I’m just really annoyed. I don’t even know if this makes any sense.

That is an excellent point re CQL. I’ve thought about how they weakened WWX and dumbed him down (presumably to make him more of a victim), but not how that affects his dynamic with LWJ. Also I do want to acknowledge that there is dubcon in the novel; the first time they have sex LWJ is drunk to start and we don’t know when exactly he sobered up. But like... that’s not exactly uncommon in romance novels. And the show has WWX forcing LWJ to get drunk against his will and LWJ marries WWX without his knowledge or consent, which... really isn’t better, especially as the novel does have discussion about how what they did was kind of a mess with consequences and them having to discuss it, which the show... doesn’t. In fact the novel takes consent as a far more important thing than the show does to the point of it being a central theme that the show lacks.

Yeah, I have to say that people insisting that Wangxian (specifically novel Wangxian) is super unhealthy feels like the double whammy of “Ewwwwww gay people who aren’t unrealistically perfect” and “Ewwwwwwwww a woman writing gay romance”. I mean, I seriously doubt that if one of them was a girl and/or the story was written by a dude and nothing else changed people would react anywhere near as vehemently towards it. Like... it seems interesting that the version people are insisting is healthier is the censored idol drama where they aren’t actually in a relationship and the people in charge mostly seem to be men, that’s all I’m saying.

#mdzs vs cql #anon #asks

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docholligay · 4 years

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Chinese Food in The American West

One of the things I frequently come across as a student of the American West* is that people get most of their information from movies and TV and then act like they know things. Wyatt Earp was not a Lawful Good champion who always did his level best even when it was hard to know. (You want Seth Bullock or Bass Reeves). Racism was far more complicated than white vs not white (I’ve talked about this EXTENSIVELY in Strange Empire, so I’m not going to bore you here**).

And they didn’t just eat steak. In fact, they rarely ate steak.

Steak as cowboy food isn’t INACCURATE, but it is MODERN. From about the early 1900s on, you had less and less drives and more and more ranchers who were staying put, with less and less hands needed, and so food was grabbed less “on the go.” Cows could be slaughtered and used to feed the family, allowing for more opportunities for things like steak, yes, but also things like chili, a play on sauerbraten, southern-style biscuits. The cattle drives were a real blend of culture and race, and a lot of what we have left as “Western food” owes a great deal to that.

And if we leave the cattle drives and head into the towns of the American West, as we will today, we find things like oysters, pies, and various things like that. Far more well-heeled than the general expectation.

I mean, here’s the menu from the Occidental Saloon circa the late 1880s:

Soups

Chicken Giblet and Consumme, with Egg

Fish

Columbia River Salmon, au Beurre Noir

Relieves

Filet a Boeuf, a la Financier

Leg of Lamb, Sauce, Oysters

Cold Meats

Loin of Beef, Loin of Ham, Loin of Pork, Westphalia Ham, Corned Beef, Imported Lunches

Boiled Meats

Leg of Mutton, Ribs of Beef, Corned Beef and Cabbage, Russian River Bacon

Entrees

Pinons a Poulett, aux Champignons

Cream Fricasse of Chicken, Asparagus Points

Lapine Domestique, a la Matire d'Hote

Casserole d'Ritz aux Oeufs, a la Chinoise

Ducks of Mutton, Braze, with Chipoluta Ragout

California Fresh Peach, a la Conde

Roasts

Loin of Beef, Loin of Mutton, Leg of Pork

Apple Sauce, Suckling Pig, with Jelly, Chicken Stuffed Veal

Pastry

Peach, Apple, Plum, and Custard Pies

English Plum Pudding, Hard Sauce, Lemon Flavor

This dinner will be served for 50 cents.

-I got this from the book “Saloons of the Old West” by Erdoes

But none of that is precisely why I’m here, I just can’t stop myself from talking about this, why I’m here is that one of the things I say that often surprises people, is that Chinese food was incredibly common for the, well, common man to eat. There’s very much a conception that we as a non-Chinese American people did not start eating Chinese food until the 40s and 50s, and its truer that it took longer to catch on in the American East than the West simply as a matter of proximity and choice.

Not MORE choice but LESS. Part of what made the West so unique, historically, is that the lack of choice and the basic scarcity caused people to work with and patronize people that their general prejudices would have kept them from using back east, because they had CHOICES. But out in the west, less so. There were few choices for a quick, cheap meal on the go. That dinner I just posted above is a lavish affair, and a great deal at approximately $20.00 in today’s money. (Which does not allow for the fact that cost of supplies has gone up and this dinner would most likely be offered for no less than 70 or so today.)

People desperately wanted something that was cheap and quick, and the other options in the American West were few, far between, and not intensely pleasing. No one had really come up with the sandwich shop as of yet, and in any case, fresh meats and cheeses would have been too difficult for the low-cost supplier.

ENTER THE CHINESE POPULATION.

If you have read my Strange Empire blogs, I hope you know that Chinese people were a huge presence in the American West, mostly working for the railroad and various mines, but also doing things like laundry, work that was extremely hard but took little in the way of English speaking. They existed in Chinatowns, for a combination of cultural and legal factors, but it’s a misconception that non-Chinese*** people never went to Chinatown.

People are not new, and it was not unusual for non-Chinese people to use the laundries, tailoring, and other services of Chinatowns while suppressing the rights of Chinese people int he same breath. There were always individual Chinese people any given non-Chinese person liked and did business with.

In time, they discovered the inherent wisdom of the noodle bowl.

I don’t mean to suggest that all these early restaurants served was noodle bowls, but that was where it all started. Remember, Italian food had little prominence in America at the this time, as Italian immigration didn’t really get into full swing until the 1870s in America. While there are noodle traditions half of everywhere, and there is nothing new under the sun, what we today would consider a stir-fry bowl was wildly new to most of the non-Chinese folks in the West. That it could be offered up so cheaply, was so filling, and so delicious (more on this later) was a wild revelation. Everyone from simple cowboys (which, fun fact! Was a slur back then!) to mayors were swinging by Chinatowns to try the dishes.

By the 1920s, chop suey, a fully Chinese American invention derived from the words for “various leftovers” was a hugely popular American food among all sorts.

Doc, you may ask, was it just that these folks coming through to get medicines or laundry were SO adventurous? Not at all! Chinese restaurants back then actually, in a very short amount of time, realized that their non-Chinese townsfolk were an excellent way to make money as well, and began to adapt and change dishes to better fit the Western palate, leading what we call American Chinese Food today, which is a legitimate foodway I will defend to my death. Unfortunately, none of these menus survive today--the only ones we have are from places in San Francisco, places that were much more posh, and not the subject of this essay.

There is a scene in Tombstone where Wyatt and his brothers are eating Chinese food, and it’s one of the things people often ask me about, assuming it’s anachronistic. Actually, it isn’t at all--the anachronism is that there’s broccoli in those noodle bowls, which had not yet hit our shores by the time of the OK Corral. Chinese food was a huge hit, Chinese restaurants were doing extremely well, and some Chinese restaurants were even beginning to attempt to print menus in English, with sit down areas, instead of serving simple fare from food carts.

As the food from these “chow chow houses” grew in popularity, as we can infer from the advertisements of their competitors promising free potatoes with every meal, and other such niceties to entice, there was, as ever there must be, blowback. Anti-Chinese sentiment grew to a fever pitch, and with this came overt pressure for ‘Good Americans” to patronize ‘American restaurants’. The social pressure is actually where we get some of that old racist jargon about Chinese people serving dogs and cats, which people often think was spread by competitors to degrade the Chinese restaurants, which isn’t UNTRUE, but was just as often said sheepishly by someone who couldn’t stop themselves from going and grabbing a noodle bowl or even the American dishes they offered, such as roast chicken or pork chop sandwiches.

(I won’t comment with anything but an eyeroll on the bullshit of people saying they’re ~allergic to MSG~ okay I’ll believe you when you stop eating processed food, meat, aged cheese)

It actually kept this type of reputation as being slightly scandalous well into the early 1900s, as being something you ate after the bar, something to be had in the shadows, but it was all for naught, because Chinese food became an important part of American identity. But for all that, no one ever pictures the Lone Ranger chowing down (the American phrase ‘chow’ for food actually comes from these ‘chow chow houses’) on some chop suey, but there’s every reason to believe he would have. American Chinese food is just as American as the Germanically-influenced hamburger.

(There’s a whole subtopic to go down about Jewish and Chinese communities and Kosher Chinese Food, two marginalized and othered communities coming together, but that’s a WHOLE other topic)

(Also someone please buy me Chinese food. This shit always makes me so hungry.)

*The American West is a specific time period, as far as the study of history goes. It covers the period between the end of the Civil War and the New Century, generally, and is, obviously, concerned with the western half of the country. It doesn’t cover stuff like Lewis and Clark (that’s Expansion) or even the Civil War itself, though you cannot possibly hope to study the American West in any level of seriousness without understanding the Civil War. Anyway! I know a lot about America between 1865 and 1900, and am just knowledgeable enough to be dangerous on everything else. Most History nerds are highly specified like this. We’re not as much help to your trivia team as you think.****

**I actually have had little chance to talk about ~European-style xenophobia~ as it played out in the west, because Strange Empire takes a more modern pass at it. But there was a hierarchy of “whiteness” as well, as still largely exists in Europe, land of intentionally clean ethnostates.

***I use the term “non-Chinese” instead of white because believe it or not, non-white people were not magically free of racism against Chinese people. It was horrific and BASICALLY every non-Chinese person was guilty of it to some level, a wild-ass level of hatred that led to Chinese folks not being able to PURCHASE PROPERTY BY LAW in ENTIRE STATES. Being Chinese or Native in this place and time was your Worst Bet.

****I actually was on a competitive trivia team, you DO want me.

#That was Oddly Specific #Holligay is 34: The celebration

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wonderfulworldofmichaelford · 3 years

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Michael in the Mainstream: The Dark Knight Trilogy & Its Negative Impact on the Superhero Genre

Superhero movies have come a very long way in the past couple of decades, cementing themselves as a genre unto themselves rather than the odd action movie here or there. Almost every year a few new ones of varying quality pop up that incite equal parts excitement and derision. It’s definitely a genre people feel very strongly about, but even people who tend to not love superhero films will admit that Christopher Nolan’s Dark Knight trilogy is fantastic.

From 2005 until 2012, Nolan reinvisioned Batman in a way that grounded the character in reality. There’s no fantastical elements, there’s no insane science, there’s no superpowers… Everything in these films could happen in the real world. In a post-Batman & Robin world, this was seen as a breath of fresh air, and the critics loved it. In particular, The Dark Knight helped to usher in the modern age of superhero films, releasing the same year the MCU kicked off and widely being hailed as one of the greatest films of all time. That’s right, not even superhero films, films period. These films were impressive, groundbreaking, and… they fundamentally ruined superhero movies for quite a while.

Look, I don’t particularly hate these films. I think all of them are pretty good, in their own ways. But they have a lot of glaring issues that really hamper them a fair bit and yet, somehow, they became the blueprint that studios decided to look at for what they thought a successful superhero movie should be. Nolan’s films are serious, brooding, dark, and lack the whimsy and creative insanity that makes comics such a fun and engaging medium, and I think this right here is what has hurt comic book movies the most over the past decade. These are films that feel absolutely ashamed to be comic book movies, and they desperately want to seem like they’re “mature” and for “adults.” And, unfortunately for the rest of us, this shame translated over into a lot of other films, something we’re only just now recovering from.

Looking at the greatest strength of the trilogy shows this issue pretty well, that being the villains. Nolan’s films gave us truly iconic portrayals of characters like Bane, Joker, and Scarecrow, and you’re not gonna hear me say much bad about them. Cillian Murphy, Liam Neeson, Tom Hardy, Anne Hathaway, Aaron Eckhart, and Heath Ledger all do fantastic jobs as the insidious rogues of Batman. But the issue I have is that by grounding these characters in a realistic setting like this, it kind of misses the point. Joker isn’t using exploding cakes and laughing gas, Ra’s al Ghul isn’t an immortal warrior, Bane isn’t a drugged-up super soldier… They’re all just Guys. They’re Guys With Gimmicks, yes, but at the end of the day they aren’t what should be looked at as the be-all, end-all of the character’s portrayals.

And yet everyone acts like no one should ever play Joker again, because Heath Ledger’s Joker was just so good, guys! And he was good, but I don’t think Ledger’s Joker should be the absolute final Joker ever. Quite frankly, I prefer Phoenix’s Joker, because even if that version is also in a rather grounded film missing the overt weirdness of comics for the most part, he still dresses in a colorful costume, acts weird, tells jokes, and is in general more Jokery. Out of all of these villains, I think Bane and Scarecrow at least come within the ballpark of being close to how they should be, but Scarecrow is horribly underutilized and Bane is given a rather undignified sendoff.

Then there are the bigger issues. Batman himself is really downplayed throughout the trilogy, getting fairly little screentime compared to villains and side characters. This was a huge point of contention when The Dark Knight Rises came out, with most of the film featuring Bruce Wayne, and in hindsight it highlights how unwilling Nolan was to engage with the comic book trappings of what he was adapting. I like Christian Bale a lot, he’s a great actor, but I don’t think he really carries any of the films; in fact, it’s usually the villains carrying the movies. Bale is certainly not as bad as Val Kilmer in the role of Wayne/Batman, but he’s no Keaton, he’s no Clooney, he’s not even an Affleck. A lot of the time, he also just feels like… a Guy. And Batman should not ever, ever just be a Guy.

But perhaps the most egregious fault of the films is what it did to Gotham City itself. In Burton’s films, you really get a feel for the Gothic atmosphere of the city with how it’s designed, and this goes for Batman: The Animated Series too. And even the more cartoonish, colorful Gotham of Schumacher’s films pops and leaves an impact. But Nolan’s Gotham? It’s very much just a City. There is nothing distinct about Nolan’s Gotham, it’s literally just a generic city, and if you even have the faintest knowledge of Batman you will know that Gotham is not just a city. Gotham is pretty much a character itself, a dark, imposing landscape in which Batman does battle with his costumed foes. Every other adaptation I can think of knows to make Gotham feel unique and distinct, but this one just absolutely drops the ball. You might as well just have the city be New York if you’re going to put no effort into giving it personality.

And that all brings me to this: every reviled superhero movie of the past decade, from F4ntastic to The Amazing Spider-Man to Dawn of Justice, all have their genesis in Nolan’s trilogy. He laid the groundwork for these films to exist, and a large majority of the blame needs to be put on Nolan for sapping the fun out of comic book movies. Now, to be totally fair to Nolan, he’s not entirely responsible for what happened to the comic book film landscape; prior to him, the X-Men film series was giving all of the heroes dark costumes and being a bit more serious. But despite those films playing a bit of a part, there’s one major reason I don’t fault them nearly as much: The X-Men films never once felt ashamed to be comic book movies.

You have to understand, people loved grit and edginess in the 90s and had just violently rejected Batman & Robin a few years prior to the original X-Men film, so it’s hard to really fault it for wanting to avoid being too campy. But much like Blade, the films never tried to act like they weren’t still crazy comic book films. Scott still has eye lasers, Mystique is still blue, Nightcrawler looks like a demon, there are Sentinels and Apocalypse and even Dazzler shows up at one point! The X-Men franchise wasn’t always good, but it managed to balance between being silly and taking itself seriously pretty well for the most part. Magneto is still a Holocaust survivor, his relationship with Xavier still has impact, there are still emotional moments here and there, but then you also have Deadpool movies and the multiple comic book style retcons to the timeline that leave the continuity a mess, and something about that just feels right. And all that makes Logan less egregious despite being the sort of brooding, angsty superhero drama Nolan would make, because even if it is those things, it still centers around a dude with metal claws coming out of his hands trying to stop his best friend from wiping out everyone with psychic seizures. Nolan could never make this superhero film.

Nolan’s films, on the other hand, did. These films did not feel like they wanted to be comic book movies, they felt like they wanted to be serious crime films but Nolan was stuck with Batman so he just mashed the two together. And honestly, I’d probably be more forgiving if it weren’t for the hugely negative impact these films and their critical success had on the superhero genre even until this day. The first decade of superhero films as a major contender in cinema were colored by these films. People outright balked at silliness in superhero movies for quite some time, with a lot of criticism levied at the early phases of the MCU for being too goofy; in fact, at times it seemed as if the MCU was going a bit too far in the goofy direction without striking the proper balance, with films like Age of Ultron having most of its tension defused by constant wisecracks. And on the DC side, Nolan’s grounded approach lead to Zack Snyder’s flaccid filmmaking with dark coloration, moody atmosphere, and not a shred of joy to be found. Nolan is essentially the peak of dark, grounded superhero films, and Snyder is the nadir, but Snyder’s awful DC films wouldn’t exist if not for Nolan.

It was a slow crawl getting to what superhero movies should be. Guardians of the Galaxy and Ant-Man were films tossed out only when Marvel was certain they could take risks, because absurd concepts like those would just not have been able to survive if not for years of good will beforehand. That’s not even getting into some of the more bonkers elements of later films, such as Ego the Living Planet and basically everything about Doctor Strange. In fact, Doctor Strange, for all its issues, is still a massive step forward for a genre that outright rejected magic for a long time, instead for a time turning Thor and his costars into a cast of hyper-advanced aliens, with later films having to clarify that there is magic and zombies and so on. The recent WandaVision was able to further clarify this by making Wanda unambiguously magic and not an evil Nazi science experiment.

Superhero animation didn’t suffer quite so much, but that’s mostly because, much like comics, animation is still seen as “kid’s stuff” by way too many people. And even then, they didn’t escape the shadow of Nolan totally unscathed; one need only look into the infamous Bat Embargo, which limited Batman villains so there could only be one given incarnation of said character in media. For instance, the Scarecrow being in Batman Begins meant he could not appear in the animated series The Batman. This lead to such things as no Batman characters appearing in Justice League Unlimited. It was truly a stupidly frustrating time to be a Batman fan when some of his most iconic foes were relegated to only certain appearances because it “might confuse kids.”

Let me again clarify this: I mostly like the Nolan films. I usually like Nolan, though he has become unbearably, obnoxiously pretentious these days. I think a lot of elements of them are great, I feel like they mostly have strong villains, and I don’t disagree that The Dark Knight is a fantastic film. But the thing is these are only good as AU stories, as their own thing; they should not be the template every superhero movie should follow, or any superhero movie for that matter, because they lack the ability to engage with the things that make people love comics in the first place. People love wacky, off-the-wall concepts, superpowered aliens, magic, talking animals, evil living planets, alcoholic ducks, and all that fun stuff.

People desperately want the fun, camp, and wacky stuff back in comic book films, as the success of the goofier DC films like Aquaman, Shazam, and Birds of Prey as well as the success of shows like Doom Patrol in comparison to the critical and audience revulsion of Snyder’s films, with Shazam in particular giving us such bonkers concepts as an entire family of superpowered children and Mr. Mind, the evil alien caterpillar. Thor: Ragnarok and the Guardians of the Galaxy films have become some of the most beloved MCU movies despite being weird, wacky, and wholly embracing the joy of comics to the point the latter films feature Howard the Duck and the aforementioned Ego alongside bizarre characters like Rocket Raccoon, Groot, and Taserface. And the thing with all of these films is that they’re able to balance the weirdness and wackiness of comics without losing sight of human emotion, moving storytelling, and drama. They’re both fun and deep, goofy and yet meaningful. This is what comics are, and what they should be, and anyone who thinks comics should be grim and gritty really needs to think about why they think an entire genre needs to be colored in with only the dullest colors.

I think what I’m trying to say here is this: Make a Detective Chimp movie, you cowards.

#Michael in the Mainstream #mitm #review #movie review #the dark knight trilog #the dark knight #batman begin #the dark knight rises #superhero movie #christopher nolan #DC

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reputayswift · 4 years

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Ever since I saw your exile literati gifset I cant get over how cyclical their relationship is! They really have seen this film before!! Why do you think Rory keeps coming back to Jess especially when she’s in a relationship with someone else?

Hey there! First off, thank you for checking out my Exile edit, I appreciate that a lot :) Secondly, this question sent me into an analytical spiral which is why you’re getting a response a few days late lol! I wanna preface this by saying that I’ve read a LOT of GG takes so anything I’m about to say has probably definitely been said more eloquently and concisely by someone else. Also I’m not going to get into comparing the boyfriends specifically because 1. I’ve watched the Jess eps more than any other so I don’t feel knowledgeable enough to talk on the other bfs 2. Conflict scares me :)

Okay so!

1. My (Somewhat) Reasonable Answer

I think they have a certain level of understanding that draws them back towards each other. I know Jess saying he “knows [Rory] better than anyone” in s6 is pretty controversial in the fandom (and I would never say Jess’s connection with Rory is deeper than her and, say, Lorelai’s) but that theme of “knowing”/mutual understanding crops up a lot for them (I’ve also seen a quote floating around from the writers saying they were intended to have a “meeting-of-the-minds” situation going on but all the sources I found for that were from Tumblr so not sure on the legitimacy of that).

Aside from both being bookworms they’re also both dealing with having others’ narrow expectations placed on them. The people of Stars Hollow (and in Jess’s case, his mother as well) reduce them to archetypes/caricatures of themselves (Town Sweetheart, Bad Boy). We see this pretty clearly when Taylor takes issue with Rory not wanting to play “Ice Cream Queen” once she sets her sights on college and Rory being hailed as the (literal) “poster-child of censorship.” Early on Jess susses out that Rory’s not exactly pleased with having this role forced on her (when Rory complains that her censorship poster is “stupid” Jess responds that “it’s the people who are stupid” and switches around the movie discs to get it taken down), which is one of our first glimpses at this understanding/peeling-back-their-images theme.

Teach Me Tonight has probably some of the most obvious examples of this. When Rory asks Jess why he’s not planning on attending college (when she knows that he’s more than capable, despite his lack of effort in school) he says:

“Ask my mother, she could give you a couple reasons. Oh, and I’m sure Principal Merton can chime in with a few good ones. In fact, ask your mother. She doesn’t know me all that well but I’m sure she could improvise a few things.”

Notice his response has everything to do with others’ uninformed expectations and nothing to do with his own desires! Then we have Rory saying her dream is to be an overseas correspondent and Jess initially thinking it sounds “a little too rough for [her]” (going off of that gentle Town Sweetheart assumption) then immediately pushing that away and assuring her she’ll do it.

Then we have Lorelai’s Graduation Day/The New York ep which is a huge turning point for their relationship! This whole interaction when Rory boards the bus back home really emphasizes the breaking-through-expectations point:

“Why did you come here?... I mean, you ditched school and everything. That's so not you. Why'd you do it?”

“Because, you didn't say goodbye.”

“Oh...Bye, Rory.”

Especially in conjunction with Rory’s confusion regarding her own actions after the fact:

“This is not who I am. If I were to write this down in my diary and I would read it, I would be like, Who is this freak? This isn't me.This isn't my diary. I wouldn't do this. I wouldn't skip school when I have finals coming up to go see a guy that isn't even my guy and end up missing my mother's graduation, which I wanted to be at so badly. That's someone else. That's someone flighty and stupid and dumb and girly.”

So we not only have Rory going against her own responsible schoolgirl image, but also Rory breaking through Jess’s assumption that people expect/desire him to leave (not caring enough for a warning or explanation). My friend @sanssa has a great post expanding on this better than I ever could :)

Alright so! The controversial s6 “WHY DID YOU DROP OUT OF YALE?” ep! Jess showing up (denim jacket, tousled hair, sparkly eyes...) having finally harnessed his own smarts with a published book is perhaps the perfect example of how the Jess x Rory relationship empowers them to seek out their own desires despite expectations:

“Jess, you've got such a great brain. I knew that if you could just sit down and stop shaking it around, you could do something like this. I knew it. I knew it.”

“I know you did...I just basically wanted to show you that. Uh, tell you...tell you that I couldn't have done it without you.”

Fast-forward to their mid-dinner argument, where Jess says:

“I know you better than anyone. This isn't you...What are you doing? Living at your grandparents' place, being in the DAR, no Yale — Why did you drop out of Yale?!

You could (and many have!) argue that this wasn’t his place to interfere (if you’re not invested in Jess I can completely understand how having the boyfriend with the least screen-time show up — tousled and sparkly as he may be — to tell her he knows her best and she’s — in kinder words — wasting her life away would have you saying “Who’s this guy?” lol) but when you look at their history of pushing past each others’ fronts and get to Rory’s resulting realization;

“[Jess is] doing something...I’m not. I mean, what am I doing? I'm living with my grandparents... I'm palling with my grandmother and being waited on by a maid. I come home, and my shoes are magically shined. My clothes are magically clean, ironed, and laid out. My bed is magically turned down. I'm in the DAR? I'm going to meetings and teas and cocktail parties?... And wasting my time partying and drinking, just hanging out doing nothing,”

I personally interpret it as him telling her a hard truth she was shielding herself from accepting. And of course we see his intervention in-part sets off her reconnecting with Lorelai and getting back on track with her schooling/dreams, in much the same way Rory pushing past his “no one expects anything of me so I’m going to do nothing with my life” assumption motivates him to pursue writing more seriously.

Then finally we get to the Revival where Jess finds Rory in a slump again and encourages her to write a book about her and her mother:

“Where is this coming from? What inspired you?”

“I was frustrated. I was talking to Jess —”

...

“Last night I outlined the first five chapters just like that. That’s a sign...This is it, this is what I’m supposed to do.”

TL;DR: They understand each other in a way that lets them see past others’ assumptions/expectations to the true, complicated them in a way that empowers them to follow their dreams and be better versions of themselves

2. My Extremely Biased Hopeless Romantic Answer

There’s some sort of soulmate/red string of fate thing going on, Alexa play Invisible String

#ask hall of fame #otp: ernest only has lovely things to say about you #useless rambles with tay #literati #ty to Maayan aka lorelaigilmo for patiently proofreading this for me <3 #imagine if I put this much effort into something useful!

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themoomoorn · 3 years

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Jeralt Eisner Stinky

Related to my previous reblog, feel free to parouse as to why I agree that Jeralt is a bad dad, and the fact that the devs’ lack of a continuity checker made him look worse than the director likely intended him to.

Let’s count the ways:

- Went a very melodramatic 180 regarding Rhea when Byleth - who was resuscitated from friggin’ death - wasn’t behaving like a “normal baby.” Now to be fair, Rhea was too mum for her own good and a baby that’s not very reactive to stimuli is very concerning in real life, but real life ties lose some of their weight due to Byleth’s wonky parentage and the reason for her lack of heartbeat. Jeralt is also generally perturbed by Byleth not being “normal” for quite a while, which is pretty shitty of him anyway.

- As a response to the above, it’s implied that he was the one who set the monastery on fire when absconding with Byleth in the night, a fire that was reported to have caused some serious damage and destroyed a lot of books.

- There’s also the fact that he was aware that Sitri herself suffered from a flat affect and struggled to emote more expressively at first, and he himself is pretty emotionally constipated. It’d be more shocking if Byleth grew up suddenly acting like Alois.

- He loved Sitri for basically being a cute little innocent nun, likely seeing her as ideal housewife material. I know I’m using the term “housewife” in a damning fashion, but he loves her for some seriously basic, surface-level reasons. Plus the whole “getting her to emote and smile more” bit? Granted, Claude’s relationship with Byleth grows in a somewhat similar fashion, but Claude also easily adheres the least to 3H’s “avatar worship” and he doesn’t just become fond of Byleth due to her smiling and getting cuter because of that. You can’t say the same of Jeralt and Sitri.

- While one can’t entirely damn someone for raising a child in the mercenary lifestyle due to the setting - We got a Lord and his sister being raised under similar circumstances - The sheer ignorance that Jeralt raised Byleth with is pretty damning if the gameplay/narrative element (Byleth being ignorant for the sake of player projection and exposition) is taken away. It’s one thing to not necessarily be aware of the ins and outs of the major religion of an entire continent, but Byleth doesn’t even have much basic knowledge of Fodlan’s three countries, or any country outside of it, although most of Fodlan doesn’t either. There is also more damning text, including how Jeralt handled all of their job logistics and didn’t bother to put in any incentive to have Byleth possibly learn to inherit or learn the ins and outs of the company. The quest where you get Jeralt’s old tactics primer also reveals that he didn’t bother to teach Byleth basic battle tactics either.

- Where the heck was Byleth when Jeralt was in Sauin Village??? Not even Byleth herself remembers. And while it’s heartwarming to see that Jeralt still cares for Leonie after reuniting with her (With people who bash Leonie for her fixation on him naturally ignoring this), he seems to put more effort in bonding with her than his own child. She’s also the one who winds up inheriting his company, although that can also be attributed to Byleth being presumed dead when she does.

- He doesn’t really say much when it comes to Byleth’s “Ashen Demon” title, which is notably one of the very few things that genuinely upsets Byleth prior to her becoming more emotive. And while it’s hinted that Byleth herself didn’t express interest in interacting with other people casually, Jeralt wasn’t exactly helping matters in that department either, exacerbating their isolation from others. Heroes has the default Female Byleth note that she can’t tell a friend from an ally due to how she grew up.

- The man’s a raging alcoholic who performed some pretty stupid, deadly shit, including a trick that had a high chance of beheading Alois. His treatment of Alois is also pretty deplorable, as is the fact that he has a slew of unpaid bar tabs that get shouldered by Alois and then forced onto Leonie.

- Going back to meta and tying to how a lack of continuity checking affected 3H, Jeralt spent a lot of time fretting over Byleth being even remotely exposed to the church when there’s plenty of folks who, while aware of the faith, do not actively practice at all, pay lip service at best, or even show some disdain like the three Lords do. Exploring lore also hampers the idea that the church is omnipotent and omnipresent: The Empire’s church branch was flat-out gutted for well over a century with practically no faith-based services available (this is a crux for Dorothea’s hatred of the faith and also cited with Mercedes’ history; she and her mother had to go to the Kingdom to find any kind of religious sanctuary after getting kicked out of House Bartels), the Alliance’s church branch has no political sway specifically because of how said Alliance is governed, and the Kingdom’s church branch has its own problems due to the zealotry, radicalism, differences in opinions of the faith, and eventual manipulation by the Agarthans that led it crossing blades with the Central branch.

Plus, you know, Rhea never bothered to pursue Jeralt after he ran away. And Alois’ contingent of knights appearing in Remire that fateful evening was pure happenstance, plus how Jeralt doesn’t even operate his company under a pseudonym or anything practical like that. So with these in mind, it’s actually pretty reasonable to consider that Byleth can at least be somewhat unaware of the Seiros faith without Jeralt’s input.

- While it’s unrelated to Jeralt being Stinky, I find it irksome that a lot of folks will jump right on Jeralt hating Rhea and the church in wake of the man himself acknowledging that taking Byleth away from the monastery (or at least not giving them a stable place to grow up) was probably a huge mistake upon seeing them flourish as a teacher. He also gets gutted for ultimately putting two and two together and realizing that the Empire may be involved with the group that’s been terrorizing the monastery during all of the 1180 school year, and tells off the Flame Emperor when they claim they’re not culpable for the Remire Massacre. It’s hard to tell whether or not the man would side with Edelgard with enough persuasion or propaganda, or how he’d react to Byleth becoming one with Sothis and taking on their position as a major figure within the church for three out of four routes with some degree of fanfare and acceptance (which players naturally ignore to warp into Byleth being a shrieking harpy church-basher, or a church victim that El-chan or Claude has to ~save~ her from, naturally). But it’s proof that people can’t really read - the guy wasn’t having the FE’s excuses, plain and simple.

- The above also ties to how Leonie is derailed in Crimson Flower, as she’s one of the few who unambiguously knows that the Fork Emperor is working with the same group that had Jeralt killed, in addition to all of the hell they caused therein. Naturally, her excuse if recruited on Flower is - wait for it - Jeralt was pissy at Rhea for reasons Leonie never finds out about, but since Byleth-chan is siding with El-chan, it’s all well and good now.

- There’s also the profoundly depressing meta that if Byleth were allowed to be their own character, a continuity person was maybe in place, and Jeralt wasn’t a glorified plot device, then he had all the makings to be a great deconstruction of Greil from FE9. The parallels are all there, but naturally they’re not put to good use, or blithely ignored outside of Supports. This also ties to just how heavily players project onto Byleth, possibly even more so than Robin or Corrin. Since they really project onto Byleth as Kusakihara and his goons intended, Jeralt is naturally tied to players’ real life father figures by osmosis, despite the fact that Jeralt himself definitely isn’t a good father figure.

While having a consistent continuity checker wouldn’t be a fix-all to 3H’s problems (Kusakihara’s dismissive attitude towards having one and consistency in general is pretty damning in itself), it likely would’ve at least tightened the worldbuilding that the devs prided themselves on and offered some more consistency, even if the price is showing unpleasant truths such as Jeralt being stinky.

#fire emblem three houses #fe3h #fire emblem three houses meta #byleth eisner #jeralt reus eisner #fe3h critical #game development #let's also not forget how players warp what little character Byleth has either #the lack of a continuity checker really hurts this game #toshiyuki kusakihara sucks

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uservillanelle · 4 years

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Killing Eve ― 3x06 (Review)

The time has finally come for yet another review. I can’t believe we only have two more episodes and it will be the end of season 3. Seriously, Killing Eve should AT LEAST have 10 solid episodes per season as most of other shows do. It would be just enough content (more than we get now) and without having to stretch things out. Now, theres A LOT to talk about, so I’ll try my best to touch upon as many things and details as I can! So sit back, grab your tea/coffee and let’s get started!

Title cards

I covered this topic back in 3x04 review, but they did it again, and this time the title card game is somewhat different. It’s really apparent that they are experimenting with editing and trying new things and that’s good, because we know that not only they want characters to develop, but to improve and change the editing and production of the show itself.

It was a bit unusual when they swapped from location titles to character names back in 3x04, but this time it was actually fun. I mean “PISS OFF FOREVER?!” This cracked me up sooo bad, I had to rewatch it several times lmao!! And don’t even try to tell me that they left Niko alive for THIS. It’s not the first time he rejects Eve and wants to get away from her, so what is the point of that scene with him? We didn’t get any new information or knowledge. So... I’ll call that waste of precious screen time which, in this case, should be dedicated for Eve’s personal character story because hell, she’s the one who deserves it the most.

Then they did it again with CUBA/NOT CUBA and honestly it cracked me up, AGAIN! I actually loved they did something like this, even though it kind of gave this comedy type of feel knowing how dark and complicated this show actually is. And of course the “THIS IS BULLSHIT” was exactly what Oksana said at the meeting with Helene not so long ago, so them reflecting on that and showing the phrase as a title is so relatable and at the same time kind of expresses how Oksana feels and what she thinks.

So far they haven’t really decided as to what kind of editing style they are going for, but I do hope that at the end of this season they realize how they will carry the show onwards starting with season 4, because them keeping this up and changing things constantly is not a good thing. Many people find it annoying and really, they aren’t used to any of that, so I hope season 4 will have a more consistent style when it comes to editing and carrying the main storylines, ect!

Niko (ft. Eve)

There isn’t really much to talk about here, other than... Niko being alive makes NO sense, whatsoever. I personally wasn’t expecting to see him being killed off or anything similar to that, but since they basically PITCHFORKED him, just let him die, okay? There is NO way he could’ve possibly survived something like this and that means they have to have a VERY big reason that would, you know, justify him surviving so fans can “ignore” the fact that it doesn’t make sense to begin with. So far, they didn’t provide any reason for that. Niko didn’t say anything useful to Eve... nor did Eve. She was just rejected again and had a confrontation with Niko’s uncle, I believe. Wow, someone of his family members don’t like Eve. What a shocker, right?

One of the very few options that I could see happening and making sense is for Niko to be alive and for Eve to make a decision and choose Villanelle over him. Not because she lost everybody and she’s the only one she has left, but to be able to choose her because she WANTS to. Instead, what did we see? We saw a very desperate and determined Eve who’s willing to go that extra mile to find whoever hurt Niko. Despite everything, a part of her still has hope for them even now so maaybe, after those fancy “PISS OFF FOREVER” words, Eve will finally come to her senses? Even though most of following scenes had her feeling the same way. So I really have no idea what else to expect and why Niko is still there.

There’s also a theory going around about how Eve should pull the plug and kill her husband lol. I mean, that way, their conversation from the very first episode about how Eve could kill Niko and that storyline could come full circle, but given what we saw of Eve and her values and mental state.. yeah I don’t see her doing that anytime soon, or ever, in fact. She’s still clinging to Niko somewhat and she must go REALLY wild and dark in order to do something like this. Though, I must admit... I kind of would love to see it as well! At the end of the day we all want dark!Eve to rise... and she is getting there, believe me!

Villanelle & Helene

I’m very conflicted about this duo. Especially after watching the promo/preview of upcoming episode. Yeah... I’m just going to throw it out there. I think Villanelle will end up killing Helene. The meeting wasn’t exactly successful, as Dasha of course lied to Villanelle about having all the control or probably, the description of a Keeper is quite different to Helene and Dasha than what Villanelle already knew about it thanks to Konstantin. So.. could it be that back in 1x07 Konstantin lied to her? Or that Dasha told Helene something different to get Villanelle in line and believing she is actually “moving up” in the world? Honestly, still much to think about.

I LOVED Villanelle’s, or should I say, Oksana’s outfit during the meeting and especially how big of a mess her hair was. I mean the hair perfectly reflects her inner state and yeah, she IS a mess and she has every reason to be. Someone previously mentioned how Villanelle was the one who went to Russia, but it was Oksana who left it and now I’m starting to really see and feel just how true it is. I mean this episode was almost all Oksana, except a couple of moments where she tried her best to keep her defenses up, for instance being sarcastic with Helene. “Are you trying to seduce me?” I mean... I wouldn’t mind them getting some.. buut, it’s not going to happen. Still, those lines were hilarious as much as they were iconic and yeah, in that moment she was trying to play her main character, which is Villanelle but as soon as she spotted the post card it was over. Oksana took over and she freaked out. The bad thing about this is that she is very emotional and very vulnerable right now, her mind and emotions are all over the place and that could be why she didn’t really think about Dasha being the one who lied to her? Or maybe she did think about it but we aren’t aware of it yet? This can’t mean anything good and I am honestly concerned for her.

What else I noticed from that scene is that Helene was quite open in terms of deciding to speak to her daughter I’m guessing, in front of Villanelle while not really you know, feeling like she could be in danger? Despite the fact that she is literally standing in front of a killer. I guess she is really used to that and her job is meeting a lot of assassins and other dangerous people? And then there is Villanelle who keeps asking her all kinds of questions, silly or not, she did ask whether Helene was her real name and yet she didn’t answer. In fact, she didn’t answer any of Villanelle’s questions and that is again, concerning. So maybe Helene isn’t her name, but that’s kind of ironic, knowing that Villanelle isn’t really her name either. So yeah, seeing Helene be so...cool around Villanelle especially while she was freaking the fuck out should say something and that probably means she knows exactly how to handle such people and situations like this. I’ll definitely keep my eyes on her from now on.

Eve

Our precious Eve is finally getting some quality screen time. Not enough, but at least she’s getting some. What I absolutely LOVED about her in this episode is just how confident and sure she is about Villanelle not being the one who hurt Niko. Yeah, let’s remember that the last time she and Villanelle saw each other was on the damn bus where they had a major fight and a kiss. That was Villanelle and she was such a smug asshole there and everything and thinking about this now, it’s completely different person from who Oksana is and it’s mindblowing actually. So to think that Eve didn’t consider Villanelle being the one who hurt Niko, despite there not being ANY evidence that state that is just... their connection is simply incredible. No matter how many times Villanelle and Eve end up hurting each other, they STILL have this hidden trust within each other that I find extremely fascinating and then Eve gets the photos of Bertha Kruger and of course, that’s what Villanelle was doing while Eve was in Poland coming to visit Niko. I’m glad that there is this alibi in Villanelle’s defense to show that she was doing something else, KILLING someone else at the time and the fact that Eve thought that it was Villanelle who killed her, even if she did it in a “nice” way... is beyond me. There is really no one else who knows and understands Villanelle/Oksana better than Eve. Period.

Another important aspect that is worth mentioning is the fact that the writers are kind of robbing Eve of screen time and character development. We haven’t seen her much this season and especially during the previous couple of episodes and even in this one it seems like Carolyn got more screen time than she did and Villanelle as well, who JUST had her solo episode, which is kind of unfair. However, I do think Villanelle deserved to have her own episode now since her character is going through such a huge change, meanwhile Eve is going through her thing, but it doesn’t feel like it’s as huge and as extreme as it is for Villanelle. At least that’s what they’re showing us. But yeah, I think season 2 was way more about exploring Eve’s inner darkness than this season, which is more about acceptance of her dark self and her feelings for Villanelle. Let’s just trust the writers and see how they will handle Eve’s character during the next remaining episodes and only then we can actually judge the crew and the lack of screen time Eve received, because really, what I noticed this season is that Suzanne really wanted to show EVERY character and so far she has been sucessful in that for the most part, with one flaw, that is the screen time management and yeah, we shall see how that aspect is handled in the next episodes!

Villanelle & Konstantin

So we got the hockey game scene. I’m glad to know that Konstantin didn’t set Oksana up by sending her to some strangers. One of the highlights of their conversation was Konstantin’s comment about Oksana’s mother who he thought was INSANE rather than evil and was hoping for Oksana to awknowledge it instead of killing her. Guess she didn’t really consider it as an option? But does that mean then that Oksana as just as insane and isn’t aware of it just like Tatiana wasn’t? At the same time we know that Oksana KNOWS there is something wrong with her, at least that’s what everybody else keeps telling her, so I wouldn’t call her insane. At the same time seeing that Konstantin wanted to give this chance for Oksana to get some kind of closure by being with her family and especially her mother does show just how much he cares about her. Until... their conversation shifts. Again.

So apparently Oksana knows about Konstantin’s plan to “get out” and she is suddenly interested in joining him. Now this part of the conversation PAINFULLY reminds me of their last interaction of season 2 finale. Especially the part where Konstantin chooses his family instead of Villanelle, who is ALSO his family, whether he admits it or not. They might not be related by blood, but he IS her father and seeing not only her own mother reject her but her father as well will do things to you. So again, Konstantin leaning towards choosing to leave with Irina and leaving Oksana behind only to promise her that he will come and get her is not enough. He betrayed her several times... he left her at the prison in season 1 even though he “tried” to get her out of it. He betrayed her at the end of season 2 by choosing his family over her, and now... now it feels like ANOTHER betrayal is coming and to be completely honest I don’t think Oksana can handle so much rejection at the moment. Of course, Konstantin can’t just pick Oksana over his own daughter, but it’s wrong to play with her like that. She killed her own mother and left her blood family in order to get back to her REAL family who is Konstantin and Irina and neither of them show enough of determination to bring her along which really saddens me. I mean Oksana went through enough as it is... I’m not sure how she will get through this if Konstantin will leave her again... and I won’t have it either. They better not do it again.

Villanelle & Irina (ft. Konstantin)

I just love, love, LOOVE these two together. I mean 1x08 is one of the most iconic Killing Eve episodes and they are the biggest reason why. I’ve been waiting for them to get together again and those a couple of scenes they got to spend together didn’t disappoint. I LIVE for their interactions. I mean what can be better than two sisters bonding? Especially when it’s Vasiliev sisters. Them fighting like true siblings do, having fun while both of them having this insanely chaotic driving session and at the same time touching upon going to CUBA as well as finding out Irina’s feelings towards her own mom and her boyfriend, who Villanelle doesn’t see any reason NOT to encourage her to kill him lmao! I mean, first Irina sarcastically calls Villanelle a “real role model” and 15 seconds later she is literally driving over her step-father LOL! I mean... I am SO proud of her. She really did take her sisters advice on this without much of thinking and at the same time I am kind of concerned about her. We all saw Konstantin’s reaction to her driving over the guy and well... that’s not exactly the best thing to do.

In Oksana’s defense, I do think she was trying to be helpful in giving Irina this advice, since we all know that’s how she normally chooses to solve problems. By killing. Plus, I don’t think she actually expected Irina to take her advice either way. Let’s take Tatianas case for example. Yes, it’s a lot different because she was mentally abusing Oksana for years and there was lack of affection and all that, so Tatiana definitely deserved it. In Irina’s case... she’s just “disgusted” of seeing her mom with her boyfriend all the damn time and I don’t think she should’ve killed anyone for that. Besides, she was already preparing to leave with Konstantin so what’s the point? She wouldn’t have to put up with them anymore, yet she did it anyways. And what stands out for me about this is that we see Oksana not wanting to do any of that anymore, no more killing, just wanting to get out of this assassin thing meanwhile Irina just had her first kill. Kind of beautiful in a way, of having one of them ready to quit this way of life while having one of them indirectly influence and push the other into the beginning of such dangerous path. And from the looks of it, Irina didn’t seem to feel bad for driving over her step-father, like AT ALL. So I wouldn’t blame Oksana for the whole thing. Yes, she planted the idea in Irina’s head but it was her who actually did it and didn’t feel bad about it.

This whole dynamic just makes me want to remember the lunch scene in 1x08 where Villanelle asks Irina “Are you a bad person?” “I don’t know yet” well, guess now we are starting to see the person she is becoming and yeah I don’t think any of us saw this coming, that their previous conversation could be a foreshadowing in this way!. I’m VERY glad they decided to bring Yuli back this season since she is one of fan favorites and like I said, the dynamic between Villanelle and Irina is just great!

Konstantin, on the other hand... guy is in serious DEEP shit this season and now having to witness his actual daughter kill someone... yeah, I think having to handle Oksana is complicated enough and she alone manages to drive him mad so now the idea of having TWO mentally unstable daughters... yup, it’s time to do something about this. At the same time I kind of see the parallel between Oksana and Irina and how they could be reflecting one another. Tatiana wasn’t there for Oksana most of the time and didn’t show her any affection, ect. Konstantin is of course not as bad as Tatiana was, but the fact is, is that he is not really there for Irina. She’s not really getting as much of his attention and love as Oksana gets from him since she’s so demanding. So it makes sense for Irina to become more like Oksana, having them both be neglected by their parents in a way.

ALSO!!! Is it just me or is Konstantin the FATHER of the entire show lol?! A lot of people thought that he might be the one who killed Kenny. Now, all out of sudden he might actually be his father?! Yes, the thought did cross my mind but I never expected them to address it in that way. So... based on Carolyn’s forried look and silence that followed afterwards... this is the confirmation? Konstantin is Kenny’s dad then? Or maybe Carolyn isn’t sure of that either? Life is SO much more complicated in Killing Eve, I swear lol! Then there’s the thing with Geraldine... not sure where they are getting with this yet. Feels like we don’t really know anything about Geraldine just yet and really.. so far it just seems like she has daddy issues which could explain her amazing bond with her father and him not being there anymore. (I assume he died). Funny enough, we see Oksana having mommy issues. Yes. It is a thing now. And I’m not very excited to see where Konstantin/Geraldine thing is going...

Carolyn (ft. Geraldine)

We finally get to see Carolyn uncovering more information about Kenny’s case and actually it brings more questions than answers if you think about it. Kenny calling Konstantin, him possibly being his father, Geraldine kissing Konstantin and so on. This is suuch a mess.

The long awaited conversation with Geraldine gave us more insight as to why Carolyn is so cold towards her daughter and I get it. Really. What I don’t realy get is the fact that Geraldine decided to not mention Konstantin coming to visit her while insisting her mother to talk about Kenny. If she wants them to be truly open about things and just have a honest conversation, she has to open up about other things as well. That includes Konstantin. And gosh, she better tell the truth in the next episode because I’ve had enough with all the lies. Plus the season is almost over and we hardly know anything about her. Please, Suzanne, don’t let us down on this!

Eve & Dasha

I just love how easily Eve teleported to Barcelona lol! I’ve been also waiting for their face off and it happened. I was expecting something a lot more... crazier, physical, but all they did was basically annoy each other by fighting over VILLANELLE and their importance in her life while having this bowling match. The fact that Eve has NEVER done it before makes the whole winning aspect sooo much more delicious and come on, Eve just HAD to notice how Dasha missed one of her strikes as soon as she mentioned that Niko was still alive. Makes me wonder if its THAT easy for someone to throw Dasha off her game, yet she’s soo narcissistic and so ahead of herself.

Eve’s trust in Villanelle continues to AMAZE me, like no matter what Dasha told her she STILL denied all of her bullshit as if it was nothing and that is coming from someone who had only met Villanelle a handful of times. This is such a nice parallel to season 2 finale where Carolyn told Eve that Villanelle wouldn’t do the same for her. Not only did Eve figure out who Dasha was and that Villanelle was working for her, but she actually went to Barcelona to confront Dasha like that and call her out without much of hesitation. Again, Dasha mentioned “killing” Eve and that is concerning. There is a reason Carolyn told Eve that Dasha ended up killing one of her own... and that, I feel, is huge foreshadowing for upcoming episodes. Dasha IS the problem and she will cause even more. Honestly, I’m afraid she might do something to Villanelle or Konstantin for that matter. After all, she DID kill one of her own to save her own ass and I bet she can and will try to do it again.

Villanelle/Oksana (ft. Dasha)

To put it lightly, Oksana is a mess. She is going through a LOT. We’ve never seen her this vulnerable and emotional before and she has EVERY reason to feel this way. Now, it is sad that people seem to be struggling to separate Villanelle from Oksana. Like I’ve mentioned in my previous post, this episode was almost 95% Oksana and the rest 5% of her trying her best to look somewhat like her old self mostly at the meeting with Helene and during her next kill. After killing her own mother, she doesn’t see or feel the same way about killing. At least not right now. It’s a lot more difficult for her to turn her emotions off now that they are so intense and she can’t focus clearly. She is becoming sloppy at her job and she doesn’t want to do any of it anymore. Now that I’m thinking about it, we’ve seen more of Villanelle so far than we have of Oksana. The previous two seasons we saw only this confident persona that Oksana has created with several occasions where her real self comes to surface. And this season it’s all about peeling those layers, of slowly peeling away Villanelle and getting to meet Oksana. So, we are sooo used to seeing Villanelle in action, her interact with people that we can’t see her being emotional, let alone crying. It’s not like her. Because it’s NOT her. It’s Oksana and don’t know her enough to know what she is like and what is in character for her. Truth is, she is vulnerable, hurt and in pain. She is going through the death of her mother, the loss of her family, the loss of control and being manipulated (again) by others in doing something for them. It all was building up and now she can’t escape those feelings anymore and she wants to quit.

I feel like this time she REALLY means it. She really wants to quit and she is willing to give away EVERYTHING. The apartment, the clothes.. and EVE. The first time I’ve watched the scene I got really concerned and scared... because that means Villanelle is willing to leave Eve like that. At the same time I started to realize that this is sooo much bigger than Eve or them being together. This is Oksana wanting to have a new life... and she wants it so bad, she is willing to leave Eve behind. This, right here.. it called CHARACTER GROWTH and I am soo proud of her for reaching this point, of wanting this life, wanting something for HERSELF even if it means giving away everything she loves. That’s when you know she is being serious about it. So maybe this will turn out to be a good thing... maybe when Eve will notice and find out about this... she will be even more willing to accept her feelings for Oksana and they might end up just running away together because they can and because both of them want for this bullshit to end.

Now, Konstantin told Villanelle to NOT tell anyone about their escape plan. She promised not to do it but then she had a breakdown and ended up telling it to Dasha.Such a BAD move. I mean.. Dasha is the last person she was supposed to tell this to... and I’m sure it will cause major problems. Dasha will get someone killed and I don’t blame Oksana. She’s not in the right state of mind and really, if she haven’t told it to Dasha, we probably wouldn’t have as much action and drama happening in the next remaining episodes. So will see. But I really do hope Dasha will fail at whatever she will try to do.

I’ve probably said it plenty of times but Jodie Comer’s acting STRIKES AGAIN! So many powerful performances delivered each single episode, I am speechless and I really don’t know what else to say. Just see it for yourselves. She deserves another Emmy and more!

Villaneve screen time

This is not really a part of a specific episode review, but more like me wanting to point something out. It’s been 6 episodes already and we only got ONE Villaneve scene. The bus scene. The kiss scene. Yeah, it was mindblowing and amazing but that’s not enough. And something tells me they might not even meet in next episode.. only see each other at the very end of the episode and that’s on it’s own upsetting... I mean I dare to say, even season 1 had more Villaneve screen time than season 3 has. I’m not even talking about season 2, where literally they spend together half of a season together occasionally meeeting up. This show IS about them and their dynamic and how can we have it if they are not interacting together? I get that this season is more focused on character development and them evolving separatelly, but Villaneve still has to be a thing... and they better give us the entire finale filled with Villaneve quality content or else... after all, they ARE the main plot of the show for me and there’s that.

Overall Thoughts

Another solid Killing Eve episode. Since they have only 8 episodes, they can allow themselves to make such rich, intense and filled with information/action type of episodes and it shows. There were a couple of weaker episodes, but overall this season is getting stronger with each episode and I am very nervous as I am scared and excited for the remaining two!

As always guys, if you have any theories or thoughts about this episode, Killing Eve in general or anything else, feel free to jump in my ask box or message me directly, I’d love to chat!!

#ke spoilers #killing eve #villanelle #villaneve #eve polastri #jodie comer #sandra oh #ke s3 #ke 3x06 #ke review*#ke 3x06 review #ke*#creation #enjoy guys!!

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