becoming a good conversationalist
Tips and conversation starters!
TIPS TO BE A GOOD CONVERSATIONALIST + BE FUNNY
lil tips:
a huge part of people wanting to be around you again, is how they emotionally feel when they're around you.
go into a conversation not thinking "i hope they like me" but thinking "i hope i have fun!"
remember that they are just people, just human. they aren't a whole lot different to you! you live, you die; they live, they die. dont be so scared and uptight about talking to someone.
conversation starters:
things that they've never done but they want to do
find out about their interests
find out what they like and dont.
which places do you really want to go to?
what is the best place/ country you've been to?
what are your fears?
ask about food
what foods and drinks do you like?
your favourite restaurant?
favourite chocolate?
recommended youtubers/ videos:
Joshua Otusanya (self improvement + the BEST conversation tips!)
Tam Kaur (mainly talks about self improvement but also has socialising/ becoming an extrovert content)
Xoxo, Vanilla
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DP X DC WRITING PROMPT #17
(I had this idea when I learned that there are some people who give out their phone numbers for people to give to someone who is harassing them/giving creepy vibes/or just plain not interested.
Btw, if you wanna add a ship between Danny and any of the mentioned captured vigilantes, go right on ahead! If you're not a fan of ships, that's fine too. Later!)
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Who You Gonna Call?
After the Anti-Ecto Acts were dismantled and the townwide internet/communications blackout is dismantled, Danny's social media for his alter ego blows up. He won't lie either, he loves the mostly positive attention whereas before he'd only been met with fear and hatred.
It isn't until he makes a post where he jokingly mentions the Fenton patented Anti-Creep Stick™ (yes it actually works on ghosts) that he gets loads of comments on how many wish it would work on human creeps giving unwanted attention (it actually does because it's literally just a baseball bat covered in anti-ghost paint, but meh) or really just have Danny himself scare away the creeps because of the whole "being a ghost" thing. Naturally, this sets off Danny's protection obsession and he decides to do something about it.
With a little help from Technus, Danny learns to manipulate and travel through phone connections and then releases a separate phone number for people to use/give away if they're stuck in an uncomfortable situation.
Here's the funny part tho.
Red Hood somehow uses the number kinda as a joke to, well, sic Phantom on the Joker while him, Nightwing, and Red Robin are tied up for another one of the clown's schemes. It works a little too well though. Turns out the Joker is wanted in the Infinite Realms for continued interference on peaceful relations between said Realms and the Living World, i.e. - terrorism. It's then discovered that Joker is in fact considered liminal by ghost standards and therefore falls under Danny, the Ghost King's, jurisdiction.
So basically, Jason calls Phantom's Anti-Creep number as a joke, Phantom actually shows up via phone connection, and all three of them wind up witnessing firsthand the Joker being dragged into a glowing green, concerningly Pit-like portal, bound in chains + kicking and screaming. Phantom even stops long enough to untie them, shake hands with a shocked Red Hood, thanks him for his help, and then leaves like it never happened.
Now. How the hell are they going to explain this to Batman?
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This idea has probably already been thought of before but I haven't seen it. If someone has, please direct me to it. 👀
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We've seen DP and DC be different universes where Danny and Valerie are the only heroes in DP, but there are thousands of heroes in DC. We've seen where DP and DC are in the same universe, and Amity Park just thinks the Justice League are ignoring them.
But what if DP and DC are different universes, BUT Danny and Val aren't the only heroes?
If we treat superheroes as basically cops/military with superpowers, then we can infer what heroes would be like using cop/military statistics. You could even use My Hero Academia society as a basis. Things like "heroes are more interested in protecting private property than serving the public" and "Heroes have high levels of PTSD and physical disability and aren't helped after they retire" are common knowledge in Danny's universe.
And specifically, the one I wanted to make clear for this prompt: In Danny's universe, heroes are highly likely to abuse their family/sidekicks outside the mask.
Suddenly, Danny's in the DC universe. For a low-stakes reason; if he's there because the DP universe imploded or his parents tried to kill him, he'd be too concerned about himself to act on his instincts. No, Danny's there for a vacation and there are so many heroes and kid heroes that he feels sick.
Maybe he catches Batman being rough with his kids, or overhears Superman "belittling" Superboy (Conner). Nevertheless...
Danny ends up thinking that all the Justice League are abusing their sidekicks and families and becomes a villain to save them.
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i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--")
("Tucker?")
("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
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conversation tips + how to be funny
talk about the other person. i know, this is said basically everywhere so im not gonna go too deep into it. everybody likes talking about themselves, where they've been, experiences they've had, etc. so just keep asking questions about themselves!
another thing id like to mention is don't just let them talk the whole time, thats not how a conversation works. instead add in your own opinions, and experiences! make them laugh!
literally just find out things about the other person- linking back to the first point- be genuinely curious about the other person.
be curious about them! how they think, how they are, find out stuff about them that you can use later- ex: if they mention they like star neckless, maybe one day you can buy a star neckless for them to show that you care!
absurd analogies.
share funny & embarrassing stories from your past! this makes you look more confident and people feel more comfortable around you bc you're able to laugh about a cringe moment in your past. but its best to do this when the laugh is at your expense, and not at others.
make people feel good about themselves. make them feel special.
watch how other people do it. take inspo from others! you can even look at celebrities interviews and see how they've made people laugh and have an interesting conversation. some rly good interviews that i'd recommend are: ryan gosling / the tv show percy jackson / Zendaya & Tom Holland /
finish other people's sentences with something funny and ridiculous. when someone's trying to remember what they were about to say, you can fill in with a ridiculously funny idea to end their sentence! dont overuse this tho, otherwise it can get pretty annoying.
EXPRESSIONNNN!!!! laugh at their jokes, nod along, be sympathetic. just express and overreact in a way that makes them feel heard and special!!
playful teasing.
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