becoming a good conversationalist

Tips and conversation starters!

TIPS TO BE A GOOD CONVERSATIONALIST + BE FUNNY

lil tips:

a huge part of people wanting to be around you again, is how they emotionally feel when they're around you.

go into a conversation not thinking "i hope they like me" but thinking "i hope i have fun!"

remember that they are just people, just human. they aren't a whole lot different to you! you live, you die; they live, they die. dont be so scared and uptight about talking to someone.

conversation starters:

things that they've never done but they want to do

find out about their interests

find out what they like and dont.

which places do you really want to go to?

what is the best place/ country you've been to?

what are your fears?

ask about food

what foods and drinks do you like?

your favourite restaurant?

favourite chocolate?

recommended youtubers/ videos:

Joshua Otusanya (self improvement + the BEST conversation tips!)

Tam Kaur (mainly talks about self improvement but also has socialising/ becoming an extrovert content)

Xoxo, Vanilla

the vees take up such a unique antagonistic role in hazbin. they're so silly and pathetic except in specific bursts of competence. but even those moments are overshadowed by the way they just brute force everything. vox lost his own diss track against alastor. velvette didn't even do anything with the information she gathered at the overlord meeting. the more valentino lashes out like a child the more he loses control of angel. the person they picked to infiltrate the hotel ended up becoming its very proof of concept. they sung gleefully about the power vaccuum created by alastor's absence only for alastor to reappear 30 seconds later. what are they even doing. they're like an extremely unhinged team rocket

Kieran has me in a chokehold. His character arc is so GOOD. You can tell that his bitterness and anger doesn’t just come from everything that’s happened to him recently. It’s pretty obvious that he’s been living in Carmine’s shadow for a LONG time and she’s always kinda treated him badly. But it wasn’t until the player character came along that he was finally able to voice that in his own way;; Just when he thinks he’s made a true friend in someone, someone that can and will stand up to his sister and is able to defeat her in battle (which inspires him to start speaking up for himself more), Carmine steals them away. And that’s a big betrayal to him. He clearly has self esteem issues which leads to him thinking that Carmine was talking shit about him behind his back and getting the player to believe that he wasn’t worth being friends with. And that makes him think both of them were laughing at him and making fun of him. And THEN the player goes and takes the last thing that Kieran has, the last thing he truly cares about: Ogerpon. It’s no wonder he got so frustrated and petty and lashed out 😭 Still breaks my heart to see but they did a really good job showing that progression of him losing more and more of his patience with Carmine. And him generally feeling like everything he cares about is being torn away. And losing to the player over and over just makes things WORSE. He’s not strong enough to beat them, he’s not strong enough to stand up to his sister, he’s not strong enough to be worthy of Ogerpon, he’s not strong. He needs to get stronger. Stronger and stronger and stronger.

GODDDD. He’s going to live rent free in my brain forever now. I can’t wait to see the direction they take with him in The Indigo Disk

A Funny Take on Damian killing Danny

Yes, this is demon twins au. You know the trope, Ra's Al Ghul makes Damian and Danyal fight to the death. Now here's the humorous take

Damian loves killing his brother. Sure, the killing itself isn't fun, but what comes after? He loves it. Because in his pit madness, Danyal behaves like a badger. And Damian, inheriting his father's lack of self preservation, has absolutely no problem trying to wrangle the feral animal that is his brother

i’m sorry as a woman im imagining what it was like for miranda to be completely shunted to the side by flint the moment they arrived in nassau, to go from being her husband and friend’s equal partner in their pursuits to some “fancy bit of puritan tail”. and of course flint says he doesn’t see her that way and of course she knows she’s not a fighter and can’t join him on the walrus but god, to be stuck in that goddamn house away from literally all the action. playing nurse to her new psuedo-husband when he comes home to her on death’s door. and for all flint’s insistence that “these men are dangerous, these men will kill you, you’re safer here while i go out and do all the dirty work”, well… in walks eleanor.

just saw people on twt getting mad that gale said a literal god wasn't good enough for him . i need people to understand that he didn't mean it like "I deserved more than a literal goddess" he meant that his actions were foolish and made it LOOK like he thought himself above one. that he should've been content with what he had, but felt he had to prove himself to her.

if you romance him he literally realizes that he didn't need to find validation in a god but within someone who understands humanity more than a god ever could.

please learn reading comprehension before making yourselves look stupid I'm so tired of this

'I flirted with the idea that instead of being trans that I was just a cross-dresser (a quirk, I thought, that could be quietly folded into an otherwise average life) and that my dysphoria was sexual in nature, and sexual only. And if my feelings were only sexual, then, I wondered, perhaps I wasn’t actually trans.

I had read about a book called The Man Who Would Be Queen, by a Northwestern University professor who believed that transwomen who were attracted to women were really confused fetishists, they wanted to be women to satisfy an autogynephilia. And though I first read about this book in the context of its debunkment and disparagement, I thought about the electricity of slipping on those tights, zipping up those boots, and a stream of guilt followed. Maybe this professor was right, and maybe I was only a fetishist. Not trans, just a misguided boy.

About a year later, on the Internet, I come across a transwoman who added a unique message to the crowd refuting this professor. Oh, I wish I remember who this woman was, and I wish even more that I could do better than paraphrase her, but I remember her saying something like this: “Well, of course I feel sexy putting on women’s clothing and having a woman’s body. If you feel comfortable in your body for the first time, won’t that probably mean it’ll be the first time you feel comfortable, too, with delighting in your body as a sexual thing?”'

-Casey Plett, Consciousness

I need all newcomer FNAF fans to understand that William is not a normal child killer. Not in the sense that he has some great depth, but rather he is fixated on killing/hurting children to a weird degree. There is no normal degree, but he somehow found a weird degree.

I made a post about this a couple years back, and I did get the facts slightly off, so I will give an updated take. Ahem

He did not just kill 5 children at Freddy's, when Freddy's opened 2 years later he got a fake identity to kill 5 kids again. He used his apparently very wealthy company and his insane level of technological genius to build several highly advanced machines that function like they are from the 22nd century, have stuff like 'voice mimic lure' and many other advancements, and he used these godly accomplishments to kidnap and kill more children. He discovered Scarecrow-esqe hallucinogenic gas and used this for, you guessed it, torturing kids in his underground lab. They had like a whole fake house down there with a bed and a dinner table and everything bro was intricate.

After he became undead, he went to a fake pizza place he knew was a trap juuust so he could see if there were any actual kids here to kill.

So film fans if you are asking yourself if William is just a normal child killer, the answer is no. It is more that he is on some sort of crusade upon children everywhere and dedicates his entire existence to killing or hurting more kids. It's his goal in life, it drives him. He would invent time travel but only if every time the device was used to travel in time, it kicked an orphan in the balls.

I'm probably going to do a terrible job of articulating myself here but every time I think about the worldbuilding in Hatoful Boyfriend, I think about the implications of having the birds simply have adopted the structure and policies of human society and go insane.

It's clearly originally just for the ridiculousness of it all for the players, but AGH it explains so much regarding the extremely rampant classism/racism/speciesism and how apparently normalized it is. It also, to me, adds a bit of moral nuance to the Dove - Hawk Party conflict.

(Long post under the cut. I'm so sorry I just kept going.)

First off, I'm obsessed with the concept of the birds becoming sapient and simply... taking over a society that was not structured for them. It leads to difficulties in universe! Bird wings are not made for doing tasks that human hands can do naturally - there's a couple instances where the characters ask for Hiyoko's assistance or express envy since she can just do the task more easily than they can. The birds are outright disadvantaged in certain areas of life, and yet, the society is in such turmoil due to the newness of it all that there still aren't really any workarounds for stuff like this.

Not that there haven't been any suggested solutions, such as the Labor 9 series, put forward initially by the Dove Party. Yeah, you know, that one throwaway line about how the party that up until this point have been the "good guys" wanted to take still semi-conscious human brains and make robotic slaves out of them Cyberman-style? What the hell. And what gets me is that Shuu was able to find the initial proposal, which he really only made tweaks to, which means that the project was at least close to being finished on the conceptual/planning/design phase before somebody went "hey this is a little fucked up actually".

The Dove Party wants peaceful coexistence with the humans, while the Hawk Party wants to eliminate humanity entirely. But we don't really go into how these two lines of thought evolved. I believe I have a suggestion for at least one part of the puzzle though.

Of all the birds in Hatoful, who enjoys the most privileges and the highest status? Fantails, it would seem. A breed of pigeon that is popular as a pet, considered beautiful and sought after, and achieve high accolades in shows and competitions - for clarity's sake, fantails were valuable in human society, and this status appears to have transferred when birds became sapient and took over. Conversely, which birds are ranked lower and often blocked from entering certain higher class places? Rock doves, who, in human society, are given an unfairly bad reputation, and considered anything from unclean and dirty, to nuisances, to pests. Again, this status transferred over when the birds took over.

So, while we don't know too many of the birds who make up the agents of the Dove and Hawk Party, let's take a look at who we do know of.

Fantails (Yuuya, Dove Party) are considered valuable over other doves and pigeons for being specially bred for their striking tail feathers

Cockatiels (Leone, Dove Party) are some of the most popular and beloved companion birds, kept as pets and considered very friendly

Rock doves (Ryuuji, Hawk Party) are considered unclean pests who receive a bad reputation, and are generally not treated with respect or appreciation <;- notable thing to mention here is that Ryuuji actually does like humans - I think he was only Hawk affiliated for the grant money and research facilities, which... fair enough man.

Chukar partridges (Shuu/Isa, Hawk Party) are game birds, specifically bred and released to be killed and eaten, and considered a delicacy

...do you... see what's going on here?

(I haven't mentioned Tohri as he's a special case. Give me a minute and I'll get to him!)

The birds we see in the Dove Party are those birds that were already viewed in a more favourable light by humans, a favourability that transferred over to their new society. Of course they are more likely to advocate for coexistence! They have less to lose, overall. And the Labor 9 series, and how that could've ever been suggested in the first place, suddenly makes a lot of sense. For many of these birds, society the way it exists now benefits them. Some of these high ranking Dove Party folks may be less about actual peace and justice (like Yuuya or Leone) and more about maintaining the current order of things - humans coexisting under their control, while they get to maintain their status... which is itself a product of human invention.

The birds we see in the Hawk Party, by contrast, are looked down on or hunted. Historically, even before bird sapience, they did not have a harmonious relation with humans - and it's likely this status carried over to their new society also, with many of these birds being more likely to have been disenfranchised. Their goal of elimination is therefore reactionary towards perceived threat. After all, the people who suffer when things go wrong aren't the ones at the top - it's all the people who sit at the bottom of the social rung; the vulnerable members of society who do not enjoy the same advantages as others.

Of course, the Hawk Party has built itself up into such a powerful group that they may have lost touch with this starting foundation - the only thing that remains is likely that reactionary fear. After all, people caught up in the actual conflict - Nageki, Hitori, Ryouta, and Hiyoko - see this kind of horrible bloodshed firsthand (firstwing?) and just want it to stop.

Again, it's not usually the people in these political factions who are the ones caught up in their conflict. It's the individuals who lack power or influence.

But that's just the political groups themselves. On an individual level, it's kind of interesting to look at and theorize where along the spectrum our core cast falls based on their species/breed.

Ryouta (rock dove) is actually rather indifferent towards humanity as a whole - he just likes Hiyoko. However, his witnessing of the Heartful House tragedy led him to abhor violence and unnecessary loss of life, and I'd imagine his mother's later illness solidified this. Ryouta doesn't seem overly interested in political struggles or the broader implications of a lot of things - he's actually a rather self-oriented character when it comes down to it (this is not a judgment, nor a bad thing! I love my boy!). Ryouta just doesn't want to lose people, really. A conflict would mean more loss, and rock doves seem to have to struggle enough as is.

Hiyoko (human) is the daughter of two diplomats, but interestingly, we don't get to see much of her political views on things - perhaps because even if she expressed them, it wouldn't really matter - she's not herself a diplomat, and humans are the lowest of the low - her going to a fancy school doesn't really change that. Social-wise, except with her friends, she is tolerated, not accepted. Yet, it's safe to say that Hiyoko strongly disapproves of people who flaunt their status - she's quick to not take crap from Sakuya, to get angry on behalf of Ryouta and herself over the gull clerk's assholery, and also to defend Miru and Kaku as living beings worthy of respect. Interestingly though, she also uses Okosan's status as a fantail to get Ryouta to let go of him and let him do whatever he wants so... it's kind of unclear what her firm beliefs are. Perhaps, as a human, she still values fantails more highly. I don't know honestly. Implicit bias?

Sakuya, Yuuya and Okosan (fantail pigeons) may share the same breed, but their experiences are highly different. Sakuya is largely separate from the human-bird conflict, as he is unlikely to be directly affected by it. As such, a lot of his story and development has to do with actually learning and un-learning about the world outside of the limitations of his "father's" classist views, which he simply mimics without understanding the larger implications. Yuuya and Okosan, on the other hand, may be fantails, but are also looked down on and often treated as inferior - Yuuya for being a "half-breed" and for his reputation, and Okosan for being closer to feral than a lot of other doves. Interestingly, these two show more interest and respect for the individual than Sakuya does, who often makes sweeping generalizations based on status - which makes sense to a degree, as they've been on the receiving end of this kind of treatment, whereas Sakuya hasn't. Okosan believes that each person has their own "wonderful names" (read: identity outside of breed or status), while Yuuya is a genuine fighter for justice who is able to get to the heart of people, especially in Holiday Star. However, even though they have experienced classism, they still have certain privileges with regards to species/race - take Okosan's shock when Hiyoko and Ryouta are barred entry from his favourite store. None of them are quite as out of place in everyday society as some of the other birds here, and it's notable that "diverse" St. Pigeonations still apparently has a significant fantail student population.

Shuu (chukar partridge) is really interesting, as he doesn't particularly care for the politics of the Hawk Party, and yet his role as a killer/hunter of both his fellow birds and humans is an interesting reversal of the chukar being a game bird. Shuu also has a disability (his semi-paralyzed right side) which hinders him in bird society even more than most. His extreme, yet coldly logical solution to kill all humans to stop the fighting between them, could be as much his rationality, as his joy in the sadistic, as a reactionary survivalism (remember he was caught up in a human terrorist attack as a child - while overall he considered this beneficial to him, he also did lose much of his colour vision and the use of his right side, so it did leave him weakened). Shuu attains control by "flipping the script" as it were.

Tohri (golden pheasant) starts out in the Hawk Party, but much like his colleagues, doesn't seem to care much for their politics. Golden pheasants are game birds whose eggs can be eaten, but are more often bred and kept for their plumage - they're not prey, but they're not exactly pets either. All this puts Tohri in this interesting position of being somewhat in the middle of this conflict, and indeed he goes on to be a part of (found?) the Crow Party - an opportunistic group that seeks to benefit from the overall conflict. Golden pheasants are birds intended to be admired for their beauty and intelligence more than anything else, benefitting in some ways from humans without a strong connection or a reliance, and Tohri's opportunism fits nicely with that. (As an aside, our sole crow character, Albert, is also something of an opportunist, being an assassin on the fringes of society.)

Hitori and Kazuaki (button quails) are somewhat interesting. It would be both expected and understandable if Hitori held hatred for humanity after the Heartful House incident, or even before then, considering they were all war orphans. Instead, he doesn't seem to harbour any particular ill-will - he seems totally fine around Hiyoko, and her being a human has nothing to do with his reticence with letting Nageki hang out with her in the shrine universe. Kazuaki, too, doesn't seem to mind Hiyoko being human and isn't afraid of her any more than he is anyone else. While quails are game birds, with both meat and eggs being eaten, button quails are too tiny for that and are mostly kept as pets - they are considered cute, silly, and entertaining, though a bit too jumpy to be outright companion birds. The quails don't seem to experience too much in the way of speciesism (except arguably with the whole mistaken identity of Kazuaki's corpse... there may be a bit of an "all quails look the same" thing going on perhaps). At the very least, they are able to occupy teaching positions at a renowned school as respected intellectuals, and did go to university. Still, it's kind of a known thing that you don't put button quails with bigger, more dominant birds, since larger birds will often pick on them or even outright try to kill them simply because they're small and shy - this may, in hindsight, explain some of Kazuaki's demeanour.

Nageki (mourning dove) and Anghel (luzon bleeding heart dove) are the two who are uncommon bird species in Japan. Nageki is another war orphan, who would be forgiven for harbouring resentment for humanity, but instead is appalled at the violence and made a huge sacrifice to get it to stop. It's kind of unclear how Nageki fits into this society, as mourning doves are not prey or pets - they're wild birds. They live on the outside of the human world, and while Nageki exists within current bird society, he likely doesn't have a designated status within it. Nageki is unfortunately also alienated from much of the action due to his illness and later his untimely death - this is why a lot of Nageki's thoughts are somewhat from an observer's perspective, with his most emotional moments being derived from his rare direct experiences - specifically the Heartful House tragedy and the human killings he was forced into, which solidified a really firm stance of not wanting anyone to suffer like that. Anghel is another outsider, this time genuinely a foreigner, as opposed to Nageki. Again, Luzons are wild birds, not prey or pets, and so it's a bit unclear what his status is. This might explain why Hiyoko repeats Sakuya's remarks towards him without apparently realizing they're actually insults - Anghel is removed enough from the conflict she is familiar with that it seems she doesn't quite... get it. Again, Anghel's role is as this strange kind of omniscient observer, whose perspective is closer to the player's than to the rest of the cast. He definitely frowns on the Hawk Party's overall goal - the Demon Spores are evil to him, and his main objective is to stop them from spreading, as they would cause damage to both birds and humans. I attribute his morals to his mother having raised him right lol. The lack of a clear status for both of them may be why they appear to take the stance of judgment based on individual actions, but are not heavily involved in the conflict itself - while humans tend to like mourning doves and luzons, there isn't much interaction that goes on between them. Nageki and Anghel are simply less embroiled in bird society's human-derived status conflict, which makes them both outsiders and observers.

As a bonus note, Azami, Rabu and Kenzaburou are all species of birds that can be kept as pets (java sparrow, budgie, parakeet), which may account for some of their friendliness towards Hiyoko, and Kenzaburou's willingness to hire her. Kenzaburou is even a bit old-fashioned it seems - he sleeps in a cage, which implies his ancestors were probably pet birds themselves. It's likely he, in particular, has more positive views on humans.

...Please tell me I'm not the only one who spent ages thinking about the implications and workings of a fictional post-apocalyptic bird society. Also I hope this made sense I kind of went off the rails here.

as true as the jokes about “everyone wants to rewrite ninjago” are i feel like smthn people forget when complaining about the inconsistencies of the show is that…. it wasn’t planned? it’s not like most other animated shows lately - it didn’t start with a deeply fleshed out world or a meticulously designed pitch bible with grandiose plans for a long-term story or character arcs. the ninja don’t originally get their powers from heredity because they weren’t hereditary powers yet. the magic system doesn’t make sense bc they literally just made it up as they went! they go back and forth on stuff like whether non-elementals can learn spinjitzu bc it’s a collaborative piece of media made by people with vastly different levels of control over the story, the animation, the sets, etc. that varied over the course of the series. it’s totally understandable and exciting to see so many people reworking the early stuff with the lore and logic later seasons introduced but i personally feel that… if you’re doing that. you need to understand why the show is like that instead of writing it off as being bad and shitty. it was working with what it had. it’s only what it is now because of that awkward troubleshooting phase, not in spite of it

the way this scene has a chokehold on me :)

★ stop giving your attention, energy and time to everyone. ★

- a vent

if i don't want or need to talk to someone, then i wont. simple as that. why do i need their attention or to please them anyway? lol.

cus like bitch if you don't like me, # i don't care xoxo. you have a nice life n i hope you heal tho. sometimes i find it kinda funny that people go out of their way to hate on someone likeee??? huh ??? the rule is: happy people don't hate. thats just how it works. if you were *genuinely* happy with who you are, what you have, etc. then why on earth would want to bring another person down?? the logic ain't logic-ing!

and also if im genuinely not that fond on you anyway, aka if you don't add value or make me feel better in any way, why on earth would i need or want to speak to you? bc i love love love people who love and cherish me as a person. (but tbh why wouldn't they love me duh). okay?

queens don't beg jokers to stay in their lives. <- this this this!!

so if you don't add any value to my live (adding value can mean a lot of things- knowledge, wisdom, stories, happiness, good memories, being there for me, listening, etc.) then you REALLY don't deserve the full me cus you clearly can't handle me. and you know what? thats okay! thats completely okay. you are your own responsibility, i am my own responsibility. ♡you do you, i do me♡ !!

so basically, my attention, time & energy (and no i dont mean energy in a spiritual way) is sacred. if u can't appreciate what i bring, then you won't be getting anything from me. because every hot, unbothered, cold girl, is a girl who was desperate for others to like her and would get hurt easily.

im not saying that im gonna become mean and ignorant (cus thats just kinda-icky😬), what im saying is that im going to stop trying so hard to do what i once would have killed myself doing. i am no longer a joke, and im going to start taking myself serious now. and once i start doing that, its over for all you bitches. i am going into my iconic and girlboss era.

i am officially done trying.

xoxo, Vanilla

Thinking about poor, doomed Young Griff and how it’s not even important if he is or isn’t Rhaegar’s real son. Because what makes him a fake goes beyond blood - it’s really down to intent and experience. He’s a poor rich man’s Aegon V, but like without the organic hero’s journey.

He’s a lab experiment pretty much. However well intentioned he is, there isn’t much indication that his journey has been authentic. Varys and Illyrio are trying to recreate Aegon V with a fake...literally down to the “let’s hide his hair” scheme. They even gave the boy Aegon’s freaking name (it’s a king’s name after all so I can’t blame them). But they missed like the biggest, most important lesson of all. Aegon V CHOSE to go out. HE made himself, no one else did. His journey was organic as it was derived out of his own autonomous decisions, not manufactured down to the smallest detail (does YG really know what it means to starve and be homeless and hunted?). And there was no promise of a reward (I.e., kingship). Egg didn’t know that he’d be king and even after his dad rose to the throne, there were a ton of people ahead of him. FFS he’s called Aegon the Unlikely. Bro just woke up one day and was like “ay wouldn’t it be nice to actually experience this realm from the perspective of a disenfranchised person?”

Meanwhile, our poor Young Griff is being made to go through all this with the expectation that it’s all going to pay off when he becomes king. BUT (big but!), who’s to say that he actually gets it? Like does he really get why he needs to see how this horrible feudalistic society preys on the smallfolk and makes corpses out of them? Wait, does he even know or recognize that the system needs changing? Like did Varys and Illyrio just tell him “people poor” and leave it at that? Why are they poor Young Griff? How did they get there?! Do Varys and Illyrio even get it? Do they understand that Aegon V was a radical change maker?

How hollow is it that it’s not Young Griff making the conscious decision to actually try and see how his subjects live. He’s not making the conscious decision to be a change maker, no matter what Varys and Illyrio say. People in this fandom will talk about how Young Griff will be the perfect king but…perfect for whom? In what way? In a series that critiques this entire system, what about YG screams that he’s going to actually tackle some of the systemic issues that need tackling - the systemic issues that Aegon V tried to tackle after organically going through his own journey?

WELLLLL….isn’t it cool that Jon and Dany are the true heirs to Aegon V’s legacy not because of blood, but because they actually get to the heart of Aegon V’s journey? Say what you want about them but they are radical as it gets (Jon at the Wall and Dany all over Slaver’s Bay). No one manufactured them. No one told them they had to care about people. No one told them they had to do this lab experiment to become king/queen. They actually did their own thing, while themselves being disenfranchised (GRRM identifies both as outsiders). And without the expectation of a reward (like Jon is literally told that his entire life will basically amount to nothing).

And it’s even better that they were unlikely. Young Griff is meant to happen - well someone is pulling the strings to make sure he works. He’s taking the role of someone who was always meant to be king - for Rhaegar’s son was meant to be king. But Jon and Dany are actually following the Aegon V blueprint because they weren’t meant to happen. Jon is a second son who is presumably a bastard with a contentious claim, and Dany is a daughter who was never meant to survive being sold off to slavery let alone rise to queenship. Neither one of them was meant to be on the throne. No one told them to do the things they did. No one took them and placed them in the positions they’re in. They rose to the occasion by themselves and made changes by their own volition - just as it was with Aegon V. And what makes it even better is that just as Aegon V was chosen to be king, so were Jon and Dany (Jon was literally elected into office and basically won over the wildlings while Dany was dubbed “mhysa” because of her actions in Slaver’s Bay).

DALLY HOURS TIME

I love how Rick Riordan subtly criticizes rich people through the gods

The glamour, the need to be served, the innocence about worldly matters

It's not about the gods themselves, but them as a metaphor for the abandonment of what it is to be truly human

I roll my eyes every time i have to read that Percy Jackson villainizes the gods

Something similar happens in Steven Universe for example, the Gems are almost immortal beings, they have a lot of power and yet are totally confused by simple things like emotions, and the need to care

The creator uses them as a metaphor to remind us that it is important to be human, and to take care of each other

dark cream week: day 7 - white smoke

shattered by galacii-gallery

cross by jakei95

dark cream week by @zu-is-here

a bit brighter below cut

i made a little extra for this :]