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#because he would have been a different character...but I am assuming he still would have existed??
silver-horse · 7 months
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if we are talking about the lost dream lover/daisy scenes from act 1 then we should talk about why those scenes were so good and why the loss of that storyline is so disappointing. because it's not just "oh those scenes looked better or whatever" it was a completely different character and storyline.
even though the companions pushed back way more and the whole narrative was telling you to resist the dream lover, it was somehow far more tempting. you were constantly tempted in dialogues to use your powers and if you did, you slowly started to lose yourself, the narrator said you could feel something slipping away, something you will never get back. You were giving yourself over to the fantasy, a mindflayer illusion
the game asked you during character creation "who do you dream of at night?" obviously meaning "what are you attracted to?" rather than just "you need a guardian. choose one." there is already a different implication there. I wonder how people interpret "guardian" if they don't know about the original dream lover. they might not even create someone they find tempting. a guardian sounds more like a mentor figure, rather than your ideal fantasy partner.
During early access the dream lover not only offered us power, they also showed us a tempting future where we are powerful and important and beloved and we are ruling the world. such universal temptations and desires. and we were resting on a peaceful field with the person of our dreams. it was peace in the dream world vs the real life struggle.
In the end it seemed obvious where this was leading... if you use the tadpole too much, you would have turned into a mindflayer. and whatever is left of your individuality and consciousness would have stayed in that fantasy world with your perfect fantasy partner. the mindflayer illusion forever trapped you. the song "Down by the River" was written about this fantasy dream lover. and what a banger and creative storyline this could have been. what a tragic ending! to just give up, lose yourself in the fantasy, the easy way out. choose this beautiful fantasy over the imperfect real world. and choose your perfect imaginary partner over the flawed real people, your companions. truly I mourn what an incredible storyline this could have been. It would have resonated with basically everyone.
and you would have been constantly tempted. to avoid this fate you would need to struggle constantly while the easy fantasy is dangling in front of your face with a zero difficulty ability check.
turning into a mindflayer wouldn't have been something you have the option to choose. and you can get cured no matter how much you indulged in the tadpole powers. lmao I kinda hate that there is no consequence for any of that now
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tossawary · 4 months
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One of my personal nitpicks for historical fantasy is a lack of servants, staff, subordinates, and... idk... subjects? Like, their absence is not... a total dealbreaker for me, depending on the situations the characters are in and whether or not I can just assume that other people are there in the background... but so many of the protagonists in historical fantasy stuff are higher-ranking (very often royalty), and/or have busy jobs, and/or have enormous houses that would necessitate having at least part-time staff.
Like, girl, you should have a maid! WHERE is your chaperone?! WHO is driving this carriage?! Where are your footmen? Are you trying to imply that a WEALTHY DUCHESS is taking a CAB?! You know that you probably have tenants, right? Where is your steward?! Where is your lawyer? Your accountant?! (Like, yeah, you're not going to have your lawyer living in your house, but you HAVE one, right???)
Or, man, you're supposed to be a military commander and you don't even have a single secretary?! Where is your SQUIRE?! (In the spirit of historical fiction, I am jumping wildly across time periods with every sentence here.) Man, I know you aren't looking after your own boots. Where are your GUARDS?! Who set up this tent for you?! Who is looking after your horse?! Who is making and carrying the incredibly valuable maps people are recklessly stabbing daggers into?!
SOMEONE has to be scrubbing these floors and delivering the mail and cooking the meals and doing laundry, and they're probably all DIFFERENT people! My dentist has at least three different receptionists and we can't even get ONE for our court wizard here? A sorcerer's apprentice to take notes? Someone like Sherlock Holmes could get away with just having a housekeeper and taking taxis, sure, but your character is supposed to be a KING?! Why is he answering his own front door? He's going to get assassinated. His SERVANTS should have SERVANTS.
Like, yes, I understand that a lot of servants in certain places at certain times were supposed to make their labor invisible, but there have always been servants who still had to interact directly with the masters of the house?! Yeah, there are potentially really messy ethics here, class divisions are bullshit, but I don't think that completely ignoring the reality that humans have ALWAYS been doing work for other humans is better than just including some well-paid and well-treated servants and employees? Because a complete absence of them, especially where logically for the worldbuilding there MUST be servants (and probably exploited servants, or worse, for some particular worldbuilds to work), often makes me think that your main characters just don't care enough to notice the "lower class" people or know their names.
Also, even Frodo Baggins had a gardener and Samwise Gamgee might be the best damn character in the story?! Sam saved the world?! Servants are PEOPLE. Servants are often the funniest and most interesting characters, tbh, with the most to say about a society and its workings (yes, Discworld is a very good book series, highly recommend), and also the joke of some romantic scene being carefully orchestrated by a stage crew of servants frantically diving into bushes to stay out of sight never gets old to me. Teamwork makes the dream work!
I don't want to gatekeep historical fiction, especially not historical fantasy, because the worlds don't necessarily have to conform to our own and may have magic and characters are often in very unique circumstances, but... sometimes I pick up a story and it's like... "Author, please tell me that you know there is a difference between a butler and a valet?!"
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i-like-eyes · 1 year
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Trying to figure out how they'd work as puppets
More in depth analysis below the break
For those that don't know, typically the three most common variants of foam puppet are know as rod hand, live hand, and walk around. Examples would be Elmo, Cookie Monster, and Big Bird respectively. Rod hands are smaller in size and held up by, well, rods. Live hands have the puppeteer (or two!) insert their hand in a sleeve connected to the puppet for more interaction. Walk around puppets are full costumes the puppeteer wears, but what makes them puppets and not like, fursuits, is that there is still puppet mechanisms like moving the mouth or blinking.
Here is what comes from the website/Clown's tumblr:
Julie is a rod hand
Eddie is a live hand
Poppy is a walk around
Barnaby has a walk around and live hand
Howdy has a walk around and live hand
Sally is a live hand but "required an additional hand to help move her head, as it was much larger than other puppets"
Frank is said to have a fixed expression but his head could spin, rather he was rod or live or magic third thing I cannot figure out
Wally doesn't have any details regarding his puppet anatomy because he is special like that
Of note:
Julie likely has smth holding up all that hair (please be a fucked up skull please be a fucked up skull)
Poppy is a pretty standard walk-around puppet (she's just Big Bird), but I'm having trouble understanding how a human could fit into Barnaby or Howdy. Then again, 2d artwork of puppets tend to take liberties for the sake of stylization. So if someone were to make them IRL they'd either look really different or utilize tech I don't think was available in the early 70's
Howdy's legs could work on Squidward Spongebob Musical logic. Arms I have no clue, as a live hand he could have multiple people filling up those arms, but as a walk around idk cheap spider costume logic were the lower arms are attached to the upper arms ala a string?
I do not know what to make of Sally needing extra help to hold up other than that's so specific it might become a plot point
Frank.
Okay Frank lacking details or having weird details that stand out is a running theme for him. He has no listed backstory whereas everyone else can say where there were from and who their family is. Every character's first name ends with a long "e" sound whereas Frank is. Frank. (His last name "Frankly" does cover that though). The fact that WHRP lacks any concrete detail on his creation is a story reason, what's the story no clue we are 5% in dudes
Regarding his puppet, he obviously had a fixed frown because puppet but also could spin his head. Now I have absolutely zero clue how you can have the head spin and also have room for the hand for the mouth, unless this is a rod puppet (Rizzo the Rat) where the mouth is moved by some other mechanism. All I can say is I'd suspect Frank to have a very stiff (read: not majority foam) head and body in order to hold up such a feature. If his head can detach, I can imagine a metal ring of sorts that his collar covers up
His arms are a different story. The website not clarifying how his arms work doesn't really mean there is anything particular about them, but I am going to over analyze is anyway dammit
Points for rod hand: arms/hands are slim, inspirations Bert and Mr.Robinson are rod hands, lack of other rod hands/variety reasons
Points for live hand: Sally also has slim hands but is live hand, not all live hands have thick arms (looks at how small Ernie's upper arms are compared to his fore arms), Beaker hasn't been listed as an exact inspiration for Frank but look at him, and most importantly is Poppy. Poppy is noteworthy for being the only walk around puppet without a live hand counter part. As a result of having wings for hands the puppeteer cannot realistically perform any of the baking tasks in her segment. As a result she gets help from Sally, Howdy, Eddie, and Frank. The former 3 are all live hands, and one can assume that because of this Frank could be a live hand as well
And finally I know he's said to not super expressive but my heart says that he would look great with the eyebrow mechanism Bert and other puppets have.
I should point out that puppets from the 90's (Dinosaurs and TMNT come to mind) used more robotics in order to achieve more expression with the characters, but I don't think that kind of tech was common place in the 70's and would apply here.
The big take away is that this post was made for practical reasons; I am just Quite Fond of researching this kind of thing. This will probably not get you any lore, but it could provide context for the characters. I personally suspect that Poppy not being able to fly or perform tasks she swore she could will play a big of her character. In general I think that what other puppets can and cannot accomplish will play into the theme of figuring out who you are. That's the real fun.
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actiniumwrites · 9 months
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hiya! if your requests are still open could i request a scenario any of the “immortal” characters (e.x: the archons & adepti) with a mortal!reader who exchanges a part of them to become immortal so that they don’t have to worry about leaving the character? the reader’s gender is up to you!
𝐓𝐎 𝐁𝐄 𝐄𝐓𝐄𝐑𝐍𝐀𝐋 (𝐅𝐎𝐑 𝐘𝐎𝐔𝐑 𝐋𝐎𝐕𝐄)
synopsis: in which you exchange your vision for immortality, determined to live an eternity with your lover
characters: venti, zhongli, scaramouche, and dainsleif x gn!reader
warnings: angst, fluff, hurt/comfort, crying, mentions of death and mortality, fear of death, mentions of morbid conversations, scaramouche might be a little ooc here, purposefully inaccurate depictions of how celestia and visions work
notes: um so this request was sent to me back in november of 2022, so, anon, i am very sorry it took me so long to write this. i loved the idea a lot so i hope you enjoy this. also i’m not 100% sure scaramouche is immortal, but he’s been around for centuries and isn’t human so we’re just going to assume he is 👍
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Venti:
The wind was blowing softly as you walked up to the giant tree, Vennessa’s Tree. You could hear the faint sounds of a lyre playing an alluring tune among it. If your boyfriend was anywhere, it was here…or the bar.
An off key note made your eyes snap up from where you were watching the ground, not expecting him to have heard you so easily.
“Hello, my love!” Venti cheered.
“Hi, Venti,” you lovingly spoke softly, moving to sit down next to him. Your head carefully moved to rest upon his shoulder and he continued to play softly, although this time around, it was a different song — one of your favorites.
A smile pulled at the sides of your lips. It was the first one since you’d gotten back from your journey. The very same journey your boyfriend was unaware of.
When he finished playing it, Venti set the lyre down next to him against a tree root. His face turned serious, “Something’s wrong.”
“Is there?” you played dumb, unsure of how to bring up the topic at hand. Venti didn’t fall for it. He never did.
He began to scan over your body for any sign of injuries, afraid something bad happened. When he saw there was nothing there, his hands gently placed themselves on the sides of your cheeks so he could rotate your head. He smiled the whole time, but you knew he was just masking his concern.
“I can feel it,” he said slowly, eyes squinting as he looked far off into the distance, “something’s different.”
You tried to hold it back, but tears sprung to your eyes. There was no hiding it now, “Venti, I…”
“Hey, hey, hey,” he hurriedly wiped your tears as you looked up at him, “it’s okay, I swear! You don’t have to tell me if you don’t want to.”
“No, it’s just,” you sniffled. The tears weren’t from injuries or hurt feelings, but simply because you were overwhelmed. The entirety of your future was now uncertain aside from the fact that you could no longer face death. You had centuries ahead of you, and it wasn’t something you had before, “my vision. I traded it.”
“What? Why would you…” he mumbled, mind racing back and forth. You loved your vision. It was something you had worked so hard for as a child, a representation of your dedication. It wasn’t like you needed money or anything, so why would you get rid of it?
Through your tear filled eyes, you smiled, “You don’t have to worry anymore, Ven. All those years ahead, we can spend them together.”
“You…you’re…?” he breathed out heavily, realization hitting him all at once. A smile broke through his lips, happy tears of his own were beginning to form, “you did that for me?”
You nodded and he threw himself against you, embracing you tightly. In all the years he had been alive, Venti was sure he would be alone forever. But in life and death, you were with him forever.
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Zhongli:
Zhongli hadn’t noticed right away.
He was perceptive, yes, but there didn’t seem to be anything amiss with you at first. You often hid things very well. It was one of the only things he didn’t like about you. If something were to go wrong because he wasn’t observant enough with you, Zhongli would feel perpetually guilty.
It wasn’t until weeks after your journey that he had finally realized something had changed.
You seemed normal for the past few weeks. There were a few moments where you were oddly fidgety or anxious, but he chalked it up to the fact that you had just gotten back from a work trip. Perhaps you were tired out from it. Plenty of people came back a little on edge from trips, he had seen it first hand.
When it became continuous, worries began to whisper in his ear. No, he hadn’t thought you cheated or did something bad. Zhongli knew you well enough to know you weren’t that kind of person. If anything, he was worried that something bad had happened to you. That maybe someone hurt you or there was something you couldn’t tell him.
So, he brought it up at dinner one day.
His hand reached across the table, warmly cupping it around yours. His thumb gently traced over the back of it, a soothing action he knew you loved. He inhaled and pursed his lips before bluntly asking, “Did someone hurt you? Because if they did, I want you to know you can tell me and I will take care of it.”
Your face morphed into confusion, awkwardly laughing at his wild assumptions, “I’m sorry, what? Where’d you get that idea?”
Zhongli retracted his hand from yours slowly. His face was now equally as confused as yours, “I apologize, my love. You have been acting rather off since your trip. I thought maybe something bad had happened or someone may have hurt you. Am I incorrect?”
Another awkward laugh fell from your lips before you sighed and averted your eyes to look out the window of the restaurant, “Yes, but nothing bad happened. I’ve just been a little…down about something.”
He furrowed his eyebrows and tilted his head a bit to the side, “If you were feeling upset, you could have come to me. You know I hate to see you like that.”
“I know, I just,” you started hesitantly, “I wasn’t ready to tell you yet.”
“Tell me…what?”
The whirlwind of emotions you had been feeling over the past few weeks began to hit you harshly and you couldn’t stop the tears from forming in your eyes, “I traded my vision, Zhongli.”
He took a few seconds to process, but his hand grabbed yours again. He wasn’t sure what you were talking about, but the fact that you were crying was enough to scare him, “I…I am afraid I do not understand.”
“I made a deal with Celestia…to be come immortal. In exchange for immortality, they took my vision,” you explained slowly, staring down at the table.
Zhongli rose from his seat slowly before walking to your side of the table. He kneeled down beside you, a few tears springing at his own eyes as he looked directly into yours, “Why would you do that?”
“For you,” you breathed out happily, cupping his face as the tears fell from your eyes “I want to be with you forever, Zhongli.”
Zhongli rose a bit from his place on the floor. Cupping your face with his hands, he kissed you softly, yet eagerly. You could feel the love and passion with in it. All the sadness melted away in an instant.
He had witnessed so many of his friends and past lovers parish before him. Victims to time and mortality. But here you were, willing to sacrifice something you cared for so much to spend an eternity with him.
And in that moment, Zhongli realized he’s never loved someone as much as he’s loved you.
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Scaramouche:
You were used to Scaramouche pushing you away when things got rough. Not because he was angry with you or tired of you, but because his emotions were too much to handle. The sadness was too much to bear.
The conversation of immortality had come up very often. A worry of his that he just couldn’t seem to shake.
What would happen when you were gone?
How was he supposed to move on?
Love someone else?
If Scaramouche was being honest, he knew there was no way he could love another. Not after you, the one person he’s ever truly loved and the only one he hasn’t lost. You understood and cared for him in a way that no one else ever had or ever could. Despite not having a real heart, his love for you was so strong enough to make him feel like he did.
When you left for some sort of trip, Scaramouche hadn’t been suspicious of anything. You claimed it was for your job — just a week long trip out of Sumeru to take care of some business. It seemed urgent, according to you at least. He understood and didn’t question any part of your story, even if it did have holes in it.
Although he didn’t show it outwardly, the week without you was rather miserable for him. Anytime you were gone, everything seemed to remind him of the centuries that he had been alone. The people he had watched die or turn on him and how weak he felt. It made him wonder, once again, how he could ever live without you.
When you returned days later, it was late at night. The lights to your shared home were turned off and everything was silent. You dropped your things inside, but before you could head to your room, you caught a glimpse of your boyfriend through the window. His hat was cast aside on the grass next to him where he was lying down. The wind was blowing his hair softly across his face as he gazed up at the stars, something you frequently did together.
Coincidentally, it was during those times that the topic of immortality would come up. The stars made Scaramouche sad when he peered up at them. Despite not believing in their genuine existence, he would hate to look up one day and find you among them. Far away from him. Mortality permanently holding you in its grasp.
You silently walked outside to where he was lying down, careful not to disturb him. You laid down next to him, gently taking his hand in yours. His fingers interlocked themselves with yours, but he didn’t bother to turn and look at you, already knowing who it was. When you looked to him, however, his eyes were glistening with small tears, the stars reflecting in them. He looked ethereal, but you hated how sad he looked — eyebrows furrowed, a frown pulling his lips downward.
“I’m not ready for you to leave,” he whispered painfully, voice cracking a bit as his eyes finally met yours.
You send him a fond smile, eyebrows turning upwards, “I’m not leaving anytime soon. You don’t have to worry.”
“But you will,” he started, a hint of anger laced his voice, directed at those who dared to take away the one thing he loved, “You’ll leave eventually. Just like everyone I’ve ever known. It’s only a matter of time.”
You sat up slowly, reaching into the pocket of your pants and grabbing something out. A flash of metal caught Scaramouche’s eye. He sat up instantly, recognizing what the mysterious object was.
It was your vision. The bright shining blue light it normally had was entirely gone, drained of power. Wordlessly, you handed it to him. He grabbed it, but looked up into your eyes with confusion. When he did, he finally noticed the exhaustion and dried tears all over your face.
“What is this?” He angrily inspected the grayed vision in his hands, “What happened to you? If someone hurt you, I swear to you, I’m going to kill them.”
“No!” you quickly exclaimed, interrupting his oncoming burst of anger, “No one hurt me. I did this myself.”
“Start explaining,” he demanded. Although he looked angry, you could see the worry and fear in his eyes.
“I’m tired of these conversations,” you hesitantly started, averting your eyes to a tree in the distance. You could feel your own sad frown pulling at your lips as you fidgeted with the vision he had returned to you. Inhaling, you continued, “If I’m being honest, I’m not okay with leaving you either. It tears me apart to see you like this, Scaramouche. It sounds selfish, but I…I don’t want to think of your life without me. Not when it’s already hurting you this much and I’m not even dead yet.”
You paused to wipe the tears that had unknowingly began to fall from your eyes. Gesturing to the vision, you explained, “The trip I went on wasn’t for work, and I’m sorry for lying to you about it. It was to make an exchange. By trading this with Celestia, I’m no longer mortal.”
Scaramouche’s eyes flickered back and forth between yours and the lifeless vision rested in your hands. A mix of anger, sadness, and relief hit him all at once. Years of memories flashed in his head from all the mistreatment in Inazuma, the Harbingers, and to his newfound life in Sumeru. But most importantly, he saw you and all the ways you’ve loved him ever since you found each other. His voice wobbled a bit, dancing between the lines of neutrality and sadness, “Why would you do that for me?”
You tossed the vision to the side and held his hand again, “My vision may have meant a lot to me, but nothing will ever mean as much to me as you do. I would trade everything I’ve ever owned to be with you forever if that’s how it had to be.”
The two of you laid back down together against the cool grass, staring back up at the stars. This time, however, his arms embraced you tightly. The stars seemed to shine a little more brightly, a little more beautifully. There was no chance for them to take you away from him anymore, and Scaramouche was forever grateful for that.
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Dainsleif:
The burden of immortality sat heavily on Dainsleif’s shoulders. It was a curse he bore, but not one he would wish onto anyone else. It was painful, unkind, and often struck those who deserved it the least.
When you had found him, you were not originally aware of the fact that he had been among those who were affected by it. You knew he originated from Khaenri’ah, but you supposed he was like your old friend Kaeya, who was also from there, but was not a bearer of the curse.
Admittedly, it was difficult to be in relationship with Dainsleif at times because of it. He trusted you wholeheartedly, but there was always this lingering sense of doom in his eyes. There were times when he would get close with you, share his past and his deepest desires, but then he would pull away. It was a constant game of back and forth with him.
You were aware it was because he was scared, terrified even. Dainsleif had lived a long life of loss and sadness. He had failed in his duties as the Twilight Sword and, because of that, he was forced to witness the death and destruction of everyone and everything he loved around him. Anyone he had ever loved he had lost, and he couldn’t stand to watch that happen to you too.
You couldn’t bear it equally as much. Dainsleif was the best person to ever have come into your life. Someone you knew could never hurt you. Someone who showed you more love than anyone else ever had. Your love for each other was like no other. The only thing that could truly separate you from him would be death, and he would love you until that day came.
As painfully beautiful as that was, it saddened you to a degree that nothing else could. You did not want to lose him as much as he did not want to lose you. And so, you decided to lessen his punishment. Immortality was supposed to curse him with loneliness and suffering, but that loneliness wouldn’t exist if you were by his side for the rest of time.
You left as soon as possible, vision stored away in your satchel and a notebook in hand. It was your notebook that held your recipes. As a chef, there were all sorts of ingredients across Teyvat that you had to often import or travel to obtain. It was the perfect excuse to leave without him raising suspicion. Because, although Dainlsleif detested the Gods and Celestia, he would never let you do what you were about to do. Not for him, and not for anyone else. Not even for yourself.
It took you about a week to return.
Dainsleif noticed instantly something was different when you returned. It was a little past midnight. He was sitting at the table of your home, window open to his left to let the cool breeze sift through the house. He had been scribbling away at a map when the door walked open, and in walked you.
There were dark circles around your eyes, a conflicting look swirling within them. Part of you looked relieved, while the other part looked saddened. His eyebrows furrowed as you stumbled in through the doorway, whispering a small greeting to him. Quickly, he was by your side and hugging you dearly.
“Are you okay?” he asked worriedly, voice just barely above a whisper. You leaned against him, head tucked gently into his shoulder as you wrapped your arms around his abdomen. Silently, you nodded.
Dainsleif carefully brought you to the couch in the living room, sitting you down gently and setting your belongings on the small table in front of you. The breeze from the window drafted through again, strong enough to make you shiver. In an instant, Dainsleif was up and moving to shut it quickly so you could be warm and comfortable.
“Something’s wrong,” he started, hand moving to cup your face as you gazed into his eyes tiredly, “I know you aren’t just tired. So please, tell me what happened on your trip.”
You crumbled in an instant, unable to lie to his face, “I traded my vision. I’m sorry, I wasn’t actually going to get ingredients.”
Confusion settled even deeper into his blood as he stared at you, unable to comprehend what you were talking about, “Trade your vision for…what? Why would you need to trade your…oh.”
When he realized, you nodded carefully. The silence that followed suit scared you. You often had a hard time reading him, especially now.
His next reaction shocked you, however. Tiny traces of tears sprung to his eyes, threatening to pour over at any second. Your eyebrows furrowed, but before you could say anything, Dainsleif quickly leaned in and kissed you. Your eyes closed and you returned it, feeling the sadness, desperation, and love behind it. When he pulled away, you could see two or three tears had fallen from his eyes.
Gently, you wiped them away and hugged him tightly. He held you tightly in return, and silently, you both laid back against the couch. Exhaustion hit the two of you at once, knocking you out as you slept within each other’s arms. You had been exhausted from your trip and all the emotions you had felt from it. As for Dainsleif, his exhaustion from being cursed had eased up a bit on him. It him all at once, the realization and the lack of loneliness or worries he would have to deal with from now on. There was no more till death due you part, because finally, Dainsleif had you for forever and you had him.
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Good Omens: Lockdown and Crowley not mentioning his living situation in S2*
*till S2E6 when he asks if he can have his apartment back bc he's bored of living in his car but Aziraphale doesn’t hear bc mentally he’s in Alpha Centauri.
Having read the 'Crowley doesn't tell him' Neil Gaiman ask close to when I first listened to Lockdown (I lived under a rock until recently), my initial thought was HAS HE BEEN LIVING IN HIS CAR FOR YEARS?! but I think he was still in his apartment in 2020:
as far as Hell knows, Crowley just had a pool party in holy water (the holiest) so the higher-ups are probably willing to give him some space (plus Beelzebub is busy going on pub dates w Gabriel)
while there should be ~8 months between the end of Season 1 events (The Very First Day of the Rest of Their Lives on Sunday, Aug 25, 2019) and the Lockdown phonecall (on or near the 30 year anniversary on May 1, 2020), I can't imagine that's a very long time for Hell, especially if you're understaffed and busy dealing with fallout from Almostgeddon / going on pub dates
Shax dropping off mail and asking about the boiler seems like something one does in the first few months of living somewhere, not ~3 years in (if S2 is in 2023)
That said, I think the phone call underlines why Crowley never directly tells Aziraphale that he is living in the Bentley in S2, and it's just a great conversation (all hail Gaiman) sooo I wrote about it:
***Note: This post analyzes the Lockdown phonecall from Crowley's perspective only. Our heroine is feeling quite emotionally vulnerable at this point in time so things are going to hit him harder than they normally would.
I do not think Aziraphale meant to cause him pain (!!) but Crowley can't see that yet and I've written this post in a way that reflects that missing insight. (I explain in more detail in this reblog if you are interested) I am working on a companion post for Aziraphale's side of this conversation and how I think it affects his behavior in S2 because if we know anything about these two, it's that their exactlys are different exactlys.***
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Crowley’s habit of sleeping to skip time like an RPG character by a campfire amuses me to no end, but in this context it feels heavy. Crowley already worries about losing time with what he loves and he probably hoped things would be different between him and Aziraphale after the events of S1. But things don’t change much. Then lockdowns start, and Crowley is trapped in his apartment alone, transcendentally bored, and unable to make his brain shut up. Sleeping a month away starts to sound less awful.
But Crowley hasn’t given up yet; he’s still awake when Aziraphale calls, and he’s even giving it two more days. Was he waiting for Aziraphale to call? Is it even possible not to at least kind of wait for someone’s call when you are cut off from everything and the caller has been your only friend and crush for millennia?
Aziraphale asks why Crowley isn't "out and about" tempting people or setting a bad example and he responds:
C: Everyone's so miserable and cooped up right now anyway, and I just… well… don't have the heart for it. A: *glowing audibly* I'm not miserable~ C: Really?
Crowley sounds genuinely surprised at Aziraphale's happiness and quickly assumes it's because the angel has been around people. He's so lonely/depressed/in his own head that he hadn't even considered someone enjoying being 'cooped up'. *sob*
Aziraphale goes No actually I put the closed sign up in the window and I'm having the Time of My Life, never had so few customers, not in 200 years!, etc. Although, he says:
A: …There were a few young lads a couple of nights ago who broke in through the back and tried to steal the cashbox! But they soon saw the error of their ways~ C: *clearly amused* Did you smite them with your wroth? A: Well I certainly gave them a good talking to, and I sent each of them home with cake~ C: *annoyed, swooning* Cake? A: Quite a lot of cake, actually. C: *physically ill from having such a giant crush on this dumbass baker/security guard* eeeekkkgghhh I'm gonna regret asking but.. ...rrgh.. *30 seconds of Aziraphale joyfully describing his baking while Crowley probably tries very hard not to imagine the angel eating each item in sensual slow motion* I stg you can hear him struggling in the background once or twice
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A: …And once I've baked them, I have to eat them all myself, which was why I was so delighted— C: To send your burglars home laden with baked goods, yes, nnyeaayeah I follow…
Crowley interrupts, finishing Aziraphale's sentence in his nervous hurry to say the next bit:
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C: *loud inhale* You know, I could.. hunker down at your place. … Slither over and watch you eat cake. I could bring a bottle--a case of… something… drinkable…?
He's trying to sound so casual about it but this is someone who was rejected/abandoned by actual literal God after asking what he thought were welcome, uncontroversial questions. Asking makes him vulnerable. He's supposed to be the rescuer, not a demon in distress. He does not feel casual about asking.
Crowley knows it's unlikely but he's so miserable and desperate for company that he can't help but ask, just in case. Even the smallest chance of spending time trapped indoors with Aziraphale—with nothing to do but drink, watch him eat, and talk about things they'd normally avoid—is too tempting.
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A: *panicking* Oh I— I— I— I— I'm afraid that would be Breaking All The Rules! *nervous breathing* Out of the question! I'll see you… when this is over. C: Right. gnnehh. I'm setting the alarm clock for July. Good night, angel. *dial tone*
And just like that, Crowley doesn't need two days to decide. The depression nap doubles in length. He doesn't hear how badly Aziraphale wants to say yes behind the fear, or maybe he does and it hurts worse because why isn't Crowley enough for him? You can almost hear the spiralling:
SHOCKING, asking made it worse. It always does doesn’t it? Why even bother? you just embarrass yourself.. SLITHER over? why did I say that *grumble grumble* of COURSE His Holy Holiness, your only friend in the universe, would rather eat cake by himself while everything goes to shit than ~deign~ to have you in his presence. "AsK aND yE sHaLl ReCeIvE" bugger this for a lark im going to bed
(a bit dramatic but we've all been there)
I imagine sleep doesn't come right away. Maybe his thoughts drift to when he sat beside the angel at a dark Tadfield bus stop after a rather eventful Saturday. Crowley must've felt a tiny bit hopeful when he invited Aziraphale to stay with him: Heaven had withdrawn its favor and the bookshop was gone; Aziraphale was like him now. Didn't that mean things would change?
"I don't think my side would like that." Apparently not.
In the end, Aziraphale did ride the bus back to Crowley's apartment and stayed till the next morning when he caught a cab, but only to sell the illusion. Crowley understood that as far as sides went, the angel was still on Heaven's, even if Heaven wasn't on his.
And now this: the entire world is shut down; there is nothing for Aziraphale to do but stay in and read and bake in his magically reconstituted bookshop and he still won't invite Crowley in. Burglars and un-fallen angels only—nobody who asks questions.
So... of course Crowley doesn't tell Aziraphale when he loses his apartment. He already knows what answer he would get; the angel has told him so many times. Aziraphale is a company man first, a companion to one very sad owl when convenient.
If Crowley works up the courage to say 'please take me in, I have nowhere else to go' and Aziraphale goes 'sorry, no, far too political, but I WILL risk being erased from the Book of Life to protect this nude amnesiac former coworker who always hated me,' it's going to be too much. You can't sleep long enough for that type of hurt to go away. Better not to say anything.
"Then nothing has to change, does it?"
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You could drink your whole life away and still never get that taste out of your mouth.
half commission for @salempie half completely self indulgent dreck pieced together from our insane conversations abt franke and elka. told myself id finally write a big explanation for all of the dum shit between these two for context so Thats Under The Cut.
so I already wrote some stuff about elka and franke's relationship back in whispering rock so feel free to look at that too . it goes over elkas blindness/‘seeing’ with clairvoyance and how her and franke started talking & all that good stuff
SO FOR STARTERS. a lot of thsi wont make sense without a big breakdown of elka herself. because elkas potential as a character is like insane to me. like just the idea of her in the long run of her life reads as something so potentially tragic; a young girl whos plagued with visions of doom and destined to be an outcast even in her own home for things she cant control and clings to the One vision of her wedding that she thinks is 'happy' even despite the fact she doesnt really love the person in it. im choosing to take the li-po doc as canon here because its funny shes the only one with backstory-
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but my fucking god even the smallest look into what her parents are like is soo fucked up to me. and i do think elka especially gets a lot of influence from her mother; its funny how easily you can fit mabel doom into a box just from what elka says about her. knees deep in an avon-esque pyramid scheme and leaning into her daughters depressing ass visions & taking her to therapy at age 11 (which would be good if not for the kind of person you can already assume she is & so i doubt the therapist she has really does her any good. i think they share one). she reads as a very I Am My Daughters Best Friend type of mom to me and i can see elka being a centerpiece of the conversation when she has her Amway Girls over for drinks. wine-mom that lets her kid sip from the glass so she can feel like a big girl type deal.
and you can tell that elka is trying to hard to be too mature for her age even in her campster posts. how she writes letters to nils' mom and exchanges baking recipes with her and that feels like she really only interacts with middle aged women and not really many people her own age outside of camp (like her moms friends). which makes sense shed feel the need to ‘grow up’ early when shes probably had to process so many hard things at a young age bc of her visions.
theres a lot of filling the blanks here of course.
elka obsesses over nils to an overbearing degree even despite the fact he treats her like shit ('you promised no talking' and so on) and she treats him bad right back. she leans onto stereotypical heterosexual ideals like taking care of him and overblowing how Manly and Protective JT is and she admires romance stories like pride and prejudice and it feels like she Projects Soooooooo much of what she wants onto boys she barely feels anything for without knowing what its actually supposed to feel like. and clearly she WANTS that ideal future, a happy marriage, an actual romance- but according to nils even when they were dating she ignored him most of the time, which just seems Very Telling
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like shes filling a role, overcompensating for emotions and lacktherof she cant digest quite yet, and it only makes more sense when you know shes had visions of their future together. how could that be bad for her? shouldnt it be like the books and movies? but she doesnt really connect the fact that her visions are only for Doomed futures, and if she does she certainly doesnt show it. Doomed relationships. it's been a part of her family for generations and she isn't turning out much different, is she? i dont think she even realizes thats all she ever sees yet, just that its Going to happen. that it's Her future, and it always will be
and like, her only reference for a real marriage so far has been her own parents, and she already Knows they have an affair, and theyre doomed to split, (and i actually like to think they were in rough waters anyway and elka was a child meant to mend a crumbling marriage but thats a whole other thing) and so without a framework for what an actual healthy relationship is supposed to be like she cant really grasp that her relationship with nils Isnt that and isnt ever going to be. she can only cling to this one happy idea of the future, and thats why she keeps chasing him, self fulfilling the actuality of her situation and creating and fostering the unhappy life they will inevitably live together.
and that bleeds into everything else in her life, of course, because as the years go on, as the visions grow in number it just makes sense for her to fall into the predictability of her life. she always knows whats going to happen, her visions are Never wrong- so why try to change things? shes had time to process tragedies days, weeks, months, years before they happen, shes had time to settle into every crack of her life. her parents divorce, her various break ups, her future with the psychonauts.
“and she's already seen so much of a future with [nils] she feels trapped almost. Like she has to be happy in it or else it just means her life is miserable. And it's a mixture of pride and fear of the unknown that keeps her clinging to the One thing she knows. BUT LIKE!!! She knows what's gonna happen! It's easier to grieve when she's been grieving for years... She wants so badly to be happy, But to do that she has to step into the unfamiliar. And that's more terrifying than staying the same miserable person she's always been.”
and thats where franke comes in— and yeah you Do have to take a lot of liberties for frankes character since it’s basically, like, all the info for her is just that shes a Supreme Baby Dyke but thats enough for me. i think she has protective butch itch in her . on campster shes defensive over other women evidenced in the way she keeps watch over the girls cabins for lili when elton is pursuing her . but shes also eager to please and constantly trying to make kitty laugh and also Very naive. but she tries! and i think it only solidifies more as she gets Older and really gets a hold of her feelings & her powers. this is incredibly franke to me
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and i think as they grow older together— because i think franke and elka Do stay friends, both because elka is just pathetic and needs that positive connection even if she doesnt realize it and because i think franke is a very Loyal person & annoyingly persistent if you let her be . and i am also a kitty/franke truther. because kittys also important in this web we weave
because i think franke and kitty stay together after camp, to a point— theres a falling out facilitated on kittys end and they break up, but reconnect, and franke kind of... saves kitty from herself a little, from her strict military father whos love only extends thru finances , from her own stifling future , she drives all the way to bakersville in her shitty van handmedowned from her dad and they move in together eventually . they get jobs at the motherlobe , because it’s a pipeline to a decent job, because it’s whats easy, because franke doesn’t really have a future, because she’s never really been good at much, because shes never had much sense, because franke doesnt really care as long as she can live and help, sometimes, if she can, and because kitty’s there, and because elka’s there, and shes so used to being elkas eyes now and shes good at it. shes good at being the muscle of the missions when her colleagues lack it, when hypnosis and predictions arent enough. she likes it that way.
and elka appreciates frankes company. she listens, shes sweet, she does little things for her that no ones ever really put the effort for before; she likes her. franke is strong and bold and makes her laugh and shes always there but god elka cant let go of that future, of that box shes put herself in, that her mothers put her in, of being a Good Wife to a Loving Husband, of getting married normally and falling into unfailing familiarity. thats all shes ever wanted and shes not going to jeopardize that . not for franke, who may not be a boy but is handsome like one, whos always held her after every break up with nils and the men that filled empty days inbetween.
and elka is too stubborn to recognize those feelings anyway. too prideful to accept a way out. too set in her cycle no matter how much she hates it, her little self fulfilling tragedy of her own making, wallowing in her own doom. she struggles for control of her own life when she feels like every choice has been made for her anyway, she puts up her walls and carefully constructs what people see. but franke was always harder to trick, because while empathy isnt a particularly useful psychic power it’s certainly an inconvenient one. all franke has to do is get too close and all those carefully crafted walls fall apart, and elkas control is gone, and thats all she really has. and she tries to distance herself, really she does, but franke is also too persistent. and elka wears gloves, keeps contact that would make her walls crumble from happening as best as she can, but she cant really keep herself from the brief moments where she feels like someone actually fucking cares about her.
and that slightest lack of control, the need to wrestle it back is why she proposes to nils the next time theres a falling out— she knows how it happens, she plans every detail. and he accepts, despite everything. gets her a cheap ring and it feels like lead on her finger and its nothing at all like how shed thought it to be when she was a kid, theres no feather light feeling in her chest, only that dreadful reality that she cant turn this back. BUT WHAT CAN U DO LMAO
elka doesnt tell franke about this engagement until later, on their way back from a mission. late at night when neither of them can sleep, and franke invites elka to smoke in her van, because its been so long since theyve been alone like that, because elkas been so strangely absent lately. and because of everything, because frankes always so damn nice, because elka hates the feel of the ring on her finger, because she let herself get high alone with franke fucking athens whos always been so good at pulling her apart— the truth of it all spills out and its messy and emotional and she hates it, she hates the life shes made for herself, but franke makes it easier to bare and now shes here and shes so close and god she wishes she could see her smile again, she wishes she could see franke, thats all she needs right now and she cant but she can touch her and she can hold her and for tonight, she can be known, she can let those walls crumble, she can be something else just for once here with franke . she can kiss her here in this van, touch that happiness for just a moment, and forget the future that waits for her outside of it. franke begs her to forget the wedding, to just let herself be happy— and god, she wants to, but it means turning her back on everything shes known and everything shes saw to be inevitable, and franke has never been in her future, so if it were supposed to work out why hadnt she seen it and she cant, she cant take that risk but she can have this, even if its temporary, she can have it.
and just as soon as she gets a taste of it, its gone. after that night, after the missions over and theyre back at the motherlobe and have to pretend like nothing happened (franke doesnt, of course she tells kitty about it, she tells kitty about everything.) but that brief moment together haunts elka every time she sees franke, sees herself through frankes eyes, sees herself in her wedding dress because god its all franke can think about! of course it is! she knows how much elkas destroying herself she knows how much misery shes wallowing in that kiss in the van felt like an emotional punch to the teeth and she hasnt ever forgotten it and all she can do is sit and watch while elka throws herself into a loveless marriage. she can come to her wedding and see the way the bride and groom kiss with the emotional weight of a wet towel no matter how hard elka tries to hide it under a pretty dress and bouquets of flowers and meticulous planning.
and elka resents nils but she cant really hate him, its not his fault, not really. he feels trapped just like she does and his feelings of misery only cycle back into hers . they fight and gnash and wear away at each other and its a relationship thats crashed and burned a million times before elka even said i do. and its inevitable that she falls into her mothers habits, a sip of wine here and there to loosen up, until it turns to a glass, until it falls into a bottle on nights when whatever work nils does runs late.
but franke’s still there. shes always been there, hasn’t she? always trying to play knight, always trying to save her, dragging her home when shes stumbling over herself because god who else is going to do it but her? who else is left to care? certainly not nils. never nils. because franke knows her. because franke pities her. shes always pitied her. shes always known. and elka hates it, she resents it, but god in the same breath she’s desperate for it, she envies it to her very bones. elka is a mess but after frankes done with her she has someone to go back to that loves her. and god what elka wouldnt do to have that. to take it and keep it for herself because shes never ever got to have that movie romance shes always wanted.
so now comes this.
because elkas particularly miserable and particularly spiteful and she needs to get franke to understand, just for a moment, drink with her and get on her level and she needs her there with her no matter how her pity makes her feel. no matter how much it makes her shake with anger and envy and desperation, but god the way franke looks at her, the way she still tries to salvage what they have, the soft, slurred way she tells her that it’s okay but its not okay, none of this is okay, it never has been and she just wants franke to shut up and see that, and if she cant then she’ll show her, she’ll show her all the raw angry desperation, with too much teeth and hands that claw and grab and she’ll know why everyones always said she’s too much.
and she knows this puts her on nils’ level too. that this makes her a cheater, that shes no better than he is now. no better than her father and his affair. but god, she wants to be selfish. she wants to be in control. just for once. she wants to feel right and she wants to feel happy and she wants to feel loved. thats all shes ever wanted. and franke will let her have that, just for a little while, at the very least.
anyway. sorry. sorry for being crazy . this isnt even getting into the shit after the comic takes place . elkas stupid brainworld thag she has to overcome in order to finally be allowed in the polycule and live happily ever as worlds first lesbian divorceman
sorry for all the shit i make up instead of caring about actual characters with screentime . bye !
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If it’s alright, I have a question about Vil and Epel’s relationship. I understand that the accent changing plot line is just a cultural politeness thing that didn’t carry over outside of Japan, but the other parts of changing Epel’s behavior don’t quite make sense.
Why exactly is Epel being forced to call macarons his favorite food? And act very soft-spoken? I can’t see how these fit in with the politeness aspect of the table manners, no abrasive language, etc. It just doesn’t give a very good impression, especially in combination with the unfortunate implication of giving Epel a Southern accent for the “change your accent” plot point.
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Before I get to responding to the questions posed by this ask, allow me to explain for those who may not be familiar with this controversy! This is so we can all go into reading this post from the same starting point.
I've made titles to denote the explanation of background knowledge and to denote responding to the questions actually asked to me! If you're already familiar with the Vil-Epel-accent debacle then feel free to skip the first section!
Disclaimer: I’m speaking on these concepts as I personally understand them. However, I am not a native Japanese speaker so I’d advise that you consult additional resources with a better understanding of the language and culture. Two resources I enjoy are Yuurei and MysteryShopTLs, who have both also addressed Epel’s accent and how it was localized.
The Accent, EN vs JP
It’s well-known that Epel is a character with a heavy accent who has been explicitly told by Vil, his dorm leader, to alter the way he speaks. In EN, Epel speaks with what appears to be a southern (as in, “from the southern United States”) accent. Therefore, when Vil tells him to stop speaking in the accent, it feels as though Vil is shaming him for his southern roots and culture. This has also led to fans (especially of the EN-only sphere) thinking that Vil believes Epel’s accent is “unrefined” and “makes him sound uncouth/uneducated”, which is why Vil tells Epel to cover it up. I have even received asks conveying as much in the past (here is one example).
In the original JP, Epel speaks in a way that does not closely resemble any real-world Japanese dialect but rather a blend of them. If you ask a native Japanese speaker, they would likely tell you that it is difficult to understand what Epel is saying and that it sounds as though he is speaking rudely or too casually. People could genuinely take offense to the accent because it can be mistaken as something else entirely. This is obviously very different than the real-world accent (which many people can still understand and wouldn’t perceive as rude) that Epel was localized to have. The decision to give him a southern accent, then, does not completely carry over its original JP connotations into EN.
What remains the same in both EN and JP is the reason Vil provides for telling Epel to adjust the way he communicates. As he says in EN, “Speak properly" to which Epel immediately assumes the command comes from a place of elitism/classism and Vil thinking Epel's manner of speaking is beneath him. Vil responds with, "Stop misinterpreting my instructions. I have nothing against your home or its dialect. What I object to is your attitude. Being proud of your home is all well and good, but there is a time and a place for that. The way you address your superiors is entirely unacceptable." (Keep in mind that before this, Epel was the one instigating a fight with Vil and subsequently got his ass whooped for disrespecting an upperclassman. As the victor, he declares that Epel must do as he says--that's the "culture" of NRC. The weak obey the strong, so if Epel wants to do whatever he wants, then Vil challenges him to beat Epel in a fight. Until then, the loser must obey the winner. Epel agrees to these conditions.) This may be a little hard for western English speakers to wrap their heads around, but MANY Asian countries, Japan included, run on a hierarchical system which is embedded even into their languages. Japanese, for example, has honorifics to denote the relationship between the speaker and the listener, as well as variations on the same word depending on the context ("boku", "ore", "watashi", "atashi", etc. are all valid ways to refer to oneself, "onii-san", "onii-sama", "aniki", "kyodai", etc. are all ways to refer to a brother, whether blood-related or not). In some cases, it's considered rude to call others by their first name unless you know them well, and even then it's not common to see a first name without an honorific. This is not as strictly adhered to in English, which is perhaps where a cultural disconnect occurs. What Vil is referring to in his instructions to Epel is what is known in the world of linguistics as "code switching", or changing how one communicates to suit the situation. Part of code switching is changing one's "register", or the level of formality you use. So for example, I could use a colloquial/casual register when I speak with my friends, but I may shift to a more polite and formal register when I speak with my professors, a boss, or an older relative. Vil, then, is critiquing Epel for not speaking politely to his seniors (something which is expected in Japanese culture, but not expected among those in similar grade levels in western cultures).
In the Harveston Sledathon event, we get to venture to Epel's hometown and hear how the locals speak. Indeed, we get more instances of people who speak in the same way Epel does. It's the Harveston dialect, which is so distinctive that it basically sounds like a whole different language. (There are also languages like this in real life; consider Mandarin and Cantonese; technically they are both "Chinese" but Mandarin and Cantonese speakers would not be able to comprehend one another even if they use the same written language). However, it's notable that Marja (Epel's grandmother) and the mayor of Harveston are able to code switch flawlessly into a more standardized tongue. They explain that this is a skill they have developed because it helps in communicating with tourists/visitors to the village and for whenever they travel to the nearby city to sell their wares. This reinforces Vil's point that there is a "time and place" for certain ways of speaking, which Epel needs to consider.
Macarons and Soft-Spokeness
Accent thing aside, some English-speaking fans take issue with Vil's stern treatment of Epel, particularly in instances in which Vil seems to be exerting significant control over his underclassman's behaviors. (Japanese-speaking fans largely do not hold the same sentiment.) Examples of this include Vil forcing Epel to state that his favorite food is macarons, as well as making Epel present as soft-spoken even when he's just among his peers. I will now be addressing both of these points. TO BE CLEAR, I am NOT trying to defend Vil but rather I'm just going to speculate about why the circumstances are the way that they are and/or why perceptions of his attitude may differ.
Starting with macarons! It is stated in Epel's official profile and by Epel himself in his Birthday Boy vignettes that his favorite food is yakiniku (Japanese grilled meat). However, macarons are also listed as his favorite food, and this is notable because he's the only character with two foods listed instead of just one. In the aforementioned Birthday Boy vignettes, Epel is quick to qualify his love of meats with, "Well, I do have one thing I like even more. It's, ah, macarons." When asked what he likes about them, he says, "They're... cute. And sweet! And they come in lots of different flavors." His voice here sounds hesitant, so it's not clear whether he's being entirely honest or not. He even admits in a whisper that, "[Macarons] are not very filling, but still." Epel again complains about macarons being good but not very filling when he has some in the City of Flowers/Fleur City. To this, Azul asks, "Why do you look so unimpressed, Epel? I thought macarons were your favorite food. [...] But was my intel mistaken? Would you prefer something with a stronger flavor profile?" Epel insists he is fine, and Azul responds with, "Excellent, then my intel bears out." This creates some confusion over whether Epel actually likes macarons or not. I doubt that the information Azul has on others is inaccurate. Plus, Epel states of his own free will to the player (who is interviewing him) that he also likes macarons. This leads me to believe that while Epel doesn't outright hate macarons, he does like them alright (but still prefers grilled meat more). The only thing he seems to have an issue with is how unsubstantial macarons are as a food item.
Now... why does Vil make him state that macarons are his favorite food instead of grilled meat? It's sort of touched on in Epel's Ceremonial Robes vignettes. In them, Vil chides Epel for his poor table manners and asks him to state his favorite food. Epel responds with grilled meat/barbeque, which earns him a smack from his dorm leader. (Vil actually smacks Epel multiple times in these vignettes as punishment, which ended up being another source of ire in the English-speaking part of the fandom; such a thing is more common in Asia and its media, so it's not seen as too outrageous in Japan.) "Do my ears deceive me?" Vil says. "I could've sworn I heard a word unfit to be spoken in this noble dorm. I will ask you again. As a student of Pomefiore–a dorm founded upon the tenacity of the Fairest Queen–what is your favorite food?" From this dialogue, it can be surmised that Vil's reasoning for drilling the macarons in as Epel's favorite food is because it is something that is more befitting of the regal "image" of the Fairest Queen and the dorm made in her honor. Vil seems to regard grilled meat as an inelegant food which does not suit the Fairest Queen nor Pomefiore.
The second thing the asker brought up is Epel's soft-spokeness. I guess I'm a little confused by this??? Soft-spokeness is a part of being polite; it ties back to volume control (ie "indoor voice" being softer than "outdoor voice"). I also don't recall a specific instance of Vil chastising Epel for NOT being soft-spoken at all times. He allows Epel to be loud sometimes and raises his voice himself. I feel like volume is not something that Vil harps on as much as other things like cursing or speaking politely to the correct authority figures (unless, of course, volume is important to the level of politeness required for the current conversation). I could be wrong on this though, so please let me know if you know of any specific instances of Vil being mad about Epel speaking loudly that I may have missed! What I do find odd is how... consistently (?) Epel tries to keep polite even when Vil is not around to monitor him. When Vil and Epel first met, Vil makes it clear that there is a "time and place" for Epel's accent, and it's not when addressing seniors. So... by the logic, shouldn't Vil be okay with Epel acting more relaxed or rowdy around first years or more casual settings in general? Why does Epel need to maintain the facade of being polite even when not in the presence of his superiors? Why does Epel seem to even act fearful about word of his misbehavior/rudeness getting back to his dorm leader and even make others swear they won't divulge the incidents to Vil?
One theory I'll propose is the entirety of book 5. Vil was insistent then on having Epel in the NRC Tribe. He wanted to weaponize Epel's cuteness, which he believed could compete with his long-time rival, Neige. This probably fed into Vil's demands for Epel to appear and act dainty and innocent, traits which Neige effortlessly possesses. Vil literally even refers to Epel as his "Poison Apple" that will help him defeat Neige. After book 5, Vil seems to have eased up on his rigidity. However, I will caution that this explanation may or may not align well with vignettes and/or event stories, which do not always work in a cohesive timeline with the main story.
Perhaps a more all-encompassing explanation is... this is probably because Vil is just very strict about how his dorm members present themselves at all times, since they are expansions of Pomefiore and of himself as the leader. Both the macarons and Epel's attitude are reflections of the dorm he (a celebrity who is very aware of the public eyes on him + his reputation) is affiliated with, and Vil won't have them poorly represented. He is the dorm leader, so he has the "right" to rule and impose his ideals as he sees fit. It's a similar situation to Riddle forcing the Heartslabyul students to follow silly, nonsensical rules (because they're tradition) or risk a scolding or a beheading. And again, Epel is following along because (as established in book 5), he has agreed to submit to Vil’s orders until he beats Vil in combat.
At the end of the day, I don't think Epel being forced to call macarons his favorite food is a huge deal. Is anything that big lost in claiming you like something that isn't your actual favorite food? It's not like Vil is forcing Epel to claim he likes eating something that would actually harm him (like, if Epel had an almond allergy or something).
What's more dubious is how VIl governs Epel's attitude and temperament at seemingly all times (to the point of eliciting some apprehension from Epel). Given the most generous reading, maybe it's Vil's way of teaching Epel maturity and how to keep his voice down since Epel had zero of it and acted loudly brazen when he first enrolled. It doesn't help Epel if he's quiet and well-mannered in very limited social situations; it has to be "generalized" or expand to other scenarios for Vil's lessons to truly be instilled in him. (Like... what would happen if Vil DIDN'T hold Epel in check? His classmates would not be able to understand Epel's speech, and he might get into trouble by picking fights with others.) This is a life skill that Epel lacks, unlike his grandma and the Harveston mayor, and Vil's teaching it to him via "tough love" (though whether you approve of his methods or not is up to interpretation). Recall that Vil also teaches Epel to embrace femininity as its own strength and to disregard outdated gender norms--this could be considered another "lesson". I doubt that anything Vil imposes is done maliciously, but rather comes from a place of wanting others to be better and to shine their brightest, even if that path is difficult or painful. Epel, as the rebel in this circumstance, of course does not enjoy being told what to do and misbehaves in small ways. There’s a limit on how much he can misbehave though, as it would hurt his pride to be reminded of his failure to one-up Vil. He's like a kid that doesn't want to be caught cussing or acting out by his parent. It can be seen as immaturity and an unwillingness to change or to grow up, but it can also be seen as someone who wants to freely be able to express themselves or to be their "truest" self. Epel is rowdy and headstrong, and it's difficult for him to repress these parts of himself. Given the least generous reading, Vil is oppressing and stifling Epel in many ways that extend beyond what his dorm leader position should reasonably allow him to do. In fact, a popular fan translation for book 5 is "The Beautiful Oppressor", as Vil is frequently shown limiting the liberties of his NRC Tribe members during their training arc, not just Epel's.
Which is the truth here? Why do those in the English side of the fandom decry Vil's actions and side with Epel whereas the Japanese side see little issue with this?
I wager that this predominantly comes down to, again, cultural differences. Many English-speaking fans are based in the west (particularly the USA and Canada, where the EN servers first launched), places which emphasize individuality and self-expression. Of course they would be more likely to take Epel's side, as he's the one trying to be himself and stand out in his own way. Meanwhile collectivism--an ideology which stresses conformity with a group--dominates in the east. They are more likely to see no problems with Vil's actions because, to them, he is acting in the ways he is to "guide" Epel and show him how to best "fit in" with Pomefiore and at NRC. I believe the whole "being soft-spoken" thing also ties back to cultural differences; speaking loudly is something else that can be considered rude in Japan, so it's entirely possible that Vil encouraging Epel to be soft-spoken is another element of politeness that did not translate well to English (as the western world tends to be much louder and more animated in their conversations).
What it boils down to is that the way Vil and Epel's relationship was written did not work well for a western audience, whose values and perspective is VERY different from the original audience TWST had. It appeals far more to a Japanese fanbase than a western one, and has resulted in many misunderstandings or anger about Vil's character because of this.
I'm not sure if I managed to adequately explain everything, but I hope that this at least helps you to see from a different perspective!!
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pearikp · 24 days
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It's said that the only way to access Mhin's red choice is by choosing the Alchemist background, and that fact alone has me thinking about how the origin stories will actually impact the course of the game at full release. I wouldn't assume that you have to choose a certain origin to get a "good" or "bad" ending for a specific character, but (as stated by RSS directly) different origin stories will allow the main character to connect differently with each of the main five love interests.
Obviously, this isn't revolutionary, but I wanted to touch on which origins I think will be best suited for each route, based solely on scraps from the demo lol
For Kuras, I think the Alchemist and the Unnamed suit him the best. The former really comes from the fact that Ais' relationship chart suggests Kuras likes to ramble about alchemy, and because it has a lot to do with his role as a doctor, I would assume it opens up a lot of opportunities for him to connect with the Alchemist MC. I am more convinced of the latter based on the actual content of the demo. If you played the Unnamed origin, you may remember when the MC states that something about Kuras "nags" at them, "like a half-formed memory". This small line can obviously allude to Kuras not being human (and the Unnamed MC can pick up on it because of their sensitivity to the supernatural), or it could also imply that maybe this background gives the MC and Kuras a deeper sort of association with one another. I also encourage you to consider the dynamic of an excommunicated oracle in love with an excommunicated divine eldritch being.
It shocks no one that the Alchemist is probably the best route for Leander, and I maybe want to say the Hound could possibly be a good option in the future. The Alchemist can pinpoint exactly what about Leander's magic abilities makes him powerful, and obviously, this mutual connection will probably allow for plenty of unique interactions in his route. Sit on the fact that the MC had been mentored (manipulated) by an ex-Senobium mage, only to fall right back into the hands of another (pseudo-Senobium-affiliated) mage with sketchy intentions and big secrets... hmmm interestinggg... As for the Hound, I realize (admittedly upon limited playthroughs with this origin), that the dialogue never really changes for Leander's scenes. However, he is still an enigmatic socialite running a cult-gang, so surely the Hound will have some unique thoughts on Leander in his route and may eventually be able to see through this "nice guy" facade that Vere is so insistent he's parading around with? Just a thought.
As for my thoughts on Vere, I somehow have many and none at the same time. The one I'm pretty certain about is the Alchemist because they have unique dialogue acknowledging that Vere's collar is enchanted. I think the Hound may also work with his route, but I'm only basing that on the unique dialogue after the first encounter with Vere, wondering how he managed to pickpocket them without a sign, tell, or slip-up. The Hound has good social intuition, which is at least somewhat useful in dealing with Vere and his contradictory personality.
Ais comes naturally to the Unnamed, having an abundance of unique lines towards him more than the other characters. Not only does the Unnamed MC feel uneasy and hear unnatural sounds leading up to the Seaspring, but they also are the only one out of the three origins who has a distinct connection to "groupminds". The main character also notes that his tattoo (relating to Ocudeus) almost looks like it's moving. Similarly to Kuras, I like to think of the dynamic between a runaway ex-oracle crossing paths with a demonic being with cult-like worshipers... I predict the Hound will also suit Ais' route, based on how extensive their unique dialogue of Ais' natural leadership skills is. This origin is also the only one that actually details why his "gang leader" status contradicting the lack of an actual gang is so strange. The Hound comes from a more directly rugged life, and Ais takes an interest in the MC being feisty and defiant, so I'd guess that'll come into play somehow.
Back to square one on this whole overexplained talking point, Mhin obviously has some special connection to the Alchemist (or vice versa), if it wasn't obvious by the fact that Mhin's only red choice in the demo so far is only available with the Alchemist background. I think the Alchemist's unique connection to the Senobium through their mentor may come up, as Mhin's bio page says that they like the Senobium. The bio page also says they enjoy conducting alchemical experiments, which will connect the two even more. Once again, I think the Hound will also suit Mhin's route, based on little evidence and mostly just because Mhin and the Hound have similar vibes.
All of that said, I want to reiterate that I'm not under the impression that one origin will give you better or worse endings than the others, but rather unique choices and extra details based on their strengths. Regardless of how well one origin pairs with a LI, I will still probably be playing through each route with my own biased favorite (the Unnamed, if you were curious (I know you were not)). At the end of the day, it allows us to replay the game over and over to see what special changes and choices are available, so that will be very exciting.
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heesdreamer · 1 year
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omg the mention of camping in your new heejake fic has me thinking of scenarios in a TENT why am i blushing gn
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LOST TIME
PAIRING ➩ heeseung x reader (ex beomgyu x reader mentioned)
SUMMARY ➩ you and your bestfriends, growing up together since you were babies, had a tradition of going camping together every summer. this year you get paired up to share a tent with the boy you’ve been in love with since elementary.
WC ➩ 7.7k
AUTHORS NOTE ➩ honestly this was meant to just be a straight up PWP work due to the request but i got way too into the friendship dynamics and backstory lol.. idk if any other writers relate but sometimes smut just doesn’t feel like it fits in stories but i hope you still like this and maybe ill write something more nsfw later on with this prompt (not proofread and written at like 6am like always lol)
It wasn’t like camping was something you absolutely hated. In fact, for the first 20 years of your life it had been the single thing you looked forward to most throughout the busy year.
At some point it had developed into a promised tradition, an accidental hobby that you and your friend’s coincidentally carried on all throughout your shared childhood and high school.
Your parents had all grown up together too and lived on the same street once they were old enough to start their own families, keeping their tight knit connections and extending it to their partners and children later on in life. You grew up with a community because of this, your neighbors being people you’d spent your entire life around as they were basically family now.
It wasn’t a surprise to any of your parents and their friends families when they all also had kids around the same time, the biggest gap between babies being just over 4 years.
This was how your best friends came to be, as smooth and naturally as gaining a sibling or meeting a soulmate. You grew up surrounded with the same kids, going to the same school and spending holidays together at one of the houses on the shared culdesac.
The camping tradition was started before you even could register what was happening, photos of your parents lined up in bathing suits, holding different sized babies down near the lake shore with bright smiles and sunburns were your only proof that you’d been there as long as you have. As you got older and could enjoy the activities more, it became your favorite thing to do.
Your parents all got older right alongside you and they eventually stopped coming with, knowing you and the other kids would have fun out there while also being safe and smart.
So you continued on like that, all pitching up tents for the weekend and spending your time relaxing on tubes in the river or talking around the campfire, letting off the stress the year had brought you as you finished up high school and entered different colleges.
So it was slightly out of character that you were groaning as you packed your suitcase, complaining to Sunoo on the other side of the phone as he carried out the same action a few houses down.
“It’s just terrible timing.” Your voice was louder than normal as you disappeared into your closet in search of something warm for the colder temperatures at night. “Beomgyu and I are barely even broken up and I’m so behind on class work I could die.”
“Well you know it’s the same time every year Y/N, it’s not like it was sprung on you. Plus Beomgyu broke up with you last fall. I’d say you’re officially over by now.” Sunoo’s voice was barely audible from back in your bedroom but you still sighed and leaned your head onto your dressed with a thud.
He was always brutally honest with you considering he’d known you since you were infants, being the two closest in age out of the rest of you. When you first started school most of the teachers had assumed you were twins, wearing matching clothes and stuck at the hip everywhere you went.
You’d ditched The Shining like fashion now that you were adults but you still were the closest to him out of everybody, having applied to the same college together.
“Plus we haven’t seen the others since the holidays. This is the longest we’ve been apart, aren’t you excited?” His voice was picking up a hopeful tone as he tried to cheer you up and change your mood around.
You sighed softly again and walked back to your bedroom, grabbing your phone from the bed and holding it to your ear so you could hear him better. Leaning forward to look out your window across the small chunk of yard that separated you from your neighbor, you could see him sitting in his chair with a big smile on his face.
“You’ll be sick of them in an hour.” You remarked and knocked on the window, his head picking up to look over at you.
“I’m always sick of them.” He was rolling his eyes and you watched his mouth move in silence as the phone audio lagged behind a few seconds. “That’s the best part.”
You smiled at that and nodded although he wasn’t looking at you anymore, turning back to his bag. You did miss your other friends, almost an impossible amount.
You spent a lot of nights in your dorm room thinking about them and how horrible it was to be apart, replaying the goodbyes you all gave each other at the airport over and over in your mind as you tried to remain hopeful for the next time you could reunite. Nothing could prepare you for how difficult it was to separate for them, your parents all watching you with sad smiles in the background as you cried and hugged each other.
Coming home for Christmas felt like you’d gained a piece of your heart back, spending the entire break inseparable and having more fun than you possibly could with the more casual friends you’d met in school.
Your parents hadn’t nagged you for not being home a lot or felt sad that you all rather be together than with them for Christmas Eve and morning, understanding more than anybody else what it felt like to have such friendships.
“Aren’t you excited to see Heeseung?” Sunoo’s voice cut into your happy daydreams and the smile fell from your face at his teasing tone, stiffening slightly as he glanced at you from his room again, an eyebrow raised in amusement at your reaction.
“I’m excited to see everybody.” You said stiffly and he let out a small laugh at your sudden serious tone, knowing you had caught on to what he was implying. “Sunoo, don’t make it weird.”
“I’m not.” He gasped like it was an offensive thing to suggest, standing and approaching the window so you could see him better as he continued to tease you. “I just think it might be interesting considering this is the first time you’ve seen your childhood lover since being single again.”
“Do not call him that.” You were groaning and flopping back on your bed to which he let out another amused laugh.
You loved all of your friends equally, each one of them bringing a different set of pros to your life and helping to shape your personality as you grew up and molded into the person you were now. They were your family, brothers you never had and they felt the same way about you, resulting in no one ever dating within the group or causing awkward moments that could potentially upset the harmonious balance.
Lee Heeseung was the exception.
Despite Sunoo’s ridiculous phrasing he had never been your lover, not even remotely coming close to it. In fact things were almost more platonic with him than anybody else, never hugging you for too long or jokingly flirting to try and get on your nerves.
You weren’t exactly sure what it was about Heeseung that you liked so much. You’d seen him grow up the same as the other boys and while their changes annoyed you, scrunching your nose at classic boyish humor or lack of hygiene as they all shot up in height and their voices started cracking, Heeseung was the most beautiful person you’d ever met in your entire life.
He’d been born first out of all the babies but he never took advantage of being the eldest, always kind and generous as he drove everybody around and asked for group opinions instead of just doing whatever he wanted out of seniority.
He was funny in a way you didn’t know boys could be funny, not even meaning to make you laugh sometimes and just coincidentally being a beacon of light and humor that left all of you bending over trying to catch your breath at the dinner table. You liked this about him but you liked the small proud smile he’d have after everytime even more.
It certainly didn’t help that he was handsome in an unreal way. He had seemingly barely dipped a toe in the awkward phase you all went through before he was shooting up in height and his features were sharpening, solidifying into somebody who could’ve been intimidating if he wasn’t always smiling and goofing around.
But Heeseung was never your lover and he never would be considering your crush for him, that you had mistakenly spilled to Sunoo at some point during your senior year of high school, was completely dead and gone as far as you were concerned.
You’d even gotten a boyfriend to prove this to yourself, meeting a sophomore on your first day of college and immediately being taken by his style and humor. He reminded you of your friends back home as much as somebody could manage and he helped you adjust to being away from everyone outside of Sunoo. You’d even brought him back home with you last thanksgiving, letting him meet your friends before he abruptly dumped you on your drive back to the airport.
When you’d gotten out of the car with swollen eyes and red cheeks, your friends who had been waiting in the lobby to say the round of goodbyes had immediately crowded around you in worry.
Heeseung was standing back a bit and you tried not to make eye contact with him, humiliated as you murmured to them that Beomgyu had just broken up with you only a few minutes ago.
Jay was furious and attempting to go and confront the boy who was checking your bags in with security but Jungwon was quickly reminding him that you had to spend the next 4 hours sat right beside him on the cramped plane and they didn’t need to make the silence anymore uncomfortable than it already was going to be.
“I can drive you back.” Heeseung’s soft voice was coming from behind the bickering pair and you glanced up at him with wide teary eyes, not liking the pitiful gaze he was peering down at you with.
You felt sick at his suggestion as your heart skipped a few beats, the harsh reminder of how kind and generous he was immediately followed by the realization that no matter how hard your tried or how long of a relationship you had, he’d still make your stomach light up with butterflies. You turned down his offer and said your goodbyes with more tears than usual, promising to see them soon.
Heeseung hadn’t come to Christmas for the first time in your lives and as much fun as you had seeing each other again, the balance was always off whenever one of you weren’t present. He’d claimed he was busy with work and that he’d tried to get time off but he simply couldn’t, a message in the group chat about how he couldn’t wait to go camping being the last time you’d heard from him.
By the time Sunoo spoke again you could see him throwing his backpack over his shoulder and wheeling his suitcase out the door. “This could be the year you know. You should make a move.”
“Don’t be stupid.” You shook your head although he couldn’t see you anymore. “There is no move to be made, we’re bestfriends.”
“That’s because you- Hi Mrs L/N.” You could hear your front door open both through the phone speaker and your own ears. “Are too pussy to do anything about it.”
He whispered the last part so your mom wouldn’t hear and you laughed at the way he stopped mid insult to greet her with an affectionate tone. You hung up the phone and laid flat on your back as you waited for him to climb the stairs to your room.
He was pushing the door open only seconds later and he paused in the doorway when he saw you pathetically sprawled out in your own self pity, sighing softly before climbing on the bed besides your head and petting your hair gently as he kissed his teeth.
“Poor thing. In love with the village idiot.” He was shaking his head and you shoved his hand off of you as he let out a laugh, shielding himself from your attacks. You were sitting up to push him again when three long honks were ringing from outside, catching both of your attention.
You were off the bed and grabbing your bags before you could say another word, a childlike excitement washing over you as you giddily ran down the stairs and gave your mom a rushed kiss goodbye as she complained about the fact Jay had honked and didn’t come in to say hello.
By the time you got outside the other boys were already out of the car, meeting you halfway in laughed filled hugs and you and Sunoo ran to embrace them.
“Oh my god, when did you get so tall?” You were pulling away from Riki in exclamation as you held his arms and shook his frame slightly, scanning him all the way up to his face that was now having to look down at you. “What are they feeding you over there?”
“Straight protein.” Jake was answering before the youngest could, wrapping an arm around your shoulders and he also admired Riki’s growth spurt, although slightly envious considering he hadn’t grown much since high school.
“Protein won’t make you grow idiot.” Sunghoon was leaning against the van with a judging expression as he looked at his friend and roommate, him and Jake going to the same school about an hour away.
You’d stayed in pairs or groups for the most part since moving out. Sunoo and you, Jake and Sunghoon and then Jay, Jungwon and Riki had all moved in together at the best school in the state neighboring yours.
Heeseung was the only one who hadn’t applied alongside any of you despite the belief you all were going to try and stay together as much as possible while still supporting your individual dreams and wants. He had applied to all the same schools as you all did, getting accepted into every single one. Yet when it came down to choosing, he moved the furthest away on his own.
When he had sat you all down in Jungwon’s basement to announce this you remember feeling betrayed. Hurt at him leaving and even more upset that he hadn’t picked the school you were attending considering that was the option he seemed to be leaning towards according to what he told you
You can recall the others cheering in celebration at the fact he’d gotten into an extremely good college despite the sadness that settled in on everyone’s faces when they realized what that meant. You caught his eye at some point during that exchange and he flinched away, not wanting to look at you the same way you did to him at the airport.
Not similarly to the way he was looking at you now, rounding the front of the van as he got out of the passenger seat and made his way to where you were all gathered.
You tensed up for a moment when you first saw him and Riki noticed, following your gaze over his shoulder as he turned around and smiled once he saw what you were looking at, walking over to Heeseung and dragging him towards you with a pat on the back.
“Hey.” He was breathing out as he looked down at you and you took a second to take in his appearance.
It hadn’t been that long since you’d seen him but somehow he looked different, or maybe he just felt different considering how much broader his shoulders were and how much more sure of himself he seemed. You weren’t exactly sure what it was about him that was striking you as new but you were momentarily stunned as you took him in.
Sunoo was nudging you with him elbow suddenly and you realized you’d been completely zoned out checking Heeseung out as you ignored his greeting. “Hi Hee.”
He smiled down at you softly but didn’t say anything else, just standing there for a second before Jay was smacking the hood of the old van and announcing you had to hit the road or else you’d miss the site check in time. You gave him a quick glance before moving to carry your bags into the trunk, stopping when big hands were overlapping yours on the handle.
“Let me do it.” You looked up from under your eyelashes to see Heeseung bending over slightly as he gathered your stuff for you.
You were too stunned to say anything and he smiled again, fuller this time as he turned with your stuff and started to load it up. Sunoo was chuckling from beside you and you whipped your head to the side to shoot him a glare, a silent warning for him to be quiet and not draw attention to the blush on your face or the fact your stomach was lighting up with the same familiar feeling it always did whenever you were around the oldest boy.
The ride was uneventful for the most part, three hours passing as the boys in front of you caught up and told childish jokes, at one point having a competition to see who could catch the most goldfish in their mouth before they were gagging.
Heeseung hadn’t joined in with them from his seat in front of you but you could see his cheeks rising with a smile every time Sunoo squeaked out a laugh or Riki started to tease Jay who was driving. You and Sunghoon were in the back, playing games on his phone as you passed it back and forth and tried to ignore the eyes you could feel looking back at you every once in a while.
You were all just starting to reach your boredom limit and the car was filling with groans of pain as you stretched your legs out onto others and complained about your back pain, when you finally were pulling up to the familiar area.
As you shuffled out of the van, you took a deep breath and squeezed your eyes shut. It was rare to find this type of visual anywhere you were used to, the large trees surrounding the clear lake with small mountains out in the distance.
The air felt clear and light in your lungs and the temperature was perfect, just hot enough that you could go swimming still but also bundle into a sweater to avoid getting an overwhelming amount of bug bites.
You helped unload the trunk with the others, setting up the grills and coolers in a small area a few feet away from the main camp site. It was empty now, a small lot of perfectly mowed grass but you’d seen the process enough times to know with only a little bit of work, it could turn into a comfortable home for you to spend the weekend. Jake helped you moved some of the heavier stuff, giggling when he almost tripped over a branch walking backwards.
“Here comes the worst part.” He was leaning over to whisper to you as you walked back to camp.
Jay was sitting on the picnic table the campsite offered to people who stayed multiple nights, the hat he had been wearing in his hands as Sunoo ripped up little pieces of paper next to him.
Jake was right in the sense that this was the most meticulous part of the weekend but you never completely minded it. Your names would all be written on a piece of paper and put into the hat, then you’d draw two at a time and be given your tent roommate for the trip. Sunghoon and Jake often got paired and he’s complain the entire time, citing him as a blanket hog.
For 90% of the years you’d done this tradition you’d gotten Sunoo, eventually you imagined it had something to do with the fact he was the one who always got to call out the names being pulled.
Nobody ever called him out for it despite the way they’d roll their eyes as he put on a show of surprise, gasping and covering his mouth in shock and you laughed and cheered him on. So you weren’t thinking too much about the mischievous look on his face, figuring he was just planning out how his performance was going to go this time around.
“Okay first up to bat.” Jay was calling out in a serious tone, shuffling the slips around now that they were all accounted for.
“Jake.” Sunoo was announcing as he pulled the first one out, unfolding it and showcasing it slowly to your eager eyes. Jake nudged your side with an excited look on his face, crossing his fingers and squeezing his eyes shut in anticipation. “And…. Sunghoon!”
“Oh no fucking way.” The boy next to you was groaning loudly as he dropped to his knees dramatically, holding his head and trying to block out the sounds of Sunghoon laughing and cheering as he mocked him.
You laughed with him, looking at Sunoo who winked at you and bunched the papers up in his hands. You bent down to wrap your arms under Jake’s arms, tugging him back up to a standing position as he dramatically leaned against you.
Sunghoon was excitedly skipping over to the two of you, face lit up with pleasure at the sound of his friends complaints. He helped you hold up Jake who had gone completely limp as he feigned death. “Hurry up, he’s heavy.”
“Alright next up is…” Sunoo paused dramatically like he was waiting for a drum roll, sighing and muttering how you guys weren’t any fun when nobody humored him. “Jungwon and Sunoo.”
Jungwon let out a cheer and a swift clap, although not moving from where he was lounging in a camping chair beside the picnic table. Sunoo gave you another look, the same mischievous grin on his face that he had before, although now it made your blood run cold as you quickly realized what he was attempting to do.
“Riki and Jay.” You were proven right as the third pair was announced and you stiffened up completely in shock and betrayal, not even paying attention to the two boys and they agreed they were going to get the best and biggest tent since Riki was the tallest.
“Looks like it’s me and you.” To make your situation worse, Heeseung’s low voice was suddenly hitting your ear and you turned to glance at him.
He looked slightly awkward, not nearly as awkward as you were feeling, and you felt a wave a guilt at the fact he had most likely saw your upset reaction. You hoped he just figured it was because you liked to be close with Sunoo, although right now you were considering drowning him in the lake, and didn’t think it had anything to do with him.
“Looks like it.” You gave him a tensed smile knowing it absolutely everything to do with him.
——
The day was so fun you were almost able to forget your unfortunate sleeping situation. Everybody had gone down to the lake the second the tents were properly set up and secured into the ground, greeting familiar campers who lived on site full time during the summers and splashing each other aggressively until somebody was screaming and blowing water out of their nose.
It exhausted you fast and you were back at the camp only a few hours later so you could conserve your energy, watching Jay and thanking him as he grilled enough meat for all of you to eat multiple servings.
Now the sun had set and your first night was coming to an end in the most peaceful way possible, listening to your best friends have low voiced talks around a crackling campfire. You weren’t saying much but you liked to hear them tell stories about their months apart from you and drink in their voices that you had missed so dearly.
“Shit just changes in college.” Riki was mumbling and you watched him with tired eyes, nodding your head as he spoke about how he’s felt slightly out of place now that he was away from home.
“That’s because everybody is either having sex or trying to.” Jake was remarking from beside you and you turned to glare at him.
He was playing with the dangling netted cup holder of your foldable chair and you slapped his hand away at his statement, causing him to chuckle and nudge you with his foot as he shrugged. “Hey, it’s true.”
“Not for everybody.” Sunghoon was shaking his head and giving him the same grossed out look you were. He was sat across from you and he glanced at you from behind the fire with a nod of agreement. “Some of us have better stuff to do than go to parties every weekend and dick off.”
Jake was scoffing in disbelief and you watched Sunghoon shoot him a pointed look like he was telling him to keep quiet, your mouth dropping into a surprised laugh at the fact he had tried to lie and pretend to agree with you.
“Don’t let her fool you, she complains about her virginity every other day.” Sunoo was casually saying as he took a sip of his drink, his head tilting back to finish it and missing the reaction from the group.
It had fallen completely silent and you stiffened up awkwardly in your chair, a wave of embarrassment washing over you at your friends blunt phrasing. He had always been known to tell the truth about anything and everything but he seemed to realize this was too far, even for him, putting his cup down slowly and offering you an apologetic grimace.
“What?” Jake was sitting up in his chair and turning to fully face you, leaning forward and tugging on your sleeve with an urgent look on his face. “You’ve never had sex?”
“Dude you were with Beomgyu for like 3 years.” Jungwon was muttering from a few spots over and you glared in his direction at the mention of your ex boyfriend.
“Eight months.” The voice from the other seat beside you was speaking for the first time in a while and you turned your gaze slowly to see Heeseung stiff in his chair, staring into the fire as he played with his empty cup absentmindedly. You wondered if he even realized he had said something, let alone suddenly announced the exact amount of time you’d been in a relationship.
“Regardless dude, weren’t you guys like super serious?” Riki was adding on and you looked over to him, happy no one else had realized how weird what Heeseung had said was.
Despite how open you all were with each other, it was rare the conversation about sex lives ever extended over to you. As much as you didn’t really mind the idea of talking to them about your experiences, or lack there of, you also weren’t totally oppose to them never asking and you never telling.
You would’ve laughed at the fact they all looked personally offended you hadn’t gotten laid, maybe even joined in on the banter, if it wasn’t for the boy next to you and how embarrassing it was for him to be hearing it all. As much as you wished you thought of Heeseung the same as the other boys, you didn’t and this proved it.
“It’s not a big deal guys… he never tried or anything. I didn’t think much about it.” You were flushed bright red, thankfully hidden underneath the dark night, and shaking your head as you tried to feign casualness.
“Not a big deal?” Jake was laughing in disbelief and leaning forward more so you’d fully understand the sincerity in his words. “He was with YOU for almost a year and never made a move? He’s crazy.”
You were turning to glare at him at his wording and he leaned back a few inches, keeping a hand on your chair.
“What the hell is that supposed to mean?” You groaned as you realized this wasn’t something they were going to just let go and move on from, being presented with the most interesting conversation point of the night.
“You’re hot.” He said it like it was something obvious and clear and you faltered in shock, mouth parting and you leaned forward to smack him on the shoulder. He winced and flinched away from you with an upset whine. “I’m just saying dude! We all think it.”
You turned away from him to scan the rest of the circle with wide eyes and furrowed eyebrows, watching the other boys awkwardly avoid your gaze or just outwardly nod their heads in agreement with Jake. (Sunghoon and Jay.)
You weren’t stupid and you knew the boys were attractive, each of them fit and handsome constantly drawing attention all throughout high school, subjecting you to glares from girls in the hallways and boys trying to befriend you in an attempt to get closer to them.
Still, you’d never considered the fact that they thought about you in a similar way. You never thought too deeply into your own appearance at all, both positively and negatively but you figured the idea would never cross their minds considering they strictly treated you as a close friend or even a sibling at times, minus Jake and his meaningless flirting.
For some reason your gaze fell to Heeseung, who was still completely stiff beside you. He hadn’t been looking at you before but now he was and you faltered slightly at the hard expression on his face, eyes low with something you couldn’t make out in the dark.
“Shut up Jake, don’t be so stupid.” You were turning away from him quickly as you muttered the words and they dropped it quickly the second they realized you were actually uncomfortable and not just messing around.
The conversation moved on for now but you imagined they’d bring it back up at some point during the weekend. You felt a bit better now that the attention was mostly off of you, Jake’s hand resting on your arm as he played with your sleeve softly. You figured he must be feeling guilty for making such a big deal out of it so you ignored him, happily accepting the invitation to go to bed when Jungwon was standing with a yawn.
The awkwardness of that conversation had made you complete forgot about your sleeping situation but you were reminded quickly as the other boys stood to also head to bed, Heeseung standing slowly and hovering near you.
He followed behind you closely as you ducked into the tent but neither of you spoke as you zipped it up, sitting down on the sleeping back to shuffle through your bag as you searched for your pajamas.
You felt bad it was so awkward between the two of you. You’d always felt more cautious around him considering your past crush but you never let it show, not wanting him to think you liked him less than the others or worse, realize the truth was the direct opposite. Still there was something clearly different in their air now and it was suffocating you a bit as you waited for him to joke around or say something stupid to break the tension.
“Are you into Jake?” When he finally spoke it threw you off completely, not expecting him to say something like in such a hardened tone.
You froze in your movements inside your bag, looking up at him in confusion. “What?”
He was halfway sat leaning against a few pillows, watching you from the other side of the tent with that same unreadable expression he had by the fire. He didn’t clarify what he said, knowing you had heard him and you watched him for a few seconds in silent bewilderment.
“Why would you ask me that?” You mumbled, shaking your head and looking down at your disorganized clothes pile again. It slightly agitated you that he hadn’t spoken to you for most of the day and yet that was the first question from his mouth.
“Just wondering.” He shrugged like it wasn’t a completely taboo topic to be questioning you about but his face was anything but casual. “Are you into any of them? Would you hook up with one of us?”
“How can you ask me that? Would you ask one of the boys that or is it because I’m the only girl?” You glared at him as you spoke.
“I’d ask them if I cared.” He stated and you scoffed, not fully understanding what he was attempting to imply in his statement.
He wasn’t acting like himself and you felt a bit worried that maybe you had done something to upset him or weirded him out with your awkward demeanor. You didn’t bother to reply again, grabbing your toothbrush with the pajamas you’d chosen and leaving the tent swiftly through the zippered door.
You were speed walking down towards the public bathrooms and showers on the other side of the camp site, flustered from his random interrogation and replaying the day to decide if you’d done anything that could make him think that.
Jake was touchy with everybody, especially you at times since you objected the least but he always had been and it definitely wasn’t a new and shocking thing for him to be touching your arm or hugging onto your side. You contemplated it potentially being due to his comment about you being hot but considering the context in which he said it, you didn’t think that was the reason.
A hand around your arm was snapping you from your thoughts and you let out a small yelp, spinning around to see Heeseung who was panting slightly.
His eyes were wide a bit like he was worried and you saw a flash of guilt pass through then when he saw your flushed face. He squeezed your arm for a second before letting it go and you gave him a questioning stare at the fact he had seemingly rushed out of the tent to follow you into the darkness.
“Let me walk you there.” He blurred out and gestured to the fact he was also holding his pajamas and night hygiene products. “It’s dark, you shouldn’t be out here alone.”
You scoffed slightly at his concern, both of you knowing you weren’t in any danger at the campsite and it was barely a ten minute walk through a lit trail, but nonetheless you nodded at him and continued walking with him now at your side. He didn’t say anything else and neither did you, parting ways silently once you got to the building and he went to the male side.
You took a second to breathe once inside, leaning your elbows on the counter and looking at yourself in the mirror underneath the yellow flickering lights. You brushed your teeth quickly and changed into a comfortable sweater and shorts, wandering back outside to see Heeseung already there and leaning against the wall.
He watched as you walked past him silently, lingering for a second before jogging to catch up with you.
“I’m sorry.” He was muttering and you looked at him for a second before focusing back in front of you so you didn’t trip over the bumpy terrain. “I shouldn’t have asked you that.”
You shrugged softly and you felt his arm bump into yours as you walked side by side, approaching the tent in silence. You didn’t want to talk about it anymore, certainly not wanting to hear the reason he thought you’d be hooking up with Jake of all people.
When you finally were back inside and putting your toothbrush away you tried to ignore the fact he was climbing onto the large sleeping bag waiting for you to join inside it before he could zip it up completely. Your heart was pounding thinking about sleeping next to him and you suddenly felt overly hot despite the cold chill of the night.
You’d slept next to Heeseung before, all accustomed to sharing beds or living room floors during sleepovers, sometimes even all smushing together inside Jungwon’s van when you had a particularly long late night adventure. Yet it felt extremely intimate to be alone together and zipped up inside a sleeping bag.
Still you had no other option and the cold was starting to get to you considering your pajama shorts, so you scooted over onto the staticky fabric and held your breath as he leaned over you to seal it.
He laid back onto his back and you fell into more silence, not quite touching but you could feel his shoulder only a few inches from yours, rising and falling as he took deep breaths. He was shifting a bit to try and get comfortable and directly bumped into you, freezing at the contact but not making any move to scoot further away.
“I really am sorry for asking you that.” He was suddenly speaking but his voice was so quiet you barely heard him at first, a tired rasp lacing his words.
“It’s fine Hee. Not a big deal.” You whispered back, the air feeling strangely delicate. His hand was touching your wrist randomly but you assumed it was an accident, sparing him a glance at his touch and finding him staring at the roof of the tent.
“Pissed me off when he said that.” His voice was still low but it was hardening again like it had earlier and you winced slightly, confused at his mood changes. Heeseung was never the type to get angry and definitely not somebody who would voice it so openly like this. “Is that weird to say?”
“I’m not sure I get what you mean.” You were bending your legs so your feet were flat against the tent floor and your knees were pointed upwards, feeling strangely vulnerable at the conversation topic.
His hand that was barely grazing your wrist was moving now and you stiffened when he completely grasped it, sliding slowly down your arm until he could feel your palm under his finger tips. You sucked in a breath at his strange actions, never really directly touching him before despite how close you all were to each other.
“I don’t think I know what I mean either.” He was letting out a small self deprecating laugh but he squeezed your hand now that they were intertwined. “I just know whenever he touches you it makes me feel crazy.”
Your heart felt heavy at his sudden confession and you were slightly dizzy as you were trying to process what he was saying and what it meant if he was implying what you thought he might be. It seemed like he was trying to tell you that he was jealous of Jake, jealous of him for touching you earlier and for the way he playfully flirted.
“Jake’s harmless.” You whispered back and you’re not sure why that’s what you chose to address instead of asking him why on earth that would upset him.
“I know.” He said it like he was frustrated, like you were missing the point he was trying to make. “It’s not about that, I don’t know forget it.”
He was unraveling his hand from yours but you instinctively caught him in the middle of his arm, panicked at the thought of him pulling away now that you’ve finally made some progress towards… something you still weren’t fully understanding. But you’d never even toed the line with Heeseung before and you weren’t going to take it for granted.
He was finally glancing at you now that you were practically hugging his arm and his face wasn’t hard anymore, instead having a nervous unsure look that you hadn’t really seen on him before.
“Help me understand.” You loosened your grip on his arm but kept it held against you, breathing heavier as you looked at each other.
He watched you for a while but didn’t say anything just yet, you tried not to flinch when he rolled over on his side so he could face you better and it seemed to work considering his free hand was coming up to push some of your hair behind your ear, resting on your cheek for a second before going back to his side like he hadn’t meant to do it.
“Why did you never have sex with Beomgyu?” He was whispering again and his words sounded particularly vulgar although he sounded like he was genuinely curious.
You didn’t answer for a while because you honestly didn’t have one that wouldn’t make you sound like you were desperate and insane. You could halfway lie and tell him it just didn’t feel right but you had a feeling he would be able to see right through you like he always could.
“It didn’t work right?” He started speaking again before you could and you were turning on your side too so you could look at him in confusion, still holding his arm that was resting in the middle of you. When he saw your confused look he explained further. “Using him to get over me, it didn’t work.”
You froze and your mouth fell open, almost worried you were going to cry considering how embarrassed you felt that he had apparently known your biggest secret this entire time. A sick feeling washed over you and he seemed to notice because he shifted closer to you slightly with a worried expression.
You thought back to how Heeseung had acted on the trip you’d brought your ex boyfriend to. He was more distant than usual but you figured he was just busy and stressed since he had been working so hard, this being confirmed when he couldn’t get time off to attend Christmas.
Now a large part of you was wondering if it was something else, if he had lied so he didn’t have to face you after your breakup. If Jake, somebody he knew and trusted, flirting with you had bothered him tonight then there was no way he hadn’t been even slightly upset considering you and Beomgyu were openly affectionate the entire break.
You tried to not blame yourself for the fact he had missed out on movie night that week, citing he wasn’t feeling well and barely sparing a glance to the two of you curled up together under a blanket on the couch. Remembering how he stared at you over dinner when you were introducing the boy with a bright smile on your face, avoiding his heavy gaze all night because it made your heart feel guilty.
It also made you feel incredibly stupid. Not only did he seem to know you were in love with him but he also determined your entire reasoning for rushing into a relationship.
“You knew?” Your hurt was shown clearly in your tone and his eyes saddened a little.
“Of course I knew, I thought we both did.” He shook his head a little like he was finding himself stupid. “Imagine my surprise when you come home with a boyfriend.”
“You left.” You spat out to him, squeezing his arm at the reminder he had willingly moved farther away from you than anybody else. Despite the fact you’d spent multiple nights together talking about the colleges you’d choose and he assured you he wouldn’t go far if he didn’t pick the one you were set on.
“I had to.” He sounded pained and stressed out like it had been weighing on him and your heart clenched considering you knew exactly how he felt.
As frustrated as you were at the situation you imagined it would’ve been hard for him too, having feelings for you the same way you did but never being sure. You definitely did your best to hide it to keep your friendship steady since it was your priority and you tried to think about how hurt you would be if he suddenly brought a girlfriend to your holidays, stomach turning at the thought.
“I am over you.” You said it forcefully as you tried to salvage any bit of friendship that was left but neither of you believed the words you were saying, his eyebrow raising as he watched you with a curious expression.
“Yeah?” He was mumbling and you squeezed his arm instinctively at his deepened tone and the way his voice quirked up in a question. You nodded your head and hummed softly in agreement, standing behind your claim.
He was shifting closer again and your nose bumped against his, causing you to suck in a sharp breath.
You tried not to think about the fact this was the closest you’d ever been to him, tried not to think about how he basically just confessed to you and taken almost two decades worth of weight off your shoulders. You especially tried not to think about the fact his eyes were flicking down to your lips every few seconds.
You didn’t think about anything at all when he was finally kissing you, closing your eyes immediately and leaning into each other like this was something you did often. Despite how constant you’d thought about what it would be like to kiss him one day, you were still surprised by how natural it felt.
It didn’t make you nervous to lean into him, not even when he let out a small huffy groan when he rolled onto his back so you could be laying halfway on top of him.
Something about kissing Heeseung came naturally to you and he seemed to be thinking similarly considering the way he let out a small relieved sigh when you pulled away to breathe, big hands coming up to tangle in your hair and hold your face still above his as he studied your swollen lips and dazed expression.
He gave you a soft smile and your lips quirked up at the sight of it, feeling content and happy despite your stomach lighting up with those familiar butterflies, leaning back down to kiss him again before you wasted any more time.
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williamrikers · 11 months
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On the subject of consent in recent BLs
In this analysis, I will take a look at several love scenes in recent Thai BLs, how they frame consent and the sexual agency of the characters, and why those matter.
(KinnPorsche deserves its own post: I’m sure people have already written in detail about how much emphasis is placed on issues of consent/non-consent throughout the show and how fundamental consent is to the relationship arcs of both KinnPorsche and VegasPete, and I won’t belabor the point here. Also, special shout-out to The Warp Effect for what it brought to the conversation about gay sex, but TWE isn’t technically a BL so I decided not to include it in this analysis.)
I am going to take a closer look at the following shows in this essay: Not Me, The Eclipse, A Boss And A Babe, Step By Step, and La Pluie.
Not Me and The Eclipse predate the other shows by two years/one year respectively, but I feel it is valuable to include them here because both show very explicit negotiations of consent that I feel are spiritual successors to the wonderful scenes we’ve been getting in the other three shows.
Why am I even writing this? There used to be an unfortunate tendency in the genre to have a power imbalance between the “seme” and the “uke” character, which translated into the seme deciding when to have sex and what kind of sex to have—and even though recently, several shows have done good work in dismantling the seme/uke dynamic and questioning the associated stereotypes, it cannot be denied that the archetypes are still an important part of most BLs, and even in cases where the tropes are played with and questioned, understanding those subversions still requires a knowledge of and familiarity with the original tropes on the part of the audience.
However, gone are the days of Until We Meet Again and Dean’s “I’ve waited long enough, make sure you’re ready.” (I enjoyed UWMA a lot but that was. Yeah. Not Great.) Now, we see characters actually talking about and negotiating their limits, and doing what feels good to them.
Let’s start from the very beginning. Not Me was an absolute trailblazer in this regard, and not mentioning it here would be a gross oversight. The first time Sean and White have sex, it happens in their version of the beach episode. (Which, in Not Me, is the two characters briefly living in a tent inside an abandoned building. This show is the best.) Sean and White are removed from their usual environment and protected from the outside world by two barriers: the walls of the old house and the tent that’s literally enveloping them and giving them a space that is unequivocally theirs, shared, in which neither one of the characters has any sort of power over the other. And what happens in that space when they’re about to have sex is extremely interesting: the first thing Sean asks is whether White is afraid of him, which White denies. The following exchange goes like this: White: "So, what are we doing?" Sean: "What should I do to you?" White: "That’s up to you." (Watch the whole scene here.)
I find this exchange incredibly meaningful because this already turns the seme/uke dynamic that can be found in a lot of other shows on its head. OffGun as a branded pair can easily be stereotyped into the seme/uke dynamic just because of their physical appearances, and clearly spelling out that both characters have agency in this scene is incredibly important.
And then it gets better! Sean assumes that White is sexually inexperienced (which is not true but the fact that White was actually in a relationship with a woman back in Russia never comes up again after the pilot episode, so maybe the show expects us to assume this, too), and suggests they try different things and White can tell him what he likes and doesn’t like. Compared to the stuff we’re getting now, this scene isn’t very high heat at all, but it’s one of my favorite intimate scenes ever because them asking each other “Do you like this?” after every kiss, every touch, is so incredibly unique and transports a wonderful sense of figuring out sexual pleasure together, as a couple.
Sex in Not Me is not something one character does to another, it is something that is discovered and shared together, and we even get an afterglow scene in which they gently tease each other about their fast beating hearts. (And don’t get me started on the importance of White choosing to ask Sean whether Sean is okay with White not being like Black in that moment right before they have sex, because he doesn’t actually want to have sex with Sean as Black! He wants to discover and share intimacy with Sean as White, as himself, not as his brother! The layers!)
Anyway, I think that scene paved the way for a lot of the conversations around consent we’re now getting in BL, just because it is so explicitly, unashamedly putting forward a definition of sexuality that has nothing to do with one character actively giving and the other passively receiving, but frames intimacy as something that is built together. (More on giving and receiving later!)
Now, moving on to The Eclipse. I decided to include the first time Akk and Aye have sex for a different reason: while we don’t really see them actually talking about consent, we see them practicing non-verbal consent. Let me explain. Akk’s and Aye’s whole thing is teasing each other. At first, Aye is usually the one doing the teasing, but Akk gets the hang of it towards the end of the show and teases his boyfriend right back. When they’re in Akk’s childhood bedroom together, Aye clearly alludes to the fact that he thought they might use this opportunity to have sex for the first time, which Akk pretends not to understand, all while alluding to it himself. I love this guy. (Watch the whole scene here.) Anyway, Akk says he wants to sleep, lies down and once again, tells Aye jokingly he just wants to sleep, clearly expecting Aye to do what other BL protagonists do at that point and not take no for an answer (sidenote: I HATE the “saying no as foreplay” trope with a passion and as far as I’m concerned it should die already).
However, Aye is not like other BL love interests, and he backs off. He stops touching Akk, lies down with his back to Akk, showing Akk that he takes him by his word: if Akk says he wants to sleep, Aye is going to let him do just that. So now, it’s on Akk to say that, no, that’s not what he meant, can Aye please come back to cuddle. And then Akk is the one to escalate from cuddling to kissing, which is extremely important: we know that Aye has been ready to have sex with Akk since forever, it’s Akk who’s been having hangups about intimacy this whole time.
They don’t put consent into so many words on this show, but Aye shows Akk that he respects his limits and that Akk only has to tell him he doesn’t want to do something and Aye will take him at his word.
So, these are, to me, two foundational scenes of establishing consent: one that shows consent as something that is established verbally, as an ongoing conversation, and one that shows consent as something that is established physically, by showing your partner that you respect their choices and limits by way of simply acting accordingly.
Now, let’s get into the fun part: scenes we got so far in 2023. I’m writing this post on the 13th of June, and I’m sure this year still has some great things in store for us, especially because Step By Step and La Pluie are both ongoing and neither of the main couples are actually together yet at time of writing. However, they’ve both already given us AMAZING scenes on the topic of consent, so I feel it is worthwhile to write about those already.
I want to start off by talking about A Boss And A Babe.
Let me just preface this by saying that the intimate scenes in ABAAB are some of my all time favorites in BL ever, because in them, sex is something that is just so normal. When Gun and Cher have sex, we don’t see them very passionate, excited, reluctant or wide-eyed innocent (which are some of the emotions traditionally associated with sex in BL). On the contrary, in every single scene that shows them being intimate, both characters are incredibly calm. They’re certainly happy to be with each other, but in a subdued way. Someone described their second intimate scene as them seeming like they’ve been married for a few years. They’re both just… incredibly normal about having sex with each other. It’s simply something they like to do together. It’s a part of their romance but it’s not more or less important than any other aspects of their lives.
And consent is at the very heart of it.
When Gun and Cher have their first time, we see Gun explicitly asking for consent two times: first, “Can I kiss you?”, then, “Can I do more?” The second one even comes with the promise that if Cher says no, Gun will immediately go to sleep without mentioning it again. And then it is on Cher to say yes, to pull Gun close and kiss him to show him that he is comfortable with taking things further. (In the show, these two questions were shown apart from each other, I cut together a version of the whole First Time Scene in its entirety, watch it here.)
Now, things get more interesting: the second intimate scene shows Cher initiating the encounter (watch the whole scene here). Cher pretty consistently falls into the uke category, both physically and as far as characterization is concerned, but he’s certainly not shy in the bedroom. And this time, he’s the one who asks for consent from Gun: Gun asks “You’re starting it?” and Cher’s response is “Can I?” Despite him being framed physically lower than Gun, basically at Gun’s mercy, he still seeks confirmation that Gun is okay with the way things are going. Not to overstate it, but to me, this feels revolutionary. Once again, we’re being shown that sex is something two people do together, as a shared activity, and that the “seme” character isn’t expected to just be up for it. He, too, has the right to say no.
On this show, sexual agency is taken extremely seriously, and it is clear that both Gun and Cher give each other space to decide what they’re comfortable doing. This is shown in non-intimate scenes as well: there are so many moments on ABAAB in which the characters negotiate physical touch and closeness, asking each other for hugs before actually hugging each other, Cher leaning on Gun’s shoulder in the car but not allowing Gun to touch him because that’s not what he’s comfortable with in that moment, and so on. (The only exception to this otherwise pretty consistent rule is the kiss in the car scene, which I’m still extremely confused about because it seems to go completely against Gun’s character. Who knows what happened there.)
Of course, the fact that so much emphasis is placed on negotiation and consent isn’t surprising on a show that has such obvious kink undertones and whose Our Skyy 2 entry basically consisted entirely of Dom/sub roleplay at work—I’m just saying, I think someone on the writing team is way into BDSM and knows all about the importance of enthusiastic consent from all parties involved, and I would like to send them flowers.
Step By Step hasn’t really reached the point where we can analyse the dynamic between the main couple (although we can take some educated guesses based on the interactions we’ve seen so far). However, last week’s episode had an extremely important scene between Pat and Put: Pat wanting to have sex with Put, then changing his mind mid make-out (watch the whole scene here). I really like the way this scene was done. No matter how shitty Put treats Pat at times, in this instance, he immediately understood and respected Pat’s change of mind without Pat even saying or explaining anything—at the end of the episode, Put says to Pat that Pat should tell Put when he feels ready to have sex. (We already know this will never happen because of course, Pat and Put are not endgame, but I do appreciate the sentiment.)
BLs rarely include a whole storyline in which the protagonist is in an actual, serious romantic relationship with someone other than his endgame love interest (hi Moonlight Chicken!), or if they do then just to up the angst factor. In this case, however, I feel that this scene raises our expectations for Jeng even further: if the guy who is definitely not a romantic match for Pat treats Pat with this much respect in the bedroom, then Jeng has to do at least that and then some. I do feel confident that Jeng won’t disappoint in this regard, but it’s fascinating to see a show frame this kind of respect as the absolute baseline minimum, with the endgame love interest expected to do even better.
Now, the one you’ve all been waiting for. The one that made me write this whole essay in the first place: La Pluie.
Oh boy. Where to start.
A week ago, we got an incredible make-out scene on Saengtai’s floor, which ended in Patts stopping the encounter because he could tell Tai wasn’t really comfortable taking things further—@bengiyo talked about that scene in detail here. And then, three days ago, La Pluie gave us the most unique, trope-defying, timeline-changing blowjob scene of all time, and I want to talk about it.
Tai and Patts are making out on their bed, Tai is not ready to go “all the way” and stops Patts from undressing him. We see a very realistic frustrated reaction from Patts, who nevertheless immediately stops and accepts Tai’s wishes—it is clear that Patts does not expect things to go any further at this point, and that he won’t pressure Tai into anything.
And then, Tai offers to blow him.
(Unfortunately, this show is only on iQiyi so I can't link to it, but you can get a good impression of the scene here.)
I mentioned the concepts of giving and receiving earlier: other people have said this more eloquently than me, but there is a tendency not only in BL but also in wider society to view sex in terms of giving and receiving, with a lot of expectations and stereotypes attached to the roles during different sexual acts. On other shows, that blowjob might be framed as a consolidation or an apology, something that the giver does out of a sense of obligation without enjoying it much. Not so on La Pluie! Tai is shown incredibly happy and satisfied afterwards, both when they’re sleeping next to each other, as well as on the morning after (see also @ginnymoonbeam's post about that here). Tai offered to blow Patts because he simply wanted to, not motivated by guilt or anything of that sort. And he genuinely enjoyed it! In the post I linked above, @bengiyo points out that La Pluie consistently centers queer desire, or more specifically in this case, male desire for a male body; much in the same way that the camera fucking loves Force’s body on ABAAB: the sensuality of the skin, the hands, the abs, the flat chests, the broad backs and shoulders of these men is explicitly emphasized, and Tai’s desire for a dick in his mouth is made absolutely crystal-clear. Of course, since this is a TV show and not a porno, we only see Patts’s thumb in Tai’s mouth instead of his dick, but the imagery, the implications, are clear as day.
And it is such a gentle framing, too: Patts caresses Tai’s lip lovingly, Tai opens his mouth slowly, seductively, then faces Patts’s crotch with a soft look on his face. We do get a clear sense of this encounter as tender, and gentle, and most of all, desired. Tai’s queer desire is at the heart of this scene, and at the heart of the afterglow scene as well. He wanted this man’s dick in his mouth, openly suggested it, showed Patts he was sure about his decision after Patts asked him whether he was, and ended up clearly happy and satisfied with the sex they had. This post, also by @bengiyo, goes into more detail on that.
This, once again, shows us sex as a conversation rather than a series of predetermined acts, shows us sex as a shared activity, as something that can be wonderful and intimate and make people happy without following what society views as “the correct steps”. I think this is extremely important because one part of queer identity is figuring out one’s own relationship to sexuality, one’s own desires and needs, and BLs that ignore this aspect fall a little short in my opinion. Sure, those men are kissing, but do they experience queer desire? Do they experience joy in their queer desire?
For me personally, a show that does not shy away from these questions is a lot more meaningful than a show that does, and consent is at the heart of it all. By framing sex as a conversation, as something that is built and shared together, the shows I looked at here are actively positioning themselves against the idea that there should be predetermined roles for partners during sex, and instead suggest that queer joy can be found in communication and consent. Understanding sex and intimacy as something that is built together, with both partners as equals in conversation, is just as radically queer as a man waking up with a smile on his face after giving his soulmate a blowjob the previous night.
And quite honestly, a male character who clearly, passionately, unquestioningly communicates that he wants a dick inside of him—that is incredibly sexy. But maybe that’s just me.
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di-42 · 6 months
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Apology of Aziraphale
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Like for many of us, Good Omens has been an almost constant thought since when I watched season 2. Like many of us, I'm heartbroken and I need to make sense of something that appears to be senseless. Why were we led to believe we were in a much safer, if, admittedly, slightly less eventful, place for the whole season only to have our hearts mauled and our precious, peaceful  fragile existences turned upside down in the last 10 minutes?
So, like many of us, I immersed myself in fanart, fanfiction, more characters analysis than I can count and different interpretation pieces to try and make sense of it all and attempt to make it to season 3 (or the promised book, if it all goes horribly wrong) with some of my sanity left.
Although I am sure there must be analysis that read the (in)famous last 10 minutes the way I do -because I CAN'T be the only one- I am yet to read any.
So, though I'm no writer, I thought someone had to play, well, the Angel's advocate.
For the sake of brevity, I'm not going to consider the coffee theory, the body swap theory, the theories that see the Metatron offer as a genuine offer or the theories that see Aziraphale as a power-hungry angel (I mean, COME ON!)
The theories I'm going to confute here are the Aziraphale-still-thinks-heaven-is-good-and-can-be-fixed theory, the Aziraphale-hasn't-recovered-from-his-religious-trauma theory, the Aziraphale-wants-to-do-the-right-thing-even-if-it-means-sacrificing-his-own-happiness theory and the Aziraphale-is-lying-to-keep-Crowley-safe theory.
I do wholeheartedly agree with the theory that has the Metatron make an either, direct or indirect threat to Crowley's very existence were Aziraphale not to go to heaven. I believe this would be the only possible explanation for Aziraphale's choice, only not in the way it's been talked about so far.
It would also explain the narrative device of us (the audience) be shown the conversation between Aziraphale and the Metatron only through Aziraphale's recount of it. Not that it needs an explanation other than "we wanted to do it like that and if you don't like it you're at liberty to go". But still.
 Aziraphale-still-thinks-heaven-is-good-and-can-be-fixed theory
Good Omens is a story about Faith. Aziraphale is an Angel of Faith. Aziraphale has nothing but Faith. Aziraphale's Faith is unshakable. Going by what we are shown in season 2, Aziraphale's Faith lies entirely in Crowley. "I knew you would come through for me. You always do". In season one we see that he's not quite there yet up until just before the almost Armageddon and in the scenes set in the past his reactions at Crowley coming to the rescue are more "I was hoping but not assuming" rather than plain, confident Faith.
But in season 2 we are shown a different Angel. Someone, in another post, suggested that the minisodes in season 2 are in fact Aziraphale's memories, so we see them from his present day POV. I don't know if it's the case but it would make much sense as we see that Faith, that blind trust in Crowley that Aziraphale acquires during/just after almostgeddon in those minisodes. The whole season is shouting at us "The Angel trusts the Demon with his life! The Angel trusts the Demon with the humans' lives! With children's lives! The Angel trusts the Demon with his secrets, the Angel trusts the Demon with his bookshop, the Angel trusts the Demon with his magic tricks! The Angel trusts the Demon completely, blindly, unquestionably."Are you sure, angel?" "Yes, quite sure"; "I'm getting the humans out of here and then I'm coming back. I won't leave you on your own" "I know"; "I knew you would come through for me. You always do.".
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Where does Heaven-is-good-and-can-be-fixed theory come into play in this? It doesn't. Aziraphale has all but forgotten heaven. He doesn't need it. It has been shown to Aziraphale, over and over, that heaven is not better than hell. Heaven is a distant, unpleasant memory of the past. It can be scary but it's certainly not where his Faith lies, certainly not something he sees as good, hasn't for a long time. Aziraphale is not a soldier of the army of Truth, Aziraphale is a heroic deserter of the army of Deception. "I've made my position quite clear". I believe we would be doing Aziraphale a great disservice if we quietly accepted that the Metatron's speech changed that quite clear position in a matter of minutes (or hours, or years, for that matters). If nothing else, I believe NG loves his and TP's child too much to set him back to a place where he thinks heaven is good and can be fixed.
So: Aziraphale thinks heaven is bad and can't be fixed.
Aziraphale-hasn't-recovered-from-his-religious-trauma theory
And thinks he can't love Crowley freely on Earth because that would be a sin. But he could love Crowley of a heavenly love were Crowley to become an Angel and that's why he let the Metatron convince him to return to heaven and take Crowley with him. He and Crowley can be together and be safe.
Have we watched the same series? Aziraphale is so ready! He's happily out on the other side waiting for Crowley to join him! I honestly think his arch regarding this is complete. He is a different character to the one we were introduced to at the beginning (and before the beginning, too), he's done the learning and the growing and HE. IS. READY.
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Look at how comfortable he is when Crowley is around, look at his body language. Look at the way he looks at Crowley, well, always, but just to mention a few scenes: the apology dance, Crowley talking to Muriel about love; "smitten, I believe" and my favourite: the way Aziraphale looks at Crowley when Crowley mentions Alpha Centauri to Gabriel and Belzebub. Micheal-the-king-of-all-the-wild-acting-Sheen manages to makes his pupils dilate and tell us what Aziraphale is telling Crowley: "you are talking to me and I know you are talking to me. And I am ready. You just watch me pack my best waistcoats and we can be in Alpha Centauri tonight. I'll miracle an orchestra just so that you can invite me to dance and you'd better invite me to dance this time. I'll stare into your eyes for eternity and I'll kiss you and I'll love you like no one has ever loved before. And as soon as this lot is gone I'll tell you that because I. Am. So. Ready".
Aziraphale-wants-to-do-the-right-thing-even-if-it-means-sacrificing-his-own-happiness theory
Aziraphale senses that something is wrong and thinks that the only way to avoid disaster for humanity is an act of sabotage from the inside.
I believe this could be true to an extent (though I'm hoping to see something more dramatic that an act of sabotage) but I don't see it being the reason why he accepts the offer. It appears that Aziraphale learns about the Second Coming only after everything was said and done with Crowley and besides, didn't they manage to avoid Armageddon once before, the two of them together, from Earth? And if this was the reason he's accepting the offer, why hurt Crowley so badly? Aziraphale knows that Crowley won't go back to heaven, he knows that suggesting he be turned back into an Angel must be insulting, does he really believe this to be the best way to handle the situation? The Metatron might have been watching, someone will say but still, why hurt Crowley so much? He loves Crowley, he trusts him, did he really need to punch so low just to make him understand the gravity of the situation? It almost looked as he was deliberately trying to drive him away.
Which leads us to...
Aziraphale-is-lying-to-keep-Crowley-safe theory
This theory is the closest to what I believe happened in that it's based on the threat theory. The Metatron threatens Something Terrible will happen to Crowley unless Aziraphale goes back to heaven for good. Being erased from The Book Of Life comes to mind. That would of course be an ongoing, eternal threat to live under. Aziraphale can take Crowley to heaven as well, it doesn't really matter. If Crowley accepts, he will be reinstated as an angel so as not to cause too much trouble. If Crowley declines, it's just as well in the Metatron's eyes.
I'm not sure whether the Metatron really believes Aziraphale to be naive and easily manipulated or if he's having to make do with plan B given that (in my personal opinion) heaven doesn't actually have the Book Of Life and therefore can't take more drastic measures against Aziraphale and Crowley.
According to this theory, Aziraphale lies to Crowley as to what the real reason is of him accepting the offer. If he told the truth, Aziraphale knows Crowley will try and stop him,  will insist on running away together. Crowley won't care about the threat: the only way to keep Crowley safe is to hurt him, to break his heart.
Aziraphale knows that freedom is more important than safety for Crowley. Always going his own way, always asking questions.
Crowley WOULD tell the Metatron where to stick it.
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Aziraphale knows that Crowley would always put freedom above safety. We have known Crowley for roughly 500 pages and 12 42-to-60 minute episodes and we know it, Aziraphale has known Crowley for over 6000 years, surely he must know too.
Except...
"I knew you would come through for me. You always do".
Crowley would always put freedom above his own safety.
"I knew you would come through for me. You always do".
But what would Crowley do once the penny dropped and he realised that he wouldn't be the only one in danger? That Aziraphale would be under threat too if he refused to go to heaven?
"I knew you would come through for me. You always do".
Crowley wouldn't allow any danger to come to Aziraphale and Aziraphale knows it only too well. Would Crowley just accept to part ways without the heartbreak, if he knew about the threat? If he knew this was the only real reason of Aziraphale "accepting" the offer? Would Crowley accept to part ways, knowing that Aziraphale is sacrificing everything? Knowing that Aziraphale would always be in danger anyway, no matter what? I believe Aziraphale thinks Crowley wouldn't just leave him. "I knew you would come through for me. You always do". 
I believe Aziraphale thinks, and I with him, that Crowley would hang his head low and follow Aziraphale to heaven, admitting defeat. 
I believe that over his dead, discorporated, erased from The Book Of Life body, would Aziraphale let that happen. Crowley, who gifted humanity with the ability to tell good from evil and the freedom to choose between the two, reduced to be an angel again at the mercy of heaven, deprived of free will. Aziraphale won't allow that. 
Aziraphale is not lying to keep Crowley safe. He's lying to keep Crowley free.
What Aziraphale will do is being the hero we always knew he was going to be. What Aziraphale will do is gifting Crowley the freedom he didn't know he was about to lose.
What Aziraphale will do is telling Crowley he's one of the bad guys but he can be turned good again and be second in command in heaven, nonetheless. The side of Truth, of Light. Aziraphale will listen to Crowley saying things that don't bear listening to right now and he will look at Crowley in the eye and tell him that nothing lasts forever. He will utter the words "I forgive you" after a kiss he has been longing for, for so long. He will break Crowley's heart and his own in the process but he'll make sure Crowley keeps his freedom, be that the last thing he does.
I believe that if we, the audience, had any doubt as to which side Aziraphale chooses, then we really weren't paying attention for the last 6000 years. 
I believe now it will be time for Crowley to complete his arch and do the growing and the learning. Wonderful, brave, generous, compassionate, wounded Crowley. He said "trust me", Crowley. He said "trust me".
But Angel, oh Angel. You, just like Crowley, mean so much to us. Oh, the magic of storytelling! You both really do mean so much to so many of us and we just want to take your hand and tell you that everything will be ok in the end. 
But there's sorrow on the way and pain and loneliness. And possibly another Armageddon to prevent.
But Angel, oh Angel. Don't lose your Faith. Ultimately, you do know it, do you not?
You know he will come through for you. He always does.
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Speculative Analysis: Why TFP Soundwave is so Terrifying to His Fellow Cybertronians
Time for an essay on why I think TFP Soundwave might have chosen his current cryptid form—electrical tentacles and all. There’s a TL;DR at the end, so feel free to scroll down first and then decide if you want to read the full thing.
This will involve cross-continuity speculation, centered around TFP / Aligned but with some IDW / MTMTE lore thrown in. This could also loosely apply to Bayverse Soundwave, but I won’t be focusing on him. I’m confident you all can infer the potential implications for that version of his character by the time you reach the end.
Okay, so I’ve seen several fellow TFP fans speculate about why Soundwave went from beefy gladiator to bonafide cryptid. Some say it could have been due to the loss of his horde of “minicons” (the term used in ‘Exodus’ by Alex Irvine). Others think it was just Soundwave’s way of adapting to the direction of the war by taking on a form that would give him the best strategic advantage in his position as Megatron’s communications officer. I agree with the latter, but I think there could be more to it than that.
As we see in the flashback for Ratchet’s story and the TFP Titan comics, Soundwave had his current frame type, armor, and alt mode back on Cybertron:
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[Sarcastic Soundwave: Superior]
In the real world, Soundwave’s design is based on the MQ-9 Reaper military drone—an earth-based aircraft, but I’m not going to address that small discrepancy since it’s not relevant to this analysis. Skinny, cryptid drone Soundwave existing prior to his arrival on earth supports my theory anyway.
“Can’t we throw a tarp over him? He’s creepin’ me out.”
-Bulkhead in Minus One
On the surface, Bulkhead’s comment and Smokescreen’s subsequent response seem like an interaction between a couple of Autobots who are unnerved because they’re familiar with Soundwave’s reputation—Bulkhead more so than Smokescreen since the latter had probably not seen Soundwave up close in action before coming to earth. However, I think some of Bulkhead’s fear might have been due to an entirely different reason: Sparkeaters.
While reading MTMTE #3, my eyes were met with this lovely sight /s :
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[Hey, wasn’t the energon eater in Rescue Bots called “Sparky” too? I guess it’s a cross-continuity tradition to call life-sucking parasites “Sparky” at least once.]
Terrifying? Yes. But I stared in horrified awe at this abomination and thought, “Wait. One. Fragging. Minute. I’m having a galaxy brain moment.”
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Mind. Blown. Their overall sharp, jagged appearance, their thin, but formidable frames, their prehensile cables extending from somewhere inside (fuel lines for the sparkeater; multipurpose tentacles for Soundwave). I was—and still am—fascinated by the uncanny resemblance.
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[Now who’s Sparky?]
It’s true that sparkeaters aren’t confirmed to be canon in the Aligned continuity, but their existence isn’t denied either. We got something similar with the zombie Terrorcons, but those were a new phenomenon produced either by Megatron’s blind ambition and stupidity or Knockout and Starscream’s lack of forethought and scientific restraint. For the sake of where I’m taking this, let’s assume that sparkeaters, as defined by IDW, do exist in the Aligned universe. What would this mean for Soundwave’s disturbing choice of frame/body type? Why choose a visual motif so strongly associated with death and disease?
One word: Mimicry
Mythologically, historically, and medically, sparkeaters are inseparable from death and disease. Their very existence instills fear in most Cybertronians. What better way for Soundwave to strike terror into the sparks of his enemies (and potential enemies) than to take on a physical form that resembles the sparkeater—something that has been known to kill normal Cybertronians using a deeply disturbing, painful, and even sacrilegious method? Even though the initial shock of seeing a “sparkeater” show up during or around a fight would have dissipated once the Autobots realized it was mostly cosmetic, an impression would have been left. Coupled with his spy capabilities and gladiator-style prowess in combat, a message would have been sent: Be afraid. Be VERY afraid.
And there you have it, folks! Another reason to love Soundwave’s design.
Bonus:
I could see Soundwave being called a few things by allies and enemies alike: “The Decepticon Sparkeater,” “Soundwave the Sparkeater,” or just “The Sparkeater.”
An interaction between two Autobot scouts:
Scout 1, over comms: “You there, kid? Who is it? Who did Megatron send this time?”
Scout 2: “It’s The Sparkeater! He’s here!”
1: “You mean Soundwave!? Do you have a visual?”
2: “How many ‘Cons do we see walkin’ around looking like sparkeaters??? Of course it’s Soundwave! And yeah, I’ve got a visual.”
1: “Aw, hell. Things just got a whole lot more complicated.”
TL;DR: Soundwave may have put more thought into his appearance than is obvious. He may have opted to look like a sparkeater as a way of sending a highly effective warning.
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phantomonabudget · 9 days
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We need to talk, Pham. Stop shaming Christine Daaé.
I have seen this behavior consistently for the 30+ years I have been a Phan. What's worse is that I see A LOT of it from grown women. I see posts calling her foolish for leaving Erik. Slut shaming her or calling her a gold digger. Calling her stupid, weak, or unworthy because a "real woman" (presumably the women posting these absurd notions 🙄) would have loved him better and been worthy of his awesome talent and capacity for love. 😳🤮
It's disturbing, disheartening, and disgusting. And it needs to stop.
First off, none of these characters are real, so perhaps let's take things a little less seriously in general. It's a fictional story. I get it: we all love it, and probably love the Phantom's character. That's fine....I've made a 20+ year career dressing as the dude, for crying out loud. 🤣 Maybe we all identify with Erik/The Phantom to some degree. Regardless of the version of the story, if the actors or authors do their job well, we *should* feel pity and compassion for him. But feeling compassion and completely ignoring the character's dangerous and abusive behavior are two very different things. It has the potential for some severe consequences in the real world.
By shaming Christine for leaving Erik at the end, you are potentially telling young people that staying in abusive relationships is the right thing. You make them think that if their significant other is talented, misunderstood, been abused themselves etc, then they should stay and love them into a healthy relationship. That if they just love their abusive SO harder, sacrifice themselves a little more or for a little longer, or keep putting that person's needs above their own, that the relationship will suddenly become this wonderful, euphoric experience. It won't. As a survivor of longtime abusive myself, I can tell you from experience: it doesn't happen that way.
Celebrate healthy relationships and enforcing healthy boundaries. Stop shaming Christine for fighting for and winning her life and saving the man she loves.
And please stop calling this a romance. It's the antithesis of romance.
I am sick of members of this Phandom completely ignoring Erik/The Phantom's behavior to justify their blind adoration. Erik is an abusive and dangerous character, and extremely toxic. He lies to and manipulates Christine using her trauma from her deceased father. He kidnaps her, multiple times. Threatens her and her colleagues. He extorts hundreds of thousands from the business managers. He endangers dozens of people with the chandelier crash, and effectively holds hundreds hostage for months or years at a time with his reign of terror at the Opera.
Then there are the murders. Several of them. Probably been at that for awhile so we can assume it's far more than the two we see in the show. We don't know his actual body count, but we do know he's adept and comfortable taking human life.
And yet, I see some mature phans out here completely ignoring all those things and still shaming Christine for leaving him. Why? Because he's "sexy" (author's note: PLEASE go re-read Leroux. Please). And he's talented. And has so much love to give. And is misunderstood. And society was terrible to him...so it's all fine. 😳🤮 She should have just stayed and loved him like he deserves to be loved. 🙄
Recently I saw a post shaming Christine and the justification was that Raoul was so much worse. He isn't. Is he a perfect character? No, not at all. Does he make mistakes and try to use Christine? In some versions, yes. Does he run around extorting, manipulating, threatening, and killing others? Also no.
Pleasw don't ever use LND!Raoul's character assassination as some kind of justification, because he's still the most sane, normal human being in that show, and Erik is still 1,000 times worse than Raoul in LND. Also, using LND as justification for anything makes for a very weak and uninformed argument.
"Hurt people hurt people." Ever heard that phrase? Abused people sometimes abuse others, especially if they haven't done the work to heal themselves. Their previous abuse does NOT entitle them to abuse others. That is always a deliberate choice and those choices have consequences. The dangerous, disgusting rhetoric I see in the Phantom community basically excuses toxic behavior because Erik was previously abused and nothing is his fault. That is simply not true. Those that abused me were previously abused. Didn't make my abuse hurt any less. And I made the choice to do the work so that the abuse stopped with me. Previous trauma is a reason for the behavior, but it is NEVER, ever an excuse.
And don't let the fact the dude can sing or that he's a snappy dresser blind you to his toxicity.
We can all enjoy the Phantom character's complexity and love him, while still acknowledging his flaws and holding him accountable for his deeply inappropriate choices.
We talk a lot more these days about trauma, toxicity, and self care. And yet, as a community, we still shame the character of Christine Daaé for doing the healthy, correct thing. The ONLY thing. And in doing so, we set a disturbing precedent for our young or vulnerable Phans who now might think that staying in toxic relationships in the real world is okay.
Please do better, Phandom.
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ranna-alga · 2 months
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I admittedly got into RDR2 five years late and I remember being confused seeing older comments of fans completely dogpiling on Mary Linton (née Gillis - a character who I interpreted much differently than these users did), but assumed maybe people would have grown up a bit since then and understand Mary better. Unfortunately, I still see so many people completely misunderstand and shit on Mary's character and I want to talk about it (this meta will be my opinion AND biased as a Mary defender, but idc)
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I cannot stand it when people, particularly male fans, call Mary "manipulative" or someone who just "uses Arthur when it's convenient to her" because that just isn't true, and it really shows that a lot of the people who just trash on her have no idea what they are actually talking about.
Labelling her as someone who uses Arthur just for her own personal conveniences makes no sense when you consider the fact that so many other characters, including members of the Van der Linde gang, have also asked Arthur to do things for them, including requests that are much worse than anything Mary could have asked for (you know, like Strauss for example?). Not only that, but if Arthur rejects Mary's help, she doesn't get angry - if anything, she understands why he may be reluctant to help her. If Mary truly only wanted to use Arthur, she wouldn't have shown how grateful she was for his help and how much she truly did miss spending time with him by asking him out on a date to the theatre.
And to those who criticise her for not being able to leave her family sooner: do you... not remember the time period this story is set in? All of RDR2 (1899 - 1907) takes place before women got electoral equality with men (1928) and during the main story's time, women were very much under the control of their husbands - or their fathers if they were not married. A big reason as to why Arthur wasn't able to marry Mary in the first place when they were courting each other was because her father didn't approve of his outlaw lifestyle (also, I am unsure if Mary ever alluded to her marriage with Barry Linton being an arranged one, but I lowkey got that impression - perhaps her father wanted to severe the relationship between Mary and Arthur completely by arranging a marriage for her with another man who was also from a seemingly middle-class background/very much not an outlaw and ensure the relationship between her and Arthur would end).
Even if she had more of her own autonomy, we must remember that Mary is part of an abusive family unit. She often tries to excuse her father's terrible actions even though she knows how awful of a man he has become over the years. She is isolated and is hopping from one temporary shelter to another (Valentine, Saint Denis, etc) - she is a widow, she cannot depend on her father obviously, she cannot depend on her mother since she died, nor could she depend on her brother Jamie since perhaps she thought that she was meant to be the source of dependency as the older sibling. Mary said it herself in her goodbye letter (if Arthur rejects to help her) that she truly had no one else to turn to. Arthur was literally the only other person she could ask help from and even then, it seemed like a last resort after not interacting with each other for many years before her first mission and her being apologetic for taking up his time.
Mary holds a lot of regret and remorse for how things ended and it is clear she still thinks about what could have been between her and Arthur. When she fully accepts that she doesn't want to continue living such a miserable life because of her family, she makes a big leap in suggesting she and Arthur run away together, a parallel to Arthur's proposal years before, showing that she has grown and no longer wants to accept a life she feels trapped in.
People who criticise Mary for not being able to leave her family + the life she has always known behind should also consider how Arthur is the exact same. He is as much of a victim of this unfair circumstance as Mary is, but we have seen how he couldn't leave the gang life behind. It was what he died for, after all. He failed to meet the promise he made to Mary that he would run away with her after getting some money and ensuring the gang members' safety - which technically isn't his fault since this was pre-Guarma, but Mary couldn't have known about that. To her, he kept making promises he couldn't keep/getting dragged into violent crime life and she couldn't bear to continue having false hope anymore.
It's a shame that Mary has been given such a bad rap by certain fans who have mischaracterised her. Her story is a sad one and so is her love story with Arthur. I will always love and defend Mary (+ the other main female characters of RDR2) and I truly wonder how different her and Arthur's lives would have been if they managed to run away and get married (TB ideally excluded) and how happy they would have been.
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vincentbriggs · 12 days
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Hello! I'm trying to draw something for a friend. Both of our characters live in the late 1720s. They both have regular outfits, but I want to draw them wearing something fancy. My friend has described his character as having a very bad sense of fashion. I can't really picture what a bad outfit back then would look like. Do you?
Hello! Well I haven't got all that much of a feel for what might have been considered a bad outfit back then, but there is one image that immediately comes to mind of someone who's very definitely badly dressed, and it's this guy. From the 4th panel of Hogarth's Marriage A la Mode (1743-45).
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His individual garments look fine to me, but they're horribly mismatched! (And a bit old fashioned for the mid 40's.) You'll note that the coat cuffs are made of a large brocade that contrasts with the main body of the coat, which was very popular in the first half of the century, but that style was meant to be worn with a matching waistcoat in the same brocade. Instead he's got a completely plain waistcoat that doesn't match at all.
And the breeches should match the main coat fabric, but his don't! The black and brown and beige clash awfully. He's also got a lot more rings and a much bigger & sparklier earring than I've seen on any other guy from the era, which I speculate might have been tack and/or un-masculine, but I have no sources so don't quote me on that. I just know that when 18th century guys are wearing rings in a portrait it's usually just one, and I've only ever seen simple little hoop earrings in a very few portraits. But again, emphasis on the "speculate" part of that sentence.
(And I've just noticed that the guy next to him has curling papers in his hair, which I think is probably also meant to make him look silly and not properly dressed. No idea what the opinion would have been about the folding fan dangling from the wrist of the next guy over, but it is intriguing. The very large beauty spot on his lip is probably meant to look bad though.)
That painting is a bit later than what you're asking about, but the style of matching cuffs & waistcoat was popular in the 20's too, so here are some examples of what it's supposed to look like. A lot of them are very elaborate brocades paired with a solid dark coloured velvet, but sometimes it's a contrasting plain fabric with a ton of metal embroidery.
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(1725)
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(1723)
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And an extant c. 1730's example from the NMS collection.
You might also look at 1710's images, because being a decade behind the current fashions would certainly make you badly dressed for the era.
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(c. 1715-20)
So, I guess just put them in clashing parts of 2 or 3 different matched suits? (I am assuming you're asking about suits, since this ask was sent to me and I do not know very many things about dresses. Mostly only what I absorb from other costumers who post about it, and barely anyone does early 18th century.)
Please note that this does not apply to the 1780's-90's, fashion plates from those decades are incredibly full of clashing and mismatched suits. (Though it would probably still be bad to wear those ones on a very formal occasion.)
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taylorswiftbutsimp · 10 months
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ੈ✩‧₊˚ My Woman
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➡ Summary: Your partner sae is displeased that you caught the attention of a Japanese U-20 ace
➡ Genre: Fluff, Crack-humor, Slight angst
➡ Format: OneShot
➡Character: Sae Itoshi ft Shuto Sendo
➡ Warning: ooc, grammar error, a lot of timeslips and flashbacks, sendo slander (ilovehimplsdonthate)
➡wordcount: 1,613k
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You watch the scene in front of you go into chaos with someone starting a fight while the others stay back in shock, asking their captain if he needed help with a guy who he put down.
Shidou Ryusei—you know him. He was the person that your boyfriend, for more than a year, chose to play against to defeat Blue Lock. At first, you two went back to Japan to renew your passports.
given that you've been given a scholarship and a fantastic workspace, it would be ideal for you to pursue your studies in Spain. Sae was young when you first met him. Due to his unfamiliarity with the area, he hardly spoke any Spanish, but you could hear him speak the basics.
Your meeting was unintentional; it just so happened that you two ran into each other on the same floor of the building as you passed your cousin's soccer teammate's interview room in the hallway. Since it has been a while since you last saw each other, he contacted you to meet him there so you could spend some time together and catch up.
You scan the room, standing at the entryway. Everyone was too busy to notice you as they threw insults at your boyfriend, who called them ''stupid lukewarm that's lucky to play beside him." A certain male also caught your eye; he was slammed into the table hard by Blue Lock Shidou.
You assumed he was Sendo Shuto, and the one who stopped Shidou from going crazy was Oliver Aiku, the captain. You remember them because you scanned their files while applying for a temporary manager for them, which Sae was against.
He didn't see the point of why you wanted to apply as manager when you could just relax for a moment, but of course, you were stubborn and reasoned out, ''Why not? Besides, we both know you like it''
''yeah I do but I don't like how every male there can talk to you and be close to you''
''saeee~' don't be a killjoy~''
''Fine, But no funny business between us, we keep professional'' he said, rolling his eyes a little because he knew he too wanted you by his side. He then turned to face you.
''Yeah, we both know that~'' you tease as you bite into your tiramisu. Sae loves everything about you, but he was a little upset that you two were still hiding in plain sight. He wanted to announce his taken for good to the world, but you denied it because you don't have the courage to go public—at least not yet.
''woah I thought I was gonna see a book signing club'' you exclaimed, having finally had enough of the racket in the room. As you stood there, everyone was staring at you, and the room was beginning to go quiet.
you swore you locked eyes with sae but quickly shrugged it off as the coach approached you ''ah ms L/n I am so sorry for this how long have you been here?'' the coach asked giving you a gesture to enter
You tilted your head ''long enough to see the action trailer here actually'' You spoke with a hint of sarcasm in your voice. The man beside you cleared his throat and introduced you as U-20's temporary manager.
Everyone is still at their place, like how you interrupted their fight, except for the rose-red male that got slammed at the table, of course fixing himself and looking at you.
the room is quite different from earlier ''what!? never seen a girl before'' you said raising your brow and replying with a sass
''are you single?'' a blonde asked you assumed he was Teppei Neru
Your fake laugh was followed by the phrase "I like this, next question please" as you made a poker face.
What you didn't know was that the red-haired man who had been pressed into the table before had been staring at you with his mouth wide open.
sae peered at the man who was only a few inches away and scowled.
''Have you seen the way he looks at you?'' Sae let out a sigh as he put his clothes in the laundry basket while you prepared a meal for the both of you. ''No, not really; I was busy answering the team's questions'' you said as you sliced the carrot in front of you.
'' I don't trust any of them were going back to Spain after all this'' he bluntly stated ''Well that was supposed to be the plan but somebody wanted to bully his little brother-''
''oh shut up'' sae said his voice echoing from the laundry room you let out a chuckle you he definitely was pissed from today at everyone ''okay cold prince''
''so you're copying him now? what's next him taking you away from me?'' sae said closing the laundry room door and making his way towards you in the kitchen
''Don't be sassy boss im all yours'' you teased continued slicing you felt a warm pair of hands hugging your waist ''Good, tell me if he annoys you I will be the one who will slam his face at a table'' sae let out as he buried his head at the nape of your neck
''Now that's just mean''
''he deserves it''
It's been weeks since you started as the team's temporary manager; everything was going smoothly, and they were preparing for the arriving match.
Although Oliver did invite you over for some meal time together with the team, covering up excuses that they'd pay for it and you just had to join them, of course, you turned them down politely, telling the team you were busy due to the overcrowding schedule you have.
While the team was practicing on the field, you noticed Sendo sweating and gasping for air. You went over to him and said, "Hey, here," handing him a towel as he stiffened and muttered, "Thanks."
It has been like this for a few days; you see him become quiet whenever you enter the room, and he freezes like a statue whenever you ask him something.
''Is there anything troubling you?'' ''No, not really'' he murmured as he stood up and joined the others. You saw him join the others and briefly glanced over at your boyfriend, who was sipping water. You smiled a little and then continued with your tasks.
When everyone had eventually done training, you were putting the soccer ball away as the rest of the team had showers and some rested in the locker room. As you were walking down the corridor, you spotted Sendo and Oliver leaning against the wall outside the locker room.
Ironically, they were likely waiting for someone, and that someone is you
Oliver Snikered you frowned a little, ''There she is our favorite manager'' There was a duffle bag on the side, and you assumed that he was surely up to no good.
He elbowed Sendo and gave him a look indicating, Something you don't seem to understand  before saying, "Oh come on now, I won't do anything besides my friend here has something to say."
You exhaled, stifling your drowsiness and avoiding unintentionally snapping at the two of them, "What is it?" you questioned, waiting for a response.
"Well l/n I was…wondering after this blue lock happening I would like to keep in touch with you and take you on a date," Sendo said as he stepped closer to you and his cheek turned red. If you ask him, he was feeling a little nervous.
'' i hope she says yes im really interested on her!!'' he thought while his mind echoing "your gonna mess this up''
You stood there, eye-widening, trying to process everything he said, your jaw-dropping, finally getting why he was always stiff as a statue, and went quiet. Sae was right; he was eyeing you every time he got the chance. Before you could answer, you heard a familiar voice you know all too well.
''how lukewarm'' You turned your gaze away from the man in front of you and towards the one who interrupted the conversation, assuming that he heard it and was displeased. "Sae" you softly called out.
oliver who read the room immediately laughed clearly enjoying what his witnessing ''out of all the females you could ask out you choose my woman'' Sae scowled, pushing aside Sendo and grabbing your wrist, dragging you away, leaving everyone speechless
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Bonus: unedited
''I DIDNT KNOW SHE WAS WITH THAT EYELASH PRODIGY!!'' sendo whined at Oliver apparently he was in the locker room with an ice pack at his cheek
yesterday when he confessed his interest on you he didn't expect you to get drag away and he cleary did not expect you were with the prodigy you two kept it casual how would he know
his now winching in pain while sitting in the locker room with an ice pack on his cheek he was apparently hit by a soccer ball in the face by sae which sae reasoned out ''what an accident'' then walked away like nothing happened
''better luck next time buddy'' oliver said patting sendos back giving him reassurance
''what you did today sae was mean he clearly got it I'm taken'' you said as you sat beside sae at the coach ''he needed to learn i couldn't let it go what he said to you yesterday''
''beside it was lukewarm how he tried to ask you out not even making an effort'' sae said looking at you patting his lap giving you a gesture to sit on his lap
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©taylorswiftbutsimp
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