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j-psilas · 9 months

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Will we ever get anything quite like Code Geass again?

I don't think it's possible.

Code Geass is Japanese nationalist propaganda disguised as a global political drama, disguised as a military mecha show, disguised as yaoibait, disguised as a teen melodrama, disguised as a high school romcom, disguised as a Pizza Hut commercial...

...except those layers aren't layers at all, but are instead comingled in a giant snake ball of insanity.

The lead writer, Ichirō Ōkouchi, only ever worked as an episode writer for other shows prior to Code Geass, and never took the helm of an anime series ever again. And it shows. [EDIT: Several people have pointed out his other lead writing credits to me. So I misread Wikipedia—sue me. I maintain that this guy is a better episode writer than he is a lead writer.]

The minute-to-minute pacing is impeccable from a mechanical standpoint, with tension and stakes rising to ever-higher peaks, balanced out by the slow simmers of the b-plot and c-plot. It keeps the viewer on the edge of their seat at all times. Meanwhile, the large-scale plot is the most off-the-wall middle school nonsense I've ever seen, continually surprising the viewer by pulling twists too dumb to have ever have been on their radar—and therefore more effective in terms of raw shock value.

"Greenlight it!" was the mantra of this anime's production. It must have been. It has, in no particular order, all of the following:

Character designs from CLAMP, the foremost yaoi/BL group in Japan at the time—for characters who are only queer insofar as they can bait the audience, and only straight insofar as they can be more misogynist to the female cast.

Speaking of the female cast, hoo boy the fanservice. We've all seen anime girls breast boobily, with many cases more egregious than Code Geass, but there's something special about it happening immediately after—or sometimes in the middle of!—scenes of military conflict and ethnic cleansing.

Pizza Hut product placement everywhere, in every conceivable situation. High-speed chases, light slice-of-life scenes, intimate character moments, all of it. Gotta have Pizza Hut.

The anime-only Pizza Hut mascot, Cheese-kun. He wears a fedora.

The most hilarious approximations of European names—which I would love to see more often, frankly. Names like, I dunno, "Count Schnitzelgrübe zi Blanquezzio."

A depiction of China that is wholly removed from any modern reality, with red-and-gold pagodas, ornamental robes, scheming eunuchs, and a brainwashed child empress. There's a character named General Tsao, like the chicken.

Inappropriate free-form jazz in the soundtrack, intruding at the most unexpected times.

A secret cabal not unlike the Illuminati, run by an immortal shota with magic powers, holding influence all across the world, at the highest levels of government. They matter for approximately three episodes.

An unexpected insert scene of a schoolgirl using the corner of a table to masturbate. She's doing it to thoughts of her crush, the princess Euphemia—because she believes Euphemia to be as racist as she herself is, and that gets her off. This interrupts an unrelated scene of our protagonist faction planning their next move, which then resumes as if uninterrupted.

Said schoolgirl, in a fit of hysteria, threatens to detonate a worse-than-nuclear bomb in the middle of her school. She then goes on to develop an even more destructive version of that bomb, and become a war criminal, in a chain of cause-and-effect stemming from the moment she finds out that Euphemia wasn't actually that racist.

A character called "the Earl of Pudding."

A premise that asks us to believe that the name Lelouch is normal enough that he didn't need to change it when he went into hiding as an ordinary civilian. "No, that's not Prince Strimbleford von Vanquish! That's our classmate, Strimbleford Smith."

The collective unconscious, a la Carl Jung, within which the protagonist fights his villainous father for control over the fate of humankind. After this is over, the anime just keeps going for about ten more episodes.

An episode in which a mech tosses a giant pizza.

A gay yandere sleeper agent who can manipulate the perception of time.

Chess being played very badly, even to the untrained eye. Lelouch frequently checkmates his opponent by moving his king. This goes hand-in-hand with the anime's crock of bad chess symbolism.

A fictional drug that can most succinctly be described as "nostalgia heroin."

Roller-skating mecha in knightly armor, and some of the most sickass mecha fight choreography that I've seen.

I could go on and on, but I think you get the picture. This anime is what the average Westerner in 2006 thought anime was, and it was made in a confluence of factors that cannot be replicated. I've never had so much fun watching something that I found so... insulting. Repugnant. Ridiculous. Baffling. I love it sincerely.

Catch me cosplaying Lloyd Asplund at a con sometime, or maybe even the big gay loser himself, Lelouch vi Britannia.

#code geass #anime #lelouch vi britannia #rolo lamperouge #nina einstein #kallen kozuki #lelouch lamperouge #clamp manga #lloyd asplund

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night-raven-tattler · 6 months

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What's your ideal type?

Summary: What would be the best traits for their potential partner to have?

Characters: Octavinelle dorm (Azul, Jade, Floyd) × GN!Reader (separate, romantic)

Other parts of the series: Heartslabyul, Savanaclaw, Scarabia, Pomefiore, Ignihyde, Diasomnia

Warnings: none

By opening the document, you agree to Mx Tattly's terms of source confidentiality.

-ˋˏ’✄┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈

Azul's ideal type would be...

Someone witty. Azul is a smart guy who likes being entertained. While his way of achieving that is less... for lack of better words, aggressive than the tweels', he enjoys a good mental game. If you can carry a good conversation with him, he'll remember you.

Someone who doesn't pressure him into making decisions. He is someone whose independence is very important to him. On top of that, his signature spell literally revolves around choice as a concept, so he understand the importance of it. Someone as stubborn as Azul will keep his distance if anyone tries to influence his free will.

Someone who appreciates music. He's a pianist and a good singer, which are skills that require a lot of practice and hard work, something Azul is known for. He will appreciate any genuine praise, but if you ask him to teach you more about music or, Sevens forbid, you want to duet with him, all of his three hearts are yours.

Someone who doesn't mock him, not even when teasing him. If you really know Azul, you know how bitter he is towards the people who have brought suffering onto him. The words they said are ingrained into his brain, controlling his choices for years after they were spoken to him. I'm not saying to constantly uplift him, but bringing up old wounds will only push Azul away with low chances of getting any closer again.

『••✎••』

Jade's ideal type would be...

Someone whose next move he can't accurately predict. It's kind of easy to catch the attention of any of the tweels, but it's also easy to lose it. The key to keeping Jade's eyes on you is to make him believe he's had you all figured out, then do something unexpected. Being a little unpredictable, even when you think you're outside of Jade's vision, will pique his curiosity.

Someone who plays along his little tricks and schemes. Jade is not an honest person: he always has some ulterior motive, hidden behind carefully worded questions and statements that he uses to poke and prod for information. If you try to help him and his twisted game of detective, he will certainly find you amusing, if not helpful.

Someone who goes exploring with him. Just like his brother, Jade has a fascination for the land above water, and he loves learning things about the fauna and flora. Someone who understands his appreciation for nature and genuinely embraces his curiosity will have a bit more of his appreciation.

Someone who doesn't try to understand him. Jade is very careful not to reveal too much about himself. Being awfully private with himself, he won't open up to just anyone. So he will appreciate someone who doesn't try to pry into his business too much. At the end of the day, Jade can be many things: a bartender, a vice housewarden, an informant, but he'd like to be seen as "just Jade" sometimes.

『••✎••』

Floyd's ideal type would be...

Someone who isn't intimidated by him. It's a surefire way to catch his attention. Even if you just pretend to not be intimidated by him, he'll stick around and try to push all of your buttons, test your limits, squeeze all that he finds interesting out of you.

Someone willing to teach him more about land folks. Everyone knows that Floyd has quite the interest about land folks and their customs. He wants to know more, so don't be afraid to throw random land people things towards him every once in a while. If it's something he didn't know about, he'll tell you to prove it. Congrats, he won't leave your side for a couple of hours.

Someone who doesn't compare him to Jade. Since he's the more polite and responsible one, Floyd gets compared to his brother pretty often, and some people even assume he's the younger twin. It is exhausting to have his other half be given as example on how to behave time and time again. If you reassure him he doesn't have to be like his twin, that being Floyd is just fine, it'll pull at his heartstrings.

Someone who takes his mood swings in stride. From people thinking he is a threat to people who just find him annoying and hard to work with, no one really takes Floyd's mood swings seriously. That doesn't mean he'll open up if you asked him "are you okay" and "what happened". Still, it would be the first time someone outside of his family reacted like that to him. It will baffle him, in a good way.

#twisted wonderland #twisted wonderland x reader #twst #twst x reader #azul ashengrotto #azul ashengrotto x reader #jade leech #jade leech x reader #floyd leech #floyd leech x reader

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diejager · 6 months

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I love you step father könig Ang dbf horangi series! Honestly I feel like my room would be such a turn off for them both (I just can’t imagine that a dirty room with an undertale poster and anime figures staring at them would be fun). In the scenario where the reader has a dirty uncomfortable room would they just A) take them out or try and help them reorganize, or B) just take them out of their room/house?

If it scenario A moms just like “how nice that my husband and his best friend are helping my child like this, what amazing bonding experiences :)! It’s also nice that they’re helping them get rid of some of those things.”

Cw: controlling behaviour,STEPCEST, DUB-CON/NON-CON, DARKFIC, smut, double penetration, threesome, rough sex, plug, coercion, tell me if I missed any.

I’m more inclined to pick choice A, where they would take out everything and reorganise your room. They might be retired, but habits that moulded them into who they’ve become are hard to forget, it would impossible for them to die out. Clean and minimal rooms kept them up and ready, it made it easier to live when their lives were so hectic and always in motion. König’s personal belonging showed it, he rarely had any trinkets that weren’t necessary, his office bare of personal touches and his side of the room was barren, holding but his clothes, gear and work utilities. It stood out more clearly with Horangi - your stepdad’s coworker turned best friend - who lived alone, the walls untouched and the rooms decorated in a utilitarian manner. He kept what was necessary and threw away anything that didn’t directly influenced him.

So it wouldn’t be a surprise that they’d make you clean your messy room, unnecessarily hung posters, small figurines that they deemed a waste, clothes strewn around on your chair, bed and basket, and other small and big things that took too much space in your room. It could be clean if you put in the work, it wouldn’t be so crowded that it stank to them. That’s why your stepfather and his friend were holding you by the neck and telling you to clean up and make more space for the two of them to fit comfortably in your bedroom.

“Look at this mess, Schatzi,” he tone was disapproving, seemingly disappointed in your personalised mess of a room with your cherished characters and excitable posters, “I can hardly walk around without hitting something.”

“We have a lot of work to do, 애인.” [Sweetheart]

They make you throw away everything you collected over the years, forcing you to put the in a box to put away in the basement’s storage and clean your room in their image. Despite your tears and sobs, they’re unyielding, glaring down at you as if you were a misbehaving child and speak to you in a tone that broke down your dignity. Once everything’s packed away, your room has never been this bare, walls clean, your desk arranged and bed made, it was a picture-perfect sight of a minimalist room that your stepfather could be proud of. It tore you apart to put away your collection and the many gifts you had received, small trinkets that you held close to your heart, but they were uncaring to your pleas.

They shush your weeping, rewarding you with their cocks, choking down your tears with a good fucking that would take your mind off unnecessary affairs. Horangi ploughed into you, holding you by the hip to stop you from keeling over, arms and legs trembling from the force he out in his thrusts. You’re pushed into König with every thrust, throat closing around his girth when König bucked his hips, driving further down and chuckling cruelly when you gagged loudly, fresh tears rolling down your cheeks. They ravage you in your recently cleaned room before moving to the hall until you find yourself in the kitchen table, thrown over the flat wood and choking on Horangi, drooling down your chin while you wet your stepdad’s navel and his musky hair with your slick and cum, gummy walls tight and warm around him cock.

They make sure to bathe you and clean up their mess before your mom’s home, wiping away all the evidence and slotting a plug in your swollen cunt, preventing the mix of slick and cum to leak from your hole. You’re exhausted and dozing off in your bed, sleeping off your sore muscle and chaotic mind, only waking up once you’re called for dinner by Horangi. When you’re stiffly seated next to your neighbour, your mom congratulated you for cleaning your chaotic room and gushed about her husband and his friend helping you to make things quicker and easier.

“That’s sweet of you, thank you,” you sighed tiredly, eyes closed in exasperation at the times she spoke to you about reorganising your room and taking out things that you didn’t use. “We’ve spoke about it for years now, but she’s always been too stubborn to clean up. Did you thank them, sweetheart?”

Yo blinked lazily, lips parting to say your peace, wanting to throw a few choice words at her for acting this way, but König beat you to it.

“Ja, she was very grateful.”

Despite his words and smile, there was a hidden darkness in his eyes, a hungry and calculatrice gleam kept a secret from your mother, but clear to you and Horangi’s equally sick grin.

“I’m glad.”

She was none the wiser, smile so bright for her tiresome day at work, simply overjoyed that her husband was putting in the effort to actually know and help you.

Taglist: @sae1kie @yeoldedumbslut @bvxygriimes @distracteddragoness @konigsblog @havoc973 @im-making-an-effort @daisychainsinknots @0alk0msan @danielle143 @dont-mind-me-just-existing-sadly @tuttifuckinfruttifriday @kaelysia @spidersthere @velvetsoulweaver @petwifed @aldis-nuts @randominstake

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phantomwitch16 · 1 month

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Recently I've been thinking about Hypnos and his position in Hades Hades 2. I've been seeing a lot of posts about him lately so I really want to talk about him cause to be honest, other than Zagreus, Hypnos is my favourite character in both games.

From what I've seen from Nyx's family, Hypnos seems to be the odd one out and too be fair, he quite literally is. Most if not all of his siblings are reclusive, quiet and don't keep in contact, similar to how it was with Nyx and Chaos. But Hypnos is the opposite, being quite sociable, talkative and wants to be around his mother and brothers as much as possible. In fact, that's possibly why he works at the house, likely to be closer to Nyx and his brothers. Which really makes sense, since out of all of his family, he never sees any of his other siblings save for their Nyx, Than and Charon and that was largely due to their obligations to the house. But despite his easy going demeanor, Hypnos is probably one of the most powerful gods in the house, save for Nyx given that he was able to put everyone in the house to fall asleep.

Which I imagine it was quite isolating to be doing his duties, especially since most of his siblings, notably Than, were off doing something else. At least with Than, he had the opportunity to see Nyx and Charon whenever he had the time. Which makes sense since other than sleep and death being two sides of the same coin, there isn't much else that keeps Hypnos connected with his family and its likely what made him want to take a job as a receptionist, despite how bored he generally is at it.

It's sad looking back on first game when he's being talked down to by Than and Nyx for having a difficult time to get the hang of doing essentially two full time jobs. Thankfully by the end of the game, he's managed to become much more capable in managing both jobs and having a better relationship with his family.

But this has made me wonder if working as the receptionist had a drastic affect on him in the second game. He's practically in a comatose state and has been like that since before Chronos attacked, since Mel was a baby and it's one of the biggest questions of the community.

I have a few ideas what could've happened to him and the possibly larger role he many have within Hades.

I haven't watch the technical test and frankly i don't want to know too much until the game comes out on the switch, but i think Hecate was down at the house was partly due to Hypnos' condition and maybe to see Mel as well. Because frankly it would be a large part of concern for everyone to come across Hypnos and being unable to wake him up. So she comes to examine him and while there, Chronos escaped, leading her to escape with Hypnos, Melinoe and the portrait.

As for what could've put Hypnos into that sleep, it could've been possible that he was doing so well before the events of the Hades 2. There could've been a large influx of souls and some additional preparation for Melinoe's birth that caused a lot of tension in the house. Or else, he received a terrible vision. In Greek Mythology, Hypnos had a great connection with handling the visions and prophecies. Mainly delivering them from Apollo or other Gods to prophets such as the Oracle of Delphi, alongside his sons. It could be possible that Hypnos received a vision from someone that influenced him to go into a deep sleep.

With him being asleep since then, it's likely that he's only been sleeping. However, it could be possible that Hypnos could be aiding those who were left behind or helping Mel and the others in the Crossroads? Such preventing other enemies to spawn alongside Chronos or putting those left behind in a deep sleep so that they won't feel pain or be controlled by the Titan.

What i find most interesting is his connection with Melinoe. From the get-go, we're already well aware that Mel looks up to Hypnos and finds him fascinating which makes sense. In mythology, Melinoe was not only had a connection to Hecate and ghosts, but one with sleep, specifically bringing about nightmares and madness.

With this connection to him, Mel could possibly interact with Hypnos in her dreams or wake him from his slumber. Or if those who were in the house were under his control, Hypnos could lull them into a sleep and Mel could wake them up by inducing a terrible nightmare that could shake off whatever control Chronos has over them.

I don't know if Hypnos might still have his old job by the end of the second game but considering with Mel could intercept dreams, I think that he would get a promotion by overseeing her duties or training her in those aspects of her abilities, probably punishing those worthy of those nightmares or aiding him in handing out prophecies.

I highly doubt that all of this would be used in the game but its a nice idea.

#hades 2 #hades game #hades melinoe #hades the game #hades nyx #hades thanatos #hades hecate #hades hypnos

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linktotheheart · 4 months

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I feel like so many people misunderstand BOTW/TOTK Link especially (Zelda too, but that's another topic entirely)

His lack of expressiveness IS a personality trait. It's a direct result of the pressure on his soldiers to be a perfect soldier, hero, and savior. No, he's not Skyward Sword Link, and never will be, because his story is completely different.

"But [other Link] hugged Zelda when he got her back!" and this Link maintained a respectful distance as his princess's subordinate - but ALSO out of respect for Zelda as a person, because she spent her whole childhood having her agency denied and he wants to let her initiate even something as simple as platonic contact whenever possible. He's being kind!

(And yes, I know that primarily only the "he is a knight and she is a princess" part is directly supported in the actual game, but I'll remind the people making comparisons that the dynamic was COMPLETELY different in their favorite comparison game, Skyward Sword. But also... look at the gentleness with which Link interacts with Zelda, the tenderness that he shows so few other characters - Mipha probably being the closest example. Look at the way he looks to her first to see what to do in every scene they're in together, unless he's protecting her from an immediate threat to her life. Notice how outside of that, Zelda IS usually the one to initiate any physical contact)

I also personally hate it when people describe quiet, not very expressive people as "lacking personality" because... my partner IRL is like that. If she expressed herself at all around most people, it's in a very flat, reserved way. I've seen how it hurts her that people treat her like she doesn't have a personality, like she isn't even a full person - and I know that's real life and Zelda is fiction, but come on, do you think all the people that aren't highly expressive and extroverted don't hear that about very popular characters and internalize it?

Being reserved is a personality trait. Being cautious and not impulsive is a personality trait. In fact, I'd even say just because you as an expressive, extroverted person see Link as a blank slate to project your own personality onto, doesn't mean he actually is or was even intended that way.

(I also think this is a very US-centric point of view, honestly. There's plenty of cultures where even BOTW Link would be considered at least close to average - Finnish culture specifically comes to mind, even if he's still slightly exaggerated in that regard as, y'know, a character.)

Idk, this is as much a silly little vent post as anything, it's not that serious, etc, but whatever

(and don't get me started on "oh Zelda got no agency in TOTK and she learned the powers she was struggling overnight". No, it's called a time skip, and just because she learned her powers before the 13th hour this time - which yeah, she would get them easier this time with a mentor who could actually use the same powers, and having already learned to use her light powers - doesn't mean it just "happened overnight". And... she didn't express agency? She was actively influencing the entire flow of the timeline, changing the actions of her ancestors by convincing her ancestors to act, learning to control her powers and fighting Ganondorf, and finally expressing the ultimate form of autonomy in choosing to sacrifice herself to save the world. Some of the criticisms of TOTK didn't even seem to play the same game. Just because a heroine isn't a pop feminist badass who *gasp* wears pants and easily and perfectly kicks every villain's ass, doesn't mean she "has no agency" and is being sidelined. Like, a princess engaging in courtly politics is neither powerless nor "doing nothing")

#totk #botw #tears of the kingdom #breath of the wild #link #zelda #I'm a multishipper so I can see Zelda and Link as romantic or platonic tbh #vent post #I mean you can reblog but like #even if you disagree don't be an asshole about it #botw/totk haters tho just like. don't. criticism is fine but I'm not interested in debating w/ppl who don't bother to engage in good faith

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imviotrash · 1 month

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🗡️Edward Midford and Autism coding 🗡️

During my Hiatus from the Kuroshitsuji fandom, I got diagnosed with autism. It took me some time to come to terms with that and to figure myself out.

I returned to the Kuro fandom last summer, due to (what I now come to recognize as) my longtime special Interest finally getting an anime adaptation and upon rereading some of my favourite arcs, I came to the realisation that I see a lot of my (and my peers) autistic traits in Edward. What's interesting about this character is that he has a lot of autistic traits, that are not really touched upon in media. So lets get into it!

The gentleman extreme (and how everything is taken a bit too literal/seriously):

In his introduction in chapter 52 he is shown to uphold the same beliefs as his mother, scolding his sister for behaving in an unbecoming manner. He's shown to be very close to his family and strictly upholds their values of protection. At first one may assume he is just like his mother, but it is quickly revealed that he is far more ridiculous. His upholding of his gentleman status is often paired with anger, such as in chapter 58, where he scolds other men for not letting women and children go on the lifeboats first (king behaviour) and also being the one to later recommend to look for more survivors. He has a strong code of ethics and upholds it, even if it is seen as ridiculous or even dangerous.

When it comes to clothing, he also upholds strict values and instantly gets flustered and afraid when that standard is not upheld, to the point where he needs physical distance and shields his eyes.

From these tidbits already we can observe that he is ridiculously formal, upholding the social decorum to the very extreme. While autistic individuals are known for their non-conformity, they are also known to accidentally not conform by confirming too much and following instructions to every detail. I fall into both extremes, but I definitely stick to the latter when it comes to social interactions.

I think Edward definitely falls into that category, because he represents how ridiculous the Victorian code of ethics and etiquette can be if upheld at all times. I may dabble into headcannon territory again, but I strongly believe that knighthood and the chivalry connected to it is something like a special interest for him, which contributes to the way he acts.

Aggression and volume:

In his introduction he yells at his future brother in law. A complete overreaction and incredibly ironic considering his previous scolding regarding etiquette. This happens multiple times, especially when confronted with Ciel his gentlemanly behaviour suddenly turns into childish banter. He is usually soft spoken but can be louder if he is simply commanded to do so.

Volume control is something a lot of autistic people struggle with. For me it's especially when talking about special interests or talking to a person who interrupts me A LOT. I am quiet and do not speak often, so when I do I must make the most of it.

Based on cannon evidence, I believe that Edward may struggle with this too. He's loud to get his point across, because he believes that loudness will make others listen to him.

Spiky hair, in this economy?

So we all know Frances and her strict rules regarding men's hair, right? Everything has to be slicked back and she thinks Sebastians hair is atrocious (so do I). So why is it that her son is the only one allowed to run around with this type of hairstyle? Alexis has very nicely brushed back hair, Elizabeths is also nicely done. Isn't it strange that she makes an exception for ONE family member?

So here is where I dabble into headcannons, because I think the exception was made because he has sensory issues regarding his hair. He doesn't like it slicked back in any way and feels uncomfortable with any product in his hair.

Once again, heavily falling into headcannons, so take this one with a grain of salt.

Elizabeth and her influence:

Edward is incredibly attached to her sister. Mainly being protective of her and not trusting other men (especially his brother in law) to treat her with the respect she deserves. He knows and appreciates her skill and knows she's incredibly capable. So...why is he so attached?

Elizabeth is an important catalyst for his behaviour, because it shows the extremes of his gentleman code. His good manners instantly turn into ridiculous aggression as soon as he sees something that he views as a threat to her. Despite his behaviour towards Ciel, he does care about him, because he realises how important he is to his sister. Elizabeth is a person of comfort for Edward. He admires her talent and sees her as a valuable family member who has been through a lot of hurt.

Autistic individuals often have trouble with boundaries and attach themselves onto others quickly, which leads to them unintentionally treating them incorrectly. This is definitely the case here, since he gives little (social) agency to Elizabeth for the sake of her protection. He genuinely cares about her but is unable to set healthy boundaries, because his way of emphaphy differs from the social norm.

Masking and copying behaviour:

What is interesting about Edward is how he copies the behaviour of others. He has a role model and copies their behaviour because he desires to master it. So why does he do that?

My answer is masking. Edward genuinely admires these people, but is unsure of how to adapt their skills in his own way, so he copies them. This is something we can often see in masking. Behaviour that is seen as acceptable by society is often copied by autistic individuals to blend into society. I think for Edward it's a combination of masking and admiration. His strong upholding of the Gentleman code also fits well into this category.

Beyond that, the Blue cult arc also proves that he able to severely alter the way he behaves, if needed. Does he feel comfortable with that? Absolutely not. But he does have the great ability to do so if instructed, which proves to yet be another factor for him masking his behaviour.

Mediocrity in a Neurotypical society:

So Edward had this nice monologue about him being mediocre compared to his prodigy sister and I think it is exactly this scene, which makes me headcannon him as autistic. Because this is the exact trait I do not see often.

In media, many autistic individuals are represented as prodigies and amazingly intelligent and I can't help but hate that stereotype, because it puts unrealistic expectations on disabled individuals. I have prodigy friends who are autistic and I truly admire them, but I need people to understand that autism is a disability and not just "socially incompetent person who is going to revolutionise the world". As soon as one's interest is not deemed useful by society (which mainly includes "feminine" interests), they are not validated. Autism is only accepted by society if it proves to be impressive or useful. It is not seen as a disability, but as something to exploit.

I like Edwards monologue, because I relate and it rounds out his character really well. He accepts that he is not a prodigy, that he sucks in many regards, but that he still looks up to those who fit into the standard. His monologue is something that I've truly taken into heart, because you do not need to be a prodigy to be valid, you should not need to be extraordinary to be accepted as you are. You are allowed to be mediocre. You are allowed to treat your disability as a disability, because that's what it is.

Lastly:

Please remember that most of this is based on my personal expenses with autism. It is an incredibly diverse neuro divergency and manifests itself differently in all sorts of ways. Many of these traits may not apply to you or to anyone you know. This is just a personal observation based on my own and my companions experiences.

#kuroshitsuji #black butler #vio speaks #edward midford #kuroshitsuji season 4

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spaloonbabooguuscooties · 9 months

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You could drink your whole life away and still never get that taste out of your mouth.

half commission for @salempie half completely self indulgent dreck pieced together from our insane conversations abt franke and elka. told myself id finally write a big explanation for all of the dum shit between these two for context so Thats Under The Cut.

so I already wrote some stuff about elka and franke's relationship back in whispering rock so feel free to look at that too . it goes over elkas blindness/‘seeing’ with clairvoyance and how her and franke started talking & all that good stuff

SO FOR STARTERS. a lot of thsi wont make sense without a big breakdown of elka herself. because elkas potential as a character is like insane to me. like just the idea of her in the long run of her life reads as something so potentially tragic; a young girl whos plagued with visions of doom and destined to be an outcast even in her own home for things she cant control and clings to the One vision of her wedding that she thinks is 'happy' even despite the fact she doesnt really love the person in it. im choosing to take the li-po doc as canon here because its funny shes the only one with backstory-

but my fucking god even the smallest look into what her parents are like is soo fucked up to me. and i do think elka especially gets a lot of influence from her mother; its funny how easily you can fit mabel doom into a box just from what elka says about her. knees deep in an avon-esque pyramid scheme and leaning into her daughters depressing ass visions & taking her to therapy at age 11 (which would be good if not for the kind of person you can already assume she is & so i doubt the therapist she has really does her any good. i think they share one). she reads as a very I Am My Daughters Best Friend type of mom to me and i can see elka being a centerpiece of the conversation when she has her Amway Girls over for drinks. wine-mom that lets her kid sip from the glass so she can feel like a big girl type deal.

and you can tell that elka is trying to hard to be too mature for her age even in her campster posts. how she writes letters to nils' mom and exchanges baking recipes with her and that feels like she really only interacts with middle aged women and not really many people her own age outside of camp (like her moms friends). which makes sense shed feel the need to ‘grow up’ early when shes probably had to process so many hard things at a young age bc of her visions.

theres a lot of filling the blanks here of course.

elka obsesses over nils to an overbearing degree even despite the fact he treats her like shit ('you promised no talking' and so on) and she treats him bad right back. she leans onto stereotypical heterosexual ideals like taking care of him and overblowing how Manly and Protective JT is and she admires romance stories like pride and prejudice and it feels like she Projects Soooooooo much of what she wants onto boys she barely feels anything for without knowing what its actually supposed to feel like. and clearly she WANTS that ideal future, a happy marriage, an actual romance- but according to nils even when they were dating she ignored him most of the time, which just seems Very Telling

like shes filling a role, overcompensating for emotions and lacktherof she cant digest quite yet, and it only makes more sense when you know shes had visions of their future together. how could that be bad for her? shouldnt it be like the books and movies? but she doesnt really connect the fact that her visions are only for Doomed futures, and if she does she certainly doesnt show it. Doomed relationships. it's been a part of her family for generations and she isn't turning out much different, is she? i dont think she even realizes thats all she ever sees yet, just that its Going to happen. that it's Her future, and it always will be

and like, her only reference for a real marriage so far has been her own parents, and she already Knows they have an affair, and theyre doomed to split, (and i actually like to think they were in rough waters anyway and elka was a child meant to mend a crumbling marriage but thats a whole other thing) and so without a framework for what an actual healthy relationship is supposed to be like she cant really grasp that her relationship with nils Isnt that and isnt ever going to be. she can only cling to this one happy idea of the future, and thats why she keeps chasing him, self fulfilling the actuality of her situation and creating and fostering the unhappy life they will inevitably live together.

and that bleeds into everything else in her life, of course, because as the years go on, as the visions grow in number it just makes sense for her to fall into the predictability of her life. she always knows whats going to happen, her visions are Never wrong- so why try to change things? shes had time to process tragedies days, weeks, months, years before they happen, shes had time to settle into every crack of her life. her parents divorce, her various break ups, her future with the psychonauts.

“and she's already seen so much of a future with [nils] she feels trapped almost. Like she has to be happy in it or else it just means her life is miserable. And it's a mixture of pride and fear of the unknown that keeps her clinging to the One thing she knows. BUT LIKE!!! She knows what's gonna happen! It's easier to grieve when she's been grieving for years... She wants so badly to be happy, But to do that she has to step into the unfamiliar. And that's more terrifying than staying the same miserable person she's always been.”

and thats where franke comes in— and yeah you Do have to take a lot of liberties for frankes character since it’s basically, like, all the info for her is just that shes a Supreme Baby Dyke but thats enough for me. i think she has protective butch itch in her . on campster shes defensive over other women evidenced in the way she keeps watch over the girls cabins for lili when elton is pursuing her . but shes also eager to please and constantly trying to make kitty laugh and also Very naive. but she tries! and i think it only solidifies more as she gets Older and really gets a hold of her feelings & her powers. this is incredibly franke to me

and i think as they grow older together— because i think franke and elka Do stay friends, both because elka is just pathetic and needs that positive connection even if she doesnt realize it and because i think franke is a very Loyal person & annoyingly persistent if you let her be . and i am also a kitty/franke truther. because kittys also important in this web we weave

because i think franke and kitty stay together after camp, to a point— theres a falling out facilitated on kittys end and they break up, but reconnect, and franke kind of... saves kitty from herself a little, from her strict military father whos love only extends thru finances , from her own stifling future , she drives all the way to bakersville in her shitty van handmedowned from her dad and they move in together eventually . they get jobs at the motherlobe , because it’s a pipeline to a decent job, because it’s whats easy, because franke doesn’t really have a future, because she’s never really been good at much, because shes never had much sense, because franke doesnt really care as long as she can live and help, sometimes, if she can, and because kitty’s there, and because elka’s there, and shes so used to being elkas eyes now and shes good at it. shes good at being the muscle of the missions when her colleagues lack it, when hypnosis and predictions arent enough. she likes it that way.

and elka appreciates frankes company. she listens, shes sweet, she does little things for her that no ones ever really put the effort for before; she likes her. franke is strong and bold and makes her laugh and shes always there but god elka cant let go of that future, of that box shes put herself in, that her mothers put her in, of being a Good Wife to a Loving Husband, of getting married normally and falling into unfailing familiarity. thats all shes ever wanted and shes not going to jeopardize that . not for franke, who may not be a boy but is handsome like one, whos always held her after every break up with nils and the men that filled empty days inbetween.

and elka is too stubborn to recognize those feelings anyway. too prideful to accept a way out. too set in her cycle no matter how much she hates it, her little self fulfilling tragedy of her own making, wallowing in her own doom. she struggles for control of her own life when she feels like every choice has been made for her anyway, she puts up her walls and carefully constructs what people see. but franke was always harder to trick, because while empathy isnt a particularly useful psychic power it’s certainly an inconvenient one. all franke has to do is get too close and all those carefully crafted walls fall apart, and elkas control is gone, and thats all she really has. and she tries to distance herself, really she does, but franke is also too persistent. and elka wears gloves, keeps contact that would make her walls crumble from happening as best as she can, but she cant really keep herself from the brief moments where she feels like someone actually fucking cares about her.

and that slightest lack of control, the need to wrestle it back is why she proposes to nils the next time theres a falling out— she knows how it happens, she plans every detail. and he accepts, despite everything. gets her a cheap ring and it feels like lead on her finger and its nothing at all like how shed thought it to be when she was a kid, theres no feather light feeling in her chest, only that dreadful reality that she cant turn this back. BUT WHAT CAN U DO LMAO

elka doesnt tell franke about this engagement until later, on their way back from a mission. late at night when neither of them can sleep, and franke invites elka to smoke in her van, because its been so long since theyve been alone like that, because elkas been so strangely absent lately. and because of everything, because frankes always so damn nice, because elka hates the feel of the ring on her finger, because she let herself get high alone with franke fucking athens whos always been so good at pulling her apart— the truth of it all spills out and its messy and emotional and she hates it, she hates the life shes made for herself, but franke makes it easier to bare and now shes here and shes so close and god she wishes she could see her smile again, she wishes she could see franke, thats all she needs right now and she cant but she can touch her and she can hold her and for tonight, she can be known, she can let those walls crumble, she can be something else just for once here with franke . she can kiss her here in this van, touch that happiness for just a moment, and forget the future that waits for her outside of it. franke begs her to forget the wedding, to just let herself be happy— and god, she wants to, but it means turning her back on everything shes known and everything shes saw to be inevitable, and franke has never been in her future, so if it were supposed to work out why hadnt she seen it and she cant, she cant take that risk but she can have this, even if its temporary, she can have it.

and just as soon as she gets a taste of it, its gone. after that night, after the missions over and theyre back at the motherlobe and have to pretend like nothing happened (franke doesnt, of course she tells kitty about it, she tells kitty about everything.) but that brief moment together haunts elka every time she sees franke, sees herself through frankes eyes, sees herself in her wedding dress because god its all franke can think about! of course it is! she knows how much elkas destroying herself she knows how much misery shes wallowing in that kiss in the van felt like an emotional punch to the teeth and she hasnt ever forgotten it and all she can do is sit and watch while elka throws herself into a loveless marriage. she can come to her wedding and see the way the bride and groom kiss with the emotional weight of a wet towel no matter how hard elka tries to hide it under a pretty dress and bouquets of flowers and meticulous planning.

and elka resents nils but she cant really hate him, its not his fault, not really. he feels trapped just like she does and his feelings of misery only cycle back into hers . they fight and gnash and wear away at each other and its a relationship thats crashed and burned a million times before elka even said i do. and its inevitable that she falls into her mothers habits, a sip of wine here and there to loosen up, until it turns to a glass, until it falls into a bottle on nights when whatever work nils does runs late.

but franke’s still there. shes always been there, hasn’t she? always trying to play knight, always trying to save her, dragging her home when shes stumbling over herself because god who else is going to do it but her? who else is left to care? certainly not nils. never nils. because franke knows her. because franke pities her. shes always pitied her. shes always known. and elka hates it, she resents it, but god in the same breath she’s desperate for it, she envies it to her very bones. elka is a mess but after frankes done with her she has someone to go back to that loves her. and god what elka wouldnt do to have that. to take it and keep it for herself because shes never ever got to have that movie romance shes always wanted.

so now comes this.

because elkas particularly miserable and particularly spiteful and she needs to get franke to understand, just for a moment, drink with her and get on her level and she needs her there with her no matter how her pity makes her feel. no matter how much it makes her shake with anger and envy and desperation, but god the way franke looks at her, the way she still tries to salvage what they have, the soft, slurred way she tells her that it’s okay but its not okay, none of this is okay, it never has been and she just wants franke to shut up and see that, and if she cant then she’ll show her, she’ll show her all the raw angry desperation, with too much teeth and hands that claw and grab and she’ll know why everyones always said she’s too much.

and she knows this puts her on nils’ level too. that this makes her a cheater, that shes no better than he is now. no better than her father and his affair. but god, she wants to be selfish. she wants to be in control. just for once. she wants to feel right and she wants to feel happy and she wants to feel loved. thats all shes ever wanted. and franke will let her have that, just for a little while, at the very least.

anyway. sorry. sorry for being crazy . this isnt even getting into the shit after the comic takes place . elkas stupid brainworld thag she has to overcome in order to finally be allowed in the polycule and live happily ever as worlds first lesbian divorceman

sorry for all the shit i make up instead of caring about actual characters with screentime . bye !

#ive spent months on thsi stupid lesbian toxic yuri slow burn relationship so you all better clap or im blowing this building up #psychonauts #elka doom #franke athens #ill paint the town red

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rileyslibrary · 3 months

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Hi, this might be a strange request, but could you please do some sort of character analysis, or maybe tell some of your headcanons for the 141 characters??

I’ve been trying to find some, but everything I find is either weirdly out of character or just some sort of weird projection onto the characters 😭

Not strange at all, anon! It just occurred to me that, for a blog dedicated to Ghost, I’ve never done something like this. Also, I understand what you mean, but it’s also important to remember that headcanons are extremely subjective. Maybe the same applies to my case, and someone also finds my headcanons out of character; who knows?

Please note that I can’t say much about the other boys since I’ve only focused on Ghost, so here are some of my headcanons (i.e. that’s how I personally imagine Ghost):

He’s your average, ordinary guy on the outside. Sure, he is stereotypically attractive (tall, beefy, with a deep voice), but so are a billion other people in this world. There’s nothing extraordinary about him, which is precisely what makes him so intriguing.

I like to imagine his personality similarly to how he wears his uniform—layer, under layer, under layer. You want to peel him like an onion; uncover what lies beneath the surface.

He’s extremely pragmatic and values function over form. It doesn’t matter if something looks bad/ugly/weird as long as it gets the job done. If it works, it works.

Moderation gives him a sense of discipline. He wants to control everything that’s within his ability to do so—managing what food he puts in his body, regulating his alcohol intake, handling finances, and even carefully choosing his words. It helps him maintain his sanity, knowing he has control over his life, especially considering what he went through.

He’s also incredibly efficient. He doesn’t waste time on things that aren’t important or beyond his control.

He’s not a gym rat (he doesn’t regard it as a second home), but he’s definitely a regular. The gym owners are familiar with him, though their interactions are brief—maybe they exchanged a few words to renew his membership in the past, but that’s about it.

He tends to stick to the free-weight section at the gym. If it’s crowded, he’ll put on his headphones to tune everything out, but if it’s quiet, he doesn’t bother. While he doesn’t use the machines often, he’ll turn to them occasionally, particularly when he needs more controlled movement.

Warming up before exercising is particularly important to him, and he takes his time to stretch afterwards, usually in an isolated corner of the gym. He never skips leg day.

He is not a flirt. Usually, it’s others who pursue him rather than the other way around. It’s almost like he has it too easy in that department. He doesn’t have to make much effort—he simply goes about his business (occasionally checking his surroundings for potential dangers,) and suddenly, people gravitate towards him. He’s not a fan of this attention but keeps it to himself.

He engages in a flirtatious exchange almost every day with the elderly lady who manages the convenience store in his neighbourhood, though. He often compliments her on her hair and how young she looks and sometimes jokes that if her late husband were still around, he’d have some competition. She, in return, offers him freebies, which he politely declines. However, he sometimes accepts these gestures in exchange for lending a hand with tasks around the store.

His apartment is modest since he travels a lot, yet he considers it his personal haven when he returns to it. He deliberately keeps it free of any traces of his alternate identity. There’s a family photo framed somewhere. Even his dad included. Maybe he considered cutting him out of the picture but decided against it. He wants to be reminded of both the positive and negative experiences that influence his decisions and actions.

He likes to make his own jokes. They mostly come to him when he does something mundane, like cooking, showering, or watching TV. He doesn’t take offence if others don’t laugh at his jokes, though. He simply views them as idiots or lacking a sense of humour.

He opts for public transport only when needed, like during heavy traffic, but that doesn’t mean he likes it. He keeps his back against the wall and doesn’t wear headphones since he wants to be aware of his surroundings.

He breaks fights if he stumbles upon them late at night and calls the police. When the officers arrive, he is the first to talk to them and usually scolds them for not getting there faster.

I don’t think he wears his mask when he’s out and about. In my mind, Simon Riley is different from Ghost. If someone manages to connect the dots, he’ll make sure it’s the last time they do so. For him, good people don’t know who Ghost is. Only bad people do.

He wants to extend his sleeve tattoo further up his arm but struggles to find the time to schedule an appointment with his tattoo artist. Yes, he has a trusted tattoo artist.

#simon ghost riley #simon riley #call of duty #simon ghost riley headcanons #simon riley headcanons #call of duty headcanons #cod headcanons

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honeyspawn · 4 months

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Real talk, I think Frank Pricely is a genuinely really interesting character.

So when we meet him in Black Friday, he is basically a cartoon capitalist supervillain. He's obsessing over money, he is condescending to Lex, and we get the impression that he's Mr. Krabs level of money-grubbing shitty boss. He gets a whole song where he revels in how much money he's going to make, and shows ambivalence to how dangerous black friday shopping can be. Then Feast or Famine happens, and something... changes. There's a visible shift on stage when he and the audience realize that he is no longer in control that's genuinely really eerie. Put a pin in that, cuz I'm gonna come back to it.

When when we're introduced to him in "Daddy", we get a much more complete image of who he is as a character. It's not that he's not a greedy and condescending person, because he definitely is, but that's not the foundation of his character. When we see Toy Zone outside of Black Friday, we see that it's a struggling small business, and a genuine passion project for Frank. It's not that Toy Zone is a means for financial success, but financial success is a means to keep Toy Zone operational.

Then there's his relationship with Lex. He's definitely snarky and condescending, but he also actually cares about her, and sees himself as a parental figure to her. He gives her advice that he feels is in her best interest, and shows her a lot of the "tough love" that he thinks Sheila should be showing Sherman. Lex is even one of the people he says sorry too when he's about to die, because he worries that he failed her. While I do think Lex has some level of respect for him, I never really get the vibe that she sees him this way; she seems to think of him as more of a hard ass, and she would absolutely leave Toy Zone the minute a better opportunity comes up. Her job at Toy Zone for her is more about her need to take care of her family. And this is significant, because Frank is a very lonely person. After his dog Buddy dies, he has no family left. He reminisces on his parents, who didn't support his passions. He thinks of himself as a father figure to Lex, because he has nobody else left in his life. I'm not necessarily saying that he's a good parental figure to Lex, he can be pretty selfish, and even denied her for a raise once he could afford it, knowing she damn well needs the money. It's clear though, that he's trying to look out for her more than her actual mother (low bar as it may be), and on some level, he does think he's helping her. Because she's all he has. Her and Toy Zone, and he's about to lose that too.

This is why Sheila is so appealing to him. She represents not only financial stability, but a chance to not be alone. He doesn't love her, and I think he knows it, but he could learn to love her. He could have love and money, and if that doesn't work out, at least he'd have money. That's what he thinks anyway. But again, he's not the one with the power.

When we first see him in Black Friday, we initially think Frank represents the corporations, but he doesn't. He's a small business owner, and can only support his passion by participating in capitalism. He is a retailer, not a CEO. And that's what puts him in so much danger in Black Friday. Capitalism treats him as disposable. And that's how he dies. Frank was just as much under Wiggly's influence as anyone else. He lived a lonely life, and the business he's prioritized over forming any lasting bonds with other people is about to go down the toilet. Then this little green doll comes along that's supposed to fix everything. He doesn't want to keep the Wiggly dolls, but he still thinks they're going to fix the holes. And once he's served his purpose, Wiggly disposes of him. And that's what Sheila tries to do, too. The only reason he survives in Daddy is that Sherman decides he still has value. It's honestly really haunting how these stories mirror each other.

#this is such a long post sorry #i just feel like we don't appreciate how much went into the writing for Frank #and how well Corey sells the performance #starkid #team starkid #hatchetfield #black friday #nightmare time #nightmare time 2 #nightmare time daddy #frank pricely #corey dorris

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cupcakeslushie · 10 months

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i love that you said each of the bois have unspoken themes to them, that makes characters so much more deeper and interesting.

if you wouldn’t mind can you say what unspoken themes Leo, Mikey, and Raph have?

some are more obvious than others, and while i have a decent idea of what they are, i want to hear them coming from you ✨

adore your work btw, your storytelling and style enraptures me

This might be a big post just so I have everyone all in one place im going to reiterate what I said for Donnie

@aduckmurder

Donnie: Identity/Depersonalization

When Donnie's first introduced Draxum doesn't even consider him a person, and hadn't even given him a name. And then, later Donnie's got too many names to choose from. That alone would cause someone to have an identity crisis. Personality wise, he enjoys making tech, but aside from that, Donnie is never sure of which emotions he should be feeling, or what his likes and dislikes are. A lot of the time he's mirroring how his brothers are emoting, or he's just smiling to cover up the fact that he doesn't know or trust his own feelings. Future Donnie will have a horrible time with depersonalization after merging with the Technodrome and the Kraang, which will cycle around to impact present timeline Donnie during the movie.

Mikey: Worth

While Donnie was treated like nothing, Mikey was treated like an object/accessory by Big Mama. When she threw him into the Nexus, Mikey imagined it was something he did or didn't do well enough to meet her high standards. After he's reunited with Splinter and Raph, Mikey finds the little roles that neither of them have filled very well, such as cooking, and cleaning, and makes sure he excels at them almost obsessively out of this fear that if he's not useful, then he will be discarded. Future Mikey works tirelessly as the only brother with his mystic powers still intact, to the point that his body is so overworked by the time of the movie, he looks like he's moments from shattering apart, only held together through his own force of will.

Leo: Doubt

Leo has lived his life being ordered around and having his memories and personality altered. Even once he is free, his emotions are almost as erratic without Kitsune's influence, than they were while he was under her control (at least until his own cleansing ritual). His instinctual gut reaction to use most violent tactic first, clearly makes his family uneasy. So when Raph tries to get Leo to act as co-leader, Leo is very hesitant. He doesn't think he should be trusted with such a responsibility, but learns he can trust if he goes too far, his brothers will stop him. Future Leo has a really hard time with raising Casey. After Raph's gone, Leo doesn't trust any of the decisions he's now having to make solo, and he certainly doesn't think he can be a guiding force for good for a young child. Casey needs a teacher who will shape him into a strong warrior. Leo learns as Casey grows, that being the boy's Sensei is not the same as being his Master.

Raph: Regret/Guilt

Raph blames himself for almost every horrible thing his brothers and father have gone through. He's recounted the night that Leo and Mikey were taken, and gone over it a thousand times in his head, trying to work out how it could've gone differently. All the amazing things he's done by bringing his family together--being the stable bedrock that they can grow into a true family under--none of that feels like it'll ever make up for the times in the past where he failed to protect them. Raph takes on the job of shield because he wants to make sure nothing else ever hurts his brothers again, and doesn't care if hurts him instead. Future Raph is constantly putting his brothers' lives before his own. Unfortunately, doing it one too many times results in a devastating loss for the Resistance, when their Leader sacrifices himself, and the chain of command practically falls apart for months before it can recover.

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gamerwoman3d · 4 months

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A Land Before Time

🔞 An MK1 x Reader 🔞

▸ includes: Liu Kang [mk1 versions] F! Reader◂

Author's Note: This was based on a sex dream that I had, that I feel @genesiswrld SHOULD have had, because Liu Kang is hot but Bi-Han is my squishy. Not saying the dream was wasted on me, just that it was misplaced 😆

Female anatomy used.

Imagine for a moment that this New Era is real, and the existence that you're currently living is also real, and contains the New Era inside it as a game - but you find a technical way through the use of coding and quantum tech, to enter Liu Kang's New Era, “cool world” style, as something of a god/goddess.

Because you live in our shared reality, the one in which the game was created, you can in fact “code” the New Era into anything you like, within reason. But you have to get past the guardian. Liu Kang and Geras are gods there. But here, they are just characters, with Geras also partially functioning as a type of uncrackable password manager/encryption software. You can give your own self all sorts of powers to take into the New Era; but you can't change the core game unless you can get past Geras and Liu Kang.

You would either need their permission, or you'd have to force/brute force them to comply.

You can literally step from our world into the New Era and live there, immortal, with godlike power. And you do that. You use the code and give yourself the boosts you think you'll need to defend yourself if necessary.

Because you have the capacity to travel to any physical point in the timeline, as well as any temporal point in the timeline, you choose something you think will be easy to start. A time with fewer enemies, a time that you wanted to see in your own world, once.

🔞 Spicy/Explicit after the cut 🔞

When you first stepped through the portal into the New Era, the pristine sands beneath your feet were deliciously toasty. You could not help but to remove your footwear and sink your toes into the sand. The air here is pure, and filled with the strange buzz of unseen insects in the distance. The soft swirl of sand in the hourglass before you quieted. Without the hiss of sand, an absence of familiar noises from your past life became distinct; no motorcars, no hum of electronics, no trace of people, and a distinct lack of birdsong.

If you peer into the reflection of the hourglass over Liu Kang’s shoulder, you can see glimpses of early six-limbed proto-vaternians being gently guided into evolution in a neighboring realm. Liu loses his concentration on the sands as he sees you. Nothing devastating happens in the universe in that instance; there is simply a pause in the work.

Liu Kang knows immediately that you are not supposed to be here, standing before him and the hourglass.

He knows because he has not yet created humans.

Outside of the very meticulously kept garden that surrounds the hourglass, dinosaurs still rule this earth. Even birds have yet to grace the planet.

“How are you here? Or perhaps I should ask, are you truly here? Is it possible that even gods can still have dreams, or hallucinations?”

You tell him you are from a timeline before his own. You are older than his entire universe, older than Kronika, than Geras, older than the hourglass. And while you yourself did not create his universe, you were alive at the time it was conceived[1].

You tell him you shared a planet with, and walked among, the beings that created his universe. His universe is based on what your people knew of their own universe. Your feedback may or may not have influenced these creators; but you have some access to their same power of creation, and have come to use the hourglass to enhance his universe for yourself.

You came prepared to fight if necessary. Liu Kang would be very particular over who has access to the hourglass.

You may even fight a few rounds if you're curious to test your code enhancements - at least until he understands that you do have the power to control parts of his universe already, and the power to defeat him if he made it necessary. Through the encounter, he learns that you aren't lying about being from an even older timeline responsible for creating the hourglass.

But whatever it is that you want to change about the New Era, he likely won't let you without a fresh fight. And another fresh fight, and another, for every single little change you think you could want.

“We don't have to fight. We can compromise.”

For Liu Kang, it has been a lonesome existence, living out the creation of the new era in solitude. Geras can offer Liu Kang company in much the same way as an AI Assistant bot can offer a human company. But you know the depths of loneliness must be unbearable for a creator who is utterly alone in the universe across all of time. You know this, because even in your own world, the mythologies of all creator gods often began with the creation of people.

Even the gods of your own reality were so unbearably lonesome that they, in myth, created all of your ancestors, either for companionship or worship.

Your offer of company is accepted graciously, the moment he understands that you won't be withholding your companionship to exchange for the powers of the hourglass. But to settle conflicts over what happens in the hourglass, you both have an idea.

Gambling, games, and wagers. But instead of betting on who will win a physical fight between you both, you gamble on which of you can bring the other the most pleasure.

You're both seated in the zen garden, where the tropical heat has warmed the sand. Sheets of some soft fabrics are laid out in a manner similar to beach towels, allowing you both to walk and sit without burning your thighs or disturbing much of the sand.

He has a very smug “I know I've already won” look on his face the moment you suggested a contest based on sexual pleasure instead of kombat. You might think billions of years of being pent up would give you an advantage over him, but it doesn't; your customized form in this new era was generated anew when you stepped through the portal into his era. This particular body has yet to experience such pleasure at all, and will react, on a neurochemical level, at its most basic “code,” reacting the same as it would if falling in love for the first time. It will, in a nutshell, intoxicate you with want and pleasure, as if you yourself had never experienced it before.

But you didn't realize this. Your overconfidence proved your ignorance.

“You decide the winner. I trust your judgment will be fair. Or at least I don't trust my own judgment call to be unbiased,” you say.

Liu Kang smiles.

“A designated judge will be unnecessary,” he says, "I am certain we will both agree on who has won the challenge.”

He looks off in the distance before continuing.

“I would appreciate it though if we could choose some less intimate positions, at least at first. I'm still not over the grief of losing my dearest friend, and my beloved. I'm not sure how I might react, looking into the face of another, knowing I shall never have these moments with her. It isn't that I don't realize the finality of her destruction; but giving this kind of pleasure to another is a turning point that I may never be ready for.”

You slide closer to him and caress his shoulder, enough for him to feel your inner warmth.

“Grief is made of the same stuff as love. It's just the love-stuff that's leftover with nowhere to go,” you say.

He lays his head on your shoulder, pulls your hand to his cheek and tilts his face into it. Peace painted across the features of his face as he melted into your touch. His relaxation left you with an indescribable euphoria that deepened with each breath.

“Thank you for saying so. I feel more comfortable now, knowing that you understand,” he says.

“And I'm glad you said something. I like it when you tell me what you want. We can do this however you like. After all, this is a kontest for providing pleasure; not receiving it,” you said.

“Buy you will be receiving it,” he gloated, “and I shall be providing as much as you can possibly stand.”

“Ooh,” you teased, “Promises, promises! Hah, I like it. I feel good about you taking the lead, if you would?”

“Of course,” he said.

As he smiled up at the heavens, he closed his eyes and bit his lip. His eyes squeezed hard enough that the apples of his cheeks warped around the outline of his eyes. He took a deep breath that sounded as if he swallowed an antagonistic laugh.

“You aren't allowed to hate me when I show you how easy this is,” he said.

He turned his body towards yours, guided your body into facing away. You removed just enough clothing to feel his touch, to not hinder him from penetrating you if he chose. The fabric that you left over the top of your glistening pussy was delightfully thin and stretchy enough to move to the side in a pinch.

You spread yourself face down across the sheets of fabric. The warm sand below the soft fabric gave way, cushioned your ribs, and pressed its warmth up into your breasts.

He crawled on top. His weight on you pressed you slightly deeper into the fabric-covered sand. The heat and weight of his muscular legs across the backs of your thighs alone was enough to make you crave completion. But then, his clothed erection pressed against the cleft of your pussy until your slit pinched around the thin fabric. He slotted himself into the fold of fabric and held you there, wedged between the hot sand and his heated, immovable body. You squirmed into him, only to discover that you couldn't move if you wanted to, with your legs pinned to the sand.

You turned your face to the side to look over your shoulder at him. He wore a smug expression as he looked down at you.

You could feel your clit throbbing against… the hot sand? or his shaft. You could not tell. Both were equally firm and toasty.

He was hard. Slotted against the fabric, he nudged his erection firmly against you, the head nestling between your folds to swipe against your clit. His breath deepend, you could feel the air from his nostrils against your neck, just below the ear.

Against your back, you could feel his chest expand and cinch with each breath. You were caught in heat, trapped between his muscles and the sand. You liked this, being at his mercy. He rested his chin on your shoulder and huffed, resting his entire weight on you as he hunched. The cock knocking repeatedly against your throbbing clit had you squirming, whining, whimpering as you held your squeals of pleasure in. He ran one hot palm along your side. He caressed and groped your glute before freeing his cock from its cage of fabric. He hooked a finger around the strip of stretchy fabric above your mound and slipped it to the side.

The bare cockhead slipped between the fabric and your clit. Liu Kang let the fabric snap back into place, catching against the bottom of his shaft. Your pleasure built up as he rolled his hips and frotted against you, fucking the gap between your panties and your clit.

You balled your fists, grabbing handfuls of sand through the fabric sheets. He repositioned slightly so that you could feel the wet swiping of his heated cockhead against your clit more intensely. Your fingers came undone from the fabric and all ten digits splayed out in a fan shape as your quiet whimpers suddenly broke into a muffled outcry of pleasure.

His hands found yours. He covered the tops of your hands with his palms and threaded his fingers between yours, gripping each hand with interlaced fingers. You felt the tips of his fingers curl past the webbing between your digits to press against the insides of your palms. He pressed your hands, and his, to the sand, to pin them where he wanted them - where you could push back into him, but not escape. Not that you'd want to.

Your skin tingled anywhere he touched it, and the skin where the pads of his fingers glanced against the inside of your palm, threaded along the webbing of your fingers, was exceptionally sensitive in a way that made you feel safe, loved, cared for deeply, and connected.

The warm weight of his body on yours made you feel safe, while the cock massaged between your pussy lips. His thrusts massaged them open without penetration until you could feel every fiber of yourself unwinding, melting into the sand.

You looked back at him, only to see that he was still gazing at the side of your face, waiting for you to open your eye. His smug, slight smile never left his visage. He squeezed your hands with a pleasant pressure, as if he were wringing them out. You realized in that moment that you were swollen inside, and quivering at the entrance.

Then he stops moving, intentionally. You feel him, all over you, weighing you down, trapping you in the imprint of fabric in the hot sand. You feel your heavy, puffy cunt lips throbbing against his stationary cockhead. You're sensitive as fuck. Even your heartbeat rocks your clit against his cock too much.

He breathes. He breathes out through his nose, his gentle panting breath trickles underneath your ear, down your neck. His chin follows, as he rests it in the crook of your neck with his jaw at your shoulder. His skin just feels like skin, yet you're electrified by it. You're so sensitive in your new form. He could stay like this all day. You cannot. He knows. You know he knows.

You know because when you look at him, his unchanging, stoic “I told you so” smirk is so purposefully calm, that you could consider it antagonistic. Even just this look he gave you had you dripping wet for him, to say nothing of the thick smooth, hot cockhead nestled against your clit, or the warm shaft that your heavy, fevered wet pussy lips spread themselves over. You give a defeated cry of pleasure and gave in. You tap out against the sand, to tell him he's already won, and he responds by firming up his grip on your hands and moving in for the kill. He devours your neck as he nudges your clit around and fucks you, alternating between the two activities until you cum beneath him.

Your orgasm does not slow him down. He slips his cockhead against the fluttering entrance of your cunt and pauses, as if testing something, as if something changed. The slick hole winks against him and he sinks inside to stay.

“You're so creamy after you've cum,” he purred.

His cock feels amazing, warm and firm and deep, exploring inside you. He pressed it past a spot inside you where the pressure feels so good that you feel you might die unless it, that spot in particular, is beat to hell. He pressed past it, but drew back, stroking slower and deliberate against this inner spot. You felt a sudden dying urge to feel him hammer his cock into this weak spot inside you. The change in your whimpers gave you away.

“This little spot right here is particularly velvety,” he said, “it's just gooey… no. Buttery. Right here.”

He let his cockhead glide against the spot in several slow deliberate strokes for emphasis. You groaned brokenly into the sand and bucked back into him. You had chills. You had goosebumps even on the hot sand. He held and pinned your elbows to your sides. Your nipples stood erect beneath you, the tips ground into the fabric as you bucked backward into him. He paused, held you down, let you rock and buck until the fit of passion washed over you, and you could still yourself. He didn't shush you. He just pulled back until his cockhead hovered a hair away from that sweet spot and he waited for you to collect yourself. You caught your shuddering breath, but couldn't look at him without feeling like you might cum again. You looked, and groaned deep. He acknowledged your desperation.

“I'm going to start fucking that velvety, buttery spot now,” he whispered toward your ear, “I do not know when I'll stop.

Scream if you need to. I've yet to create a single person that could hear you.”

His cock pinpointed that part within you that most yearned for it the instant he buried it in you. He pressed himself against it and wrung you out. You felt it as your own cum for him seeped out, dribbled down onto the fabric and soaked through the fabric into the sand.

Every stroke is devastating. You're loud as fuck and no one else can hear it. The skies open up and it rains on the two of you, mostly upon his back. Judging by his gentle moans, the rain itself seems to give him pleasure as the droplets hiss against his back, only to turn into steam. You could swear that you're causing it, that this rain is your rain. Suddenly you are cumming because it is raining, and it is raining because you have cum. When your palms tremble, he re-interlaces his fingers with yours to squeeze your hands in his, wringing you out, wringing out your anxiety, wringing out your pleasure, and possibly wringing out the very act of rain itself from the sky above. You couldn’t explain it, but somehow you knew.

You became the rain. And the rain became you. The rain became a goddess, and the goddess was you. The wetter he made you, the more the world flooded. He had no intention of going easy, but you found yourself clenching, squeezing, sucking him in, working yourself against his body as he worked you apart with his.

“That's it,” he huffed, “now, you're getting it.”

His breath grew ragged.

He said, “Rain.”

You nodded, not fully understanding.

“Rain on me,” he said.

Your eyes widened. He knew. You knew he knew. Rain pummeled your bodies in a deluge as you felt, not just the tension of your body snap, but the tension of your sudden ascent to godhood burst into creation, almost as a miniature version of the big bang. Untold energies from deep within your soul burst forth and spread out in all directions, spreading your power throughout all the realms, both giving you power over all the rains in the entire universe, and giving the entire universe the gift of your rains.

But you couldn't focus on the sensation of becoming a god, as Liu Kang fucked another blinding orgasm from you. This time, his composure cracked, and he came screaming with you in tandem, hot against you, his inner flame temporarily quenched by the deluge of your pleasure. The two of you thrashed against each other with abandon, riding out your pleasure together, before collapsing boneless into the soaked fabric atop the muddying sands.

The rains subsided gradually as the two of you caught your breath. You moved to roll over, and Liu rolled off of you onto his rain-soaked back. He closed his eyes and let the pitter-patter of the rain wash over his body, cooling him, turning to steam in the air around you both. You rolled onto your back beside him, then onto your side to drape yourself around him.

“Wow,” you said between heavy breaths.

“...Yeah,” he replied, still panting.

When you caught enough of your breath to speak full sentences, you could only think to ask one question.

“Did you just make me a fucking rain goddess?” You asked.

He nodded and laughed.

“You didn't think I'd let the first hot sex in my new era be mediocre,” he said.

“Holy fuck though,” you said.

‘Literally?” he teased.

“Okay yeah literally, but I'm starting to think I won that one,” you said.

He just closed his eyes and smiled.

“Okay wise guy, who won?”

He bit his lip and jerked his thumbs towards his chest, gesturing to himself.

“Ugh. You're impossible. Round two!” You demanded.

“You're losing this one too,” he said.

He rolled on top of you and peppered you with kisses. He promised you a second round, and a third - if you survived the second.

But first he needed to check progress in the hourglass. You peered into it with him and saw proto-vaternians in their pre-paleolithic era. A group of them surrounded a cairn, upon which sat a strange skull decorated with stones and feathers. You asked Liu Kang what it was; he told you it was a representation of you. You were the very first art, the very first goddess. You were the first to collect worship and be created in such a manner. You arrived in the new era just in time. The ancestors of the Vaternians had just created and worshiped their first god, which happened now to be you.

Had it not been for your intervention, Liu Kang would have been forced to grant this worship to the one you knew as Rain.

[To be continued.]

[Need more MK1 smut? Check the pin 📌]

[Need more Liu Kang smut? Check the Choose Your Own Adventure, below!]

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