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blueskittlesart · 3 days

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i kinda really wanna see a big ol vent/rant from you about genshin now lol. I would read an essay

I'm not sure you understand the insanity you just unlocked in me but ok

genshin impact is probably the clearest modern example i can think of of capitalism absolutely eviscerating a creative project. For context, I started playing genshin in 2021, just after the 1.4 update. it was venti's first rerun/the first windblume festival if that means something to you. and I really genuinely thought that it might have had something special. It was a gacha that didn't FEEL like a gacha, which was a huge feat to me.

it began with a very simple story pitch--you, the protagonist, are one of a set of twin siblings traveling through space. you come upon a seemingly unassuming world and your attempts to continue your journey are suddenly stopped by a mysterious, all-powerful figure. you are separated from your sibling and wake up alone on the shores of this planet you were attempting to leave together. throughout that opening cutscene and scattered through the world and your character's dialog there are implications that all is not as it seems, that your character is something unique to this world and that they possess powers and abilities that you've yet to unlock. You are told that you must travel the seven nations of this world in order to find your sibling, which is great--a simple, zelda-like objective which drives the player to explore the secondary narratives of the world. none of this is bad on the surface. in fact i'd argue it's pretty good. there's a ton that can be done with these story bones. even at launch the map and combat system were full of potential as well.

Note: for ease of reading, i'm going to label the different storylines of the game now. A-plot refers to the central objective of the entire game; the find-your-sibling plot and everything that encompasses, including the abyss order/dain, the heavenly principles, the fake sky, etc. B-plot refers to the secondary objective present in each new nation, usually meeting the archon and/or solving a problem for the archon. (A and B-plots will occasionally intersect.) C-plot refers to any story, location, or background information which remains in permanent gameplay but which isn't directly related to the A or B-plots, such as dragonspine, the chasm, enkanomiya, etc. D-plot refers to any story, location, or background information which is confined to limited-time events and does NOT remain in permanent gameplay, regardless of its connection or lack thereof to the A and B-plots, such as the golden apple archipelago, the infamous albedo/dragonspine event, the infamous kaeya/diluc event, etc. Lore as i will refer to it in this post refers to any information which is present in permanent gameplay but which is not directly told to the player within the A or B-plot story quests and objectives, including books, weapon, artifact, and item descriptions, world quest dialog and puzzles, etc.

So now we're in mid-2021, there are two nations' worth of B-plot story quests released in full, and we've run into our first problem, which is that the game isn't finished yet. I don't have any actual information about how the game was/is written, but based on what i've observed over the past few years, my best guess is that the A-plot has been fully written since the beginning, at least in some form. there were very early-game events and information pertaining to the A-plot that would take years to see any actual payoff in the main story quests (kaeya's origin story, the 1.3 scaramouche fake-sky drop, the flowers in lumine's hair, etc.) but those kinds of A-plot story easter eggs very quickly dropped off when the game absolutely EXPLODED during the pandemic.

this sudden burst in popularity was the true beginning of the end for genshin, i think, because suddenly they had a HUGE fanbase that desperately wanted more content faster than they could pump out new A-plot or even B-plot story quests. one of the most pervasive complaints about the game when I began playing in 2021 was that there was nothing to do between story quests. update 1.4 (which was the update I started playing at) was important in that it was the first time since genshin's release over a year before that players recieved any new A-plot, in the form of the archon quest We Will Be Reunited, also known as the quest with the most fucking misleading name of all time. you'll never guess what doesn't fucking happen during this quest. anyways. we were a year into gameplay, two nations out of seven released and a third on the not-so-distant horizon, and it seemed obvious that players were owed some sort of A-plot payoff. and that's very much what WWBR was advertised as, from the quest's name to the banners full of art of the twins staring wistfully at each other. The thing is, what i'm describing as A-plot payoff was actually. not really A-plot payoff at all. WWBR was the reveal that the protagonist's sibling was working with the abyss order, and that the abyss order was connected somehow to Khaenri'ah, which at this point casual players would only have known about from THAT QUEST and MAYBE kaeya's character descriptions if they were diligent enough to get him to friendship level 10 (which, btw there is no indication that you should do to get important context about the story of the game, because kaeya is a 4-star starter character and the only character in the entire game that actually has genuinely important story hidden in his character descriptions.) So what I'm calling A-plot payoff felt at the time a lot less like A-plot payoff than it did like an abyss sibling cameo in an attempt to satiate everyone who was begging for more story. We actually gained almost net 0 information. this is very quickly going to become a pattern.

As I've already alluded to, the motives behind this writing decision are transparently obvious. Genshin is a free gacha game which relies on a consistently active and engaged userbase to make its money. With fans getting restless about the lack of engaging story at the time and a new, very ambitious B-plot quest gearing up for release that would require major support from that fan base in order to remain profitable, the writers were backed into a corner. they HAD to throw the fans some sort of bone in order to keep them engaged with the A-plot, since it was originally pitched as the driving force for the story as a whole, but they were also clearly not at a stage of the writing process where it was prudent to give the player any REAL information about the A-plot. This is how we ended up with a 10-second abyss sibling cameo and an offhanded mention of Khaenri'ah, a nation whose plot-relevance was at that point still basically unknown.

The real problem is, WWBR worked. at least, it worked as intended at the time. It satiated story-focused fans in the interlude between B-plot nations, as hyv was gearing up to release inazuma, which required a lot of time in preparation. WWBR was followed almost immediately by the C-plot golden apple archipelago in 1.6, widely regarded as one of the better events of version 1. GAA was memorable especially because it was the first event that involved an entirely new, limited-time-only map, meaning the event had much more longevity than the standard events players were used to. This is, imo, most likely the update combination that led to the standard formula which hyv uses for its quests and events nowadays. the back-to-back release of WWBR and GAA satisfied both fans who wanted A-plot story AND silenced criticisms about the game lacking endgame playability, which at the time must have seemed like a goldmine to writers desperate for a solution to their content-to-fanbase ratio problem.

From here, genshin started following a standard method of release for their next three nations--inazuma, sumeru, and fontaine. the formula generally went as follows: one major version update (usually version x.0) containing a major map update which included all B-plot relevant locations in the new nation, and the first chapter of the B-plot story quest relevant to that nation. this would then be followed by 2-3 version updates which would each contain the next chapter in the nation's B-plot story quest, sequentially. After the nation's B-plot quest ended, during the downtime in which the next nation's story and map would be finalized, subsequent updates would be largely C-plot, and would contain minor expansions of the map to increase endgame playability via exploration and world quests. This is how we ended up with updates like the chasm, the several extra islands in inazuma, and the quite frankly ridiculously large sumeru map, as well as the offloaded maps like enkanomiya and the sea of bygone eras. with the possible exception of the chasm, none of these areas are A OR B-plot relevant. hyv has realized that artificially inflating the map makes their game technically more engaging during the downtime between nations. However, this comes at a price. While the scenery and set design of the game remains consistently beautiful, the actual, mechanical gameplay that populates that scenery very quickly became mind-numbingly boring if not borderline unplayable. While the 1.0 questlines were not perfect, there was at least an emphasis on the player actually DOING things. 1.0 B-plot quests would have you going to mini-dungeon temples and completing challenges which would acclimate you to the combat system while also serving narrative purpose. There were quests that required you to navigate open-world dungeons. Because your characters were lower-level, combat challenges that arose during these quests were CHALLENGES, rather than two-second buttonmashing segments. By the time we get to sumeru, though, both B-plot AND C-plot quests have become little more than moving your character from location to location and tapping through (usually unvoiced) dialog. there's no GAMEPLAY in the quests anymore, because gameplay isn't what makes money. What DOES make money is giving players 300 hidden chests to find in an open-world map segment, each of which gives them 1/80th of a gacha pull. And so the story suffers and the map gets bigger.

Along with the map expansions, downtime between nations usually also nets us one A-plot quest, usually involving the character dainslief, who was the driver of the initial WWBR quest. This is the second half of hyv's magical formula for keeping fans happy between major releases. the A-plot quests will, as a general rule, give players either very little new information or no new information at all, but will dress up the delivery in such a way that it ALMOST feels as though the protagonist has moved forward somehow. the most recent example of this writing style, the 4.7 quest bedtime story, amounts to about an hour and a half of gameplay and, while it DOES contain a segment in which the protagonist finally actually has a conversation with their sibling, that conversation literally begins with the line "I have so many questions, but for some reason I don't want to ask them right now," ensuring that the sibling will not actually be required to give away any plot-relevant information whatsoever, and the quest ends with the protagonist FORGETTING THAT THE CONVERSATION EVER HAPPENED IN THE FIRST PLACE.

As I think I mentioned before, the cardinal problem of genshin impact's writing is that fans want answers faster than the writers are prepared to give them. I don't doubt that there's a game bible or relevant equivalent somewhere within hyv which contains the explanations we are currently lacking in regards to the A-plot. the game is consistent enough in its storytelling for me to believe that this isn't all just being made up as we go along. But I'm also certain that a lot of the late-game A and B-plot that is planned (especially if the Khaenri'ah is truly planned to be the 8th nation of the game) hinges on the player knowing very little about the A-plot. this would be fine if genshin was a standard single-release video game that players could work through at their own pace, but it isn't. it's unfinished, and each nation in the game releases months to years after the last, leaving the writers to scramble to fill in the gameplay gaps and players struggling to remember plot-relevant information when it's brought up literal years after they last heard it mentioned. Not only does the time between updates leave players frustrated about the lack of A-plot, it makes the A-plot harder to understand when it is brought up, because the writers are required to throw in so much dense C and D-plot just to keep engagement high enough to make the game profitable in its downtime. we joke about the insane convolution of genshin's lore, but that is first and foremost a byproduct of its financial model. the game requires engaement to be profitable, and adding lore for players to look into drives up engagement. The fact that having so much story with so little plot relevance muddies the waters and makes the A and B-plot stories considerably harder to understand doesn't matter as long as money is being made.

I want to take a quick detour here to talk about the release of sumeru specifically, because this is when I really began to clock the fact that genshin was declining. on paper, racial sensitivity issues aside (Not that they're not important, but i'm doing this deep dive from a storytelling and game design point of view, nothing else. that's a whole can of worms i don't have time to get into here) sumeru was a really promising addition to the game. The new B-plot quest which was set to drop in 3.0 was highly anticipated for several reasons. Two fan-favorite characters (kaeya and scaramouche) were expected to play major roles, because of earlier C and B-plot quests, and much of the nation's scenery that was teased in trailers and promotional content appeared to tie into the A-plot. the most exciting draw about sumeru and version 3.0, though, was the major update to the combat system.

Arguably genshin impact's most interesting feature upon release was its combat system. The map was basically a botw clone at that point, and the story quests, while decently engaging, were rough around the edges to say the least. What genshin DID have going for it was a unique real-time combat system that rewarded strategy and quick thinking.

Genshin's combat system is elemental, and on release there were 6 elemental affiliations: anemo (wind), cryo (ice), pyro (fire), hydro (water), geo (rock), and electro (electricity.) in a sort of pokemon-like system, certain elements were weak to other ones, but more importantly, certain combinations of elements could drastically boost combat stats. Players got to construct four-slot teams of characters, each with an elemental affiliation and certain "skills" which would match their element, and you were encouraged to use the interactions of these elements to build teams. very quickly, a huge community formed dedicated to optimizing teams and tiering characters. People would even make a game out of building teams specifically to do high-level damage with "bad" characters or characters who weren't designed to be damage drivers (my 100k jean burst was an incredible moment fr.) this was, of course, also a picture-perfect driver for the gacha aspect of the game, which was how players obtained new characters.

Pre-3.0, combat was... well i won't say it was balanced, but there was no elemental reaction that had any MAJOR advantage over the others. when you actually ran the numbers, i believe vaporize was the best reaction in terms of damage output, with the best team being raiden national with kazuha for EM buffs. but a well-built freeze or melt team could do similar numbers, or even better numbers depending on your artifact rolls. (ayaka permafreeze you will always be my #1.) Despite a steady stream of new characters with each update, characters from the earliest version of the game like xingqiu and xiangling were still topping the charts in terms of usefulness and versatility in teambuilding. However, as early as 1.0, players had been teased that a major update to the combat system was planned. There was a seventh element, dendro (plants) which pre-3.0 only existed as an elemental affiliation for menial enemies. there were no playable dendro characters, and the only elemental reaction that existed relating to it was very low-level and not particularly useful in combat.

Originally, dendro was projected to be added to the combat system somewhere in version 2, but its release was delayed substantially, meaning it came out along with its affiliated nation, sumeru. And as soon as it came out, it basically broke the combat system. I assume that the scaling they ended up going with may have been out of fear that players would be hesitant to integrate a new element into their pre-established team builds, and thus they may have been worried about sales on their dendro character banners, and i assume that the fact that 3 elements are required to get the highest-level reaction was an attempt to make the meta more balanced in the face of that scaling, but, well... it didn't work. At this point, the genshin impact combat meta is basically "if you're not using hyperbloom what the fuck are you doing." there's basically no reaction in the game that comes close to it in terms of both damage and ease of use. you are not going to beat a hyperbloom team with anything other than a better-built hyperbloom team. combat is now very heavily skewed in the direction of dendro, meaning that if you DON'T want to use a dendro team, you're going to be doing significantly lower numbers. And since enemies are added with each update, post-3.0 combat becomes difficult and annoying if you don't have a hyperbloom team on-hand.

The major gripe i have with dendro isn't even the scaling, though. I mentioned offhand earlier that the 1.0 B-plot questline had a section which taught you the basics of the combat system via mini-dungeons. These mini-dungeons, of course, taught you the version of the system that existed pre-3.0, so there's no tutorial for dendro reactions. Rather than integrating the tutorial into the story and world like they did in their early quests, upon playing 3.0 for the first time players were given a popup that explained, very wordily, how dendro reactions worked. there was no opportunity to test these reactions in an environment without consequences--if you wanted to try them you'd have to remember the relevant information, build yourself a team, find an enemy to try them on, and just hope you got it right. This lack of integration is something i began to notice more and more with genshin as it progressed, especially in sumeru. where in mondstadt and liyue open-world puzzles would be explained to you by an npc or via environmental context clues, in sumeru you'd be stopped while exploring every two seconds by a popup explaining some puzzle or another which, of course, you wouldn't read, because you didn't want to do the puzzle right that minute anyway, and then by the time you DID want to do that puzzle you'd have no in-game way of figuring out how to do it. The puzzle popups may seem like a small thing, but it's one of the clearest examples in the game to me of the fact that the player experience is so clearly not being prioritized here. the game doesn't even TRY to be immersive anymore. they have no qualms about pulling you out of the story to read a paragraph about how the puzzle works. they don't care how your character, in-universe, is supposed to have acquired that information. they don't care why your character, in-universe, is doing the puzzle in the first place. because they know the reason YOU are doing the puzzle, which is to unlock a hidden chest that gives you 1/80th of a gacha pull.

That was not "a quick detour" was it lmfao. ok anyways. back to the story. Now i want to talk about D-plot, meaning limited event stories, and lore as i defined it earlier, meaning contextual details not present in quests or playable story. This is where i think genshin's story becomes completely inaccessible.

Already, we've covered the fact that in order to consume the very basic story, players have to be willing to wait years between A and B-plot quest releases, punctuated by irrelevant map expansions and interlude quests. I mentioned before that genshin's incompleteness is one of the major problems of its story. the fact that players have to wait years, remembering plot-relevant information that they have no way of knowing will even BE plot-relevant, for the payoff of these narratives is frustrating at best and actively malicious at worst. But in theory, there should be an obvious way to circumvent this. One could just wait until the game IS completely finished to play the whole thing. Sort of like buying a game in early access but waiting until it's actually finished to play it all the way through. that's theoretically possible. but, as i have been hammering home this whole time, genshin is a free game, and therefore genshin relies entirely on a consistently engaging fanbase in order to remain profitable. if genshin does not have a base of players who are willing to log in every day, or at the very least once every update, the game's financial model collapses on itself. therefore, genshin puts on limited-time events. this is a standard in gacha games, as a way to keep the fans consistently engaging. What is not standard, however, is the way that genshin uses these events as vessels for its story. about 19 out of 20 limited events in genshin impact will be useless menial bullshit with no effect on the story or really even the player aside from maybe making you fucking angry. 1 out of those 20, though, will be innocuously named, with nothing in the banner or event description to indicate that it's special in any way, but it will contain serious A or B-plot relevant information that exists nowhere else in the game. My personal favorite example is the infamous 1.3 scaramouche appearance, in which he showed up, told the protagonist that the sky was fake, and then immediately fucked off again. Scaramouche did not show up again until at least 2.0, and the fake sky wasn't so much as MENTIONED again until 3.2, almost TWO YEARS LATER. but there are others, such as the (almost equally infamous) albedo doppelganger event in which a major character's loyalties are called into question, or the event where major biographical information is revealed about kaeya, the only playable character with major known connections to the A-plot and Khaenri'ah. With all of these events, once the event period ends, the information contained within them vanishes from the game completely. there's no way to replay old events that you've missed, even sans rewards, so if you miss a plot-relevant event the ONLY way to catch up on that story is through word of mouth. again, this is a transparent way to keep genshin's userbase engaged during downtime between B-plot quests; if you don't log in and play every event, how will you know if you've missed something important? You might not be able to fully understand the future story if you miss out on the D-plot now!

The D-plot problem is something that I think could, in theory, be circumvented by dedicated record-keeping. if the wiki had anything resembling an easily accessible event database that marked story-relevant events and contained summaries or gameplay videos, at the very least you wouldn't have to fear being completely lost on the off chance that a random throwaway line in an event from fucking 1.3 becomes plot-relevant. but hyv obviously doesn't want that, because it undermines their financial model, and the sheer number of events and the amount of rerunning of irrelevant events they do makes the task of recording and categorizing them all daunting if not impossible.

Then, of course, there's lore. this is arguably what genshin is infamous for in certain circles of the internet. You know that unraveled video where bdg reads every book in skyrim? if you tried to do that with genshin the video would probably be about 10 hours long. and it's not just books; genshin hides (potentially) plot-relevant information in weapon and artifact descriptions, in random hidden world quests, in character bios... the list goes on. and 9 times out of 10, the information is essentially written in code. Plot-relevant characters will have multiple names, or the relevant information will refer to them as vaguely as possible, presumably to further the "mystery" and encourage theorizing among fans. but the sheer amount of information like this that exists within the game makes it all but impossible to determine what is plot-relevant and what isn't. For a topical example, the most recent A-plot quest bedtime story mentions the name Rhinedottir in connection with events in Khaenri'ah, suddenly making that name A-plot relevant. Rhinedottir is an alternate name for the character Gold, whose existence you would only have known of before this point if you'd unlocked and read the character Albedo's character bios. (Albedo is a limited-run character who hasn't been available since november 2022, btw.) the only other information about Rhinedottir permanently available in the game comes from the description of the weapon Festering Desire, which was only obtainable from a limited event back in 2020, anyway. So basically, if you wanted ANY context for that remark, you'd have to have been playing the game since AT LEAST 2022, AND you'd have to have taken the time to go over your weapon and character descriptions with a fine-toothed comb. keep in mind that as of right now (june 2024) there are 85 playable characters in this game, each with 10 unique unlockable character bio sections, and over 150 weapons, each with their own unique descriptions, not to mention over 50 artifact sets, each with 5 unique artifacts, which all have their own unique descriptions as well. there are also 51 different collections of books which contain written lore as well. the idea that any player could keep up with all this, or that anyone could even sift through it all to pick out the important things that they NEED to keep up with, is insane, especially when the game makes a point of withholding crucial plot information from its players within the A and B-plot quests. this amount of written lore only exists, again, to drive up engagement in the hopes of subsequently driving up profit. Even if the average player isn't reading and absorbing all this information, the fact that it's there coupled with the fact that the writers consistently refuse to reveal anything beyond surface-level A-plot information means that there's basically ENDLESS theory fodder. and THAT means that people will be posting their theories and talking with each other and getting into arguments. it means "genshin impact" trends on twitter. it means engagement, and engagement means money.

basically what it comes back to is that everything is so transparently money over player experience with this game. I think what we're witnessing with genshin is what i would call an end-stage gacha game--a gacha game that's gone on a little too long and gotten a little too popular, and so the veil has started to slip a little more than usual. Gachas work primarily because they operate by toeing the line between what is fun to play and what is a predatory mechanic. As long as the actual gameplay remains engaging and rewarding, players can ignore the unsavory business practices underneath. At this point, genshin has swerved too hard into the money-hungriness and is still hoping that they can use their old tried-and-true engagement farming methods to remain popular regardless. currently, it seems like those methods are still working, unfortunately. Like I said in the post that prompted this, i really can't wait for the hyv writer NDAs to expire 10 or so years down the line, because I can only imagine what an insane shitshow writing for this game must be. I want to see the tell-all articles. I want carnage.

That being said, I played genshin impact religiously from 2020 to 2023. I loved the game. Despite myself, I am still really, REALLY interested in the A-plot. I want to know what's going on with the protagonist and their sibling; where they came from, what happened to them, what the heavenly principles are, what role celestia plays in all of this. I want to know Kaeya's full backstory, what role Khaenri'ah plays in the overarching story, and what happened to it in the past. but I don't really have any faith that I ever will, because I know that as long as keeping their fans in the dark and stringing them along remains profitable, that's what hyv will continue to do.

Do I think genshin impact is unsalvagable? in its current state, yes. If I was given the ability to turn back time and convince a bunch of executives of the profitability of this venture, I would change almost nothing about the story of genshin and completely rework the mechanics of its release. I would make it a series of single-release self-contained games rather than a constantly-updating gacha. Each game would be one B-plot quest, or one nation, eight games in all, preferably released once every year. Removing the gacha mechanic, players would be given access to a certain pool of characters to build teams at the start of each game, and then periodically unlock new characters as the story progressed. for example, if you were playing the inazuma game, you'd start out with only your protag, and after progressing to a certain point in the story you'd get a pool of inazuma 4-stars to teambuild with freely. Then, as the story progressed and you met plot-relevant inazuman 5-stars you'd add them to your pool. I'd change basically nothing about the combat system except for a properly integrated introduction of dendro when it makes its appearance in sumeru. Once you completed the story in that nation, you could move onto the next game in the series if it was out, or if it wasn't, you could continue to explore the open world while waiting for the next release. Would this be as profitable as the gacha model? probably not, but what it WOULD do is allow for much more consistent pacing and writing, with the added bonus of not making your userbase feel like you'd shoot them in the head for their pocket change.

#jesus christ. hi everyone #asks

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linkspooky · 3 days

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DOOMED SIBLINGS: THE TODOROKIS VS. THE FIRE NATION ROYAL FAMILY

I received an ask in my inbox about how Zuko doesn't owe Azula any forgiveness. Truthfully I wasn't even going to respond because this isn't an avatar blog, but then I watched this video.

Not only do I disagree with the basically everything in this video, but I am going to make the argument that both Zuko' and Azula's arcs are both incomplete with the way the show left the two of them in the final showdown.

In order to make my argument I'm going to compare Azula and Zuko's relationship in avatar to Shoto and Toya's relationship in My Hero Academia and use the latter as a more positive example.

Unnecessary Redemption Arcs

The common fandom opinion I want to argue against is this idea that Azula's ending is a perfect tragedy, and therefore doesn't need to be expanded upon. There's also a sentiment that redeeming Azula would somehow ruin the impact of this perfect tragedy.

I'm about to argue against both of these points.

Azula's arc doesn't work as a tragedy.

Because of this her arc is unsatisfying and unfinished.

I'm going to address the first bullet point but before that let me add another disclaimer. The reason why I think Azula's arc isn't an effectively written tragedy isn't because I like Azula.

Before we even get into the My Hero Academia comparison let me bring up something completely different. I do like Azula, but I like Terra Markov from Teen Titans a lot more and I would not change a thing about her tragic end.

AZULA'S ARC IS NOT A WELL-WRITTEN TRAGEDY

Terra in the comics is what a lot of people accuse Azula of being. She is stated in the text and by her creators to be an unfeeling sociopath. She was also never intended by her creators to be redeemed.

[About Terra] The very first time we see her, she’s trying to blow up the Statue of Liberty. It’s just that all the fans assumed because we went out of our way to make her cute — but not too cute, with the buck teeth and everything — everyone would assume that she was gonna become good by the end and that was never the case. First thing, we made a promise that day that we would never renege on our view that she’d never become good. It’s sometimes hard to do that with characters you like. You want them to become good or something like that. But we never liked the character enough—because we knew what we were doing with her—we never allowed ourselves to fall for the character. Because that’s bad. That’s bad storytelling. You’re doing what you want as a fan at that particular point, not as the creators. T

Now let me clarify, both creators of New Teen Titans say some nasty things about Terra and don't recognize her sexual abuse, but here's the thing. You don't have to read a story 100% the way the author intended, sometimes the story says one thing and the text says something different.

I am going to use Judas Contract as an example of a story where the character from the start was never intended to be redeemed and why that's a positive in this case.

Terra is a teenage girl, the bastard daughter of the king of Markovia and a random American woman who presumably has had no stable home her entire life because she's working as a mercenary at fifteen. She teams up with a man that is in his mid fifties and even starts a sexual relationship with him (this is statutory rape she cannot consent) and Deathstroke uses her to infiltrate the Teen Titans and learn as much as possible.

Terra is sent to live with the team and spy on them for several months. The whole time she only ever engages with them in a fake spunky persona, and never shows her real cutthroat self. She leads Beast Boy on in a fake romance to make him trust her and secure her place on the team. The way you'd usually expect this arc to go is that Terra would grow fond of the team and be torn in her loyalties.

Yeah, that never happens.

Terra loathes the Titans. In fact she's developed a superiority complex about her meta human abilities and she doesn't understand why anyone would use their powers to help others. She despises the concept of superheroes in general, and because of that never bonds with any of the Titans. Her feelings never change from start to finish, because her creators intentionally wrote her as a character that can't be redeemed.

Terra is written to be a psychopath, but even with that intention in mind there are scene that shows a greater range of emotions. She has what could amount to a trauma flashback when Beast Boy too aggressively flirts with her and tries to kiss her and she reacts violently, trying to bury him under the earth.

Let's go ahead and interpret Terra as what is used as the fictional definition of a "sociopath" that is someone who feels no bonds with other people, someone with shallow emotions and someone devoid of guilt. Even if we interpret her that way, her story is still meant to be read as a tragedy.

Terra succeeds in her mission of infiltrating the Titans. Slade captures most of them, and the only remaining member Dick Grayson goes missing. Dick Grayson then unites with Slade's son Jericho, and the two of them team up in order to rescue the rest of their friends.

Even after all she's done the Titans try to make pleas to Terra during the final battle, which she not only rejects but responds to with violence. Which only confirms what I said above, Terra never grew to love them, she never regretted her actions, she only ever engaged with them with lies.

(Terra always lies, Terra always lies, Terra always lies).

Terra is declared by Raven to be devoid of emotions: "Her thinking is unlike ours. She feels no true love or hate. Her soul is corrupt. What she does is done without remorse."

Even after Raven declares this, however she still pleads with Terra to stop because she's going to hurt herself. Terra feels Slade betrayed her because he favored his son Jericho over her, so she decides to take both Slade and the Titans down. As the Titans fight her she begins to mentally fall apart ignoring their appeals to her and lashing out at everything around her. Eventually she makes one last attempt to everything around her, but the Titans escape and she only manages to bury herself.

At no point in the fight do the Titans give up on trying to reach her even as she's loudly screaming how much she hates them. Even after she's buried and it looks like she's dead, Gar and Donna both try desperately to dig her up on the slim hope she's still alive. When they find the body they even give her a funeral afterwards, even though they all think that Terra was beyond redemption.

Even the prose narration that accompanies her death is incredibly melancholy and bemoans her fate, at the same time as it calls her a outright sociopath.

There's no reasoning with her now. However slim, whatever sanity Tara Markov possessed is gone. Now there is only primal hatred! Hatred born, nurtured, and fanned. Hatred that festers and grows without care, without feeling, without plan. her pursed lips part and the sounds which echoes force are garbled and inhuman. Hot, boiling blood gushes wildly from the earth's open wounds, its skin fractures and cracks, and if a world could cry, it surely would. Her name is Tara Markov and she is little more than sxiteen years old, and due to the fault of no one but herself she is insane. No one taught her to hate, yet she hates without cause, without reason. No one taught her to destroy, yet she destroys with glee, with relish. Don't look for reasons which do not exist, plainly Tara Markov is what she is, and she has taken a great power and made it as corrupt as she. Hers was the power over the earth itself she could have brought life to deserts, hat to the frozen tundra, food to sraving millions. She could have damned raging rivers, and tunneled water to packed lands dry and dead. her powers were limited only by the mind which controlled them. A mind which sought not hope, not love, not life, but death.

If you go with the text that she is just a sociopath beyond redemption who hates and hates and hates for no reason, the narrative still mourns her because a sixteen year old with her whole life ahead of being consumed by hatred and then dying because of it is in fact sad.

If you read into the subtext then you can argue that the events of the story, contradicts what the narration is telling us. Terra is being sexually groomed and groomed as a child soldier by a man who is much older than her, even if she thinks he's a partner he clearly has all power in the relationship.

If you think about it that way then Terra is the ultimate bad victim. She doesn't cry and call for help as a victim of sexual abuse, instead she tries to claim power for herself, she manipulates, and she destroys any chance she had for a genuine relationship because she only sees all relationships as transactions she can gain or lose from.

Even if you only go with the first interpretation, the narrative still remains tragic because the Titans themselves did not want to give up on her, they did not want to watch this sixteen-year-old girl destroy herself. They never stop reaching out for her and it doesn't work, because there was no way out for Terra but death.

Here's the thing I don't think Terra's status as a sexual victim automatically means an ending where she dies is offensive. It reflects a reality that victims like Terra often go unseen because they don't present their victimhood in palatable ways, and by the time anyone notices it's far too late. Sometimes tragedies are meant to reflect a reality where many people do not get saved.

There's two reasons that Judas Contract works as a tragic story. Number one the creators planned Terra's ending right from the beginning. Which meant they never gave her any moment where she shows that she's redeemable. There's no genuine bond between her and the titans, no wrestling with the guilt of her actions, nothing.

Number two, Judas Contract is Terra's story from beginning to end. It begins with her betrayal of the Titans, and ends with her death. The death is also brought upon herself by her fatal flaw her hatred, which is what makes her the protagonist of a tragedy. Tragedies are stories where heroes are undone by their flaws. Terra also goes out on her own terms. She buries herself underneath her own rocks. Her death is a direct consequence of her inability to let go of her hatred. Terra's not fridged for anybody else's arc, she retains her agency until the exact moment of her death.

To simplify into bullet points, Judas Contract works because:

The creators thought out what they wanted to do with Terra.

Judas contract is Terra's story.

Now, getting to the part where we actually talk about Avatar, and I start complaining about that awful, awful video.

AZULA'S ARC IS NOT WELL THOUGHT OUT

I just went on a long tangent on how Terra, a character written to have no redeemable qualities can still be tragic. How the creators marked her as clearly doomed from the start, and how she brought about her end on herself, how there no redemption for Terra. How this girl had no real chance, and how regardless of the fact Terra is a lil baby sociopath her fall is still tragic because of how well structured the tragedy is surrounding her.

It's awful to kill off a sixteen year old victim of sexual abuse, but the ending just fits because Terra represents a certain type of bad, unsympathetic victim who doesn't get saved.

Azula's arc isn't as well structured. The ending does not fit. I'm going to start by refuting some points in the awful, awful video I did not like.

"Maybe it's okay if Azula's story ends where it does in the series we would separate how we would treat a real 14-year-old girl from a villain in a series, ad that's why any redemption arc isn't need i a story after all. A character needs of deserves a redemption arc when it becomes the most meaningful way to explore their character and place in the story, but a character deserving redemption usually comes before the story really needing it, and I don't think Azula's done anything to deserve it yet. They've got to exhibit some willingness and action to change..."

So the main reason I'm using Terra as my first example is because Terra is the kind of character that Hello Future Me is describing. Terra was written with the specific intention she'd never experience a change of heart, all of the friendships she makes with the Titans are fake, she very loudly experiences no remorse, or even self-reflection over what she is. Terra's pretty proudly a monster and she never experiences any kind of self-doubt or regret over what she's become.

I can disprove right away Hello Future Me's blanket statement (with no actual cited examples, just trust him guys) that Azula never did anything to hint she may deserve redemption. That suggests Azula is an entirely selfish character who uses, manipulates and thinks she's right and worst of all is comfortable being the way she is, and therefore incapable of doing the self-reflection necessary for change.

Azula does show the capacity to do selfless actions several times in the narrative, and even consider the feelings of others. There's the apology scene with Ty Lee and the way she interacts with her friends in general with the Beach where when she's not fighting in a war or trying to complete a mission for her father Azula 1) interacts with her friends in a normal way and 2) seems to express a desire to experience normal relationships not the hierarchical ones she's experienced all of her life.

However, that's not the example I'm going to use as her save the cat moment. I generally intend to interpret that as a sign that even though she treats Mai and Ty Lee as subordinates and that power she holds over them eventually leads to them leaving her, their friendship isn't just Azula abusing them and lording her authority over their heads 24/7.

No, Azula's save the cat moments all revolve around Zuko. Which is funny, because the entire fandom seems to regard Azula as Zuko's evil little sister who exists to do nothing but torment her.

The first and biggest is Azula deciding to bring Zuko home in Ba Sing Se, and telling a lie to her father that he was the one to slay the avatar.

Ozai: I am proud of you, Prince Zuko. I am proud because you and your sister conquered Ba Sing Se. I am proud because when your loyalty was tested by your treacherous uncle, you did the right thing and captured the traitor. And I am proudest of all of your most legendary accomplishment: you slayed the Avatar.

Zuko: [Shocked.] What did you hear? Ozai: Azula told me everything. She said she was amazed and impressed at your power and ferocity at the moment of truth. [Inspired partly by this post]

Now the show seems to regard this action as Azula being an evil temptress who is there to tempt Zuko back to her side with everything he thinks he ever wanted.

That's only if you regard it from Zuko's perspective.

Think for a moment from Azula's perspective. Number one, Azula is someone thoroughly indoctrinated into Fire Nation propaganda who measures her self-worth based on 1) military achievement and 2) her father's approval and assessment of her talents. In Azula's own logic (wrongheaded as it is) she's helping Zuko. She's bringing him back home with his place in the line of succession restored and his father's approval.

Azula doesn't benefit from this gesture at all, in fact if her father discovers the lie she has as much to lose as Zuko does.

Now Zuko insinuates that Azula only brought Zuko along and told her father that he was the one who killed the avatar so she could let him take the fall if the avatar turned out to be alive.

However, if you look at the actual order of events that doesn't make sense. Azula saw the avatar die, she didn't know about the spirit water, and therefore had no way of knowing Aang could come back. In fact, it's Zuko who 1) knew about the spirit water and 2) decides to keep the spirit water and the fact the avatar might have survived a secret that is throwing Azula under the bus. After all she has as much to lose as he did and instead of sharing that information with her he decides to keep it all to himself.

Now Azula does imply that if the avatar were to turn out to be alive all of Zuko's glory would dry up, but this is only after Zuko 1) throws accusations at her and 2) makes it's pretty clear he's lying to her putting her on the defensive.

This is also a scenario where Azula doesn't have much to gain by bringing Zuko back, if you look at it from her perspective. If Azula just lets Zuko rot in a ba sing se prison, then her claim to the throne is secure. With Zuko back he's restored in the line of succession. She also, when making the decision to invite Zuko to her side probably didn't need him for her plan to succeed.

There is a dramatic moment of Zuko choosing to side with Azula over Katara which turns the tide in Azula's favor, but Azula can't see into the future and therefore wouldn't be able to predict that happening. If you look at it from Azula's perspective she 1) successfully infiltrated the city, 2) already had the Dai Lee in her pocket. She likely already thought she had the city secure at this point so her decision to extend a hand out to Zuko is therefore likely motivated by selflessness instead of self-interest.

That's important because usually when Azula usually only gives her help to others if it also benefits her in some way. Azula might genuinely see her recruiting Mai and Ty Lee to her side as a member of the royal family extending her favor and giving them status and security in their positions but it has the underlying motivation of 1) she keeps them in a position to beneath her and therefore in her complete control.

Azula will interact with Mai and Ty Lee like friends on the surface, as long she maintains control over them, but if they do anything to something that displeases her she'll do anything to regain her control.

Mai: I thought you ran off and joined the circus. You said it was your calling. Ty Lee: Well, Azula called harder.

This is set up in Azula's very first interaction with Ty Lee. Azula greets her like an old friends, Ty Lee even seems happy to see her, but the second Ty Lee tries to say no to her Azula goes to extreme lengths to "persuade her". Azula's friendship with Mai and Ty Lee is an abusive friendship because there is a power differential and even if Azula feels genuine affection for them both it's clear they're not allowed to say no. Mai and Ty Lee are put into positions where it's in their best interest to please her, and live in fear of the consequences if they don't do just that.

Here's the thing, I'm not arguing that Azula didn't deserve any consequences for her actions. I'm arguing that the setup doesn't match her eventual ending. Azula is set up to have Mai and Ty Lee leave her from the very first scene that Azula interacts with Ty Lee. It's satisfying because the set up matches the pay off.

It's also tragic because it's Azula continuing the chain of abuse. The video isn't entirely wrong (which is why they came to the wrong conclusion frustrating).

Azula's fall is about how differenting parenting styles can a child. Ozai's affection is exchanged for being useful. Something Azula would go on to repeat with her friends, whereas Iroh's affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

It's like... there it is it's so close. Here's the thing, Azula is set up for a tragic falling out with Mai and Ty Lee (and one she deserves) but the set up is different with Zuko. Azula's save the cat moment revolves around Zuko, and her genuine attempt to bring her brother home.

Yes, the first time Azula interacts with Zuko in season 2, she tries to take him home by force. However, by the ending of the season Azula's perspective on the matter has obviously changed because she begins by trying to bring him back as a prisoner, and by the end of the season invites him back as an equal.

There's no moment in Season 3 where Azula treats Zuko the way she does Mai and Ty Lee (unless Zuko provokes it first and puts her on the defensive) in fact most of her interactions are either them interacting normally (such as when Azula goes to find Zuko at their old beach house because she knows he'll be there and advises he leave instead of dwelling on their depressing memories) or Azula deliberately trying to look out for Zuko such as when she advises him not to go visiting with Uncle because it'll make others suspicious.

On the other hand, Zuko never at any point looks out for his sister the way Azula is demonstrated looking out for him. He doesn't say, try to tell her where he's going on the Day of Black Sun, or try to convince her the fire nation is wrong. There's a scene in the later part of Season 3 where Zuko is watching Azula fall to her death while sitting on a flying bison and not only sits there and does nothing about it, but sounds disappointed when she doesn't hit the ground and become an Azula Pancake.

That's pretty much the opposite of a save the cat moment. It's a "let the cat fall to their death" kind of moment.

Yes they were enemies at that point, but Zuko's the one who's supposed to learn that affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

How exactly is he doing that in this scene?

The thing is... this setup doesn't have to be bad. Of course Zuko has trouble has trouble empathizing with Azula, he doesn't even think about sending a letter to Mai, Zuko's shown at this point to be like a healing abuse victim who's understandably focused on himself.

This in fact could be excellent set up with step 1) learning what genuine love and forgiveness is and 2) demonstrating those two things by applying it to others.

However, that's not where we got. We got Zuko watching his sister have a complete emotional breakdown, crying and screaming while chained to a grate and looking somewhat sad.

And once again to bring Terra into this, Terra is what Stay at Home and parts of fandom argue that Azula is. Terra screams at the top of her lungs how much she hates the Titans, how much she was always lying to them, and the Titans STILL try to reach Terra with words, try to de-escalate the conflict, when she's about to bring the rocks falling down on herself warn her she's going to hurt herself, and then when she's buried under rubble try to dig her out begging for her too still be alive.

Terra who's intentionally created by her writers to be as hatable as possible, is shown more compassion by the heroes in her ending than Zuko ever does to Azula. They also give Terra multiple opportunities to change until literally the very last minute, which Zuko doesn't do either.

What's set up is Azula has this save the cat moment with her brother, that Zuko is pretty much the only person she doesn't treat like a subordinate in the story (because she just like Zuko has a craving for familial love she tries to earn from her father). However, her ending with Zuko just taking her down doesn't fit that setup.

Azula's ending only fits if you consider her arc entirely from Zuko's perspective, which is the underlying issue. Azula's not the protagonist of her own tragedy, she's a plot object that's used to benefit Zuko's arc.

Azula's is written to have a downfall, the same way that Zuko loses everything at the ending of season 1 b/c of his inability to give up on the obsessive search for the avatar (and his father's love with it). Azula is written to be left by Mai and Ty Lee (this is the strongest point of writing when it comes to her since it comes from the beginning).

However, she's not written to be left completely alone and insane with the only empathy being shown is that her brother looks kinda sorta sad. That's only good if you view her as an object to further Zuko's arc, because isn't the ultimate culmination of Zuko beating his sister who has always been ahead of him at life? Azula needs to torn down completely without even some small glimpse of a hope of recovery so Zuko can be built up even moreor at least the writers of avatar seem to think so.

However, even Azula just existing for Zuko's growth and character development doesn't have to necessarily be a bad thing. This is where we get to MHA, which does the tragic siblings and the final Ag Ni Kai about 1000 times better with Shoto and Dabi.

THE GOOD

The comparisons between Shoto and Dabi to Zuko and Azula are made pretty often by the fandom. Shoto has a scar, Dabi has blue flames. Shoto has an arc about healing and learning what it means to be a hero, Dabi's arc is about self-destruction.

Dabi's not the center of his own story, he exists to foil Shoto and help Shoto reach the endpoint of his character development however that's not necessarily a bad thing. These are both two pairs of tragic siblings, the main difference is that MHA doesn't feel the need to tear down one sibling in order to build up the other. In fact, the final step to Shoto's arc is HELPING Dabi, not PUTTING HIM DOWN.

Not only that but the decision to help Dabi is a decision that Shoto makes on his own, and him going against the tide of a society that has already given up on Dabi and would much rather have Shoto shoot Dabi like a mad dog. Which makes the decision to do so even more powerful and emblematic of Shoto's growth.

Now you could say that Shoto and Zuko are too different to compare their arcs, Zuko has a redemption arc, and Shoto has what most people would probably term a healing arc. Shoto starts out the series as a hero.

However, this is what annoys me about the redemption arc debate. A redemption arc is really just a normal character arc. However, calling it redemption drags things like morality and forgiveness into the debate. if you take remove the discussion about moral philosophy both Zuko and Shoto have character arcs where they start the story defined entirely by their home situations and their father's abuse (hence why they have big obvious scars on their face), recover from their trauma, and go on to find an identity outside of their father and form healthy non-abusive connections with others.

In fact I'd see the theme of both arcs are the same, to literally find balance within themselves. Shoto is divided quite literally into right and left sides, fire and ice, and even seems to view himself as half of his father and half of his mother. Zuko is someone who's permanently marked and dishonored by the burn scar on his face. He suffers from an internal imbalance as well. Iroh says that Zuko is the descendant of both Roku and Sozin and therefore both pathways are open to him (but wouldn't that apply to Azula too). Zuko says to his father that the fire nation has destroyed the balance to the world and he's going to leave to assist the avatar in order to fix it.

Shoto's balance isn't just about fixing his internal trauma though, it's also about finding a balance between his family which has defined his entire life up until this point, and his desire to become his own hero not the hero his father groomed him into.

It's why the culmination of his arc is Shoto reaching out to save his family member Toya, because it's the ultimate balance in wanting to heal his family, and also the kind of hero he wants to be, someone who saves and brings peace to others instead of just violently putting down villains. He can bring peace to his family and become his own hero in one action.

However, let's go back to the beginning of Shoto's arc, because saving Toya as an endpoint to his arc is set up pretty early on.

Shoto's arc begins with Deku, a stranger breaking down Shoto's walls as an outsider in order to allow him to look past his own trauma and recall for the first time what he wanted outside of his resentment towards his father. This sets up the idea early on for Shoto that sometimes you need outside interference, help you didn't ask for, especially when you can't see outside of your own problems.

What Deku brings about ultimately is a change of perspective, Shoto's so hurt by the memory of his mother throwing boiling water in his face and everything that came after that he can't recall the memory of her telling him he could be who he wanted to be.

But, you want to be a hero right?

Shoto takes away two things from this arc, sometimes you need help even when you're not asking for it, and sometimes a change in respective is required in order to take the first step forward.

He goes to demonstrate these things multiple times, but here's two exaamples. The first Shoto demonstrates immediately after the tournament arc. When Iida is about to go down a dark path and commit a revenge killing on Stain. When, as a result of that IIDA is paralyzed and about to die in an alleyway, it's Shoto who both notices Midoriya and Iida are missing and shows up in the clutch. He's practicing the same thing that Deku taught him in the last arc: Giving help that's not asked for is what makes a true hero.

He even mentions the second idea, that a small change in perspective can be all it takes to save someone, and he wants to do for Iida hat Deku did for him. His words are the one who convinces Iida to stand back up again when he's paralyzed.

If you wanna stop this, then stand up. Because I've got one thing to say to you. Never forget who you want to become!

However Shoto's arc doesn't end here, because one of the major conflicts in MHA is that heroes don't pick and choose who to save and a true hero will give help even to those people who don't ask for it.

This is a point which further develops when Shoto's abusive father starts to show a change of heart at the end of the Pro Hero Arc. Shoto still holds his father accountable for what he did in the past, but he also acknowledges that if he had the capacity to change then so does Enji. This isn't about whether or not Enji is forgivable, this is an extension of what Shoto learned. Shoto originally believed he was controlled by the circumstances of his birth, that his fate was set in stone, but a change in perspective allows him to realize he can determine who he wants to be. So, Shoto is just applying what he's learned, Enji has the capacity to grow.

There's one final piece of setup that I want to cover before showing how these separate dies all culminate in saving Dabi. Shoto's not only someone who has to find balance between his family and his desire to be a hero.

The theme of balance is written into the quirk itself. Enji basically practiced eugenics to create Shoto as his masterpiece. He noticed a flaw in his own quirk where he could only make his flames so hot without overheating. So he arranged a quirk marriage with Rei who possessed an ice quirk to create a hybrid ice and fire quirk that he could use to cool himself off to prevent him from overheating.

Enji only ever cared about the fire half of Shoto's quirk. His ice quirk only exists for his flames to grow stronger. This is shown when Enji is trying to force Shoto to learn all of his signature moves, because he only cares about Shoto's flame quirk. Shoto was created to carry on his father's legacy, and surpass him with an even more powerful flame quirk. Part of his character development is him learning how to use his quirk in his own way.

This is a theme that continues in the class training arc where Enji is still repeating the behavior of trying to force Shoto to learn his signature moves instead of considering what he wants at all, because still Shoto only exists in Enji's mind to carry on his legacy.

This all culminates in Toya's decision to save his brother. The first is his action in choosing to identify with his brother. If Shoto believes in his own capacity to change, and even his father's, then why would he deny Toya that same chance to change?

The foiling between Shoto and Toya isn't supposed to reduce the two of them to "Shoto is the good one, and he's the bad one", but instead Shoto and Toya were both in a point where they were consumed by hatred and couldn't see any other path in life. Therefore if Shoto was able to change because someone gave him help when he didn't ask for it, then Toya not only has the capacity to change - but in order for Shoto to stick to his stated beliefs that the smallest of things can bring about a change in people he has to be the one to give his brother that chance to change.

It's not about whether Dabi is worthy or not, it's about the themes in Shoto's arc finally being paid off.

Shoto's identifying with Toya, and even parts where he tells Bakugo he'll make Toya sit down and make Toya tell him his favorite food indicate that from the beginning Shoto's intention was to find a way to stop Toya without killing him (which is what several of the adult heroes were encouraging him to do).

@stillness-in-green does a more succinct summary of this plan.

Just me?

Because, like, Shouto had a plan. He spent the time between the two war arcs specifically developing a brand-new combat technique that he planned to use to shut down Dabi's combat advantage without killing him. He convinced his dad not to change the plan like Endeavor was hesitantly sounding him out about[1]; he went out and talked and asked questions, and even if they weren't the right words every single time, he did his best and he did it with intention. If Dabi proves to be dead, it won't be because of anything Shouto did to him; it'll be because Dabi himself chose to stand back up, take a warp gate across the country, pick a fight with the guy who doesn't have the power set to shut him down without unduly hurting him, and trying to replicate an Ultimate Move specifically tailored for someone with a balanced power set Dabi doesn't have. And if Dabi lives, it's still going to be because Shouto booked it across the country and used that same technique to stop him again.

Shoto's decision to save Shoto is also a continuation of his decision to help save Iida from Stain. It's not enough for Shoto to experience a change of heart about his own life, he's got to take what he learned about people's capacity to change, and the importance of connections and then put that into practice and help others the way he was helped.

However, it also further develops the theme of giving help that's not ask for from Iida because Shoto's not saving a mostly heroic kid, he's saving Toya to help break a familial cycle of abuse (because murdering the abuse victim isn't how you end the cycle of abuse... actually).

Shoto's last lines to Dabi are also a refutation of this idea of destiny that he once thought he was ruled by. It's once again, Shoto teaching someone else the lesson he learned. Toya says a warped rail can never mingle with a straight and narrow one! In other words Shoto can never understand or get along with Dabi, because Dabi will forever be defined as the failure because of the circumstances of his brith, whereas Shoto will always be the success.

His final action is a decision to break the cycle they were born into: no, we're gonna mingle whether you like it or not.

Shoto's ultimate move Phosphor is not only a move he designed far in advance to take down Dabi non-lethally, it also is a rejection of his father's teaching method. Toya says he only ever taught me how to turn up the heat. Enji only valued both Shoto and Toya for their flame quirks. Developing his own quirk and breaking away from what his father wanted, specifically in order to save his brother. It's Shoto rejecting what his father created both of them for (a successor to his quirk) and finding his own path. By using that move to take down Dabi he's not only teaching Dabi their flame exists for more than just destruction, he's also by letting Dabi live giving Dabi a chance.

From a conversation with @class1akids

Dabi was the last push to unlock Shoto’s full power. Until then he was on the track of mastering flashfire like Endeavor planned for him (except for his own reasons) but realising the fighting Dabi with fire was gonna kill them both and also he’s simply no match fire only helped Shoto to fully take control of what his quirk is Like his quirk development goes parallel with how he faces each member of his family and finally meeting Toya is like the last piece of his puzzle to find his own full power and identity.

It's not just Shoto decides to save his brother because he's just that nice, his arc is literally incomplete without it. The act of creating phosphor a move specifically to save Dabi is both him unlocking the full power of his quirk (by balancing the fire and ice sides of his quirk) but also achieving balance between trying not to leave his family behind while at the same time becoming his own person and hero outside of his family circumstances.

Citing my conversation with class1akids again:

Toya is endangering everyone at Gunga. Endeavor has no means to stop him and when he tries to murder suicide Rei interrupts and his “hero way out” is taken. All he can do is watch helplessly as his family is about to burn to death with a bunch of strangers he tried to protect. But it would do Shoto dirty to use his heart technique to kill his family and the strangers so he comes in a clutch and I see that confrontation as the power trauma vs the power of healing in the family. With Shoto who is a true hero, they can put the fire out and save the family and strangertoo. Shoto become a balanced hero and bring relief and reassurance, Endeavor was completely helpless, and Toyas inner child got the attention he wanted, plus depending on how you read it, he may have become less suicidal.

Shoto also, and I want to point this out desires to stop his brother not to take him down but because he doesn't want him to hurt any more people. He's again finding a balance between two ideas 1) Shoto needs to stop his brother in order to stop him from creating more victims and 2) Shoto needs to find a way to stop him that's not just putting him down because Toya himself is a victim.

Shoto also, and I must point this out for the comparison between Zuko and Azula goes out of his way to engage Dabi in conversation, ask him why he didn't come home and what happened to him in the years after he died. This is especially poignant because unlike Zuko and Azula who grew up together, Shoto basically had no relationship with his brother (and the rest of his siblings really) before Toya died because Enji purposefully kept Shoto separate from all the "failures."

So yes, the act of saving Toya is more for the completion of Shoto's arc than any redemption arc for Toya but Toya's not just a plot object to move around for Shoto's arc, Toya has his own agency all throughout. In fact it's the fact that Toya resists being saved every step of the way that provides the challenge that Shoto needs to grow in order to be able to save him.

Toya's not just after revenge against his father that's the surface reason, Toya is also just blatantly suicidal. Toya's birth is marked as a failure, his death wasn't even acknowledged by his family and everything stayed the same in his absence, so he created Dabi while praying at his own shrine in order to mourn Toya. Dabi can't find any meaning in his life where he was born as a failure, so he'll use his death taking revenge against Endeavor for having been born in order to give his life meaning.

What makes Avatar look especially bad in its treatment of Azula in comparison to how MHA treats Dabi, is that Dabi is way, way less redeemable than Azula. For one Azula has clearly proven affection both her friends and her brother (and I don't think she even deserves Mai and Ty Lee's forgiveness they had every right to walk out on her and want nothing to do with her again.)

Dabi is probably the ugliest victim of the League of Villains. The rest of the league have far more moments in their bonds with each other. Toya is the outsider to the league even if there are some subtle hints to his affection (he tries to show up to save Twice, and also burns down Toga's family house to comfort her). The villains are mostly shown to be redeemable by their positive friendship with each other, and Dabi at several points denies the league's bond (he pulls a Terra and yells out loud at the top of his lungs none of the league matter to him). Unlike with Terra you can argue this is most likely Dabi trying to cover up his real feelings. However, the fact that he feels the need to hide his affection from the league shows he's purposefully distancing himself from any bonds whatsoever.

Unlike Azula who has gone out of her way to help her brother in one major way, and also shows hints in early season 3 of having that sibling bond with him Dabi just straight up wants to murk Toya. Azula also tries to murk Zuko, but that's only when Zuko leaves on the day of Black Sun (one without telling her, and two something that probably left her alone to deal with the consequences of lying to her father for his sake). Either way, Azula's behavior in early season 3 is setup for the fact that their sibling bond can be salvaged.

Dabi is way worse to Shoto in comparison. Dabi in the first part never saw Shoto as his own person, just a puppet of his father (puppets have no autonomy or personhood). His feelings towards Shoto only went so far as Shoto was someone who could kill in order to upset Enji. Dabi also doesn't particularly care for the rest of his family as well (only calling out Natsu's name when his brain is literally melting), they're either ways to hurt endeavor, or he wants to drag them in hell with him. Heck his last words after being saved is telling everyone to die and go to hell.

Dabi doesn't bother to make bonds with the league or have any lingering affection for his family because Dabi's determined to seslf destruct. He's given up on life the moment he saw that he died and nothing changed in that household, now all that's left is for him to create a meaningful death by dragging his family to hell with him.

Dabi is also even as a child made out to be an unpleasant victim. He attacks baby Shoto with his flames early on out of jealousy (even though he later admits that he was being unfair to Shoto). He makes the situation in the house worse by loudly screaming and demanding his father's attention. He screams at his mother and throws her complicity in Enji's abuse in her face.

This is in comparison to Shoto who in childhood flashbacks we are only ever seen either 1) crying, and 2) trying to comfort and protect his mother. Toya's even made out to be difficult to empathize with as a child - which like flew over half of the fandom's heads because he got accusations of somehow abusing his father and the rest of his family in that chapter at 10 years old. However, that in a way illustrates my point.

The fact that Dabi is so disliked by a certain portion of the fandom is because Horikoshi paints such an ugly portrait of Toya in the way he expresses his victimhood. It's done deliberately too, because number one Toya by resisting Shoto's attempts to save him and trying to self destruct instead retains agency as a character. He makes decisions even though they're bad self destructive ones, he's not just a prop. Number two, the fact that Toya is intentionally portrayed as such an ugly victim makes Shoto's decision to break the cycle of familial abuse by saving Toya and not leaving a single family member all the more poignant.

Toya is an uglier victim than Azula, actively trying to kill himself in a way that Azula isn't, and treats Shoto way worse than Azula ever treated Zuko and yet Azula isn't shown the sympathy or given the salvation that Toya is.

Because once again, the writers didn't think about the ending of Azula's arc or of Azula as her own character. Shoto defeating Toya is the culmination of his desire to break the cycle of abuse in his family. Zuko putting Azula down is just to make Zuko look better. It's in service of Zuko's character instead of both of their characters.

THE BAD

Avatar isn't setting up some gritty ending where the bad guys can't be stopped, they can only be killed. In fact it's pretty close in tone to MHA.

Season 3 especially is the season that really begins to hammer in on the themes that even the people on the enemy side are still human after all. The headband shows that Fire Nation children are indoctrinated into the war, but they are in the end still children. There's the story between Avatar Roku and Sozin, and once again Iroh saying that Zuko has both options becoming like Roku or becoming like Sozin available to him (but not Azula I guess). There's Zuko joining Team Avatar, even after he betrayed Katara in Ba Sing Se and should have burnt that bridge then and there. There's Zuko working to earn their trust again when no one on the team really owe it to him.

The main character of the show is a pacifist, who deliberately learns a way to stop Ozai without killing him before the final battle because he doesn't want to break the values taught to him by his culture.

If the entire theme of season 3 is redemption, healing and that the fire nation are not inherently evil then why does Zuko's sister and character foil end the last shot of the series screaming and crying with no one comforting or even attempting to sympathize with her. Why is this one character marked for tragedy in a show that is about redemption and healing and showing compassion to your enemies and very specifically not a tragedy.

Toya literally burns all of the flesh off of his body, and somehow he has a gentler ending than Azula, because at least Toya's arc ends with all the members of his family showing up to try to cool down his flames, and when he's on the ground burnt to a crisp his father finally apologizes to him. Toya is a skinless burnt chicken wing, my boy has no skin, and somehow he's better off than Azula.

I don't think the writers gave Azula such a cruel ending because they don't like her, but rather because they just didn't think about her ending outside of what it meant for Zuko. Which is why you get moments like Aang who is apparently a pacifist who doesn't want to kill the Firelord, watching his daughter fall to her death while sitting on a flying bison and doing absolutely nothing to save her. ALL LIFE IS PRECIOUS (except for Azula I guess).

It's not bad because a victim doesn't get saved, it's bad because it doesn't fit in with the rest of the story.

Not only is Zuko saving Azula a very natural conclusion to his arc, but there's far more setup for Zuko reaching out to his sister and saving her than there ever was for Toya and Shoto. Both Toya and Terra are screaming at the top of their lungs "I HATE EVERYONE, YOU SHOULD ALL JUST GO TO HELL." They're both making decisions and committing to their self destruction while Azula is a 14 year old girl having a mental breakdown.

Anyway, time to quote the bad bad video again.

"When does a villain deserve a redemption arc? When do we deserve a redemption arc? I know this is gonna hurt, but characters are not people. They are tools. They are represetations of people. They can be used to say other things. They can be symbolic representation of other ideas. Azula's story is not just about a fourteen year old defeated by her brother for the throne, Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

I specifically chose to cite MHA, because of how differently it decided to use Shoto and Toya's character foiling. Shoto recognizes himself in Toya, and how different their paths were in life. This is explicitly motivates him to save Toya. It's also the culmination of everything that Shoto has learned because Shoto is a hero who believes that actions speak louder than words. It's not enough for Shoto to resolve his own inner struggle, he also has to help Dabi with his because that's showing Shoto has grown rather than telling us.

I think that is where the major difference lies between Shoto and Zuko, we're told that Zuko has chosen the path of empathy and healing, that he's learned to give people love and patience like Iroh has but instead of showing that the culmination of his arc is having a fist fight with his sister in a denny's parkinglot.

Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

If Zuko is empathic and emotional and that is why he's gained friends while Azula is now alone after having lost her friends due to the way she treated them, then like... what a great opportunity for Zuko to SHOW that quality of empathy.

However, Zuko doesn't do anything that Shoto does in the final fight. He's not even here for Azula, Azula's just an obstacle for taking back the crown. He doesn't talk to Azula, engage her in any way, try to de-escalate and avoid the fight.

If you want to make the tragedy that Azula and Zuko have taken such different paths in life that that Zuko fighting with his sister is unavoidable you could um... at least show Zuko being sad over the prospect of fighting his sister or being reluctant in any way.

(Before you come in here with "Zuko doesn't owe Azula anything take" this isn't about whether or not Azula is a terrible sister to Zuko, this is about the story that avatar is attempting to tell. Shoto and Dabi's fight is tragic because Shoto doesn't want to fight Dabi, he wants Dabi to come home and for their family to be complete. Zuko never expresses anything like that so where does the tragedy come from?)

If it were 100% committed to a tragedy like Terra's death then I wouldn't mind. if it were 100% committed to a story of redemption like Shoto reaching out to Toya then I wouldn't mind. My issue arises from the fact they want to have their cake and eat it too.

They want to give this tragic end to Azula, and use it to illustrate how Zuko has grown as a character. However, you can't have both.

If Zuko's growth is about learning that his father's love based on achievement and 2) learning he needed to get lost in life in order to find himself then why doesn't any of Zuko's actions demonstrate this lesson Zuko has learned about love, and about how you can be your own person outside what your father expects from you.

If Zuko has grown as a character he should be able to show those actions. He does show his new understanding of love and friendship to Team Avatar, but as I said that's easy mode. That's Shoto's attempts to save Iida, it's a step in the right direction. It's also not really Zuko demonstrating a selfless love, because he's also at the same time trying to earn their trust and earn his way into the group.

It's also not Zuko breaking the cycle of abuse in their family in any way. Shoto is trying to break free from his role of his father's masterpiece, and at the same time helping Dabi break free from his view that he's the failure.

It's also such a natural ending for Zuko's arc, to take the lessons he learned from Iroh and give them to his sister who needs them so they can both break away from their father's parenting. As I said Zuko does solve the internal conflict within himself, but he doesn't really demonstrate that by helping someone else find their balance.

If you wanted the tragic end, then it would have to be about Zuko's failure to reach out to his sister, because he hasn't learned how to reach out to her. Or because he tries and is unable to. The writers don't seem to understand that though, they think the tragedy is about Azula bringing it all on herself, and not the inherent tragedy of a fourteen year old girl being unable to be saved.

The set up is right there too, because number one avatar is about balance. So, wouldn't the true ending be finding balance between the siblings, not having Zuko rise and Azula fall. Number two, Azula being alone and friendless because of her own actions is again a parallel to where Zuko was in early season 2 at his lowest point. Except Zuko can be the better person in this situation by reaching out to her.

Zuko doesn't break the golden child / scapegoat dynamic, he just flips it so now he's the success and Azula is the failure.

While Azula's fall comes from cruelty and rejection from friends and allies it is Zuko's humility and kindness and friendship that ultimately wins the day. Him sacrifcing herself for Katara and her bringing Azula down and then her healing him. Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone. "

As I've stated above, I'm not saying Azula didn't deserve to take a fall. Her fall is actually set up from the first moment she met Ty lee. However, there's no set up for her fall being permanent.

Azula's given way more humanizing moments than characters like Terra or even Dabi. Which is why Azula being in an insane asylum for the rest of her life doesn't fit as an ending at all.

Azula is one link in the chain of abuse. Her father only gives out affection in regards to her usefulness. No matter what Azula is an asset first and a daughter second. Azula then repeats the cycle and treats her friends the same way. She has been shown through an improper model of parenting of using fear to dominate others with power and control and she replicates that in her other relationships.

Therefore, Ty lee and Mai leaving her is not only deserved, it's the perfect opportunity to pull the rug underneath Azula and to show her that her understanding of how relationships work is completely wrong.

This also mirrors Zuko's arc, because part of Zuko's arc is realizing just how wrong Ozai is for making both children earn his love, and that he doesn't need to measure his self-worth based upon his father's approval. He also learns about healthy expressions of trust and friendship from the gang.

Azula loses in part due to her own inability to form healthy relationships is losing people rapid fire, her brother leaves and joins the enemy side, Mai and Ty Lee betray her in favor of her brother, then her father in one action of leaving Azula behind and throws the title of Firelord to her after it's become completely meaningless reminds her of her place. Azula learns in about five episodes what Zuko had in 3.5 seasons to process that her father's love was always conditional and no matter what she did she would never truly "earn it."

People leaving Azula isn't exactly the problem, the problem is that Azula ends up alone permanently without being given the same chance that Zuko is. Terra, and Toya both get opportunities to turn back. They both refuse the hand that's reaching out to him. Mai and Ty Lee leaving is caused by Azula's own choices, but her ultimate end isn't. She's not even given the chance to turn away being saved like Terra and Toya do because Zuko doesn't even bother to try saving her. Her ending is not entirely brought about by her own choices, because the writers need her to take a fall to uplift Zuko.

Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone.

I think once again it comes from the author's misunderstanding things because they don't want to look at the story from Azula's perspective, only Zuko's.

Stay at Home almost had it when he said the tragedy of Zuko and Azula was there to show how two different parenting styles affected these children.

The tragedy is that Zuko and Azula started in the same place, but Zuko had persistent guidance and someone who modeled for him a healthy kind of love. The difference is that Azula has never experienced any kind of healthy love or support on the level Zuko has, so she models all her relationships on the way her father treats her. It's not that Azula is offered some chance for change and rejects it, it's that Azula isn't even aware of the fact that there's another way because no one is there to show it to her.

Which is why I said once again, Zuko being the first one to show Azula the lessons he himself was shown by Iroh is such a natural place for his character to end.

Azula also even while completely alone and with no idea what healthy love is, knows that there is something wrong with her and is troubled by that fact in a way Dabi and Terra aren't.

Azula: I can sit here and complain about how our mom liked Zuko more than me. But I don't really care. My own mother... thoguht I was a monster... She was right of course, but it still hurt.

Then there's the famous mirror scene:

Ursa: I didn't want to miss my own daughter's coronation. Azula:Don't pretend to act proud. I know what you really think of me. You think I'm a monster. Ursa: think you're confused. All your life you used fear to control people, like your friends Mai and Ty Lee. Azula: Well what choice do I have?! Trust is for fools. Fear is the only reliable way. Even you fear me. Ursa: No. I love you, Azula. I do.

Both of these scenes indicate that Azula thinks of herself as a monster and is deeply uncomfortable with the idea. Considering Ursa is a voice in Azula's head and not a ghost, it also shows on some level Azula knew what she did to Mai and Ty Lee was wrong and feels conflicted over it.

Once again she's much more in conflict with herself than Toya and Terror ever are, and who's someone who's constantly warring with himself? Who's someone who could help resolve her inner conflict... Zuko (too bad the way the show's written he never does).

Azula doesn't choose to self-destruct the way that Terra and Toya did. Azula's ending isn't brought about by her choice not to change, because she's never given the chance to change in the first place. Her tragic ending would make sense if it was entirely of her own choices, but Azula doesn't retain her agency in the end it's literally taken away from her. She loses control of her mind, and her ending is being chained to a grate screaming and then thrown into an asylum.

I'm not arguing against Azula's ending because she's my favorite character and I don't want bad things to happen to her. It's because her tragedy isn't about her it's about Zuko, and her ending actively takes agency away from her where at least Toya and Terra both retain their agency up until the end. It's not good writing because the tragedy doesn't fit in with the rest of the story which is about balance and healing - and it's also ableist as hell.

THE UGLY

Azula's ending is unfitting to the tone of the story she's in, makes her and Zuko's arcs feel incomplete, and also is ableist as hell.

Here's yet more evidence that Azula's tragic ending is poorly thought out. Azula's mental breakdown doesn't exist in service of her character, but Zuko's.

Azula's issues pop up out of nowhere after episode 15, and take place over the last 6 episode of the series. The idea of Azula having a mental breakdown isn't necessarily a bad concept, but it's executed poorly.

The first way it's executed poorly is just how rushed it is. There's basically no hints of any mental instability beforehand. Of course people can have mental breakdowns spontaenously like that in real life, but this is a story and stories require foreshadowing. Azula spontaneously developing mental issues doesn't feel like it's planned as a part of an arc. First off, because the writers don't seem too sure about what Azula's symptoms even are. Hallucination, paranoia, manic laughter, but apparently she's still able to bend lightning just fine. Secondly, the writer's intentions for giving Azula a mental breakdown are pretty transparent.

The writer's room needed to come up with a believable reason why Zuko would suddenly be able to fight on equal terms with Azula, so boom sudden mental illness. The intent was not to create a sympathetic portrayal of a young girl struggling with both paranoia and delusions. The intent was to nerf Azula because they couldn't think of any other way this plot could end, other than Zuko and Azula fighting in a denny's parkinglot.

As I said they use mental illness as a plot device to take Azula's agency and choices away from her. It's not done with the intention of humanizing her, and in fact except for one small scene with her talking to her mother in the mirror it's a pretty negative and unsympathetic portrayal of mental illness. Not because the writers hate mentally ill people, but because they needed Azula to have a mental breakdown in order for a plot point to happen. Which is why they didn't think of the potential implciations of such a writing choice at all.

Now, people are going to argue about me so I'll use one final example. Azula's ending may be controversial but it's universally agreed upon that the Game of Thrones Ending was bad, right?

Game of Thrones uses mental illness as the exact same plot device, to explain why Daenerys Targaryen turns from a hero to villain in the last few episodes with absolutely no foreshadowing. In fact, the all of the show director's interviews about that choice are just blatantly ableist.

Rant from @hamliet

This quote is (likely unintentionally) gaslighting, ableist, terrible logically, and downright offensive.

First, ableism: why, why, why are we conflating madness with evil? She was driven to madness so she killed a bunch of people and had to be put down? And you think this is a great message in the year of our Lord 2019? [...] Additionally, while good writing is to an extent subjective, there are general consensuses on what make good writing--and Game of Thrones hit all the general consensuses for bad writing, from bad pacing to confusing character assassination. Critics are like, pretty united on this front. No one thought Dany’s turn made sense, even the ones who expect Mad Queen in the books. Maybe if people love a character who is meant to be evil you're not writing them correctly... or maybe they aren't meant to be evil.

Daenerys and Azula are incredibly similiar characters. They're both dragon themed, alligned with the element of fire, they're both colonizers they both represent the warrior princess archetype.

I'd say Daenerys is more of a tragic heroine though, because while Danerys is essentially doing the same thing as Azula, waging war in a foreign land and a culture that's not hers, for the purpose of then bringing back soldiers to her home continent so she can wage war again - while she is definitely a war mongerer she has good intentions. Daenerys for all of her faults, genuinely wants to break the chains and help out people.

I think Azula definitely sees herself as the hero for winning the war for the fire nation's sake, but she's completely uncritical of her own culture and she doesn't really have the good intentions that Dany has. She does it more out of a sense of duty, and her belief of divine right, not because she wants to break people free.

Daenerys's problem is that she doesn't understand the culture she's invading and the complicated world she lives in and despite all good intentions, is as I described above, invading a foreign power so she can go back and wage a war to reclaim the throne. Even if Daenerys would then proceed to go on to be the bestest queen ever that wouldn't change the fact her methods to get to the throne were incredibly violent, and she's sort of failing to break free from the cycle that led the Targeryen rule to fail in the first place.

Azula's problem is she sees herself as the hero and is therefore uncritical of fire nation values. She doesn't have any nobler intentions either other than service to her country, she just like Zuko is just trying to fulfill her duties as daughter and believe her birthright puts her above others. (I mean Dany does too but digressing).

Azula's more of a tragic villain who plays the antagonist role in the story, Danerys is one of the three heroes. However, she's more of a tragic villain in the sense that she's first season zuko pre character development just way more competent.

However, while Daenerys is a much more heroic character than Azula, here's the thing. I still think she's going to die. She is foreshadowed pretty heavily to die, and fail for her quest for the throne, because her entire story is a deconstruction of the warrior princess and the liberator archetype.

However, the story that GRRM is building throughout his books with Dany as an incredibly flawed heroine is different from what we got in the show, which was Daenerys going crazy and starting to murder people. That's because Daenerys turn to darkness wasn't about her character at all, it was just making her into a plot device to move their bad idea for a plot forward. That's why the turn is so unnatural and makes little sense with her character, that's why it's so rushed.

That's also why it's ableist, because it's using mental illness as a plot device to make a character unsympathetic and monstrous and give the other characters a reason to put them down.

The same for Azula, outside of one scene where he's talking to her mother, Azula's mental illness manifests in her screaming, maniacally laughing, looking like the joker did her makeup, and her instability also makes her violent and dangerous to be around. (Ignoring the fact that most people who experience delusions in real life are harmless, and more likely to be the victims of violence).

Her sudden mental illness isn't even used to make her more sympathetic in say Zuko's eyes and make him realize she's a victim, no it's just there to nerf her so she can be violently put down. The way she's drawn, the way she acts, it's to paint her as monstrous as possible. Her last action is like sobbing and screaming while being drawn as ugly as possible. She's not even given a small hope for recovery, because it just ends there. That's a pretty great message to send people that experience delusions, not only will you not recover or be shown sympathy, you'll also get sent to a mental asylum for the rest of your life. The choice for both Azula and Dany is not to portray any kind of mental illness in a respectful way, but to make a plot point happen.

As I said I expect Dany to die in the books, but there's a difference between dying as a tragic hero succumbing to your flaws but still having your good intentions acknowledged and just turning into a villain for no reason and being put down like a rabid dog.

(This is a quote I stole from a Shigaraki post but): "Why does she need to be put down in the first place, she has trauma, not rabies."

The problem isn't bad thing happened to my favorite character, the problem with the ending is it doesn't take Dany's setup into consideration.

Stealing from @hamliet again:

The thing about tragedies is that you have to manage expectations and clearly show that your tragic hero is doomed from the very early on–ie you have to show them making steadily worse and worse decisions (see: Eren Jaeger in SnK), if not directly tell your audience at the very beginning that this is a tragic story (ie see Greek choruses and Shakespeare, the prequels from Star Wars because everyone knows Anakin is Vader–plus I’d argue Anakin’s arc only works because we know he comes back to the light in the end. Audiences don’t like reversing on set up/undoing structure. To make Dany a tragic villain is to go against the structure of her arc in both show and book. That’s why people don’t like it, even if the books makes it seem more believable.

Kate then goes onto describe a character that's much more comparable to Azula's. Honestly Arianne is closer to Azula than Daenerys is.

You know who is set up as a tragic heroine destined to descend and die because of her flaws in the books, whose arc has almost certainly been combined with Dany’s in some sense in the show? Arianne Martell. (and another character known as f!Aegon) In the books, Arianne is incredibly ambitious, and especially resents her brother and his quest for power. Like Margaery (another tragic character), Arianne seeks power and is intelligent and manipulative in her quest for it. But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising. Arianne, as her chapters hint, is going to almost certainly marry f!Aegon, playing with fire, and die burning for it. Arianne’s grasping for her own power is never portrayed as cruel or stupid like the main human villain (Cersei); on the contrary, we empathize with a girl who truly cares about her people, but resents her father’s preferential treatment towards her brother. That’s the difference between Arianne and Cersei: Arianne cares. She is not cruel. But her pride is still going to get her killed.

There's a lot of game of throne females you could compare Azula to because GOT is full of queens, but like. Azula may be a tragic villain firmly on the side of the antagonists but she's not Cerseie. She's not queen, she doesn't wield the power that Cersei wields. In fact one of Azula's downfalls is finding out she doesn't have as much power as she thought she had, and ultimately was just a tool of her fathers.

She's not Rhaenyra or Alicent, because yes she may be grabbing for power but her character isn't affected by misogyny. Because once again, the writers simply didn't think about misogyny except for a really surface level "girls can be just as strong as boys" way so we really have no idea how women are seen in the fire nation. The show doesn't really explore if being a woman makes things harder, or makes people treat her differently than Zuko because the writers just didn't consider Azula's perspcetive on that matter.

Azula is alike to Danaerys in several ways, but as I said I think her ultimate end comes from Azula understimating her own importance in her father's eyes, and quickly realizing when her father is her only family left she never had his love or loyalty in the first place.

But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising.

Azula's most famous quote is about how Long Feng isn't even a player, only to find out her father considered her a pawn from the beginning and be broken by the revelation.

The difference being of course that Avatar is not Game of Thrones and it won't even kill the evil fascist dictator so it doesn't make a lot of sense to hand Azula the ending that Arianne got. They have the same fatal flaw.

Anyway, I made this big post but I can explain why Azula's tragic ending down't work in one sentence.

AVATAR THE LAST AIRBENDER IS NOT A TRAGEDY.

Maybe the reason Azula should get redeemed is because THE SHOW IS ABOUT F&%CKING REDEMPTION.

#bnha meta #mha meta #atla meta #azula meta #azula #princess azula #dabi #toya todoroki #shoto todoroki #azula redemption

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saraswritingtipps · 1 day

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Deepening Conflict or Disdain Between Characters:

"You've become everything you once hated."

"Was your conscience ever a part of our friendship?"

"Go ahead, keep pretending everything's fine."

"This isn't just a mistake; it's who you are."

"How do you sleep at night knowing what you've done?"

"You've taken everything from me; what more do you want?"

"You're not the victim here, no matter how much you play the part."

"Our so-called friendship was a convenience, nothing more."

"I've outgrown you and this toxic drama."

"You never understood me, and you never will."

"That's the problem—you think you're above it all."

"You're not sorry for hurting me, you're sorry you got caught."

"I used to defend you; now I see I was defending a lie."

"We're done here. There's nothing left to salvage."

"It's too late for apologies, you've shown your true colors."

#writing #writer on tumblr #writerscommunity #writing tips #character development #writing advice #oc character #writing help #creative writing #writing dialogue #dialogue prompt

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justcallmesakira · 3 days

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"𝑰𝒔 𝒎𝒚 𝒉𝒐𝒏𝒆𝒚 𝒃𝒖𝒏𝒏𝒚 𝒔𝒊𝒄𝒌?"

summary: just my favourite characters taking care of reader when shes sick

genre: hurt to comfort, full fluff

warnings: reader has a personality similar to me!, fem reader, nothing else, double suicide joke on dazai, silly pedo joke on fyodor

a/n: guys please I am so sick right now I feel sohdghdgdhd if only there was someone who could send me some sakilai selfship stuff/j

"nikolaiiiii" you whine from your bed eyes too teary to reach out wherever he is.

"Ah, my dove, I am coming right now" he shouts from outside of your room running in with a packed box of soup.

Unfortunately because of nikolais amazing cooking skills he failed to make a simple cup of soup. So he decided to order from takeout.And that soup is the food you need to eat right now.

"feed me please..." you state when he placed the bowl of soup and sat down next to you."Dove i think you can feed yous-" you only sniffed and looked at him with teary eyes which instantly made a certain feeling of guilt rise up in his stomach.

"fine then. Guess I will have to take care of my lovely crybaby girlfriend!" nikolai jokes before using taking off his gloves using his teeth and putting them aside, which you always considered a very handsome and hot thing for him to do.

His bare hands pick up the spoon full of soup and vegetables and gently slides it into you mouth, as fragile like a glass doll.

"Also I am not a crybaby! It was an act for you to feed me" you puff to which gogol gasps a bit too dramatically "you pesky silly! Come here daddy's going to punish you kittem" he jokingly says putting the bowl of soup on the bed side.

"HELP nikolai that is not funny! Stop THAT IS NOT FUNNY AT ALL. I am sick!!" you cry out getting out of his way which fails as he lunges towards you and holds you in his grasp

"I was joking! Calm down (name) I just want to hug your germs away." "Those germs will hug you back but okay!"

You sneakily crept up to the fridge before opening it, looking for a tub of icecream before finding it instantly. You reach out to grab it but before your hand can get any closer a hand slams the door shut.

You don't turn around to the figure behind you and swallow a spit, scared of the man's creepy and menacing smile from behind you.

"Now now, isn't my dear supposed to be in bed resting? So I wonder who this woman here is" his sarcastic voice rings in your ears as you slowly turn around.

"Fedya hahaha what are you doing here ahaha aren't you supposed to work?" you nervosuly laugh before you start coughing again, more ferocious this time.

His cruel and irritated shade hovering his eyes become more soft and tendor as he picked you up over his shoulders like a pack of potatoes and carried you to the bedroom.

"Fyodor? Since when did you become s-augh augh strong-?" you asked clearly shocked at his sudden romantic move.

"Say that again I am giving medieval style treatment." "WH- wait how do you know medieval tre--"

Before you could finish your sentence, he throws you on the bed in the gentlest way before sitting down next to you and grabbing a medicine.

"please tell me it's not those swallow pills. I hate them like you everyone in Yokohama hates you" you pout but he only glares at you for a second.

"I mean- I love you hahaha, you know" you laugh it off and look at his nail bitten fingers elegantly take the spoon of the liquid and holds it up to you lips.

"ew that looks like pink vomit" you get away from the spoon infront of you. "(name) I didn't ditch my work for this, it feels like I am taking care of a child rather then my significant other."

"you do know you will counted as a pedophile if i am a child right" you teas him, grinning trying to make him forget about the medicine.

"(name)" his voice is colder than your cold and you only look at him with puppy glistening eyes. "can.. can you feed me with you mouth? a sickly kiss?" you ask innocently.

"you are already sick fedya, please?" he only sighs at your statement, knowing it's stupid and silly to argue with you.

He takes the medicine in his mouth and pulls you closer to push it in. It tastes bitter, but his lips make it sweet. It only lasts a moment but cures the starving feeling in your heart.

He pulls away as you swallow the liquid before tucking your self under the covers and giggling like a school girl.

"sigh,,,please don't eat anything cold, your sickness will only worsen. Take your pills daily and I will send some chocolates later, okay? Don't be too much of a hassle"

"Bellllaaaaaa, i got you your favourite food!" his voice soothes out like a lullaby to your ears as you rise up from your bed and rush towards him.

"zai-zai!" But before you could say anything your head starts spinning and everything seems dizzy.

He keeps the bag of food on the table before rushing to catch you. "WOAH bella, can't have you spinning to death now can we! You told me if you had to die you wanted to die with me! Together"

He says picking you up bridal style and laughing at the swirls in your eyes. "i am here feeling like I just hot down from some Rollercoaster and your here joking? I swear to god dazai this is why you can't pull hoes"

"why would you say that bella? You pull germs" he pouts like a child but was probably smirking inside at his cheeky remark.

"You little manwh-" "shhh lets eat soem chocolate cheesecake shall we?" he places you on the side of your bed and brings the packets of cakes and slowly lays it down infront of you.

You sick and tired looking eyes glow up. "I want the cheesecake!" you announce to him as dazai laughs before opening the packet and taking a spoonful of the desert before motioning you to open your mouth.

He feeds you it whole slowly, which you only giggle "i didnt new yuo weer so living, dezai" you mumble chewing on the contents.

"finish your food first bella, then you can compliment your amazing BOYFRIEND HAHAHA" he laughs before getting up to clear up the packets.

While he does that you snuggle up to your bed before coughing for a while. "come join me, love" you motion him which your boyfriend does as he lays himself next to you

"Oh my bella, I hope you get well soon I can't wait to kiss you and hug you and maybe even fall off the bridge with you!"

You moved away from the camera turning on the record button and started dancing to the choreography of 'detention' by melanie martinez which by the way you should actually check out.

However as you were swifting your movements according to the dance you heard a Click and ran to you bed, but you only had a second to choose a sleep position before yosano can come.

"(name) I am not that stupid." she opens the door to enter the room as she looks at your pretend sleeping position.

"You can just dance hystericaly while you have a bad cold and have iron cells lesser than than the literacy rate in japan" your girlfriends scolding hits you hard so you decided to get up, what's the point.

"As much as i wish i could see more of you dancing" she continues, "You need to get better for it, I dont want you fainting once again like yesterday.

"who knew you could joke" you whine out. Yosano takes a chair and takes a place beside you. "I am not that serious, love. Now let me check your fever."

She takes off her gloves and presses her hand on your forehead. "Hmm, you have long way to fully recover" her voice is much softer than when she was scolding you.

"huhhh, that's not fair...i dont want to be bedridden for soooo long :(" your eyes start looking teary again, nose red from the heavy coughing from when she was taking care of you last night.

she sighs, "awhh my baby, there there. This is why I told you to take the medicines. But you didn't listen did you" you look up to her eyes glossy like a child who needs to be cared.

She kisses your forehead before getting up.

"I wish I could kiss your cold away however it won't work like that instead I will cook you your favourite chicken soup for you okay?"

a/n: man i hate my hoarse throat aughhhh I want fedya to take care of me rn *cough cough*

Divider crds: @anitalenia go check her blog NOW

Tags: @little-miss-chaoss @terururuko @inojuuy @biscuits-tragic-diner

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noveauskull · 3 days

Note

Hellooo, I am am in love and obsessed with the way you write wuwa men 😍😍

May I request Wuwa Men with a reader who's a bit of a cumslut and could not wait until they're back home to get their fill?

How WUWA MEN Deal With You When You're Impatient (NSFW)

-----

characters: geshu lin, jiyan, mortefi, yuanwu, aalto, calcharo, scar x reader

warnings: 18+, smut, overstimulation, penstration (piv), spanking, fingering, oral (f! receiving), cockwarming, tit groping, hickeys, pleasure dom yuanwu

GESHU LIN:

You'd send him photos of yourself and texts saying how wet and desperate you were for him to get home. Knowing fully well he hates it when you get him riled up when he isn't even around you right now, but that just makes you more excited cause it means that he'll fuck you even more harsher than usual.

And that he does. You'd hear someone ringing the doorbell frantically, not letting a single ring finish before another one comes, and you wouldn't help but grin when you open the door, seeing Geshu Lin panting with sweat on his forehead, his tie loose and the coat of his suit on his arm.

"Strip. Now."

He'd make you cum for hours and hours on end, all the pent up stress he had from work would be pummeling into your soaking wet gaping hole. His cum filling you to the brim, and your ass red from all the spanks he's been giving you for disturbing his work.

"You're such a dirty slut. I'll fuck a week's worth into you so that you won't disturb me again"

-----

MORTEFI:

When you send Mortefi text messages of how needy you were, he'd reply with a simple "Don't worry, I'll be home soon so hold on, okay?", and that'd make you so frustrated cause you need him now, yet his best responses were so calm and collected.

However that's what his texts looked like, it turns out that when you're finally on the bed with him, his cock is drilling into you nonstop. You could barely gasp for air when he keeps going, no matter how much you try to grip onto him or the bed for support you're going to end up faltering and having tears grow in your eyes from the stimulation.

Even when your hole is completely full of his creamy white cum, he's still fingering you to fish out any orgasms that you had left in you. You'd completely forget that you were the one asking for this in the first place, but its okay, regardless, Mortefi will make sure to keep you satisfied.

"Is this enough? Hm? You want more? Okay, let's keep going then"

-----

JIYAN:

He'd be so embarassed when he receives your texts telling him how badly you needed him, along with a few provocative photos. You knew that he gets hard immediately when he sees you even half naked, so you took that to your own advantage and teased him.

When he comes home, he's dead silent. You'd be the one to give him a hug and to assure you nothing is wrong, he'd hug you back. Only to pick you up and throw you onto the bed before taking off your underwear and spreading your legs open.

He'd mumble in your pussy, telling you how badly he wanted you, it turns out that even though you were the desperate one somehow your energy went to Jiyan from a few texts.

When he gets his fill from your pussy that's when he's removing his belt and pants to shove his cock into you, putting your head on his shoulder to hear your sweet moans with every deep thrust he gives you.

"I'll return you all the love you gave me at work right now, so hold onto me"

-----

SCAR:

Forget about how you got him like that. He's already an hour home early and he's shoving his dick inside you right off the bat, pressing your body onto the couch as he fucks you from behind.

He'd groan at how wet you are, how easily your pussy could take him since you prepared yourself before hand. His hands gripping onto your hips as he forces you to take every thrust he gives you without holding back even for a second.

His hand would grip your chin, forcing you to look at him as he gives you a hungry kiss, his tongue twisting and sucking onto your mouth like he's a man starving for food, his other hand gripping and groping your breasts at the same time.

Scar would try to merge his body into yours, he wants to be one with you forever. And you bet he's keeping his dick inside you when you two are done until tomorrow morning.

"You're so naughty, at this rate I should get paid for fucking you as well"

-----

CALCHARO:

Calcharo did tell you that if you wanted him home early all you could do was leave a text, but sometimes you like to text a bit more than he asks you to.

So when he comes home he's staring at you with dark eyes, his hands moving before his brain as he runs his hands around you, leaning close to your ears to whisper at you.

"You're such a slut"

He'll say that, but you can tell you got him desperate too, the way he fucks your hole as it grips onto his cock, the way his precum leaks out of your hole as it mixes in with your juices, you know that despite him being tired from work, he still has stored up energy to fuck you until you're satisfied.

"Give me one more, didn't you want this?"

-----

AALTO:

He probably already relieved himself in the office, since it'd be troublesome if he walked around with a hard-on at work. But that doesn't mean he won't keep going for you when he's back home.

At first he'd fuck you because you wanted it, and he'll make sure he's doing a top tier job. That's until he goes pussy drunk of course. He'll lose control over the way your cunt tightens around him when he presses the right spots.

He loves the way your eyes would roll back each time he grinds on you, and he'll even give you marks so that when they fade away to the point of being unintelligible, that's when he'll know that you need more of his loving.

"I love it when you tell me how much you need me babe, do it more, tell me how much you need me again"

-----

YUANWU:

When he gets your texts telling him how much you needed him it makes him smile. You're so cute the way you beg him to hurry up and come home, and he will come home, with a sweet smile as he pats your head when you hug him so tight.

Whatever you ask for he'll do it. You want him to fuck your cunt loose? He'll do it. Want him to eat you out until you can't squirt? He'll do it. Want to suck his cock dry? He'll let you do it.

He believes in satisfying you before himself, and to him, he thinks that if you still need to ask him for more sex, then that means he hasn't been giving you enough.

"What else do you need? Don't be shy, I'll help relieve you until you're satisfied"

-----

A/N: Ty for the fun request anon!! hope you liked it!

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bonefall · 2 days

Note

The warriors fandom for years: Isn't it fucked how ableist the writing is? And how there's like, no canon queer characters? =(

The writers, accidentally stumbling into incest:

The fandom: Lol, she's gonna have so many fucking defects. Ableism? Intersexism? Sorry never heard of her babes ♡

It sure is

interesting

the way that suddenly it is acceptable to make jokes about ickygross deformed babies when the child is a product of incest. As if the child has any control at all over the circumstances of their birth. Like it makes it OK and funny to mock someone's health and appearance if it's from something that invokes disgust.

almost like they find it funny because the child "deserved" being born this way for being produced from something vile.

It's just so obviously shitty to me it's hard to put into words. People are capable of recognizing it for ANY other disabled person but not for this. Not the minute the target is "acceptable." I thought we left shit like Dorkly's Inbred Yoshi back in the 2010s, because we realized it was fucking shitty. But no. It's still going on.

#It's giving voldemort energy #Would you make these same jokes against someone who was born of rape??#Are you JK ROWLING???#Also I hope that everyone understands a major reason I'm fucking fuming is because I have seen multiple people calling for Moonpaw's DEATH #of 'inbreeding complications'!!!#Like what the FUCK #mooncourse

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beomnoullistheorem · 3 days

Text

SO KI-KISSABLE!

*꒰ 뭐 ꒱ Non-idol AU — Boyfie!Yeonjun × Girlfie!AFAB!Reader

*꒰ 뭐 ꒱ Appetizer — You can't kiss your boyfriend without him teasing the life out of you even when he is asleep.

*꒰ 뭐 ꒱ Disclaimer — This is PURE FICTION : Nothing in this work aligns with the idols' character, moral and their real life. The characters are all legal adults ( 18+ ) and everything happening around & to them is entirely consensual. Readers are humbly advised to read the Contains and Disclaimer before they read.

*꒰ 뭐 ꒱ Word Count — 2.3k+ (bye)

*꒰ 뭐 ꒱ Contains — FLUFF, minor friendly! kisses (my obsession with kisses and his lips at peak), a little of flashbacks, hyper reader ig, soft Yeonjun, flirty yeonjun, and of course as title says— a lots of kisses, banter in the end ig, a little cuddling and kissing almost taking turns to make out(?)

*꒰ 뭐 ꒱ Noulli's Note — as a proof I am alive and this thought randomly mushroomed when I was about to sleep so boom! I had fun writing this really, I'm the one who complains writing is harder than physics but this one changed my mind~ my first full-fldeged intended fluff, hope you all like it <3

Uh well. I wrote this in sheer brainrot (the quickest fic I have ever worked on in less than 24 hours) I'm too scared but Idk why. The ending is again half-assed (T^T)

Your eyelids flutter open when sunlight directly slaps you in face at dawn, groaning and cursing at the sun to- "lower your brightness, sun!" It is the best night you have ever had and sun can't be so cruel to cock-block it so soon, it is your first night (actually morning) with him, afterall.

The rods in your eyes can barely contain the light seeming to flash into your eyes. You await some kind of butterflies or birds to fly over in your room and spread the curtains like in the Cinderella.

...

Well no birds or flies seem interested in closing curtains for you, the fact still not settling in your morning head.

"Ugh, wish I was Cinderella.."

Your mind surely is taking time to yet work, until you deduce that no one is gonna block the sunlight for you. To avoid yourself of the struggle you turn to other side, to your boyfriend for almost two weeks now, the best and the only blessing in your life.

He is also the tease master who has given you heart attacks last night with his cheeky lines and cuddles.

Yeonjun is made to cherish his beloved with everything in his will and ability— his actions especially servicing and romantic to his sweetheart (aka you (me too)), he knows exactly when and how easily to trigger your heart and have you burst into a reaction bomb of squeals.

It isn't that you're passive in love, your hyper reactions just swell his heart and motivate him in a way that he feels worthy to have you. Hence, teasing you is his side profession in your relationship where he takes a fine a share of delight in it.

It is not your first time to have fallen in love, yet your heart is explosive at any of the things Yeonjun does to you: from the little carding of hairstrands behind your ears to soft kisses, anywhere, on you. And he loves that about you, almost exploding into your squeals and laughter that he is all heart eyes to binge watch.

As if kissing the back of your hands as a pledge to treasure you forever had not robbed you off the ability to speak when Yeonjun asked you, "will you be my girlfriend, darling?" Your heart had almost combusted out at the soft touch of his lips, for almost a second your hands wished to be glued there, at his mouth. It had taken minutes for you to say yes.

The first kiss wasn't as embarrassing as establishing your relationship — his lips saying hi to yours for the first time was something really soft. His lips were more plushy than the plushies themselves, so plump, so sweet and so wide— capturing yours into his lips was so natural, it felt like once in, never out.

It had you wanting to continue for long, your lips finding home onto his. Hardly letting him pull off of your lips, you had him breathless then and everytime you kissed him. He has consumed you wholly since then — from the thought beginning your day to the ones ending it, he has become your everything.

Yeonjun certainly does own your heart rentfree, but his lips swarm the whole of it.

Developing a soft spot for his lips can't really let you miss this sight when you turn to him: he is facing you; deep in slumber while his hands seem lonely, resting on the mattress with nothing to grope on or drape around; his lips plumped as if they already aren't and his closed eyes with his pretty lashes painting their shadows at under eye.

Yeonjun is cute, his feather like lineaments to always doted on, but this is... something else.. a sleepy frame so adorned with beautiful hair ornamenting his glowing face resembling a sparkly water under sunset. The tiniest features on his face meet the light, the smallest of minute acne on his cheeks, facial hair highlighted, his adam's apple and collar bone glimmering along his face, he looks so extraordinarily gorgeous.

Your heart is doing gymnastics with excitement at max, your lazy sleepiness immediately whooshing away at the sight your eyes refuse to blink at.

How is he so beautiful, and why- mine? are the thoughts beatboxing at perfect sync with your pounding heart, the said beat drumming in your own ears to blur out the noises of chirping sparrows and beeping traffic down your building.

You are zoned out in him, your eyes seeming to photograph all his beauty into your memory, your cognizance capturing every little detail at its finest bit by bit. You don't even seem to have the mind to grab your phone under the pillow & actually photograph it, when your eyes now discover his rosy lips.

Are there rose petals under the skin of his lips? you mindlessly wonder when your hands work faster than your impulses do and trace his lips but you retract. You can't touch him so he wakes up and barely give you any chance to adore him peacefully by flirting the hearts out of you. He is so mesmerizing, everything blurs around him, forming an enhanced portrait of him.

"He is.. so ki-kissable!" A little squeal already escapes your mouth before you could even process it and you turn away, calming your palpitations almost bursting out those not-so little squeals and laughters of excitement which will waken him, undoubtedly.

Palming at your heart, almost strangling your chest and exhaling as noiselessly as you could, you face him again, hoping you'd relax but your cheeks are the best place for crimson tints to happily color at, in these moments with your boyfriend.

His plumpy lips are glossed by sunlight, urging you from the cores of core with alarms "kiss him!", again & again banging in your head. Your gulp your saliva down, your lips eventually feeling tingly all of a sudden now that you're close to his face, in the blink of an eye.

At such proximity, his little snores backed up by his soft raspy voice isn't missed by your sensitive ears, saving it all to your memory.

It seems like you can't find any peace from your insides so you plant your lips at his, your eyes closing shut and your heartbeat exploding yet calm enough to let you savor this moment, stealing a soft kiss from your sleepy boyfriend who is so gorgeous bathed in the rays of dawn.

His pout perfectly houses your lips, you're now lost in its touch stirring so much bliss inside. It is the way you're bewitched with just his soul, his existence, flush & explode at his flirtings, gladly let him rule and reside in your heart.. you would actually admit that he has you wrapped around his finger (but never to him).

Seconds do not hesitate to turn into minutes, yet you're slow as ever, kissing him as if the time in the world is all yours, hands already toying with his hair. You pull back in realization, getting touchy will out your mischief. You glance at him, he is still unfazed. He must be sleepless from the way you've entertained him with your puny attempts to flirt back till midnight.

His snores are still ringing in your ears with his warm breath fanning your face. You are still inable to actually turn away and wake up when you're swamped adoring his little features like the way his mole at his cheekbone sinks into the pillow the more he curls into himself in sleep, or the way he has no idea you've kissed him like that and sleeping like a cute duck.

The fact once again immersing you in your profession of staring holes into your boyfriend in adoration. So immersed that you don't really observe his smirking lips.

"No more kisses, angel?"

With Widened eyes, an audible gasp, you're turning away in an audible, flamboyant(-ly uncool) manner – entertaining that tease of a cunning fox who was awake all this time. So flushed and barely able to utter, you turn your back at him.

"Y-You weren't sleeping all this time, jjunie!?" You no longer have any idea if you're accusing him or actually questioning him.

"You kiss so good that sleeping felt wrong." His slender fingers drape around your arm and already begin to turn you back to face him, while you're resisting with all your might to hide your flushed face and your poor self, suffering with a mini heart attack again.

"So pretending to be asleep felt good?" You finally croak out, your voice barely audible. You feel so embarrassed, he has been awake this time, drinking in all your messy features and your puny mischief of trying to kiss him— no, kissing him.

"You were kissing so good assuming I was asleep," he rasps softly, laughing in the end. "Of course that felt good."

"I'll feel better if you kiss me again, by the way," he whines with groggy voice sounding utterly awful to you. How is he still so good at teasing you so early in the morning?

"..."

"Oh come on, now! kiss me more!"

You've almost begun to shed your remorses to have taken advantage of your boyfriend like that before he has 'no more kisses, angel?'-ed you & your heart almost popped out at his sudden rise at your kiss.

Yet his whines are a little too adorable, you wish to listen to them more even with that little pang of regret to have him whine like that when you're the one who has begun this. He is acting so entitled, that just encourages you to tease him more.

Hiding your laughter at his whines is a little tedious when he is already wriggling you with his super strength already, shaking you vigorously to have you facing him.

After a few more struggles, he successfully faces you to him, you still refusing to look him in his eyes to hide your smiling face. Not that he is able to open his eyes as wide as an owl in the sunlight, yet he still doesn't stop his little groans and whines that you don't look at him.

"That was the best good morning I've ever gotten and you're refusing to give me more of it?" His fingertips play at your lips which you instantly slap away earning a lazy 'ow!' from him.

Even after waking up where our system takes a tad bit of time function well, Yeonjun really does awaken the butterflies in your tummy with his witty way of titling your mischief with the 'best good morning' right after he has awakened.

That feels really good to listen, your heart and you in sync with simping thoughts.

"Please, Baby? Kiss me again?" He pouts now, voluntarily, plumping his lower lip up in dramatic sadness as he looks down. You can't contain your laugh until you pull him in a kiss again. Smiling as a kid who's gotten his candies as he asked, it is rather Yeonjun taking it to a further step.

Yeonjun is already so into kissing you, his lips now playing at yours, brushing at them ever so softly that it tickles on yours lips. Your hands relax on his nape while he takes the charge, hovering over you and relishing on every corner of your lips.

He is so adept with these skills, that simple nibble of his lips on yours could have you weakened from head to toe, all pliant for his lips traversing from your cheeks to your jaw. He is so perfect on top of you, lacing his fingers with yours and showering so many giggly smooches at your neck. Purposely he traces a little of his teeth on your neck, earning breathy gasps and praises from your honeyed voice.

His lips are never chapped, thanks to you always kissing and biting onto them, softening them from time to time. The said lips begin tickling and marking your jaw with marks that blush at his lips.

You face him towards you again, your lips are already missing his playful smooches. Kissing him is so different to him kissing you, the feel so playful and so.. good. It is normal to crave more at this point but to actually cuddle your lips with his, yet he doesn't let you think of anything.

His kisses so teasing that they feel so not enough yet too good to stop. It is when you think you can collide in his lips more, parting them for him to prod inside, he parts away displaying his swollen lips.

You shoot him a 'why did you stop' look with your half-lidded, kiss-needy eyes, until he opens his mouth. Uttering the most annoying words ever, and ruining the mood as the yeonjun-usual of today.

"Should brush, you stink."

Seconds before there were lovey-dovey flowers budding and blooming inside of you but now it feels like your boiler could burst at any second at his words, your shyness and a little embarrassment already craving you with the sheer desire to be swallowed by the bed monster.

Rosy tinges on your face fade with the smile containing raging volcano forms on your face, your nerves popping a little and asking him to say that again, which he does so, again, plopping beside on the bed, with a smirk dancing on his face.

"You need to brush, angel~" stressing on the need to brush and adding a taunting tone at the angel to mock you, he sighs at you. "You stink."

"As if you smell like flowers," you scoff at him, counting down to 10 to calm your boiler. "Who wants to kiss your inflated stinky lips? they're too bad to taste."

Yeonjun observes you pouting your lips and cursing at him as you get off of the bed and fold the blankets, throwing so many scolding at his face at every lock of your eyes with his. It is that same hearty smile that forms on his lips when he watches you with heart eyes.

"You. You can't seem to let go of my lips," he proudly boasts at your soft spot for his lips. He is spot on with his come-back, so true that you almost give in admit defeat.

Damn fox, so kissable and so annoyingly right.

"Brush," he demands concealing his laughter. "Will you, with me?"

"YeAh."

I ain't kissing him for the rest of my life, you rage inside.

"After breakfast let's make out, love."

"Okie."

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nervouseden · 2 days

Text

God Among Men.

Pairing: Avenger!Bucky Barnes x GN!Reader

Summary: After a stressful mission, your super soldier boyfriend needs you... This is literal trash. I apologize.

Warnings: SMUT. Brief mention of religious stuff. Worshipping. Misuse of religious terms. Collar and leash (it's really only mentioned like once or twice). Gender neutral reader. Blowjob. Face fucking. Finger sucking. Bucky Barnes (he's a warning). Metal arm (kink). A tad bit of hair pulling. Rough blowjob. Reader isn't the best at communicating. Praise. Some brief degradation. Voice kink (because who couldn't love that sweet baritone?). Brief mention of Shuri and Wakanda. Sir kink. Tears. Choking (from bj). Deep throating. Dom Bucky. Sub reader. Bucky's kinda rough. But also super sweet and concerned. Use of safe signal(?) like a safe word but nonverbal. Brief after care. Loosely Implied fingering/penetration afterwards. Like zero plot. Porn without Plot/Plot? What plot? Mildly dubious consent (not really, but I just want to be safe with my warnings!)

Please comment if you think I missed anything!

A/N: This is like my second or third time writing actual smut, please give me grace— Also I had this idea while sleep deprived and I'm currently stuck in artists/writers block so it's probably not my best work. But, I tried. This was written on my phone and not proofread, so I do apologize for any and all mistakes/typos.

A/N #2: I have absolutely nothing against any religions or religious people, and this is not meant to offend or target anybody in any way, shape, or form!

I do not own any characters mentioned in this story or the gif.

Dividers by @cafekitsune

18+!!! MINORS AND PEARL CLUTCHERS PLEASE DNI!!!

You were never a very religious person, having loose beliefs that you didn't necessarily align with anything specific, and you were fine with that, but that all changed one day, and in the way you least expected it. The day you first hooked up with Sgt. James Buchanan Barnes, or, as you knew him, Bucky, your best friend. You swear that night you might've been to Heaven, or Valhalla, or maybe even reached Nirvana, but whatever it was, it was caused by the super soldier Avenger fucking you into oblivion, with a godly body and otherworldly skills. Not only does he look like some mythical god, but he has the skills and the strength of one too. A god among men.

Bucky is a complicated man; He doesn't talk much, but once you get him going, he could talk to you for hours. He is tall and broad, dark and brooding, with a glare that could kill, but also sweet and soft, caring and considerate, with a smile that makes you weak in the knees... So, when your relationship evolved into something sexual, it wasn't a surprise when his prowess matched his godly looks. His quick wit matched by his skilled tongue. Strong hands matched with his (surprisingly) nimble fingers. He's also a kinky mother fucker.

Today, after Bucky got back from a rough, week long mission, apparently most of the team getting their asses kicked, you found yourself on your knees in front of him, naked, wearing nothing back a black leather collar and a silver chainlink leash, your head resting on his lap as he gently pets your cheek with his flesh hand.

"Doll," Bucky's voice is low, lower than usual, and it sends shockwaves of desire coursing through you, shocking your core.

"Yes, sir?" Your voice is soft, quiet, and shaky, a mix of nervousness, arousal, and hours of teasing from this man, this god, making you weak, your voice a minute version of it's usual sound, making Bucky chuckle.

You look up at him through heavy eyelids, your eyes raking up his body hungrily; He's wearing black sweatpants, no shirt, and you're not entirely sure about boxers. His long hair is tousled, the dark locks resting on his broad shoulders, the otherworldly muscles rippling under his skin covered in scars, his normally bright blue eyes darkened to an almost eerie tungsten blue. He's a literal god. The epitome of divinity.

"You've been so good~" Bucky practically purrs, and you already feel your abdomen tightening. "But not good enough."

Well shit.

You're definitely not getting what you want tonight.

"Talk to me, Kätzchen. Tell me what you're thinkin' about." You hesitate, but you know better than to directly disobey.

"I..." You look down, biting your lip. "I was thinking about you... H-How beautiful you are, James..."

Bucky smirks. This wasn't what he was expecting. "Oh?"

You simply nod. "Do elaborate, Kätzchen." Bucky quirks a brow, and you fight the urge to squirm in embarrassment.

"Y-You..." You sigh, deciding to bite the bullet. What's the worst that could happen? He laughs at you and uses it against you? That'd suck... but it would be a lot worse if you didn't speak. Those are always back. You don't want another spanking...and definitely not the crop. Yeah, no, that'd be bad. Better spit it out.

"You're fuckin' beautiful..." You practically whimper, and Bucky smirks.

"I know you've got more than that, sweetness." Bucky teases, and you know he's right. He's always right... It's unfair. How can a man possibly be so attractive and smart? You're starting to think he might actually be a higher power. "C'mon, doll, don't make me hit it outta ya."

Shit. That's a threat. "You're... You're a god among men, Sir... Divinity in itself... Crafted from the finest of marbles known to man... I want to submit everything I have to you."

Bucky simply smirks.

Uh oh.

"Is that so, Kätzchen?" You swallow hard, nodding, watching his eyes stare into yours with an intensity that could burn you to the ground. Yup. Definitely a god.

"Y-Yes, Sir... I... You are my god, James..." Oops. Normally Bucky doesn't take kindly to being called his name during scenes, but for some reason, he just smirks and lets it slide. That's different.

"I want my body to be your altar, your temple, your church... I am your devotee..." You whisper softly, your voice shaky and almost nervous, scared, although you're unsure what you're scared of.

"Darling..." Bucky growls, his pupils dilated so much you can barely see the ring of blue, his vibranium hand clenching on lap, his breathing picking up, that beautiful, chiseled chest rising and falling faster by the second, sweat starting to bead on his skin... You did that?

"You have such pretty lips, yet such nasty words..."

Bucky's Vibranium hand moves to the back of your neck suddenly, grabbing you by the nape of it, pushing your face into his clothed crotch, allowing you to feel the feverish heat, the wet spot on his sweats, and the rock that is his cock. "I'm not gonna last long if you keep sayin' shit like that, doll."

You whimper. Loudly. Pathetically. Lewdly. What the fuck else are you supposed to do? You just mentally brought THE Sargeant James Barnes to his knees from just a few sentences, you don't know whether to be terrified or proud... But, either way, you're not given much time to decipher how you feel, as Bucky starts to rub the side of your cheek against his strained length, the rough cotton of his sweatpants irritating your sweat shined cheeks.

"You're gonna be a good little devotee. You're gonna listen, you're gonna do as told, and you're gonna take what I give you, like a good cock slut."

Bucky's voice is a deep, dangerous growl, the sound rumbling through his chest, rolling down his abdomen and vibrating through him and into you, shooting electricity through your body, your nerves immediately on fire, your thighs quaking, your mind reeling into the abyss of lust.

"Aren't you, Kätzchen?" Bucky says with a groan, looking at you expectantly, a dark smirk on his face.

"Y-Yes, Sir... I will... I'll b-be good..." You whimper out, look up at him with doe eyes, fighting the urge to look down as he slides his sweatpants to his ankles, tossing them aside.

Bucky gently cups your chin with his vibranium hand, the dark metal shining in the dimly lit room as he puts his thumb against your lips, grinning at the feeling. "Open."

You immediately do as told, parting your lips, slowly swirling your warm tongue around his thumb as he slides the cool metal into your mouth, causing Bucky to groan sorry... It's moments like these when Bucky is most grateful to Shuri for creating touch sensors in the arm, allowing him to feel everything you do to his Vibranium arm... Wakandan technology truly is incredible.

"That's a good little whore..." Bucky groans as he uses his thumb in your mouth to tilt your head down, your eyes widening as they meet the sight of Bucky's cock.

Huh. He wasn't wearing any boxers.

"Let this be your first sacrament, devotee." Bucky chuckled.

Long. Impressive. Intimidating. Yet another reason you're starting to think he might actually be a god. No matter how many times you see it, swallow it, and take it, it's always just as intimidating as the first time. His cock is tall, curving slightly as it goes up, getting redder until it gets to the almost purple tip, your hand barely able to wrap around the girth, one large vein going from the shaft to the tip, where creamy pre-cum is beading. You might as well be salivating...and shaking in fear.

"C'mon, doll, I know you can take it." Bucky purred, wrapping his vibranium hand in your hair, guiding your face to rub against his length. It's almost humiliating. But it's also beyond arousing.

"Yes, sir." You mutter softly, licking your lips, raising your head when Bucky loosens his grip on your hair. You spit on the head of Bucky's cock, causing it to twitch where it stands, before gently wrapping your mouth around the tip, your tongue swirling around the tip, teasing the slit, causing Bucky to groan.

"Your god is losing patience, Kätzchen." Bucky growls, before tightening his vibranium hand in your hair, violently pushing your head down his cock, his length forcefully sliding down your velvety throat, only stopping when your nose is flush with his pelvic bone, groaning as he revels in the feeling, hissing as his head falls back in pleasure. "Shiiiit— So warm, Kätzchen...like fuckin' silk, doll..."

To nobody's surprise, you choke, choke hard, coughing around Bucky's member, who simply enjoys the way your throat constricts when you do so. Tears quickly form, as you try to focus on relaxing your throat and taking deep breaths in through your nose, but are quickly cut off as Bucky pulls your hair back, sliding your mouth off his length before pushing your head back down.

"Fuckin' perfect... gorgeous little devotee..." Bucky groans, starting to roll his hips as he continues to roughly guide your head up and down his cock, face fucking you as you cry and choke. Yup. You definitely fucked up calling him James.

Bucky had been tense since he texted you from the Quinjet, so when he starts to throb in your mouth rather than usual, you're not necessarily surprised, that mission really took a toll on him. You hollow your cheeks, and start gently scraping your teeth against Bucky's length as he continues to thrust into your face, his balls slapping against your chin with every snap of his strong hips.

"That's it, Kätzchen, worship me, your fuckin' god-"

Fuck, you were dizzy.

Your eyes start to roll back, head feeling fuzzy, your body seeming heavier, the restricted intake of oxygen starting to get to you, as more tears fall, but being the absolute bitch you are for Bucky, you're determined to make him cum before taking a breather.

"C'mon, babydoll, I'm so close... Lemme cum in your pretty little mouth... Let me desecrate the perfect altar that is you..." He groans, his hips snapping harder, shuddering at your teeth scraping his skin, only to be soothed by your hollowed cheeks and hot throat.

Your vision was starting to get fuzzy around the edges, but you still didn't communicate your need to breathe... Instead, you move your hands up to cup his heavy balls, massaging them roughly as you suck harder at his length.

That was all it took.

"Fuck!"

Bucky growls, the sound dark and primal, sending jolts of pleasure to your deprived body, his flesh hand joining his vibranium one in your hair, holding you uncomfortably flush to his skin as his cock throbs, pulsing rapidly as rope after rope of hot cum spills down your throat, your hands still massaging his balls as they empty into you, your muscles working overtime to swallow it all... Since being with him, you found that super soldiers have loads like damn fire hydrants. Not that you're complaining. Usually.

"Baby... Ughhh—" You had expected Bucky to pull you off his cock once he finished, but he didn't, instead he held you flat to his pelvis, basking in the feeling of your hot, velvet throat surrounding him, groaning and growling in pleasure.

You couldn't do it. Your vision was completely blurred, tears still falling, your feelings like concrete, sweat pouring down you, your mind fogged like shower glass. You take your right hand, tapping your index, middle, and ring finger on his thigh three consecutive times.

He immediately pulls your head off his length, pulling you up to his lap as you cough and suck in heavy breaths.

"Doll? Doll, are you alright? Did I hurt you?" Bucky asks hurriedly, his vibranium hand holding you close to him and rubbing your back, while his flesh hand gently holds your face. "Darling, can you hear me? Are you okay?"

It takes you a few moments to process his words, as they sounded more like mumbles from underwater at first. But, as your vision cleared, your tears stopped, the fogginess left your mind, and your breathing started regulating, you finally registered his words and nodded yes. "Y-Yeah... I- I'm fine..." You murmur with a raspy voice, your throat scratchy from the rough blowjob.

Bucky sighed in relief, brushing away your tears with his flesh hand, peppering kisses on your face. "Alright..." He didn't sound too convinced, worried he hurt you, but decided to focus on cleaning you up and caring for you.

He grabbed the pack of baby wipes from the table next to the chair you two are on, taking one out, gently wiping your flushed face clean of the saliva, sweat, cum, and tears. He then opened a bottle of water, gently holding it to your lips. "Have some water, baby." He murmurs as he helps you take small sips, putting it down after about ¼ of the bottle is gone.

"There you go, Kätzchen...You did so good, I'm so damn proud of you, love." Bucky praised softly, pulling you closer to his chest and rocking side to side gently.

"Th-Thank you..." You murmur quietly, your voice still a little raspy, as you tuck your head in Bucky's neck, your sweat covered bodies moulding together, as Bucky's flesh hand slowly creeps down to your sex. "Time for your reward."

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