Aside from the fact that 6 pages on these reporters is not what I want to see in the endgame, I'm getting kind of troubled by the message HK is sending - probably totally unintentionally - about the role of the press.
Let's start with the business student, who a couple of chapters ago basically are saying that their job would have been to "damage control" and "spin the narrative" in the favour of the heroes. And specifically mentioning Endeavor which is a whole can of worms in itself.
Since they are studying to be PR managers for the hero firms, I'll let that slide - it would be their real life job to try to protect the image of their bosses regardless of the truth.
But that's not the case for the journalists. When their country gets destroyed in a few hours, in a para-military action that brewed in the shadows, when an entire population is being told to move into emergency shelters and thus, inevitably giving up part of their freedom, it is not their job to sing accolades to the government and the heroes, but to ask the hard questions.
This journalist lady was already used as a "strawman" in the press conference, to make the journalist seem like a hysterical, unreasonable mob, and to give Endeavor the chance to appear noble and sympathetic.
And now, this chapter again makes it seem like she has to "atone" or "undo the damage" because she asked uncomfortable questions instead to putting faith in the heroes.
Sure, she should tell the story - the full story with the heroes still working and fighting.
But I just find it so jarring that again and again, HK is unable to show any kind of nuance when it comes to the civilians or non-hero institutions like the press.
The civilians are blamed for "complacency", "inaction", "apathy" when they are told all their lives that the heroes will take care of it, and more importantly, they are told that the heroes are "others". They are also blamed if they take up arms and try to defend themselves.
They are painted as an ugly unfeeling mob when they question UA after Bakugou's kidnapping. They are painted as irrational after the PLF war had way more civilian casualties and injuries than heroes dying. It was their cities that Machia trampled on.
Any civilian asking questions is treated as a bully, while the only civilians painted sympathetically are the furry fox lady because she believes in Deku and the lady who risks her life to scrub the All Might's statue's manboobs clean and shiny every day.
These are the hero-hearted among the civilians: the people who keep idolizing the heroes unquestioningly.
Idk, balanced reporting is important and all, but the narrative making it seem like the only valid job for the press is to make propaganda videos of the heroes, making everyone who questions what we as readers see as a failed system full of cracks seem like villain makes me feel very uncomfortable about this part of the narrative.
And especially having Endeavor be held up as the hero somehow personally wronged for people asking questions or losing faith in him, when literally we do not see a single person even call him out for what he did to his family, only for losing... man. Idk. This chapter made me deeply uncomfortable, and the less time HK spends on this topic, the better.
I guess the good news is that the press arrived on time to show the villains turn and help the heroes, which will help with post-war society sentiments.
But it is still totally unnecessary to give a "redemption arc" to the lady who yelled at a press conference.
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obviously I don't like the everpresent fic trope of wise and hypercompetent lesbian appears for two seconds to sort out hapless gay boy feelings. however, I do think it gets at something, which is that lesbians fucking love to give advice we are eminently unqualified to give.
so from now on I will only be accepting this trope if the instagram therapyspeak relationship advice is a) objectively wrong and b) coming from a lesbian who is actively ghosting at least two girls while crying about her ex-situationship from 5 years ago. thank you!
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Obsessed with the fact that Crowley is always careful to say “for Satan’s sake” or “where the Heaven” or “for Hell’s sake” rather than anything that might show deference to Heaven, BUT when Aziraphale starts to reject him at the end of episode 6, he’s so distraught that he slips up and says “oh God.”
And by “obsessed,” I mean I’m going to jump out a window
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Distant family
Danny didn't quite know how to feel when his mother asked him if he wanted to go visit his aunt for a few days. He assumed it was his Aunt Alicia but apparently not, which didn't leave him with much of a choice as to who it might be. He wondered if it was safe to leave Amity for so long.
Later, his mother rectified herself by saying she was more of a distant aunt of sorts, which didn't help the halfa's confusion in the least but he ended up agreeing to it. Mainly because Jazz asked him to take a vacation.
That's how he found out his aunt was Wonder Woman, because sure, why not, Aunt Diana seemed to be just as curious about his existence but didn't tie him up in her shiny golden bow so Danny considered it a win.
Apparently his grandmother was an Amazon that left Themyscira after falling in love. His mom had met Diana when she was separated from her homeland as a sort of united group of exiled Amazons.
Danny wondered what that meant for Jazz's future, at least he had a story to tell Pandora, she would be proud of his origins...probably.
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daft punk is actually just the helmets, the guys they were possessing went back to normal frenchmen after they took em off. now the helmets are waiting in a hidden forest glade somewhere in provincial france and when someone puts them on again in the next century it will usher in a new golden age of daft punk
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I think one small and perhaps overlooked moment of foreshadowing that tells you who Joel is at his core is when the pandemic first breaks out, and he, Sarah, and Tommy are in the car, and they have a choice as to whether to stop for the family with the baby. And Joel immediately says no. Tommy says, “They have a kid!” And Joel says, “We have a kid too.” That’s it. No hesitation. No questioning. He has defaulted to protecting the unit in the car. His daughter and his brother. He will not risk their lives. His compassion for strangers, for “doing the right thing”, cannot be appealed to. He’s not torn. He makes the choice of a survivor, and he needs his family to survive because they are his reason for being. This aspect of him follows him everywhere, right down to the very end in the hospital. He couldn’t give two shits about saving humanity/strangers, not in comparison to how much he loves Ellie. “He has a kid too.” And why his kid over anyone else’s?
In the hospital, he gets driven to a more severe degree of remorselessness because he had lost his kid, and he will never, ever let it happen again. He has made it clear: losing a kid means there is no point in living. If he lost a child for a second time, I’m willing to bet he wouldn’t flinch.
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When they first started travelling together Tails would run off and hide somewhere whenever he was scared since he still didn't trust anyone to fully protect him and was still scared that Sonic's kindness may be temporary and that he'd abandon him at some point.
One day, after enough time has passed since Sonic took him in, he finally fully realises that Sonic has fully intended to be his guardian since about 2 seconds after they first met
Not long after a super violent thunderstorm rolls in and Tails runs to Sonic for protection, snuggling into him, hiding his face in the other's chest, whilst Sonic is trying not to vibrate in excitement because holy shit his kid finally trusts him to protect him after so long
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This election day, I'm thinking of my Nana.
I'm thinking of how as a young woman, she fled political violence in her native Colombia to build a new home in a more stable country. I'm thinking about how she lived a long life, but not long enough to see her home country elect its first ever progressive president (just a few months ago!).
Coincidentally, I was living in Colombia at that time (in the very city she grew up in), and I was able to witness what felt like a miracle. A very conservative country, suffering from the violent inheritance of colonization and catholic invasion and the war on drugs, against a backdrop of the dangerous global rise of the far right--this unlikely country managed to elect one of the most progressive heads of state in the world, in 2022. That's a pretty big deal.
And I'm thinking about this, this election day, because that election was won by a very thin margin. I'm thinking about how it almost didn't happen. I'm thinking about how it was only possible thanks to the highest voter turnout in 20 year. And I am thinking about the countless number of voters who chose to vote for the first time. I am thinking of the poorest and most disenfranchised citizens who showed up at the polls. I am thinking of the indigenous women who rode 12 hours on public buses to vote at the 'nearest' polling stations. I am thinking of all the money and corruption that went into preventing minority citizens from voting, and I'm thinking about how they showed up in the millions and voted anyway.
I am thinking that I would like to see a miracle like that in my own home country.
So if you're on the fence about waiting in line today to cast your vote, I hope that you will think--about the country you want to live in, the future you hope will unfold, and about all of the people it takes to make a miracle.
Because history may deem us nameless and faceless, but when we show up en masse, we are the ones who make history happen.
And yes, maybe also spare a thought for my Nana. Who was in fact a very angry and judgemental woman who supported the republican party for 50+ years, and who would be turning in her grave right now (if the family hadn't had her cremated). Think about the mean angry ghost of my Colombian grandmother, who very much wants you to not show up at the polls to support abortion and other sinful progressive values. Think about her. Do it for her. Do it for Nana.
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