#Textile Dyes Exporter | Explore Tumblr Posts and Blogs

textile-chemical-dyes · 11 months

Text

How Textile Chemical Dyes Impact the Environment?

In the vibrant world of fashion and textiles, colors play a pivotal role in capturing our imagination and defining our sense of style. The captivating hues of our garments owe their brilliance to a significant yet often overlooked aspect of the industry: chemical dyes.

These dyes have revolutionized the textile sector, making it possible to produce a wide array of colors and patterns that appeal to consumers' ever-changing tastes. However, amidst this rainbow of possibilities lies a dark truth - the environmental impact of textile chemical dyes.

In this blog, we delve into the consequences of using chemical dyes in textile production and explore sustainable alternatives that can help mitigate the ecological footprint of the fashion industry.

Water Pollution

One of the most significant environmental concerns associated with chemical reactive dyes in textiles is water pollution. Conventional dyeing processes often involve large amounts of water, which is used to rinse and treat fabrics. As a result, vast quantities of chemically-laden wastewater are discharged into rivers and water bodies, contaminating aquatic ecosystems. Many of these dyes are non-biodegradable and can persist in the environment for decades, disrupting the natural balance and threatening the health of aquatic organisms.

Energy Consumption

The process of digital textile sublimation inks requires substantial energy inputs, primarily during the dye application and fixation stages. Traditional dyeing methods may involve high-temperature dye baths and extended processing times, adding to the industry's carbon footprint. The energy-intensive nature of these processes contributes to greenhouse gas emissions, accelerating climate change and its devastating consequences.

Toxic Chemical Exposure

Chemical dyes used in textile auxiliaries manufacturers often contain hazardous substances such as heavy metals, formaldehyde, and volatile organic compounds (VOCs). Not only are these substances harmful to the environment, but they also pose significant health risks to the workers in the textile industry who are exposed to them daily. Moreover, consumers may experience allergic reactions and skin irritations when in contact with garments containing residual dye chemicals.

Biodiversity and Land Contamination

When dye wastewater finds its way into the soil, it can have severe consequences for terrestrial ecosystems. The toxic substances from the dyes can leach into the soil, affecting soil quality and disrupting the delicate balance of local flora and fauna. Moreover, the disposal of waste from dyeing processes can lead to the accumulation of harmful chemicals in landfills, further exacerbating the environmental impact.

Scarce Resource Consumption

Many chemical dyes rely on non-renewable resources for their production. For instance, some synthetic dyes use petroleum-based derivatives, placing additional strain on dwindling fossil fuel reserves. As these resources become scarcer, the textile industry must find more sustainable alternatives to safeguard the planet's future.

Embracing Sustainable Solutions

As we confront the ecological consequences of chemical dyes, the textile industry is gradually recognizing the urgent need for change. Embracing sustainable solutions can help mitigate the impact of dyes on the environment:

Natural Dyes: Traditional plant-based dyes, such as indigo, turmeric, and madder, offer a biodegradable and eco-friendly alternative. They can be sourced sustainably, reducing the strain on the environment.

Waterless Dyeing Technologies: Innovative technologies, like air dyeing and digital printing, minimize water usage and eliminate the discharge of wastewater, significantly reducing water pollution.

Biodegradable Dyes: Researchers are developing biodegradable dyes that break down naturally over time, circumventing the issue of persistent chemicals in the environment.

Eco-Friendly Dyeing Processes: Manufacturers can adopt low-impact dyeing techniques that consume less energy and minimize toxic chemical usage, ensuring a cleaner and safer environment for all.

The use of chemical dyes offers by textile printing ink exporter in the textile industry has undoubtedly made fashion more colourful and accessible. However, this innovation comes at a high cost to our environment. From water pollution to biodiversity loss, the impact of chemical dyes on the planet is far-reaching.

To ensure a sustainable future, it is imperative for the industry to embrace eco-friendly alternatives and implement responsible dyeing practices. By taking steps towards a more environmentally conscious approach, we can paint a brighter, greener canvas for the fashion world, where creativity and conscience coexist harmoniously.

#Textile Dyes Exporter #Textile Dyes Manufacturers #Textile Dyes Manufacturers in India #Digital Textile Reactive Inks #Digital Textile Printing Ink Manufacturer #Digital Textile Printing Ink Exporters #Textile Printing Ink Exporter #Digital Textile Sublimation Inks #Textile Auxiliaries Manufacturers #Textile Auxiliaries Exporter #Reactive Dyes Manufacturer #Reactive Dyes Exporter #Reactive Dyes Manufacturer in India #Textile Chemical Dyes

0 notes

colourinn · 2 months

Text

Textile auxiliaries manufacturer in India

Colourinn Auxiliary is a leading dyes and auxiliaries manufacturing company founded in the year of 1983. Colourinn is an ISO:2015 certified textile chemicals supplier company known for its amazing products and wonderful services. Since Colourinn is a textile chemical manufacturer, it has everything you need for your textiles. Growing as the best textile chemicals manufacturer around the world is all the result of the hard work of our team and the continuous efforts we all have invested.

Visit : https://www.colourinn.in/

#textile auxiliaries #textile dyes auxiliaries #textile dyes manufacturers #reactive dyes manufacturers #textile finishing chemicals #reactive dyes #Industrial dye #Textile auxiliaries manufacturer in India #Textile auxilaries exporter in India #Textile auxiliaries suppliers in India #dyes exporter #dyes suppliers

0 notes

srisakthitex · 5 months

Text

Dress for Success: Sustainable Fashion Tips for the Modern Workforce with Sri Shakthi Tex

In today’s dynamic and eco-conscious world, dressing for the office isn’t just about looking professional — it’s also about making ethical and sustainable choices. Sri Shakthi Tex, a leading manufacturer of quality textiles in Erode, offers a stunning range of natural fabrics that are perfect for creating chic and comfortable workwear ensembles.

So, ditch the bland, synthetic suits and embrace the power of conscious fashion! Here are some sustainable style tips to help you achieve a polished and professional look while feeling confident and comfortable all day long:

1. Embrace the Versatility of Natural Fabrics:

Sri Shakthi Tex offers a treasure trove of breathable and eco-friendly fabrics like organic cotton, linen, and rayon. These natural fibers not only drape beautifully but also keep you cool and comfortable throughout the workday.

2. Play with Prints and Patterns:

Subtle prints and textures can add visual interest to your outfit without compromising professionalism. Sri Shakthi Tex boasts a collection of exquisite prints inspired by nature and Indian heritage, perfect for making a statement without going overboard.

3. Invest in Classic Staples:

Build your workwear wardrobe with versatile pieces that can be easily mixed and matched. A crisp white shirt, a well-fitted blazer, and tailored trousers from Sri Shakthi Tex can be adapted to create countless professional looks.

4. Accessorize Wisely:

The right accessories can elevate your outfit and add a touch of personality. Opt for simple yet elegant jewelry, a statement scarf, or a sleek leather bag for a polished finish.

5. Comfort is Key:

Remember, you’ll be sitting and moving around throughout the day, so prioritizing comfort is essential. Choose pieces that allow for freedom of movement without compromising on style. Sri Shakthi Tex’s natural fabrics are naturally soft and breathable, ensuring you stay comfortable all day long.

6. Embrace the Ethical Choice:

By choosing sustainable fabrics from Sri Shakthi Tex, you’re not just making a statement about your personal style, you’re also contributing to a healthier planet and fairer working conditions for textile workers. Sri Shakthi Tex is committed to ethical production practices and sustainable sourcing, making them the perfect choice for the conscious consumer.

Conclusion:

Dressing for success in the modern workplace doesn’t have to be boring or unsustainable. With Sri Shakthi Tex’s quality textiles in erode and these styling tips, you can create a professional and polished look that reflects your commitment to both style and sustainability. So step into the office feeling confident and empowered, knowing that you’re making a positive impact on the planet one outfit at a time.

#Textile Manufacturing #Fabric Production #Textile Industry #Quality Fabrics #Yarn Manufacturing #Weaving Services #Knitting Solutions #Fabric Export #Sustainable Textiles #Textile Innovation #Textile Products #Yarn Suppliers #Dyeing and Finishing #Textile Processing #Apparel Fabrics

0 notes

catcheyes-t-shirt · 5 months

Text

Bangladesh World’s Second Largest Textile Manufacturer

Current Scenario of Textile Exports in Bangladesh

The emerging garment manufacturing hub of the world, Bangladesh, is manufacturing 16% of the world's garment needs. In garment manufacturing, it stands second in the world after China, and it has surpassed the growth of the textile industry in India. In the year, this small country has exported garments worth $35.8 billion. In Bangladesh's textile industry, 61% of the exports are directed toward the European Union, and 21% of the total exports are directed toward the United States of America. Bangladesh's sole concentration right now is on the textile sector. As we can see 80% of the export comprises textile products.

Contribution of Bangladesh Textile Industry to Domestic Growth

The textile industry in Bangladesh is contributing a lot to the growth of this country. This sector appoints ten million people in Bangladesh out of the total population. The growth of Bangladesh's textile sector has also contributed to the growth of banking, transportation, ports, and other sectors. In South Asia, the highest number of factories is in Bangladesh, which has 4500 factories. The country, which is as big as Gujarat, has set a target of $100 billion worth of garment production by the year 2030. When we look back and calculate the time that it took to achieve $35 billion worth of exports, it just happened in 4 decades.

Apart from garment manufacturing, Bangladesh is also ahead in yarn manufacturing. Bangladesh is able to meet their 90% of the knitted yarn requirement and 40% of the woven yarn requirement. Out of the total GDP, the contribution of the textile sector is 13%, and the textile sector generates 75% of the employment in manufacturing. Today, garment manufacturing hubs in India, like t-shirt manufacturers in Tirupur, kurti manufacturers in Jaipur, saree manufacturers in Surat, and other garment manufacturing hubs, should take inspiration from Bangladesh.

0 notes

roopdyes · 2 years

Text

#black dyes #textiles #textile dyes #dyestuff #exporter #manufacturers #black #india #dyes

0 notes

natrajchemicals · 2 years

Text

Natraj Chemicals . is one of the largest manufacturers & exporter of dyestuff, intermediates and chemicals worldwide. Natraj Chemicals has a plant located in Gujarat with a daily capacity of producing 1000 MT of dyes & dyes intermediates which includes , Para-Amino azobenzene 4 Sulfonic Acid (paabsa) ,DASDA, Sulphanilic Acid Aniline 2,5

#dye sublimation perth #acid dyes #chemical & dyes news #dyes and pigments market #chemical suppliers #chemical industry #basic dyes #export from india #dyes and pigments companies #manufacturing #dyed locs #natural dye #mason dye #box dye #jarastyle #fleece #fine chemicals #textiles

0 notes

dresshistorynerd · 2 years

Note

How did cotton win over linen anyway?

In short, colonialism, slavery and the industrial revolution. In length:

Cotton doesn't grow in Europe so before the Modern Era, cotton was rare and used in small quantities for specific purposes (lining doublets for example). The thing with cotton is, that's it can be printed with dye very easily. The colors are bright and they don't fade easily. With wool and silk fabrics, which were the more traditional fabrics for outer wear in Europe (silk for upper classes of course), patterns usually needed to be embroidered or woven to the cloth to last, which was very expensive. Wool is extremely hard to print to anything detailed that would stay even with modern technology. Silk can be printed easily today with screen printing, but before late 18th century the technique wasn't known in western world (it was invented in China a millenium ago) and the available methods didn't yeld good results.

So when in the late 17th century European trading companies were establishing trading posts in India, a huge producer of cotton fabrics, suddenly cotton was much more available in Europe. Indian calico cotton, which was sturdy and cheap and was painted or printed with colorful and intricate floral patters, chintz, especially caught on and became very fashionable. The popular Orientalism of the time also contributed to it becoming fasionable, chintz was seen as "exotic" and therefore appealing.

Here's a typical calico jacket from late 18th century. The ones in European markets often had white background, but red background was also fairly common.

The problem with this was that this was not great for the business of the European fabric producers, especially silk producers in France and wool producers in England, who before were dominating the European textile market and didn't like that they now had competition. So European countries imposed trade restrictions for Indian cotton, England banning cotton almost fully in 1721. Since the introduction of Indian cottons, there had been attempts to recreate it in Europe with little success. They didn't have nearly advanced enough fabric printing and cotton weaving techniques to match the level of Indian calico. Cotton trade with India didn't end though. The European trading companies would export Indian cottons to West African market to fund the trans-Atlantic slave trade that was growing quickly. European cottons were also imported to Africa. At first they didn't have great demand as they were so lacking compared to Indian cotton, but by the mid 1700s quality of English cotton had improved enough to be competitive.

Inventions in industrial textile machinery, specifically spinning jenny in 1780s and water frame in 1770s, would finally give England the advantages they needed to conquer the cotton market. These inventions allowed producing very cheap but good quality cotton and fabric printing, which would finally produce decent imitations of Indian calico in large quantities. Around the same time in mid 1700s, The East Indian Company had taken over Bengal and soon following most of the Indian sub-continent, effectively putting it under British colonial rule (but with a corporate rule dystopian twist). So when industrialized English cotton took over the market, The East India Company would suppress Indian textile industry to utilize Indian raw cotton production for English textile industry and then import cotton textiles back to India. In 1750s India's exports were mainly fine cotton and silk, but during the next century Indian export would become mostly raw materials. They effectively de-industrialized India to industrialize England further.

India, most notably Bengal area, had been an international textile hub for millennia, producing the finest cottons and silks with extremely advance techniques. Loosing cotton textile industry devastated Indian local economies and eradicated many traditional textile craft skills. Perhaps the most glaring example is that of Dhaka muslin. Named after the city in Bengal it was produced in, it was extremely fine and thin cotton requiring very complicated and time consuming spinning process, painstakingly meticulous hand-weaving process and a very specific breed of cotton. It was basically transparent as seen depicted in this Mughal painting from early 17th century.

It was used by e.g. the ancient Greeks, Mughal emperors and, while the methods and it's production was systematically being destroyed by the British to squash competition, it became super fashionable in Europe. It was extremely expensive, even more so than silk, which is probably why it became so popular among the rich. In 1780s Marie Antoinette famously and scandalously wore chemise a la reine made from multiple layers of Dhaka muslin. In 1790s, when the empire silhouette took over, it became even more popular, continuing to the very early 1800s, till Dhaka muslin production fully collapsed and the knowledge and skill to produce it were lost. But earlier this year, after years lasting research to revive the Dhaka muslin funded by Bangladeshi government, they actually recreated it after finding the right right cotton plant and gathering spinners and weavers skilled in traditional craft to train with it. (It's super cool and I'm making a whole post about it (it has been in the making for months now) so I won't extend this post more.)

Marie Antoinette in the famous painting with wearing Dhaka muslin in 1783, and empress Joséphine Bonaparte in 1801 also wearing Dhaka muslin.

While the trans-Atlantic slave trade was partly funded by the cotton trade and industrial English cotton, the slave trade would also be used to bolster the emerging English cotton industry by forcing African slaves to work in the cotton plantations of Southern US. This produced even more (and cheaper (again slave labor)) raw material, which allowed the quick upward scaling of the cotton factories in Britain. Cotton was what really kicked off the industrial revolution, and it started in England, because they colonized their biggest competitor India and therefore were able to take hold of the whole cotton market and fund rapid industrialization.

Eventually the availability of cotton, increase in ready-made clothing and the luxurious reputation of cotton lead to cotton underwear replacing linen underwear (and eventually sheets) (the far superior option for the reasons I talked about here) in early Victorian Era. Before Victorian era underwear was very practical, just simple rectangles and triangles sewn together. It was just meant to protect the outer clothing and the skin, and it wasn't seen anyway, so why put the relatively scarce resources into making it pretty? Well, by the mid 1800s England was basically fully industrialized and resource were not scarce anymore. Middle class was increasing during the Victorian Era and, after the hard won battles of the workers movement, the conditions of workers was improving a bit. That combined with decrease in prices of clothing, most people were able to partake in fashion. This of course led to the upper classes finding new ways to separate themselves from lower classes. One of these things was getting fancy underwear. Fine cotton kept the fancy reputation it had gained first as an exotic new commodity in late 17th century and then in Regency Era as the extremely expensive fabric of queens and empresses. Cotton also is softer than linen, and therefore was seen as more luxurious against skin. So cotton shifts became the fancier shifts. At the same time cotton drawers were becoming common additional underwear for women.

It wouldn't stay as an upper class thing, because as said cotton was cheap and available. Ready-made clothing also helped spread the fancier cotton underwear, as then you could buy fairly cheaply pretty underwear and you didn't even have to put extra effort into it's decoration. At the same time cotton industry was massive and powerful and very much eager to promote cotton underwear as it would make a very steady and long lasting demand for cotton.

In conclusion, cotton has a dark and bloody history and it didn't become the standard underwear fabric for very good reasons.

Here's couple of excellent sources regarding the history of cotton industry:

The European Response to Indian Cottons, Prasannan Parthasarathi

INDIAN COTTON MILLS AND THE BRITISH ECONOMIC POLICY, 1854-1894, Rajib Lochan Sahoo

#i have fixed the wording in the beginning so it doesn't sound like i'm saying cotton in general dyed better than wool or silk #answers #fashion history #historical fashion #history #textile history #dress history #historical clothing #indian history #colonial history #indian textiles #cotton #slavery

2K notes · View notes

whencyclopedia · 25 days

Photo

Indigo Revolt

The Indigo Revolt (aka Indigo Riots or Blue Mutiny) of 1859-60 in Bengal, India, involved indigo growers going on strike in protest at working conditions and pay. The subsequent violence was aimed at exploitative European plantation owners, but the cause was, during and after, taken up by anti-colonial Indian liberals as an example of the necessity for independence.

The Indigo Trade

India was known for its cotton textiles through the Middle Ages, and by the mid-16th century Gujarat in northwest India was major a source of indigo, the deep blue-violet dye used to colour cotton and other materials. Indigo was in high demand by the European trading companies, including the British East India Company (EIC) which made large profits from its export. The EIC used well the long-standing expertise of Indian indigo growers and dyers, particularly in centres such as Sarkhej in Gujarat and Bayana in neighbouring Rajasthan, both in northeast India.

The making of indigo dye was a long and labour-intensive process. The plant cuttings were harvested once a year in June or July before the onset of the rainy season. These were then taken to a factory by cart where they were emptied into large vats to steep in water. The dyed water and mash was then boiled as this brought out a richer colour in the indigo grains, which then had to be strained out. The grains were next pressed into dried cakes, which were in turn pressed into barrels or, alternatively, the mass was cut into cubes and packed into chests ready for transportation. Most indigo was shipped to Calcutta (Kolkata) for sale to merchants who then organised shipment to England or the Americas where it was used to colour textiles. From the late 18th century, Bengal became the major centre for indigo production, accounting for 67% of London's total imports of the dye in 1796 (around 2 million kilograms) and then rising further into the 19th century.

The indigo industry was a volatile one. Too much or too little rain greatly affected the quantity and quality of the dye produced each year, and in boom years, overproduction brought a crash in the price. Still, for the long-term investor, indigo could be a very lucrative industry indeed. Unfortunately, the financial speculation that resulted in such a crop with potential for large gains was another source of instability. Finally, the location of many indigo plantations made them prone to flooding, which not only damaged the crop but often swept away the factory facilities.

#History #BritishRaj #India #IndigoRevolt #WHE #[#]

22 notes · View notes

fashionsfromhistory · 11 months

Text

Ensemble

Lisa Folawiyo (Lagos, Nigeria)

Spring/Summer 2021

Lisa Folawiyo founded her eponymous brand in 2005 (at that time named Jewel by Lisa). Trained as a lawyer, Folawiyo has no formal training in fashion. She is regarded by the fashion industry as one of the founders of the contemporary African fashion scene, propelling African fashions onto the global stage. Folawiyo is known for her ready-to-wear designs made from printed cotton textiles, known in Nigeria as ankara and more widely as African-print cloth wax prints or Dutch wax prints. These have been fashionable in West and East Africa since the late 19th century, when they were produced in Europe for export to Africa. The technique used for wax print cottons was inspired by the Indonesian method of batik, where hot wax is used to draw patterns on a plain cloth before it is dyed so that the dye does not penetrate the areas covered by wax. The design process was characterised by collaboration manner, with local sellers, often women, advising merchants on popular patterns and colours. Political independence in the mid-to-late 20th century led to many African companies successfully establishing local centres of production.

Victoria & Albert (Accession number: T.48:1to2-2022)

#ensemble #fashion history #african fashion #lisa folawiyo #nigeria #spring #summer #2021

86 notes · View notes

sunset-peril · 2 months

Text

Social Makeup Study - Hateno Village (HFS, TotK)

Village Structure

Leadership system: Eldership and a monarchy-like structure both appear to be used at once. An electoral system has become popular with some citizens, and Hyrule's monarchy has begun to restore itself, both further complicating the matter. Traditionally, Hateno used an eldership system exclusively, but Hyrule's sudden destruction 100 years ago brought elements of a monarchy (primarily that there is one leader who inherits the position).

Leader/Ruler: Reede Imperial (leader/mayor, under dispute), Link Hyrule (elder, under dispute, King of Hyrule)

Economy: As a former land of exile, Hateno is traditionally non-exporting. However, the village became known for agriculture and dye production after the Age of Burning Fields. Recently, the village has become a hub for textiles such as clothing and hats. The past century has brought significant changes in this area, which has also brought unease.

Demographics: Historically was 100% Pedigreed Wolfbred, although the modern village has a makeup of approximately 50% Wolfbred/Wolfbred Hybrid and 50% Hylian. This shift was also brought about in the last 100 years.

Beliefs and Afterlife: A Hylia-worshipping village. Wolfbred mythology depicts them having been created by the Twilight's interaction with their ancestor and believe that the Twilight became heritable through his line. Although the Twilight Realm is not an afterlife realm (nor was it intended to be), the Wolfbred still believe their ghosts will be returned to the Realm when their bodies fail because of their own Twilight, and believe that Midna created the Celaeno Orientalis constellation (a wolf-like constellation that appears over Hateno) as a replacement for the Mirror of Twilight to help their souls return "home". Due to the Mirror of Twilight's destruction, there is no way to confirm or deny this belief; however, it appears to have been reinforced by Link's successful command of both Wolfbred-like spirits and Hylia's Honor Guard (souls of past heroes) in battle.

Citizens

Link (Imperial) Hyrule: The last documented male Wolfbred, and the last Wolfbred born under exile. For this reason, he’s referred to as the last “Pedigreed Wolfbred”. Champion of Hyrule/Hylians, despite not technically being Hylian, and beloved mate of Princess Zelda. Died during the Great Calamity, but not before becoming King of Hyrule. The first Wolfbred King since Kakku. Cause of death: fatal battle wounds. He was resurrected 100 years after his death, and reigns over Hyrule today with his beloved. The Sheikah crowned him King Sovereign before Calamity Ganon was sealed for good, as the throne would pass to whichever of King Rhoam's heirs/relatives was found alive first. Called "Grandpa" (sometimes written "Grandpaw") by his extended family. Has developed blindness in one eye as well as joint pain, two common signs of a Wolfbred's aging, and is technically retired from all soldiering.

Zelda (Esmerelda) Hyrule: The first Hylian to marry into the tribe in 10,000 years due to the exile, and mother of Hyrule's first (chronologically-speaking) Wolfbred-Hylian hybrid: Zelda Ivee. Said to be the only true Hylian who could speak the Wolfbred tongue fluently before the Calamity. The Sheikah's crowning of Link restarted the Kingdom of Hyrule, so this Princess hasn't seen a need to rush her ascension to the Queen's throne. Her temper was found to be of Wolfbred descent, as she is Karu’s descendant. A beloved teacher at the newly build Hateno Schoolhouse.

Zelda Ivee Hyrule: King Link and Princess Zelda’s beloved little girl and the new Princess Zelda. She is the first Wolfbred hybrid since her distant ancestor Karu, and her soul is over a century old despite her age of five. Her upbringing will likely shape the future of Hyrule, as her parents come from such different backgrounds. Current studies regarding her aim to identify whatever might trigger the aggressive tendencies her family tree is infamous for, so her exposure to such triggers can be limited.

Reede Imperial: Leader of Hateno Village and descendant of Sydnei (Link's sister). He retains a strong desire to stay in tune with his heritage and prides himself on keeping Hateno just the way it was during the exile: a safe haven for the Wolfbred. He inherited the antagonistic tendencies of his family. Although he is generally a very peaceful, vegetable-loving man, he has recently begun to display aggressive behavior, and has gotten in a few fights. (Now that the villagers think about it, so has Link.)

Clavia Imperial: Reede's wife and the mother of Karin. Clavia is Hylian, but has been accepted into the Clan as if she was Wolfbred. While her daughter is in school, she spends time at Link and Zelda's, often helping tidy the place so the half-blind Link can keep his last good eye on his pup. Besides, she believes it does Link good to have someone other than Zelda to talk to.

Karin Imperial: Reede and Clavia's daughter, and a pupil of Zelda's. Currently, Karin is not affected by her family's tendencies. Purah aims to prevent exposing both her and Zelda Ivee to whatever causes those tendencies to develop. Although, considering how riled up their fathers have suddenly gotten, Purah and her fellow researchers may have to work fast to identify the cause and isolate it from the girls.

Sophie and Cece: A pair of Wolfbred-Hylian sisters. Cece is eldest. Their existence greatly influences modern Wolfbred-Hylian relations as Sophie is considered legally Wolfbred, while Cece is the first hybrid to not be legally Wolfbred, at least within the village. Surprisingly, Sophie is the more docile of the two. Cece recently moved back in after traveling the world to study fashion. Village opinions are mixed. Link and Sophie are friends. Link and Cece are not.

Ivee: Daughter of the family who runs East Wind General Store. It's rumored that she was actually named after Zelda Ivee, as Hateno thought she'd been killed in-utero during the Great Calamity.

Pruce, Amira and Azu: Family of Ivee, runs East Wind. Ancestor was a dear friend of Ordon, which strengthens the rumors about the origins of Ivee's name. Father, mother and younger brother, respectively. Azu has taken fondly to "protecting" the village, a tendency that often develops in Wolfbred males as they approach and reach puberty.

Tamana: A former Cucco rancher, and Teebo's mother.

Teebo: A very polite Wolfbred pup and Tamana's son. Has shown an immense interest in weapons and the warrior arts since he was very young, and now fills a slot on the day-shift Hateno guard. His apparently innate interest in warrior arts and protection have brought him and Link into a mentor-mentee relationship.

Medda: A tomato-raising farmer, and Aster's father. His wife passed many years ago, but he and his daughter seem to be doing well.

Aster: Medda's daughter. Loves tomatos and froggies, and recently moved next door to Link and Zelda.

Dantz, Koyin: A family of Wolfbred who live outside the town on a farm in the forest, completely devoted to the ways of their ancestors. Father and daughter, respectively.

Sayge, Senna and Sefaro: Family running the Kochi Dye Shop. Sayge and Senna are devoted artisans, who are thriving with Hateno's new textile based market. Sefaro, however, is a much more studious soul who prefers to read history books at the schoolhouse. He's tried to badger Link into teaching him more sensitive history like the Great Calamity, Wolfbred Exile and Sheikah Fallout; currently to little-to-no avail. Perhaps when the little historian is older... or when other tensions in the village smooth over....

Prima: Said to be the prettiest Wolfbred after Midna Marie. May be related to Linky due to the strong facial resemblance to his mother, but is clearly not of the Imperial family.

Worten: Prima's husband. A Wolfbred-Hylian hybrid like his wife, which was seen as a milestone for the species (as hybrids had become distant enough to interbreed again)

Uma: An elderly Wolfbred-Hylian. One of the first hybrids to be born, and has lived since the Age of Burning Fields. Full of knowledge about the village and its history, with a priceless ability to see multiple perspectives for almost any conflict in the village. She usually attempts to soothe Link and Reede when they are riled, often with more success than their wives.

Hyrule's Final Stand Masterlist

12 notes · View notes

somethingclevermahogony · 3 months

Note

Happy WBW! Which people in your setting, in your opinion, have the best sense of fashion?

Ooh, that's a hard one. Of course fashion is subjective. I could talk about places like Mu and Achitalan, but for as far as just the Green Sea region goes I would have to say Apuna.

Apunian fashion is very bright and colorful, most Apunians wear at least one kind of jewelry. Gemstones are very popular in Apuna, especially as a part of jewelry and woven into clothing and hair-beads. Apunians are also the only major power in the Green Sea that regularly utilizes makeup/body paint. Cosmetics (as well as perfumes) are a major industry in Apunian cities like Nashawey. Additionally Apuna is renowned for just how much gold it uses and has access to, even poorer Apunians are likely to have at least one golden bauble. It is said that even an Apunian beggar will sparkle in the sunlight. Most clothing in Apuna is made of colored linen, Apunians are famous for just how vibrant their dyes are. Textiles, alongside grain, are the biggest Apunian exports.

#fantasy #worldbuilding #fantasy writing #world building #testamentsofthegreensea #wbw!#wbw asks

4 notes · View notes

jrheatriz · 10 months

Note

I know you were talking about Glezra, but I’m still super curious about AWIA. What all have you fleshed out for your different kingdoms? What inspirations do you have for them? Any real world parallels or aspects to your world? Are there any communities under different rulings in the world?

OMGGGGG I COULD TALK ABOUT THIS ALL DAY. okay so i have several kingdoms where their concepts are somewhat to fully developed. here's a list.

Andanthe. so andanthe is a kingdom settled in a spot near the seaside, but mostly nestled in a forest grove. i based it heavily off of places i've been in new england, so they experience all four seasons and a considerable amount of precipitation, including snow. buildings are carved inside of large trees (deciduous mostly) or underground or slightly above ground to avoid flooding. i wanted to avoid having kingdoms while specific types of fairies exclusively inhabiting it, so andanthe is a very diverse kingdom population wise, but a considerable portion of fairies have moth wings, including the royal family. also i wanted to base the traditional clothes, textiles and architecture on some south asian cultures since the main character is south asian. (i mean she's not human technically but if she was, she'd be south asian.) andanthe exports quartz, gold, graphite and textiles to the other kingdoms, and have a mainly plant based cuisine. they are known for their strong army and due to their close ties with the seaside nation of the anwhines, they have a formidable navy. royalty and nobility wear forest green and gold, and this sets a trend for clothing styles throughout the kingdom.

The Anwhine Isles. so the anwhines are based off the caribbean/west indies bc i'm west indian and it would be illegal for me to not include a caribbean character if i'm world building. the isles are a group of islands in the middle of the sea. duh. but they're not that far from andanthe if u take a boat, which is why the two kingdoms have been close allies for millennia. their relationship has been a bit strained due to some #familydrama though. (the current king, marolas, is pissed that his sister althea refuses to take up her duties as princess, and morgan has unfortunately gotten caught in the crossfire.) the area doesn't really experience much "winter" weather, but they do have monsoon seasons and hot seasons and whatnot. alot of that is determined but what fruits are in bloom and stuff. they export pearls, sea foods, spices, and pretty textiles to their neighboring kingdoms. they also have a booming boat/naval resource industry and the best navy. the royal family, as well as a considerable portion of the population, have dragonfly wings. oh, and while they do have very colorful clothing, navy blue is the color that symbolized wealth and nobility.

Monerva. so monerva is a fairly new ally to andanthe, due to morgan and arwileth's tentative friendship. i say tentative because arwileth is kind of like a teacher's pet for the older and more powerful royals on the fairy council, and he gives status reports on andanthe's leadership because the morale on morgan being king is pretty shaky to her bougier political counterparts. that aside, monerva is located in a big and beautiful meadow surrounded by crustal clear river systems and a dense grove. they have a booming silk industry due to silkworms being plentiful in the region. their fashion reflects this: flowing white laces and cottons, floral perfumes, and colorful dyes (usually pastel pink, purple and blue). the most significant resource to their name, however, is that they are deeply connected to old forest magic, and use it to create healing medicinal resources and using magic for technological advancements. most of these tech advancements, specifically, were pioneered by arwileth. he's a bit of a prodigy in that respect. anyways, many of the fairies that live in monerva have butterfly wings; arwileth in particular has blue morpho wings.

okay finally, Ilwich. ilwich is located in a boggy/marshy/wetland area, with settlements nestled in, on, and around an interconnected weaving of mangroves trees. it's not super close to the other kingdoms, which kind of orbit each other, and is therefore fairly isolated both geographically and economically. therefore, they rely on trade and export of raw materials, as well as creating textiles and using imported materials to create things to export to other kingdoms--furniture, glass, potions, et cetera. due to the uhh. nature of their current leadership. they rely a whole lot on andanthe for economic support since the war. their clothing includes a lot of browns and dark greens, as well as flowy elements. in the past, ilwich had been a place of fervent religious history, and has catacombs full of texts dedicated to the Old Gods. (including the god Wrath, who is as u know. super important.) but uhhh other than that ilwich doesn't have much going for them. they pretty much just minded their own business until paladis' reign tbh. though due to current events the kingdom finds itself on the high council of fairies, which incites much drama between itself and the other kingdoms. fun! surely this won't cause any significant issues for anyone in particular. like say. the main character.

anyways yeah! there's some other stuff in development regarding the other kingdoms on the council, but those are Very half baked. so there is this. yippee

#ask #oc stuff #jrheatriz.awia #oc rant #worldbuilding

7 notes · View notes

arcxnumvitae · 6 months

Note

Do Vralyra and Tengmen have any exports or resources exclusive to their region?

@soraeia || Worldbuilding!

Vralyra:

Dyes and pigments! The dyes and pigments from Vralyra are noted for their beautiful, intense, and most importantly consistent colors. They are also especially pigmented in a way that has yet to be replicated by any other nation that has tried. Whether it’s something in the nation’s plants used for the colorings, or some step in their process creating them, it’s something of a trade secret.

The dyes and pigments exported are usually turned by other countries into inks, makeup, paints, fabric dyes, and so on.

Tengmen:

As Emperor Huaxiu would say, the lifeblood of any nation, rather than being some good or commodity, lies within its citizens. It’s totally a politician answer but people eat it right up. The Empire benefits from having a variety of different exports due to its many nations under its banned. As for what the central portion of the Empire, its homeland so to speak, it’s known for its fragrant flowers and perfumes. It’s also known for its fine textiles and embroidered fabrics. All of this the emperor himself is very partial to.

The real bread and butter of the area is due to it being a major trade hub. Within recent years since coming to power, Huaxiu’s worked to increase the location’s reputation as a haven of trade for merchants where many can come to find and sell whatever their heart desires. The business brought in from that makes up a decent bit of the economy.

#soraeia #{Huaxiu Answers #{Huaxiu Headcanon #{Kaisei Answers #{Kaisei Headcanon #{Royal AU #woo worldbuilding! \o/#mobile #{Tengmen Headcanon #{Vralyra Headcanon

6 notes · View notes

c-r-ash-crash · 1 year

Text

Keep The Faith Ch 27: An Alliance

Scott strolled through the marketplace leisurely. Beside him, Lusha rattled off a string of information, reading off one of the multitudes of papers stacked in her hands. “Textile sales are up, leading to an increase in domestic profits. However, most of those profits are lost because they have to reenter the international economy in order for us to purchase the dyes we need to produce the textiles,” she said.

Scott nodded along, idly taking note of how busy the various stalls were. Today was a slow day, but that was to be expected. The marketplace rarely saw much traffic during the middle of the week. “The Sheep Shack has been producing at maximum capacity and is responsible for producing more than seventy percent of our textile exports. However, we are struggling to keep up with demand as we are severely limited by our raw wool supplies.”

Scott’s brow furrowed. “I thought our rural villages were mostly shepherds?” Lusha nodded curtly. “They are, but Rivendell is also one of the smallest of the empires. Combine that with the landscape, most of which is largely inhospitable for typical livestock populations, we are severely limited in what we can farm.” Scott hummed to himself, puzzling it out. The two of them continued through the marketplace. Lusha was silent, allowing him time to think.

“So, we need large quantities of dye and hopefully more land in order to raise sheep,” Scott murmured to himself. “The dye is a priority, since the whole textile operation depends on it if it has any chance of keeping up with the market. More land for the sheep would be nice, but we can probably find another solution if it comes to it. We can afford to put it on the backburner for now.” He glanced over at Lusha. “What would the consequences be if we can’t keep up with market demand?”

“Well, aside from the issue of potential lost profits depending upon the cost of the dye, we might also lose quite a bit of social and economic credit among the other empires. That would mean sales would go down and we’d lose many secular connections. Right now, we have a near monopoly on the textile industry, but if we were to lose any kind of standing, the other empires would sense the opening and swoop in.”

Scott’s eyebrow rose at that. “Would it be such a loss if the other empires were to begin their own textile markets? We could still turn a profit with healthy competition. We’d just have to focus on keeping the quality good and the prices relatively low.” Lusha shook her head. “Maybe. But the sale of textiles makes up for nearly ninety percent of all income. We might be able to survive with healthy competition but the blow to the economy wouldn’t be worth it.”

“So the best thing to do would be to find an ally that would be willing and able to trade us the vast quantity of dye that we need and that we’re hopefully on good enough terms with to ask that they lend us land to raise livestock. We know anyone like that?”

Lusha began muttering under her breath, cycling through the other empires and their various exports. Finally, she seemed to land on one that satisfied her. “The Overgrown is known for its dyes, seeing as it’s situated in one of the most fertile flower forests on the continent. From what I’ve heard, Lady Katherine of House Blossom is quite the generous ruler, and our peoples have historically been close allies. I can’t say for sure whether the request to borrow land will go over well, but of all the empires that can also provide us with the dye we need, they're the best option.”

“Got it,” Scott said. “Do we think she would appreciate a formal visit and negotiation, or would it be better to just pop in and ask her for it up front?” “The Overgrown doesn’t stand on ceremony overly much,” Lush mused. “Of course, without having met Her Ladyship in person, I can’t say with any certainty. I think the direct route would be the best route however, as it would be both sincere and expedient. I’ve been informed that both of those are things that are heavily valued in the Overgrown.”

“When would the best time to go be?”

“You’re clear for the rest of the day, if you’d like to go now. The concern with the dye was the only thing that we truly needed to address.”

“Great,” Scott said. “I’ll be back by this evening then.”

He spread his wings, and prepared to launch himself into the air. Then he paused. “Which direction do I need to go?”

“Due west,” Lusha said with a hint of a smile. With that, he took off.

⸎

Wind whistled through his wings and tousled his hair. It was getting longer now. He probably needed a haircut. But then again he kind of liked the feeling of having it longer. Maybe he’d braid it. That might be nice. He remembered Sunflower had liked braiding it. He shoved that thought down quickly. He really didn’t want to think about his nightmares right now.

Beneath him, the landscape changed from dark, snowy mountains to flat green plains. Sparse trees turned to a lush carpet of flowers. The untamed landscape turned to a well beaten stone path and small houses started to appear, dotting the valley with soft pinks and blues.

Scott touched down on the path, and wandered along it, keeping his eyes peeled for any signs of Katherine. The houses never seemed to get larger, simply gathering in small clusters instead, as if the tenants had simply built themselves their own little residence rather than moving out.

Gardens sprawled out around the properties, decorating the sides of the paths with bright tulips and poppies and cornflowers. In nearly every house, someone was attending to the plants. They were pruned and watered and planted with the utmost care. It was fascinating to watch. Scott found himself lingering in front of more than a few houses and watching as the people nurtured their gardens.

No one seemed to think it strange, though. When they noticed him, they simply gave him a smile and a wave. Scott couldn’t help but find himself returning the friendliness. Eventually, the path seemed to reach its end.

A gate rose over him, carved of soft white stone and engraved with designs of the flowers and rivers. Behind it sat a grove, ringed by a thick circle of oak and birch trees. Flowers spread over the ground, making it look as if it were a swirling carpet of color. The path cut through it all, draped in moss and grass. In the center of the grove sat a small fountain, carved of the same soft white stone. Water flowed from it, feeding the whole valley. Sitting by the edge of the fountain and tending to the flowers sat Lady Katherine herself.

Scott cleared his throat awkwardly, hoping to get her attention. She glanced up and smiled when she saw him. “Hello,” she said with a small wave. “You’re Scott, right?” He nodded. “Yup. Is it Katherine? I know we met in passing, but it’s nice to meet you properly this time.”

“Yeah, it is.” Katherine stood and brushed the dirt off her dress. It was lilac, the same shade as some of the flowers in the grove. An amethyst crown sat perched on her head, sparkling in the sunlight. A belt hung around her waist, holding a sword sheath. Scott could tell by the weathering on the handle that it was very much well used.

“So,” Katherine said. “What can I do for you? Are you here for business or pleasure?” “Business, technically,” Scott said. “But I wouldn’t mind sticking around for a bit. Your kingdom is really nice.” Katherine beamed. “I’m so glad! Everyone has an equal hand in helping the Overgrown and I’m glad to hear that their work is paying off! If you want to stick around a bit, I recommend going to see the tower. It’s up the hill just a little ways, and we recently refurbished it. It’s really pretty.”

“I’ll definitely check it out,” Scott said with a nod. “But let’s go ahead and get the business out of the way, first. If you don’t mind, obviously.”

“Oh, it’s no hassle. What can I do for you?”

“Well, I was wondering if I could arrange to get dye from you guys in bulk. We need a lot of it. Is there anything I might be able to give you in return?”

Katherine considered it for a moment, her fingers trailing over some of the taller flowers. They seemed to lean into the touch, responding to her magic with their own. Distantly, Scott wondered how exactly he knew it was magic that seemed to be bleeding from the palm of Katherine’s hand, calling all the nearby plants to her.

“Would a kingdom wide discount on textiles work?” she said, pulling him out of his thoughts. Scott blinked, trying to process what it was Katherine had asked. “Oh, um yes, that’ll work. I mean, I’ll have to consult with some of my advisors to work out the logistics, but I can’t see an issue with that. Is that all you guys might want?”

The flowers nudged at Katherine’s ankle. She rolled her eyes fondly at the motion. “The Overgrown requires a tribute,” she said. “Oh.” Scott’s eyes widened. He began digging through his inventory. He had a few things in there that would work, but it wasn’t much. Hopefully it would be enough to please the ancient kingdom.

He dug out the items, a bouquet of flowers and a handful of emeralds. Katherine’s eyes widened. “Oh wow,” she murmured. “That’s…that’s so generous. You can, uh, you can put that in the fountain if you want.”

Scott placed the items in the base of the fountain, the flowers clearing a path for him as he did so. As soon as he placed them in the water they dissolved, evaporating into the air in a shimmering cloud of glitter.

He stood there for a moment, awed by the display. He was no stranger to magic, but to have it run through the whole kingdom, to have surround him in a soft warmth…it was wonderful.

Eventually, he shook himself out of his stupor. “Why don’t you show me around that tower? I’d love to see it.”

“Sure!” Katherine led him back through town, in the direction of her newly refurbished tower.

⸎

He was running, tearing through the trees and rocks. Get away. He needed to get away. There, the peak. He’d have more power there. He could call for help there.

He practically threw himself at the rock face, hand closing around a hold and forcing himself to heave his uncooperating body up the cliff. He risked a glance over his shoulder once he reached the halfway point.

It was still following him, racing across the rocky ground faster than he could possibly run, too powerful to ever escape. He’d be staring into those glowing red eyes as the creature’s antlers dug into his skin and muscle and tore and ripped and killed him.

He forced those thoughts down and forced himself to keep climbing. Just make it to the top. Make it to the top and his god would save him. His god had to save him. Didn’t he?

Just as he set his hand against the flat cliff top, he felt something slam into the back of it, the bone shattering with a deafening crack.

He looked up to see those horrid red eyes and mottled black fur. Death clung to the thing like a disease, poisoning the very air around it. Its eyes were the same color as his brother’s.

How had the stag beaten him to the cliff? That should have been impossible!

A bird circled overhead, its bright plumage burning against the night sky. Its cries sounded almost like it was laughing.

The stage bent its head, its face carved in a snarl, and he felt one of its antlers pierce his lung. The other embedded itself in the side of his stomach. He hung there limply, whimpering in fear as the thing pulled him off the rock face.

He didn’t want to die. He had so much life to live. His brother needed him. Rivendell needed him. His god needed him. He had so much left to do. But he was helpless against the stag. He didn’t want to die.

“Please, Aeor,” he begged. “Save me.”

The stag shook its head, flinging him loose and sending him tumbling across the ground. He could feel the warm blood beginning to pool underneath him, draining his life force drop by drop.

The stag stalked towards him, a bird nestled in the crook of his antlers. The horns were painted the same red as the bird’s feathers, all of it dyed with his blood.

He was dying. He was going to die here. He would leave his people alone, would leave his brother alone. Everyone who was relying on him, praying that one day he would save them from this disease…he’d leave them alone.

He took a rattling breath in and looked to the north star. “I’m sorry.”

And then, he felt something be torn out of him.

Ice spread across the plateau, rising in jagged pillars and shielding him. One lucky pillar rose just beneath the poisoned stag, spearing it through the heart. Despite himself, he breathed a sigh of relief. At least the damn thing was dead. The parrot was nowhere to be seen.

As suddenly as it had begun, the ice stopped, and once again the night was silent. He continued to stare up at the sky, tracing the constellations as blood continued to stain the ground beneath him.

His eyes traced the constellations, following the lines of The Trident. He’d always loved Pixandria’s version of the myth behind it. A sign left by the original Prophet of Death, pointing to the desert he’d led his people into as they fled a war that threatened to destroy the world. An assurance that there would always be a refuge from fear.

He had always wanted to leave a sign like that. He’d always wanted to protect his people from the evil’s of the world. He supposed he’d never get that chance now.

Beside him, someone knelt down, and placed a hand over his wounds, not caring for the sticky blood. He turned his head to look into their faces.

“It is alright, child,” they assured. “I will not have my champion dying so soon. Sleep now. Get some rest.” Scott slid into unconsciousness as his wounds began to heal.

⸎

Scott jolted awake, chest heaving with fear. The feeling of antlers in his chest and stomach still lingered. His whole body ached, and he felt himself instinctively checking for blood. The dream had felt so real. It had hurt so much. He had been about to die. Somehow, he knew that if the strange figure hadn’t saved him, he would have died.

But even that wasn’t as important as something else in that nightmare had been. Because Scott had never had a brother. Right?

#empires smp #escape the night #keep the faith #empires smp fic #escape the night fic #scott smajor #katherine elizabeth #cw: violence #cw: unreality

7 notes · View notes

catcheyes-t-shirt · 5 months

Text

Volatile History of The Bangladesh Textile Industry

The Dhaka Muslin

In this article you would learn about the history and current scenario of the 2nd largest textile manufacturer in the world which is Bangladesh. Let’s start with the history, Bangladesh is not a new player when we talk about textile industry. It has a long history of manufacturing textile items. When we talk about 1000 years back. Bangladesh textile industry used to manufacture a special fabric called Dhaka Muslin. The speciality of this fabric was that it was very thin, it was so thin that 50 meter long fabric could be stored in 1 matchbox. This fabric was the choice of the royal families. Even Napoleon's wife used to wear clothes made out of this fabric.

The Fall of Bangladesh Textile Industry

Bangladesh used to export cotton and silk between the 16th to 18th century. The countries to which exports were done were EU, Japan and Indonesia. It was an important place for the mughal emperor because of the exports. In 1757 britishers colonized Bangladesh which led to deindustrialization of textile industry. They used to import their product to Bangladesh and stopped exporting Bangladesh finished product to any country.

Situation of Bangladesh Textile Industry Post Independence

In Bangladesh there was major influence of west Pakistan post 1947, as they used to own major textile factories in Bangladesh till 1971. In the 1960s some native opened their textile factories. After the independence of Bangladesh there was an industrial enterprise order act passed by Sheikh Mujibur Rahaman. According to this act all the privately owned textile factories came under government control under the name Bangladesh Textile Mill Corporations.

These public owned factories were not performing well and after 1975 it started making losses, because of these losses the factories were given back to their prior owners in 1980. After that we have seen an upward direction of growth in the textile industry in Bangladesh. Today they have surpassed the growth of the textile industry in India. In today’s time many global buyers buy t-shirts in bulk, trousers, jeans, shirts and tops from Bangladesh.

0 notes

amaiguri · 10 months

Text

Ririkya is the Many-Colored City

This is one of the cities I built for New City November! Ririkya is an Afto-Svanihk City built on the back of eleftegos, potters, and witch knowledge, shaped by their rivalry with Kivihkya, and truly, at its heart, it's a city of quietly proud survivors. They have survived the Sundering, they survived their war with Kivihkya, and their culture survived being subsumed by the Aftokratoria.

Overview

Location: The South Coast

Environment: Wet, hot, jungle with hot/dry season and monsoon season, rainbow mountains and rainbow eucalyptus trees

History: Ririkya was an eleftherios-wandering village until the Sundering--the Upper Continent split and water, mud, and clay poured down where the Goddess Dyeus and Goddess Eris were fighting. Eris stabbed and bled her sister, Dyeus. Where this happened, there the wanderers settled and were named the Ririhk. They have always been led by a divine Witch-Tsar who bathes in the muds of many colored soil. The Witch Tsar's job to prevent a second sundering and they have guarded this sacred place every since.

Aesthetic: Red deserty, vaguely Arabesque with colored yurts and tents on and/or near carved cliffsides

Governance

Today: Govenor and City-Senate but usually, Witches either are on it or the City-Senate are just expected to listen to the local Witches

Historically: The Witch-Tsar and her coven of Witches ran the city

Important Figures

Veneriza is the purported name of the Witch Tsar who settled Ririkya where it is today. Veneriza was known for being a beautiful, powerful old woman who was friends with Dyeus Herself. Veneriza is depicted in imagery has having a square jaw and square-ish body, rainbow-colored skin, and wild hair behind a rainbow koroshnihk.

In more recent history, think 10 years ago, they had Galina. One of their mines collapsed while they were installing the tram system and everyone would have died if it weren't for her--she froze everything in place for it could collapse more until help arrived. She is hailed as a local hero.

Core Values

Strength, victory with minimal harm, women, connectedness, categorizing but with lots of subtlety--like the mixing of paint dyes. They see conflict as inevitable but healthy--you should seek conflict to understand each other better and to grow, not destroy each other.

Transportation

There are two automaton-run tram systems--they're both fairly new. One of them goes into the mines, and the other leads around the city. They also rely on horses a lot, but they use Eleftegos even more.

Exports & Imports

EXPORTS: Ivory, Ceramics, Metals, Salt, other minerals, Eleftegos hide/leather, Grains, Rice, Wheat, sometimes Armor, cinnamon

Eucalyptus salt is made by taking strips of of their rainbow eucalyptus, wrapping salt in it--either mined salt or salt from above the sub-oceanic kilns. The kiln's temperature burns away the eucalyptus but the oils (and poison) seep into the salt. Repeat this 7 times and the salt will ward against against Demons. One can consume it to purge against Demons, but the black salt can also be used as magic charms, as smelling salts or bath salts, and also to ward against slugs or demons in lines.

(Note: This actually does nothing but make the salt slightly toxic. It may make Demons' tails less effective but that's because their toxins are generally less effective if you're sick anyway because your immune system is already active.)

IMPORTS: Tools, manufactured things and machinery, textiles

Arts:

The Aftokratorian Army's Official Armor was designed here

Painting

Pottery

Sculpture

Incense

Technology

This city is not on the cutting edge of industrial technology in Yssaia but it has a number of techniques that make mining easier and safer, transportation of objects more efficient, and a lot of medical, navigational, teaching, traditions that have worked really well in this area for years. They've been sharing this knowledge with the Telethenians.

Common Professions:

Miner

Engineer

Potter

Witch

Eleftegos-farmer

Tram-operator/maintainer

Tanners

Papermakers

Population Distribution

The tsars here are significantly more wealthy than the average person. Miners and potters are often very poor. Dying young is not uncommon from working in the mines--though if you live to be old, the community will go out of its way to provide for you--and old miners have it pretty nice, regardless of how rich they were for the rest of their lives. Age is celebrated. While joining the Aftokratoria certainly benefited the lower class so they aren't regularly starving to death and mining has gotten safer with automatons helping, the lower class definitely has it worse than the very extravagant upper class--who dress in very fancy armor and brightly dyed clothes and have giant castles carved and maintained by top-engineers and so forth. All the tsars and tsarinavi in this region are historically witches.

Current Major Issues

The current major issue is that the last Witch Tsar (the Blind Witch Tsar) died in a mining accident and her husband was murdered by his brother (a mine-owning Tsar), locking her daughter, Perislava, inside the castle. He wanted to end the brewing civil war with Kivihkya. However, the Acting Tsar is bad at governance and has made really bad trade deals with Kivihkya--dedicating large percentages of metals to them at prices which aren't even sustainable, just in return for not-going-to-war.

Attitudes Towards Others

Ririkya common folk are typically fine with the Telethenians and the Aftokratoria--though only when they respect their version of Dyeusism. The Witch Tsars tend to be quite proud and see outsiders as only worthwhile if they can hold their own in a debate.

Others' Attitudes Towards Them

The Telethenians tend to think they're amicable and quite intelligent. They enjoy working with them a great deal. However, they find their feud with Kivihkya troublesome and wish they'd drop it.

Kivihki consider the Ririkihki to be ridiculous, ignorant of the true nature of the world, and untrustworthy and traitorous. Those less inclined to debate can find them to be sassy, sarcastic, and potentially rude BUT they tend to appreciate this when it comes to artisanship.

But, Kivihk's unequal trade deals are gonna sink the economy in the next 5 years here and Demons are gonna take it over if no one does anything XD

Languages

Svanihk, and the Tsars and Tsarinavi speak Telethenian but others only do rarely. Their Telethenian accent is known for being harsh with lots of "broken speech" but in a "mysterious, primal way," not in a "they're stupid" way 🙄

Most Famous Places

The Giriglofa (aka. the Light Shop) is a shop of handmade Witchlights. Owned by the witch Nosvina, a Svanihk lady with dwarfism who has worked with the miners for years. She started making the Ysse-powered lanterns for miners after her third husband died in the mines. No one with one of her lanterns has died since, but she is considered to be very auspicious and dangerous. People often avoid her unless they need a Witchlight or have no other choice. She's perfectly happy to quietly help whoever she can, and often sings as she works. Yuletide is the one time of year where she has many many guests, as everyone comes for lantern repairs and brings her food and nuts and sings with her.

The Witch Tsars of Ririkya have long been leaders in the community and are well respected, even with their hypothetically lessened influence today. Their home, built beneath a crack in the Upper Continent--at the side of a waterfall and riverhead--is a grand fortress made of warm, red tiles and bright, ancient eucalyptus beams. The ceilings are gilded with the blackened, purplish Eucalyptus salt. The faces of the previous Witch Tsars are are carved into the cornerstones of the fortress. The fortress is two stories tall on average--with two towers reaching up another 3 smaller floors--and then two floors below ground. The gateway and main hall is large enough that two eleftegos can walks shoulder to shoulder with riders atop, and that ivory decorates the chandeliers and the koroshnihks of the Ririhki Witch Tsars.

Iratsovihk Zavlyai (the "Ysse"): The Ririkya has a very hot, natural hot spring which pours down from the pillars of the Upper Continent out into a small field of Ysse crystals. Steam fills the air here and strange, glass-like flowers and fungi grow around the crystals. The water ends up being a perfect temperature for bathing, but the ysse crystals are dangerous--as such, elaborate teacup-like bathtubs and scaffolding are erected to enable bathers, particularly witches and seeresses, to purify themselves in these waters. Bathing is communal and tubs are organized for clealiness and temperature--so you gradually increase your temperature and cleanliness as you both closer to the origin of the water. There are intermittent sand and mud baths--it's a whole process. Though individual tubs aren't technically separated by gender, because mining is has more men, the tubs for dirtier folks tend to have more men and the more ceremonial tubs tend to have more women, because more witches are women.

While I don't have any official art, here's some vibe checks and glimpses into Ririkihk culture!

#fantasy city #fantasy worldbuilding #worldbuilding #fantasy culture #fantasy #idk what this aesthetic is called #please help me name this aesthetic #Yssaia #Amaiguri #Witchcore (maybe)

2 notes · View notes