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werecreature-addicted · 20 hours

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Ok, imagine this, werewolf is in love with his neighbor, a human girl, everything would be fine if it weren't for the fact that the girl is a single mother of a little boy, and I'm not saying this because it's a bad thing for a woman to be a single mother, I'm saying this because of their neighbors, the other human neighbors have the mistaken idea that werewolves are cruel to other men's children, even propagating the absurd idea that werewolves kill the children of other males when they are interested in the mother. Of course our werewolf would never do that, werewolves would never harm a woman's offspring, so he has to be very careful and almost transparent to be able to woo the girl without her thinking that he is a danger to her or his little son

he meets your child first. he's just trying to carry in groceries, all of them in one trip of course, when he hears a small "can I help?" he looks down and sees a human pup with big wide eyes and a missing front tooth. He'd known that knew people had moved in next door a little while ago but he didn't know they came with a kid.

"Sure," he says and hands the kid one bag to carry as they trek up the driveway. it's a short walk and he can easily do it himself, but the werewolf thinks the boy is cute, so young yet already helpful and determined to prove his strength. what a good pack leader he would be one day. the kid drops the bag by his door and then runs back to his yard to play. The werewolf had never paid much attention to his next-door neighbors but he would start now.

He meets you a few days later and wow. he's never met a human so pretty. you seem nervous, a little frazzled from the recent move, but sweet. he tells you about your son helping him with the groceries and offers to help you any time you need anything, just looking for an excuse to see you again.

And you do need his help a lot around the house. it's hard trying to do everything yourself especially when you're raising a little boy. Luckily your neighbor is always there whether it's to replace some shingles on your roof or just play with your son for a little so you can get five minutes to yourself. you won't lie, you do pick specific favors to ask of him. sure you could do your own yard work, but there's just something so sexy about a sweaty hard-working werewolf.

He's so sweet he almost instantly becomes a part of your life. You can tell he's interested in you, you're not an idiot, and you'd be lying if you said you didn't like him too. It's flattering to have someone clearly so into you even knowing you have a child.

You spend of late nights confiding in him and before you know it you start to think you're falling for him. then you happen to mention your blooming romance to one of your coworkers and they inform you, horrified, that if a werewolf is interested in a woman with a child they're known to kill the child so the mother can focus on raising the werewolf pups. The story chills you, you'd heard similar things about lions in the wild, and maybe it was true for all preditors.

you can't help but spiral a little bit, you've been leaving your baby alone with a hungry wolf. but... somehow you don't believe it. He had never shown himself to be violent or even anything but loving towards your son. and you knew he was closer to human than some wild animal. he wouldn't really do something like that, would he?

When you get home you're a little jumpy around your neighbor, which he notices. you don't let your son go over to his yard to play and you don't invite him over for dinner, which is odd, to say the least. but he doesn't push. You feel stupid, avoiding him like this, why should you be scared of someone who'd been nothing but kind?

you go out onto your porch that night and see him out looking up at the stars. when he hears you he waves you over.

"it's a pretty night," you comment sitting beside him, awkwardly.

"prettier with you here," he teases, you feel your face go hot and you have to look away, he laughs at your embarrassment. you're quiet for a long time before you finally bring up what was on your mind.

you don't come out and say "Hey are you going to murder my child to get closer to me?" but instead you ask him:

"you flirt with me a lot, but does it ever bother you that I have a child? does that make you hesitate to have a real relationship?" it's still blunt but it's not quite as accusatory.

"I've always wanted kids, I love your son, I'm not going to run because of it, I want you and you having a son doesn't change that," he assures you. A few months later you'll admit exactly what your coworker said, he was horrified you ever thought he'd be capable of hurting the boy he views as his son, and he tells you in no uncertain terms that he would die to protect the both of you. no harm is coming to either of you while he's here to protect his family.

#monster imagine #monster #monster fucker #teratophillia #monster boyfriend #werewolf x reader #werewolf #werewolves #werewolf boyfriend

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senblades · 1 day

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Hi :)

I love your art and your writing, and you have such a great grasp of these characters that I was wondering if you have any fic recs? Rating doesn't matter ;)

boy do I! (and ty for the compliment <3 <3 <3)

[cracks knuckles] alrighty:

The Dissapearence of Goro Akechi by Kupowonders - Probably my favourite fic ever, honestly- it's like. derailing the plot of persona 5 post-medjed thanks to the persona 4 accomplice ending years prior. (So, spoilers for p4 in that, too) it's. very good.

Marigolds by Colbub - Akechi gets ng+'ed to right when he started working for Shido, and has to take a good look at the future to come and be like "Aight how the fuck do I fix this". Fun times!

Daredevil, You've hit the wall by ez_cookie. Essentially, p5 Strikers but Sumire and Goro get to be in on the fun, too. And, there's a direct sequel currently being updated that's a similar premise for p5 Tactica. very very good stuff

A Tale of Two Tricksters by Zoe2k8 - Murder boyfriends! ...sort of? Angst! Angst and murder boyfriends! An oversimplification, obviously, but I'm not kidding when I say this fic is amazing and is also over a million words holy shit-

Throw away your mask by MollyPollyKinz - Another ng+ situation for Akechi, but this time the poor guy gets thrown all the way to 2009. You can imagine how well that goes (For the audience, less so for Akechi himself.)

The Crow Cries at Midnight by Dorked. hehe this one is very fun. Basically, a series of coincedencs causes Akechi to get thrown into the plot of persona 4. No time travel here! Just a grumpy 12/13 year-old Akechi trying to solve a murder mystery

The entire Tales of Chaos series by Eternalmomentss (The first one is called Like sand between your fingers) Very very good stuff! Something of a character study, I would say, of Ren and Goro. Plus, all the funky plot stuff that comes from trickster-typical bad luck and poor descision making. I really love this series hehe

uhh this post is getting very long I need to make this less wordy- lightning round?

Hunger for a life by Leonawriter - do you like vampires? I sure do! Mix that and the p5 plot and you get shenanigins. [evil laughter] a lot of shenanigins

Fishbowl by KivaEmber - Akechi has a terrible time in Maruki's reality. And I mean a terrible time

You have a beautiful smile underneath that mask by Saposaki - Akechi has a crush on Akira and Joker has a crush on Crow. No one is aware of the other's secret identity. Dramatic irony and hilarity ensues.

MASTERMiND by StumblingBlock - No Metaverse au where Akira really doesn't want to follow in the footsteps of his crime family, and fails miserably

Rose and Rot by SixteenJuniper - Read this!! I'm serious!! "A fun fantasy adventure" don't listen to Juniper. You'll be in tears by chapter two. (/pos, of course) (Seriously this fic is incredible)

Redressing the Balance by Convocated - ...almost a ng+? Ng+, in the sense that shuake are getting funky visions that are very quickly derailing the standard plot of p5r. This causes problems of the "Someone get the popcorn and maybe the tissues" variety

She's got a heartbeat full of lead (And she's aiming straight for the head) by Dots - This fic haunts me, often. In the best way possible, of course; but seriously, read it

Cracked into by SydneyHorses - Ren makes bad descisions and it becomes Akechi's problem. 2/2 timeloop, perhaps most notably featuring HaruGoro friendship! Love love love this fic

Okay that wasn't as "less wordy" as I intended but it'll do

Aaaand that's a wrap! Sorry for the long post.. and this is by no means all of the fics that I've ever loved (nor are the ones here in any particular order) but I swear we'll be here all week if I keep going HAHA

ty for the ask (and again for the kind words), anon! Hope this was helpful and to your tastes! (I... hope you like Shuake HAHA it's present in most of these- I assume you do, since you came to me (points at literally everything shuake I've made) of all people, but uh. Some of these fics are gen if it's not to your liking?)

#persona 5 #asks #[sigh] another long post for the pile #I yap a lot HAHA #it's probably part of my charm?

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supercorpkid · 3 days

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How You Get the Girl

Supergirl. Lena Luthor x Reader!, Kara Danvers.

Word Count: 2500.

Notes: I really love this fic, and part 2 (my favorite ever written) is coming soon :)

"Hey, remember my friend Barry?" Kara asks as you settle onto her couch, balancing containers of takeout food. The late hour has granted Kara a break from her Supergirl duties, allowing for a rare moment of tranquility.

"Barry Allen?" You confirm, and she nods. "The one from another Earth?"

"Yeah." She hands you your food and takes a seat beside you, facing you. "Sometimes we meet just to talk, instead of dealing with end-of-the-multiverse situations."

"Nice. I didn't know that." You start eating, but Kara hesitates, an uncommon occurrence as she's typically the one speaking with her mouth full. "Have you seen him recently?"

"Yeah, and he told me something amusing." Kara tilts her head, uncertain. "He ended up in the wrong universe, thinking he was coming here. He was very confused because everything was oddly similar. You know, there was me, you, Alex, Lena, J'onn…"

"Isn't that normal for different universes?" You furrow your brows. "I might not know much about it, but Lena explained once that when a diversion event occurs, a new Earth is created, so—"

"Yeah, yeah." Kara interrupts, contemplating her words as you watch curiously. "The weird part was that you and Lena were..." She pauses, choosing her words carefully. "Together."

"Okay?" You return your attention to your food, losing interest. "We do spend a lot of time together."

"No, I mean, romantically together. Dating." Kara's revelation makes you snap your head up, heart racing. "More than that, actually. You guys were married! And had a kid!"

"A kid?" You laugh nervously. "Now that's absurd."

"Really? The kid part is absurd?" Kara sets aside her untouched food. "So you and Lena being married didn't strike you as absurd enough?"

You swallow hard, avoiding Kara's gaze as your cheeks flush. Is any of what Kara's saying absurd? Not entirely. Have you thought about you and Lena together before? Definitely. Have you secretly hoped for the day Lena will stop pining over Kara so you can do something about your love for her? Absolutely. Will you ever confess this to Kara? Not a chance.

"I mean," You take a deep breath, raising your head and trying to compose yourself. "Perhaps that's why the new Earth was created, right? A wild new scenario? Me and Lena."

Kara blinks, then chuckles. "I guess you're right." She finally picks up her food and begins eating. "I'm not sure if that's how a new Earth is created, but it's certainly wild enough."

Yeah. Wild enough.

Lena steps off the elevator, and you lift your head to admire her before she notices. Her hair is in perfect dark waves down her shoulders. She looks so tiny in her white sneakers, but you love them so dearly because you know how much more comfortable she's been ever since she stopped wearing those awful heels for work. Her lips, just a splash of red in them, as she's recently been dabbing with wearing less makeup than usual. You don't think she's ever looked this pretty.

The headquarters is unusually quiet; J'onn is in another room, Kara and Nia are at work, Alex is out with her girlfriend, and Winn is occupied in one of the computers. For now, it's just you and Lena, which means pining is almost allowed.

"Hey, Y/N." Lena approaches, carrying a gigantic book and sporting a playful grin. "I know you're gearing up to tease me about my book, so go ahead."

"Honestly, Lena. You think too little of me." She raises one eyebrow at you and you hold back your smile. You manage your best British accent. "Have you gone mad, Hermione? Are you a witch or not?"

"Ah. There it is—the Harry Potter quote I've been waiting for." Lena drops the book onto the table with a thud, and you glance at the cover. "Ironically, it's actually about magic." You offer her a smirk, earning an eye roll in return. "So, has Kara mentioned anything about her last encounter with The Flash?"

"Uh." Your mouth drops, why is Lena bringing this up? "She – She might've mentioned seeing him."

"Right. So apparently she told him about my theory on elseworlds and he doesn't agree with it." Lena opens her book, looking for a page. And you breathe out, relieved you won't need to have that fun conversation with someone else. "So, you know, obviously I have to prove him wrong."

"Obviously."

You stare at her lips, curving into a smile. So red and perfect. So close and yet so far away. She might be beside you, but the gap between you feels insurmountable.

"Oh, and he also said something about us being married!" She says and you choke on your own saliva and starts coughing violently. Lena's hand goes to your back and she soothes you, in a protective manner. "I mean, I know it's a little far-fetched, but that's an odd reaction."

"I just –" You try to breathe again, ignoring Lena's hands on your back and the way it makes your body shiver under her touch. "I wasn't expecting that. Sorry."

Lena chooses to ignore your awkwardness, which is very much appreciated, and you fall silent thinking about things you will not have, body parts you will not hold, and the reciprocated love that you won't feel. Thoughts etched in the inside of your mind, so addicted to the illusion of a love that never was and never will be.

"How –" You look back at her and she raises her head, previously nose buried in the book, and you swallow your nervousness. "How does a diversion event occur in order to create a new Earth? Is it something big and worldwide, or is it something small and insignificant?"

"Well, it is commonly thought to be big events. The small insignificant things that follow are usually in response to them."

"I see." You breathe deep one more time, mastering your best courage. "So, what would happen if I were to meet the other me or you from another universe? Would it be a paradox or something?"

"No. We're all different people." You bite the inside of your mouth thinking about it. Lena's voice brings you back from your trance. "Why the sudden interest?"

"Hm? Oh, I'm just trying to understand more." You smile getting up from your place. "Thanks for explaining it to me." She looks at you curiously and you over explain things with your arms, like a lunatic. "Things are slow today. I'm just gonna head home. If there's an emergency, just hit me up."

"Oh, sure." Lena has barely noticed you're gone, nose buried in the book once again. "Yeah, we'll let you know."

Is it madness? You pace the apartment floor, wrestling with your thoughts. Is it crazy to entertain the idea of venturing into another Earth just to witness a scenario where you and Lena are together? Is it reckless and irresponsible? Is it even fair?

But this love you feel for her has been eating you from the inside. You don't believe there's ever been a space quite as big as the one she wished into existence between your heart and hers. So how can you not? How can you not go on an excursion to find out how to summon this love into being?

"Hey!" Kara taps on your window and you turn around to look at her. "What's the emergency?"

"I need to go on a trip." You say. Packed bags at the edge of the couch, forced smile on your face. She flies in, landing close to it.

"Whe –"

"Can't tell you where. Just wanted to give you a heads-up so you won't worry."

Kara studies you, suspicion evident in her eyes. "Did something happen? Are you going on a mission?"

"No!" You rush to assure her, preventing any further questions. "No, no. Nothing happened, really. It's not a –" But it is a mission of sorts. "Not a real mission, maybe one just to answer a question that keeps me fast awake at night."

Kara squints her eyes looking at you, clearly finding your act extremely suspicious, and you curse yourself for your breath stuck in your lungs and the heart beating almost out of your body.

"Kara, you don't need to worry, I promise."

"Too late! Am worried!" She breathes out, sitting on your couch, right next to your bag. "What's going on? You've been acting weird these days. And DON'T –" She points at you accusingly, because she knows you were about to open your mouth and defend yourself. "say you're not, because I know you and you can't fool me, no matter how much you want to."

She's right. Kara knows you inside out. But there's one thing she's mistaken about: you've been successfully fooling her for months.

This pining over Lena, this ridiculous huge crush you've been nurturing for Lena Luthor has been going for far too long. You crave the way she smells and how she talks. You dream about green eyes and perfect arched eyebrows directed at you. You're consistently going out of your way just to see her. You jump on cases, and suggest team pairings. It's crazy the fact that no one noticed yet, because honestly? You don't think you're doing a far too good of a job when your mouth literally drops at the sight of her.

And yet, your best friends haven't figured it out. None of them. Not even the Kryptonian with super hearing and x-ray vision.

"You have nothing to worry about, really. But I can't tell you where I'm going, so you're just gonna have to trust me on this one." You try your best puppy eyes and sweet smile. "You do, right? You trust me?"

Kara's eyes soften immediately as she stands and comes closer to you, "Of course I do, Y/N. You're a strong, powerful woman and you can take care of yourself." She reaches for your arm and winks at you. "Plus, you have me on speed dial."

She means the watch.

You agree with your head and hug her goodbye.

You've never been to another Earth. Have heard enough about it, though, to not look completely lost and out of place. So you do your research, does Supergirl exist? Is Lena running some kind of business empire? Where do all the heroes meet up?

You're quick to find out, LuthorCorp is still very much a thing here, and it's run by yours truly, your so-called wife, Lena. So you make your way there first thing.

"Hi," You try, while talking to the receptionist. "I'm here to see Lena, I'm –"

"Mrs. Luthor!"

Startled, you glance behind, finding no one. "Where?" Then the realization dawns. "Oh. Oh! You mean me. Yeah, I never quite got used to it. Can I go up?"

"Of course, ma'am."

You step into the elevator, musing over how Lena's last name sounds rather fitting when associated with you. In fact, you might prefer it to your own.

"Mrs. Luthor," you overhear Lena's assistant on the phone as soon as she spots you. "Your wife is here."

You make a gesture to correct her, but she's already running to the door. "Mrs. Luthor, please." she nods at you.

"Oh, you don't have – it's ok. I can –" You finally smile back at her. "I'll take it from here, thanks."

As soon as the door closes behind you, Lena makes her way towards you.

Holy shit, she's a mirror image of your Lena. Not a single strand of hair out of place. She even wears the same style of heels your Lena used to, with a high ponytail and those perfect red lips curved into a smile.

"Darling, I didn't know you were dropping by." Before you can say anything, she's planting a kiss on you—a short, sweet peck that catches you off guard. It takes a few moments for you to close your eyes and reciprocate, only to find Lena pulling away. "Is everything all right?"

"I'm not your wife!" The words burst out before she can lean in again, the realization hitting you hard. It hurts to say, especially when all you want is to kiss Lena once more, even though she's not truly your Lena.

"What?" Lena's eyebrows knit together in confusion.

"I'm a different Y/N. From another Earth." You point to yourself, trying to convey the truth. She stares at you in disbelief, so you rack your brain for ways to convince her. "Call your wife, and you'll see."

Lena blinks, then reaches for her phone on her desk. After a brief conversation, she hangs up. "You're not my wife," she confirms, setting her phone down. "Sorry for the unexpected kiss. You look exactly like her. Well, you are her."

"It's okay. I can't say I hated it." You admit, feeling a blush rise to your cheeks at her amused smirk. Maybe you shouldn't have said that.

"Let me guess, your own world is in danger, and you need our help, or something equally insane?" Lena guesses with a sigh.

"My world is fine. But I do need your help with something insane."

Lena gestures toward the couch, and you follow suit. "Do tell, not-my-wife."

"How did we end up together in this universe? How did I win you over?" You're not even half seated yet and are blurting out questions.

"Win me over?" Lena chuckles at your choice of words. "Oh, darling. You fell in love with a Lena?"

"I'm afraid I did. Except mine is in love with Kara, so –"

"Oh, ok." This Lena shakes her head like that thought is insane. "Can't help you in that area. I was always in love with you – your version from here. In fact, you didn't win me over. I was the one who had to win you."

"Oh yeah, that was probably so hard. Flash those green eyes and a knowing smirk at me, and I'm already head over heels for you."

Lena nods in agreement, a smile playing on her lips. "To be honest, that was pretty much it."

Great, this entire excursion to another universe was useless. This Y/N finally got the girl, and you can't be helped.

"I'm sorry," Lena is quick to say. "I know I was of no help, but don't lose hope!"

"How do you know–"

"Please, Y/N. I am your wife." She reaches for your hand, smiling warmly. "If you fell in love with me here and in your universe, there's likely others where we end up together. I'm not saying you can visit them all—"

"I will visit them all!" You declare, rising from the couch, and you can practically feel Lena rolling her eyes. As you stand, she does too, and you share a goodbye hug. "Thanks for your help, not-my-wife! A pity kiss goodbye in case I never get the girl?"

She chuckles at your jest and plants a kiss on your cheek. "I'm certain you'll get her."

With renewed determination, you prepare for another journey to another Earth.

#supergirl #kara danvers #lena luthor #lena x reader #reader insert #supergirl fanfiction #supergirl imagine

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iliveforyouilongforyouvesuvia · 3 days

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i would've requested something so much earlier but for some reason your ask box wasn't showing on my mobile at all?? very strange

soo since i was helping my mom assemble some garden chairs recently, how about drabbles about M6 dealing with assembling ikea furniture and how good/bad they're at it:3

The Arcana Drabbles: M6 building IKEA furniture

You'd like to say that you've seen the shop in worse condition, but ... you really haven't. The six adults scattered across the the floor and scrabbling through the pile of flat-pack boxes that arrived earlier aren't helping (though you can tell they're really, really trying to -).

"UGH!" Lucio groans, crumpling an ill-fated leaflet in his golden hand, "this makes no SENSE!"

"Of course it wouldn't," Nadia calmly responds from her chair. Did she drag that out of the back room? "it has writing on it, and I've never seen you patient enough to read."

"I CAN READ -"

"I can't, apparently." Julian hangs his head mournfully over the pile of screws he's laid out. You're pretty sure half the pieces don't belong to the kit he's currently crouched over, and they're arranged in a fashion eerily similar to surgical tools. "The first step calls for piece 'a'! I can't find piece 'a'! How am I supposed to build this if I can't find piece 'a'?"

You step cautiously past Nadia's pristine workspace and peer at Julian's leaflet. You're pretty sure you saw piece 'a' a minute ago scattered in the wreckage that is Lucio's general vicinity and you don't know how to break that news to the languishing doctor.

"Hah! I did it!"

Portia pops up from where she's been sitting behind the counter, triumphantly twirling her little metal screwdriver. "Tadaa! I don't know how to pronounce the official name of this, but here are your new cabinets, oh great magician shopkeeper." She gives you a giggling bow and waves her hand at the finished piece. "Where do you want me to put it?"

"You can leave it where it is for now, I still need to decide - Asra? What's that?"

"Hm?"

The magician looks at you over their shoulder, sitting cross-legged on the countertop with their back hiding whatever it is they're working on against the wall. "I'm almost done."

That's cryptic. "Done with what?"

He smirks. "This." The structure they reveal may have started as furniture, but currently resembles a modern art piece. You don't know what it is.

"What is it?"

"Ah ..." His voice trails off, and he flushes sheepishly. "Well, it's going to be shelves when it's done, I just took the less conventional route." They flash you a dimpled grin. "I'll keep working on it."

It's as you're turning away that you notice piece 'a' must have just been plucked from Lucio's floor space and creatively attached to the structure. Thankfully, Julian still doesn't seem to have noticed.

"WHERE ARE MY PIECES GOING?!"

... however, it seems like Lucio did notice. You approach the whirlwind of screws and random wooden pieces, the ex-count sitting at the center of the chaos like a loud, confused island. "Which pieces are you missing?"

"I don't know! I just took apart the thing I was working on -" he waves his crumpled leaflet with a pout, "- and now I have less than I started with! Asraaa -"

"Don't look in my direction." Asra gives Lucio an uncharacteristically cold scowl and makes a show of pulling piece 'a' from the artwork that is, to their credit, starting to look more like a shelving unit. It drops on the floor and rolls into Julian's pile.

"A-ha! I've found it! You've fled from my grasp for long enough, you scoundrel. Finally, I can begin!" The doctor snatches it up in delight and flips excitedly through his leaflet.

"JULES!" You'd think Lucio had gotten sunburned with how red he's turning.

"I'm pretty sure that wasn't one of your pieces, Lucio. Why don't you show me what the first step was, again?"

Lucio grumbles and begins un-crumpling his instruction manual. It's while he's distracted that you see the large hand reaching into the sea of his pieces and snatching a tiny screw. You follow it back to the corner where its owner has been sitting silently the whole time, and your jaw drops.

Three completed furniture pieces are neatly arranged in a row, a fourth one quickly reaching completion in Muriel's lap. You knew he was a good craftsman, but it's almost like the screws dance into place under his precise touch. You watch him glance at his open manual, spot the cross-shaped piece under Lucio's knee, and then silently snap it up as soon as the ex-count's head is turned. A small, smug smile dances across his bent face when another confused shriek follows shortly after.

"ANOTHER ONE DISAPPEARED! IT WAS CROSS-SHAPED, IT WAS HERE AND NOW IT'S NOT -"

"Silence."

Nadia massages her temples, clearly fighting off a migraine.

"Noddy, I -"

"Enough." Nadia leans back and sighs. She's pulled out a set of trays and organized each unused manual with all the screws and small pieces needed, laid out in order of use. She holds out one hand and Muriel silently flicks the piece she's looking for into her palm - right after pulling it from under Lucio's boot. "I've been taking your pieces, in order to better organize our endeavors."

"Noddy, how could you?!"

"How about some tea? Doesn't that sound nice?!"

Portia's aggressive sunshine smile overrides the growing storm, giving Nadia a moment to massage her temples and momentarily cowing Lucio. You smile. "Tea sounds nice right now."

Portia claps her hands, skipping around the counter. "Great! Do you have any snacks?"

You shake your head slowly. "I ran out this morning, but if anyone wants to buy cookies I can give you some -"

"Cookies?!" Lucio stands bolt upright, heading straight for the door. "Don't worry about it! I'll get them!"

The door slams shut behind him and the room is suddenly quiet, his excited shouting fading around an outside street corner. To your surprise, it's Muriel who breaks the silence.

"Cookies? ... that's all it takes?"

#ask arcana brainrot #the arcana #the arcana game #the arcana drabble #the arcana imagine #the arcana fanfic #asra the arcana #julian the arcana #nadia the arcana #muriel the arcana #portia the arcana #lucio the arcana #asra alnazar #julian devorak #nadia satrinava #muriel of the kokhuri #portia devorak #lucio morgasson

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kel-lance · 1 day

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JJK Mafia Au (JJK x Reader) PART 4

(quick chapter//moving plot)

Warnings:

- TW: Dead dove dont read (DDDR) Minors do not interact (MDNI): SA, Physical Assault, DubCon, NonCon, Mindbreak, Public Humiliation, Breeding, Ownership, Gaslighting, Multiple manipulation, RWORD, PTSD, a lot more toxic sh.

Premise:

Reader lives in a city where the two biggest gangs keep things line until the third gang showed up. That had nothing to do with you though, until dumb luck just happened to favor you one day. Basically You’re picked up and used by every dangerous criminal within the clans due to some alliances they had to create due to some members messing up the previous alliances. ((Almost everyone’s gonna have a turn 🤗)) ( i have 12 chapters planned out right now meaning after i write those ill still be writing more.)

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AN: Sorry for the long update i'm trying not to get evicted bc i was fired a while ago bc of a protest (surprise surprise big companies don't like or care about palestine or other places like it.) but i had to give away my cats and am still struggling i have my socials in my masterpost if you could help if not its okay ily, I hope you like it

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After the three took a break from you, Sukuna pushed Yuuji towards you. Todo just follows along, trying to make sure Sukuna doesn't kill Yuuji as they just don't know what Sukuna could be thinking at times like these.

You lay a top the bed, sheets strayed, your hair messy, your whole body sweaty and broken, you entirely were weak, and Yuuji couldn't stop saying sorry to your fucked out face. "Let's see what you got."

You didn't feel anything for a few minutes until Todo broke the silence. "You've got to do something, brother, you know I'll back you up."

Yuuji just continued to stand there. If he were to fight Sukuna with Todo on his back, he wouldn't know who else would fight with them. Todo would lose everything he already has and would blindly die for him, which he would never ask for. But if he were to go through with fucking you again for Sukuna's enjoyment, Todo would also have to add himself into the situation. This double edged sword was going to stab him either way, but which would hurt you less?

"Don't take too long..." The leader made motion that he was going to start walking towards you two. "NO." Yuuji covered you on the bed, staring off back at his older brother. Todo comes behind Yuuji, putting a hand on his shoulder before giving him a look, and sighing understandingly as he stripped off his shirt.

Todo and Yuuji's was almost awfully awkward at first. They just felt bad, not being able to tell if you were even conscious anymore and continuing to do to you what they were doing.

Really they weren’t allowed to stop until Sukuna was satisfied. Until Yuuji was sobbing, begging him to give you and everyone else a rest. He was asking what would it take to stop this?

The older brother taunts, “Maybe we’ll keep her til she births one of our children, or multiple if she can create sufficient and strong offspring. I don’t know, Yuuji, should I start a farm because of you? I heard the Zenin clan is somewhat similar…”

“Please, please, Sukuna what do you want?” He was breathless. “This has to stop, you can’t-.”

He stops his younger brother, “I have, I did, and I can continue this for as long as you both live. I think that may be the conclusion I’ll come to, don’t you think it would be fun to be an uncle?” His big hands caress your stomach, feigning tenderness to his soon to be child or “sibling’s” child.

- You go back to your room where you stay in for a week.

- A random night, someone breaks in and tries to kidnap you and you didn’t know who it was, obviously you weren’t going with them without an explanation.

-That caused you to fight back as your dealing with everything so far, you were getting pissed being treated like a doll. The person who broke in gets captured, just before he says “Yuuji’s waiting outside, trust me.”

- Sukuna's family come in trying to make sense of the situation and the others had captured the mystery guy

- That's not before he throws you to two female ninjas. They secure you quickly and run back to their master Toji.

- their clan/gang is super powerful, the twins you can guess are Maki and Mai, and Sukuna (the new head of one of the three big families that control the large part of the area, the head of the Kamo gang) had just kidnapped their son, even if he did happen to barge in.

- Megumi’s been friends w Yuuji since they were kids but they never shared that.

- they met bc they were fighting bc yuuji was taught to fight ppl who give them looks (Sukuna wanted him to protect the family name no matter what, and megumi just had that face… and when they realized that they were part of the other side they had to come to extremes before realizing they were different from their families.

- they knocked each other out senseless and somehow one was still alive, megumi sat with yuuji while he regained consciousness and they started to talk more. Battered and bloodied but Yuuji finding the humor in it while Megumi thinks enough to like his character and realizes he’s just a big strong idiot.

- Maki and Mai are close, as sisters should be and they both have their loves (nobara and momo) and we all have to go team up with the gojo clan in order to make sure this trade off is safe and megumi and yuuji aren’t dead

- because now yuuji is with you at the toji clan too, it was supposed to be just you getting captured and then yuuji leaves to live his own life but now he’s in front of toji saying it was his fault that megumi’s now with his brother (sukuna)

- Yuuji explains that he and his son were friends since childhood, he says everything and everyone's on edge bc toji does what he wants, whenever, whatever, really anything for money.

- He says he knows he doesn’t have money, but the only thing he does have was something they both risked their lives for, so toji gets curious and wants to try you out.

- Toji fucks you senseless, making you think the train ran on you were more merciful. He was trying every hole, every position, just dressing you up and doing whatever he could with you, you were actually at your limit with him, enough to bring you back enough to start fighting again. You were getting sick of it, actually you think you were getting sick.

His inconsideration was on par with Sukuna's, though Sukuna cared more about his new objects while Toji wants them to know their place and to leave when he tells them to. He had to know why they would do all that for you//how did you survive so long in that clan he just has to see how durable you are and he’s LOVING IT.

- He asks you what you’ve been through and you don’t respond so he hits you again and again but you don’t cry so he does it AGAIN and you flinch enough to stop him, and start taking off his pants. His only response was "e’s like "Oh so they already trained you."

- You suck his dick and he pulls you up to kiss him, by your neck and places you on his dick and fucks you in the air, using gravity to its full advantage, that was the start of it all before the days of relentless attention and use, you were more sore than any of them have put you in. The hitting, cuts, just the amount of violence he's integrated into your sessions felt like training again, but worse.

- He’s wondering if he could keep you as his slut but remembered that it would be stupid to start a war when his kid couldn’t keep it in his pants. He blames Megumi for having a cold heart compared to his father's icy one.

- Toji makes up his mind to help and plans to betray/kill the sukuna clan when they get megumi back bc he doesn’t care but doesn’t say that.

-He plans a meeting with the other clan the top three have been fighting over the position of this location for years and now and ofc they’re all on edge.

- Gojo comes to the meeting with his clan, they’re not worried bc they know some of their clan can befriend some of the others involved. No ones been dead so they have some sort of unspoken treaty to leave each other alone but they never asked much from the other ever.

- Gojo settles down with his group, smug and tired bc everyone needs them to fix other peoples' problems for them. The community relied on the Gojo Clan to protect them when they also work with the Kamo and Zenin gangs, the people outside are just as gullible. He sits down and asks what could big ol Toji need from him,

- “It’s Megumi”

- Gojo drops his smile. Their other unspoken alliance was when Megumi was beaten up at a really young age bc of his status and itadori happened to be there too (same elementary school). Gojo beats the fuck out of the people who targeted the kids/second to heir the clans, and left, but Megumi finds him and asks why would he help them.

- Gojo said he can’t have his competition get angry, his people are at stake. (referencing to the shifting power in-between the gangs that they didn't know about yet, and that his person was leaving his clan to join the other, he didn't know why he was doing anything anymore at that point but he couldn't let more powerless powerful children get hated on.) Megumi says thank you and takes Itadori back near his gang before disappearing back to his clan.

- Gojo actually has been in contact with his friend who's joined the other clan. That's how he knows what's usually going on with them to keep them rangled up and behaving as much as they could to not cause trouble or cause attention to groups like theirs.

Gojo and Geto were very young when they met, and since their lives were everything but normal, they were given the chance to take in more young bodies to add to their clan. They raised them together, but geto left.

Gojo begged for days for him to reconsider, they day he left he was inconsolable, especially since he took the twins too. Geto couldn't separate the girls, but he could separate himself from Gojo, in his head it's to help Gojo in the future because of the power he'll have.

Gojo didn't care about that, he didn't want help he just wanted Geto. That was all he needed, he had decided. He could have ruled the world and done it confidently if he had Geto by his side, but things don't go through when you're young, and now you're about to catch as many years he hadn't been able to get out.

- He's not nice at all when you're under his care. With Geto leaving at a critical age in learning, his feelings had been all over the place. He was completely disordered, his goals and morals and everything went awry, with the years he couldn't get himself out of the timestamp of when he knew happiness.

- So he asks you about Geto, his best friend, the only one that could make him feel real again. The one person who didn't do things for him because of his name and status, and yet left with the excuse of protecting Gojo from future evil. It was enough to drive the strongest insane.

- He asks you everything by torture, not too physical that anyone can see. WHen trading you back you should at least look and act like you're in the same condition, if not better than what you were when they traded you off. Just anything that Toji didn't already give you, Gojo would have mindless enjoyment from digging his fingers into the fatter parts of your belly, legs, and forearms.

- He’s only doing this to see Geto again. He just wants to pass the time until he can finally feel good again. He's strong, he's smart, he's beautiful, when would life be good to him instead of him making everyone else's lives better just by being there. It made him coky, it made him secretly weak willed to his own desires, so his processing was different than most.

- He asks u what he looked like and everything about him while fucking you. it was the closest he’s got rn. "I don't know's" made him reel back more, his strikes becoming almost boneshaking and shattering. He was making Toji seem gentle. Now that something he cares about is just a memory away, he just couldn't stop himself.

-You were so close to him, even if you never spoke to him, even if you never saw him in the maybe month you were staying at the Pink haired clan. But his aura seemed to have darkened when you mentioned twins. There were just so many either of you could have known but it just seemed to rile him up more. Seriously you would need a doctor and healing time after this. You couldn't let that happen again.

-There was nothing else to take from it, it was a hell you would only wish for the person already committing it. It made you miss the tenderness of Sukuna and the warmth of Toji, it didn't matter what they did or how you got there, anything sounded better than Gojo being without his favorite things. And you were barely part of it.

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wombywoo · 2 days

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Sorry if you already answered this- but I am DYING to know more about Quinns prophetic visions. What does it mean that he puts himself in ‘near-death’ situations to have one? Could you give an example? Also do they last long/ put him in a trance or is it quick. If they last long I could imagine the first time it happened around Vincent him being totally freaked out and trying to make sure he was ok (maybe he was worried Quinn was having a stroke/seizure)

sorry it's taken me so long to respond I'm sick today 😩😭

I do have a very long answer and it's under the cut! (tw for mentions of self-harm, injury, drugs, domestic violence, non con) this is so heavy I'm sorry please read at your own discretion.

So--the first time Quinn's visions appeared was in the aftermath of the bus accident that nearly took his life. He'd been impaled in the shoulder with a metal pole, lost a lot of blood, and ended up coding when he got to the hospital. While in recovery, he experienced an intense seizure-like episode, which the hospital staff assumed was a side effect of his fever spiking dangerously high. But no--turns out his 'vision' and the delirious ramblings he tried to warn everyone about came true a week later (it was a major catastrophic event; I will touch on this later at some point..)

Hereafter, a series of injuries and illnesses in his preteen years enabled him to grasp the basics: if he gets personally close to death, a vision is granted (and it's usually a portent of something supernatural and horrible).

There were several....attempts to test the limits of this, as well as a dangerous theory: did he only experience the visions because the events he'd seen were meant to happen, or did the events happen because he saw them?

Interesting, interesting....

When Quinn experiences a vision, the effects can vary. Usually, he does exhibit something similar to a seizure--there's violent thrashing, sometimes screaming, or other times he drops to the floor, seemingly paralyzed. An outsider might assume he was dead if they didn't know better.

The length of an episode also varies: they can be as little as a couple of seconds to up to thirty minutes (at least that's the longest he's had so far)

Another thing to note is--his visions always take place from the point of view of someone else. Whatever event he's witnessing is shown to him from behind the eyes of a person present at the scene. As such, if the POV dies, Quinn reacts accordingly (thrashing, screaming, etc)

He also has other clairvoyant qualities, in that he appears to have an uncanny sense of luck in the field. What makes vampires so notorious to combat is their enhanced speed (when aiming, it's less a matter of where they're standing now as opposed to where they will be in a flash of a second) Quinn has a keen ability to prejudge where the target will be, and is almost always successful in taking an accurate shot.

After certain...events in his teen years--Quinn swore to put his prophecies behind him, and for a long time, he did his best to suppress them. It was only serving in the military and thus being thrown into danger regularly that forced him to confront the benefits of his 'gift' once more. A harrowing field injury left him a vision on the eve of a big mission: one that would fail from the things he saw. Quinn attempted to relay this 'newly discovered intel' to a higher-up, but it was ignored, and the subsequent failure played out just as he'd seen it.

Despite knowing very little about whether he'd ever be able to drastically change the future, if at all, Quinn took it upon himself to try to use the visions as a guide for future endeavors. With that came a sense of personal responsibility: if he had a chance to see a glimpse into a probable future, this could potentially save the lives of his squadmates. But he couldn't very well be exposing himself to danger regularly in order to induce a vision, could he. So he developed...other methods.

Drugs became his 'easiest' option, and that was still a huge gamble. A hit strong enough to run the risk of OD usually was enough to give him a vision. And acquiring them was simple enough--his ex bf Marc was a willing supplier. But using them in the field was not really a choice Quinn was comfortable with, especially when his CO found out and was ready to discharge him on the spot (they...worked something out)

His other options were more...creative, but usually required a partner. When his best mate Danny was first asked to drown him in the bathtub of the safe house they were holed up in, it was met with, ah...a lot of resistance. Quinn had attempted this on his own once, and yeah....that was nearly fatal. It took a lot of convincing, but eventually Quinn did persuade his friend to hold his head under the water long enough for him to stop thrashing, and then resuscitate him only to watch him writhe on the floor in apparent agony. Not at all recommended!!! good friends do not do this to their bros ❌ Danny was extremely traumatized and fucked up over the whole thing, and Quinn swore he'd never ask him to do it again (spoiler: he did)

The dangerous self-harm options just seemed to escalate though. It didn't help that Quinn's (psychotic) boyfriend was the biggest enabler of all. Marc was a violent lover, both physically and mentally. Yet Quinn didn't mind in the beginning; his mental state is not the greatest (can you tell??) so he often used Marc as an outlet to punish himself :'D There was an...incident with choking that went a little too far, and after witnessing Quinn's episode first-hand, Marc eventually figured out the basics as well. And as a result...well. Let's just say Marc appreciated hearing details of future events (for investments and whatnot) and was not at all inclined to entreat his boyfriend's safety above all else. This led to....various incidents of forced suffocation (most of which were not consensual) god this is really horrible, I'm sorry... They do break up, finally, but there's still a sense that Marc isn't done with him yet...

Eventually, Quinn does reach a healthier mindset with the help of his therapist and his commanding officer (and Fig!). At current, he hasn't had an episode since his last field assignment and injury, and hasn't induced one in over a year.

His developing relationship with Vincent comes with the eventual explanation of...all that, as well as a new catch-22--now that Quinn has someone he cares about more than anyone else, the 'personal responsibility' starts to stir up once more. Especially with a recently learned development--taking Vincent's venom-neutralizing pills is enough to induce a vision.

This can definitely complicate things....

And in the back of his mind, that notion still remains: is he the one causing these things to happen, by witnessing them in the first place??

Interesting, indeed....

So there you have it! It's not everything, and I'm still brainstorming a few of the details...but this is most of what I've thought up thus far~

Sorry I rambled when all you asked was a simple question :'D

#asks #quinncent #a deeper look into quinn's backstory #trauma is real viewer discretion is advised #I have a few more questions to answer but I'm working with half a brain rn so it may have to wait ;_;#I sure hope this is cohesive and not a pile of meaningless nonsense :'D

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moonyasnow · 1 day

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Just some Octatrio thoughts, about another post

Ok I don't usually do this but this one take about the Octatrio I scrolled past on my dash the other day has invaded my brain like a parasite and latched on and absolutely refuses to let go, so I just need to get it out of my system or it's gonna drive me crazy

I don't remember the OP's name, but if I remember correctly the post was basically about how, apparently(apologies in advance if I got something wrong or misrepresented the OP's words):

People who have soft, fluffy headcanons for Azul, Jade and Floyd are kids who had the jokes the characters were based on, such as:

Jade likes mountains apparently not because he just thinks nature is fascinating but it's supposed to be a joke for mountains being good places to dump bodies

The Leeches are implied to be a literal fish mafia

The Octatrio are dressed like American prohibition-era mobsters

Jade and Floyd want to eat Azul

fly over their heads.

And I just—

The only word I can think of to explain what I feel every time I remember it is 'baffled'. I mean absolutely 0 disrespect in any way, shape or form to the OP, but I am genuinely fascinated by how they could have come to those conclusions.

My first thought was 'no actually I'm pretty sure people get it' And there are people over the age of 18 who have fluffy headcanons about them too, you know?

My second is 'why can't it be both?' Like, why can't Jade genuinely find mountains and nature fascinating while having it on a more meta level also be a small joke about how mountains are good places for dumping bodies?

Why can't Floyd like Takoyaki while also NOT wanting to eat his best friend?

Why can't the Leeches be a mafia family while still having Jade and Floyd, who are literally still teenagers, be multidimensional characters who have priorities and like other things than just 'haha murder'?

Sure, those jokes and influences are there, but they are not the end-all-be-all of the characters? This just feels like a very one-dimensional way of looking at these characters.

And isn't TWST's entire thing that appearances can be deceiving? In a way I feel like Jade's love of mountains being viewed as 'oh he dumps bodies there because he's a scary ocean monster and has thus probably killed people before so of course that's why' is a very surface-level reading and understanding of him as a character— it just sounds like something some random student who has only seen him from afar and doesn't actually know him as a person would think.

And it's a similar thing with the Takoyaki. The surface-level reading would be 'if he likes eating Takoyaki, which has octopus in it, that must mean he wants to eat Azul too! Because Floyd is big and scary and has probably killed people before' To me it also sounds like something Ace or Grim might think before Book 3.

And, while I'm not gonna deny the Tweels have almost certainly murdered (or at least gotten close to it) people before, in a way it just feels kinda...idk, mean-spirited? To say, for example, that Jade can't just have nature be a thing he enjoys for its own merits, that he's not allowed to have that as just a thing he genuinely likes and there has to be some deeper, meta reason for why. Or that Floyd can't just enjoy Takoyaki and probably tease Azul with it but also not actually want to eat him because he likes him and wants him around. To me that kinda feels like sucking all the joy and interesting nuance out of a character, in a way.

And implying that the people who don't ascribe to the same view as you are kids also feels somewhat infantilizing? Like, it just comes off as saying that the people who disagree haven't thought about it hard enough or just aren't smart enough to get it, and I just feel like that's not a great stance to take in any kind of discussion. Quite a flimsy way of trying to discredit the opinions of those who disagree, too.

I am NOT trying to start any kind of 'drama' or 'attack OP' or anything like that; I'm genuinely very confused— I just feel like one of us, either OP or me, is misunderstanding something here

#twst #twisted wonderland #moony thoughts #azul ashengrotto #jade leech #floyd leech #octavinelle #octatrio

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prettyboysdontlookatexplosions · 2 days

Text

medialog may 2k24

not me being on time...

watched

the pilot of star trek: deep space nine - i normally would not list a single episode of television here but (1) it's almost two fucking hours long and (2) i watched this in some ways as one might watch a movie, i.e. at a friend's behalf without any expectation of continuing. i'm not sure that i will continue because as we all know i'm not the biggest fan of space, but i will say that my friend had been on me for ages about this and i truly could not imagine what he thought the appeal might be and then it turned out to be literally about colonialism and trauma so i was like.... okay..... points were made......

i saw the TV glow - on letterboxd i called this "beautiful, aching, strange," which i think sums it up. the visual look of this movie has really stayed with me, as have certain scenes (the neck-drawing scene - one of the most intimate, tender, & vulnerable moments i've ever seen in a movie), as has the way that i didn't really know how to watch it or what it was doing until the very end, which made it sort of curious in the moment but felt right in the end because it's about people who don't know what story they're in (made me think a little, weirdly, of the green knight, which i had a similar experience with). i also just appreciated its loving fidelity, even as that affection is complicated by the text itself, for the aesthetics of the first nickelodeon generation, and the fact that one of the things it's about is the idea of being life-changingly obsessed with something that's objectively kind of stupid.

challengers - "is this movie good" wrong question. right question is "does this movie fuck" and the answer is ABSOLUTELY. i'm gonna say something very controversial which is the more i think about it the more i think the movie was correct to include no real actual sex scenes and that in this specific case i truly believe if there was more fucking it would be less horny. last moment maybe the most purely elation-producing thing i have seen in a movie all year.

thief - i continue to be so glad to have been gently michael mann pilled by @power-chords; he is such an incredibly reliable filmmaker for making movies that are incredibly entertaining and well-made scene-to-scene but always manage to be so much meatier and more interesting in their writing & execution than the plot summary might lead you to assume. like, every time i watch one of his movies about white guys doing crimes, something people make a zillion movies about each year, i'm like, how come they don't all just do it like this guy? this one doesn't quite have the kick-it-to-eleven-something-extra to land it in top-tier mann territory for me personally, but it's still great, with a killer lead performance. it really brought home for me how much his movies are driven by a firm belief in the fact that people have personal philosophies that matter to them in a real way, and that one thing that makes him interesting and distinct is his insistence (here as in heat & blackhat) that that applies not just equally but possibly more so to people who have been incarcerated, and in fact his insistence on viewing incarceration itself as a situation which forces people to develop and articulate their personal philosophies as a matter of psychological survival (while obviously influencing what that philosophy is).

trouble in paradise - my letterboxd review of this was "siri play cowboy like me" and i stand by that: girl and boy meet cute in a classic scammer4scammer relationship, things get complicated on a later trick but ultimately they'll be loyal to each other and no one else until the end. i liked that but lubitsch is also a filmmaker who has turned out a bunch of kick-it-to-eleven movies that really wowed me and this felt a little light compared to the deranged battle-of-the-sexes fantasia bluebeard's eighth wife, the unbelievably dark and unbelievably funny WWII farce to be or not to be, or the OG MMF threesome celebration design for living. this one is just a very nice time, although i do need to stress that if it had been my first lubitsch i probably would have been more impressed, and the highs against which i am measuring it are EXTREMELY high

the bourne identity - did you know that brian cox and julia stiles are both in this movie? think about that for a minute. anyway this is decently fun

the bourne supremacy - kicks like 200% more ass than the first one, much more concerned with delivering awesome set pieces happening as frequently as possible. crazy to watch the shaky-cam action scenes in this after 7 million incoherent shitty shaky-cam action scenes and really savor the fact that even though it FEELS out of control and wild, actually you can tell what is going on with perfect clarity the entire time!

perfect blue - this is like the most incredible movie i have seen in my entire life holy shit????? just an incredible exploration of celebrity, identity, projection, parasocial relationships, the viciousness and dehumanization women in the public eye experience within the entertainment industry and without, often from people who identify as their biggest fans... also one of the only movies (seriously it's like... this and eighth grade? what else is there?) to make meaningful use of the affective/psychological/metaphorical dimension of the internet (in a way that makes clear that with the internet it's hard to suss those three apart), despite the fact that it came out in 1997 and features a scene of someone explaining to the protagonist how to go online. like it came out THAT early and ALSO: features a scene where our constantly dissociating heroine whose grasp on reality is dissolving reads a blog an obsessive stalker has been writing in her voice and uses it to identify what she did that day... like satoshi kon (RIP) your mind... this is also probably the animated movie i've seen that makes the most interesting use of the fact that "real" and "fake" can plausibly look identical in animation. it's a dark and viscerally disturbing watch with some deeply cynical observations and yet ultimately feels very humane and not wholly depressing... it's a miracle to me this movie exists i really can't believe how good it was. everything i've ever wanted happening at once.

furiosa: a mad max saga - i'm so glad chris hemsworth got to be australian in a movie that rocked... darker and slower than fury road, both by design, but i really liked its heaviness, offset (and this is like fury road) by a core humanity that feels like a real commitment. but also it is filled with many scenes that whip unholy amounts of ass.

ball of fire - THIS MOVIE WAS SO FUCKING GOOD I CAN'T BELIEVE IT!!!!!!!!!!!!!!! okay this is a screwball romcom from 1941 and the premise is: "stuffy but sweet grammarian currently serving as the only hot member of an eight-person team of encyclopedists realizes after a chance encounter with a loquacious garbageman seeking trivia help that his entry on slang is hopelessly outdated and ventures out of project headquarters to learn the language of the people on the streets, where he also finds a nightclub singer with a smart mouth who unbeknownst to him is a gangster's moll tangled in a web of her own." IS THAT NOT THE BEST IDEA FOR A MOVIE YOU HAVE EVER HEARD IN YOUR LIFE???? everything about this movie is SO delightful. gary cooper is so funny and so cute and sweet blushing his way through a belated sexual awakening, barbara stanwyck is charismatic and sharp winning over both him and the seven old nerds who are silly and cartoonish in the best way (but also one of whom gets a monologue that is genuinely moving but whose obscenity is so thinly veiled i TRULY could not believe the board let it through in '41 lmao). this was screening as part of some partnership with the academy where different branches choose movies to highlight and it was selected by the writers, which makes sense because the screenplay is INCREDIBLE, both structurally and line by line. it's somehow both gonzo and intimate, weaving a goofy gangster plot that in the screwball setting reads almost like a parody of noir (the chief goon is named "pastrami" lmao) in at the edges of a genuinely tender love story of the very very best kind, which is two people who surprise each other and consequently themselves, who mutually change each other but not in a way that suggests either of them ever needed to be fixed... and the way this happens is largely through LANGUAGE!! the script is sooo in love with language itself, seeing poetry both in fast-talking street-corner patter and in a line from richard iii that appears in a scene that remains hilarious even as it's also so heart-rending that it elicited not one but two vocal oh's from the person behind me. like, it's so crucial that cooper's character's attitude towards all the slang he's missed while holed up with his books is the excitement of a botanist discovering a new species of fern, totally devoid of condescension or scorn (there's a scene where he tries to understand the meaning of "corny".... it's just so good). this movie felt like a magic trick!!! i just coudn't get over it!!! i was floating on air!!! i was thinking about it all day!!! love yourself and watch it as soon as you're able!!!

ONGOING: interview with the vampire season 2 - Finally Some Good Fucking Food

read

andy greenwald, nothing feels good: punk rock, teenagers, and emo - when i was working on the taylor post i asked nick if the starting line qualified as emo and he responded by pulling this book off the shelf and seeing if they were mentioned (they are, several times). i flipped through it for some additional context and decided to read it for real because i was in the mood for some light nonfiction and it seemed fun and also i know andy greenwald as half of one of the ringer podcasts (the watch, which discusses TV; i had no idea he used to be a music guy). anyway i liked this more than i expected to honestly! you can tell that greenwald genuinely admires the work of many of the bands mentioned, both in emo's hardcore antecedents and in the scene/movement/trend itself (and he devotes a lot of space to the ways emo is all three of those in different ways or sometimes all at once), but you also get the sense that he's approaching this more as a journalist than as a critic, and his primary interest is less the music than the experience of the bands and especially of the fans; it's an oversimplification to say that his argument about emo is that it brings the catharsis of punk to uncool normie teens (given the origin point of my journey with this book, yes, i did constantly find myself stumbling across sentences that sounded like things a person could write about taylor swift lmao), but that's kind of the idea, and crucial here is that greenwald thinks it's good and special that these kids have something that means so much to them, and that's true regardless of the music's artistic merits, which obviously appeals a lot to me, a person whose now deleted perblog had a running tag called #avril lavigne was my kathleen hanna. the sections where he interviews actual teenagers made me choke up... multiple times. i was also kind of pleasantly surprised by how well most of the musicians he interviews come off. a lot of attention is given to chris carrabba of dashboard confessional (not really "of," apparently it's like the mountain goats where the name refers to A Guy and other people also appear variously...) who comes across as sincere and also sincerely actually kind of tormented and unwell to the extent that i found myself like concerned about his mental health, which was not an emotion i expected to ever feel... also the final two chapters are about the internet and the last chapter specifically is about livejournal and as someone who got on liveournal as a teenager the year this book came out, greenwald is more astute about the draw of blogging for young people with many feelings than basically anyone i read pontificating on the topic in high school and maybe anyone since - i'm really hard-pressed to come up with something About The Internet i've read that made me feel "yes! this is true and resonant to my experience of Online!" as much as this did.

courtney summers, the project - summers is one of a handful of authors i actively follow, and this is the first of two books of hers i've missed while having several off-years for reading. like a special gift for me personally, it's about cults, and she nails it; the book has two timelines, one in the present and one in the past, each following one of a pair of sisters drawn into the cult at a different time, in a different way, for different reasons - but to horrifying ends just the same. summers has talked in interviews and in her newsletter about wanting to write books that push at the empathy gap for imperfect victims, and this one pushes it as far as she's ever gone; i just think it's so, so, so great that she asks the reader to watch two different vulnerable people fall for manipulation she knows the reader will be able to spot a mile away and refuses to judge her characters for being manipulated. (also as someone with Some Interest In Cults, but no personal experience... for what it's worth, i think she really nailed the organization, which she says is inspired primarily by the people's temple but will ring familiar to others as well because on a certain level all these places are the same, as well as the charismatic figure at its center. and i thought it was kinda baller to make it an explicitly christian cult.) it's also her plottiest book yet, even more so than sadie, but still retains her knife-sharp interiority. at one point in this book a character who's a journalist says something like "the closer to the bone you get, the less you can be denied," which is an apt a mission statement as she's ever written for herself, and a pretty good one if you're on the market.

listened

dula lipa, radical optimism - dua lipa is to me the living embodiment of that line from the other two, "thank you, john legend! another b-plus!" and, indeed, this album is: Fine

billie eilish, hit me hard and soft - i really wanted to adore this the way i adored happier than ever, which totally blew me away, but i didn't - it's a little too polished, a little too respectable as Well Crafted Pop (as opposed to happier than ever which sort of flirted with respectability vis a vis its subject matter and the oldies influence on its several slower tracks, but which as a project was so eclectic and brimming with ambition that it still felt really electric). but, i mean, it's still good - i really think eilish is top-tier as a songwriter and her lyricism remains distinctive (who else would open her sweetest and most joyful love song yet with a verse saying essentially "kill me if you're gone because i would have no reason to live"?),, and finneas's glossy sheen is never anything less than pleasant to lsiten to - and obviously one of the most famous figures in pop right now putting out a single about how she loves eating pussy and spoiling the shit out of her girlfriend is an unmitigated win. my favorite track is probably the after-album release of the extended cut of the bizarre eurotrash song tucked into the last two minutes of some other normal song, which makes no sense to exist but delights me.

#media 2k24 #isabel 2k24 #technically i watched ball of fire yesterday so in june but #i decided for tracking purposes months just end on sundays #whole-week months only #they're 28 or 35 days. to Me #if you wanted a fun little glimpse into some of my more low stakes but high valence insanity

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atragicallycrispydude · 1 day

Text

It's been a few days of Slayer.

Fuck this guy.

Genuinely.

I think it took everyone (myself included) a few days to realize the bullshit you can get away with with him but like.

Fuuuuuuuuck

Here's a character with very very little movement! But we gave him a 14f forward lunging punch that covers most of the screen and will usually trade positively. Also he can break the wall on counter-hit with said punch at a little closer than MIDSCREEN.

Oops! Did you end up in the corner because you were forced to respect the moves that WILL lead to a 200 HP punish if you get smacked with one, or you got smacked and he got full screen carry? Fuck you! You will have to fight with everything you have just to GET OUT, and if you fuck up ONCE you are going through the wall and losing 200hp. Don't try to jump either, It's Late has a hitbox that reaches into the stratosphere and leaves him about +100 on air block.

What's that? He has 50 meter? you lose. you just fucking lose. the Mappas that are supposed to end pressure? RC them. Did he hit you with a Mappa? RC that shit for a guaranteed wallbreak, and potentially a Pilebunker loop. Did you get him blocking? YELLOW ROMAN CANCEL ITS HIS TURN NOW AND HES +10. (I have general problems with YRC, but Slayer really highlights them for me) I'd be fine with the meter thing if he didn't build meter so fast, but FUCK ME it's like he has a generator hidden in his coat or something that increases the bar when you aren't looking.

Full screen whiff punish that leaves you point blank at advantage. Fuck. You. Also it has a sweet spot, which is hard to consistently route into and feels a LOT like just a random "oh shit I won the round on that wakeup super lol"

Last Horizon is kinda cool, but it exaggerates the problem of "oops I got touched oh shit I'm dead" because you can get it off of ANY FUCKING NON-P NORMAL.

Its so weird that he's like this, though. I put in like 100 hours on XRD Slayer, and Strive feels extremely similar. What HAPPENED? XRD Slayer didn't do this! He didn't shut everything down! He ran some nasty fucking mix, sure, but he had very defined weaknesses. And sure, XRD Slayer gets preposterous damage with meter on stray hits, I'm not going to argue that, but it really didn't seem to happen as much as it used to.

I think the biggest problem, really, is Pilebunker. Pilebunker was never really a combo tool in XRD, unless you had meter or got very specific hits. But now? You can confirm that shit off of anything! Like, literally almost any hit!

Masters. Fucking. Hammer. +26 on block. Safe on whiff. Hitbox like a Behemoth typhoon. Ambiguous cross-up. I don't even care that it has a long startup, GOOD LUCK ACTUALLY SMACKING SLAYER OUT OF THE AIR! HES IN THE FUCKING STRATOSPHERE!

To be a little calmer, I feel Slayer's biggest problem is that he forces the opponent to take huge risks for little reward, while himself not being at a lot of risk for high reward. If he were to stay in his current state, with all the damage and everything the same, I think that every tool in his arsenal should be unsafe on block. That's probably very harsh, but something needs to be done. At the VERY LEAST make all of his moves borderline unsafe, like -4 -5 or something idfk man he's ridiculous

It sucks. I was so so excited for him, so excited to get to do cool stuff with him, and the stuff he does is cool! But he's just, so, so strong. So fucking strong. I said a few days ago that he was "lower-mid top tier," but I was just clearly not thinking straight. Slayer is potentially the strongest character in the game. Sure, whatever, he has lackluster defense, but good luck actually getting him in the corner, WHERE HE CAN STILL GET A STRAY HIT FOR AT LEAST 150DMG AND ADVANTAGE.

I don't even know how you'd fix him, honestly. Half his damage numbers or some shit idfk man

#guilty gear #slayer guilty gear #guilty gear strive #ggst #ggstrive #is this hater behaviour? maybe. but i must speak my truth.#i did also learn Testament and went back to Johnny so that might be influencing my feelings but #i dont care hes so strong regardless of the character you play

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divinekangaroo · 3 days

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Hello! Occasionally, when on Tumblr, I'll come across arguments about how Lizzie was manipulating Tommy after Grace died/not taking the responsibility for Angel Changretta, which I don't really agree with, but it still got me thinking:

Since I'm pretty sure that Lizzie has always sought more (or different? the desire to fuck in a bed instead of over a desk?) intimacy from Tommy than he's tended to give her, and assuming that Lizzie is sort of the 'female reflection' of Tommy (which I also don't know if is valid), to what extent do you think Lizzie mightve strategized in order to be with Tommy?

Reworded questions:

Do you think that Lizzie has ever purposefully manipulated Tommy in order to get closer to him? Or was it really all/mostly Tommy giving her job/money/house?!?! Or something different? How like-minded is she to him?

Final/main question:

Do you think that Lizzie has ever strategized in a fashion similar to how Tommy uses strategies to get closer to certain people?

Sorry if that was a lot. :)

@coffeeatnight23

oh mannnnnnn this one is difficult.

First thoughts: there's such a knee-jerk reaction in me to go, 'of course she didn't ~strategise~' because my brain goes strategise=machavellian=perjorative/"bad". But then I recoil from that first thought and go, 'strategising in and of itself isn't BAD or EVIL, you could be strategising for your future, your career path, a 3 year road trip, etc, why the kneejerk reaction??' but I just spin my wheels trying to get out of this rut of preconditioned thinking: that of course women AREN'T allowed to strategise in any way when it comes to a man because that's so horribly typical, isn't it, so don't dare think it---

Trying to set all that emotional reaction aside...

Generally/broadly, I think Lizzie *does* strategise, but with a much shorter term horizon and more selfishly than Tommy. I get a sense that a huge part of Lizzie's upbringing, poverty, past trauma narrows her perspectives and views, almost to the extent she kneejerk-makes self-centred decisions because that's how she ensures that *her decision* is centred and she can benefit from the decision being made; if she lets other people sway her or take centre stage, then she will be the one hurt because of how the whole world would otherwise look down on her, discount/ignore her, or use her. She has none of the status, family support, leverage that Tommy ever did, and I think a certain 'do it for myself' stubbornness had to be developed in response to be able to push herself forward *alone* in a world that has no room for women without the usual power structures around her. Tommy, by contrast, is *mostly* making his decisions in the context of carrying forward larger family group rather than entirely selfishly. (If it were Lizzie/Grace, Lizzie would've took off with Grace in a delighted beat. With Tommy/Grace, of *course* Tommy stays for the family.)

The short term horizon, I think, tugs at me as both a similarity but also point of difference. Tommy has a long term vision, even if it's as grey and nebulous as "rich, wealthy, safe, accepted, no more humiliation, end the war, my children are safe, our children will never have to suffer this..." But he makes his shorter term decisions targeting the most gain in favour of this long term vision. (While this happens in every season, I feel like S6 shows this at its most ultimate/extreme broken end: he's making all these shorter-term decisions that hurt the people around him and hurt humself, that morally wound left right and centre, in favour of that vision.)

Lizzie, I feel like she has a similar sort of nebulousness about the future, but it's even greyer than Tommy. Her choice to take up prostitution to meet a short term immediate need without thinking of repercussions in that day and age, then the difficulty of trying to build a life detached from that decision; she recognises she needs to start a course and build some skills to be employable, but it seems a quite abstract and *young* thought, a sense of "all right, Liz, you got yourself into this, now get yourself out of it, no one else is gonna do it" without a specific line of thought as to where it might lead her. Possibly a strategy that as a secretary she might meet a husband? (Even in my day at uni, the numbers of women who still said they really only studied so they'd meet a whitecollar man instead of bluecollar...is that strategising? *shrugs* It probably is. So she probably did think something like that??)

And when confronted with an unexpected pregnancy, Lizzie makes the decision she won't terminate no matter what and that it's not Tommy's decision in any way (she reacted very interestingly when he raised this, almost an emotional lashout at him 'if you think that, you don't know me (and i don't know you if you intend to push this)'). She had to know that meant she was *probably* going to be a single mother, that she might get some sort of financial support from Tommy, but reputationally that would still be tough. I don't feel like there was any heavy *conscious* strategy beyond her emotional reaction that yes, she will be having this baby even with all that fuzzy uncertainty. She had to know by then Tommy would care for family, and probably wouldn't shun her/the baby or cut them off, but financial wellbeing doesn't solve all the other problems she'd be carrying as a single mother.

Compared to Tommy, I don't think Lizzie would ever consciously strategise to hurt someone else, or even strategise to put someone else down or knock them down. I feel like if she knew one of her decisions/plans would hurt someone that badly she'd probably change that plan or be very uncomfortable with it. I don't get much sense of maliciousness in her, even when she actively dislikes people like Diana and Mosley, she doesn't....do or say all that much, she just wants to be away from them. Now, Tommy doesn't go out of his way to cause collateral damage, but he accepts that damage is a likely or sometimes even certain consequence, including to his own, and proceeds anyway. (Even though that *also* hurts him)

So that's sort of...my thoughts on how 'like minded' they are in terms of how, structurally, they think about planning. Lizzie methinks is far more emotionally and selfishly motivated, with less of a long term horizon to her thinking. (I think there's something else likeminded about them, too, which is that I think they both wear some pretty fucking big sets of blinkers/filtered glasses, including with each other - they are quite blind about certain things and decisions.)

Then to the part of the question on...did Lizzie strategise to get closer to Tommy, I think on that emotional/self-centred level she probably did? I don't think she ever sat down and plotted a detailed twenty step seven year plan to marry Thomas Shelby, but every time she had a confrontational decision or pivotal decision point in her life, she always made a decision in a way that would keep her close to Tommy, to move more and more into his inner circle rather than out. Several times I think she also made these decisions at a point where it probably conflicted with her own moral/ethic set, but she pushed through because 'being there for/with Tommy' was more important to her than how she felt about it. So Tommy almost presents this interesting juxtaposition of the selfish/non-selfish decisionmaking: Lizzie acts to please one part of herself by making decisions that get her closer to Tommy, but she frequently makes those decisions with his wellbeing and needs above her own to her own detriment and hurt. Like at Epsom, for example, she absolutely could have walked away, but she did what he asked despite that it humiliated her, put her at threat of rape, and that she had to know it would end up with someone being hurt (that also wasn't her).

I think a huge part of her always making decisions to move closer to Tommy was motivated by genuinely liking Tommy and because he *does* reciprocate this liking *and* he is the one who offers those opportunities to move closer to him. All Lizzie does is a job, staying close, doing her job, staying close: *he's* the one who always offers more. She returned to him after the S1 humiliation; but he's the one who offered the secretary job, he's the one who gave her the numbers to the safe, he's the one who took her to the bridge, he's the one who would have had to offer marriage. Now, of course Lizzie's conscious that he also offers power, money, status, protection atop the liking. And as a woman on her own, why *wouldn't* Lizzie make those decisions to move closer to him? Even if nothing happened sexually or relationship wise she'd still benefit more than she would trying to do it alone?

But I do think, apart from 'stay close to this man I like and who seems to like me (and who's cool and interesting and upwards climbing and compelling and getting *really rich!*) ', Lizzie's 'strategising' is far more like a string of decisions made at points in time around opportunities that Tommy offers, rather than some long term targetted strategy on Lizzie's part. The S5 'my property' scene is an interesting one for Lizzie's words, too; she weighs her decision at a point in time to stay.

((It's interesting thinking about how many of Tommy's decisions were probably 'point in time' type decisions as well. Every time there's a fork in the road, does he take what appears to be the most likely path to get him to that nebulous ultimate aim? Or does he contrive a long pathway to get there? I mean, we see him strategise probably the most heavily and with the longest forward plan in S3 and even then he fucks it up with a bunch of hasty 'point in time' decisions. Even in S4 there's no super-long term strategy, it's a bunch of tactical desperate decisions made one after the other. Honestly, the gin distillery is the longest term strategic decision he made in S4: creation of a product line *for* export instead of just exporting for others! Everything else we see Tommy do on screen is pretty short term, a lot of high stakes short term decisions, rolling the dice, on the principle that it might leapfrog him closer to that end aim. (I imagine any movie will reframe the S6 decisions to show a much longer term play against Mosley, too, disrupted by the false terminal diagnosis...) So maybe Tommy is also not quite as machiavelian or a long term planner as it seems, either? It's just that Lizzie is motivated by staying close to Tommy and hence makes her point in time decisions by what appears to keep her close to Tommy; Tommy is motivated by that ambigious end-game and makes his point in time decisions in favour of that.))

#sorry this is so rambly #chat-format posts not structured meta #a lot of this is instinctual/feeling based rather than analytical so take with many grains of salt #i am sure there are plenty of quoted examples which will nicely contradict me XD

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