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ambrosiagourmet · 9 days

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Rin Masterpost

Rin! Rinsha Fana! Beloved side character I think about far too much (or maybe not enough?)

I decided that it might be nice to put together an informational post about Rin, since she has some of my favorite background details of any character in Dungeon Meshi. This is partly as reference for myself, and partly for anyone else who might be interested in her but not know where to chase down the tidbits we we get of her, both in canon & extra materials. There’s also a little bit of theorizing and analysis sprinkled in for fun.

If anyone spots something I missed, please let me know and I will add it in!

Alright. Time for ultimate #rinposting

History and Timeline:

We don't have an official timeline for Rin (even in the expanded Adventurer's Bible, sadly), but we can put a lot of pieces together based on Kabru's timeline & their respective ages.

Rin is 2 years older than Kabru, and they met when he was 9. Assuming that he met her soon after she was taken to the elven capital, that means that the elves took her when she was 11.

Before that, she lived on the Northern Continent. Interestingly, when Mickbell asks about Shuro, Rin says she was born "here."

Since "here" doesn't mean the actual Island itself, it must mean simply "not the east." She is described in the Adventurer's Bible as having "no real knowledge of or attachment to the East," so maybe that's why she draws a "there" verses "here" line.

I'd also like to add a note here that the elves don't seem uh... they don't seem great about respecting the value of other cultures, especially those of short-life species. Milsiril seems to have discouraged Kabru from eating or remembering food from his hometown, at least, and that's even as an adoptive parent who cares (at least in some way) for her child. As I will touch on later, the "care" that Rin was under probably had even less respect for her history or ties to either Eastern or Northern culture.

That is all to say, considering that Rin spent many years with the elves, I'd take her having "[no] attachment to the East" as more of a comment on how she feels now, and less as a definite choice she made. She may genuinely have chosen that approach and opinion for herself, she may have been pushed towards it by the elves, and she may have had little choice at all in the matter - all are valid interpretations, though I personally lean towards the thought that it's unlikely the elves didn't have at least some hand in it.

Anyway, Rin does seem to know at least a bit about her heritage - she can presumably name and identify the specific island her parents are from, and she recognizes that "Shuro" isn't a name used there. She also knows that different places from the Eastern archipelago speak different languages, so she knows at least a little about the other islands as well.

Some additional extrapolations I'll make based on these facts: she never mentions, and probably isn't in contact with, any family from her island. This may be because her extended family died, because her parents didn't (or weren't able to) maintain contact, or because she lost contact when she was taken by the elves. Somewhat relatedly, she also prooobably doesn't speak the language, at least not fluently, though her being able to comment on the state of language in the archipelago makes me think that she at least learned a little as a kid.

Anyway, Rin's parents were refugees from the archipelago, though we don't know what specifically caused them to leave. There is this little tidbit of info we get (from the cover of chapter 48, of all places), though:

So yeah, that seems like it would be the backdrop of Rin's parents fleeing. As I said earlier, it's unclear if Rin might have any living family left back on her island. The listing she has for “family” in the Adventurer's Bible is just a dash, but so is Izutsumi's, for instance, and we know that she was taken from her family with no knowledge of who might still be out there. It's possible everyone else was killed, it's possible they were separated... it's possible that Rin's parents didn't even know.

As an additional note, and this is speculation on my part, but I think there is an argument to be made, with this tidbit from the cover as well as the Nakamoto clan's specialty in espionage and use of ninjas, that the politics of the archipelago are partially based on Sengoku era Japan. Not necessarily super relevant here, but I think it's interesting context for all... of the archipelago characters, honestly.

(Especially considering it seems like the Nakamoto clan is in a relatively comfortable position, and yet clearly are involved, or at least prepared to be involved in larger conflict. How stable is their position, really? How is Shuro's father viewed by the wider region and archipelago as a whole? What about his lord? NOT THE POINT THIS IS A POST ABOUT RIN. BUT IT'S VERY INTERESTING TO THINK ABOUT.)

Okay, back to Rin's parents.

Whatever caused them to leave, they made their way to the north, where they made their living with their magic for a time. There are no specifics about what kind of magic they used, but we know at least some examples of jobs that magic can get you, based on the flashback to Laios and Falin's childhood in chapter 26. Laios proposes that Fain could use her magic to be a priest, gravekeeper, or wandering exorcist. Though these are specific to Falin's affinity with spirits, they give some idea of the shape of the work that might be available. It's important, but it is also on the outskirts of society - not necessarily admired or appreciated by the average person.

And Rin’s parents were killed by vigilantes for that magic. It's not entirely news that superstitious villages in the area would sometimes kill magic users - we see a small drawing of people being burned at the stake in a panel towards the end of the manga:

Nonetheless, Rin is the only person in the main cast who has experienced this brutality firsthand. And she did experience it firsthand, having been found by the elves as the sole survivor within the burnt ruins of her home.

It is unknown exactly how she survived, or what happened to her parents before and during the fire. Rin lived, and they did not.

The elves came some time after the fire, intending to investigate reports of ancient magic. They (and we) don't know if Rin's parents actually did use ancient magic, or if the reports and murders were simply spurred by general fear and superstition. Rin was the only piece of "evidence" that remained, and so she was taken back to the west with the elves when they left.

We don't know much about her time on the Northern Central Continent (where the elves/Canaries are based), but it doesn't seem like she was adopted or taken in by anyone the way that Kabru was. According to the Adventurer's Bible, after being taken into custody, "under their care she was treated as a captive animal would be." I would guess that means very basic food and shelter, little to no education. Probably the most social contact she got was from Kabru, as well as maybe, occasionally, from elves treating her as a curiosity, such as in this bit in the Adventurer’s Bible:

Assuming she left with Kabru (which seems like it is the case, there's no info about them having separated during that time), she spent 9 years with the elves, and has been with Kabru on the Island in the 4 years since then.

She also stays in the Golden Country after the end of the story, apparently working as an alchemist.

Additional Details (& Speculation):

What does she remember of her family and home?

I'd like to take a moment here to explore a little of what Rin might remember of her parents and home.

For reference, we can look at Kabru. The canaries came to Utaya when Kabru was 6, and he arrived in the capital when he was 7. He remembers the events of the tragedy in his home, and has some memories of his mother and life in Utaya, including memories of local dishes.

Rin lost her parents and home at 11, so she presumably has much clearer memories of the events that lead to her being taken by the elves... or she might, assuming that they haven't been completely blocked by her trauma from the event.

Yeah, I am fairly damn sure that she's got some memory issues from trauma and PTSD. For one, this is the state she was found in:

As already mentioned, she was also treated like something of an animal by the elves. She probably didn't have a lot of contact with other people, which would further perpetuate that sense of isolation and dehumanization. What I'm getting at here is that Rin probably didn't have much to help pull her out of this place, or heal these wounds. She had Kabru, who was also a kid and even younger than her, and she had herself.

Obviously trauma leaves different scars on everyone, and everyone responds and copes in different ways. But I do think it is interesting that we never hear anything about Rin's parents or life before the elves, and there are no real details about it given in the Adventurer's Bible the way we have for Kabru. What's presented is more surface level facts: they were refugees, they made a living with magic, they were killed.

I'm inclined to believe that things are laid out this way because that's how Rin holds on to these things. She knows things about them, but possibly remembers them more as things she was told/knows to be true, rather than actual memories she can picture herself experiencing.

Rin's Magic

In an interesting counterpoint to her potentially spotty memory, I do actually think Rin may have learned magic from her parents (or started learning, and was self-taught from there). She never attended a magic academy, and actually has a bit of grudge against people who did - owing to the social protection afforded to "upper-class mages," which her parents did not have. She also almost certainly wouldn't have been taught by the elves, who not only treated her as an animal but also knew her parents may have been involved with ancient magic.

Falin began to show signs of magical talent at 8, and was sent to the Magic Academy at 10, and that was as someone who had absolutely no guidance about or exposure to magic in her home town. Raised by two mage parents, I think Rin absolutely could have been learning some things by the time she was 11.

In terms of continued learning, I'll add that Rin is able to identify Marcille's magic as being A) from an Academy student, and B) cast by an elf:

This makes me think that she continued to study magic on her own while held by the elves, and probably even more so after leaving with Kabru. They didn't form the party until two years after they left the elves, which would give Rin plenty of time to try and learn from other adventurers on the Island, or to study up on her own. She'd probably be able to pick up some dungeon-crawling basics (like the water walk spell), as well as become familiar with the skill level and expression of skill common in different people with different backgrounds (hence why she is able to comment on the "textbook" academy wards).

Much like Marcille, Rin also seems to rely on a 'one size fits all' Big Boom method of dealing with monsters: lightning. We see the best example of its power in the fight with Chimera Falin:

But we also see her cast it pretty recklessly in a few other places, including the end credits of the new anime ED, which I think provides a good example of the downsides to such an approach...

Yeah, it is very much a 'get out of the way or get zapped' spell.

Especially since Marcille's offensive magic is self-taught and works very similarly, this definitely reinforces the idea that Rin figured most of this stuff out herself.

Outfit and Character Design

Dear sweet Rin of the Red And Black... how I love her design.

First of all, her clothes are damaged. Despite the fact that Rin looks relatively well put together overall, her outfit is worn out. I have some theories on why this is that I'll get to in a bit, but for now I'll just touch on what this design communicates in general about it.

I think, just like with Kabru's horribly messy room, it creates a sense that there is something more complicated underneath the surface. Something that isn't being addressed or seen to, just as the dress hasn't been mended or replaced.

It also reflects her not caring a ton about her appearance. She's neat, but she's not concerned about being pretty, so she doesn't bother with fixing up her outfit after her dungeon crawls. This also fits with her perpetual scowl (which I will talk more about in a bit), and slightly disheveled hair.

Next: the gloves. At first I thought they might be a sort of uncomfortable-with-touch thing, but after skimming through the manga and some bonus content, I have another theory. Rin takes the gloves off to eat, as well as a few other instances, such as when working on a spell with Holm and Marcille in chapter 36

This one is especially interesting because she has them on in the next chapter, during the fight with Falin. Since she also isn't wearing gloves during some of the Daydream Hour art of her outside of the dungeon, that leads me to believe that they are specifically for combat.

What does she need them for, though? Most other casters we see don't wear gloves. Well... just look at the other half of the page where she attacks Falin with lightning:

She is enveloped by this spell. I said it before was pretty reckless magic, but maybe its not just a problem for her teammates, but for her as well.

So here's my theory: maybe the gloves are rubber, or some other electricity-resistant material? They might help protect her from her own magic. I don't know why a caster would need gloves for combat otherwise.

I also think this might be why her dress is tattered at the bottom, by the way. Especially since the Daydream Hour genderswap design doesn't have a similar problem with his outfit, since the tunic isn't as long.

I will admit this is a bit of stretch/guess, but I think it's a fun one, and I wanted to share. I do think I'm right about the gloves being for dungeons/fighting specifically, at least. That seems pretty consistent throughout all of her appearances.

I also mentioned her scowl, so I'll touch on that briefly as well. The (fairly confirmed) explanation for Rin's expression is that she intentionally wears a frown to prevent her other expressions from showing through. I think it's important to emphasize that it's not just smiling that she is trying to suppress here - it's any strong emotion:

Anyway, because I can, here is the art of Rin smiling.

Rin and Kabru

I have talked a bit about Rin and Kabru's history, but I think it deserves its own section.

I think it's very interesting that Rin is pretty much the ONLY character in all of Dungeon Meshi that has explicit canonical romantic interesting in someone. It's literally part of the main summary sentence in her character profile.

This could be sort of reductive as a way to describe a female character (and in some ways it still is), but I think in part the simplicity and directness of it actually is part of what makes it so interesting. Especially when on the very next page we see the comic about her backstory. "This mage is in love with Kabru" -> one page of a horribly traumatic event and a child frozen in shock with no one to comfort her. What does that do?

Well, in my opinion, it shows how much Rin focuses on Kabru as something to keep her in the present. In contrast with the immense loss she has experienced, her love for Kabru is current and alive. He has presumably been her anchor for years, and I think that her love is part of that anchor.

Adding to this, in contrast with how explicit her feelings are, she never seems to actively pursue Kabru. She complains about his potential interest in other women, but she doesn't really flirt. She doesn't let herself smile around him any more than anyone else, and she doesn't hide her bitterness or anger from him to present a more appealing persona.

As much as she craves Kabru's attention, and has stayed by his side for years, I don't know that she really wants to possess him. He seems to know about her feelings, more or less, and she seems to know that he knows. Maybe she believes he doesn't reciprocate and is respecting that, maybe she's afraid of what she could lose if she tried to change things, or maybe the change itself frightens her. In any case, though she's not exactly happy with the way things are between them, she doesn't seem to be trying to change that status quo.

A specific thing I'd also like to talk about with their relationship, beyond Rin's love for him, is her fear for him. As the Adventurer's Bible puts it, "she worries that his knack for dealing with whatever life throws at him might lead him to get too full of himself and end up in serious trouble."

Rin is an interesting mix of restrained and explosive, herself. Her magic is destructive, her temper seems to run hot (she gets annoyed easily, at least), and her feelings for Kabru are apparent. At the same time, she doesn't let her emotions show on her face, she is the one who bluntly states that the group has hit the limit of their abilities, and she doesn't act on those obvious feelings for Kabru. It's interesting, then, that what she fears for Kabru is that he won't restrain himself.

And a small personal idea about that as well: I wonder if she somewhat blames her parents for getting killed. Again, this is very speculative, but I think it's interesting that her fear for Kabru is that he will get too full of himself. Take up too much space. It's never really stated what Rin thinks of her parents, but it can be easy in grief to search for control, and control often means blame. If they hadn't been so confident, so flashy, would they still be alive...?

I don't know if she's ever thought like that, and it could well be that her fears for Kabru come from a totally different place. But it's an interesting connective thread between her past and present - the idea of "getting in trouble" for taking up too much space and being too confident in one's own abilities.

Miscellaneous Tidbits:

On that note, I'd like to wrap up the main part of this post, and move on to a few extra things that I couldn't find another place for.

Rin plays with her hair when she's stressed

Using stressed as a pretty big umbrella here, because I think it's hard to perfectly pin down all the emotions at play, but it is a habit of hers. Best displayed in chapter 32, but it shows up in other places, too.

Her design contrasts with Marcille

This is a small thing, but I just love how much they are visual opposites.

Rin wears red and black and has dark hair, Marcille wears blue and white and has light hair. Marcille cares a great deal for her hair and puts it up in elaborate hairstyles, and Rin's is mostly loose and a bit messy. Marcille was even educated at the Magic Academy, which Rin dislikes. They both have little capelets. Also they both look very cute in each other's clothes.

Rin knows Flamela (and they meet again in canon)

Nothing much is done with this in canon, but I think it’s super interesting that Flamela's squad are the ones that find Rin as a child and take her away to the west, and then they end up stuck in the dungeon together for a bit.

Two days??? I'm so very curious what things were like between these three.

Aaaand I think that's all I have to say about Rin! For the time being at least. There's a lot more analysis that could be done about her and Kabru especially, but for this post I wanted to keep things at least somewhat anchored to canon facts, with only a layer or two of speculation on top.

If it isn't already obvious, I think Rin is a super interesting character with a ton of potential depth to explore. She mostly interacts with Kabru in canon, but has ties to a bunch of other characters: she and Marcille fill similar roles in their parties but have differing personalities and histories, she and Falin (and Laios) have been tremendously shaped by xenophobia and fear of magic common in the Northern Continent, her parents fled from conflict in the same region Shuro and his retainers are from, and she has history with Flamela and some of the second canary squad.

Her temper, her fear, her love... her repression and passion - they all inform her character, even in small ways, even with as little time as she spends on the page.

#dungeon meshi #delicious in dungeon #rinsha fana #rin dungeon meshi #dungeon meshi spoilers #dunmeshi analysis #thank u to anyone who takes the time to read this ♥️♥️♥️ I love rin and lot

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wakkass · 8 months

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It's impossible to put into words how much I love designing characters, especially for AU.

Yes, I recently had an avatar AU, and I really wanted to draw Katara from there (and also Zuko). I usually draw a static pose in order to display all the details of the clothes. This is such a kind of character sheet that helps me to better imagine the scenes in my head.

If you're interested in reading about the AU itself, then there will be some information about it.

I apologize in advance for mistakes in the text, English is not my native language. But, I hope, this will not interfere with understanding.

In general, my AU concerns the ending of the series, because at some point it seemed unrealistic to me. There is too much positivity with the obvious problems of the post-military space, as well as little logic in some moments (for example, I don't understand what Zuko was doing in Ba Sing Se. Did he abandon his newfound throne to the mercy of fate with the risk of a palace coup? Did he not feel the effects of a lightning strike? The longer I think about it, the surreal it seems to me).

At some point I thought, "this is all like Aang's dream, in which everything is intentionally good. As if this is the ending he wants, but it's unattainable." And then it dawned on me. But it really looks like his fantasy about the future after defeating the root of evil. This explains why Zuko recovered so easily, why everyone is just relaxing and having fun without a drop of post-trauma. Because Aang wants everything to be so naive and simple after defeating the Fire Lord. Because he's dreaming about it.

I know this is a very hackneyed narrative technique. It's pretty easy to say "this is someone's dream" to deny any events. But I found it curious, especially against the background of the episode "Nightmares and Daydreams", where Aang's dreams already simplified the reality around him. For me, it's like a lead-up to the finale, where he actually sleeps.

You ask, "but why is he sleeping?". I also asked this question, and the answer to it killed me. Because during the battle with Ozai, when the stone hit Aang in the wound, he fell into a coma. His body was paralyzed because his brain perceived it as a repeated lightning strike, again fatal. The avatar's state was the only one that did not allow Aang to die, but only to fall into a coma. And instead of an epic battle, we have a little helpless boy spending a huge amount of energy just to maintain his life.

The second Aang collapsed, he disappeared, leaving Ozai alone with the remnants of his temporary power. And no one else saw the avatar…

I'll leave the intrigue for you about this, but for now I'll tell you about the concepts from the art.

Naturally, everyone searched for Aang, and, naturally, they did not find him. Katara and Zuko were the only ones who did not participate in the search, for several reasons:

Zuko was rehabilitated for a very long time after being struck by lightning, and Katara nursed him (I'm sure there are a lot of fics about this topic. The only difference is that there is no romance here. The focus of my AU is not on it, but on the problems of the consequences of the war). He survived, but he had major problems with his heart, digestive system and spine. Who noticed the cane in his hands? Yes, Zuko couldn't walk without it. From now on and forever. He was physically unable to leave the palace, and Katara maintained at least some of his condition.

Even after Zuko's rehabilitation, it was necessary to keep the power in his hands. Imagine what a shock the Fire Nation experienced when not just the former Fire Lord was overthrown, but the country's policy changed dramatically. Now Zuko needed to keep power in his hands and establish a new regime as soon as possible, before his opponents raised armies and people against him. This boy, who recently sat quietly at a military meeting, needed to show unprecedented strength and power to everyone: both officials sought to turn the situation in their favor, and the people who wanted stability and prosperity. But how to do this if Zuko couldn't even breathe normally, and getting out of bed required tremendous effort? It was impossible… Anyone else would have given up, but not Zuko. He has never given up without a fight and has never turned his back on danger, even if he risks dying.

It hurts me a lot for him, too. Fate has never stopped pushing Zuko against obstacles, but this time he couldn't rely on himself. He almost couldn't bend, his body almost didn't obey. He was an easy target and there was nothing he could do about it. This helplessness irritated him, saddened him, oppressed him. The only thing that wasn't broken yet was his spirit, and Zuko was barely able to maintain it in such conditions. If it wasn't for Katara, I don't know if he would have coped in the end. She was now his only support, his only ally in these cold oppressive walls, the only rational grain in his doubts.

You ask, "Where is Iroh? Where is Mai?"

Iroh, along with the White Lotus, took on a mission to liberate the Earth Kingdom from the Fire Army and establish relations with the kingdom. In fact, Iroh now shared power with Zuko: uncle was engaged in foreign policy so that his nephew could focus on domestic policy.

With Mai, everything was much simpler: after getting out of prison, she was completely disappointed in the guy who always left her. She sent him a letter, where she finally ended their relationship, and left with her family somewhere far away. Perhaps she and Zuko will cross paths again and will be able to establish a relationship. But not now.

Katara remained to help Zuko not only with treatment, but also with his policy. As a resident of an almost disappearing tribe, as well as an able leader, she helped him with projects and plans to improve the quality of life of the population and actively participates in them. She performed those missions that Zuko can only entrust to her. After all, she was a friend he could rely on and to whom he could open his feelings.

In her design, I wanted to reflect the combination of two cultures: Fire and Water. I was based on the designs of the "12 Kingdoms" (if you haven't watched this gorgeous anime or haven't read ranobe, I strongly recommend doing it. This universe is no less interesting than the avatar's world, I'm sure you'll like it), because the palace intrigues and the plot with winning the respect of the court reminds me very much of the story from there.

One day Zuko's legs finally gave up, he could not get up. All the stress he was going through was breaking his body so much that at some point the Katara's treatment stopped working.

It was a very difficult moment for both of them. Zuko has just started to promote his ideas and defend his rights to the throne, and Katara sincerely did not know what to do. If the truth about the true state of the Fire Lord had come out, all the ill-wishers would not leave this opportunity and attack, this couldn't be allowed. They urgently needed to create the appearance that everything is in order, but how?

Zuko came up with a very brazen idea. He asked Katara to use bloodbending on him to simulate walking. It was a very difficult request for her, because this skill represented the worst face of the war, it was created to torture people. And the last thing she wanted was to torment Zuko. She hesitated for a long time, he saw it, but he couldn't wait. He couldn't stop, it wasn't a luxury he could afford. Therefore, he went out, trying not to get up and move much.

Naturally, at some point his weakness was noticed at the most inopportune moment. Naturally, at this moment Katara couldn't let Zuko fall. Imperceptibly under her sleeves, she moved her friend's body like a puppet, causing him as much unbearable pain as most would not stand. But Zuko was not like that. He stood it.

It looked like this to me somehow:

They were both very depressed that day. He was suffering physically because of Katara's bending, and she could not believe that she had caused the suffering of a person dear to her. It broke and scared her, she opened the way to the Hama's madness, and was very afraid to fall into it.

Zuko assured her that it was impossible. Hama didn't have people to guide her, while Katara has friends. Maybe Zuko didn't consider himself the best moral mentor, but he promised to be there in the most difficult moments for Katara, and now he won't leave her.

This encouraged her and opened her eyes to her own cowardice. She was afraid of the darkness of Hama, and instead of curbing it, Katara hid it in herself, ignored it. And that's what it led to: the person who needed her help suffered. But she didn't want to run away anymore. She wasn't going to give up without a fight and turn her back on those who needed her.

At the beginning, Katara trained on herself, experiencing the same pain as the victims of bloodbending. Careless movement of blood through the vessels could cause internal bleeding at any time, it was very dangerous. The Hama's voice in her head pressed on her conscience, saying that innocent people felt all this pain, and only Katara was to blame for this.

Later, she learned to control the flow of water on puppets, like Hama. The point was to pass water through the threads without bursting them. Absolute control was required here, and Zuko taught her the techniques of firebending for self-control. This was necessary for Katara, because the Hama's voice in her head did not subside and did not allow her to correctly distribute her forces. It seemed like Katara was about to stumble, but Zuko wouldn't let her do it.

Gradually, Katara mastered this skill and tried to draw blood on Zuko's legs. The effect was unexpected. Her great willpower and desire to help him resulted in healing. Zuko began to feel his legs, and Katara discovered the reverse side of this bending. No, she didn't heal him completely, it's too early for him to get rid of the cane. But maybe one day she will become so strong that she can do it.

Katara realized that there was no evil magic, there was only evil intent. This was her first step towards learning to look inner demons in the face, and not to hide them in herself when it was possible to hurt others.

But what about the other design?

Katara's father sent her a letter asking her to return. Her family needed her help, because she was the last waterbender, a carrier of culture and skills, as well as a healer of a new level, the daughter of a tribal leader.

At home, everything was not the same as before, moreover, everything taked shape as a Northern Tribe. I really like the idea of the comic "North and South" about the problem of assimilation. Only here has Katara accepted all aspects of its culture, even the most unpleasant ones, and she would not give up so easily when this newfound knowledge was in danger of disappearing.

Actually, I wanted to draw her outfit of this arch. I wanted to redesign the costume for myself, because I like to do it. I kept the front strands of Katara, we don't talk much about them.

I would really like to describe the path of the rest of the team and what they do, of Aang and what happens to him. But I'm already tired of typing, and you probably read.

After all, the post is more about designs, and not about the AU itself, so the goal to reveal some of my ideas has been achieved in principle. Maybe sometime later.

Hope you enjoyed reading this :3

#atla #avatar: the last airbender #atla fanart #atla au #avatar fanart #katara #zuko

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alkalinefrog · 9 months

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Hey Alka, I had a quick question for you (whenever you have the time to answer or even if you have the time), I've been taking some storyboard classes and with my illustration background, it's been hard to really find a good shorthand for characters to really get that anatomy/gesture looking right without it being too sketchy and unreadable.

How long did it take you to find your storyboard shorthand, and what exercises would you recommend to try to find it? I'm sure it just takes time and practice, I've been doing a lot more studies and gesture drawings (currently following along all the free Glenn Vilppu videos I can find on youtube) but I wanted to ask you as well because I am in love with how fluid your anatomy is, and how clear your storyboards read. And those hands my god you're a wizard!!!

Thanks a bunch, have a wonderful day!

Heya Secret, great to hear from ya! Well, what you don’t see online is how gross the rough stage of my boards can get LMFAO. Most of the boards I post are actually overly cleaned up because I'm just doing them for fun and can afford the time! I'm not really sure how long it took to develop my shorthand, I've never really enjoyed drawing detail to begin with, so when I decided to go into boarding I kinda just leaned into it!

I’ve covered a bunch of gesture drawing exercises already if you scroll through my advice tag, but ***once you have a good foundation*** here's some stuff you can try!

First you'll want to build up an arsenal of anatomy hacks you can always fallback on, particularly for complex parts of the body. The less time you spend on details, the more time you have to focus on the overall pose and storytelling. Aim to find ways to draw with as FEW lines as possible. If I had to make a list to streamline what to practice:

Head shapes - find the most efficient way to draw the front + 3/4 + side view in as few lines as possible (the challenge is still making them look structured with dimension)

Eyes - are SO important for expressions! Unless your project has characters with dot eyes, you're going to need to find a quick way to do the circle and iris in as few lines as possible. Make sure you can convey where they're looking

Hands - fists (you'll be drawing a lot of people holding poles), open palms at various angles, foreshortened fingers pointing at viewer, fingers making grabby motions----protips: 1) half the time all you need is a vague triangle/rectangle plus thumb sticking up and that's a hand 2) if the hand is relaxed, you probably don't need to draw the knuckles. Save some time!

Feet - just learn how to make sure they look like they're standing on the ground, and do some studies of what they look like when you're running. Otherwise you can usually get away with a vague shoe or boot shape (just add toe lines if they're not wearing any)

----everything else you'll practice as you go!

Jump from SUPER rough straight into clean boards to really force yourself to be economic. I've done each of these methods for work before:

Before you start boarding with a character, sketch them a few times with the intention of simplifying their design while keeping them recognizable:

You'd be surprised how little you need to recognize a character:

Depending on the scene, you can adjust how much detail you want to include:

Stay loose/more generalized with action, especially for the "inbetweens" between key poses. Clean up enough to communicate movement and make the character recognizable.

If the character's small on screen in a wide shot, edit out most details and focus on the silhouette

Save the detail work for character acting, when you really want to be specific with their expressions and gestures.

But outside of all that, be bold and fearless!! Everyone has that stage where their boards look like spaghetti! Boarding is like handwriting; you could have really shitty chicken scratch, but if you're writing beautiful poetry, who cares!

god I love drawing hands you don’t even know thank you so much!! Good luck dude!! You’ve more than got this!!

#my art #advice #ask #secretsivekept #you got this!#sorry this took a while! my mental health was in the pits for a solid couple weeks #getting better now though!#storyboards

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bobacupcake · 10 months

Note

We got the earth and the sky, but has anyone asked about what you think of Abzu?

i love abzu!!! another one i have watched the gdc talk for which you can watch here!!

the two big things in abzu are the fish animations and the overall environment lighting - lets start with fish!! there are a lot of them. and when you want to animate a lot of things, your computer will explode. this is specifically when you animate things with bones, how a lot of computer things are animated

luckily one thing that gpus can be really good at is drawing a tonnnn of the same object really fast, using something called instancing. as long as its the same mesh and material, it can be rendered a ton with just a single draw call (like i am talking hundreds of thousands). so lets make 10 thousand fish. unluckily this doesnt work with skeleton animations. luckily you dont need them! especially with fish

even though all the objects need to be the same mesh and material, doesnt mean they cant have different input. not only that but shaders let you modify individual vertexes, so, what if you just take all 10000 fish and wiggle them along an axis, like this

and give them all slightly different inputs so they arent all doing the exact same animation, maybe by giving them each their own unique number. now you have 10 thousand fish swimming around, wiggling, at almost zero rendering cost

these are all individual 3d models and all their animations are running in the shader !

the other way they animated fish without giving them bones was through something called blendshapes - these are usually used for stuff like facial animations, where you move vertices around to your desired "shape" (so like maybe your default face is :| but you edit the vertices so your character goes :> etc), and keep track of the difference between each vertex's position and its original position so you can move it whenever you want

that doesnt need any bones so they used this for things like fish going CHOMP and fish making sharp turns

for the actual environment, they experimented with a bunch of things like using actual volumetric lighting, but in the end they found that just using fog worked best!! they did tweak it a bit though - they had a "zone" between where the fog started to get thick and when the fog just ended up being a solid color where they dimmed any lighting - this really helped the background geometry stick out and give that underwater feel (left is without dimming the lights, right is with dimming the lights!! fun to think about how firewatch did something similar but changing the fog color based on depth rather than literally dimming the lighting)

they also let different volumes have their own fog value, so if there was say a cave off in the distance, it could have less fog than the surrounding area for clarity & also made the fog look a bit more volumetric

and the other huge thing that helped was "portal cards" - not an official term but its what they called them, basically just quads they could stick in any place where they needed to make something "stick out", like a cave, or a hilltop that blended with the background too much. the card sampled the depth of objects behind it, and used that 0 to 1 value to map a color to it. and then the closer youd get to these cards, the more transparent theyd get, until youre right on top of it and you dont need the objects to stick out of the background anymore!! here you can see a Me, but very dark, and then i slide the card over it. the black and white is the camera depth of all objects behind the card, minus the depth of the card. and mapping that to a color makes me stick out way more than i was initially!! then as you swim closer to me, the card fades away, until you pass the card completely

these portal cards were also used to make the light beams poking out from the surface, theyre just animated a bit!! you can see how the portal cards affect the look of things in this frame breakdown

and one other thing thats pretty prominent that wasnt touched on in the talk is all the caustics on the ground, those little wobbly light things you see underwater. but those were probably? just added to every shader as a "add this caustics texture on top based on the with the texture mapped to the world x and z position and only if the object is facing up"

like this !

anyways thats all from me on abzu..!! really pretty game

#anonymous #ask #potion of answers your question #gamedev stuff #long post #i optimize every gif for you guys even if its already under 10mb

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1shirt2shirtredshirtdeadshirt · 1 year

Text

I woke up this morning and saw I had a message in my inbox on AO3, presumably about by new fic, and was excited to see the feedback.

When I read what they wrote it was a small comment that said "stop using sudowrite".

Had no idea what that even means, so I had to look it up and found out it's some form of a writing AI.

Absolutely fuming.

I want to make something abundantly clear right now:

I have not been hand writing and editing all of my own stories, hundreds of pages worth of personally hand written or hand typed content for the past 16 years, only to get accused of using any form of lazy ass writing AI now.

This is what I love to do. For fun.

I put in a lot of unpaid time, creativity and energy into my writing and editing. The only thing I ask for in return is participation from the fandoms I love, be it via thoughtful feedback or valid criticisms.

But this is neither of those things. This is just an outright, baseless lie against the art that I have worked so hard to make myself, and I won't be undermined or discredited.

There's anger, and then there's whatever space I am occupying well past it right now.

It's infuriating to pour hours of my love, thought and creativity into original content only to have someone come out of nowhere and try to tell me I've been having an AI do it, especially 16 years deep.

Bitch please.

I also found out that app came out in 2020 . . . As I mentioned, I published my first K/S story in 2008 as Ruby JW on the K/S archives, and my first fanfic on fanfic.net was published in 2007 as luigi_is_stellar.

I invite anyone to peruse my decades-long collection of independent content that I have single-handedly accomplished well before such an app even existed, then come back to me and try to tell me that what I do here isn't authentic.

I don't usually get spicy, but when it comes to the art I spend hours writing and drawing independently with my own blood sweat and tears, yeah. I'm going to get spicy.

I do far too much unpaid work out of passion and love for this fandom to have such a serious accusation flung my way out of nowhere.

It's the first time in my 16 years of writing for this fandom that I've ever been accused of plagiarism, and you best trust and believe that I don't take that accusation lightly. I work too damn hard to let someone discredit the work I do personally in such a baseless manner.

Anyway, that was discouraging AF. I am boggled to learn that AI writing is even a thing, no less someone coming out of the woodwork to try to accuse me of using it 16 years into story publishing when I literally teach academic honesty and writing ethics in my line of paid work as an English professional.

Genuinely: Do you know who you're talking to?

A bit of background on me:

I come from a not-so-wealthy family who could not afford to pay to put me through school -- I paid for that all on my own. I had to earn my University English degree, one of four University degrees I hold on my own work and pay alone, without so much as a tutoring session or handout from home.

Not once would I have jeopardized everything I worked so hard and paid for out of my own pocket as a poor ass uni student working two jobs and doing night classes just to phone it in plagiarizing, not on one ounce of my work.

That was all me.

I've handwritten 3 MLA essays in under three hour exams BACK TO BACK, immediately followed by back-to-back Biology exams & a final lab where I ALSO had to write multiple essays and switch from MLA to APA mode within the span of 6 hours.

Those were all bound in handwritten yellow booklets well before we ever had Google Docs, Grammarly, formatting suggestions, or even regularly brought/had access to laptops in UNI. I did my work by hand.

I earned my degrees in English and Biology AT THE SAME TIME before I even turned 24. I earned a double major handwriting my own work papers like my life depended on it, and you actually think I'm about to phone it in now?

Step to me like that again, young blood. I ain't the one.😂

Anyway, I digress.

Ya girl ain't here to fight BC y'all know I tend to be very easygoing, full of humour, and I love to joke around in the fandom. I'm pretty wide open to opposing opinions or even criticisms. But this is unfounded slander, and I won't be taking that on the chin.

When it comes to my work, I take that very seriously, and I don't play around. My late father once told me that "The work you do and the degrees you earn are yours and yours alone, they can never take that education from you." I live by that sentiment, and have done so by putting forth honest work.

Be it paid or unpaid work, it's my work. Periodt.

It is an unfathomably disheartening and insulting message to receive as someone who writes all their own stuff themselves, draws all their own fanart themselves, does their own photo edits themselves, edits their writing themselves, and has never even used so much as a single outside beta reader/editor for my work. Not once. The art, the writing, the editing -- It's all me.

Bottom line:

Say you do or don't like my work, that's cash money and we good, whether it's your cup of tea or not.

Butt know that it is my work.

I will not put all of this free time, effort and love into my work only to be accused of lazily ripping the content that I have spent hours writing and personally editing from somewhere else.

And on that note, consider my PSA rant ended.

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prince-kallisto · 6 months

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“An amusement park full of free games, rides, and food? I suppose it wouldn’t hurt to take a day off from my strenuous duties to goof off- I mean to supervise you all!”

This is my silly design for Crowley’s “Playful Land” event costume haha \(//∇//)\ Since the full story isn’t out yet, I may have jumped the gun a bit…but since all the students look like puppets, I thought it would be fun for Crowley to have a ringmaster theme. However, the outer accessories were meant to disguise him as a clown with a lot of inspiration drawn from carnival/fair attractions like carousels, shooting games, etc. But underneath it all, he’s still wearing a ringmaster’s outfit, if that makes sense

I talk more about my concept sketches and thought process below!

These two photos above are meant to be the final concept art showcasing my mental image of how his outfit works haha.

This design came to me surprisingly quick since I had a strong mental image of what I wanted him to look like. However, I DO wish I kept exploring with his design. I usually spend a lot of time in the exploration phase, especially when it’s for a nicer drawing. This above concept art was pretty much the “final” design I made before I started drawing him. And as you can tell from the finished art, there were quite a few changes…the amount of changed details alone make it an entirely different outfit haha. It caused me a lot of pain while sketching AND inking…I think I got overexcited with this event and I jumped right into inking. In fact, I had a start from scratch after inking my first art- the proportions and design was all wrong haha. A lesson learned.

From the start, I knew I wanted a ringmaster-disguised-as-a-clown theme, but I think the detachable clown pants really put it all together haha. I like outfits that can “shed” themselves to reveal a hidden theme underneath.

In his initial final design, he had a red feathered coat, meant to resemble the feathers in the students hats. This was one of the many things that changed last minute because I didn’t like how the big cost looks in Crowley’s pose haha. But I like this change better actually- it stands out to his usual headmasters coat, and it resembles Malleus’s masquerade cape. His coat lapels are decorated to look like a piano- I think there was a piano scene in Pinocchio? I actually didn’t check at all…

The carousel hat was the first thing I came up with haha, I thought it was funny. I wonder if it’s functional…that would be a funny animation haha. His bird mask is too iconic to drastically change, so it’s just a different color and shape with some beading to look like clown makeup/tears. I love how the novel describes Crowley as flamboyant yet melancholic…

I’ve only gone to a fair once in my life many years ago, so I had to search up common carnival games. I’ve seen festival games in Japanese media, where a rifle with a wooden cork is used to shoot down plushies/other prizes- and I think it would be a really fun and eccentric cane design haha. Perhaps if someone is really misbehaving, he can aim a cork at them? 🤭

The shape of his tie and thigh harness was another sudden design choice made during official drawing, but I like it! It incorporated the ribbons everyone else has without having Crowley being the one “controlled.” The gold points on his shoes are actually removable- it’s part of his “clown” theme. The white spats were made to match him with Fellow Honest- like a hint that he’s not one of the performers since he matches with the owner of Playful Land. Ahhh I’m still learning how to use gouache, and the background was a mess…but it’s inspired off of this Pinocchio concept art! It’s so gorgeous! I’m sorry Ortho…

And finally, the masks on his waist. They’re wrapped around his waist with rope, and are made to resemble the faces of certain characters. Average Kallisto moment of being the most unsubtle person ever with my theories LMAO. Anyway, I thought it would be the perfect event to include various masks on his costume in a similar placement where the mirrors are in his regular outfit. Since he has a lot of carnival game themes in his outfit, perhaps he can pretend he’s a mask vendor haha.

@marrondrawsalot Haha I’m not sure if you remember, but a long while back I made a Glorious Masquerade Crowley design, and we decided that I could tag you if I made a future event design. It’s been a while! ｡ﾟ(ﾟ´ω`ﾟ)ﾟ｡

#twisted wonderland #twst #my art #twst playful land #dire Crowley #twst Crowley #twst dire Crowley #kallistopost #twst fanart #twst art #sndbxhsj sorry that the photo looks blurry #I had to use some editing to hide to streaky gouache in the background andddd and messed up the resolution #I mean I prefer that over the terrible background but #NSBXHSJS one of the moments I’d prefer to do digital art #because I think half of my issues would’ve been solved LOL #or maybe I should just Get Good at painting…#yeah 👉👈

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yostresswritinggirl · 1 year

Text

TCG - Chase The Mirage

pairing -> Cyno x Adventurer!Reader x Tighnari; poly

word count -> 1.7k+ words

themes -> fluff, established relationship, scenarios and headcanons, lots of card game terminologies

(masterlist) (previous) The two Kings of Invokations, infatuated and hooked to a simple adventurer from the Adventurer’s Guild. Thankfully, in this universe, there is no need to duel each other for your heart.

"What a peculiar move, especially this far in the game already." Looking up from the light novel you picked up from Inazuma in your last trip, you shift your attention to the playing field before you.

"We're testing your new deck, I think it's only appropriate to see how well it works against slow build up players." Tighnari would notice your stare and send you a smile, before concentrating once again to observe Cyno's turn.

Shaking your head with a smile, you go back to reading as their chatters and occasional bickering turn to background noise.

It's one of those rare days where the three of you had the 'day-off' to enjoy time together. Emphasis on day-off seeing as your two lovers are still technically on the clock due to their positions, but here under the shade of a tree in the forest, only you three matter.

And for today's date, Cyno eagerly challenged Tighnari to a Genius Invokation TCG duel to try out his new deck. And the latter decided to humor him.

When it comes to his favorite card game, the General exudes the same seriousness when he deals with Matra work. This thought passes you as you sneak a glance at the way he strokes his chin with squinted eyes.

So focused in fact that he didn't see your hand approach his face until you're shoving the apple slice between his lips. He says a muffled thanks as he eats the slice whole, mirth in his eyes at your antics.

"Hey, why does he get hand-fed when I'm the one winning here?" Tighnari looks at the two of you with a mock glare and pout, prompting you to throw a grape at his face which he expertly evaded with a laugh.

"You're not a winner until you defeat all my charac- oh." Looking at the field, Cyno realized that all of his character cards are indeed defeated. "Must you really finish me with my own card?"

Unlike Cyno, however, Tighnari simply plays the game for fun (or when his lovers ask for a game) while being good at it still. The forest watcher only shrugs in response as he cradles the fruit bowl.

Thinking that would be the end of their game, you yelped when Cyno suddenly yanked you to his side to sit between his legs, book pried out of your hands and laid pages down to save your progress. "What the -"

"Since I lost, then it should be (Y/N)'s turn to duel you, right?" Cards upon cards fall into your grasp in your still confused state. Tighnari who now sits across you scowls at the man behind you. "Don't worry, I'll be assisting you the whole time since you're using my cards."

"And they say I'm the sly vixen here." Tighnari scoffs as he shuffles his deck, this time he seemed to be sitting up straight to show how he's taking this game more seriously now.

"I didn't even-" Your words were interrupted at Cyno's hands offering the 8-sided dice to you. You sigh. "I hate you two." And your hand throws the die to start your turn.

With your combined powers (aka Cyno's relentless backseating), you managed to defeat Tighnari with a score of 2/3. But when he then pulled you to his lap to assist YOU on defeating Cyno, you doubt that you actually won that last round.

"You two are such idiots." You grumbled as you draw the exile artifact card.

"You're also an idiot by association."

You throw the die to whoever said that.

About TCG: Introduction

It was inevitable that you got wrapped up on the TCG scene too when you have Tighnari and Cyno as lovers.

Like some kind of initiation, prerequisite to your relationship, the game was the first thing you were taught after you became official.

However, that doesn't mean you're good at it - then again, those two aren't really the best comparison to your beginner skills. There's just a lot of mental gymnastics involved that you can't keep up with.

So no, just because you're in a relationship with the kings of invokations doesn't guarantee that you're immediately a pro.

Your first deck was actually given to you by their combined cards. Extra cards they pulled or cards that don't fit their meta, it looked like an absolute mess when you knew better.

But it was endearing inheriting their cards, especially when you can see their genuine desire to share this hobby with you. Well, obsession for Cyno.

You realized this as the one who runs into Cyno a lot due to your wandering occupation, he would ALWAYS ask you if you want to play a round whenever you cross paths.

At first, you can't find it in your heart to decline since you're still learning. It wasn't until Tighnari caught wind of what Cyno was doing that he pulled you off to the side, lecturing you and reiterating that you CAN say no.

Turns out Tighnari also deals with Cyno's dueling addiction, and that if he doesn't decline, it would end up with him skipping important forest watcher duties.

To think you were lectured about the importance of consent over a trading card game.

The first time you opened a pack of cards was also a memory worth remembering.

While on a date in the city, Cyno pulled you and Tighnari to Dori after hearing that the merchant had a new batch in stock.

Paying for your respective packs, the three of you made a whole fuss to open up your cards at the same time. Somehow, while their packs were full of mediocre cards and duplicates, when they turned to you -

"What god did you sell your soul to?!" "What?" "This is the first time I've seen three meta cards in one pack!"

As a beginner, you only look at what design looks good or shiny, so you did not understand why they're breaking down on the floor then.

Dubbed as their archon of luck, it became tradition that if you were in the area, they would force you to open their pack for them.

You wish this luck of yours were for something else, honestly.

About TCG: Habits

Before you got into the game, they would always show you their new packs, showing off the beautiful designs and the rarities. At that time, you didn't know how expensive or 'meta' each card was. If it's shiny, it's probably good.

When Tighnari lets you peruse through his deck of unused cards, he would pay great attention to the cards that you took interest in even just by design.

And then he'll let you keep it! Doesn't matter if it's shiny or a really good card, you can have it, keep it in your home or in your wallet if you want.

Even if he only has one copy of a particular card, seeing you happy makes the sacrifice worth it.

It was also hilarious to see Cyno make a fuss about seeing said cards on your person when you catch up when crossing paths.

He'll look at your tiny but growing collection and throw in random facts here and there. "Ohh, you even have this card? What else do I expect from my lover, such good taste." He praises with a nod, exaggeratedly.

They both have their personal playing mats that matches their aesthetic greatly, and one that has the the limited edition Adventurer's Guild design because it reminds them of you! It's not the best looking one out there, but it's special to them.

Mats are pretty bulky so you don't really like bringing one around so when a game is expected, they bring their spare for you to use like the sweethearts that they are.

Cyno, still with his absurd spending habits when it comes to Genius Invokation, commissioned someone for custom deck boxes as a gift to you and Tighnari. It was definitely expensive seeing as he had to save up for it.

When Cyno is crafting a new deck, he urges you to do the same. Spice things up, you know? He likes to hear your opinion despite knowing more than you, to the point that he made a whole other desk made with your favorite cards and play style.

He uses that deck for casual games with the Matra, and they don't fail to notice how he seems to have a wisp of a smile on his face the whole time he plays.

Tighnari, on the other hand, is a meticulous player with a penchant for detail.

All of his cards have sleeves!!!! He likes taking care of his things and that includes his cards, some of them even have double sleeves! You can find him taking his sweet time putting each card in sleeves on a slow day.

Sometimes, you join him on putting sleeves if your hands aren't dirty, at least.

"Do you have a favorite color?" The next time you see him, he gives you a pack of sleeves in that color for your own deck. Do you want him to help you with that, actually? I think he finds it relaxing.

He also has fancy dice of his own which he changes around depending on his mood. Of course, you also get your own! There's a marbled set, a set that's galaxy-themed, oh oh this one refracts light to make a rainbow -

You don't participate in tournaments unlike your boyfriends, but they always encourage you to play with other players besides them for practice.

Tighnari doesn't give Cyno one tho, he's sure that he can buy it himself. Or lends him a set at least, one that's violet with gold accents, and had since 'forgotten' to take it back from him.

But if there's one habit that they share, it's that whenever you're around during a game, they are always guaranteed to win. It's because you're their lucky charm, they say, but it's as simple as wanting to show off when you're cheering for them so supportively.

"No, you shouldn't expend all your energy cards this turn." Your fingers twitched before moving to an artifact card instead.

"Are you sure you want to pull that out now? You're not really attacking this turn."

Your opponent, Amir, stares at you in sympathy as you pinch the bridge of your nose. Behind you, Cyno and Tighnari started a whole new conversation about strategies and what your next move should be.

"Um, do they even realize that they pretty much revealed your hand to me?"

"I think we should reschedule."

Amir let out a horrified gasp when you turned around and smacked your beloveds over the head with your deck box.

Maybe he should exercise how to say no to an invitation, too.

My TCG knowledge from my card game enthusiast seniors back in college has finally been put to use

@chuusposts @ireallylikehamsters @maehemthemisfit

#tighnari x reader #cyno x reader #genshin x reader #genshin impact x reader #exile.flower #gender neutral #chase the mirage #genshin impact fluff #sumeru arc #tighnari #cyno #poly cynonari

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bliss-is-in-blood · 2 months

Text

Random (cute) thought on Hannibal and Mischa

The Lecter's Manor/Castle is still around and since Chiyoh is off and is not protecting the properties anymore (I do believe she sent the curious away and the few that wanted to make some urban exploration, off while she stayed). I'm sure some people went looking around.

Especially after Hannibal case resonates worldwide since he's one of the biggest and most impressive Seral killer of the century, whose finally been caugh, it's sure some are going to go looking around the Manor/Castle for fun and investigation.

You probably find video on youtube of people exploring, Lituanian autorities actually have to regulate that but surely some pass in the cracks of the net.

And what if Hannibal familly had a camera and films. That some of those trespassers would ultimatly find and post on the net too. Some would be very damaged but some other are in better condition.

One of the video is filmed by Hannibal's mother who hide at a corner, or at half the stair, it shows Hannibal and Mischa about a year before the tragedy, playing on the floor. Hannibal is literally lying down on the carpet, a book discarded at his side and a very expensive painting between them.

Hannibal took the painting from the wall to show it to her more closely, so she can see the details more clearly, because she was interested by it. He explains some stuff to her and she listen attentively, asking question, engaging with her brother. She has chalk on her hands from studying math on those small blackboard slate / or was drawing some stuff on it, and she's actively putting chalk print on the painting. And it goes on for a while until their mother interrupt their little moment with "Shouldn't you two be studying?" she says it with a laugh. But Hannibal immediatly look up, and with the quality of the video you can't really tell if he's worried, surprised or upset to have been interrupted but he gets up quickly and trot away calling Mischa to get up and follow, which she does without question and follow her brother. Their mother follow them right to the main door where you see Hannibal helping Mischa with her coat and scarf and gloves and Mischa laugh as if she don't understand they could be in trouble. Then they disapears outside, and it's so bright and exposed you don't see much but you guess it's snowy outside. last thing you hear is the mother telling them to get back before dinner.

Another one is just Hannibal and Mischa building a snowman outside and messing around.

Another one, this one it's Hannibal who hold the camera while he and Mischa tries to bake a cake, there's flour everywhere and while trying to hold the camera and mix eggs and flour and sugar the bowl rip away from his grip and fall and Mischa is laughing her ass off in the background, the camera turns to her her fingers covered in blueberries juice she's not sorry to not have been of any help.

Another one is in a more stern setting where Hannibal plays at the piano, he's very focused and it's clear he is observed by a small crowd. Mischa comes around and sit at his side and mess up with some piano keys. He shoo her away and other people are calling for her to stop bothering her brother but when she start to cry and their parent tries to bring her somewhere else, Hannibal call for her to sit back at his side on the bench, which she does, escaping the adults grasp. Hannibal show her a few keys to play, and when she get it correctly start resuming his own play, everytime he can free a hand in the music sheet he show her something else, it's all simple but it goes well with what he is playing.

There is a compilation too, it always start with Hannibal coming home, he's passing the door and you have a young girl screaming and crashing into her brother sometime violently enough Hannibal stumble, but Mischa always ignore the other people around even if it's her parents and welcome her brother first. Sometime he pick her up, always when she a bit less energetic or in a mood. She often tell him she missed him even if Hannibal was away for less than a hour (or so he says) or she ask him what he brough her and those time you see Hannibal pull out a feather or a rock or candy or whatever, and Mischa is always delighted.

You have another one that start at the high of an argument where Mischa is screaming, evidently upset saying "I don't like you, you're not by brother anymore !" and slapping the door of her room. Hannibal calmly return to his own room after looking at the camera with a bit of disdain or indifference. it keep rolling for around ten minutes, nothing happens, until Mischa gets out of her room and goes to knock on Hannibal's room. The door open.

"Can you play with me."

"I'm not your brother anymore, I'm not playing if I'm not your brother anymore." Mischa is clearly upset/frustrated by his comments

"That's not true you're my brother, you're always my brother stop lying !"

"If that's the case then what game do you want to play ?"

"The monster" She says happilly.

"The monster? then you better be ready because it's comming."

and a few seconds later you have Mischa running, happily screaming and laughing while Hannibal run behind her making noise and making sure not to be too fast so she can flee while he pretend he's going to catch her. as if the argument that happenned ten minutes earlier didn't happen.

All those video (and some more) are very cute and now everyone is wondering if they should warn Hannibal those video exist, that they exist for everyone to see, wondering if they should show them to him.

Bedelia tell them they should keep it secret, because even her doesn't have a clue how Hannibal could react to them. She know Hannibal lost the memory of his sister face during his trauma, it's locked away with it and recovering the memory of her face might unlock things nor Hannibal nor anyone dealing with Hannibal would be able to deal with. It's also a bit of a punition, because it might be the only way Hannibal could recover the full memory of her.

Now imagine post-fall, Will inform Hannibal of the existence of those video and when he is ready he can look at them. And he does, feeling safe even if he break down because Will is there to understand him and actually support him and help him deal with some door Hannibal hasn't dared to open, ever.

#HANNIBAL #NBC HANNIBAL #HANNIGRAM #MURDER HUSBANDS #WILL GRAHAM #MISCHA LECTER #HANNIBAL LECTER #sorry if this is a bit cheesy but my brain have been entertaining the idea h24 for two weeks at least #it was requiered to be put out in the world

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roguelov · 1 year

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For the fic thing, having morpheus hear their s/o singing Mr sandman either whenever they arrive or in order to summon them? (I love the idea of how Done™ he'd be with that song if he hadn't been in a fishbowl upon it's release) also followed for idk what anymore it's been so long but staying for you and the vibes 😘

Mr. Sandman

Word Count: 729

Reader: Gender Neutral (not specified)

…

The inconsistent beat of knives against a wooden cutting-board mixed with the sizzling of chopped vegetables in a hot pan. Music, turned down low, softly played in the background. You hummed along as you cooked dinner - dinner for two.

But, your other half was not here.

Yet.

Delicate chimes, distance and barely noticeable, twinkled. Spinning around, you saw a swirl of golden pale sand twirling in the middle of your living room. The sand shone like thousands of stars, especially in the setting sun streaming through the window. In the middle of the swirling sand, a figure - a dark mass - grew in size and shape. A figure you recognized. As the sand started to fade and its dizzying spins began to slow, a black boot stepped first, breaking through the wall of sand.

Smiling, you started to sing a verse, “Mr. Sandman bring me a -“

“Must you always sing that tune?” Dream, the dark figure, fully stepped out of the swirling sand. The sand wisped away, disappearing completely and leaving no trace. He rolled his eyes, unwilling to hide his obvious annoyance and disdain for the song.

You plucked up a used towel, wiping your hands and meeting him halfway. “What are you talking about?” You asked, innocently.

Dream strolled up to you, standing directly in front of you. “You know what I speak of.”

You threw your towel over your shoulder, and put your hands on your hips. “No, I don’t believe I do.”

Dream’s lips thinned.

“Sing it for me.”

“Sing it for you?” Dream asked, astounded.

“Yeah.” You smirked.

Dream scoffed. “I will do no such thing.”

“Then how will I know what to stop singing?”

Dream eyed you, nearly glaring at you; while you proudly stood in front of him and wore a wide playful smirk. Your eyes were alit, twinkling with trickery and also love.

He huffed. “Please, love.”

“Just one hum.” You hold up one finger, smiling at him. “Or how else will I know?”

His eyes flickered to your finger then back to your eyes. Dropping your hand, you smiled at him. His love - you - was so full of light, so full of love; and so full of playful taunts. This song was just one of many.

“And if you don’t, you might not get any dinner.” You added.

“Really?” He leaned into you, his eyes now twinkling. You always had this effect on him. You pull out such a fun, loving side. One he didn’t know existed until you came into his life.

“Really.”

“And if I refuse? I can find food elsewhere.”

You paused, considering it for a moment. “Then I would be very upset.”

He laughed once. “Of course, and we don’t want that.”

“No, we wouldn’t.”

He smiled, wide and true. “Only for you, my love. And just this once.”

He lightly grabbed your chin, drawing you close. This was for you and your ears only. Excitement rippled over your skin. Is he actually -

A hum rumbled in the back of his throat, the beginning of a tune. His lips parted as - to your surprise - Dream truly started to sing. “Mr. Sandman, bring me a dream.”

His deep cadence sent shivers down your spine. It was haunting, yet so beautiful. A perfect description for Dream. His voice drowned out all other sounds. You were enraptured by him, by his hypnotic voice.

His hand moved, cupping the side of your face. His lips grazed over your lips, “Make him the cutest that I’ve ever seen.”

Your heart skipped, and a warmth spread over your chest.

Seeing your stunned reaction, he smirked. “How was that? Will that satisfy you?”

You wordlessly nodded.

He chuckled then kissed you, softly. “Now, will you stop singing that song?”

You smiled, beaming at him. “Maybe -“ you paused, trying to bite back your smile - “or maybe you could sing for me again.”

He rolled his eyes, but he expected your answer. “Of course, only if you behave.”

You snorted, shaking your head. You pecked his lips, stealing one more kiss, then said, “Okay, okay, now, can you help me finish making dinner?”

“Oh? Am I allowed to eat now?” Dream teased.

You laughed, “Yes, you can eat.”

“Then I suppose I will.”

You laughed again, dragging him over into the kitchen. Neither of you were aware of the soft familiar music playing in the background.

#the sandman #dream #morpheus #dream of the endless #dream x reader #Morpheus x reader #gn!reader #gender neutral reader #ask #anon #short blurb

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whirligig-girl · 7 months

Text

Star Patrol rocket Piccard-5 encounters an artifact of the incredibly powerful White Marble Civilization. circa 2169, colorized & shipgirlified.

Commission for @foxgirlchorix, based on a render by Holly for @torchship-rpg

This is some of my best rendering work ever! These commissions do have a knack for putting me out of my comfort zone enough to continue developing my technical skills and style.

Image ID: Digital art of two ship girls in a black and blue nebula background. One girl is a very large solid white marble statue with a naked feminine form, pitted and cratered with meteoric impacts, drifting belly-down though space. Instead of a face, her head has a large hole which glows yellow-orange, with a white marble sphere held in space outside of it. A green tractor beam is being emitted towards the second girl, a Torchship named Piccard-5. She is a silver girl with her body resembling a star patrol jumpsuit. Warp drive rings circle her waist like a hula hoop. She is wearing a spherical ball helmet. She is wearing white rocket boots. She has glowing red-orange radiator panels as wings on her back. The white marble sphere's tractor beam is slowly disassembling her into individual hull sections, disconnecting her radiator wings, removing her boots to reveal the rocket propellant inside her legs, and taking her body apart. Piccard-5 is reacting with a worried or confused expression. End Image ID.

Artist's notes and concept sketches in the read more:

When this render was posted Levana immediately had the idea to make it one of a series she was planning on commissioning me for, of shipgirls based on Torchship's Star Patrol (and alien) rockets. So we quickly brainstormed how it would go down and what she could afford price-wise.

When I do big commissions with new characters where I'm creating the design without an existing OC reference, I charge extra for character design. That doesn't just go to waste! Here's the concept art page:

The White Marble shipgirl is inspired by the Eerie and Enigmatic Empty Vessels by @murmurlilies, which Levana really likes--if you look at her blog you might see one of those posts reblogged multiple times. I wanted to pay homage to the eerie and enigmatic empty vessels without directly ripping them off! The first sketch on the upper left is imagining the girl poses by breaking her arms into segments and moving them around, but that never looked quite right to me. The second is basically just a direct study of the empty vessels (with a ball head). The third is after a little more refinement--I liked the cute hair on the empty vessels so I wanted to keep the head mostly intact, and I found a way of keeping the silhouette of the jagged angular hips on the empty vessels but in a very different way! Meteoric impact damage, just like on the original Torchship render. I also used an edited version of one of the Empty Vessels drawings for the thumbnail sketch in the lower right out of laziness.

There's also a sketch of what Piccard-5 looks like when she's not being disassembled. Piccard-5 has a rounded main hull, so it looks much more like a regular space suit helmet than the frustum-shaped helmet on the Newton-2 shipgirl I sketched a while back. The Newton-2 shipgirl had heat radiators as wing shapes on her boots, but making them actual wings on her back makes the disassembly image all the more unsettling.

I changed the hairstyle on the white marble girl when I drew the main drawing because I wanted to evoke like, greco-roman marble statues, and so a curlier/braided look worked better than the cute pixie cut of the empty vessels. I'm really happy with how the final product looks. I knew I wasn't gonna be able to half-ass it with the rendering, you know, just a little shading along the edge; this required a lot of careful thought and it was a lot of fun to do! Especially where the craters interact with the terminator (line between light and dark), just like on the Moon, which I have a lot of experience sketching (see below--the following sketches were made while looking through telescopes at the Moon at night)

Here's a WIP of just the line-art:

and with the basic shading done on the marblegirl

I started with like, a cel-shaded look (?), and then went in and softened the edges, then went over it again to fix the craters. I also added the marble texture to the unshaded base layer.

For the Piccard-5 girl, I spent a lot of time trying to get the pose right. I wanted it to be a little stiff, she's in a suspension beam after all, but not too stiff? And I had to decide like, what pieces should be detached, and where should they be going. In the render, hull pieces are often displaced towards the side, but when doing that to a humanoid, it ruined the pose too much, so i avoided doing too much weird stuff to the torso and kept the disassembled pieces largely to one axis. The cross sections are hollow because they're ship decks. She's a spaceship, not a robot girl. The warp ring was suspiciously untouched by the dissassembly beam in the original render, but i had the marble girl pull a few pieces off of it in my drawing.

Probably the one thing that isn't based on something happening in the render is the belt. Like, rockets don't have belts, cosmonauts do! So that was a fun little touch.

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