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darkcircles4lyfe · 22 days

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it's a story about hands (reprise)

Yeah, okay, today's the day.

I gave my blog that title for a reason, you know, and it has loomed over me for years because the hand motif is absolutely everywhere and you could go on about it forever.

Maybe that's something I'll never actually attempt to do, but this chapter, we reached a breaking point.

Before I continue, I need to give a big, big disclaimer: I do not have a physical disability, so I'm not able to speak about that from the standpoint of representation as a first-hand perspective. I have at least listened to enough disabled people to know that fictional characters who become amputees only to miraculously gain their limbs back is, um, a trope. Disabled people in general being "healed" is a conception we would really prefer to avoid here. Not to call people out, but I don't think we're giving enough space to acknowledge that.

I don’t feel comfortable making the judgement call about what should happen. I’m leaving that open. I also don't want to downplay people's emotional reactions. Honestly, I don't know if I can accurately define the line between acknowledging real pain vs. ableist pity. But I’d like to talk about the possibilities of what could happen. Other characters have definitely gotten permanent disabilities as a result of their hero work, or even just the side effects of their quirk. But, for better or worse, I don't think this case is really about representation. Not that Horikoshi won't do that justice. He might. What I'm saying is that's not his purpose for having Izuku lose his arms. It's meant to be symbolic, so we can explore what it means. The other thing I’m keeping in mind here is that Horikoshi is notorious for playing with our expectations, like, alllllll the time. I mean, just take a few chapters ago for a classic example. Eri appeared at the end, and we all assumed she was about to take some sort of action to save someone with her quirk. Then, immediately following, we were given an explanation for why that wouldn’t be happening. And now it’s clear he wanted to do that “fake out” not just as a silly cliffhanger prank, but specifically so we would know not to suspect that Eri could be the miraculous solution to Izuku’s loss of his arms. Rest assured, there is no easy way out of this.

The expectation at play in this particular instance is an old one. It’s very understated, but its subtext has burned so brightly, you’d be a fool not to notice it. It sits with anticipation like one half of a call and response. Man, I was so certain. Lots of people still are. I was really looking forward to printing the panel where it happened onto a t shirt and wearing it proudly. All the hand motifs in this story radiate thematically from a single moment, the one that started it all for Izuku.

It raises all kinds of questions about the act of saving, who needs saving, why, what does it mean, what are the dynamics of power, politics, honesty, exploitation, compassion, pity, disdain, sacrifice. Katsuki has dealt with many of these since he first rejected Izuku’s hand. While Izuku was the one who was convinced Katsuki would keep on rejecting him…

…Katsuki was the one who kept that moment in his mind all these years and eventually came to regret it.

Katsuki is the one yearning for that hand-hold, the one who has imbued it with so much more weight than it ever originally had. Izuku, in contrast, does not allow himself to dwell on what he wants. To illustrate this difference, we need to look at another piece of foreshadowing:

Ugh, do y'all remember when lots of folks were complaining about how there never seemed to be actual consequences for Izuku's destructive treatment of his own body? I don't blame them, I was concerned and confused about it too. There were several "fixes" along the way. Recovery Girl healed him, but left a physical reminder. Then he started training to fight with his legs… sometimes. Then he got support items. All of these were unsatisfying non-conclusions because they didn't present Izuku with a lasting enough impression to change in a meaningful way. They didn't address his core, his origin.

Of course, that all changed this chapter. Now it looks like our frustration was inflicted intentionally. With the current context in mind, all of these moments look more sinister, like this day was always gonna come because they kept putting bandaids on a deep emotional and psychological wound. The problem is pretty much spelled out for us here:

As Katsuki put it, he just doesn’t take himself into account, ya know? He doesn’t care what happens to him. And he lies about it, to keep others from worrying, to keep them safe. To keep them from returning the favor and putting themselves in harm’s way for his sake. His motivations are noble,

…but what about the little boy inside Izuku? Who saves him?

This is all about Izuku giving himself up to the point that he literally has no more to give. The thing is, I bet he saw this coming. He knew his limits and decided to keep going anyway, because his personal safety and wellbeing are not important. Now that way of thinking has come back to bite him because the fight isn’t over yet, and he’s already made his sacrifice. So now we know who will be more distraught over this. Not Izuku—Katsuki.

It’s not about Izuku becoming disabled, it’s about how Katsuki wanted to use the intertwining of their fingers to communicate that he would never let go. Never stop valuing him most. Never let himself make the mistake of rejecting him again. Never let Izuku be so reckless with his life. To say: “we are in this together.”…if only Katsuki believed he deserved to be able to say such things. To reach out his hand would have been the ultimate way to simply imply them and let Izuku be the one to decide. Then, to feel their hands clasped together would be more than either of them dared hope for, but so beautiful, so right. A moment they’ve waited their whole lives for.

Yeah. That’s what we were expecting. We’ve been so comfortable. Horikoshi gave us all the signs. He tempted and teased us over and over. BUT. You know he does this thing were he gives us a desirable, completely plausible and simple thing to look forward to, and then he snatches it away. And THEN he replaces it with something much better, something we were not expecting at all because it seemed too good to be true. That’s exactly what happened when Himiko snatched Izuku away, and we were robbed of the chance to see him and Katsuki fight together. In hindsight, though, I’m glad things went a different way because now there’s so much more depth and angst on display. Likewise, in the present moment, we may consider how, as one door closes, another opens.

As wonderfully meaningful as the hand-hold would have been, perhaps it is still too simple a resolution for Izuku, for his and Katsuki’s relationship. Tbh, it could have been done like 100 chapter ago. At this point, there’s so much more potential. There are a couple of ways it could go. If Izuku stays armless, Katsuki will be forced to use other methods to get his point across. He’ll have to do something else, or say what he means, or both. Yes, I’m talking about what you think I’m talking about. If I say it, I just might jinx it (lol), but I mean it. I’m being serious. Either way, if Izuku did get his arms back in the end, I’m sure that it wouldn’t be an easy fix. It would be hard-won against Izuku’s self-destructive mindset, and/or by Katsuki’s conviction. Again, I say this knowing it is not meant so much as a representation of disability, but as a representation of Izuku’s greatest character flaw taken to the extreme. I know this might sound harsh, like, hasn’t he been through enough? I get that, but… I’ve said it before and I say it again: Izuku is stubborn as hell.

I wish I had a resounding final note to end this on, but I kinda don’t. I’m not sure what’s best. Now we just have to wait and see what Horikoshi has in mind.

#lin speaks #bnha meta #bnha manga #bnha 419 #mha #boku no hero academia #my hero academia #midoriya izuku #bakugou katsuki #bakudeku #bkdk #dekubaku #dkbk

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whetstonefires · 9 months

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Hey you said something about the my hero academia creator being unhinged about sexism, do you mind explaining?

I tried to write like, a thorough explanation of this and it just got longer and longer and longer and I have not touched this series in actual years and yet I've still got all these receipts a;lkjk;lfasd.

So rather than trying to build the whole massive case, here's a pared-down version. It's normal to have sexism in media, and shounen manga especially. Everyone does it. The level and mode and intentionality and so forth all vary, but of course it's there.

What's not normal is to have lots of varied and interesting female characters with discernible inner lives, and on-page discussion of how sexism is systemic and unjust and holds them back in specific ways, and then also deliberately make consistent sexist writing decisions even where they don't arise naturally from the flow of the narrative.

Horikoshi is actively interested in gender and sexism, he's aware of them in a way you rarely see outside of the context of, you know, fighting sexism. He is hung up on the thorny issue of what women are worth and deserve and how power and respect ties into it. He genuinely wants, I think, to have Good Female Characters, and not be (seen as) A Sexist Guy!

But. He doesn't actually want to fight sexism. He displays a lot of woman-oriented anxieties, and one of the many churning paddlewheels in his head seems to be that he knows intellectually that morally sexism is bad, but emotionally he really feels like it ought to probably be at least partly correct.

There are so many things I could cite, and maybe I'll get into some of them later, but the crowning item that highlights how the pattern is 1) at least partly conscious and deliberate and 2) about Horikoshi's own weird hangups rather than simply cynical market play, is Mineta Minoru.

The writer has stated Mineta is his favorite character. Mineta is also designed to be hated--that is, he is a particularly elaborate instantiation of a character archetype normally deployed to soak up audience contempt and (by being gross and shameless and unattractive and 'unthreatening') make it possible to include a range of sexual gratification elements into the narrative that would compromise the main characters' reputations as heroic and deserving, if they were the actors.

Good Guys don't grope girls' tits and run away snickering in triumph, after all. Non-losers don't focus intense effort around successfully stealing someone's panties. Nice Girls don't let themselves be seen half-dressed. And so forth. You need an underwear gremlin for that. So, in anime and manga, longstanding though declining tradition of including such a gremlin, for authorial deniability.

Horikoshi definitely uses him straight for this purpose, looping in Kaminari as needed to make a bit work. And yet he has Feelings about the archetype itself.

The passages dedicated to the vindication of Mineta, then, and the author's statements about him, let us understand that Horikoshi identifies with the figure of the underwear gremlin. He understands the underwear gremlin as a defining exemplar of male sexuality, at least if you are not hot, and finds the attached contempt and hostility to be a dehumanizing attack on all uh.

Incels, basically.

It's not fair to write Mineta off just because he's unattractive and horny (and commits sexual harassment). Doesn't he have a mind? Doesn't he have dreams? Doesn't he have human potential?

So what's going on with Horikoshi and gender, as far as I can figure out, is that he knows damn well that women are people and are treated unjustly by sexist society, but however.

He also understands the institutions of sexism as something protecting him and people like him from life being nebulously yet definitively Worse, and therefore wants to see them upheld.

So you get this really bizarre handling of gender where obviously women's rights good and women cool, women can be Strong, and the compulsory sexualization imposed by the industry isn't them or the author, and so forth.

But also it's very important that in the world he controls, women never win anything important or Count too much, and that jokes at their expense that disrupt the internal logic of their characters are always fair game, that women asked about sexism on TV will promptly get into catfights amongst themselves, and they are understood always in terms of their sexual and romantic interests and value, and sexual assertiveness and failures to perform femininity well enough are used to code them as dangerous and irrational, and that the sexy costumes are requisite and will never be subverted or rebelled against--at most they might be circumnavigated via leaning into cute appeal.

And that Yaoyorozu Momo, who converts her body fat into physical objects, is being frivolous when she wants to use money to buy things instead (rather than as sensibly moderating her Quirk use) and is never encouraged to eat as much as possible at every opportunity to put on weight and even shown being embarrassed by hunger (even though Quirk overuse gives symptoms that suggest she's been stripping the lipids out of her cell walls or nervous system to keep fighting) and always, no matter how many Things she has made, has huge big round boobies.

#ask #hoc est meum #beastenraged #bnha #sexism #i think i got the main points here #just getting lost in the weeds of subsidiary arguments and supporting evidence was destroying me #i don't need to do those this is fandom on the internet #and not even a serious level of that #meta #mineta minoru #yaoyorozu momo #honestly psychologically pretty interesting #it's like he keeps saying 'look i know sexism bad but I Need It'#someone tell him that the patriarchy is exploiting him too and we can all achieve liberation together #this is the same mechanism that upholds white supremacy among the poor #'my life is so bad already the idea of liberating those below me and having to share the crumbs with them is horrific'#ESPECIALLY if i know they're worthy and lots of them are better than me #injustice is the only thing keeping my head above water!#he's also fishing for vindication ofc #but it's wild to see how he'll put in the groundwork that would let him do something gender-egalitarian with his themes #and then opt not to #despite having done the hard part already #idk how much that's making a statement and how much it's just 'this Feels Right'#but as a pattern it murdered me

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greenhappyseed · 1 month

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MHA 418 leak reactions

Izuku blips over middle school and becomes a child in Tomura’s mind scape as Tenko decays Mon.

Baby Izuku holds baby Tenko’s hands in order to stop him from decaying Hana. Izuku starts decaying (!!!) but tells himself this is an imaginary place??? Dude, 2 chapters ago you were saying that you COULD get hurt in this mind scape. Which one is it?!?!??! WHICH ONE IS IT IZUKU?!?!!?!

Tenko cries and says no, he WANTS to destroy his house and family, because if he doesn’t want to destroy, then why was he born bad? (Ugh, poor kiddo!)

Tenko tells Izuku to go away, and it’s still not clear if it’s out of self-hatred or to keep Izuku safe. I lost count of how many times this happened in the last 3 chapters….

But Izuku says no. AGAIN. And finally, Izuku says something honest about why he wants to be a hero and save Tenko: Izuku feels relief when he holds the hand of someone who is hurting.

And with that, Izuku tells Tenko, “I am here.” Brilliant.

We see Tenko smile as he’s on a playground with his friends, and Tomo-chan tells him that he can play as All Might. Join the club, Tenko!!!!

Oh but of course it’s not that easy. If Izuku finally says why HE wants to be a hero, then it’s Tenko’s turn to explain why he has to be a villain: Because he hates and destroys things, and even if he didn’t, there are others who need him and look to him to destroy.

Back in the “real world,” there are some citizens cheering for Shigaraki. They’re sad (??) when the finger armor begins to disappear when ….

AFO’s MEMORIES APPEAR!!!! OH LAWD HE COMIN!!!!!

KOTARO WAS DRINKING WINE AND TALKING ABOUT TENKO’s QUIRK WITH MYSTERY HAT MAN???

Okay the chapter ends with vestige AFO returning (and maybe able to control Tomura again?) BUT it sounds like Kotaro bought his son a quirk from AFO? Or was Kotaro himself somehow taken under AFO’s wing after Nana gave him up for adoption??? Like they know each other and have dinner together????

You guys, this is so much worse than just “oh AFO gave Tenko decay……” Well done Horikoshi for one more good twist.

#oh lawd he comin #bnha 418 #mha 418 #Izuku midoriya #Deku #Tenko Shimura #tomura shigaraki #kotaro shimura #AFO #all for one #bnha spoilers #mha spoilers

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shadowed-dancer · 5 months

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Horikoshi recently revealed that Endeavor was supposed to die during the PLF war and that honestly validates something I've been feeling but couldn't quite articulate: "Horikoshi doesn't know who the central Todoroki is" (or he does, but he changed it halfway through to the worse option)

Endeavor dying would have been AMAZING if Shoto were the central character in the Todoroki subplot. The main reason this is so is that Endeavor would be out of the way. Shoto would have full reigns on how he wants to handle Touya (the "final villain" of the Todoroki subplot), and the rest of the family can play a role in this as a supporting cast.

However, Shoto is NOT the central character in the Todoroki subplot. Or, at least, he used to be, but he's not anymore. He's not allowed to have a final fight with Touya because Touya needs to still confront Endeavor. Regardless of how that fight ends, whether it's Shoto saving his brother or knocking him out, Shoto isn't allowed to end the conflict until Touya and Endeavor interact.

At the start of the series, it was really obvious that Shoto was the central figure (and was our pov character) for his family drama. During the sports festival, HE'S the one who shared the backstory. The flashbacks are framed around what HE saw. HE is the one taking a step forward to fix his family, and it starts with reconciling with his mom. At this point, Endeavor is what I'll call "the instigator". He is the cause for the family drama, and though we may not know Touya at this point, Endeavor has already released the future final boss of the subplot into the world.

In the Pro Hero arc, Endeavor becomes his own central figure as a pov character into the world of pros. He then overlaps with the Todoroki subplot by wanting to atone and remove himself from the role of the instigator. The thing is, he can't. What was done cannot be undone, and the most he can do at this point is try to make things better for his family moving forward. At this point, he and Shoto can coexist as central figures because the final boss has not yet been introduced.

The second Touya confirmed his identity, either Endeavor or Shoto had to stop being the central figure. Having Touya need to fight two heroes before being able to come to any end just feels sloppy, and since Shoto was given the first fight, it makes him seem like the less important figure. Even Touya doesn't care! He spends a good chunk of the fight talking about how he'd rather fight Endeavor. This makes Endeavor into the central figure as he is now the one to end the fight. HE'S the one the final boss has been waiting for, not Shoto.

The thing is, this started as Shoto's story, so it would have made sense for it to end as Shoto's story as well. Even if it meant killing Endeavor to force Shoto to be the ONLY central figure (probably to Touya's dismay) it would have allowed Shoto the space he needed to lead the ending he deserved, rather than be pushed to a side character.

TL;DR Endeavor surviving forced Shoto into the role of a supporting character in a plot line that started as SHOTO'S plot line.

#bnha #bnha spoilers #bnha critical #shoto todoroki #touya todoroki #dabi #enji todoroki #endeavor #bnha meta

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sapphic-agent · 8 months

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Let's Talk About Bakugou's Apology

Jfc, I swear this wasn't meant to be an MHA blog but whatever. Let's get into this.

I wanted to give Bakugou stans the benefit of the doubt. I wanted to think that they would only hype something up if it was groundbreaking. I wanted to believe that Horikoshi was a halfway decent writer and would put actual effort into such a pivotal, revered moment in the series.

I was left sorely disappointed for multiple reasons.

1) A List of Excuses To be completely fair to Bakugou, he does take some accountability which was more than I expected. He does acknowledge that what he did was wrong a few times during his little speech. I have to give him credit for that. However, it's overshadowed by the narrative making sure to stress that it was the people around Bakugou who were at fault for that behavior. Which isn't true because even before he got his quirk, he still treated Izuku like garbage. He gave him the name Deku and acted like he was above everyone way before Izuku was deemed quirkless.

(I'd also like to add that the only thing that literal pre-school teacher said was that Bakugou's quirk could make for a fine hero. He was the one who ran with it and decided that it made him better than everyone and that he would be the best)

There's also the fact that every time he does point out what he did was wrong, there's always some kind of justification behind it. "I did... because I felt..." It undermines what's supposed to be a genuine apology because it's not about Bakugou's feelings, he wasn't the one hurt (more on this later).

2) Timing

So many people have brought this up and they're absolutely right; that was the worst possible time for this to happen. Izuku was injured, starving, and dirty. Not to mention his mental state is practically in shambles. He's been isolating himself for weeks in his attempts to walk a selfless, lonely path. The absolute last thing he needed was this shitty apology.

This was supposed to be an effort for Class 1A to show Izuku that they care about him and to convince him to share his burden and come back to UA with them and rest and heal. Instead that genuine effort is highjacked by Bakugou rambling on about something entirely unrelated. He could have done this during the bath scene or even right after that. Instead, it's shoehorned into Izuku's actual friends trying their best to help him.

Iida's words should have been the final ones. They had enough impact and were way more powerful. There was no reason for Bakugou's apology to be the finishing lines.

3) The Insults

It's wild to me that Bakugou apologized for insulting Izuku... right after purposely insulting Izuku.

This is something that has been detrimental to Bakugou's entire character "redemption". "Oh, he's changing!" Except he's still doing the same shit he's always done. It undermines the entire point of redeeming him.

(I hate to be pro Endeavor in any way, but at least when he decided to change he made the genuine effort to stay that way and didn't relapse into old habits)

Not only did him mocking Izuku do absolutely nothing to change his mind, it's just so shitty to do to someone who's clearly struggling. If you are incapable of showing empathy and kindness at a time like this, shut up and sit down because there's no reason for you to open your mouth. You're not helping, you're only making things worse.

And then he says, "I don't expect this to change things between us." Like bro, that's completely on you. All you have to do is not be a dick and act like your apology actually meant something by refraining from hurling insults at someone who did nothing to deserve it. But even after this apology, he continues to yell at and insult Izuku. Sato and Tokoyami even call him out on this, only it's just played for laughs.

Word to the wise kids, an apology means nothing if just keep repeating your bad behavior.

4) No Autonomy for the Victim

Not once do we get to see what Izuku's thinking. Not once do we ever see things from his point of view.

This moment is entirely about Bakugou. It's only a plot device to develop his character and make him come off better. And Izuku who was the victim gets no attention. He doesn't even get to respond, he just faints by the end of it.

In fact, the closest thing we ever get to an insight into Izuku's feelings is All Might saying that he wouldn't hold what Bakugou did against him. That's such a copout considering a) nothing Izuku did ever indicated he felt that way and b) another person is speaking for him. He doesn't even get to say this himself.

Horikoshi does this consistently. Izuku is never allowed to voice how he feels. We never get to see how things are affecting him. The only time he's ever permitted to show strong emotions is when it's in favor of someone else. You would think that by this point in the story that would be rectified. But no, everything has to be about Bakugou. Not even in his own rescue story can Izuku ever be the center of attention. No, it's all about making Bakugou better.

(Again I hate to be pro Endeavor, but at least Shoto, Fuyumi, and Natsu get to respond to Endeavor's attempts at atonement on their own terms. Natsu is allowed to be angry. Fuyumi gets to make the choice to forgive him. Shoto is allowed to ponder the decision. Both cases are terrible abuse narratives, but at least the Todoroki kids have a say in how they feel and are allowed to express it. Izuku doesn't even get that)

It feels like Izuku isn't even allowed to be a victim in any way, shape, or form. He's just there to prop Bakugou

#anti bakugou katsuki #anti bakugou #bnha critical #mha critical #anti bakugo katsuki #izuku deserves better

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soadawritesstuff · 1 year

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Video games

Pairing: best friend!touya todoroki x fem!reader

Warnings: Smut with too much plot, fluff (?), Minors DNI, quirkless au, friends-to-lovers, unprotected sex, penetration, oral sex (fem. receiving), mild swearing, pet-names (doll, princess etc.), intoxication, alcohol consumption, reader isn't referred to by name, reader has female genetalia, probably some grammar mistakes

Synopsis: What was supposed to be a comfortable game-night with your best friend quickly took a drift as the drinking game Touya suggested leads to something way steamier

A/N: I don't know why and how this ended up this long but I had a bunch of fun with it. Also this turned out fluffier than intended, you're welcome lol. Of course all characters belong to Kohei Horikoshi. The banner is from the Manga Dengeki Daisy.

You were excited for this weekend. Not that you weren't excited for every other weekend as well, but you have been looking forward to seeing your best friend since he texted you a long awaited: "Hey, I finally got this weekend off, wanna hang?"

You haven't seen Touya in MONTHS, both his job and your schedule occupied too much time for a proper meet-up. Every time you planned something, a random emergency prevented it from happening: a curse that seemed to haunt the both of you.

So Touya and you agreed to just have a slow day, veg on his couch and play video games. Maybe watch a Ghibli movie as well. Anything else was too stressfull and neither of you had the energy to do something more elaborate. Both of you organised snacks (which were, of course ,already carefully chosen over text) and you brought games from home in case Touya didn't already have them.

At exactly 7pm you stood in front of your best friend's apartment door, knocking your usual knock-pattern the two of you created when you were kids. His doorbell didn't work and he was too busy but also too lazy to fix it, he wouldn't even contact his landlord about it.

You heard mufffled curses shortly after you knocked followed by rushed shuffeling which you presumed was Touya's attempt of quickly cleaning up. A notorious procrastinator as usual. The door openes and in front of you appears a slightly messy looking Touya in black sweats and a white shirt. A wide grin spreads on both of your faces as he steps forward to hug you.

His hugs were the bomb, you always felt so safe and warm whenever you hugged him. His cologne sneaks it's way up your nose as your face is comfortably smooshed against Touya's chest, a boyish chuckle escaping from the man that you call your best friend.

"I missed ya, you clown", his big hands ruffle your hair making you squeal as you shimmey out of his hug, your hands trying to fix what he so shamelessly destroyed.

"My haiiir, Touya you ASS"

"What, doesn't matter anyways, it's just me", a mischievous glint flickers in his eyes, "Or did you pretty yorself up just for me?". Not even 5 minutes in and he already got an eyeroll out of you.

"In your dreams, dirtface"

And with that you waste no time and march right into is apartment. You just hear a "yeah yeah" behind you but you will not give into his bs just yet.

You toss your sneakers next to the entrance and flop down on his comfy couch. So many mario kart sessions were held on that couch. Glorious victories and devastating losses.

"So, what are we playin'?", you hear Touya shifting around in the kitchen that is connected to the living-space.

"Mario Kart and whatever I have laying around", he carries the chips bag he just got over to the couch, already snatching one from the bag before you even got the chance to grab some.

A grin spreads on your face.

"Oh I will so kick your ass"

"big words for a loser"

"You are dead meat Tou"

And with that the two of you busy yourselves with cussing each other out and laughing, both of you blue-shelling the other countless times. Touya's winning tactic consits of trying to block your range of motion so dealing with him taking over all your couch-space made it hard for you to get a win.

After two hours both of you got bored, you played every track a billion times.

"I wish there was a new game-mode or something" you sat criss-cross on Touya's couch, head resting on his shoulder as he puts his controller to the side.

"How about we turn this into a drinking game?", you turn your head too look at him. He just smirks. The suggestion lingers in your mind for a few seconds.

"And how exactly would that work?"

"Hold on"

Touya swiftly makes his way to the kitchen. You hear glasses clinking and the fridge being opened. Shortly after your best friend returns with two shot glasses and a bottle of Vodka.

"Woahh, I haven't had a sip of alcohol in a year, ain't that a bit much?"

"Oh relax, you're gonna be fiiine", Touya puts the two shot glasses down in front of you on the couch-table.

"It's simple. We play rainbow road. Whenever someone falls down the track, they take a shot. First one to finish the race wins. Easy enough, right?"

"..I don't know Touya"

"You're just scared you're gonna lose", that mischievous look returns on his face.

"Am not!"

"Oh? What was that?", Touya begins to make chicken noises "I think I just heard a chicken"

"Stop it Touya!"

"There it was again, chicken." You try to swat him, unsuccessfully. "What's wrong chicken? You scared that you're gonna lose?Hm? HM?!"

"FINE", there was no way getting out of this one. Once Touya has an idea you basically already lost. It's not like you want to be a killjoy or boring, you just weren't sure what would happen if both of you were highly drunk. You weren't sure nothing would happen. And you didn't know what would happen to your friendship. Touya and you were always playfully flirty around each other and you would be lying if you said you didn't wish you were more than best friends sometimes.

But you couldn't lose your oldest and strongest friendship in your life. Everything was way too risky for your liking. But Touya's pain-in-the-assery left you no other choice.

You forgot all about your previous worries as soon as you started playing.

The first few rounds weren't too bad, you only fell off the evil rainbow-track a couple of times and even won one race. But with every round it got significantly harder, with every shot the track got even more evil. Touya fell off a good amount of times as well, but he seemed to be holding up much better than you.

You were laughing histerically as Touya fell off the track shortly before the finish line, allowing the Luigi NPC to win instead of him. Both of you lost count of how many shots you drank and how many rounds you actually played.

"Tou I am exhaustedddd"

"Jus' one more doll", Touya had swung his arm around you some time before this round but you honestly didn't remember when.

"Nah Tou, I can't anymoreee", Touya leans close tou your ear, squeezing you closer to him.

"Please doll, I promise 's the last one" his tired and gravelly voice slurred against the shell of your ear.

"I can't hold my 'ontroller right, I'll die if I fall off one more time"

"Y'don't have to play alone, w'can play together, see", he grabs your waist and shifts you between his criss-crossed legs, your back hitting his torso.

"Ya don't need to drink, I jus wanna play one last round", He loops his arms around your waist, putting his chin on top of your head and pulling you closer.

"Here, we'll play with my controller"

Touya pushes his controller into your hands, placing his on top of yours while his head still sat on top of yours.

He was so painfully close, your face turning hotter and hotter the longer you played. Him guiding your hands lazily while watching the track had something oddly comforting as well as feeling his heartbeat pressed against your back. Everything was just so warm and fuzzy, you didn't even notice the growing hard-on in your best friend's sweatpants.

It was only after you made the finish line that you felt a certain something poking your lower back. Holy crap.

"Touya.."

"Mmm?"

"I can feel you.."

Silence. He probably didn't immediately catch what you even meant.

"I mean your dick"

Oh.

His body shifts slightly, you can feel it even more now. Touya grabs your waist again, electricity rushing through your veins.

"Sorry doll, 's just what happens when your body is that close", his voice is just above a whisper by now. Touya's hot breath trickles your neck, all your hair stands on end.

"I just don't really know what to do" your voice left the chat long ago. You can't bring yourself to speak up, even now your words come out shaky.

"Do you want to do something?" Touya starts to nibble just behind your ear, freeing a whimper from your lips.

"Tou~..."

"If you wanna stop, y'gotta tell me now. Because I won't.."

You can't even think straight. Everything turned foggy and you don't know if it's Touya or the alcohol.

"I...don't want to stop"

"Good", his voice is barely audible yet so dominant.

Touya proceeds to place a trail of kisses down your neck, stopping at the base to leave a nasty hickey along the way. Your hands find his hair as Touya slowly starts to peel off the layers of your outfit, one-by-one. You turn around to face him, all of your garments on the floor except for your underwear.

The look in his eyes is swarmed with lust and something unreadable, that face of his is so incredibly close but something keeps you from connecting your lips to his. He places a hand onto the small of your back and lays you back-down onto the couch. Something about him hovering above you gives you the worst case of butterflies in your stomach, excitement and arousal bubbles up and spreads across your entire body.

Sitting on his knees, staring down at your exposed body, the white haired man pulls his shirt above his head, revealing just the silver chain around his neck and a trail of white pubic hair down his abdomen. He tosses the shirt aside and leans down, him now nestled between your legs and caging you with his arms on either side of your head.

"You don't know what you do to me, doll", you just hear the jingle of his necklace as he leans down, engulfed by him and his smell. The tension is intoxicating, his forehead on yours, heavy breathing. The heat radiating off of both your bodies.

"I wanted this for so long", you swallow, your tounge feels endlessly heavy. "Please..", you can only mouth that word.

His lips brush against yours, breath hitching. You need to dive deeper into him. You grab his head and let your lips crash together, both of you finally fusing into one. It's so strong, his lips taking control as he devours you with one passionate kiss. Your head spins. You've always imagined this moment yet it was never as intense as it really is.

You feel Touya's hands wander down your body, grazing your sides and gliding to your hips, where he slowly slides his fingers underneath your panties. Goosebumps follow everywhere he touches. Still mid-kiss, your panties are slid down and tossed across the room, followed by your bra. He finally breaks the kiss only to slide down your body and plant himself between you legs, eyes looking up and finding yours. The boyish grin on his face sends a shockwave through your body.

You are too dazed to react in any sort of way, glossy eyes just pleading for him to eat you out. His hungry gaze fuels the fire in your lower abdomen, causing heat to pool between your thighs. Touya dips down, carefully placing kisses and licks to your inner thighs and outer folds, diving deeper and deeper. The man has you squeaking and yelping in no-time.

You always knew he got around plenty yet it never hit you until now, his experience clearly showing as he licks every little crevice and circles your clit expertly. Your legs are shaking violently, somehow you're gonna crush his head between your thighs with your orgasm oh so close. Closer and closer until it suddenly rips through you, hands buried in his white hair as your whole body tenses up and then collapses right in front of the man that makes your world crash down. It's like a supernova exploded right inside your mind, everything goes blank. Nothing but euphoria.

You've never experienced a climax that overwhelming before, you can't stop shaking while tears roll down your eyes.

"Shhh, woah, it's ok, it's ok" Touya's voice calms you as he brushes your tears away with his thumb.

"Are you alright? We can stop if you need a break", you slowly calm down from your high and take his hand to press a kiss against his palm.

"I'm good Tou, just...need a second" you try to supress the sniffles while you wait for your nervous system to rebuild itself again. A few seconds pass by when you finally collect yourself.

"wanna keep going", you smile softly.

"As you say, princess".

With a quick peck to the cheek and a squeeze to your thigh, Touya sits up to slide his dark sweats and boxers down. His length is impressive yet not monstrous. The nice curvy shaft and pretty pink tip make your mouth water, you didn't know a dick can be this pretty.

Your awestruck gaze makes Touya chuckle as he pumps himself a couple of times before positioning himself between your legs again.

"One last chance to stop"

You place your hand on the side of his face as he leans forward. "I want this Touya, please", and with a passionate kiss your once-best-friend slowly slides into your messy folds, stretching you out so deliciously you could've cum just from that.

After some adjusting, the both of you start to settle for a slow but balls-deep rythm, moaning into each other with hands and lips everywhere. After some shifting and re-positioning Touya eventually finds that one special spot that makes you scream his name like a damn prayer, hitting it over and over again.

You clamp down, the sensation too much when he reaches down to fondle your clit. After a few more thrusts you collapse again, this orgasm even stronger than the first one. Your eyes meet Touya's as he fucks you through your orgasm, dick twitching and gaze clouded with so many emotions at once. "Fuck, princess you squeeze...so..hard", with that he fills you up to the brim, cum shooting into your still convulsing walls. You remain like this for a couple of minutes to come down from both your earth-shattering orgasms.

Touya just collapses on top of you, still inside you but too tired to do anything about it. He hugs you tightly.

"You are..so amazing doll"

You are both still slightly out of breath as you fall into a deep sleep with you in Touya's arms. You forgot to turn off the Tv, the dim light shining on both of your intertwined bodies.

#God help me I don't know what I'm doing #touya todoroki #touya fluff #touya todoroki x you #touya todoroki x reader #touya todoroki smut #bnha dabi #bnha #bnha smut #mha #mha smut #dabi x reader #dabi fluff #dabi smut

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bloodraynebeast · 1 month

Text

We’re back to talk about Yashiki / Mashita as a pairing once again. Quick note, I’ve heard the less than positive feedback on the translation from players who played the Japanese version and I’ve tried searching for any translations that can help add to the context. Unfortunately the only context we’re using in this analysis is the official English version and fan translation for one of the DLCs. Thank you all so much for the interest and support on the first part! I knew I wanted to make another as it serves to archive their moments as well as analyse each scene. I’ll be going chronologically through the chapters so it's easier to follow. This is a long one! As always MAJOR SPOILERS for Death Mark 2 (And DM1) below.

Link to Part 1 <-

Starting out with a small tangent, the theme of Death Mark 2 or Shibito Magire (死噛) with The Departed brings up a subject that seems to be a pattern within this series, no matter the universe.

Something that reoccurs in the games and extra content is Yashiki’s negative experiences with women and being forced into some form of marriage. I’m wondering if it's an address on the pressures Yashiki must have felt as Masamune or still feels being the heir and sole survivor of the Kujou bloodline. You notice in Death Mark that Yashiki wasn’t particularly on the best terms with women, namely Christie and Hiroo, but they both did warm up to him and seemed good friends during Death Mark 2.

In the Red Riding Hood DLC, Hiroo is a target and becomes possessed in an attempt to seduce Yashiki, where the bad choices are a result of not trying to pull her out of it. Death Mark 2 has The Departed declaring Yashiki as their future husband, displaying intense possessiveness and jealousy over his close relationships with the Mark Bearers, while also repeating that they will exchange vows and be bound.

In Chapter 3 with Kashima, Yashiki has to pretend to be the beloved teacher of a besotted student - again - and reciprocate their feelings with the flower sketches in order to save them. The two girls Douryou and Kinukawa, cursed and possessed by The Departed make him increasingly uncomfortable with their advances and forcefulness in the game, also trying to entice him. Yashiki has to constantly reassure everyone around him that there is nothing going on and harbours no feelings other than that of a teacher and an adult watching out for the safety of the young students. Because of that, the teacher and head of Academic affairs, Sakamoto, is begrudged to help him in the investigations and holds hostility towards him. Enough to withhold information that would help the case and save the student body. Yashiki also has to inhabit the role of the groom in the final fight against The Departed and apply the ink to complete the ceremony.

Even in the “Blue End” CD Drama, Yashiki becomes possessed by the entity known as the “Master Of The Mark”, who aims to make Mary and later Rose when she tries to intervene, as their consorts, exclaiming that they must exchange vows.

All this in mind, it’s no surprise why many question Yashiki’s preferences (he’s also just a morally good man) and gravitate towards Yashiki and Mashita’s relationship. Their bond is natural and grounded, it’s not aggressively forced upon Yashiki or us as the player. He tends to have more chemistry with the male characters in general, to what feels to us as his closest relationships, specifically Mashita and Daimon. Now onto the game itself.

Death Mark 2 begins with Chapter 1 and Chapter 2 revolving around Hanako Of The Toilet and the relationship between her and her best friend Horikoshi when she was still alive. Although they are ultimately killed off, the introduction of Akai and Horikoshi’s romantic love feels like an important detail. Namely, a love that grew between two best friends. Where one was more confident, rough and unapologetically blunt, the other was more gentle, kind and reserved. That sounds familiar. It also introduces how with Izumi blackmailing Horikoshi, that it likely wouldn't have been accepted at the school due to the prestigiousness and more likely because of the time period. Still, with the first appearance of a queer couple in the series, could this potentially be a stepping stone towards exploring Yashiki and Mashita’s relationship in a similar direction? Foreshadowing of another love forming between two best friends? The chance of this happening definitely seems more possible now.

However, Yashiki still wondering about the nature of their feelings between the two girls despite uncovering their diary entries and sensing it while singing the song lyrics, gives an impression that he would be oblivious to any developed feelings from Mashita if it happened. Also if a relationship did happen, it would likely be kept a secret, at least for as long as possible.

In Chapter 3 Yashiki reunites with Shou, who asks where Mashita is since this investigation involves spirits, practically calling them inseparable. Unlike other Mark Bearers, Mashita receives his own introductory CG. While this could just be something for the fans as Mashita is the most popular character and he was not present in the scene, it’s something to see Shou describing them as a package deal right before Mashita is singled out in the character introductions with his own dramatic CG, looking wistful in the rain. You’d be forgiven for thinking Yashiki is daydreaming about this man, here. Though I’m wondering if this is meant to be Yashiki’s perspective from a memory. Then Yashiki informs us that they were on a phone call the night before, but surprisingly we don’t get to see nor hear that conversation, besides that Mashita is currently indisposed and unable to join the others just yet.

There’s also a tiny detail in the character file that you unlock as more characters join the investigations. The other Mark Bearers are described as becoming friends with the protagonist after he saved their life during the Mary incident, then you read Mashita’s to find he’s formed a “deep bond” with the protagonist due to the number of cases they’ve worked on together. In the previous game there were dropped hints of how their specific relationship stood out among the rest and it applies even more so in the sequel. Although, I’ve heard in the Japanese release they were referred to as “nakama=friends” in the file, which is curious how and why it was translated to “deep bond' in the English version.

Mashita makes his first appearance in Chapter 5, asked to aid Yashiki by Yasuoka like in Red Riding Hood and tries to treat it as just a job. Yashiki is surprised but relieved by his arrival, placing a lot of trust and confidence in his capabilities and methods that he’s quick to jump on his help. At this point Yashiki was isolating himself from the Mark Bearers over fear of losing them after what happened with Ai, Shou, Daimon and now potentially Hiroo, and while displaying the same worry, he knows he can’t afford to turn away Mashita. He does however plead with Mashita to not draw attention while investigating, where the detective responds with a mischievous grin and no promises. In their first interactions, Mashita is shown to be comfortable with teasing Yashiki, even proceeding to call him Mr.Yashiki or “Yashiki-sensei”, much to the man's displeasure. He is not enjoying his time as a temporary teacher.

This can be taken with a grain of salt due to translation, but certain dialogues and dialogue options showed some influence from the other. For example, Yashiki’s dialogue options can sometimes grow very blunt and curt. The one for Suzu in the hospital made me laugh due to hearing Mashita’s voice so clearly. Another is at the conclusion of Kokkuri where if you partner up with Mashita and head to Fox Forest to return the laccata, Mashita comments on Yashiki empathising with the spirits again, but then addresses the late teacher as well, stating he’ll report everything to the police, make sure the investigation reopens and to wait until then. A similar reassurance that Yashiki is known for, hoping to give closure. Whereas if you bring Hiroo, Yashiki takes the role and reassures the spirit instead. It feels as though the purpose of that dialogue was to show Yashiki has rubbed off on him somewhat through working together. Mashita also reminds him there won’t always be someone around to save him when he gets too wrapped up in a spirit’s suffering, heavily implying Mashita’s referring to saving Yashiki’s life in the finale of Red Riding Hood.

Once again, Mashita half surprises us all by sneaking another gun to Yashiki, no longer his own, but instead pulls something behind the scenes to get his hands on another just so he has protection. The man is risking a lot of potential jail time again and being very hypocritical for someone still straight-edge with the law, only to keep tossing it out the window to ensure Yashiki’s safety. Particularly when in the same chapter, he chastises Hiroo for trying to obtain the petri dish for research purposes and plans to confiscate it from her. This seems to be the most effective method he thinks to protect Yashiki, only it’s more reckless this second time as the safety has been removed! Just another display of Mashita’s unhinged actions when focused on Yashiki. Also while this could be a simple gag and more on the type of person Mashita is, literature studies I’ve written in the past have made it difficult for me to not see the topic of guns in their scenes as euphemisms and symbolism.

For example, Mashita is always the one to supply the gun - Someone who feels more comfortable or enlightened to their sexuality, a popular fanon theory in the fandom. Meanwhile Yashiki always takes the gun with hesitance, then returns it - Someone still discovering that part of themselves after having everything about them essentially wiped. Additionally in Death Mark, Yashiki doesn’t use the gun but instead entrusts Mashita with it, whereas he uses a gun alongside Mashita in Death Mark 2 on three occasions.

Further with the guns as symbolism is during the confrontation in The Departed’s Wedding. As the spirit focuses their attacks on Mashita, in order to survive the scene Yashiki must use the gun given by Mashita and shoot The Departed, framed in a way to show rejection as the spirit becomes upset and repeats the word “liar”. After wrapping up the story of Kokkuri, Mashita demands the gun back, although jokes that Yashiki can keep it if he so wishes. You’re given the option to be cheeky with him by attempting to keep it, but Mashita doesn’t allow it, saying you have seconds to hand it over.

In the opening of Chapter 6 while in the infirmary, you can access a voicemail left by Shou. He expresses frustration that Mashita was adamant in keeping him away for his own safety, unless the worst should happen to the two of them. However he believes he won’t have to get involved and views Yashiki and Mashita in such high regards that he practically calls them unstoppable as a team, something I’m sure Yashiki needed to hear. Shou’s comment brings up a point that really highlights itself in Death Mark 2.

Yashiki and Mashita cover each other’s flaws and weaknesses. Yashiki is not as objective and too trusting so there were signs he would miss, like the amount of coincidences surrounding Douryou and Kinukawa and how they misled him. He’s also not confrontational. Yashiki’s issue was that he was very tunnel visioned on the victim in each notice and the spirit tied to it, hardly given the time to investigate The Departed between everything that was happening. He is the compassionate and emotional half that focuses on uncovering the dead’s grudge, their regrets and desires in order to appease them, which in turn saves the lives of those affected, whereas Mashita is the more direct, tactical and logical half. Mashita from years in the profession is tenacious and prioritises getting information and results, allowing for less emotion to get in the way. Not just for a lack of spiritual power, but he would not be as attune to clearing a spirits resentment, nor possibly the patience. But he immediately noticed that Yashiki was being led around to get distracted, rather than focusing on the source and even figured out The Departed’s identity. This brings us back to what happened in Death Mark with the Mary reveal, but the stakes were higher as Yashiki was directly affected and on borrowed time.

The Departed case would have come to a close much sooner if Yashiki and Mashita had teamed up from the beginning, which is possibly why Mashita was absent for most of the story. While I don’t believe Yashiki lacks the skills and intelligence on his own, though he can sometimes be endearingly dense, he does get stuck in conflict with his head and his heart often. It makes me curious about all the various cases they’ve worked on together. In short, if it weren’t for Mashita arriving and voicing his suspicions of the two girls and directing Yashiki to investigate Kinukawa’s room to paint a clearer picture, Yashiki would still have been manipulated down the wrong path.

It seems Mashita’s role in Death Mark 2 is putting pieces together where Yashiki fell flat, steering him in the right direction and confirming what the player has already deduced. It takes Mashita’s appearance in the two chapters to get Yashiki to start suspecting the two students especially. Mashita's shown as protective over Yashiki and is a very reliable character at a crucial point in his state of mind, despite the latter’s perception that Douryou and Kinukawa are deemed trustworthy.

He states he could care less if Yashiki gets closer to the girls for the sake of gathering information, but tells him to watch his step from doing anything else, implicates Kinukawa as the culprit immediately after the man confesses to a very serious crime, then mildly threatens Douryou on her equally suspicious behaviour towards Yashiki. Volunteering himself instead of Yashiki to investigate inside the remains of a shrine on the verge of collapsing - with Yashiki immediately worrying when Mashita cries out when he merely smacked his hand. Mashita being the one to suggest the two separate while fleeing The Departed as he is the target, so Yashiki has a chance of escaping. He constantly reminds Yashiki to stay on track of his original goal, drags him back when he gets too deep in his thoughts, tells him to stop blaming himself for the incidents that were out of his control and even comforts him in his own way. At this stage, perceived as romantic or not, Mashita has made it very apparent that he is ride or die with Yashiki.

Also it’s not often we see Mashita address Yashiki by his full name -

In Chapter 7, Mashita is the partner that is taken to the wedding grounds of where the wedding ceremony took place and where The Departed’s resentment began. Seeing the unfortunate fate of Sakamoto in the Good Ending, Yashiki begins despairing, blaming himself for her death, to which Mashita steps in to shut down quickly. He then pauses to console him that he did save her at the end, as she regained a sense of self and shared one final clue for them.

Learning about the origin of The Departed’s grudge, the spirit suddenly appears. Yashiki desperately tries to get answers but Mashita snaps his attention back before he can get sucked in. This is where Mashita sees The Departed for the first time in their grotesque, final transformation with the appearance of a spider - which we’ve seen previously in Death Mark’s DLC. An infamous symbol of sex and fertility. And he wastes no time hurling insults at it for trying to appear attractive to Yashiki. While The Departed has displayed a pattern of abducting the Mark Bearers to feast upon, still giving Yashiki an opportunity to save them and announcing so, there is instead murderous intent with Mashita immediately and begins attacking. Potentially due to the spirit gradually becoming more unstable through its transformation as the game progresses and the location, but to suddenly become enraged at Mashita standing beside Yashiki while they’ve had less issue with characters like Ai or Hiroo standing too close, it’s interesting. A literal or symbolic sense. Standing next to each other as partners? As equals? As lovers? The Departed is thought to observe and learn Yashiki’s closest connections, so it’s left a guess how their relationship might have been interpreted.

When the two part with Mashita luring away The Departed, Yashiki assumes the worst and feels hopelessness and loss, lingering on Mashita while escaping Fox Forest. Returning to the infirmary, Yasuoka comforts him that Mashita always lived life to his own rules and recklessness and to not hold himself responsible. There’s even a moment where Yashiki steers himself and vows to do what he can to finish the case, for Mashita’s sake. It’s a touching, little moment.

I think it’s also worth pointing out that Yashiki’s presumably closest relationships at this moment are “removed” all the way up to the final confrontation. Even if previous Mark Bearers have survived or died, it doesn’t change the outcome of Daimon collapsing into a coma from a curse and Mashita being attacked and chased down by The Departed themselves. There’s no mercy for these particular men. After escaping The Departed, the first person Mashita thinks to contact is Yashiki because he knows he’s in a fragile state. The self-sacrificial man’s resolve has been tested throughout the entire game and he must not give in at the final hurdle.

In the Good Ending, breaking the news that he’s alive while passing a comment at Yashiki not sounding as relieved as he should be is laughable when Mashita didn’t even say a word and is currently using a public phone. He attempts to cheer him up, saying he should be proud of himself for saving The Departed, and assuring that no one thinks differently of him for what he must’ve had to do. Mashita may never approve of Yashiki’s methods but he understands the physical and mental toll it takes on him.

At the end of it all in the True Ending, Yashiki and Mashita are destined to go for drinks with Hiroo and Daimon, thanks to the latter giving an invitation, which is a fun disaster of a scene I’d very much like to see. Undoubtedly a lot more snark compared to the outing with Ai, Shou and Hiroo. Though I’m sure Mashita will not be pleased to hear Douryou and Kinukawa barged into the mansion and regained their memories, being not the best at dealing with “brats”.

In one of the games DLC “Mary’s Makeover / New Colour” only available in Japan, but fan-translated by Generic Weeb Content, Moe, Eita and Suzu aid Yashiki in searching the mansion for a number combination, where one of the rooms available is the investigation room. Yashiki comments that this is where the Mark Bearers usually meet for spiritual investigations, so a few of their belongings are scattered around. Only two of them are of note. One is the small shrine Moe brought for protection and the other is the large green coat belonging to Mashita hanging on a coat rack. That’s been there the entire game and now we know. According to Yashiki, Mashita had forgotten it one time and it’s remained ever since. He speculates he must keep multiple, similar coats.

This immediately raises questions and shows a lot without telling. One important implication being how frequently Mashita visits the mansion, which we get an idea of from a certain coffee making Voice Drama - and yet according to the game in those four months prior, Yashiki has never once set foot in Mashita’s office. I’m very sceptical that someone observant like Mashita can forget they’re not wearing an oversized coat weighing on their shoulders. Furthermore, it’s a very plausible theory that the coat belonged to Mashita’s late senior as it is oversized and hangs loosely on every art sprite. Then there’s the inclusion of it on a singular panel from the manga where Mashita talks about him. Given he still carries the old lighter, he is at least somewhat of a sentimental person, so it's entirely possible he would keep it also as a memento. In other words, something treasured that he wouldn’t misplace. And why is it still there? Yashiki must have contacted him about it, so perhaps Mashita shrugged it off and never bothered to collect it. If we want to dive deeper, it sounds vaguely like the behaviour of leaving more and more belongings behind one does with a partner until they’ve practically moved in, leaving his mark on the mansion so to speak. Or it’s because Mashita views the Kujou mansion as another place to call home. Either way, Mashita is very casual about it and Yashiki allows it.

The DLC ends on a final scene with Yashiki and Mashita on the phone discussing Mary and the Death Parade. Parallel to the first game’s DLC, Mashita parts with some advice, warning him to be cautious around Mary and to watch out for himself. Yashiki reassures and thanks him, to which Mashita responds in the way one expects. After the call however, Yashiki addresses that while Mary is obsessed with him, he feels obsessed with her in return. In both instances in the DLCs, Mashita expresses open concern for Yashiki’s wellbeing and has the last word, setting up to be the voice of reason to pull Yashiki back from the brink. Knowing him too well that he needs to make him realise how dangerously empathetic he is and will be if Mary awakens or pulls some strings. Not to diminish the other friendships Yashiki has, as they are also important, but the devs specifically show in moments like these how much of an important piece Mashita is in Yashiki’s life. The balance that he needs. This ominous ending could be hinting at a build up to where Mashita saves Yashiki similar to Red Riding Hood or Yashiki’s mental state deteriorating, that everyone bands together to pull him out of that darkness.

Overall, I think this game perfectly demonstrates why they would work well as a couple. Canonical wise, it’s clear the two men have grown closer between the events of the games and keep in regular contact. They continue to have chemistry, address each other more casually, openly joke with one another, have wacky moments like hissing at a rock and shooting guns in the forest whilst on a mushroom trip, and are even called inseparable and unbeatable as a duo. Which leads into a moment in the Kokkuri case, where Mashita mentions again that Yashiki would make a good detective. Whether a praise or a jab, it’s another nod at his business proposal as partners from the previous game. They’ve already crossed the line of being partners in these cases, and even more so in NG, so that might end up being inevitable. Especially from Death Mark 2’s ending where Yashiki discovers what his role will be from now on and his motivations behind pursuing further spiritual cases.

It bears repeating that this isn’t meant to take away from their friendship, but the subtle (or less than subtle) implications of something romantic are all there in a lot of ways in Death Mark 2 - despite the overarching theme of thrusting Yashiki into a teacher-student romance scenario. There’s even more of an influx of art and fanfictions of the two men from old and new fans introduced to the series, as a result. And with the addition of LGBT+ characters - minus the doomed, buried trope - it could be seen as something positive for where their relationship could go. It certainly opens up the possibility.

If a sequel is in the works or if they are testing interest with the latest DLC, it’ll be interesting to see where they take these two in the next installment. One thing is for certain, if there was ever a decision to plan a Yashiki and Mashita spin off series or something that centered on them as protagonists, it is guaranteed a large audience. Next part we’ll be looking at CD Voice Dramas currently available and fan translated by amazing people in the fandom, including “Blue End” and more. If I’ve missed anything from the game, please do feel free to add! Thank you so much for reading!

#死印 #死噛 #shiin #spirit hunter #death mark #spirit hunter: death mark #death mark 2 #death mark 2 spoilers #spoilers #death bite #shibito magire #kazuo yashiki #yashiki kazuo #satoru mashita #mashita satoru #yashita

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makeste · 5 months

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I think there’s some speculation that AFO made sure Yoichi got actual clothes and that was the discrepancy between their clothing choices. It could also be a reference to AFO’s current clothing choices

okay first of all you have the best user avatar I have ever seen on tumblr dot com, just wanted you to know that.

anyway, re: AFO, I agree he was almost certainly the one who found clothes for Yoichi. although I don't necessarily think it's some kind of self-sacrificial thing, like "I don't care if I'm out here dressed in a trash bag as long as my baby bro has something decent to wear 🥺", lol. I count five different guys in the panel right before Yoichi throws the beer can, all of whom are wearing perfectly stealable clothes. AFO's whole thing is that he does whatever he wants and takes whatever he wants. so if he wants clothes, he's getting clothes. I think it's more likely that he just didn't care about that for whatever reason. maybe he stole some quirks that kept his body from feeling cold, or thickened the soles of his feet to prevent damage, or whatnot.

but as far as Yoichi goes, it's almost akin to buying a decent case and a screen protector to make sure your cell phone doesn't get damaged. Yoichi is AFO's favorite possession, but he's weak and frail and vulnerable to the elements. so yeah, sure, get the lil dude some clothes. because you gotta make sure he doesn't up and die on you, because he's not allowed to do that, because he is yours.

like it's just so fascinating to me how he's constantly on the cusp of almost genuinely caring about his brother, but his own selfishness keeps holding him back. Yoichi is incredibly important to him, because he was his only companion during what must have been an incredibly lonely period in both their lives. Yoichi knows him better than anyone. Yoichi reads to him. Yoichi believes in him. so of course AFO is attached to him and wants him around. and he protects him and takes care of him. but it's because Yoichi can give him something that he can't get anywhere else. it's a selfish love. and that's where the whole thing ultimately falls apart. when Yoichi stopped listening to him, AFO locked him up and tried to force his obedience. and it's very strongly implied -- guess we'll see for sure in two weeks -- that when even that failed, AFO decided that if he couldn't have him, no one would.

anyway so yeah. tl;dr I'm not sure why AFO was so opposed to wearing pants for so long, but for what it's worth he did make sure Yoichi never went without. just not necessarily out of the goodness of his heart. I love their relationship though, and Horikoshi has me 100% invested in seeing how this will all ultimately play out.

#bnha 407 #all for one #shigaraki yoichi #ofa the first #bnha meta #bnha #boku no hero academia #bnha spoilers #mha spoilers #bnha manga spoilers #makeste reads bnha #asks

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isleofair · 21 days

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Thank you so much for the tag, @applescabs!!! 🥰💚

Are you named after anyone? After, of all things, a 15th century noblewoman (whom I always thought was a saint, but actually wasn't, I just found out!) My mom saw an amazing statue of her on a trip and loved it, and her name, so much that she named me after her.

When was the last time you cried? I teared up a little yesterday when I got my friend's wedding invitation in the mail. The last time I properly cried was... huh. I think a couple of weeks ago, watching TV. That's a fair amount of time for me to go without crying, so go me!

Do you have kids? No, and I don't want any.

Do you use sarcasm a lot? A bit less than I used to, and not a lot in general. Only when I think it will be funny, or when I need to make an underhanded comment about something that ticked me off but I can't do much about.

What sports do you play? None. I am a very inactive person, sadly. I hope I can at least start going on more walks as the season keeps warming up.

What’s the first thing you notice about people? If they seem friendly or not.

What’s your eye colour? A very, very dark brown.

Scary movies or happy endings? Happy endings all the way. I can't handle scary stuff very well at all. 🫣

Any special talents? I'm fairly good at languages (I learned them easily in school and I usually have a decent shot at figuring out what a word might mean if it's in a language that has at least some relation to the ones I know/have studied). Sadly, the only one I'm still fluent in (besides Italian, of course) is English, because it's the only one I use regularly.

Where were you born? Italy, smack dab in the middle of the top part of the boot, lol

What are your hobbies? Writing fic, reading fic, scrolling Tumblr, playing video games (mostly just Pokémon), playing D&D, and very occasionally drawing or weaving bracelets or assembling jigsaw puzzles.

Do you have any pets? My two cats, Sasha and Misha 🥹🥹 They're tabby-and-white twins, they're almost 5 years old, and they're the ones I come home to. 💚💚

How tall are you? 164cm, although sometimes when I'm in a hurry I just say 1.65m 😅

Favourite subject in school? All the sciences and Math, though I also liked English when I started having it as a subject.

Dream job? Writing a single novel, or a trilogy or something like that, that becomes inexplicably popular, gets a movie deal, and gives me enough residuals to potentially live comfortably while bumming around on my couch writing fanfic for the rest of my life.

I am tagging (but only if they want to answer, zero pressure, as usual!) @nicoroni, @imaginatorofthings, @zimithrus1, @thekuraning, @saltedpin, @horikoshi-secret-ao3-account, @damedanedameyodamenanoyo, and anyone else who sees this and wants to play! 💖💖💖

#tag game

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blank468 · 3 months

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Describe Bakugo’s development in short words

If you were to ask me how would I describe Bakugo’s development in short words, it would come across as being boring and predictable. Let’s start with the fact that despite being a secondary character, Bakugo has no real purpose/contribution in the main story line. His involvement with Deku and OFA doesn’t amount to anything other than mindless yelling, guilt tripping, and just him treating it as a competition to try and surpass Deku when he unlocks his other quirks. The only reason he’s involved in a lot of what’s going on is because of his popularity. He started gaining popularity when he won the Sports festival and because everyone like the stereotypical angry rival trope. He can be replaced by literally any other character and nothing would change.

It’s basically a pattern whenever Bakugo is involved with something.

- Bakugo will treat others beneath him and continue to call the extras.

- Whatever is going in the story if it’s a fight between the villains or something school related, he’ll treat it as a competition.

- He’ll either verbally attack Deku and everyone around them or get physical to get what he wants.

- Deku won’t see this as an issue and continue to gush over Bakugo about how he’s a good friend and the idea of him being the symbol of victory

-Anyone that calls out his horrible behavior will do a complete 180 and talk about how whatever he said either makes sense or to give some baseless excuse about how he changed

- Aizawa, All Might and or anyone in UA will make some claim about how his some kind of an inspiration for 1A and Bakugo is trying harder than everyone else(completely ignoring all of 1A’s accomplishments and improvements throughout their first year)

- After winning or coming out on top whatever Bakugo will take his win for granted and will act like it doesn’t mean anything while acting aggressive when someone compliments him

- What ever punishment or consequences he gets(not matter how fatal is) will be minor and the story will find to way to have him come out at top without any struggle

- The story will have characters feel bad, guilty for Bakugo for something so minuscule and or try to punish them in a similar manner like Bakugo (A recent example of the story punishing characters because of Bakugo’s actions is in the Card OVA. I didn’t bother watching it because I knew it was just a product plug for training cards but from what I viewed from other people’s discussions, the match between Deku and Bakugo ends with a tie. Apparently Bakugo threw another hissy fit and not only destroyed the card game but blew up the dorm with everyone inside. Instead of punishing Bakugo for destroying public property and potentially injuring his classmates, Aizawa decides to punish all of Class 1A and ban them from playing any other games in the dorm.)

I know everyone has their own interpretation on how they feel about Bakugo and that’s perfectly fine. I don’t have problem if you like him, but Bakugo is written as if everything he did or stood for never mattered. Izuku, Class 1A , UA and by extension Horikoshi, wants the audience to believe that all the positive aspects about his character somehow outweigh the negatives and we’re supposed to accept that Bakugo has fully grown while at the same time instantly forgiving him for being a spiteful and petty bully. No matter what happens to him, he’ll still come out on top as if what he went through wasn’t consequential or lethal. He’s constantly giving wins and random asspulls to favor him despite either doing the bare minimum of his supposed development or not doing anything at all. Bakugo in the eyes of others will always be seen as the true MVP and is the one that always has to win. He’s nothing but a pet under the care of his creator who will go out of his way to make every other character look bad and pathetic than they already are; including the main protagonist.

#bnha critical #mha critical #anti bakugo katsuki #anti bakugou #anti katsuki bakugou #bakugo critical

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darkcircles4lyfe · 2 months

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To Build Something Else

Whenever I read a fanfiction that takes place in the future where the hero kids continue their schooling as normal and emerge as pro heroes into the existing system, I always kinda view it as like, “AU where things weren’t as bad” or “AU where everyone is still pretending that this is the way things should be” or “AU where good and evil are morally uncomplicated.” I’m not trying to call anybody out—I’ll still read and enjoy these sometimes—but that’s how I’ve always looked at it. I’m starting to notice other people feeling it too. I’ve read fics where they point out how redundant and unfair it is to go back to being students after saving the world (remember how many pros straight up quit and left a bunch of kids to keep fighting?). I’ve seen people acknowledge how trauma will affect their ability to keep going. Perhaps the trickiest thing to wrap our heads around is how the villains will fit into it all if not through death, punishment, or imprisonment. What about all the other trappings of society? The heavily regulated quirk use, the government-funded pros aiding police control and contributing to cover-ups that maintain the illusion of peace. Hero idolization, quirk counseling, civilian helplessness. Judging a person’s worth or character based on their quirk…

It would sound too obvious and cheesy to simply point out that society isn’t “just the way things are,” that change is possible. We all know this, and yet we struggle to pinpoint exactly where to aim our sights, find the source, make any meaningful progress. The other day I read some articles from my university’s student newspaper around 1970, and it made me feel sick wondering if progress is really an illusion. Fact is, it’s easy to intellectually deconstruct society, but very difficult to imagine how to build something else.

In this fictional world, heroes have offered a mythical vision of safety and triumph. When All Might arrived, everything was going to be okay. But let’s not forget how this story began: with a moment where All Might paused, like a bystander, and in his place, a desperate civilian kid hurtled forward without any common sense. If you ask me, it wasn’t that Izuku was so good and pure and selfless, it was that he disregarded everything.

And so the person who “saves the world” (if we can even reduce it to such a concept) is not the person who puts everyone at ease and makes crowds cheer. It’s the person who makes everyone hold their breath, with a feeling in the air like the pressure changed, and it smells like rain. It is natural to be worried about the future. It’s honest. It means you can see what’s really going on. Hero society has never felt this exposed, but the people are held back from the edge of despair because there is also so much potential brewing. Electricity about to strike. The world will NOT go back to the way it was, no matter what. That much is certain. But what if we still live to see the dawn? What then? What if one person’s courage to break the mold makes all the difference?

I’m not just talking about Izuku, you know. I’m talking about Horikoshi.

To an extent, I’ve given up on predicting how exactly things will play out, because if nothing else, I can tell he’s planning something big—so big, I can’t quite picture it. I’m watching and waiting for the one person who can. I just know where he’s coming from. I think about how he’s never come this far before because his other stories were snuffed out. I know he used to struggle to see the future of his career. I relate to his stubbornly rebellious resolve to do what he wants anyway. To keep dreaming. I know that emotional sincerity is his specialty. And now he’s even directly breaking the fourth wall, having characters talk about what’s supposed to happen in comic books. Gradually, almost imperceptibly at first, we’ve been shown how something else can happen. He’s not done yet.

#listening to bastille's give me the future album again and feeling things #bnha 416 #bnha 417 #bnha manga #mha #boku no hero academia #my hero academia #midoriya izuku #all might #bnha meta #lin speaks #bakudeku #dekubaku #bkdk #dkbk

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pikahlua · 10 months

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Look, I don’t wanna get everyone’s hopes up, but I might have to get everyone’s hopes up

My initial thoughts on chapter 395 were to be enveloped in the tragedy of this ending. I could already tell some of the criticisms that would come at it, but I was also interested in thoroughly considering the chapter as fairly as possible. Whether or not it involves stale tropes, such tropes still have the potential to bring meaning and emotion--and to be honest, MHA has been pretty good at that since the get-go. The manga is pretty much defined by refreshing and playing with stale shounen tropes. I am willing to give this chapter as-is a chance. I comforted friends who were hit hard by the chapter. I allowed myself to feel the sorrow ushered in by Himiko Toga’s chosen end.

But then I started translating the chapter, and my melancholy didn’t last fucking long.

Because...I’m gonna be real with you, there are a LOT of questions this chapter raises, but only if you’re paying attention.

So like.

Look.

I don’t wanna get your hopes up.

Himiko Toga may really be dead.

I don’t actually know how this will all play out.

But...

LET ME TELL YOU WHY THIS IS SUS AS HELL

1. Hello???

Why is the All Might doll coming into play here, now?

And uh, where did it go????

I don’t see it anywhere! Is it...still in the same hand Himiko was holding it with?

Is THAT why we’re zooming in here on the final panel?

“Why does it matter?” you may ask. “Isn’t it just a symbol of the connection between these two girls once Himiko found where Ochako was hiding it and teased her about it? Isn’t this perhaps just Himiko’s way of comforting Ochako?”

“Hm, yes, interesting,” I would reply. “But DON’T YOU WHO THE FUCK I AM?”

This is the second time All Might merchandise is appearing in a supposed death scene! Is it mere coincidence? I THINK NOT.

I mean, we haven’t had a SINGLE update on Katsuki for a year now. (UNLESS WE JUST GOT ONE?) Could it be Horikoshi was holding off on any Katsuki updates to avoid spoiling something else that needed to happen first? Specifically Ochako vs Toga?

Because if there’s ANYTHING fishy going on with that card and that doll (and boy do I smell fish), Katsuki’s storyline would not be able to progress until AFTER the doll also came into play. AND NOW IT HAS.

2. Of course my first thought was Katsuki Bakugou, don’t tell me you’re actually surprised...

There are a LOT of weird parallels between Ochako and Himiko’s fight and...whatever the hell is going on with Izuku and Katsuki just in general. But I mean, just look at Katsuki. Compare that wound to Ochako’s. Compare Ochako’s imminent death to Katsuki.

And...compare Himiko Toga to Katsuki Bakugou however many ways you like.

But most importantly...compare Himiko Toga to Izuku Midoriya.

Because Ochako was on the verge of death, and Himiko Toga sacrifices herself to save Ochako. Yeah, you can compare that to Katsuki in chapter 362. But like, Katsuki is the one on the verge of death now, right? That would make him parallel to Ochako (especially since they’re the ones with the All Might merch). That would mean Izuku could do something similar to save Katsuki.

And please, please note how Himiko performed this rescue. She became Ochako. She became compatible with Ochako, started pumping Ochako’s same blood through her own veins, hooked them up so not only was Himiko supporting Ochako’s life, THEY WERE CONNECTED AS ONE PERSON.

Are YOU getting Heroes Rising vibes? Because I’m definitely getting Heroes Rising vibes.

3. Remember, Horikoshi said this ending would be better than Heroes Rising.

Izuku and Katsuki shared OFA in the ending of Heroes Rising.

Let us not forget the ever-present nomenclature of One For All and All For One.

What could be better than a team-up of two people?

Maybe...a merging of everyone?

4. Everyone is down

Himiko and Ochako and Katsuki aren’t the only ones down. Basically EVERYONE is.

Shouto, Endeavor, Touya, Hawks, Tokoyami, Spinner, most everyone at the UA battlefield, most everyone at the Gunga battlefield, basically most everyone who isn’t AFO, All Might, Izuku, and Tomura (and maybe a few UA kids).

Actually, speaking of UA kids, why haven’t we seen Aoyama and Sero and the others yet? Could it be that Horikoshi just wanted to showcase the most important part of their fights, aka the ending?

The ending where they all fall over and pass out or die too?

Why is everyone fucking dead?

Because something big is going to happen to them all after they pass out???

I mean, maybe???

Even if that’s the case, I have no idea how many people will actually be part of this union or revival or whatever the fuck happens. I just...I do notice that heroes and villains both are dropping like flies.

WHAT IS THIS LEADING TO?

5. The story of how we all became the greatest heroes

So once upon a time I wrote a tiny meta about the infamous line from the first chapter, “This is the story of how I became the greatest hero.”

Basically, it occurred to me that it’s very strange for the narrator to “spoil the ending” of the story in the first chapter. Where’s the dramatic tension? Why even do that?

Well, the obvious answer is: it wasn’t a spoiler. Perhaps it meant something else than what it seemed at first glance.

I realized “hero” in Japanese could be both singular and plural. Thus, I conceived that the true message was: “This is the story of how I became ONE OF the greatest heroes.“

Chapter 324 basically confirmed that theory.

But...what if it’s still wrong?

What if there’s ANOTHER hidden message in the line?

What if it’s something like: “This is the story of how I became a part of the greatest hero.” Singular. Purposefully.

What if EVERYONE becomes the greatest HERO literally. What if...everyone merges to create...All Might?

And then I saw all the vestiges rebelling inside AFO and thought:

Oh god this actually seems plausible now.

So here’s the good news for Himiko...

There was, in fact, a chapter titled “The Story of How We All Became Heroes, Part Minus 1.”

Maybe everyone becomes heroes together. Maybe they all literally become one hero together. Either way, Himiko was highlighted in a chapter with a title that specifically implied she would be part of whatever the fuck happens.

Sure, this chapter COULD BE Himiko’s heroic moment. But...I don’t know man. We got SO MANY CHAPTERS with this title. It’s SCREAMING some sort of plot twist is on the way...!

6. Ochako is ALSO supposed to be part of this “greatest hero” business too!

Finally, can we just...remember how Ochako was inspired to save people? She held Sir Nighteye in her arms as he died, and that’s when she knew she wanted to save people.

Himiko dying here on Ochako’s watch...idk mannnnn, has Ochako really proven that she’s achieved her goal yet? Can she really be part of the greatest heroes like this?

#my hero academia manga spoilers #final showdown spoilers #himiko toga #katsuki bakugou #ochako uraraka #literally everyone tag everyone here #theory #meta #look DON'T GET YOUR HOPES UP #because then if this does happen you can be pleasantly surprised #and if this doesn't happen you won't all stick my head on a pike #see? everyone wins that way #but also maybe we don't come to any conclusions about himiko's end just yet

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aashi-heartfilia · 10 months

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Why BakuDeku will be canon and not IzuOcha? Connection between TogaChako and the entire Love Square...

So this is pure hypothesis and I should clarify that I'm not a shipper when it comes to MHA. I just love the story, its premise and the various themes that it involves and I love to see what happens next. I don't particularly support any ships and so with all that being said, let's jump into it!

So, Ochako said that "You should never hide your true feelings or that face of yours".

Horikoshi is very very clever with the panelling.

While most people were debating on whether or not it was an IzuOcha ship bait, I think it signifies something completely different.

Notice how Ochako was thinking about Deku as she said those lines but even in Ochako's imagination, Deku wasn't looking at her.

HE WAS LOOKING AT BAKUGO.

I mean, look at it.

He was a bit embarrassed and looking at someone else. It is most probably a memory from when they were training before the second war (when Bakugo was showing his new move Cluster to Deku)

But why would Ochako think about Deku looking at someone else during such an important time?

It parallels how Toga thinks about Twice in a completely platonic sense. He was more of a brother to her (Toga and Twice->brother sister bond)

Plus it also signifies Ochako's journey of self acceptance. Think about it!

When we met Ochako in the beginning, she had an inferiority complex about her hero motivation and background.

She met Deku, who played her knight in shining armor, who had this cool quirk and everybody loved him.

He was a Hero, and always in the spotlight. Even All Might was interested in him (according to Ochako because she never knew about OFA)

So she admired him and wanted to be like him as in wanted to be a great hero like him but it backfired because Ochako is Ochako and Deku is Deku.

Throughout the series, we see these feelings grow.

But with admiration, what Ochako always felt was jealousy....envy.

The theme of envy has been very prominent in the series. Bakugo is the biggest example of it.

I admit that Ochako might have had a tiny bit of crush on Deku because who wouldn't?

He is a cute, clumsy boy, well natured, a crybaby at times but a real hero at heart. Who wouldn't fall for that?

Plus it's not wrong to have feelings.

But in Ochako's case, she always felt that Deku is so far away.

It is such a literal representation!

Deku was moving forward while Ochako felt like she was lacking, like she is behind him, literally and figuratively.

We saw how she was struggling to deal with whatever she was feeling.

At first it looks like she is struggling to deal with her feelings for him, but at this particular moment her feeling could only be described as envy.

Admiration could easily be confused for love but!

You're never jealous of the person you love!!

Because till season 3 Ochako was feeling both admiration for his best friend (which everyone else confused for love) and jealousy.

It was especially awkward because they were friends and their other friends kept on pointing in that direction.

But the real change came in the war arc when Ochako got Deku's letter and realised that maybe Deku is not that special after all.

They are good friends, and she was worried about him because she realised that behind the Hero persona that Deku has, he is also human.

Being a fellow hero, it was more relatable to her.

"Special powers are one thing but there is no such thing as a special person" she said in her speech.

Humanizing all heroes and villains.

I also wanna talk about this specific panel after Bakugo's apology.

Something about Ochako's expression here really struck a crod.

As Deku falls in Bakugo's arms, the camera pans on Ochako who just stands there observing, what true love is.

She didn't feel anything, because she realised the bond between BakuDeku is a bond of love.

Which is why she never made an effort to follow Deku's footsteps again.

The famous cliff scene: the day before the second war! Both of them knew they could die the very next day and yet they chose to say nothing... Nothing as in love confession, because there was nothing to confess.

Ochako realised that Deku loves and admires Bakugo and she's ok with that, so she'll focus on more important matters, like the Toga situation.

Because she realised, she can be her own Hero.

And now she wanted to help Toga. A girl like her, that was crying.

Because she has seen so many happy faces, she cannot help but wonder what made Toga cry.

Plus Toga said that only heroes and the people they protect are counted as people and the rest don't even matter.

As a person, Toga should be free to love whoever she wants but because of her quirk she is constantly judged by people except LoV.

Toga was mad because nobody accepted her throughout her entire life, her parents, her friends, Heroes and the one place where she found home was also snatched away from her.

Everyone is free to love and admire heroes then why not Toga. Everywhere she went, she was rejected.

Even Deku's quirk pointed out that there was no real malice behind TOGA's actions. Her love is so strong that it puts people in danger.

Heck, Danger sense didn't activate in the beginning because Toga didn't wanna hurt Deku.

But it was after she was rejected so badly, that she turned against them.

It was not about a girl asking a boy out but a villain asking a hero out.

And Deku not only rejected her completely but also judged her.

So if the world rejects her, she is bound to do the same!

Which made Ochako the perfect person to face Toga. Both are girls full of love but hide deep inferiority complexes.

Ochako understood this and told Toga her smile is beautiful.

Why? Because Ochako realised it the hard way, what happens when you suppress your feelings which is why she admired Toga and told her that Toga is right and she should never hide her feelings or her face because she is beautiful.

She admired Toga for her genuine honesty and told her that it is nothing to be ashamed of.

Toga went on a rampage because Deku hurt her (he was the final nail in the coffin) but just because Deku rejected her doesn't mean the end of the world.

Toga is free to live her own life, just because Deku rejected her doesn't mean her life is finished and if she really wants to have a girl chat, Ochako will always be there!

She'll give her blood to Toga for the rest of her life..!!

It's just Ochako's way of telling Toga that just because a boy rejected her doesn't mean her life has ended. That Toga is beautiful and has a lovely smile. And if toga wants to talk about it, Ochako will be more than willing to listen and support her for the rest of her life.

And such is the beautiful dynamic of TogaChako.

Cheers! Sunshine!

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