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#He doesn't know the difference between 'ghost stories' and 'horror stories' and He doesn't know what 'Florida' is
bumblingbabooshka · 6 months
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Tuvok’s Kids: Sek, Elieth, Varith & Asil
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Fucking hell Nightbringer really gave me everything huh god
Henry 1.0 origin story
Cerberus origin story
Satan's cat thing origin story
"Goldie in Freezer" origin story
Levi's Ruri-chan obsession origin story
Mammon being scared of ghosts/horror origin story
More in depth version of Solomon & Asmo's first meeting/pact origin story
A painful reason for why Asmo's room looks like that
What the tsl characters would have been like irl (the absolute worst wtf simeon)
Mammon's issues finally discussed in depth
Mammon being extremely ride or die for Lucifer
Almost instant Mammon & MC friendship
Mammon being just so amazed by MC and also insanely supportive of them
Mammon being willing to do anything for his brothers, being more sure of himself, almost instantly following Lucifer's orders and making the others do so as well
Levi's issues discussed in depth.
Levi straight up saying he was depressed and still is
Levi's friendship with MC!
Levi & Lucifer's relationship!!!!!
Levi being shy and scared and just so 😖
Things being bad in the Celestial Realm even before they left
Asmo's issues being discussed in depth
Asmo very explicitly having body dysmorphia
The brothers being much more supportive and loving of each other
Lucifer being visibly scared of losing another family member and being insanely overprotective because of it
The brothers being slowly overtaken by their sins (something that was always a part of them but also something they could control as angels) and losing control of themselves
The brothers gaining new magic
Satan being a fucking mess
Satan not really fitting in and all of them being really awkward around him
Satan's issues being discussed in depth
Belphie's issues being discussed in depth
Belphie expressing passive suicidal ideation
Belphie talking about how he needs someone to blame for what happened to Lilith so he can process it/make sense of it even if that someone is himself
Lucifer's issues being touched on from from different perspectives/angles
Diavolo's issues being hinted at
Simeon's issues being vaguely discussed
More about Lilith! (remember my post about how lilith definitely wasn't a sweet little angel because there's no way the universe would let lucifer catch a break? I was right!!! She was as much a little shit as the rest of her family!)
More about the demon king! (He wanted to stop the war too🥺 also a whole line of previous demon kings!)
More about god/how angels work (all angels are brothers & sisters but not technically family the way lucifer & his siblings are!)
ADAM!?!?!?!?!?
Solomon & MC's Sorcerer & Apprentice relationship seen in full detail!
MC being absolutely amazing
MC being competent and powerful and dangerous and resourceful and confident and the brothers realising all that but them also being funny and snarky and chaotic and outgoing and homesick and caring
References to present (s1-s4) brothers (& how they'll tear solomon apart if he doesn't bring MC back)
NIGHTBRINGER!? BARBATOS!!!??? but past barbatos doesn't seem to know anything about MC and present barbatos is helping solomon bring MC back....so who...?
References to Noble demons and conservative demons and devildom politics
Angel - Demon prejudice /racism from both sides explicitly shown
The brothers being war criminals and how the devildom sheltering them nearly re-started the war between the two realms
None of them being able to identify MC as a human (it takes Diavolo a long time + Lucifer straight up denies it when MC tells him), Adam & Nightbringer saying MC has the "power of angels", MC's favourite manga being one where the youngest child out of 7 is described as being angelic (*cough*lilith*cough*), Diavolo, even after knowing MC is a human, going "what are you"..... me softly chanting: nephilim!mc nephilim!mc nephilim!mc
The lessons flow better? It doesn't feel like one arc is squished into two lessons and then you must immediately jump into another different arc. It feels like it's all just happening in a connected sequence?
Better pacing in my opinion. It doesn't feel rushed.... like the part where satan discovers cats and then later is seen still sitting next to the cat and watching it? It feels appropriately spaced out
MC's relationships with everyone doesn't feel isolated. Like earlier there'd be a lesson or two dedicated to one character and we won't see much of the other characters during it. Now it feels like everyone is there interacting with everything in a normal, natural way. Yes there are lessons dedicated to getting to know one brother but the others are there, interacting with each other and MC during that time as well
The emotions & relationships are discussed/written in a way that feels very real and believable that it becomes actually really moving (s1-s4 also did this well but in nightbringer because of arcs/scenes/relationships not being isolated, of things flowing better and having a better pacing, of them outright discussing their issues it has a greater impact - yes I cried more than once shut up)
In the end, Nighbringer is darker than og OM! but not in the "grrr gonna kill you" way. It's "darker" because they address more serious topics in depth
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txttletale · 13 days
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could you elaborate on your thoughts on boom and 73 yards ( i agree with you i am just struggling to put into words why.)
boom was whatever. the initial conceit of the doctor being trapped and having to stay calm was really cool! i really like that. the ambulances that euthanize you if you're not deemed worthy of medical care and the tacky chatgpt hologram ghosts were both really cool ideas. it just doesn't stick the landing for me, the twists are contrived and fall apart given any thought whatsoever. like what the fuck were any of the soldiers Doing if there just straight up weren't any enemies. it's a twist that sounds cool to say more than it has any meaningful impact on the story or the stakes. i guess 'the arms manuifacturer created a fake conflict' is the intended emtional stakes there but that would hit like a hundred times harder if it was an actual conflict between two factions and people were dying, right? like if anything sending a christian militia to blow themselves up tae fuck on a nowhere planet instead of presumably killing actual living people is an improvement, surely?
also the resolution was dumb as fuck lol i am a huge hater of power of love saves the day shit not because i'm a cynical misanthrope but because it never fails to make me say 'oh so i guess nobody ever loved anybody before lol' and this is no exception like if one chatbot can shut down the whole operation beacuse he loves his daughter are we meant to believe that no other parents or hell nobody who loved anybody else for any reason died in this fake war before? it's cheap and schmaltzy and unearned. anyway the first twentyish minutes of this are all-time great doctor who and gatwa/gibson were incredible in it but it absolutely falls apart into a confused pileo f some of the worst Moffatisms at the end
73 yards on the other hand was incredible! obviously like it requires you to approach it with a different mindset to most of doctor who, right, doctor who usually furnishes you with the big explanation scnee where the doctor says 'well the ghosts were actually particle wave vectorforms created with the necros radiation from the god-king's techsceptre' or whatever--this is the usual narrative mode of sci-fi--but 73 yards is fantasy, right, this is the twilight zone, this is 'wouldn't that be fucked up?'. i interrogate the technical and logical specifics of boom so much when i think about it because that's the language boom is speaking, boom is framing itself within this logical, a-to-b worldview, the satisfying click-together puzzlebox. but 73 yards is a nightmare or a folk tale, right? kate stewart¹ says it herself, 'when faced with the inexplicable, we make up rules and apply them to it'.
so yknow reading it that way it all clicks together beautifully, right, (apart from russel t davies' embarassing swing and miss at Political Commentary in the middle. we get it davies you wrote years and years. we know. trust me we know). the doctor and ruby disrupt the binding circle, free mad jack, and are punished -- the doctor, as perpetrator, with being banished (perhaps in jack's place) and ruby with her worst fear coming true constantly, until ruby defeats mad jack, re-sealing him and fixing what she broke, at which point the circle rewards her by reversing the punishments. and the core horror i think is very effective and unsettling! the idea that there is something that someone could say to turn everyone against you, the closest people to you in your life, your own family, the institutions that are meant to deal with the exact problem you're having--that's fucking terrifying! and yknow i think especially as an autistic trans lesbian something that speaks to me a lot
so yeah. i think that boom establishes its logics and framework and then trips and falls onto its face while 73 yards does the same and then makes perfect use of them. that said i think in 20 years people who are autistic about doctor who will be like 'did you know in the 2020s there were two episodes in a row where the doctor caused the entire plot to happen by stepping on something' and thjatll be the main thing they're remembered for
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manicrouge · 5 months
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Inundate
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[𝙰𝚄: 𝙶𝚞𝚊𝚛𝚍!𝚂𝚒𝚖𝚘𝚗 𝚁𝚒𝚕𝚎𝚢 𝚡 𝚂𝚒𝚛𝚎𝚗!𝚁𝚎𝚊𝚍𝚎𝚛] || 𝙿𝚕𝚊𝚢𝚕𝚒𝚜𝚝
[𝙳𝚊𝚝𝚎 𝙿𝚘𝚜𝚝𝚎𝚍]: 05/01/24
[𝙰𝚋𝚘𝚞𝚝]: Sorry is the siren whose selfishness results in carnage.
[𝙲𝚠]: gore, murder, blood, body horror, angst, character deaths (both major and minor), hurt/comfort, smut, possessive!simon, inexperienced!reader, creampie, hurt and NO COMFORT, mention of the loss of a parent.
[𝚆𝚘𝚛𝚍 𝙲𝚘𝚞𝚗𝚝]: 18,536
[𝙰/𝙽]: Since so many people liked the first part (ty for ur support btw i am blown away by all the love ive been getting... it's enough to make a grown woman cry) HERE'S PART TWO!!! I hope it's just as entertaining as the first part and a good continuation to the story, although if you dislike it, just pretend this part never happened. Also this took so long because between writing this I have been watching the cat in the hat (best movie of all time btw).
I had a lot of fun writing this and can't wait for more alt aus !! I think the next think i have planned has something to do with everyones favourite ghost so... keep an eye out for that :3
(Pls ignore any typos I am very tired and really wanted to get this done so if I have made any I do apologise)
Comments are always appreciated !!
If you haven't already read it, I advise you read 𝙿𝚊𝚛𝚝 𝙾𝚗𝚎 !!
Please don't post my work anywhere else without my permission !!
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There is something in the water.
There's something looking at him. He can sense it, he can feel it, and the feeling of whatever it is makes his blood run cold. Words have been leaving his mouth as he stands upon the ship, his eyes blood red at the very belief that something is there.
Leaning over, he watches as the ship caves into the waves, the village in the distance growing further and further away, the sound of songs and cheers emitting from the belly of the vessel.
Perhaps he's just a little sea sick, that's his excuse for the creeping sense of dread which is climbing up his spine the further he looks into the water, searching for the same set of black eyes that had stared at him that night while he obeyed the Captains orders.
Nausea rumbles his stomach, he feels the urge to grip the side of the ship and expel his guts for he cannot escape the image of that siren. It's as though, even though she is dead and gone (somewhere no one knows), she is still there with him, under his nails, infecting him with a sickly guilt that has caused his pores to ooze, the skin on his lips to crack, and his sleepless eyes to remain bloodshot.
He is rotting from the inside out.
Despite months having gone by, his hands are still slicked with the blood of the bleeding siren. He's scrubbed and scrubbed, and still, the dark red tinge under his nails persists. His hair is wild, flecks of grey sparkling in the daylight as he brings his hands together in an attempt to quell them as they continue to shake.
They're not alone anymore.
They haven't been for a while, yet, they have been none the wiser to it until the discovery of that... thing.
Granted, he's unsure as to whether or not he is grateful for knowing what is in the depths of the sea, or if he would have preferred it to stay a secret.
There is something following the ship, he knows there is something following the ship, whether beside it or under it- it doesn't matter.
He's heard the stories, read too many books in the library to count, and even since the murder of the siren, there has been a different air in the village just as there is at sea. Something is displeased, they are displeased, he knows they are.
'Roland, are you seriously looking for one of those things again?'
A hand is placed in his movement and he jolts, yelping at the sudden contact, his hands wrapping around the beam he has been using to look over the ship. There's a scoff from the man standing behind him as he scratches his beard, looking him up and down before his hands settle on hips hip.
'For fucks sake kid,' he exclaims, shaking his head, 'you're making yourself with the thought of the fuckin' things- have you looked in the mirror recently?'
He’s choking on his words, his tongue seemingly too big for his mouth as he gargles out an incoherent mess. Quite frankly, he would have been better throwing up overboard; at least then man would get a proper response from him. His cheeks are red as he concludes he should keep his mouth shut.
'You should have stayed on land,' he sharply states, 'this is our land, they don't have a fucking leg to stand on out here, right?' asks the man, wrapping his arm around his shoulder, holding his hand out as he points towards the sea with a bright smile on his face. 'One of theirs washed up on our shore, and they didn't stand a fuckin' chance against us.'
Observing the land, he swallows hard at the sight of a small mound of rocks sitting in the distance, tensing in the grip of the man standing beside him.
'She was on land,' he chokes out, resting his forearm against the edge of the ship, resting his head against his arms. The fluid motion of the water slightly rocking the boat side to side worsens his sickness as he sits and attempts to focus on his breathing. 'And she only died 'cause Price fucked up.'
'She only lived for as long as she did because that fuckwit was acting on the orders of the Lord,' says the man beside him, smacking his hand against his back, rendering the other breathless as he heaves for a gasp of air. 'Do I need to go to the Captain and get this boat turned around,' he lowly asks, 'because you're lookin' to be more of a fuckin' burden than anything else.'
Straightening his posture, he lets go of the edge of the shift, rubbing his face with his hands, shaking his head.
Rubbing his eyes, he winces at the dull pain as he does so, 'no, no, you don't... jus' haven't been sleeping recently, that's all,' he explains, 'been worrying about this trip but... I need the money; it's been rough recently.'
'Then get your fucking act together,' snaps the man, 'can't have some stupid mer-freaks scaring you, hey? They've probably left these waters, anyway,' he shrugs, 'they're like spiders; they fear us more than we fear them, and the only thing you've got to be fearful is Donny seeing you in this state, yeah?'
'Yeah,' he nods, noting that they're growing closer and closer to the mound of rocks. 'Need the money for this job.'
'Don't we all,' laughs the man, 'I'm gonna go get a drink, you gonna join me?'
As he looks at the an, he pictures the hot room beneath the deck with one too many bodies crammed into there, all for the sake of getting their hands on some rum. His stomach is burning as bile bubbles. There is nothing worse his mind can conceive at this moment, it's simply a death wish to accept his generous offer.
'No, I'm gonna stay up here; feel a bit sick,' he confesses, 'cause of the long break of voyages.'
Placing both of his hands on his bloated belly, Mike rolls his eyes, letting out a chuckle, 'I will say, strange how trade has been quiet for the past few months, isn't it? Got a village full of hungry people here and they're expecting us to sustain ourselves? That hardly seems culpable.’
'Somethin' to do with the Lords guards. They have more power than good, they do,' snarls Roland, 'think it's okay to demand for cuts of the ships in the water, and for what?'
'To keep you safe it seems,' laughs the man, 'can't have you vomiting into the ocean and angering the big fish, right? Have the village under water in the matter of seconds if you spilled your guts overboard.'
His laughter continues while he keeps his eyes glued on the small island of rocks. Holding his breath, he narrows them as the sun glares down at hm, burning his flesh. Sweat tricks from off of his forehead, chapped lips smacking together as he begins to smile.
'Bet it has something to do with the freak with the skull mask on.... Say, Mike, you ever seen his face before?' he asks with a furrowed brow.
Reflecting for a moment, he rests his hand against his hip, tapping his foot as he looks past Roland, staring into the sea as he contemplates. Resting either elbow on the edge of the ship, he lazily slouches awaiting the answer.
'No, can't say I have, hasn't left the house with that stupid fuckin' thing since he became one of the guards... you reckon it's real?' he asks with a laugh.
'Yeah fuckin' right,' Roland laughs, 'tied to the back of his head with pieces of silk, you really think someone like that has the fuckin' balls t’ kill someone and wear their skull as a souvenir?'
Both of them pause, sharing a look with one another.
Then Mike begins to laugh, Roland not too far behind as the pair of them howl.
His sickness abandons him as the pair of them laugh together. Tilting his back, he keeps his eyes screwed shut as he lifts a leg up, unable soothe the joyous ache in his gut.
'Yeah fuckin' right,' Mike says, wiping his eyes with his chubby fingers, 'he's doin' arts and crafts at...'
His laughter quells.
Even his sharp gasps for air dissipate.
Roland continues to laugh, only, after a few moments of silence, he clears his throat, his breath clawing at the inside of his throat.
He finds the hairs on his arms stand up, the wrinkles on his sickly face appearing as his peeling lips come together while lifting his head to look at Mike.
The elder man is pale, staring blankly past him into the sea.
'What?' Roland slowly asks, staring at the man, a smile tugging at his lips.
Unmoved by his comment, he turns his head to look in the direction where the man is looking.
Sinking his teeth into his bottom lip, he holds his breath as his eyes scan over the area.
There's the depth of the sea, they have passed the rocks he's heard in many account from those who have survived the sirens.
There is nothing there but the sea and the sky.
'Got ya',' chuckles the man behind him, continuing to laugh in the same manner he was laughing in before, 'you really thought I was gonna say that there's a siren there, didn't you? Gotta get them off of your mind, son.'
‘I know,' Roland retorts, 'the skull faced freak really helped... like medicine he is, strange fellow, yet so good for the soul, eh?'
'Good for the soul, but not the wallet,' snorts the latter. 'Wouldn't even say he's medicine, you're givin' him too much credit by sayin' that.'
'Oh?' Roland says, 'then what do you suppose he is then?'
'A witches potion,' he answers.
'Even that seems too nice,' says the spotty man, 'a quacks remedy is more fitting I think.'
The pair of them begin to laugh again, the waves crashing either side of the boat, and with every second they grow further and further from the little pile of rocks, and he finds his aching muscles are soothed.
The bustling cheers of the sailor help to warm his heart and he begins to think that he can stomach some rum.
A drop wouldn't kill a man, that's for sure.
In fact, it'll probably work well to settle his stomach.
'I think I've had a change of heart on the invite,' he says with a smile, 'drop of rum never killed anyone, has it?' he continues on brightly as though he had not been moments away from emptying his guts all of the deck. 'Well, it hasn't yet, at least.'
'That's the spirit,' Mike grins, 'probably help you with that uneasy stomach of yours, know it helps with mine, at least,' he says so while patting his stomach, looking over his shoulder to towards the door beneath the top of the ship where the Captain stands.
The man doesn't even move to address Mike, keeping his eyes set right in front of him, his hat tilted slightly downwards to keep the sun out of his eyes.
Opening his mouth to respond, all air exudes from his lung as he feels an ice cold touch on his shoulder.
Slowly, he turns his head, looking down to the wet patch on his shirt. A short breath escapes him as he notes the webbed hand, nails as sharp as daggers digging through the fabric of his shirt.
'Gonna take more than a quacks remedy to fix your issues,' a soft voice whispers as the hand on his shoulder shifts, and with one fair slash, the skin on his throat is shred as he is pulled overboard.
A gargled scream escapes him.
Writhing against the strong hold, his eyes water as he gasps for air as his body is dragged under the current. Swallowing mouthfuls of blood and water, he chokes out babbled for them to come back, for them to stop as the ship charged through the seas.
Cruelly, the siren holding him keeps him above water as he chokes.
'Don't worry about them,' says the voice behind him, 'water's waitin' for them, a pretty song is too.'
With that, he cries out in agony as your nails are drove into his stomach, the flesh snapping as you drag your fingers through his stomach.
'You helped in her capture,' you seethe, 'you're lucky I haven't flooded the entire fucking town, but if I don't find the man who murdered her, you best believe that entire town is going to drown in the same water as you.'
'T- They'll...' he wretches out, the strength in his kicks calming as his eyes grow heavy, '...kill you,' he firmly states, gritting his teeth.
A loud laugh graces his ears as your grip on him loosens.
'Only if they can swim with a slit throat.'
**•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚*
Blood washes off easily with water.
It's the nails it's difficult to remove it from, and he struggles with all his might as he stands at the edge of the shore, scraping his nails into the sand. It doesn't help at all, though, he still insists on doing so; it's the only time the stain of red is obscured.
The beach is bitter to him these days, and even though his mouth is protected from the elements as he keeps his balaclava over his mouth, he still feels a faint tingle on his mouth as he recalls the moment he spent here with you.
You're difficult to avoid, especially whenever he's passing the beach on patrol. Price has made a point to keep him away from it, placing him next to the Lords house during his patrols. He says it's to make it easier on him, so he's not as distracted while doing an important job.
When he's near the Lords house, his ears ring with the sound of your screaming and crying, and the blood under his nails grows darker.
There's a temptation whenever he's nearing the house; one cut to the throat and he would be dealt with.
As easy as that.
Truthfully, the old man has nothing to do with the issues going on within, but he's clamouring for someone to hate, for someone to blame. The old man made the orders, they could have just let her go, but they didn't.
And then you left with her.
In the morning after Serelia's burial, when he woke to an empty bed, his lungs turned to ice. It was unlike anything he had ever experienced, the feeling of utter despair as he found the pink dress he had bought for you gone along with yourself.
There was no residue of body heat on your side of the bed, he struggled to find anything to even prove you existed as he rushed around the house with wild eyes.
'Sweetheart?' he called, forcing the door to the bathroom open.
The light shined in from the window, though, there was nothing in there aside from the bloody frock he'd helped you remove the night before.
Picking it up off of the ground, he held it out in front of him looking at the drying blood in the fabric. He didn't know why he did it if anything, it only works to worsen his panic.
In the midst of public, eyes are everywhere... what if someone heard your confession to him? What if it was the same someone who hurt Serelia?
He dropped the dress promptly, his hand over his mouth as his face paled at the very thought of you being taken- of you meeting the same fate as the poor siren he'd buried. Only, in the memory, it was your face he was covering with the shabby old white sheet he found in the cabin, and it was your blood on that dress and not hers.
For the next few minutes, he spent them on his knees, gripping the edge of the toilet as he threw up what little he had in his stomach, ridding his body of the last moments he had spent with you.
After the remnants of the pastry he'd eaten before were in the toilet bowl, he suffered through a terrible burning in his throat as his face grew hot as he thought against all urges to throw up anymore. Yet, he failed, a mixture of stomach acid and spit landing in the bowl.
The smell was grotesque, yet, the taste of it was even worse.
His eyes were teary when he eventually forced himself off of the ground, rushing out of the room, quickly changing into his uniform, leaving the skull of his mask in his bedroom, tying the balaclava around his face before rushing out of the door.
People look at him with raised brows, finally able to see the top part of his face, yet, he doesn't care as he sprints through the village, his heart pounding against his chest, hoping that one of the women passing him is you.
The library is closed, you can't be there and he wants to scream as he holds the side of his head, his throat tightening up. How he longed to have the simple luxury of seeing you sat in the library again with a book on your lap. Though, as he peered through the glass of the small building, the space was simply a husk.
Heat climbed up his neck as he heaves out desperate breaths. His skin grew itchy and his blunt nails clawed at the flesh on his neck as he gulped hard attempting to chase after air, to find some form of peace to calm himself.
You left in silence, you left without a goodbye- surely you wouldn't have been so cruel to do so. You would have said something to him, left something for him to let you know that you were okay.
The missing dress is the only form of hope he had, though, the missing dress means nothing; someone could have taken that with you to make it look as though you left on your own accord and not someone else's.
The world is spinning as his breathing quickens, he can hardly make sense of anything around him and he finds himself growing more frustrated by the second. You could be anywhere, he hadn't let you out of his sight for more than a month, and the moment he sleeps with you beside him is the moment you disappear.
After the library, he checked the beach, yet it was clear, not a being in sight, nor a siren.
You were nowhere to be found.
The crashing waves and the grey sky swelled in his head rendering him speechless as he blinks back the tears, clenching his fists as he turned away from ocean, returning back to the village.
When he opened the door to the station, the first face he was greeted with was the both who Price had tasked with the mission of looking after Serelia.
The fool who was sloppy enough to leave her by herself.
'Mornin' Si', you want a tea?' Johnny asked, turning his attention away from Rhys standing beside him.
He doesn't care to respond to the man, instead, he grabbed the throat of the man beside him, slamming him against the wall with gritted teeth.
The man startled in his hold, letting out a loud gasp as Simon's fist around his neck tightens with the intent of only loosening when he felt the bone crunch in his fist.
'You fucking bastard!' he screamed.
Rhys doesn't dare move, weak wretches escaping him as he squirmed in his hold.
A hand grabs his shoulder, 'woah, woah, hey, Simon calm down!' Johnny exclaimed, 'you're gonna kill the fuckin' kid.'
'That' the whole point,' he snapped, 'you let that fuckin' siren die.'
'I- I didn't,' the man managed out.
'You left her alone and she was fucking murdered- this is your fault, Price put you up to it and you left her with no one there to protect her and she died.'
At that point, he could hear the blood in his veins, and had he not been forced off of him by Johnny and Price, he very well would have snapped the kids neck.
Rhys fell to the ground with a harsh gasp while Price stepped in front of him and Johnny kept hold his arms. When Simon stepped forward, Price placed his hand against his chest, shoving him backwards.
'Simon,' warned the man, 'bring it in, I've already got the death of that fucking siren on my case, I don't need another one to account for too.'
His eyes grew blurry as he looked at the man.
'What's wrong?' Johnny asked from behind him, 'whats happened?'
Everything folded in on itself, the cold morning, the absence of you and your dress, the bloody dress on the floor. Everything, every single thing he built with you collapsed, and he was unable to keep it all together as he ripped his arms from out of Johnny's hold.
Looking past Price, he pointed his finger in the direction of the brown-haired man on the floor, clenching his teeth, 'it's your fault she's fuckin' gone,' he seethes, 'all your fucking fault,' he mustered up before storming out the Station, blinking back tears as he returned home, knowing you weren't going to be there.
The beach is bitter now, but the memory is worse.
He doesn't know why he bothers to sit at the beach during the nighttime, perhaps it's in the hope that you'll reappear, or maybe the moon will send him a sign that you're safe somewhere her, and that the only part of you with Serelia is the skirt from the bloody frock he still has in his house.
It's peaceful at night, especially with the waves rolling in gently, and he imagines you're sitting on a rock somewhere, humming a sweet tune, causing trouble as you did so.
Anyone else would have been horrified with the confession, though, as he thinks about the damage that the people in the village have done to you, he wishes you'd flood the entire village and wipe it clean of all the scum in it.
At least then, even if he were to die in the flood, he'd die knowing that it was by your hand and no one else's.
And in his death, the man who he was held back from would also meet the same fate. That's all he's asking for.
Unsheathing the dagger in his belt, he drives it into the ground, dragging it through the grains of sand, taking his eyes from the sea to the deep line he's carved into the sand.
The throat of the Lord or Rhys would be better suited, though, he knows the fate awaiting him if he does something like that.
As he stares at the sand, the crunch of boots against the sand or the creak of a lantern behind him catching his attention though he doesn't turn his head; he knows the walking pattern well... he needs to get lighter on his feet if he's going to attempt to scare him.
'Thought I'd find ya 'ere, Lt,' says the man, walking beside him, not bothering to ask him if he can take a seat beside him. With a grunt, he lands on the ground, exhaling as he looks to the man sitting beside him. 'You've been comin' here since she left.'
'You spying on me?' Simon retorts.
'Seen you while on patrol, actually,' Johnny answers, 'difficult to miss, a big lump of coal you are,' he says with a chuckle, 'ya looked like you needed the company 'cause you've been keeping to yourself for months, and I know ye not typically a man of many words, but you've become a Ghost.'
He doesn't answer him, instead, he drivers his knife further into the sand.
'You gonna tell me what's actually going on, or are you gonna keep it a secret so no one can help you?' he asks, 'I've been thinking about the state of you the morning you nearly broke that kids neck, I've never seen you like that before.'
'You'll never see me like that again.'
'What did the death of that siren have to do with her leaving?'
His knuckles whiten around the knife.
'Kyle told us she was in a right state when Rhys got to the Station that morning. You forced him to keep everyone away from the cabin but the entire village heard her crying,' he explained, 'it was the talk of the town for days after.'
Looking at the man sitting beside him, he fights against the truth.
'The siren was what she was here for, wasn't she?' he asked.
Simon's breath gets caught in his throat.
'I've been goin' over it for weeks whenever I get a spare minute, the carry on out of her, her washing up on the shore out of the blue- not being able to remember the name of where her and her sister were goin' on that ship... none of that was true, was it?'
'No,' Simon answered, 'she told me when we found Serelia, we buried her and in the night she left... or someone took her,' he said.
'You think someone took her?'
'She was screamin' for the entire fuckin' village to hear, Johnny,' he snaps, letting go of the knife as he turns his attention back towards the ocean, 'anyone coulda heard her, including whoever killed Serelia. And I just keep goin' over it.'
He knows he'd never be able to forgive himself if such was confirmed, for what kind of protector would he be if he couldn't have stopped that monster from getting to you?
'What if she just... went back to the water?' he asks, 'that's where she belongs anyway, right? If she got a hold of the girl, she would have went back with her anyway.'
'She didn't say goodbye,' Simon utters.
'Maybe she didn't say goodbye because she knew you wouldn't be able to go,' he shrugs, 'if she woke you in the middle of the night and told you she had to go back home, would you have let her go?'
As he looks out onto the water, he contemplates his question, thinking back to the very night he lost you. He recalls the pair of you lying his bed, how you mumbled one last 'I love you' to him before leaving. Only, this time, you didn't leave without telling him. Instead, you look him dead in the eyes and tell him that you have to go.
Even debating the scenario in his head causes his heart to hurt.
'No...' he begins, his eyes narrowing as he keeps his eyes trained on the water.
It's difficult to see in the darkness, though, the light from the moon against the water highlights something bobbing closer and closer to the shore. Raising to his feet, Johnny looks up at him.
'You see that?' he asks, motioning over to the water.
The blob in the sea dips and raises with each wave rolling in, though with his mask and tired eyes, he's unsure if he's seeing something because it's there, or if his imagination is simply willing it to be sign he has been craving for the past couple of months.
'Aye,' he says, raising to his feet.
The pair stand idly staring at the bobbing blob.
'Whatever it is, it isn't alive,' says Johnny, watching as the man beside him shrugs off his cloak, untying the ribbon of his mask and pulling the balaclava off of his face, allowing it all to fall to the floor.
'Keep an eye on it for me, won't you?' Simon asks, looking over his shoulder, not bothering to wait for a response as he rushes into the water, heading directly towards the mysterious mass in the water.
Wading through the water, his pants grow heavier as his boots fill with water, though, he's uncaring as the water reaches his waist. The closer her gets to the body, the darker he finds the water grows.
'You know what it is yet?' calls the man on the shore.
Squinting, he reaches his hand out, placing his hand against the strange mass, pulling it over so he can see what it is.
Hollowed out eyes stare back at him, the sockets devoid of eye balls as he stares at the corpse a float in the water. It's intestines brush against his knee as though they have a life of their own.
The sight is brutal and in the darkness, he can't quite make out the feature of who the body is.
Grabbing the corpse under its armpits, he turns his head back to shore to see Johnny waiting with eager eyes to see what has been uncovered.
'It's a dead body!' Simon says with a grunt as he pulls the body through the water, leaving a trail of blood behind him as he drags it with him.
From behind him there's a slosh of water, the stammering breaths of the man appearing right beside him as he gawks at the corpse. He doesn't say anything, quite reserved for a man who is looking death in the eyes. Instead, he grabs its arm, helping Simon pull it to shore.
The heels of the corpse dig into the sand as he's pulled back to shore, the pair of them dropping him with a huff. Their clothes drip against the land as Johnny grabs the lantern he left beside Simon's masks and cloak, holding it over the body so the pair of them can grasp what it is they're dealing with.
The torso of the corpse is naked, the flesh of its stomach looking as though some sort of wild animal had gotten its hands on him. Only, its the intent of the cuts that tells him otherwise, his throat hangs open, exposing the top of his spine and vocal cords, loose flaps of skin blowing in the wind as the corpse leaks sea water and blood onto the sand.
As Simon moves his eyes up, he lets out a brittle exhale.
'This is one of the fellas who left on the ship today,' Johnny comments, looking to Simon who simply keeps his eyes glued to the chest of the man. 'Roland...' his words trail as he rips his eyes from off of the corpses face, all to see the very thing that Simon is staring at.
Johnny gulps.
'Your girl capable of doing that?' he says with a raised eyebrow.
In the bloody mess of the man, he finds exactly what he has been hoping to fine since he woke up that morning to find you were gone.
Of course, it could have been a shark attack- something other than the work of your hand, only, the confirmation of life is etched into the body as though it's a stone tablet or a tombstone.
Carved into the chest of the dead man is the word 'murderer'.
Simon smiles at the sight of the corpse, looking out onto the water.
'That's her,' he breathes, looking towards the moon, 'she's alive.'
**•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚*
The thing is, with humans at least, they're fragile when it comes to pain.
When something seems out of the ordinary, they're inclined to shit themselves and become a crying blubbering mess, begging for mercy as though it is them who are innocent when they acted with the intent of taking another's life.
Even the strongest man cowers when they're forced to encounter something unknown, and you rejoice as you blood at the bloody man on his knees before you.
The curse of the moon never truly left you, still tied to the humans upon leaving the water, and while you have a prolific distaste for you can no longer join the sirens upon the rocks, it works well when the ship is driven into rocks and one of the men manage to scramble to the shore.
He thinks he's safe until you walk from out of the water.
The tides turn and the small smirk on his face disappears as he realises you do indeed have legs and can walk right up to him. Either way, he's a fool to possess such smugness, a song from the water would have drove him right back to you anyway.
'P- Please, please, please, I- I'm sorry, what do you want? I'll give you whatever you want, you want money?' he chokes out, holding his hands out in front of him.
The blood of his friend you plucked from off of the ship mingles with the sea water as he trembles in the cool breeze.
Some dry patches even stick to him, a clump of congealed blood sticking to one of his eyebrows. Trebling hands dig into his pockets as he holds out a handful of golden coins.
You think of Simon briefly, smiling to yourself as you recall the soup you attempted to made with the golden coins he had given you. How you basked in the light of his home eating the slop in the bowl, but none of that mattered because the pair of you had each other.
And then your mind falls to the dress he gifted you.
The dress you left on the bathroom floor, the dress you ripped to leave a piece of yourself with Serelia, the dress stained with her blood.
Raising your hand, you slap the money out of his hands, the coins landing with a hollow thud onto the sand of the a small cove. 'I don't want your money,' you snap, grabbing his shirt, pulling him to you with gritted teeth. 'I want you to answer my question, and if you dance around it, I'll cut you from gut to gullet and let the sharks eat the rest of you body.'
'Of course, o- of course, anything, I'll tell you anything you want to know,' shudders the man, tears flowing freely down his wrinkled face.
Edging closer to him, your face is right in front of his, you can smell the booze on his breath as he sniffles, looking at you doe eyes.
'Who killed the siren you captured?'
He looks at you, opening his mouth as he stumbles and trips over the words leaving his mouth. All attempts to form words are lost to the panic he works himself into as he attempts to think of an answer which will satisfy you, yet keep whoever is guilty safe.
Your grip grows tighter on his hair.
'I- I don't know, I don't know, I'm sorry,' he sobs, 'please- please—'
Shoving him back onto the ground, you turn away from him, clenching your fists.
'Bull-fucking-shit.'
His sobs simmer as you look back to the water, taking a moment to contemplate his response. And, you find that you don't like what he has to say, in fact, you fucking despise it because you know for a fact he is full of shit.
Turning sharply on your heel, you look at the man, taking a breath before bringing your hand across his face. He falls with a huff, his face pressing against the sand as he lets out another pitiful cry.
'Wrong answer, try again,' you demand, leaning over, grabbing a fistful of his greasy hair, pulling his head up. Your breath ghosts his ear as you speak through clenched teeth, 'who killed the siren?'
'I- I heard whispers around the village!' he blurts, 'they said that whoever it was was smart and no one suspects them of it... b- but I know it wasn't the man you murdered.'
You let go of his hair.
The only people who knew where Serelia was were the Guards of the village and you know Simon would never have done something so brutal. Price cares too much about his duty to do something so horrible, even though to him, you're sure her death was much more of an inconvenience then it was a heartbreak.
Your mind aches as you go down to Johnny and Gaz. Why would they do something so cruel? As much as you despise their kind, you struggle to see why they would bring harm to her. It wouldn't make sense- even Gaz told you he would have freed her if their hands were
And then your heart stops.
Confirmation is the one thing you have longed for since returning to the sea, the one thing your sisters have wanted for the longest time. You looks at you with wide eyes, stammering out whispers as you release your hold on him.
The entire time you thought she was safe, she was in the hands of her murderer.
Your self indulgence and brief romance cost her her life.
Placing your hand against your forehead, you pace back and forwards in front of the man.
'The boy who Price hired to make sure she was safe,' you mumble to yourself, wiping your face with your hand. How could you have been so blind? Word never got out about her being anywhere, he never went home that night... he disappeared and Gaz couldn't find him that morning.
He was getting rid of the evidence of his crime and he succeeded.
Walking down the sand, you ignore the calls of the man as you return to the water. There's nothing around, no land, no safety, simply just a small cove a lot of soldiers don't account for until it is, fortunately, too late.
'Hey! Hey! You can't leave me here!' screams the man as you walk further into the water. 'I'm going to die out here! There's nothing around here, please, I told you what you wanted, how some mercy.'
Stopping in your tracks, you exhale, peering over your shoulder.
'This is mercy,' you briefly answer before walking into the water, disappearing out of his view for good.
Even under the water his screams travel though you don't care to show any form of kindness as you move away.
He deserves his death for his attempted lie, and you also find anger bubbling for you know what you have to do because of his confession- something you have been escaping for a while.
**•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚*
They work well on the side of the law, they stick to it as much as they can, though, when the pair of them shared a look while on the beach, they both knew what they had to do.
The breeze is gentle as the move the body further up the beach, occasionally turning their heads to look upwards in the direction for any sign of life as they do so.
Roland's intestines drag along the shore, his body leaking blood and water, leaving a gruesome trail behind the pair of them. Fortunately, the water will wash any trace of gore away and it will be as though he never existed in the first place.
'Why has she decided to pop up now?'
'First ship at sea for months,' he states, 'I'm surprised she hasn't tried to drag the entire village underwater with how torn she was.'
'What did you do with the girls body?' he asked, 'had Price choked up as he tried to explain to the Lord where the body disappeared off to, as far as he's concerned, there's no such thing as sirens cause he hasn't seen it with his own eyes.'
The old Lord is stubborn in his ways, that the pair of them know well enough not to bother questioning his reasonings. Upon his return, Simon recalls the look of upset when Price had to inform the man that they, as the guards of the village, failed at their duties. The body of the siren was nowhere to be seen, and he had to stand and watch as the Captain was subject to a brutal scolding, knowing well where the sirens body had disappeared off to.
It was unfair of him to do that, risking John's position all to keep the burial ground sacred and untouched, but he was still bruised and bleeding from the events that had taken place that night and the morning following.
All he can think about while standing in the room was the look on your face, how your bottom lip wobbled as you laid the fabric of your cherished dress upon the deceased girl, not bothering to consider your love for the item on your body, rather, the love you had for the woman lying in the ground.
Nothing was worth destroying that moment. Nothing.
'Buried it,' Simon answers, 'she's buried at the top of the cliff, just past the Lords house,' he says, setting the man down on the ground as they edge closer and closer to a small cove beneath the cliff, looking up at it.
'Lookin' over her home, ey?' Johnny asks with a small smile, 'her idea, I'm guessing.'
'It was mine, actually.'
'Didn't know y' were the sentimental type, Lt,' he comments with a smile, 'didn't know y' even had a heart.'
'I do,' Simon retorts.
'Really?'
'Yeah... a cold one.'
He doesn't miss the way the latter rolls his eyes.
'Wouldn't be sayin' that if she was here with you right now though, would ya?' he laughs, taking a breath before the pair of them continue to move the body. 'No, I can imagine y' now, all loved up. Thought of it makes me sick.'
Simon fights off the urge to scoff.
'Just say y' jealous, Johnny.'
'Oh, I am so jealous. I wish I had you to fall asleep to every night,' he whispers, his eyes moving from Simon to the body in their arms, 'cause, if that were the case, we'd be in bed right now, not carryin' a dead body, which your siren girlfriend mutilated, to hide it in a fuckin' cave,' he huffs, the darkness of the small cove swallowing the pair as they walked into it.
'These are typical activities for couples. We'd still be doin' it.'
Johnny doesn't bother to respond as the pair of them move further and further into the beast belly. 'Y' sure no kids gonna stumble across this corpse; he's gonna start to smell.'
'Tides rolling in tomorrow morning, not goin' back out until night,' Simon says, 'he'll be dragged back out to sea before anyone else gets to him.'
'Well, I hope y' right; if not, your girlfriends gonna be in a lot of trouble when the people in the village find out about this,' he says, finally relieving himself of the duty when he feels Simons hands slipping off of the body.
It lands in the wet sand of the cove with a wet splat, and the pair of them stare through the darkness, Johnny lifting his foot to find where exactly they placed the body.
'You think she's gonna come back?'
'Didn't dig her nails into him to for fun, Lt,' he answers, 'I reckon she'll show her face soon.'
Whether it is a few days, or even weeks, he doesn't care.
'I hope so.'
As long as you find your way back to him, the knowledge of you living is enough to soothe his weary eyes.
**•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚*
The sisters of a siren are fierce and loyal, even when your tongue burns as you speak to them of the events which had happened during your time on land.
You suffered similar hardships to Serelia, at least, they're convinced you did.
So, as you address the group with blown eyes drawn to the surface, explaining your reasoning as to why you should tread the land, to go back into that village, you're hardly surprised when their looks change as they address you.
Motive is of importance and you wish to solve the case, to bring justice to the woman buried on the cliff edge.
But, selfishly, you're also wishing to bring justice to a man who you wronged.
'Return to land?' a voice barks, 'you will do no such thing; the last time one of us went on Land, her life was taken from her cruelly, I'm not allowing that to happen to you, not at all,' she continues.
You stare at her, looking around at the other disapproving faces which surround you. There's still a void where she would have sat and you feel your lips pulling down into a frown as you stare blankly at the space beside the woman who holds her pointer finger up at you.
'It's irresponsible, you'll get yourself killed if you do that.'
'I finally have confirmation of which human killed Serelia, Raithe,' you respond, rubbing your face as you turn your eyes from the empty space to the angered siren. 'I can kill him, I will kill him, but I need to be on land in order to do so.'
There's a brief silence between yourself and the ground and you feel your chest tightening as you observe all their faces. While stoic, you feel as though the sea is pressing all its weight down onto you in an unlawful attempt to drown you.
Though, in the eyes of unhappiness, you find that you would be thankful if the sea had such a mercy on you.
'I don't understand why we never lead the entire village into the sea,' another siren says, batting her blonde eyelashes as she looks at you, 'would've have gotten this over in a second. We kept our silence up in the first place because they never got as far as killing one of our own, but they captured her and held her as a prisoner- they held you as a prisoner too,' she continues, 'why are you showing them mercy? They deserve to drown for their crimes.'
You pale at the thought of committing such an act against the village.
'Because...' your words trail as you take a harsh breath, sinking further into the current, 'there are children in the village- that's not who we are.'
All of them raise their eyebrows in your direction and you feel small as they do so. Your shoulders touch the lobes of your ears as your entire body tenses.
'That not who you are, not anymore at least,' Raithe scoffs, narrowing her black eyes. 'You've gone soft.'
'No I haven't,' you refute, 'I- I just—'
'She's in love she is,' another speaks, pushing through the water, moving behind you to grab your shoulders. Pushing you closer to the group, her grip tightenings as she forces your neck to the side, the base of her nose ghosting your flesh as inhales your scent.
You freeze as she does so, the only saving thought being the fact that you haven't been held by Simon in months.
Her sharp nails press against the flesh on your stomach, her eyes narrowing as grabs your face, forcing you to look at her.
'Tainted, you are,' she says, 'look in her eyes, look how she moves, you're protecting the very humans that killed our sister,' she accuses, the looks on the others faces hardening in your direction.
'You don't want to go on land for revenge, you want to go and see whoever you were with during the time you were supposed to be searching for Serelia,' Raithe exclaims, 'you are just as much of a monster as those humans are, you wicked little witch!'
'No, no I'm not,' you quickly blurt.
'Then we flood the village; they're all guilty of murder because they helped take her in the first place,' answers the black-haired woman simply.
With beady eyes you look at her, and when a tight-lipped smile appears on her face, you feel the sudden urge to vomit.
You sense betrayal burning in their beings and have an overwhelming desperation to be away from them despite the ties of blood that keep you bound as sisters.
You're released from the hold of the siren behind you all for your face to be caught with the hand of Raithe. Keeping her webbed hand against your face, her grip tightens on you, nails digging into your cheeks as she grits her dagger-like teeth at you.
You squirm in an attempt to escape her hold, yet the only thing you achieve as you do such is forcing her nails deeper.
'You chose your side even before this meeting,' Raithe seethes, 'you chose it when you let Serelia die, you chose it when you lied to us because you are in love, Amalise is right,' she laughs, shaking her head. 'You love a human, how can you be so sure they wouldn't do what they did to you what their kind did to Serelia?'
'B- Because he isn't like that,' you cry, 'he isn't like that, he took care of me, he did everything he could to make me happy and he helped me bury Serelia.'
Your eyes grow wide as you realise the confession that accidentally slipped past your lips.
You don't miss the collective gasp, nor do you miss the feeling of Raithe's hold on you loosening, pulling away from you completely.
'You buried her?' Amalise asks, 'you buried her on land?' her tone raises as she clenches your fist.
'I couldn't have—'
You're struck with a razor sharp hand.
Her claws tear the flesh of your face as you're thrown through the current.
For a moment, you're much too dazed to realise what has happened until your grabbed by the throat.
'How fucking dare you!' Raithe screams, 'you lied to us a- and you buried her on land away from us so we cannot visit her? You are no siren, you are just as monstrous as those humans.'
Her fist tightens around your throat, specks of darkness appearing in your eyes as you attempt to pull her hand off of you. Your nails dig into her flesh, but she doesn't budge.
'You wish to be a human so bad, right? That's what you want, you're burdened by being one of us because if they knew, they would kill you because that's who they are.'
'N- No,' you choke out.
She edges closer to you.
'I don't believe you,' she utters, looking over her shoulder, 'I say she returns to the land, let her human have her,' she suggests, addressing the other sirens.
Much to your horror, they nod in agreement.
Raithe turns back to you, cocking her head to the side as she narrows her black eyes. 'You can be there to witness his death when we lead him to the sea,' she firmly says as you weakly writhe, blood pouring from the slash on your face, a tingling washing your entire body as your hands on her wrists falter and the world begins to grow dark.
'See if he still loves you with a ruined face.'
A final wretch escapes you before you're forced into darkness, leaving the world behind with the disapproving look of Raithe being the very last thing you see.
**•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚*
Patrol around the village these is quiet, and while he enjoys the silence most of the time, he can't help but hate the silence he's plagued with as he's walking around the dark streets.
No matter where he walks he can never escape the sound of the crashing waves. Typically, he enjoys the sound of the water, of the gulls squawking as he passes by the beach, only, ever since uncovering the body of that sailor, he's found the sound only takes him back to the leaking body parts and hollow eyes.
In his time he has seen a lot, yet, that truly takes the cake.
It's for a good cause, Simon knows the implications of the siren attacks and if word got out to the village folk, it will sure be difficult to fix. Their silence has been in their favour as he hardly hears mentions of Serelia in the village anymore, yet, he knows the fear is still there for a lot of people.
Like a criminal, while on patrol, he cannot help but return to the scene of the crime, watchful eyes looking over the shore in search for blots of blood.
It's difficult to know why he is doing so; as far as he's concerned, no one knows what the pair of them did, and truthfully, if someone does stumble across the body, he is fine.
No one suspects a guard, the protector of all.
Sea foam coats the bottom of his boots as he mindlessly wanders further down the beach, his tired eyes looking up towards the moon sitting in the sky. Despite the clouds blocking any stars from his view, the moon makes sure to make her presence known.
If he weren't so tired, maybe he'd acknowledge the red tinge marking her surface.
'Hey you,' a voice hisses.
He stops, snapping his head to look around, his forehead wrinkling as he spies a woman a few meters away from him sitting in the water.
Upon first glance, he straightens his posture, preparing to scold the woman for being so careless, walking out into the water alone in the dead of the night.
Then, the water around her shifts as she lifts her tail up from out of the wind, the moonlight catching the green tinge of her scales.
'Bloody hell,' he blurts out under his breath.
Before him lies a woman with thick, long black hair.
She kicks her tail up, resting her arms around the ground as she stares up at him with wide, black eyes, offering him the best smile she can muster. Her teeth are as sharp as knives and she trails her tongue over the points of them as she grins.
'Come closer,' she requests.
'Ye gonna kill me, lassie,' he responds, 'I know ave got a fun haircut, but am not that stupid.'
The woman scoffs.
'I'm asking you nicely,' she sharply states, 'walk away and you'll be right back in the water with the sound of a song, so I advise you do what I'm asking of you and come closer.'
She grows as cold as the wind as she stares at him, her brows furrowing as she looks in his direction.
Goosebumps form on his skin, and while his head is telling him to do anything else, he relents to her demands, slowly moving closer to her.
The water touches his boots as she sighs, pushing herself off of her stomach, rolling the water with a bright grin, lifting her head to look at the man with a giggle.
'Oh, you listen so well, who would have thought a human would be obedient,' she chuckles, allowing her webbed hands to fall above her head, merely missing the edge of his boots. 'I've got something for you,' she claims.
'A death sentence, perhaps?'
'There was a girl in this village a while back... few months ago now, looked as you did, with your legs and your gill-less necks, but she wasn't true to you, nor your people for she was a siren.'
His eyebrows raise upon her words, and she laughs harder.
'Oh so now I've got your interest now... I don't suppose you're the lover she had while she was on land, are you?'
'Nae.'
'Do you know of the man who she loved?'
'Aye, he's my friend,' he says with a nod, 'you know where she is?'
'I have her with me, some of my friends are keeping hold of her,' she explains, 'but... we've been having a talk, you see, and she no longer views the ocean as her home, nor does she view us as her sisters; she has been tainted by your kind.'
Her face contorts in a horrific manner as she pokes at the tips of his boots. Though, he doesn't move, knowing better than to sacrifice the happiness of Simon for the sake of his own safety.
The man needs this- he needs you back.
'I'm a woman of morality and I am not going to force her to stay where she doesn't want to be, and quite frankly, she is no longer one of our own- rather a traitor to her own kind,' she says, sitting up from off of the ground, looking out at the sea, 'so, you can have her, let her seek out the man who she loves.'
Everything she's saying seems too good to be true.
As he looks away from the woman, two more heads appear above the water, though they are that of shadows as they move forward. As the move closer and closer, the black-haired woman reaches out with greedy hands, and from out of the water, she plucks you, pulling you up the shore with a grunt.
In the moonlight, he catches the brutal gash on your face, how you tale shimmers in the moonlight before it melts into the sand, dissipating in a crude shimmer as you're pushed to him.
'What have y' done to her?' he asks, rushing towards your unconscious form, shrugging his jacket from off of his shoulders, using it to cover you.
'She isn't dead,' answers the black-haired woman, 'that would have been too kind,' she barks out a laugh, watching as Johnny takes you into his arms, staggering backwards from her. 'No need to fear us,' she gently coos, 'at least, not yet.'
He doesn't care to listen a second longer as he looks down to the deep wound across your face, rushing across the beach towards the steps which lead back into the village, the cackle of the siren booming.
**•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚*
Nighttime is quiet now.
Whenever he isn't working, he's only plagued with violent desires and ideas, tossing and turning on the sofa, curtains drawn so the moon cannot see him.
His feet hang off of the sofa, a dull ache in his spine as he lies in darkness, unable to sleep.
Tonight is particularly difficult as his heartbeat thumps against his chest and he finds himself tossing and turning at the very fact that, the night before, he got the confirmation he has been longing for for months.
You're alive.
Only, after a while of joy, he finds sadness lurks beneath the realisation as Johnny's point of you returning to the water very well may be true, meaning you left him willingly.
Your absence is cruel in that sense.
He's staring at his skull mask, slowly dozing off as the pounding sound of fists against his door tear him from his dazed state. They're eager, quick and desperate. If they knock any harder, they very well might knock the door down.
With a snarl on his face, he pulls back the thin sheet drawn over his body, marching up to the door. From beyond it, he hears pants for air, not missing a thick accent uttering, 'c'mon bonnie, you're fine, yeah?'
Immediately, he grabs the handle of the door, forcing it open with a hard pull.
The knocking stops as Johnny looks up at him with wild eyes, shoving past him with a body in his arms, rushing into the living room. For a moment, Simon keeps his eyes trained on the now empty spot where he was just standing, a short breath escaping him as he recalls the familiar colour of the hair.
Slowly, he closes the door, listening to the ragged breaths of the man, turning to him with his stomach in knots. He watches as you're placed down onto the couch, air escaping him as he notes the red stain in the mans white shirt as he turns his attention to him.
'It's her, Si',' he says.
Simon doesn't move.
'Some siren was sittin' on the beach, she gave her to me, said she'd betrayed her kind- that she's no better than us,' he explains, moving away from the sofa to the bookshelf, his hand patting along the wood in hopes of uncovering the box of matches he's spied a few times.
Moving over to the sofa, Simon reaches his hand out to you, resting it down on your shoulder. You're cold to the touch, the scent of sea water filling his nose as he hears the scrape of a match and the crackle of a wick.
An orange light is cast over your being as Johnny stands beside him with a candle in his hand.
From out of the darkness appears a crude claw-like mark on your cheek, blood dripping from the harsh gash down onto your bruised neck.
'What the fuck did they do to her?' he asks through gritted teeth, tearing at the fabric of his own shirt, kneeling down beside you, pressing the fabric against the cut on your face.
A noise escapes you when he does so, and he feels a heat bubbling in his stomach.
'You're okay, sweetheart,' he utters gently, keeping a firm pressure on the wound.
'I don't know,' Johnny answers, 'pulled her out of the water and gave 'er to me... said they don't want her anymore.'
Blood soaks into the fabric of his shirt as you stir.
A moan escapes your mouth, and as your eyes slowly open, you're aware of the agonising pain emitting from your cheek. Then follows the feeling of a familiar sofa, the sound of familiar voices and the warmth of a familiar hold.
Opening your eyes, you're greeted with the sight of Simon in the candle light.
Despite the bags under his eyes and the addition of a few pink scars on his face, he still looks as glorious as he did the night you left him.
'Simon?' you choke out at the sight of him.
You catch a shift in his eyes as he looks at you.
'I'm here, love,' he gently says, 'you're safe; I've got you.'
You can be there to witness his death when we lead him to the sea.
You hear her voice, her cruel tone, and the coldness of her words flood through your veins, fighting off any ounce of warmness from Simon's reassurances.
I shouldn't be here.
In the blink of an eye, you're sitting up and his hold is removed from off of your face as you scramble to the other side of the couch, wincing as a harsh dizziness floods your senses and the desire to vomit springs upon you.
'N- no, no, no,' you quickly say, lifting your head with narrow eyes, pulling the fabric of Johnny's coat against your bare body as you look at the two men with teary eyes. 'How... why, why am I here? How did you get me here?' you ask in a panicked tone.
Simon looks to Johnny and Johnny looks at you.
'There was a siren on the beach—'
'Who?' you snap, 'what colour was her hair?'
'Black... bonnie, are you okay? What happened?'
'I can't be here,' you ramble, 'they're gonna do something bad, they're gonna do it all because of me and- and I—'
You begin to cry.
'I can't be here, you've got to let me go,' you beg, attempting to raise to your feet, all for the dizziness to keep you down. 'Please, please!'
You feel as though the world is ending.
Unable to escape the horror of the words expressed, you fight against yourself and the urge to spill your guts all over the floor of the living room, your tears seeping into the wound on your face.
Simon moves closer to you, placing his hand against your knee, looking up at you with teary eyes.
Reaching out your hand, you rest it against his cheek as more tears flow freely, letting out a hiccup upon being graced with the warmth of his face.
'I'm sorry,' you cry.
Placing his hand over your own, he shushes you, 'we'll talk about it once you've told us what's happened, alright sweetheart?' he asks gently, 'what happened?'
His calmness in the face of horror is unnerving, and as you look in his eyes, you spy a darkness in his eyes. You wish to be in his arms, but your temper keeps you from fulfilling the urge as you press your trembling lips together, wincing as you swallow.
'They know,' you say, looking at Simon, 'they know about you,' you choke out, 't- they think I'm a traitor and they want you dead- they want to put the entire village to death for what happened to Serelia.'
His hold tightens on your hand.
'Why didn't you want the same as them?' Johnny asks, 'very well could have put the entire village under water if y' willed it.'
'Because there are people here who don't deserve to die,' you sniffle, 'there are innocent people here a- and it isn't fair to punish them for the violence of someone else's hand,' you explain, 'they're blinded by their rage, and if I were without experience, I would be too.'
You curse the part of you which still sympathises with the people who cast you out, though, you know enough to understand who the true villain is. Not the sirens, not the humans, rather, the ignorance of both sides refusing to see the perspective of the others.
And here you are, attempting to piece together a bridge.
The pair before you don't speak and you feel your heart beating quicker as you look into the eyes of the lover you abandoned many moons ago. You spy betrayal in his gaze, though his anger is not directed towards you.
'They're gonna lead the entire village underwater,' you breath, 'I don't know when they're going to do it and I don't know how to stop them when they finally do decide they want to do it,' you say, your eyes welling with tears.
'Oh love,' Simon exhales gently.
'We won't let anythin' happen, lass, y' have my word,' Johnny reassures.
You suppose he wants you to find comfort in his words, yet, his enthusiasm only works to bruise you further; you know there's nothing either of them can do, not against the call of a siren.
'I offered to go back on land,' you whisper, 'I told them I could do it; we finally got the name if the man who killed Serelia.'
'This have somethin' to do with the man y' massacred?' Johnny asks.
'I was following the ship because I recognised him,' you answer, recalling the tone he carried while talking about the man in front of you.
Even if he hadn't been responsible for helping in her capture, you still would have been taken from off of the boat.
'He was one of the people who carried Serelia off of the beach. He deserved what became of him.'
To regret would be to forgive, and you will never forgive a man who did something so terrible.
'We crashed the boat, all but one died, and I asked him if he knew who did it. He told me he didn't know who, but he had an idea of who did it; people around here know that whoever it was is close to the guard.'
Both Johnny and Simon share a look.
'Y' not saying you think it's one of us, are you?' Simon asks, to which you quickly shake your head.
'No, no, I know neither of you would do that- not even Kyle or Price would stoop that low... it's the one who was supposed to look after her, Si'. It was the one who told us she was dead that morning.'
The silence in the room is deafening.
Simon's hand moves away from yours as he slowly begins to stand up, his eyes falling back to the staircase. 'Rhys?' Johnny says, his eyes blown, 'he said he liked her.'
Your eyes stay on Simon's as he clenches his fists, the mellow look which has been on his face since he saw you melting off. Trailing his tongue across the inside of his mouth, you gulp thickly viewing his anger.
'I'm gonna fuckin' kill him,' he coldly says.
It's not a threat, rather, a promise.
Neither you or Johnny say anything, instead, the pair of you share a look before your eyes fall back to Simon who is already making his way out of the living room towards the staircase.
If you speak now, you fear the repercussions of stopping him from doing what he's set his mind on doing; while you never saw anything during your first time on land, you're not unknown to the truth of who he truly is.
'Simon,' you blurt out, unable to fight against your thoughts as you look up the stairs.
He stops in his tracks, heaving out a heavy breath before turning to you. You can hardly make him out in the dim light as he moves, devoid of all the light which makes his so ethereal.
Still, in the light or darkness, he's still the man who holds you heart.
'D- Don't act on that anger now,' you quietly say, 'the only way of saving the village from them is to give them what they want... if they want Rhys, they'll want him alive, and if they don't want me, then I'll stay here,' you say through a laboured breath.
Your heartaches at the thought of leaving your home, leaving the grave of your mother abandoned for all the others to swarm. But, if they so willingly cast you out, then, you suppose they were never truly family in the first place.
'Just... stay with me tonight, yeah?' you ask, 'don't want you to do something harsh when you're not thinking straight; he'll get what he deserves, just not tonight.'
You hear him shift as Johnny sets the lit candle down onto the stand beside the sofa. 'She's right, Lt, can't be doin' something that will keep you away from your bonnie; been away from each other long enough, hey?'
He moves away from the darkness, coming back into the light. You offer him a smile as he places his hand against your shoulder with a short nod. Placing your hand over his, you melt into his hold. Johnny looks at the pair of you with a smile on his face.
'We'll sort out a plan in the morning about what we'll do,' Simon says, 'figure out how we're gonna get him to the sirens, and if they agree with the deal, then we'll offer him up and forget this entire thing ever happened.'
'Aye,' Johnny says with a firm nod, approaching the door, 'make sure y' get her cleaned up, I'll meet the pair of you at the bakery tomorrow,' he continues, pulling the door open, looking over his shoulder at the pair of you.
Simon nods his head. 'Affirmative.'
As the man disappears into the night, the door closes with a click, and for the first time in months, you're finally alone with the man. You don't miss the breath that escapes him, in fact, you grow cold at the sound as his hand leaves your shoulder.
'Si'—'
'Need to get you cleaned up,' he abruptly says, 'we can talk about everything once I know you're okay, yeah? You need to get cleaned up before anything, c'mon.'
Your teeth sink into your bottom lip and you fight against the urge to defy his request. Though, recalling the grey bags under his eyes, you find you're raising from where you're sitting. As he said, you can talk about it later, and for now, you find yourself thankful that he simply wants to enjoy your company.
**•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚*
'I'm sorry,' you whisper as soon as your head hits the pillow. Oddly, as you watch the man move in the moonlight, it's difficult to even process the fact that you have been gone for so long.
Your hair is slightly damp your bath, and while the wound on your face feels as though it has its own heartbeat, the dressing covering it keeps it from weeping freely.
'I just didn't know what to do, and- and I was so angry with myself and I didn't trust—'
'Your hand was forced, love,' Simon utters, laying on is side to look at you. 'I just wish you would have woke me up or left me a note- something to let me know that you were okay.'
Your heart drops at the thought of the months of misery he has suffered through by your hand.
Even though to you it seemed necessary, you know better than to impose your own views onto the man who was left wandering where you had disappeared off to for months on end.
Your absence was necessary yet cruel.
'I know, I know I should have and I'm sorry for not saying something to you,' you respond, reaching your hand out to grab his much larger one. He grabs your hand, wrapping his fingers around yours with a sigh. 'I wish I never left.'
'You did what you thought was right in the moment an' I'd be a prick for telling you you were in the wrong for doin' it,' mumbles the man, 'y' had to figure stuff out. All that matters now is that you're back.'
'I won't be goin' anywhere anytime soon if you're planning on staying with me,' you say, 'could kick me to the streets for everything I've put you through; I wouldn't blame you for doing it.'
'Wouldn't ever dream about it, sweetheart,' he says.
You watch as he scoffs before moving towards you, letting go of your hand to grasp your waist, pulling you towards him.
Shuffling closer, you smile as you press your lips against you, a flurry of butterflies swirling in your stomach a you feel his hand on your waist tighten.
All the months of pain melt in the matter of moments as the pair of you hold each other. It's as though the pair of you have been apart for multiple lives, plagued with the memory of each other, until eventually meeting again in this life.
Tears pool in your eyes, your hand pressing against the side of his face, snaking around to tug at his hair as he bites down on your bottom lip.
A muffled moan escapes you, trailing off into a whine when he pulls away from you. A trail of saliva keeps the pair of you connected as your eyes flicker from his mouth back to his eyes.
'I've missed you so much,' you confess, blinking back the tears as he smiles at you. 'So fucking much- there hasn't been a day I haven't thought about you.'
His hand against your waist loosens as he moves his hand under the white shirt he dressed you in, moving between your thighs.
'Missed you too,' he confesses, his index finger brushing over your clothes cunt with a sigh. 'Wanna show you how much I've missed you,' he utters, pressing the tip of his finger into against your clit.
You comply with a kiss, a small giggle escaping you as he pulls you on top of him. Hands sliding down your waist, you begin to undress, all for one of his hands to catch your wrist. 'Keep it on, sweetheart,' he rasps, 'like seein' you in my clothes.'
Colour rushes to your cheeks as you nod your head, hands gripping the waistband of his underwear, pulling them down.
There's no need for anything, the desire to feel him inside you after so many months obscuring any other sense of yours.
You need him and he needs you.
Tugging down his underwear, goosebumps form on your skin when you hear him grunt as you pull them further down his thighs, freeing his cock from his boxers. You sit for a moment, jumping when you feel his hands squeeze your hips.
'Spit in your hand, love,' he instructs.
You feel his eyes on you as you scrunch your nose up at the request.
'What?'
'Listen to me and I'll help you, yeah?' he asks, 'now spit in your hand.'
Your entire face is warm as you hold your hand out in front of your, spitting into it. 'Good girl,' he breaths, 'now wrap your hand around my cock.'
Listening to him, you reach out, wrapping your hand around him. He hisses as you do so, and you pause upon seeing his reaction, fearful that you've done something wrong. 'That's right,' he utters, as precum pools at the top of your fist as you feel him twitch in your hold, 'no more your hand up and down f'r me, love, get me ready for that pretty little cunt of yours.'
A sinful sound emits as you begin to move your hand up and down his cock, your slick hand moving up and down with ease. You feel his thighs tense below you as you move a hand between your legs, your mouth turning dry from the wetness pooling in your underwear.
'That's desperate, princess?' Simon grunts with a smile on his face. You feel the urge to wipe it off of his face, though, you nod your head in agreement, knowing better than to deny something you so desperately want. 'Pull your panties to the side,' he instructs, 'not touchin' that pussy of yours; you're gonna come from my cock an' nothin' else,' he gruffly says.
Letting go of his cock, you do at he asks of you, a small yelp escaping you as he pulls your forward, his cock pressing against you folds as he sighs.
There's a temperament, a desire lingering to keep you on top, though, as he looks at you with your swollen lips and red face, he relents, moving you so you're lying on your bak with him over you.
'Got plenty of time for all that,' he utters, pressing his tip against your hole.
You clench around nothing, shifting beneath him as he presses his lips against yours.
It's different from the last time, you see something different in his eyes as he pushes into you, the delightful sting from many moons ago returning. Arching your back off of the bed, your whimper against his mouth.
'That's it,' he whispers, 'oh fuck.'
Your legs tighten around his waist, a few stray tears escaping from your eyes. It's a mixture of pain, pleasure, and joy. To be back in his arms after so much time a part is a gift in itself, for him to want you back is another. Your mind is racing as you sniffle, pressing another kiss against his mouth.
'Y' okay, yeah, princess? So good f'r me,' he grunts, slowly pulling out of you. More tears fall down your face as you nod your head, your eyes screwed shut as he thrusts back into you. Clicking his tongue, he pushes into you with another grunt, 'eyes on me, sweet girl,' he huffs, 'haven't waited months for you and your pretty little cunt for you to not look at me, have I?'
You open your eyes.
'That's it, there's my pretty girl.'
You clench around him upon hearing his words, legs trembling as he quickens the pace of his thrusts. The head of his cock presses against your cervix and your arms home to his back, nails digging into the flesh of his back.
'I- I've missed you,' you choke out, unable to account for any other emotion as he fucks into you.
You're crying at this point, the tears on the right side of your face soaking into the dressing as he continues to his all the right spots, stretching you out perfectly.
He's ruined you for anyone else, though it doesn't matter; you know you'll never need anyone else when you have him.
'Missed you too, love,' he states through clenched to teeth , 'missed waking up to you and seeing you, but you're not gonna go anywhere now, you're mine.'
'I am, I am,' you dumbly cry, 'no one else's, all yours forever and ever.' 'm sorry for ever leaving you.'
Keeping himself steady with one hand, he brings his other hand to grab your forearm, pulling one of your arms away from his back, taking it into his hold. Your legs tighten around his waist as a crude squelch sounds in the room, h
'Fuck,' you gasp, your hole tightening around him.
'That’s right, love,' he groans, his lips ghosting over your shoulder, his words were low and sickeningly needy, 'you’re so fucking tight,' he moans, resulting in a hiccuped moan escaping you.
Both of you greedily take whatever pleasure came from your messy movements, sweat dropping down your forehead as you tighten you hold on his hand, writhing below him as he continues to hit the spot which has you seeing stars.
'Gonna make sure I'm always here,' you whisper letting out another breathy moan.
Simon maintains a pleasurable pace, a crude slapping sounding in his bedroom, though neither of you care, and through stinging eyes and aching muscles, you admire him in the light of the moon, taking into account all the flaws on his face, the remnants of mistreatment and burdens, swearing to yourself you will never left another pale scar appear on his body for as long as the pair of you live.
'Not gonna let you leave me now, sweetheart,' he begins, staring down at you, his fringe wet with sweat, stray strands sticking to his forehead. 'Gonna keep you safe, fuck,' he schemes, a subconscious smile forming on your face, listening to him speak. 'Make sure y' never want for anything, only me.'
He growls such words with intent and possessiveness, and in the heat of the moment, you're convinced you need no one but him.
And as the tension in your stomach grows tighter, the brunet hit a spot which almost makes you scream, you drag your hand down his back, leaving lines of red behind as you do so. 'And you'll let me do all of that f'r you,' he chuckles.
'I would,' you whimper, 'fuck, I'm close, please,' you beg, as your thighs begin to tremble, you grip on his hand tightening as you press your head back against the pillow.
'Go on, sweetheart,' he says, 'cum for me.'
He winces slightly as he feels your nails press crescents into his skin, his pace growing messy and sporadic as he chases after his own release.
Squeezing your eyes shut, you let out a brittle sob as an orgasm rips through your body.
'Fuck, that's it, sweetheart' he moans, 'I love you,' he grunts out, pressing into your, your cunt against his pubic bone as his hands tremble.
You barely compute the words passing his lips, and in the daze of your release, you continue to cry as he fucks you despite you being overstimulated, a dark groan escaping from the back of his throat as you feel strings of cum paint your insides.
'I- I love you too, so much,' you sniffle, your head falling against the pillow in exhaustion, finding joy in his hold of you and the pleasure which has washed over your body, rendering all your sense his.
Little worries find you in the aftermath, the pair of you much too tired to discuss what can wait for you in the morning, and the only thing that matters to you in the wake of your orgasm is his body being pressed against yours as you slowly drift off knowing that, even if it is just for tonight, you're secure in his hold.
Here, you find a single moment is comparable to an eternity of touches.
**•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚*
In the morning, you find yourself sitting outside of the bakery with the ugly green dress you grew to despise during your first time out of the shore, and as you sit beside Simon tugging at the skirt, you startle when he firmly tugs it down, placing his hand down on your thigh, over the skirt to keep in place.
He does so without even turning his attention to you, and even when you turn to offer him a brief look, he doesn't move, keeping his eyes trained on Johnny as he sips from his mug of tea.
'Kyle said he saw another one,' says the man with the mohawk, 'seems they're waiting near the shore for something to happen, or, they're planning on making their move a lot soon than we thought.'
Your face aches as you chew, gulping your pastry down before speaking. 'They wouldn't act so quickly,' you say, 'they want me to get a taste of this before they take it away; when Raithe is angry, she's unforgiving.'
'That's the lass I saw on the beach, right?' Johnny asks, 'the one with the black hair an' teeth as sharp as daggers.'
'Yeah, she's the one who did this to me,' you say, pointing towards the fingerprints around your neck and the clean dressing stuck to your face. Taking a bite out of your pastry, Simon leans further into the table, keeping his hand pressed firmly against your thigh.
'I've put him on patrol tonight,' he says quietly, 'we'll get him alone, call for them to have him and then that will be the end of it.'
'Y' really think it's gonna be that easy?' Johnny asks, 'they seem pretty pissed, don't think they'd really leave us alone that easily.'
'There's nothing else we can do,' you say, 'unless you wanna go into the water and pull them all out one by one and put a knife through their heads, that is.'
Simon's grip on your thigh tightens.
'Cut their tongue out and throw them back into the water if they try anythin',' he cooly states, 'can't sing then, become nothin' but a fish with claws, hardly a threat. They can suffer for all I care.'
Something stirs in your gut as he says so, and while you feel as though you need to keep the women you devoted your life to, you find yourself torn with the desire of seeing the man being so lethal- of seeing how far he would go to keep you safe.
'Sounds like a plan, Lt,' Johnny responds, 'this stayin' between us?'
'Affirmative,' Simon confirms, 'Gaz an' Price don't need to know about it 'cause it'll only cause more trouble if the Captain finds out about it; he won't let us do it.'
'Then we do it tonight, get rid of him and wipe our hands of him,' you say with a grin, 'about time that son of a bitch got what he deserves.'
**•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚*
In the midst of the night, you travel down the steps of the shore alone keeping your eyes peeled as you tread down the shore towards the sand. Your hands tremble in the breeze as you feet grace the sand, te rolling of the tide whispering for your return.
You stay unmoved by the moon and her red glow as you push forward towards the sea, holding your hand against your face as it aches.
All the smiling proved to be particularly poor for the placement of the mark on your face, though you push through the pain, you lips drawn together as you peer onto the surface of the water.
'I thought you'd return,' a voice calls.
You freeze.
As a wave washes up shore, the webbed hands of a woman appear, dragging her body out of the water. Her claws dig into the surface, her pointed ears twitching upon seeing you.
'You not bring your boyfriend with you?' she pouts, tilting her head to the side, 'would have been nice, y'know, meeting the family and stuff.'
'I'm not here to make small talk,' you sharply respond.
Raithe looks at you, raising her eyebrows as she looks at you.
'Oh?' she laughs, 'then please enlighten me.'
'I'm here to make a deal with you,' you breath, bringing your trembling hands together.
One shot or you've fucked it.
The woman's laughter booms along the sea as she rolls around on the ground, clapping her hands. 'Oh, you wanna make a deal with me now? It's a real shame what's become of you, y'know? If I didn't know any better, I'd say that boyfriend of yours has some explaining to do.'
Her comments cause your blood to boil, yet, you remain calm, looking her in the eyes. 'We have the boy who killed Serelia,' you say, clenching your fists, keeping your arms firmly placed against your side as the woman hums. 'We'll give you him and you can do what you please, forbid me the pleasure of getting to rip him to shreds for what he did to her and leave this village alone.'
'A generous offer you pose my lovely,' Raithe hums, pressing her finger against her plush bottom lip. 'You got anything else to sweeten the deal or is that it?'
'I'll never return to the ocean,' you say. 'I'll stay away, stay here on land. You can do what you please as long as it remains in the ocean and not beyond it; you know nature did not give us such a gift to act in the manner you intend to act concerning the people in this village.'
You step back from the shore, keeping the water from touching your feet.
'How is that fair?' Raithe asks, furrowing her eyebrows. 'You get to stay here and live out your life with the human you have foolishly devoted your life to while we're kept from Serelia because you buried her on land.'
'By staying here you are keeping me from the grave of my mother, Raithe,' you spit, "I know you're upset, but I have been punished enough. I'm giving you what you want- you want to kill the person who killed Serelia, don't you?'
Raithe's grin disappears from her face.
'You've been scheming so long you forget who the true murderer is. If I wanted to kill the person who killed Serelia, I would have slit your fucking throat,' she snaps, 'a human dealt the final blow but you are just as guilty for permitting it.'
'I was looking for her,' you blurt.
'If you were so committed to finding her, she would be here beside me right now, but she isn't; she's buried on the land, away from her home.'
'Simon helped me bury her on the clifftop!' you yell, chest raising and falling rapidly. 'She overlooking our home and it was him who came up with the idea in the first place- there are good humans—'
'Simon,' she repeats, 'slips off the tongue that name does.'
Your heart is pounding in your chest as you look at the wicked woman in the water. Her mocking grin renders you small, fragile, and you realise your mistake in mentioning the name of the man.
'I must see the man you speak of, see if he's a good match for you or if you could do better. Perhaps he would be a good friend for the water, hm?' she teased, bowing her head as another chuckle escapes her.
The crunch of sand alerts the pair of you, and as you look over your shoulder, you catch both Simon and Johnny walking along the shore, Rhys in the middle of them as he fights against their hold with his hands tied in front of him.
A delighted squeal escapes the woman lying in the sand as she catches sight of the tall man in the skull mask. 'Oh, I've seen you!' she exclaims, 'sitting on the beach a lot, hey? One might say you belong in the water with the amount of time you've spent here.'
'Shut it,' you snap, turning your attention to the three men standing behind you.
When your eyes meet with Rhys' you find you heart urges you to disobey the terms of your own deal, ripping him from the arms of the men, all to have the satisfaction of watching him crying and fight as he drowns in an inch of water.
Yet, even that isn't fitting for him.
His cries are muffled behind the gag in his mouth and Johnny does you the favour of pulling it out of his mouth. As he opens his mouth, he looks at you with wide eyes. 'I- I fuckin' knew it!" he exclaims, 'I knew I wasn't dreaming when I saw you run into the sea that night.'
'You killed Serelia,' you snap, crossing your arms over your chest.
'Didn't think it was that difficult to figure out,' he says, 'no one else knew where she was... well, not until you had your screaming and crying fit outside the cabin; that was a—'
He's stopped as Simon shoves him to the ground. He lands with a thud, all the air escaping his lung as he moans out in pain. Placing his boot on top of the mans head, his face is pressed into the wet sand as he turns to address the woman in the water.
'We got y' the one you want,' he sharply says, 'you take him and you leave.'
'Or?' the woman asks,.
'I cut your tongue out and feed it to the dogs in the village,' he snaps.
Rhys' cries are muffled as Raithe looks Simon in the eyes. Your eye twitches at the prolonged silence, though, when she whistles you find your nerves escaping you.
'A few months ago, you would have had his head for speaking to one of your own like that,' Raithe sneers looking at you, 'but love has your mind warped, my sweet urchin, yes it does,' she scoffs, her eyes narrowing as she turns her attention down towards the water. 'You have yourself a deal, Simon,' she says with a smile.
Relieving his boot from the head of the sobbing man on the ground, Rhys picks his head up, fat tears rolling down his face as he writhes on the ground, attempting to push himself up off of the ground. 'P- Please, I'm sorry,' he sobs, snot trailing down his upper lip as more heads appear from out of the water.
You're far from envious of his position when his shoulders are grabbed. Though, you long to be in the water for what is about to happen.
His screams are hoarse and rough as he's ripped from his home, and as you walk back to stand beside Johnny and Simon. Rhys claws and fights to stay on land as Raithe pulls him further and further towards the water.
Other webbed hands appear and the shrill shriek the man lets out is cut off by a hand covering his mouth as he's dragged into the water.
Upon his disappearance, you allow a breath to escape your mouth as you lean against Simon, rubbing your tired eyes. For months you have dreamt of this very moment, the moment the man who caused so much trouble is finally met with the punishment he deserves, and when his hand breaks the surface of the water again, you grin at the sight of the sea turning red, chunks of his clothing surfacing.
As savage as sharks are the sirens.
'It's done,' you mumble, turning away from the scene.
Simon looks down at you, 'you wanna go home?' he asks.
You nod your head, as the three of you begin to walk up the beach, your blood running cold as a familiar cackle catches your attention, though, you do not turn to address the woman. Instead, you catch Simon's hand in yours pushing further up the beach as Raithe calls out to the three of you.
'Lovely meeting ya, Simon! Hope to see you again some other time!'
His hold on your hand tightens just as it had done during the night before as you walk away from the sea with him by your side, never intending to let go of him ever again.
**•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚*
It's as though you never left him, and every waking moment you spend with him is a blessing. How a human can be a home is a strange concept to you, though, its an oddity that you're fond of.
'Are you gonna eat your dinner or are you going to keep staring at me, sweetheart?' asks the man with a laugh.
Dropping your head, you look down at the plate of food you helped him prepare, your cheeks flushing with colour.
The wound left by your absence is but a wilting scab at this point, the skin beneath unmarked by the actions of your past for the pair of you have an understanding of you where your loyalties lie, and as you pick your head back up to look at him, you understand that your loyalties lie with one another.
'I don't know,' you mumble, 'difficult to take my eyes off of you.'
He grunts at your words, picking his fork up from the side of his plate. 'Your foods going to get cold,' he warns.
You pick your fork up, rolling your eyes, 'you're no fun.'
He lets out a short laugh, 'of course not, love. Got a job to stick to after all.'
'Not while you're with me you don't,' you say.
'Once a siren, always a siren,' he comments.
Setting your fork down, you grab a boiled potato off of your plate, throwing it at him. Unfortunately, he's aware of your plot and manages to duck of of the way before it hits him.
A small laugh escapes you as you're quick to push your chair out, raising to your feet as he does the same. A squeal escapes you are you rush out of the kitchen into the living room with him hot on your trail.
Sprinting up the steps to his bedroom, you shriek as he grabs you and pulls you against his chest. 'Let me gooooo,' you whine, writhing in his hold, 'it was an accident, it slipped out of my hand I was literally about to eat it!'
You land on the bed with a thud, continuing to laugh as he looms over you, his forehead pressed against yours as you look up at him with a bright smile on your face.
'You've got to believe me.'
'You picked it up and you threw it at me,' he answers back, 'I know y' clumsy, sweetheart, but fuck me, are you really that bad?' he asks, pressing his forehead against yours.
Bringing your hands up, you hold either side of his face, looking into his eyes with a sigh. 'I love you,' you say, abandoning the joke the pair of you were tangled in. His stoic expression shatters as he smiles down at you, placing a chaste kiss on your lips.
'I love you too,' he utters, before placing his lips back on yours.
In the safety of his arms and his home, you live in high spirits as you know, even when the four walls and the roof are not there to shelter you from a storm, the man with his lips against yours and a hand under your skirt will always be there for you whenever you need him.
Selfishly, you hope he's there forever and ever all for you and only you as you cherish every single part of him.
The regrets from your actions in the past remain on you in the form of the scar on your cheek, though, he sees you no different as he watches your naked body dripping with sweat in the confines of your bedroom, even when you're simply sitting in the library reading a book.
All the time his eyes are on you as though you're the only girl in the world and in return, he knows that you're eyes remain on him and only him.
'You're gonna be the death of me,' he breathes, as you shift, feeling his fingers pressed against your hole.
A smirk appears on your lips.
'Only if it's by your hand I die and no one else's.'
**•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚*
'Simon.'
In the dead of night he wakes to the faint sound of a whisper.
It's something calling for him, a song which shakes the very vibrations of his home, and as he opens his eyes, he captures you sleeping soundly beside him, though, he doesn't care for you as he pushes himself up and out of bed.
His headaches and he wobbles as he climbs from out of his bed. It's as though his body is on autopilot, permitting whatever strange force is pushing him to proceed with his usual routine as he gets up from out of bed.
He walks as though he's a monster, devoid of all consciousness, his limps sluggish and flimsy as he pulls on his clothes for work. You don't move and inwardly, he's unsure why he's doing so; the moon is out, full and round as she peers through the open window, and he knows it's still going to be a while before he has to leave for work.
Still, the urge pushes him to get ready for the day, and he reaches for the skull mask settled against the table near the window of his bedroom, tying it around his head.
You remain sleeping in bed as he moves downstairs, determined to find the noise which causes his head to pound. It feels as though someone is pressing their fingers into his head all to see which part of the brain bleeds the most.
The answer is all of it, though the voice continues to pick away at his skull with such persistence he's rendered aggravated as he walks through the door.
His entire body is on fire as he treads the streets he was walked so many times, though his feet drag against the roads of the silent village, arms firmly pressed against his sides as he presses on with tired eyes and a dry mouth.
The voice changes its tune, no longer calling his name, istead, speaking words.
'Foolish mortal men.'
In a conscious state he would be questioning the words addressed to him in such a manner, he would be questioning why he walks with the intent of making it to the water, and he would be returning back to his home with an ache in his chest for ever thinking of leaving you alone.
But he doesn't.
Instead, he drags his feet with determination coursing through his veins.
To the ocean he must go; the voice is calling him and he cannot fight against the words bouncing off of the streets of the village.
'Sinking into the watery depths of the...'
It grows tired as he edges closer to the water, the crashing of the water flooding his ears, coaxing his burning mind with a brief cure. t's not enough, however, his mouth is dry and his tongue burns, eyes longing for the fiery thirst to subside.
His entire body feels as though it's on fire, and the sea stares back at him, water washing up the shore as the arms of a human would when offering a friend a hug.
Something else is staring too.
'Sirens den.'
The voice is oh so soft, almost a whisper as he makes it onto the beach. The village seems so puny in comparison to the greatness of the vast ocean and he wonders why he ever bothered living on land when the ocean i right her at his fingertips.
Shrugging his cloak from off of his shoulders, he releases himself from the burden of the confines of that stupid cloak, the balaclava from around his mouth falling to the ground after.
It all feels so freeing, to fall under the command of the great sea, to see the beauty in the very thing he has despised for so long. Such an outlook is a blessing, he finds.
It's necessary. It's constant.
He is nothing in comparison of the ocean and her greatness.
No one is anything but flesh and bone existing in one place at one time while she is there, her arms wrapped around the entirety of the planet.
How foolish he has been.
'For a woman in the sea,'
He thinks of you and all you have done for him, how you have freed him, though he finds you and your existence pale in existence of te water which invites him in with open arms.
At first, you were difficult to deal with, untrusting.
But she isn't, she guides him and she's leading him to safety- to the place he belongs. Such a blessing she presents him with and everything you have done for him is nothing as she cools his burning flesh.
It's better than any orgasm he has reached while in bed with you, so inviting that he proceeds to walk into the water deeper. Nothing is enough, her presence is too little. He needs more of her to settle the dull ache in his head and he wades through the water with the intent of finding such.
'is never just a friend.'
The tune stops.
Suddenly, the sea is no longer in his favour and he's turned away with a cold rush of water covering him.
A sharp gasp escapes him as he looks around him, the water up to his waist, waves crashing against his bulky frame as he looks around with stinging eyes. His blood runs cold as he turns his attention back to the village. Then his eyes fall back onto the water.
He knows better than to trust the situation, wasting no time to turn away from the distant abyss of the water, pushing himself through the water all to make it back to land.
To make it back to you.
The depth of the water is relieved, sinking from his waist to mid thigh.
A grunt escapes him as a surge of agony hits him with the fierce intent of keeping him from getting home and he lands with a splash into the water as razor sharp nails are pulled from out of his his thigh.
'Unfaithful scum,' utters a voice as hands from all angles poke from out the water, grabbing him as he attempts to fight his way from out of their hold.
They're merciless as the hold him and keep him to the water while his heart and mind long to be back in bed beside you. He fights and fights, though in his drowsy state he's far too out of it to do anything.
'She's better off without you, Simon.'
**•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚*
You awake in bed alone, a banging at the door ruining your brain. However, you don't let it distract you as you spend a moment looking at the empty spot in the bed with a frown.
It's miserable to wake without him in the morning as you have grown fond of spending time with him, lying in bed, drawing patterns on his bare chest, listening to his many stories, or simply just basking in the heat of him.
The bed is cold without him and you shiver as you push yourself up, scoffing at the manic knocks against the door. It's persistent, nearly urgent. You pick up the pace, wrapping Simon's shirt around you as you rush down the stairs to the front door.
Grabbing the handle you pull it open, 'about fuckin' time, Si', you're—'
'What?' you blurt out, looking at Johnny and Gaz standing at the door, 'he's at the station, isn't he?'
The pair of them look at each other before looking at you.
'Nae, lass,' Johnny says, his mouth falling as he looks at you. 'We've been looking for him.'
Your blood runs cold.
He's probably with the Lord or something, it wouldn't be the first time he's be asked for a favour by him.
'Where have you checked?' you ask, quickly slipping on your sandals.
'We've been up and down all the streets to his usual spots, we've even checked the Lords house and he hasn't seen him either... this isn't like him,' Kyle explains, 'he's committed to his job, he wouldn't just not show up and—'
'Have you checked the beach?' you blurt.
Both of them shake their heads and with that, you're running out of the house, rushing to towards the beach.
A wave of panic washes over you, and as you rush down the main street of the village with teary eyes, you feel as though you're rushing to Serelia all over again, only, this time, Simon isn't behind you to comfort you.
People blurt out curses as you push yourself through the crowds, bounding towards the beach just as you did when you returned all those months ago.
Your chest burns by the time you make it to the steps, and as you run down, you stop at the sight of a black mound on the shore. Gulping thickly, you rush towards the pile of fabric, reaching down to retrieve it with a trembling hand.
It's his cloak.
Tearing your eyes away from it, you look down the rest of the beach, dropping the fabric as you follow a scattered trail of belongings. You pass by his balaclava which has been covered in sand.
The wind beats against you, pushing your hair back as you fight for your breath. There are pieces of him covering the beach, just as Serelia's scales covered the floor in the room of that dingy little cabin.
All hope is crushed as, right beside the water you spy a small chunk of bone sitting in the sand. You don't wait as you rush towards the water, spying the shape of his skull mask sitting right before the mercy of the water.
It's as though you're in a nightmare you cannot wake from.
You can't breathe.
As the realisation hits you and the skull mask sitting on the shore stares back at you, you fall to your knees, your wide as you look out at the murky sea, falling onto your stomach at your fingertips ghost the skull sitting against the shore.
A jagged breath escapes you as you pull your hand away, unable to catch your breath as you fall backwards onto you bottom, hands pressed against the sand. Rushed steps appear behind you, though you don't budge, nor do you flinch as a firm hand is placed on your shoulder.
Johnny appears in front of you, his mouths muffled as a tear slips from your twitching eye, staring out into the water all to see Raithe staring at you in the distance, a wicked from forming on her face as she pulls a skull mask from out of the water, holding it up by the silk string he used to tie it around his head with.
Your eyes fall back to the skull sitting on the surface, you breathing quickening at you turn your head to the side, heaving as a cold numbness floods your sense. Your tremble as you force out a sob, your throat tightening.
The skull meters away from you is not his mask.
It's him.
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𝙼𝚊𝚜𝚝𝚎𝚛𝚕𝚒𝚜𝚝
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TAGS: (If you would like to be added to the tag list let me know!) @forever-twenty-two-years-old @phantomreadsandreblogs @iizx7y
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tac-the-unseen · 1 month
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COD Random character quirks
Fluff
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Ghost:
•Remembers every story somebody tells him, but can't remember where he left his sweater
•Bites the inside of his cheek constantly, to the point of scarring
•If somebody doesn't drag him out of the house he would never leave. Despite this he does love going on a walk from time to time
•Hates talking about his past and will always redirect the conversation
•Extremely fast eater, it's a combination of Trauma and military training. Can finish a whole plate in less than 10 minutes
•Pauses for a long time in between speaking but can't stand it if someone else does the same
Soap:
•Obsessed with swords, but is terrible at wielding them
•Screams “DON'T GO IN THERE!” to the T.V when watching any horror movie
•Wears the ‘I <3 my hot S/O’ shirts unironically, and the loves them because “It's true!”
•Loves to be the best at everything
•Consistently orders the same thing at a restaurant. Has a specific order for every restaurant he goes too
•Learned some magic tricks as a kid and can still do most of them
Price:
•Wears crazy socks, think Spencer and his friend Socko (from iCarly)
•Laughs to jokes no one else laughs at to make the other person not feel bad
•Has one nipple piercing on his left nipple, He doesn't want to get the second one and just likes having the ones.
•Overly Humble, You have to fight him to take a compliment
•Eats while driving and has made adjustments in his car to be able to eat with full effect
•Knows a surprising amount of useless trivia and will bring it up in any conversation he can
Alejandro:
•Screams and runs at the sight of the bee
•Notorious for his eye rolling abilities
•Has a pretty sizable jewelry collection. Necklaces, bracelets, earrings, rings, and brooches (and he's willing to share)
•Frequently complements his S/O
•Steals food off of his S/O’s and friends plate
•Great cook and spends most of his time around/in the kitchen
Gaz:
•Secretly wants to be in a boy band
•Can't swallow pills normally
•Make fake scenarios in his head about him being the ultimate hero
•Snorts when he laughs
•Eats healthy snacks and playful shames others for eating unhealthy snacks
•Surprisingly good at impressions specifically impressions of British government officials
Roach:
•Sneak attack hugger
•His all-time favorite book is Dr Seuss's ‘Put me in a zoo’
•Sometimes forget other people don't know sign language/can't read it that fast and signs so fast that others have no clue what he said
•Gets a bad case of the giggles when someone trips (He cannot stop no matter how hard he tries)
•Likes to eat in private and feels weird looking at other people eat (Not a fan of restaurants or Mukbang asmr)
•Squirms in his seat/Can sit still for that long
Konig:
•Wears a bunch of hair ties around his wrist
•Has to spend hundreds of dollars making custom shoes that actually fit him
•Is an adrenaline junkie on the battle field. He lives for the blood rush
•Has a house shaking laugh and Horangi makes fun of him for it
•Is a very neat eater, he's not overly delicate with his food but just likes to eat in a certain way
•Likes stretching out and popping his joints all the time.
Rudy:
•Sits on the floor rather than the couch
•Will politely remind you how good he's being in the midst of chaos
•Always supports/Roots for the underdog
•Always has Snacks in his pockets/backpack
•Messy eater, somehow always ends up with sauce on his shirt or crumbs in his pockets
•Lean onto the people closest to him
Mace:
•Puts hot sauce on everything
•Tells jokes with a serious face
•Always looking for new adventure, loves exploring, hiking, climbing, and learning about different cultures
•Frequently adjusting his shirt to show off his body modification (traditional tribal scars)
•Likes to eat food with his hand more than with utensils. He'll use forks, spoons, and knives when at restaurants, but when he's at home everything is finger food.
•Gets spontaneous piercing / tattoos
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theaudiofiend · 9 months
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Writeblr Introduction
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Hello everyone! This is a bit of a different Writerblr introduction. I wanted to join this wonderful community and chronicle some of my writing projects that I plan to one day turn into an audio roleplay series, maybe even a book, who knows. I'm a Voice Actor and you can call me Fiend. I very much enjoy creating supernatural worlds and am inspired by podcasts like Welcome To Nightvale and The Magnus Archives.
About The Writer
Bisexual with nonbinary tendencies
He/They Pronouns
Three and a half cats in a trenchcoat, actually
I enjoy puzzles and tactical games
I'm Autistic (creating magic systems is one of my special interests, actually)
A world history and mythology nerd
Lover of videogames (RPGs, horror, souls-like)
I could talk for hours about Dark Souls. Days and months even, if you ask me about Bloodborne. Tread carefully.
I enjoy writing about supernatural mysteries, mythology, gay monsters, GNC characters, philosophy, unique magic systems, character-driven narratives and also building complex worlds.
About The Projects
I have created a multilayered Universe for my projects, in which I write different character-driven narratives that affect a world consumed by mystery and the supernatural. These are meant to be interactive stories, so each character interacts with the listener and will be voiced by me in my upcoming audio series!
Beast Beneath The Moonlight: A story about Gabriel, an idealistic intern at a hospital whose life goal is to save as many people as he can. He is turned into a werewolf and is then forced to confront his inner beast, contemplate mortality and understand the true meaning of strength.
Written in Blood: Killian, a very old vampire from a bygone era, struggling to cope with the death of his lover centuries before, trying his best to live his remaining days in peace until his very bloody past starts to catch up to him.
Fiends With Benefits: Levi, a half-demon caught between the Mortal and Supernatural world, expected to be the best by both worlds while not being accepted by either. He lives under his predecessor's shadow until a plot that could unravel Fiend Society is brought to light.
There will be more stories within this world, so stay tuned.
General Aesthetics and Tropes
Urban Fantasy, Hidden World, Supernatural Creatures Are Among Us & They Are Incredibly Hot, Magic is Real, Angst, LGBT+ themes, Bi Vampires, Dark Romance, Sexual Themes, Monsterfucking, Understanding the Nature of Humanity despite not being Human, The Struggle between Logic and Emotion, Found Family, Actually Horrifying Vampires as Well as Stupidly Sexy Vampires, Lesbian Victorian Ghosts, Werewolves but Not Always Wolves. Wait, there's more... Fate Doesn't Exist, God Isn't Real but The Devil Is, Interconnected World where Magic and the Mundane meet, Cosmic Horror, Religious Horror, Body Horror, Death and What Comes After, Interpersonal Drama, Introspection, Tarot-based Characters, Slight Anime Vibes (Gasp), Paranormal Mystery, Hidden Worlds within the Hidden Worlds, Mythology is Real, Man is the real Monster, Dark is Not Always Evil and Light is Not Always Good.
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idontknowmyownmind · 7 months
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Another twin AU
At this point it's turn into obssession toward twin rokcale
The idea is, I'm not really sure because I just suddenly remember this one idea from, either a thread on twitter or fanfiction
I remember it's not a twin rokcale story but I just want to make one with them
I think it's gonna be a horror story?
In this AU, Cale is dead since he is just a young boy, maybe 10, before Lily born
After his death, there are bells around the mansion
Bells that's not chime even when a storm hit
There are certain pattern of the chime and each pattern mean different thing
Let's say that Cale's soul (or ghost) is somehow bound to the mansion so he can't leave anywhere
The family and older staff already got used by it
While the young and new staff need to push back their fear every times the bells chime
Because, some patterns will be accompanied with an eerie joyous laughter of a young boy or soft cries
They also need to get used with their young master Roksu talking to thin air and searching their 'young master Cale'
Sometimes even the count
None, beside Deruth and Roksu, can 'see' Cale translucent form or interact with him
But sometimes, Violan, Basen, and the Molans will senses his presence and indulge in his mischievous
On rare time, they can hear what he said even though only vaguely
One day, there is no sign of Cale anywhere in the mansion
The bells is silent for a whole day (something that never happens)
Roksu (15 y.o) search around mansion but can't get a glimpse of Cale anywhere
He is worried sick because he can't even feels his presence in the house
There is always this feeling that Cale is here even though the bell is silent but he can't feels anything at the moment
Roksu slowly panicked, he even got a panic attack after the whole day without his twin presence
He never really sad when Cale died, because Cale never trully leave
He is always there, although differently and forever 10
Where is Cale?
Well, he somehow sent into earth where Roksu used to life
(Forgot to mention, it's reincarnated Roksu without his memories until he is 18)
Cale wander aimlessly as a ghost, he kinda worried about his hyung because it's the first time he is away from home (from him)
He then met 5 years old Rok Soo and become his 'imaginary' friend
He never leave Rok Soo side and always there with him
Cale doesn't know why but this child remind him of his hyung and he want to protect him
Especially from that bastard uncle who dare to hurt Rok Soo
You know that one thing when a ghost feels strong emotion and just become solid and able to 'move' things around them? I think it's called poltergeist?
Yeah, Cale first time did that when he super angry with that drunkard he almost kill that bastard if not for little Rok Soo stopping him
After that, his uncle became more careful around Rok Soo in fear for angering his 'friend'
He stranded on earth for roughly 3 years before he suddenly found himself back to his home
After silent for three whole years, the bells around the mansion suddenly chimes again
Roksu who just got back from Ubarr with the whales frozen from a solid second before he run around the mansion in search for Cale
His new companions are confuse because it's the first time they see the stoic young master look distraught yet elated, calling someone named Cale they never heard of
Because the chime signs are both happy but also scared
Roksu found 'Cale' curled up in the gap between the wall and bookshelf in the library
Roksu heart is full of happiness because his twin is finally home but also worried because he is crying
He coax Cale gently and try to calm him down
The whales are confuse, and a bit scared, because they see Roksu talking to thin air and the bells around them keep chiming when there is no wind while the Molan and the Henituse look relieved and happy but also worried
If they focus, they would heard a soft cry of a young boy that sound eerie as if it's from someone from different plane of existence than them
Roksu delayed his plan to go to forest of darkness for the sake of staying with Cale
He stay in his original room (he refuse to stay there after his twin dissapearance) only with his twin, he even forbid the kids to follow him when he is inside that room
They spent all day together with Cale telling him what happened to him for the last three years
Roksu wonder if the Rok Soo is another him because he doesn't remember having an imaginary friend when he was five
And Roksu doesn't like that, because that's mean he has to share Cale with maybe his other self
Cale is his twin, only his and not that Rok Soo's
Cale asked him to find a way for him to meet Rok Soo because he is worried about him
Roksu told him that he will try but make no promises (he know he will not really try anything if it's mean keeping Cale beside him)
A month, Cale only home for a month before he dissapear again
In that month, Roksu's people learn about Cale existence and try to get used by it
Roksu know where he might be and feels a bit furious but he can't do anything about it
Cale back to earth and felt elated, immediately search for Rok Soo
He is surprised when he found out that ten years already passed, which mean Rok Soo is already 18 and the apocalypse already happened
Rok Soo who think that Cale as his imaginary friend who disapeared when he was 8, shocked when he is 'hugged' by the happy 10 years old boy who only him can see
Rok Soo feels happy despite the confusion
Everyone around him weirded out seeing him smile or talk into thin air and some of them who used to be an asshole to him stir away after some strange thing happen to them when they try to pick a fight with Rok Soo
LSY and CJS are also weirded out but also happy that their dongsaeng look more relax and dare they say happy
Although they feels goosebumps when, sometimes, they heard a soft laughter of a young boy around Rok Soo and briefly caught a glimpse of a boy with red hair around him that vanish the moment they do a double check
What if. Rok Soo. Is. The Rok Soo. From earth 2. Where Roksu. Do the test?
Roksu possesses Rok Soo and shocked when he see Cale
And Cale just know that it's not Rok Soo but his hyung, Roksu
At their last day, Roksu try to persuade Cale to come home which he then pout because he feels lonely because Roksu often out and he can't follow him
LSY and CJS who know about Cale from their Rok Soo try to keep Cale to stay a bit longer
Roksu may their dongsaeng from different world, but their Rok Soo will always be their priority
They don't want to see him sad like all the time Cale has to go home
They are curious of course what this Roksu relationship with Cale but they can't actually ask that
Oh! When Roksu got his plate broken, when he finally awake, his attention is immediately on Cale who look at him scared and angry
"Cale?" Called Roksu softly while reaching his hand toward him
By this point, his companions already used by this, even though they still feels odd because they can't feels Cale's presence let alone see him
Rather than went to him, Cale eyes waters and the bell chimes violently which alert everyone
Especially when things around them started to shake
But Roksu only focus on Cale who as the time goes by become clearer and more solid
Ignoring everything, he got out of bed and approached Cale
The others heads snap toward Cale when they heard a sob and shocked when they see a young boy with red hair suddenly there with tears streaming down his face
Choi Han almost stop Roksu but got a harsh and cold glare of warning from him
He slowly approach Cale, "Cale? Hey, are you okay? Why are you crying? Dongsaeng, it's okay. I'm here."
"Hyung you stupid!! Why are you doing that?! You got hurt badly! I thought I will lose you!! You said you don't like pain but you always got hurt!! You idiot! You idiot!"
Cale throw a tantrum while screaming at Roksu
Whithout thinking, he scoup Cale into his arms and hug him
His eyes widen because he can feels Cale in his arms, solid although cold
He may can see Cale all the time but he never able to actually touch him because he went through and it always feels like the caress of the wind
But right now he can hold his twin in his arm
He hug him tightly, letting him cry his eyes out while apologizing for making him worry
For a whole day, Cale is solid and Roksu refuse to let him go and keep him by side all the time
Of course he let his family to interact with Cale, but not after make it clear that Cale will not leave his super surveillance
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thedrarrylibrarian · 7 months
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Halloween Spooks!
I focused on creatures last year, so I wanted to give my attention to everything else horrific this year. Enjoy these scary and suspenseful recs! 👻
100 Words of Horror by @moonstruckwytch (3,100 words total, rated M)
A collection of Fear Fest Works. Each chapter is 100 words.
*I especially recommend chapters 5, 9, 10, 17, 20, 21, & 22
What is lost stays lost by @cavendishbutterfly (456 words, rated T)
Sometimes Harry leaves the castle in the middle of the night, and Draco follows him.
The Manor by @kittycargo (1,405 words, rated T)
There was something wrong with the Manor.
The mimic by @steampunkserpent27 (797 words, rated T)
Harry hears Draco (who he presumes dead) calling for help outside of his cabin one night. Only, something isn't quite right.
iterum by @moonstruckwytch (2,127 words, rated M)
dark magic keeps draco malfoy alive, even when he shouldn't be. unfortunately, to stay that way he's going to have to give something up—something important.
the tedious work of soothing grief with love by luminae (2,363 words, rated M)
Ginny doesn't like working as a medium. Never has, probably never will. The grief-stricken make for bad company and Harry, while handsome and kind, is no exception.
Cruel Blade by @wheezykat (2,572 words, rated E)
Drowning in his grief after the murder of his husband, Draco will do anything to bring him back.
But this is not Harry. This is something else entirely.
The Willing Flesh by @corvuscrowned (2,763 words, rated E)
Draco shows Harry how to do blood magic. Harry shows Draco just how powerful The Chosen One can become.
at the end of his tether by @helle-bored (4,280 words, rated M)
There's a worn page folded in an inner pocket of Harry's robes with a single underlined paragraph.
Discrete magical signatures have been observed after the destruction of a Dementor. Some scholars believe this implies that the souls of its victims persist as captives within its form, as opposed to undergoing immediate obliteration, and therefore serve the purpose of providing the creature with sustenance over a prolonged period of time.
Harry has carried it for nearly two years.
when god closes a door by luminae (4,400 words, rated T)
Harry usually cares far less about so-called haunted houses and ghosts. They aren't real, after all. Except when they ruin his evening.
Saltwater Stain by @the-starryknight (9,000 words, rated E)
Seven days stuck on a boat investigating a rogue ghost wouldn't be so bad if Harry didn't want Draco so much. Draco has his rules and Harry's content to follow them, but the air feels different away from the shore. Is it possible that the sea could offer Harry something impossible on land?
*be sure to check out last week’s Happy Hour Rec of this fic by @wolfpants as well!
Time and Time Again by @rainbees (16,316 words, rated T)
Draco doesn't know why he keeps stepping into his own future, nor why it involves a hallway covered in Harry Potter's blood.
it is not a house by luminae (43,388 words, rated E)
There are many stories that can happen in a forgotten house, in the middle of the Arctic. Heart-warming tales about human connection and finding the essence of the self. Epic love stories that defy reason. Warnings about the hubris of human explorations. This is both none of the above and a bit of all. This is a horror story.
Vis-à-Vis-à-Vis by @vukovich (49,999 words, rated E)
Harry's assignment was simple. Close out Draco Malfoy's missing persons case so he can be declared dead.
But who's making withdrawals from Malfoy's vaults? How is a death omen-turned-Unspeakable involved? Is an organization known as the Moirai to blame?
Harry brushes it off until he can't. Until The Prophet is flooded with sightings of dead people. Until Robards throws himself on his sword. Until Ron turns on his own family. Until Harry scarcely trusts his own reflection in the mirror and trusts the stranger in his bed even less.
Until all that stands between war and peace is Harry, a name plate, a stadium of murderers, and Draco Malfoy.
God save the Ministry.
Yours is the Earth (Hold On, Hold On) by chickenlivesinpumpkin (127,167 words, rated E)
After a serious accident in the Forbidden Forest, Draco's personality begins to undergo subtle changes. At first, Harry credits this to a new enthusiasm for life. But as the days pass and Draco's behavior becomes more and more mysterious, Harry begins to suspect that something bigger--and darker--is at work.
If you are looking for more Halloween thrills, please check out my Card Catalog! There I have Vampires, Werewolves, Darker Themes, and previous years rec lists for Halloween!
Trick or Treat!
❤️ As always, if you find a fic you enjoy, please remember to leave the author a kudos or a comment! ❤️
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dayseternal-blog · 8 months
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"This is Halloween, this is Halloween, Halloween Halloween" 🎶
October is there (or almost here, in your case) 🎃
It is time for an October-themed fanfic rec list!
Okay :D
Here's a list with something for everyone, I think! Creepy, fluffy, smutty, funny, angsty... 🍁👻
October: Fall & Halloween NaruHina Fics
Chapter 28 from "Between the Trees" by @utsus - Rated G, Canon-Compatible, One-shot. NaruHina Prompt: Autumn [NaruHina Fanzine Submission]
"A Little Fluff for the Fall" by @nightowl27-writer - Rated T, College AU, Multi-chapter, Complete. Hinata Hyuga is an Art Major with an eye for photography, and a certain basketball player: Naruto Uzumaki. When she offers to take pictures of Konoha University's final game for the student website, she ends up with a lot more than just a few snapshots of the blond guard to drool over later.
Chapter 4 from "People Like Her" by @happyocelot - Rated G, Canon-Compliant, One-shot. For the prompt "I know you're afraid but we can't hide in this closet forever" + Naruto's obvious fear of ghosts.
"Stay" by NightOwl27 - Rated E, Supernatural/Mystery AU, Multi-chapter, Complete. Hinata is a young reporter looking for her first big break. A mysterious fire at the infamous and abandoned Farmhouse has the potential to be a big story. Thanks to the help of a hot firefighter named Naruto, Hinata finds out much more than she ever wanted to know.
“October - Horror” from “Still Falling for You” by @chloelapomme - Rated E, High School AU, Multi-chapter, Complete. When despair turns into a feeling of love so intense that obsession is the only thing that can help you protect the one you love.
"Spooky Season" by @secrettastemakerland - Not Rated, Canon-Compatible AU, Multi-chapter, Ongoing. One thing about Uzumaki family is that when they dress up, they dress up. Halloween, the national holiday of dressing up, is no different. or 5 times the sunshine family/siblings dressed up for halloween and the 1 time they couldn't didn't.
"Consume" by @wickermayne - Rated E, Vampire AU, One-shot. It was like a fire burnt through his veins as Hinata fed on him, consuming him, demanding him to give everything to her.
Chapter 1 from "naruhina oneshots" by @powerful-niya - Rated T, Vampire AU, One-shot. She was taught to hate vampires all of her life, leaving her to loathe their existence. But one dark night, she is faced with the one thing she hates.. and also, fears. But what happens when the very same creature she hates so much saves her, taking her into his warm home. He doesn't seem to have any intention of hurting her which confuses her. Should she run, or stay? 
"Let the Moon Help With Your Love Problems" by @lostinaseaofstars - Rated T, College AU, One-shot. After a failed confession, Hinata's been avoiding Naruto. And in the process avoiding her childhood friends in the process. Sakura's had enough, managing to convince Hinata to dress up for their last Halloween together as college students. Hopefully Hinata's costume carries with it the message of love!
"Getting Laid at a Halloween Party" by Nicole the Dragon Rider - Rated E, Canon-Divergent AU, One-shot. Hinata is going to a Halloween party with her friends at Sasuke's house. She was forced into a French maid costume but finds Naruto there. They talk and drink punch unaware that it's been spiked. Will this lead to a confession? Will Naruto accept it? Will the punch lead to something between the two friends?
"Bunny and a Fox" by The Four Crosses - Rated T, College AU, One-shot. Hinata couldn't believe she was here doing this. Here, at her friend's house, for a party, in a bunny outfit!
"Torch Song" by @mmmbuttery - Rated T, Historical AU, Multi-chapter, Complete.  "You're my girl, Hinata. Promise you'll write." "I-I promise, Naruto." How could she say no to a man going off to war?
"Killer in the house" by DarkHime213 - Rated T, Modern AU, One-shot. "It started with the old Uzumaki house up near the cliff."
"Ravenous" from "NaruHina Month December 2022" by @sessakag - Rated E, Modern AU, One-shot. “Hinataaaa,” Naruto pouted, leaning inside the open bathroom door, “you ready yet? I’m starving!”
"If I Were Real" from "NaruHina Month December 2022" by Sessakag - Rated E, Canon-Divergent AU, One-shot / Incomplete. This story is based on the greek mythology Pygmalion and Galatea. Long story short, Pygmalion was a sculptor that created a statue, fell in love with it, it was brought to life by Aphrodite and the two lived happily ever after and had a son.
"a home is a dream" by bluebeardsbrides - Rated M, Modern AU, One-shot. Naruto Uzumaki returns home with all the force maelstrom, three days after her husband’s disappearance and six years since she went and stumbled on Neji’s body floating in the creek downtown.
"It's Halloween Naruto Uzumaki!" by PeacefulWarrior82 - Rated T, Canon-Divergent AU, One-shot. In the spirit of Halloween, I whipped up this little one shot, It's about Naruto, Hinata and a little thing called compromise.
"The Anger that Wanted to Bite" by @teavious - Rated T, Vampire/Werewolf AU, Short One-shot. AU in which fantastical creatures are a part of the society + if you don’t think Hinata is scary and deadly when protecting those close to her, then you’re probably wrong.
"Birthday Cake" from "Sunbeams" by mangospoons - Rated G, Canon-Divergent AU, One-shot. Prompt: Happy. Of course he would be.
Untitled by @jadeandonyx - Rated T, Demon AU, One-shot. Prompt: selling soul to a demon
"AU Prompt 1: Phone Booth" from "Tales of Two Ninjas" by @magmawrites - Rated T, Modern AU, One-shot. Prompt: "It's the middle of the night and I'm walking home alone in the dark and there's this guy following me and he's starting to gain on me and I found this phone booth with a lock on the door and I tried to call my best friend but my hands were shaking so badly I accidentally dialed the wrong number and I don't even know you but help me"
"Best Halloween Ever" by Wandering Wonderer - Rated M, Canon-Divergent AU, One-shot. Naruto attends a Halloween party thrown by Hinata and Neji. For the boy who hates Halloween so much, he sure does enjoy this night.
"happy" from "Secret Lovers" by @quirrrky - Rated G, Canon-Compliant, One-shot. Prompt: Hinata celebrated Naruto's birthday while in the hospital
"Birthday" by ReadingBennie - Rated M, Canon-Divergent AU, Multi-chapter, Complete. A collection of various birthdays for Naruto. Some were bad, some were good, and then they were the absolute best.
"Down the Rabbit Hole" by @vegebulsoup - Rated E, Modern AU, One-shot. Despite his protests, Jiraiya takes Naruto out to a hostess club for his birthday and it’s not quite what he expected.
Dark!NaruHina fanfic recommendations list
There are other Halloween fluff fics that I remember, but I can't find them. If anyone knows more, feel free to add!
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j-almori · 5 months
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m6 as greek gods
(or other important figures in greek mythology)
note: this is more of a ramble than a proper headcanon/au post. and i must say that i am not that sure about all the comparisons — for some of the m6, it was harder to find characters of greek mythology that would resemble them well, and for others i found several characters that are comparable to them in some ways. and i just wanted to indulge in both these interests of mine so here it is
lucio:
ares, the god of violence in war and courage. besides lucio having a violent mindset by default ('kill or be killed', yknow) and most of the time trying to show bravado, which clearly ties to ares' main traits, there is another similarity which lies in how other people perceive lucio and ares: the fact that ares represented all the horrors of war didn't do well for his popularity among the greeks. majority of people didn't like him at all, and he had little respect as a god, often ending up humiliated in myths. it reminds me of how lucio wasn't actually liked nor respected among the people of vesuvia
cronos, the god of time. tbh i myself think this comparison isn't very fitting, but i like the fact that they have some specific parallels in their stories: 1) patricide :); 2) acting selfish and committing atrocities simply out of extreme fear of death; 3) being locked in one place after being defeated (cronos was defeated in war, lucio was.. metaphorically defeated by death. or you can see it as him being defeated by asra when they sabotaged the ritual) without an ability to escape the imprisonment (yes, lucio is again metaphorically imprisoned in the palace as a ghost before receiving external help) (i know the last point is forced but i'll keep it anyways :p)
another character that could resemble lucio is narcissus, but i think the parallels between them are a bit superficial
nadia: athena, the goddess of wisdom, strategy in war, craft. i don't think there's any other more suitable option for her, since they both possess and represent very similar traits. for nadia, war strategy could represent her rational approach to being a leader of vesuvia and her skill for battle and war tactics that are shown in the confrontation with the devil. besides, one of the main symbols of athena is an owl, much like in nadia's case
//about lucio and nadia being ares and athena: ares and athena's contrast in what they're representing in war is, i think, very similar to differences in lucio and nadia's view of leadership, what kind of rulers they wanted to be, and how they used their power to achieve their goals. lucio wanted to affirm his power by brute force and domination above all, punishing even those who help him (e.g. asra's parents), without thinking of long-term consequences. nadia sees that true power comes from strategy, maintaining balance, and a way of thinking that equally considers everyone's well-being.
muriel:
hades, the god of the dead. honestly my first reason for associating muriel with hades is hades' helm of invisibility, which instantly reminded me of muriel's gift-curse. another thing about hades that reminds me of muriel is how hades isn't often depicted in ancient greek art bc of people's fear of him, making his overall image very hazy, much like muriel doesn't leave any tangible memories of himself bc of his curse. they also resemble each other in how they are disconnected from the rest of the 'cast': in hades' case, it's how he's obliged to stay in the underworld to carry out his duty as the god of the dead, making it difficult for him to interact with other gods (besides, he himself doesn't show much interest in the affairs of the overworld); in muriel's case, it's how he also willingly chooses a solitary life in the woods, staying isolated from others
artemis, the goddess of wilderness, healing, purity. (she's also the goddess of hunt but that doesn't connect well with muriel so ignore that). she, like hades, is also a much more reserved goddess who prefers to stay in the forests surrounded only by animals and her nymphs (who are basically personified nature) than to participate in the olympians' drama. i would say that this comparison relies more on the importance of wild nature in relation to both artemis and muriel than on their character traits, since artemis doesn't hesitate to show her wrath and cruelty when punishing someone, unlike muriel
asra:
orpheus. i don't think it's really necessary to explain this choice if you're familiar with the myth
among the olympians, i would say that he resembles hermes the most — the god of roads, travelers, wit, humor, and too many other things to list them all. he has a unique role of a soul guide, who helps souls travel to the afterlife (well let's say that asra would be a soul guide for one particular soul and that he helped them travel back to life than vice versa). i'd say that hermes is a bit too mischevious and trickster-ish for asra, but i like how hermes' function of a traveler between realms fits to asra's magical abilities and frequent travels outside vesuvia.
ok i just realised that there's also hecate, the goddess of magic (!), crossroads, necromancy (!!) and ghosts — all things that asra is connected with, in some way. she, too, is a goddess who travels between realms. besides, people were placing shrines to hecate at the entrance of homes/temples to keep the dead spirits away, which reminds me of asra's protective spells against lucio's ghost. one of hecate's many symbols is a serpent, and, well... asra has faust, so...
julian: it was difficult to find a resembling enough figure for him, but here's what i decided:
dionysus, the god of wine, fertility, festivity, theatre. he's also referred to as a god of resurrection (!), and sometimes is said to be a foreigner (and i think the motif of being a foreigner is mostly present in julian's image, even though most of the m6 aren't native to vesuvia). despite dionysus being a popular god, there's a lot of uncertainty surrounding his origins and true identity, which could be tied to how julian likes to keep a mysterious external image of himself (imo) (and regarding dionysus' identity: he's sometimes said to be hades or zagreus, hades' son, both of which have death motifs, and, well, julian does have some deathly symbolism too)
note: i also thought of some similarities between julian and eros, but ultimately i didn't find this comparison fitting enough
portia:
hestia, the goddess of hearth, sacred fire, family. she is the youngest among children of cronus (after they were freed by zeus). she doesn't have much representation in mythology, being a non-confrontational and kind goddess who couldn't leave her duty of keeping the olympian hearth (therefore not taking part in any godly drama). still, she was very important to the greeks due to her being a keeper of the home and sacred fire: "among all mortals, she was chief of the goddesses." to say shortly, i think all these traits resemble portia very well, with her greatest assets being her caring, considerate and dutiful nature (she's literally responsible for the entire palace!!). and, like hestia, portia carries great importance in lives of the others without causing any drama or creating some aggrandized persona for herself: her sincere friendliness and attentiveness to others are enough for her to be greatly valued.
persephone, the goddess of spring, vegetation, nature (and the underworld but that's not really relevant in portia's case (afaik)). tbh this association is the least supported by facts, i just think portia and persephone have similar vibes
note: i must say that the arcana character whom i haven't gotten to know in much depth is portia, so i'm sorry if her description wasn't accurate enough
✦✦✦
that's all for my rambling today. thank you for reading! honestly this is the first time i'm writing smth like this, sorry if it's a bit all over the place (which it probably is). just wanted to finally write down these associations that have been plaguing my brain for some time now. (and i would be happy to read your thoughts on this too!)
last note: i definitely wouldn't call myself an expert on greek mythology, i mostly relied on my not-that-deep knowledge of it which i got from a bunch of different sources over the years + fact-checked some things while writing this. overall, don't take this too seriously
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silverredtail · 1 year
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poor another random horror au for you cause I'm tired and hit shuffle on my horror movie review. It's a candyman au!! Starts as a shadow peach but turns into a spicy noodles!!
-So macaque is the reporter who came to a rundown neighborhood to get a scoop about the recent murder that seems to be getting swept under the rug. Through quiet alot of back and forth, some threats and defienate breaking and entering places he shouldn't be finds out about the local "bloody Mary" that has kept the neighborhood both safe and in terror. "The monkey king". No one wants to talk about it but macaque knows that there's something to this so he keeps digging which eventually leads him to looking in a mirror and chanting his name. But nothing happens. Until macaque gets jumped by others claiming the name them selves. He gets beaten pretty hard and left to rot in an ally.. Que a very handsome individual suddenly appearing beside him, gently stroking his cheek and rousing him awake..but his hands are already blood soaked and hes already so infatuated with the reporter who's gone so far to find him~
Now macaque can't escape. He's haunted. This spirit, this ghost is everywhere!! Appearing in mirrors behind him, above his bed, voice and touch always on the wind and all around him. Anyone that threatens macaque ends up dead, another that looks at him funny or flirtatiously ends up mince meat, and gods above help anyone that actually does filrt with him…macaque is all Wukongs and he will join him one way or another.
Then comes the squeal, Candyman 2021. Mks an artist that has no connection that he knows about to the old neighborhood that once held the "monkey king" legend. He lived with red, who is a curatior who loves hosting his boyfriends art showcases, has a nice good life, but just was in a really bad slump lack of artist inspiration. People aren't responding to his art and are calling it all one note. So more often then not red has to clean him up after he has a really violent session of tossing paint around his studio cause nothing's fitting and then cuddling up in bed. But that changes when he hears about the legend and about the reporter was taken as queen!! He followed Macaques past footsteps, finding so much inspiration!! Suddenly he can paint and it feels right!!! Reds super happy to see him this way….till he starts seeing the outcomes..and it hits a little too close to home given his father raised him near that neighborhood and he often heard the stories of the "monkey king". But mk, after comforting him, expressed that it's a good thing that it drives such emotions! It means that his mojo is back!! But he still covers the art so red doesn't get too upset…unnnntilll, it becomes an obsession. Mk unable to stop painting the different kills, the different faces, the violence, the love between king and queen!! He loves it! Every ounce of it!! Then no matter what red has to face the painting and watch as his boyfriend gets more and more like the stories he's been told..which all comes to a head when he's setting up the art showcases of all of mks new art….he may hate it and it makes him uncomfy…but..he'd support mk no matter what.. but one of the other hosts started to talk shit. Call this latest wave of art from mk as trashy and desperate to cause outrage, and that won't do. Red defends him and things keep escalating, red could do so much better then a starving artist afterall, until red found himself pinned against a wall with a black eye and clothes too hiked up from grabby hands..but just as before, the man dies. A knife slicing his throat as easy as a paintbrush.. and theres mk, all smiles and love as he steps over the body to clean the blood spray off his lover..a new monkey king finally taking his title and already on his way to protecting his "queen"
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rosapexa · 8 months
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Plans change 🤷🏻‍♀️
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Originally i wanted V (calling Lexa 2.0 V in this text to make things easier) to become at one point Lexa, as we know her. I wanted her Maelstrom initiaiton happen during Cyberpunk's story (still kinda wanna put Johnny through the horror of being in her head during this tbh) and i planned to make her body change more and more.
But,well... plans change.
V kinda grew on me. As did Lexa and Johnny 2.0. I love her unfortunately so i don't really want to change her anymore. I like the idea of having two versions of my beloved Lexa instead of basically the same only twice.
Lexa and V have a lot of similarities but are also different in many ways, which i probably will elaborate more over time. But some important things are alread below:
One of the biggest difference is probably that while V is still close and affiliated with Maelstrom, she is not a full member and doesn't plan to become one. V is also less, let's call it, murderous than Lexa 😂 She's still a ruthless killer with no remorse, cause that's what her job is about in a while, but unlike Lexa V never does it for fun or enjoys it as Lexa does (except when people really deserve it).
Their Militech background is also the same and both have huge problems with authority. Both have the same controlling father, who tried to make them something they never were. And both were thrown out.
As usual one day V ignored her superiors and orders again. She made a mistake (she would call it an inconvenience on the way to success though), which she was able to fix, but Miltech and her father had enough. This was the point when they threw her out. But it was more or less peacefully, also thanks to her father, who just wanted her gone but not dead. After that she started her Merch life along with her best friend Jackie and this is also of course where Cyberpunk's story starts..
Lexa was almost killed when they threw her out. Even for Militech standards she left too much death behind her and also killed a Militech employee too many. In her case, her father was the one who ordered her termination. But she survived also thanks to Royce and joined instantly Maelstrom.
They share their "addiction" for Cyberware. Allthough V is more carefully than Lexa. Lexa pushes her body over it's limits. Her body is art for her and she wants it to be most dangerous and deadly weapon, you can imagine. She knows the possible consequences, but she's also convinced she's strong enough to avoid them. V uses Cyberware to become one the best Netrunners. But she doesn't ignore the boundaries of her body. Mostly. You can't be the best Netrunner if you're a complete Cyberpsycho or if you're dead.
And of course both are in love with Johnny. I can't help it. They belong together no matter which AU (and of course he survives in every Cyberpunk AU) 😌 And yes both are the sweetest women in their relationship. Because again i can't help it.
Oh and since i made V i tried to come up with a Netrunner name for her. And as usual i couldn't think about somethings cool. I suck at these things. But i had one bright moment 😂 Since Lexa is known as "Maelstrom's Ghost", V as a Netrunner is now simply "Gh0st". Not the most creative, but it's another little connection between them, which i like.
Totally unrelated side note:
The sweater you see in the photo is something i'm currently working on. I like a lot of the vanilla clothes, but most colors are kinda questionable at least 🥴 So i finally started to make this sweater wearable (at least in my eyes 😉). Will be AXL.
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prince-simon · 8 days
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AIGHT I thought DBD was gonna be a fun lil show. You have: two dead boys with AMAZING chemistry (I LOVE their different accents/slangs/outfits to reflect the times they're from), two living girls with AMAZING chemistry (deadass thought Crystal saw the lights around Niko because maybe she liked herrrrr and the lights were psychic related instead of LITERAL SPRITE INFESTATION), two wildly horny demons who I believe need to get it on and leave Crystal and Edwin alone please and thank you (David and the Cat King), TALKING CATS, a witch cosplaying as Cruella de Ville (I thought she was MURDERING her poor bird Monty!!!!), the cutest adorable most precious little astrology nerd I've EVER SEEN (the aforementioned Monty who wasn't a victim of animal abuse after all), a cursed walrus (still salty Edwin interrupted Tragic Mike's story of how he was cursed, I was INVESTED) OH AND A SUPERHOT BUTCHER LADY!!
ANYWAY this show was supposed to be fun. I watch Supernatural and yeah there were scary episodes but I can't think of anything as traumatic as the Devlin House episode! 😭 Just... watching the dad murder his poor family over and over was awful, seeing how affected Charles was broke my heart, the dad having a secret room to spy on his family was creepy and disturbing and OH MY FUCKING GOD?!?! THAT MISERY WRAITH?!?! I ALMOST THREW UP!! I NEARLY DIED!!! ABSOLUTELY AWFUL TERRIFYING 0/10 WOULD NOT RECOMMEND I NEVER WANT TO SEE IT AGAIN!!!!!
I can't wait to watch more DBD tonight!
PS sorry for the essay
okay okay first of all. i'm so excited about this ask. don't apologise haha i've got things to say!!! (i hopeee i'm not spoilering you for anything with this longgg reply lol)
the chemistry between all of them is soooo insane i'm so happy about it!! and yeah lol i think the entire fandom thought it was gay lights for crystal and niko lmao (and you know what? just bc it was parasitic lights who's to say it's not ALSO gay!! sksk i was spoilered about this particular thing before i watched the show and when i saw that scene i STILL thought it was gay lol
sksk thank you for clarifying that by demons you mean david and the cat king bc i was like ??? david and edwin's demon??? interesting take but sure. let's go with it slfjsldfj but yeah calling the cat king a demon works too lmaooo i just love how pathetic the cat king is kssksk
the talking cats are sooo iconic hahaha
omg i totally thought esther was killing monty too. when i first watched it i did a bit of a live reaction with friends and i literally was like noooo not monty!!! he doesn't deserve it!!! i was FLOORED when he turned human skjdflsj in general esther is such a good villain. like i fucking hate her so so so much but man. i LOVE to hate her she just steals every scene she's in ("ouch my ghost skin" lives rent free in my head tbh)
SUPERHOT BUTCHER LADY yesss i love jenny so much. her "oh my fuck" cracks me up every time. fun fact before i watched the show and only saw stuff on tumblr i thought she was gonna be the bad guy sksksk
the show is so camp one second and then soooo devastating the next!!! the devlin house absolutely broke me!! fun fact- or actually not fun at all, idk if you noticed but when the camera is on charles when they're watching the murder happen, you can hear him begging his father to stop hurting him in the background. also another not so fun fact i was listening to jayden revri's charles playlist and the song that's playing in that episode is on there and when it came on i literally had to skip it after a couple seconds bc it triggered me sooo much lmfao but yeah omg don't get me started on the misery wraith!!! the first time i watched it, i was binging and i'd started pretty late already so when i got to that episode it was already dark and i was supposed to go to bed soon and i literally had to cover my screen bc i usually can't do horror at all!! so i was like nopenopenope this isn't happening nope
enjoy the rest of your watch and you're always welcome in my inbox for more yelling!!
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cipheramnesia · 1 year
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I watched my first horror movie tonight since i was a teenager in the 90's. Back then i mostly giggled through Scream and I Know What You Did Last Summer with friends. Then life happened and i sort-of stopped watching things in general. Anyway, I'm now finding myself on months of bedrest and am watching things to pass the time and decided I'd watch a movie tonight and picked horror just to see if i even like horror. I caught The Pope's Exorcist and actually really enjoyed it, which is delightful! It kept me on the edge of my seat and in suspense and i know my heart was racing at times. So I figure enjoying that one gives me a starting point in the genre, and i was wondering if you might be able to suggest others based off my liking that one? I picked it based off rotton tomato critic and audience ratings. Not because i care heavily about such things, but it made it a logical place to start of what's new. I'm not catholic so i don't care about religion based horror but I'm not opposed to it. I don't like jumpscares. Learned that from Sixth Sense and 12 years on tumblr. Oh! I've also recently seen Renfield, though none of the dracula movies that follow the books. I don't really count Renfield as horror in this regard because it's comedy horror and more funny than scary. Kind of like how i found 90's horror. Though that might have been just as much me being a punk ass kid trying to look brave with my friends. Who knows. It was a long time ago. Anyway, do you have any suggestions? Old or new doesn't matter. I'm bored and mostly stuck in bed. Thank you for your time!
I haven't seen The Pope's Exorcist so I had to search it up - exorcism movies don't do a lot for me, but The Taking of Deborah Logan and Daniel Isn't Real are perennial recommendations which I think would sync up with possession movies. Deborah Logan is kind of divisive with how it treats Alzheimer's and dementia - for me it resonated with my experiences and felt like a sensitive exploration of the topic for horror, but it can also reas the opposite way.
Hellbender and The Deeper You Dig are some fantastic work by a team of independent filmmakers who are also a family. They all act and direct and write together in upstate New York and have astonishing talent. A magnificent illustration of why seeking work by independent artists is such a good idea.
I just watched Ghost Crew, a weird little low budget Scottish movie that I won't say too much about except that it starts out as slightly cringe-comedy faux documentary and grows into a lot more. Zombie For Sale is an adorable Korean romantic comedy zombie movie I had a fun time watching. The Dark (2018) also very intriguing movie, basically victims of abuse getting revenge but one of them is a revenant.
Jamie Marks Is Dead is a queer ghost story that made me cry, everyone should watch it. Also in the sweet romantic category is Attachement, a Jewish and queer horror. It's written and directed by a Jewish person and to my experience felt very true to life. My personal reading of it was a kind of metaphor about how Judaism can be carried forward in different ways everywhere from generational to academically to people who convert. It's another one that I think could be read different, but the positive reading works better for me.
A Wounded Fawn is just bonkers surreal, I can't describe it exactly but it's about a serial killer who gets in deep with some very hallucinatory shit. Related, but Vicious Fun is exactly what it says on the tin. Very fun silly stuff. He's Watching is imho one of the most terrifying found footage movies ever. All found footage movies use a lot of pretty common and consistent tricks of limited light and limited perspective, but He's Watching fucks with the sense of reality by constantly obfuscating who or what is recording, where the line between real and film is blurred.
Babysitter Wanted is also a fun twist on the satanic panic trope. Also similar in that vein, Anything For Jackson is pretty neat. And while I'm thinking about Shudder, The Mortuary Collection is pure spooky fun, a delightful anthology movie with Clancy Brown getting to chew up some scenery. Also for the movie that has everything, Saloum. It's a kind of revenge crossed with magic crossed with evil spirits centered around a bad ass team of mercenaries for hire.
Also check out my horror movie tag.
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Emboldened by the five notes on my previous post, I'm just gonna drop all my barely cleaned up and coherent word vomit of the AU idea here:
An OC who's aware on some level that he doesn't really belong or exist in the world he's placed in, aware that there's a purpose to his existence woven into the fabric of his soul, aware that he has a time limit (there's no time, there's never enough time) that he has to make do with to his fullest abilities (to do what, though, he's not fully consciously aware— it's more like an instinct until the task or event comes close time-wise), he knows things he's not supposed to know, not everything, but only what I want him to know and as such, his knowledge is... quite spotty at places.
For once I'm not gonna deal with worldbuilding bc I'm gonna focus so much more on the weird-ass hijinks this One (1) OC will inevitably cause— And the fact that his actions and plans and choices look absolutely bonkers and unpredictable to others bc he's just operating on a wholly different paradigm than the others— kinda like the insanity/madness the Lovecraftian Outer Gods might cause someone who lays their eyes on those horrors, or perhaps a follower of the cult of Dionysus. Ellyus Mercury seems like a madman to all but himself (that's a lie, even he knows he's not sane).
It's not that Ellyus doesn't have coherent goals and motives that make sense— it's just that his motives make sense ONLY to the audience who knows what's happened in canon already, like saving Elan 4, or preventing a story beat from happening, bumping up an event in the timeline, shit that would have no coherent links between each other to the characters that actually inhabit the world. Because really, what does saving one disposable body double by faking his death have anything to do with... *checks notes* opening up a hospital on Earth?
It's like everybody else is playing chess and Ellyus is... playing Pokemon— it's not that he's above the others, his goals are just Different™. He ain't got the time to care about checkmate when he's looking for a Shiny Legendary or something, y'know? He doesn't out Prospera despite the threat she poses to the others, despite the chaos she'll inevitably cause, bc like the audience he knows he knows about the senseless slaughter of the Vanadis Incident that sent her careening down this vengeance path, remembers it like he was there to see it (he didn't even exist back then but... his time perception is a tad fucked), he can almost taste the fire and gunmetal on his lips— and certain biases are already baked into his character. So he doesn't out his mother. What will Ellyus do? What can he do before his short life runs out except equip Earthians and his dear ones to weather the storm the best he can? He's a walking talking extremely portable inciting incident with his hand in fifteen pots simultaneously just waiting to be fridged (to turn into a narrative ghost).
He saves someone who died early in canon and was replaced by another body double, he bumps up the entire Earthian-Spacian relations thing in the timeline, he somehow diverts another character's uh, obsesssion? from one of the two heroines onto him bc of course he does, not doing anything to stop Prospera necessarily but trying to protect the people he was wired to love (that he was born to love). And Ellyus will do plenty of haunting, especially since he dies pretty early on. He dies, and leaves everybody to pick up the pieces of his impact (he leaves behind video messages of sorts. ramblings. things he couldn't say in life. revelations. information. predictions. encouragement. apologies.) He'd be spending time with his sister and dorm-mates and he'd already be missing it as if it were the past. Alive or dead, he is a ghost.
It's like, y'know how a character is a narrative tool? Like oh this character is meant to be the villain foiling the hero, but other than the narrative role, characters also have the job to cast the illusion of realism, they have to be a convincing thesis about their humanity, y'know? They have to be convincingly human, it's one of the characters' jobs. They have to hold up this illusion.
Ellyus' jobs include: being a wrecking ball, an outlet of the author's love towards certain characters (hence “born to love”, it's not about fate so much as it's about him being A Character), but his job doesn't quite include being a convincing human who fits into the world, who fits into the society and the background he is supposed to be part of. If I had to use a metaphor, y'know normally characters are like a garment, they're meant to be well-stitched and hemmed and be neat, some authors fail at the task but that's the job, but Ellyus? I purposefully left raw seams and un-hemmed edges and frayed threads to make him more foreign to the world. That's why he so unapologetically loves people that would NOT make sense for him to just love right off the bat, because of course, of course it's his job, it's his role as a character, it's his reason of existence, if I were to build a normal character I'd not make him love them so quickly.
He was always going to die. He wasn't supposed to exist but he does but he's going to die. It was always going to turn out this way. Y'know about Primrose Everdeen in The Hunger Games? Yeah. Yeah. The exact brand of Doomed By The Narrative, Dead Before It Ever Began.
Chucking Ellyus into the story is like hurling a bowling ball at an exquisitely arranged jenga tower because I like how pretty all the colourful pieces look when they fly everywhere upon impact. This thing has nothing to do with what canon is trying to achieve at all (to use the jenga tower metaphor, what canon is trying to achieve is a beautifully arranged and stacked tower) and for once I'm not focusing on worldbuilding or whatever, just... hijinks. Crack treated like horror, kind of. It's hard to explain. His thing is a riff on how I imagined myself in stories when I was younger (though those imaginations very quickly turn into OCs for me), he's like reader/self-insert but not quite. Isekai manhwa protagonist but not really. He's derived from the same roots!
So y'all who are caught up with the anime already know about the Samaya family, the repli-children, the eleven GUND-bits, Suletta's origins.
In my version things go a little sideways in that there's a thirteenth clone, except it's a defective clone that wasn't supposed to form in the first place. Why didn't Prospera just turn it into a GUND-bit? Not sure, haven't thought about it that far, let me have this one plot contrivance.
So there's Suletta Mercury and Ellyus Mercury.
Ellyus is... aware of all that, Suletta is not.
This leads to some fucky relationships between Ellyus and his identity.
Because, see, there's a couple other characters with... interesting relationships with their own names and identities, namely Shaddiq and Elan 4 who I ship him with.
Unlike them though, Ellyus never had an original identity. Ellyus Mercury is his true name.
It's the only name he'll ever have.
It's not a fake identity to protect the real one, no. His entire existence, his and Suletta's, their entire existences are the cover for the ones who truly matter. There's no place for Ellyus and Suletta in the future Prospera envisions. They're there to serve a purpose, a stepladder in trying to bring a world Ericht can live in— or at least Suletta is. Ellyus was probably just left alive to see how long he'll last. They have no father. (Nadim was never theirs.) Prospera is the only mother they know. (They were never Samayas.) They're only mirages, illusions, but even Suletta is realer than Ellyus, in his eyes.
He knows that by all means he does not have a place in this already complete story. That he's a foreign being, an alien, an outsider, somehow knowing things he shouldn't be able to know, and he's... ehhh, alright with that all things considered. In his eyes. That might change with some character development.
And oh, that's a trans lad by the way, no way an XY clone is popping out of an XX source.
There's a lot more brainrot buzzing around in my head like an insistent bee— like his daring rescue of Elan 4, his general personality and how little sense he tends to make even in day-to-day life, his death (god I think so much about his death), his protectiveness over Suletta (“We're not the ones that matter. We're not... We'll never be Samayas. You understand. Suletta has to matter to someone. And... And until she finds her footing, I gotta be there for her, you see? I gotta be there for her. She's my little sister. She matters to me.”), struggling over how to make Shaddiq/Ellyus/Elan happen... But I think the post is long enough as-is, and I'm not very confident releasing something like this into the wild so uh, I'll end it here. Shoot me a DM or an ask if anyone is interested in hearing more of my rambles.
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fawn-eyed-girl · 2 years
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Hi Fawn! Do you have any inukag fics that you have enjoyed reading recently and that you would recommend? :)
Hello sunsetskys, dear! Thank you so much for the ask!
Here is a list of a dozen InuKag stories that I've read in the past few months that have really captured my attention. Fair warning; this list runs a little bit on the angsty side, because that's where my heart does lie (I'm a sucker for a good dark and angsty story), but I tried to give you a little bit of fluff to make up for it!
It's a long list, so it's below the cut, but I hope you find some of these as enjoyable as I have!
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The Art of Falling in Tandem (E; ongoing) by @shikonstar
After several years away, Kagome believes she is over Inuyasha and is finally ready to accept him as just a friend. And what could be the best way to prove this? Moving in with him, of course! She can handle it, right? The close contact. The intensity of his eyes. The shirtless.....well. She might have overestimated herself.
B-Side (T; complete) by hakomorebi (Ao3)/@serial-doubters-club
Inuyasha is a photographer assigned to cover a local music festival. When one of the performers sings a song written by his mother, a song only the two of them could possibly know, his world is turned upside down. Inuyasha may have to come to terms with the fact that his mother kept a secret that she took to the grave. 
The Closest Moment to Dawn (M; ongoing) by @classysassy9791
They named her Kagome after finding her injured and unconscious on the subway. Suffering from amnesia, she recuperates under the care of a semi-retired surgeon and a fresh young doctor. But when dark and violent flashes of her past come back to haunt her, Kagome begins to wonder if her past was worth remembering. Especially when a man she doesn't recognize quite literally lunges into her life, accusing her of murder.
Don’t Judge a Book By Its Cover (series; ratings differ) by @superpixie42
Kagome Higurashi wanted to be anywhere but at the grungy bus station at 6am with her screaming infant. But when the local delinquent turns out to be a total sweetheart, maybe things aren't as bad as they seem to be. The story of how one act of kindness deserves another, and how strangers became closer than family.
The Ghost of the Higurashi Shrine (M; ongoing) by @elkonigin
After helping her grandfather on a regular, run-of-the-mill-excorcism-turned-blessing (it's better if you just don't ask questions, well maybe you should, Kagome didn't and look at where it's gotten her so far), Kagome finds that things, well, weird things, are happening in her home and around the shrine, in addition to some other places that really just don't make sense. Kagome doesn't consider herself brilliant by any means, she's barely passing as it is, but she's pretty sure that this mess isn't normal.
Go Away, Dad! (M; complete) by @neutronstarchild
There are times when the difference between human and demon traditions is stark. And right now, with Tōga’s prouder-than-sin grin at his naked son and Izayoi’s abject horror at her idiot husband, Inuyasha can only hope that Kagome is the understanding type.
Haunted (M; complete) by @witchygirl99, @wolfcry77
“Why are you here?” Kagome whispers to him.
“Haunting you, I guess,” he replies.
“Will you stop?”
“Don’t know how.”
That gets him a sharp look. He can feel that dark gaze boring into him. “What do you mean?”
“Trust me, I don’t want to be here with you, either,” Inuyasha states, practically growling. “You think I want to be reminded of my—” Death. Of his death. “But wherever you go, I’m pulled there. No fucking idea as to why.”
Agent Kagome Higurashi kills Agent Inuyasha Taisho in action. Neither let go.
How Does Your Garden Grow? (M; ongoing) by @dawnrider
An Ingary-esque AU: Kagome, the newest generation of caretakers of the Higurashi House, finally starts to feel like her garden and business is thriving with the help of her friend Jinenji. Their routine is thrown off by the arrival of an injured visitor who does not want to be found…
How to Train Your Dog Demon (M; ongoing) by @anxietyaardvark
Izayoi is tired of Inuyasha's excuses. All he does is work; despite his protests, she knows he's lonely. She decides to get him a companion to get him out of the house, and when she finds a no-nonsense dog trainer with great reviews, ulterior motives take over.
Once Upon a New Moon’s Nonsense (T; complete) by @mrfeenysmustache
A lot has changed over the centuries, and where once his kind was hunted, now they’re just… tolerated.
And well, Inuyasha is lonely.
For one night a month, Inuyasha gets to be wholly human instead of half, and he takes full advantage, lining up dates weeks in advance in the hopes of finding someone sweet and accepting who will potentially love him Hanyo heritage and all, and he has the perfect spot for wooing- a local restaurant with the comfiest atmosphere, cheapest drinks, best food, and cutest waitress.
But that’s NOT why he goes.
It’s not.
It is.
Sense and Sensibility, an Inuyasha Retelling (T; ongoing) by @kalcia, @ruddcatha
When their father dies, the Higurashi sisters Sango and Kagome suddenly find their fortunes changed overnight. The sisters begin to find their own paths, as one learns to step away from the practical to learn to dream with the help of the dashing Miroku, and the other sees the importance of stability in a world of fancy with the steadfast Inuyasha. An adaptation of the Jane Austen Novel Sense and Sensibility.
Willow (E; ongoing) by @lavendertwilight89
Kagome had been planning to move to the States for years and when she graduated and got a job offer in LA, she hopped on a plane and was reunited with her best friend Inuyasha. What they hadn't realized was the growing concern over COVID-19 and the eventual shut down and mandatory quarantine of the world could ruin Kagome's plans. When Inuyasha comes up with a plan to keep her in the country, will she accept?
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