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#Five Points of Modern Architecture
spyskrapbook · 2 years
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66 Frognal, Hampstead, London, NW3  [1938 & 2000] _ Architects: Connell, Ward and Lucas & Avanti Architects _ Photos by: Spyros Kaprinis [08.06.2022]. "This Grade II* listed house was designed by Colin Lucas of Connell, Ward and Lucas, and completed in 1938. The property had deteriorated significantly due to persistent lack of maintenance by a previous owner. Avanti Architects was commissioned by its new owner in 2000 to design and specify a full scheme of repair, upgrade and alteration works. The house had already undergone changes prior to listing, with addition of an integral swimming pool and in-filling of a roof terrace to provide a new master bedroom suite. These alterations were rebuilt with the approval of English Heritage in a manner sympathetic to the original design, and Listed Building Consent was granted. 66 Frognal is now a state-of-the-art 21st century home that can once again be recognised as an outstanding building of its period." https://avantiarchitects.co.uk/project/66-frognal/ "The original design of 66 Frognal was heavily influenced by Le Corbusier and incorporates all of his Five Points of Modern Architecture. In short, it stands raised on pilotis, with a free plan and a free facade, ribbon windows and a roof terrace. The house is also constructed from reinforced concrete, with a western facade lacking in ornament, described by the agent as ‘an expanse of render and balanced fenestration interrupted by the protruding void of the internal staircase’." https://www.wowhaus.co.uk/2019/02/12/1930s-connell-ward-lucas-designed-66-frognal-modernist-house-in-london-nw3/
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wifeofasith · 5 months
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Warnings — Dead dove - do not eat, psychologist!Anakin x reader, manipulation, coercion, captivity, blindfolding, tying up, drugging, loss of consciousness, both Anakin and reader are mentally ill, scissor play, undressing, dub-con, implied murder, hinted homicide, hinted torture, stalker behavior, implied APD, implied suicide, Stockholm syndrome? Generally a messed-up piece of work.
Word count — 3k
Notes — A small project for my friend. Not something I'd normally write, but I took it as a challenge. Not exactly smut, but it's hinted & characters make out. Make sure to read the warning list and be mindful. Wrote it in a different point of view to make it as gender neutral as possible. NOT PROOFREAD.
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After seven visits and a night of consideration, I've come to the conclusion that Doctor Skywalker wasn't the correct mental health specialist for me. And it wasn't because he was bad at his job, no, quite the opposite. Anakin Skywalker was an attractive male in his forties. He never shared details about his personal life, and despite that, he managed to create an impression of a person I've known for months, if not years, of my life.
Anakin scared me. Not intentionally, of course. It was what he's supposed to do — pick up the details of me, the patterns of my brain, my movements, and my involuntary fidgeting. He was a modern mind reader, and I couldn't help but wonder if he's aware of every thought I've had when he sat in front of me, with his legs crossed, glasses hanging on the very tip of his nose, a linen button-up with the last button left free. Could he hear what my inner voice was saying during those stolen stares? The gentle tapping of a fountain pen on his notebook told me he could.
He wasn't the only one digging for specifics, though. His purposeful, secretive behavior made me want to figure him out. As if he were my medical project and not the other way around. I knew that it wasn’t ethical; part of his job was to keep the outside world, including his own, off his patients' brains to avoid influencing them. But I needed to know more. Anakin Skywalker was my psychologist, and I was utterly and entirely obsessed with him. Maybe that's exactly why I should stay in therapy. For one reason or another.
It was Tuesday morning, and I woke up especially early for my supposedly last appointment. I wanted to take a longer way to his office and connect all the pieces of private information my ill brain gathered and processed about Anakin. There were plenty of assumptions, facts I couldn’t know for sure, and guesses about his life that were possibly altered by whatever’s been lurking in my brain. However, I loved the image. In my head, Anakin was divorced. The absence of an expensive stone on his ring finger forced me to come to that conclusion. A glimpse of his phone wallpaper portraying two toddlers told me he was a father of two — a boy and a girl with the same gentle but intense stare he wore. The bundle of keys on his office desk told me the kind of car he drove, how many locks his house had, a keychain of his assumed favorite hockey team hinted at what he enjoys doing in his free time. Oh, and he was a smoker, that’s for sure. You could never miss the smell. No matter how many mints he swallowed before my visits or the scent of soap he used to wash his smoke-stained fingers, the cigarette trace was always obvious. But I didn’t mind it, not one bit. His natural smell mixing with the dirt of an addiction on someone who’s supposed to be an example of a perfect intellectual man was like knowing his dirty secret — it was arousing.
I came fifteen minutes early. My doctor worked on the third floor of a five-story commercial building; it was an environment I deemed to be perfectly suitable for a man such as Anakin. Modern architecture surrounded by enough green to not appear like a dystopian haven. And it was an excellent choice for a psychologist office, initially. Personally, however, I thought it was too perfect. Everything surrounding Anakin was a bit too perfect, from the way he carried himself to the choice of his work spot — it always rubbed it in for me that there are people doing okay, people who aren’t chained with the issues of their own heads, uncaged, people who can enjoy that perfect organic modernist dream.
I was going to spend the punctual sixteen minutes outside on a bench before stepping inside and greeting the doctor with a new wave of depression to discolor some of his lively world; after all, that’s what he’s signed up for. I sat down comfortably, not too far from the main entrance, admiring the surrounding park while judging parents chattering around while their strollers were left unattended near the children’s playground. It was enjoyable to see and possibly figure out the mindset of all the strangers and passersby. I felt like my own kind of psychologist, but I never had any intentions to help the people I marked as dysfunctional in one way or another. I lacked some empathy, yes, but that only made my life easier; I wasn’t as attached to problems that weren’t my own, and I could analyze people without their lives influencing mine. My doctor’s fairytale was unfortunately disturbed by the raspy voice greeting me.
“Good morning. You’re early.” Anakin greeted me with a welcoming yet slightly surprised tone. “I’m glad.” 
The coffee in his hand told me otherwise; I could only assume though, but he probably expected to spend a good ten minutes alone in his office, enjoying the morning with a hot latte and with no bothering from his patients before his workday even started.
“Good morning.” I nod too nonchalantly for my own liking. It was obvious I was forcing the tone, and if someone is to pick on such a small detail — it’s him.
“Let’s go; I don’t mind starting early.” He smiles, and I can once again can tell what a liar he is.
I follow him inside a white-lit lobby area, where he’s greeted by a few people he’s familiar with. He walks with masculine confidence, and I find myself feeling so disgustingly small beside him, small and insignificant. I wonder if he’s ever aware of the effect his demeanor has on people. It pisses me off and excites me further. It’s a case of mental masochism, and I’m a pathetic victim.
After a few second elevator ride, spiced with his initiated small talk, we enter the office. He offers to make me a cup of tea, giving me a choice of peppermint and lavender. I was about to decline when I reminded myself that it was my last time here and that I had never drunk lavender tea before. So I agree, encouraging him to be generous with sugar.
“Can I assume you being oddly early to come means an improvement in your mood?” He asks as he brews my beverage. It’s almost as if he’s not even working yet, not taking notes and analyzing me, but I know it’s just a facade to make me feel more comfortable.
“Perhaps. More so that I don’t think I’ll be visiting anymore.” I confess and go along with his play.
“Can I ask why?” His broad back turns from me, and I’m greeted with his handsome face. There was no hint of confusion or surprise; you would think he'd expected me to say that.
I shrug my shoulders, following his hands as he stirs my tea and pushes a delicate porcelain cup forward. His voice is nice, but I would much rather stare at him than watch his miserable attempts to help me.
“I don’t think therapy is necessary. Not anymore, at least.” I take a sip of a hot lavender drink, my hands taking the cup involuntary to avoid speaking further. The brim touches my lips, and I hiss in pain from the burning liquid. I swear he chuckles at me.
“I would like to continue seeing you.” He crosses his legs and leans back in his chair. The gaze he’s fixed on me, mixed with the weird silence after he stops asking questions, is making my insides squirm with anxiety. It’s never like that around him.
“You see, y/n, you are an interesting case…” Anakin pushes his glasses up with his index finger, rocking his chair slightly. “You’re an obsessive stalker.” He blurts out as a wide grin spreads across his face. “And I dislike misbehaving patients.” His face is becoming more blurry as we speak, and I feel myself sinking into the velvet cushion of an armchair.
Fucking lavender tea...
I couldn’t tell if I was out for days or mere minutes, but I’m pretty sure if the familiar smell of cigarettes hadn't reached my nostrils, I’d still be asleep. I opened my eyes only to be met with a dark cloth concealing my sight. I know I’m still in Anakin’s office because the sensation under my restrained wrists is of the same velvet chair. I remained still, in hopes of figuring out what’s going on. Only one thing was clear: I shouldn’t have came today yet alone drank tea. That's a gut feeling for you. The blindfold is weak around my eyes, and I guess it’s less for hiding the view and more for intimidating me. Good job, doctor.
“Oh?” Anakin gasps mockingly. “You’re up early, little bird.” He’s standing behind me; one of his hands snakes up my neck, fingers twisting into my hair. “Good.” He tightens the cloth around my eyes.
“There’s something about you. You’re as annoying as you’re pretty, and I can’t decide if I want to keep you as my little pet or get rid of you and mask it as the tragedy of a weak-minded person.”
I can sense him walk away and then make his way back into his chair in front of me. I sat up straight, settling my head towards him to show how little his words were frightening me. My mind’s been playing games on me since I can remember myself, and a mere human couldn’t scare me with ropes and threats when my own head was a prison of torture most of my life.
“I urge you to make that decision now before your next patient finds us in this roleplay of yours.” I tug the restraints on my hands.
Anakin laughs; I can hear him light a cigarette.
“Yeah?” He pauses, probably taking a puff. “You’re stupid. You don’t think you should be scared?”
I know I should be; in fact, I am not mentally ill enough to be oblivious to how messed up my situation actually is. But I’m not scared, and that scares me way more than being held hostage by my own psychologist.
“So what then, doc? Don’t keep me waiting.”
I can feel Anakin rise from his seat and slowly make his way to stand in front of me. I can’t see him, but as he towers over me, I lift my head up. There is that sense of feeling small again. Maybe it’s less about his confidence and more about how twisted his mind is to lure in people like that.
“Do you think I haven’t noticed? You… Digging through me, trying to figure me out... Watching me. You’re sick.” He grabs my chin. ”You’re sick, and it pisses me off.”
“So you decided to tie me up?”
He sighs, and I’m pretty sure he’s fed up with my poor sense of judgment.
“No, I decided to tear up your dignity piece by piece to show you who’s the real maniac between the two of us.” He yanks the blindfold off my face, and I can’t help but wonder if the initial purpose of it was to do just that. It's as if he’s planned every single second of our sick encounter.
His piercing deep blue eyes star into mine intensely, filled with overwhelming emotions of visible hatred and lust, and I am no longer sure if I want to scream into his face or bite his lips off in an intense session of kissing. I want to make him bleed through both pain and pleasure. Can he tell what I think this time too, or is he sane enough to be unaware of the disturbing thoughts spiraling in my scrambled brain?
“Don’t look at me like that.” He says it with a disgusted tone.
“Do you not enjoy my stare, doctor?"
I don’t know why I said that. I don’t know why my tongue moved in such a seductive manner when I spoke to him. Maybe it was the fruit of his manipulation, making me feel safe, making me trust him, and then turning me into a mindless vessel that craves his approval. Or maybe my problems dive deeper into my body, and it’s just who I am. Maybe sickness excites me.
Whatever the reasoning, it seemed to amuse him. Though I still couldn’t read if his amusement was based on hatred for that twisted attraction he obviously felt towards me, part of me wished it was later.
“You’re a masochist.”
“And you’re a sadist.”
Anakin raises his eyebrow. “So you agree?”
We were both right, but I wasn’t just going to sign up for him hurting me. Or at least not this easily. As I wonder how this is going to go, he leaves the room.
I like to think he’s keeping me because he finds me desirable. It doesn’t exactly make the whole captive situation better, but hell, it’s satisfying when you’re entertaining enough for a man such as Anakin to consider not murdering you instantly. For other eyes, it would make his image less perfect, but to me, he’s becoming better by a second.
Anakin comes back with a pair of metal scissors in his hand. He towers over me again, this time raising my chin with a cold blade.
“You’re not letting go of that stare, are you, darlin’?” He bites his lip, looking down at me.
The stinging blade traces down my neck, sliding over my right collarbone. The thicker skin he reaches, the more pressure he’s applying, yet he's not breaking the flesh, only leaving a red, tingling line. It drags over my clothed shoulder and down the sleeve of my shirt. He does it slowly, not breaking eye contact, as if he’s done it a thousand times before. I question if I am as special as I thought I was.
“You have no idea what I am going to do to you.” He leans down to whisper as he hooks the cutting edge under the cuff and cuts into it.
A cold sensation sends shivers up my arm when he lets the two blades rip through the material all the way up to the neckline, leaving my left limb completely free of clothing. The dust particles tickle my nose, causing a sharp inhale, which he mistakes for fear.
“Scared?”
Not a chance. It’s better than just undressing me; it gives a sense of foreplay, whether before sex or murder. He repeats the same process on my other sleeve.
“You like playing with your food?”
Anakin grins widely. I think he’s liking me more and more. "Oh, how I’ll enjoy devouring you, my sweet dessert."
He drops down to his knees, placing his hands on my thighs to keep them apart and give him more access to be closer to me. He cuts into the hemline of my shirt and rips it across the middle, parting it and exposing even more of me for his eyes to eat. He doesn’t stop there and digs the point of the scissors into my chin, causing a painful sting. I look into his eyes, clouded with darkness, biting my teeth together to avoid hissing from the ache.
“Mouth.” He says that, and my lips part involuntary, as if he had control of my own body.
He slides the scissors fully into me, leaving only the rings hanging out.
“Bite.”
I clench my teeth against the metal to prevent myself from choking. Anakin looks at me proudly, as if saying how good I am for listening to his orders. He grabs the waistband of my pants and commands again.
“Hips.”
I lift myself up, and before I know it, I’m almost entirely naked, tied to a chair, with scissors digging into the back of my throat. And I don’t think ever in my life I’ve been this turned on by a mere thought of being hurt.
He stands up, grabbing the tool out of my mouth and yanking it out without any consideration. With trembling hands, he starts cutting the ropes off my wrists.
“I’m about to die from the feelings you make me feel.” He groans.
Once my hands are free, I clash into him like an animal freed from a cage who’s been deprived of meat. His lips lash onto mine, and his arms grab my thighs and lift me up against him. He’s kissing me, and my body’s burning with sickness and desire. Anakin carries me to his desk, sweeping all the papers and stationary on the ground with a loud, crashing sound, breaking whatever’s fragile and unlucky enough to interfere with our twisted fantasy.
Anakin’s teeth graze the skin on my neck as he throws me to lay on the wooden tabletop. He digs his teeth into my flesh, making me gasp. He’s marking my body with deep red bruises, and I wonder if it’s to hurt me, taste me, or make me see the sars. I’m pretty sure all three things are happening at the same time, though.
He pulls away for a second just to force his tongue into my mouth. And I kiss him. I crave him. I want to make him feel weak for not killing me; I want to make him feel vulnerable for giving into his desires, but the only one who’s feeling small is me. Just like every other time. I keep kissing him, tasting his spit in my mouth as it smears over my chin from how hungrily he’s working. And he keeps devouring me. He keeps devouring me, and I can’t force myself to stop him.
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literallyjusttoa · 7 months
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Apollo and Jason in alternative fits for the modern mortal au + more fun facts about this au bc what am I if just an amalgamation of random ToA AU ideas!
For this pic: Jason just finished a game with the basketball team of his fancy private high school (they're called the centurions). Jason isn't really passionate about the sport, but Apollo insists they need to go out and celebrate his win.
As I've said before, Apollo is will they, won't they-ing with Admetus in a small apartment while trying to muscle his way through med school. It's extremely stressful, and Apollo is definitely still struggling with maintaining perfection and not seeming "ungrateful" or "lazy". Part of his journey in this AU is rebuilding his support system after going no contact, and maybe actually going to therapy at some point! And also dropping med school bc that's not what he wants to be doing with his life.
Apollo is actually a natural brunet, like his mother! Artemis is a brunet too, but her hair is just a bit darker, closer to their dads.
Apollo's vision is actually just as bad as Jason's, he just wears contacts instead of glasses.
Jason wants to go into urban planning or architecture, but he's absolutely terrified of telling anyone in the family. Apollo's the first and only person he's told.
Apollo's got a small indie band with some of the muses (Urania, Polyhymnia, Euterpe, and Terpsichore) and the rest of them are all study buddies! They stay up till 3am chugging monster and five hour energy like shots and speedrunning graduate papers.
Jason mainly hangs out with Reyna, Frank, Hazel, and Octavian. Leo and Piper are his childhood friends from when he used to live with his mother, but they fell out when he had to move in with Zeus.
Apollo sometimes has a hard time sleeping and other times can barely keep his head up. This is a lasting symptom of the severe concussion he got from his father, and it also left him with random moments of extreme vertigo and frequent headaches.
Other than Apollo and Thalia, Jason is closest with his cousin Percy! They love being jokingly competitive about everything, but Jason has always felt supported by Percy when the going gets tough. Still, Percy has his own life going on, son Jason has always felt bad about reaching out.
Meg comes into the picture as a kid Apollo found during one of those aforementioned late night study sessions. She was injured, but refused to let Apollo call for help. Obviously, Apollo is familiar with what's going on here, so he asks if he can treat her injuries. She reluctantly agrees, and eventually Apollo realizes that Meg's mom is his aunt, but Demeter didn't have custody. He gets Meg's phone number, and spends the next 6 months fighting to get her out of stepfather's custody and back with the family. The two of them get extremely close in the meantime, and bc of this Meg and Jason also interact a lot and get very close. However, in his fight to get Meg somewhere safe, Apollo is forced to reconnect with the family. Again, eventually Apollo will go to therapy, but I plan on making him go through the most stressful shit I can think of first.
I think that's all I got, enjoy!
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oldshrewsburyian · 2 years
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Dracula Daily: Lit Crit Case Study
I’m so excited that we’re all reading Dracula together. As we temporarily leave our friend Jonathan in Transylvania sans shaving mirror, to catch up with Nerd Queen Mina Murray, I thought I’d volunteer a little close reading walk-through of some of the stuff we’ve already seen. I do this as someone who has 1) seen a bunch of posts saying Don’t Panic Because of Problematic™ Elements and 2) taught Dracula in both literature and history classes because I’m that kind of nerd, I mean professor. Also, I thought it might be helpful to have an illustration of how you (yes, you!) can read and find multiple meanings in a text.
If anyone replies on this post with a variation on “the curtains are blue,” that person is getting blocked. Okay? Are we sitting comfortably? Good. Let’s talk about Jonathan Harker and Orientalism. Conveniently, we can do this using just evidence from Chapters 1-2; but you’ll be able to see more of this throughout the book. The brilliant Edward Saïd came up with the term Orientalism to describe taking “the basic distinction between East and West as the starting point for elaborate theories, epics, novels, social descriptions, and political accounts concerning ‘the Orient.’” As it happens, it is super easy to illustrate how Jonathan’s perceptions of his journey participate in Orientalism.
Ex. 1, as he enters Budapest: The impression I had was that we were leaving the West and entering the East; the most western of splendid bridges over the Danube, which is here of noble width and depth, took us among the traditions of Turkish rule.
So here is Jonathan, in the city of Budapest, which got a massive makeover just five years before, in 1892, to celebrate the 1000-year anniversary of its mythical founding. The fancy imperial architecture is fresh and shiny. Also brand new (as of 1896) is Budapest’s electrified subway, the oldest in continental Europe. But to Jonathan, he’s entering “the traditions of Turkish rule,” which have been rhetorically opposed to European liberalism since at least the late sixteenth century. Before that, it’s muddier, and early modern political realities are much more complicated than that, but I’m not going to digress here on what the history of this region actually is. What’s crucial is that, despite all this complex reality (and the subway system), for Jonathan, he crosses a bridge and BAM, rhetorical departure from the West, entry into the East, which is characterized by sensuality, superstition, and despots (who can be sensual as well as tyrannical. Remind you of anyone?)
Ex. 2, the trains: It seems to me that the further east you go the more unpunctual are the trains. What ought they to be in China?
Again, we have a simple equation here. The more East you go, the less modernity and technology you have. Orientalism 101. The Count’s elaborate and generous hospitality, too, fits the stereotypes of Oriental rulers. And we’ve already talked a lot about all the peasants and their Primitive Superstitions.™ But wait!
The Eastern peasants, with their multiple local languages and their quaint costumes and their worship at roadside shrines and their reliance on physical totems like the rosary... they are right about the way the world of the novel works, and our friend Jonathan, as it happens, is wrong. If Jonathan has a hope of surviving, he had better start relinquishing some of his respectable certainties (who is more respectable than an English solicitor with vague allegiance to the Church of England?) in favor of acknowledging the messy realities of where he finds himself. And all of this is 1) pretty explicit in the text 2) very complex in terms of how it asks us, the readers, to consider how we think about categories like modernity, civilization, and superstition.
Ta-da! See? Lit crit is meant to be fun, actually. [Take a literature or history course if you can; we’re doing this sort of thing all the time.]
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1997thebracket · 5 months
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Round 6 - FINALE
The winner takes all! Which piece of media deserves to be the Champion of 1997?
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Revolutionary Girl Utena: If it cannot break its shell, the chick will die without ever being born. This sentiment, originally found in Hermann Hesse’s 1919 novel Demian, features during a repeated sequence in the 1997 anime Revolutionary Girl Utena. Hesse is far from the only reference to philosophical, surrealist, or heavily symbolic text in the show, which trades in visual metaphor and multi-layered subtext. Revolutionary Girl Utena follows the story of Utena Tenjou, a young orphan who aspires to princehood-- challenging or outright circumventing the place of gender in that aspiration-- and is entangled in a series of duels centered around a girl named Anthy Himemiya. Written by Kunihiko Ikuhara, Chiho Saito, and Yōji Enokido (known collectively as Be-Papas) and soundtracked by J.A. Seazer and Shinkichi Mitsumune, the show has an instantly recognizable style, combining lush fairytale visuals and French-inspired architecture with a choir that functions as a sort of Greek chorus to the internal worlds externalized in combat. Utena is a story about many things, arguably all things, taking a surgical scalpel to adolescence and using the flat of the blade as a paintbrush, leaving a deeply human, visceral work of art in its wake. It has been massively influential on feminist, queer & sapphic, and otherwise gender-deconstructive or gender-subversive modern media. Smash the world's shell! For the revolution of the world!
Radiohead's OK Computer: I go forwards, you go backwards, and somewhere we will meet. By the middle of the decade, Radiohead was weary of the ubiquity of their 1993 hit Creep; although the record that followed it (The Bends) was a lusher, more evolved album than their first, it had failed to produce a distinctive enough image for the band to undo what Creep had done. The song threatened to define the band entirely to those outside their devoted following. In 1997 the band swung for the fences with the haunting, abstract OK Computer. It was a move their label cast immense doubt on at the time, and its success then and now would cement Thom Yorke and his bandmates as soothsayers of a sort, draped not in bohemian silk robes but in white hospital sheets. It's an album that speaks to the future with dread more than wonder, that critics described as "nervous almost to the point of neurosis," but marries the uneasy experimental soundscapes with poetic, surrealist, and increasingly prophetic songwriting regarding the parallel lives we lead with technology. Featuring the singles Karma Police, Paranoid Android and No Surprises, OK Computer is hailed by many as the band's magnum opus: it's certified double Platinum in the US and five-times Platinum in the UK, and in 2014 it was included in the United States National Recording Registry as "culturally, historically, or aesthetically significant."
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By: Douglas Murray
Published: Feb 24, 2024
Like a number of ‘anti-colonialists’, William Dalrymple lives in colonial splendour on the outskirts of Delhi. The writer often opens the doors of his estate to slavering architectural magazines. A few years ago, one described his pool, pool house, vast family rooms, animals, cockatoo ‘and the usual entourage of servants that attends any successful man in India’s capital city’.
I only mention Dalrymple because he is one of a large number of people who have lost their senses by going rampaging online about the alleged genocide in Gaza. He recently tweeted at a young Jewish woman who said she was afraid to travel into London during the Palestinian protests: ‘Forget 30,000 dead in Gaza, tens of thousands more in prison without charge, five MILLION in stateless serfdom, forget 75 years of torture, rape, dispossession, humiliation and occupation, IT’S ALL ABOUT YOU.’ It is one thing when a street rabble loses their minds. But when people who had minds start to lose them, that is another thing altogether.
I find it curious. By every measure, what is happening in Gaza is not genocide. More than that – it’s not even regionally remarkable.
Hamas’s own figures – not to be relied upon – suggest that around 28,000 people have been killed in Gaza since October. Most of the international media likes to claim these people are all innocent civilians. In fact, many of the dead will have been killed by the quarter or so Hamas and Islamic Jihad rockets that fall short and land inside Gaza.
Then there are the more than 9,000 Hamas terrorists who have been killed by the Israel Defence Forces. As Lord Roberts of Belgravia recently pointed out, that means there is fewer than a two to one ratio of civilians to terrorists killed: ‘An astonishingly low ratio for modern urban warfare where the terrorists routinely use civilians as human shields.’ Most western armies would dream of such a low civilian casualty count. But because Israel is involved (‘Jews are news’) the libellous hyperbole is everywhere.
For almost 20 years since Israel withdrew from Gaza, we have heard the same allegations. Israel has been accused of committing genocide in Gaza during exchanges with Hamas in 2009, 2012 and 2014. As a claim it is demonstrably, obviously false. When Israel withdrew from Gaza in 2005, the population of the Strip was around 1.3 million. Today it is more than two million, with a male life expectancy higher than in parts of Scotland. During the same period, the Palestinian population in the West Bank grew by a million. Either the Israelis weren’t committing genocide, or they tried to commit genocide but are uniquely bad at it. Which is it? Well, when it comes to Israel it seems people don’t have to choose. Everything and anything can be true at once.
Here is a figure I’ve never seen anyone raise. It’s an ugly little bit of maths, but stay with me. If you wish, you might add together all the people killed in every conflict involving Israel since its foundation.
In 1948, after the UN announced the state, all of Israel’s Arab neighbours invaded to try to wipe it out. They failed. But the upper estimate of the casualties on all sides came to some 20,000 people. The upper estimates of the wars of 1967 and 1973, when Israel’s neighbours once again attempted to annihilate it, are very similar (some 20,000 and 15,000 respectively). Subsequent wars in Lebanon and Gaza add several thousands more to that figure. It means that up to the present war, some 60,000 people had died on every side in all wars involving Israel.
Over the past decade of civil war in Syria, Bashar al-Assad has managed to kill more than ten times that number. Although precise figures are hard to come by, Assad is reckoned to have murdered some 600,000 Arab Muslims in his country. Meaning that every six to 12 months he manages to kill the same number as died in every war involving Israel ever.
There are lots of reasons you might give to explain this: that people don’t care when Muslims kill Muslims; that people don’t care when Arabs kill Arabs; that they only care if Israel is involved. Allow me to give another example that is suggestive.
No one knows how many people have been killed in the war in Yemen in recent years. From 2015-2021 the UN estimated perhaps 377,000 – ten times the highest estimate of the recent death toll in Gaza. The only time I’ve heard people scream on British streets about Yemen has been after the Houthis started attacking British and American ships in the Red Sea and the deadbeat idiots on the streets of London started chanting: ‘Yemen, Yemen, make us proud, turn another ship around.’ Because like all leftists and Islamists there is no terrorist group these people can’t get a pash on, so long as that terrorist group is against us.
I often wonder why this obsession arises when the war involves Israel. Why don’t people trawl along our streets and scream by their thousands about Syria, Yemen, China’s Uighurs or a hundred other terrible things? There are only two possible conclusions.
The first is a journalistic one. Ever since Marie Colvin was killed it became plain that western journalists were a target in Syria. Not eager to be the target, most journalists hotfooted it out of the country. Some who didn’t fell into the hands of Isis. Israel-Gaza wars by contrast do not have the same dynamic and on a technical level the media can applaud itself for reporting from a warzone where they are not the target.
But I suspect it is a moral explanation which explains the situation so many people find themselves in. They simply enjoy being able to accuse the world’s only Jewish state of ‘genocide’ and ‘Nazi-like behaviour’. They enjoy the opportunity to wound Jews as deeply as possible. Many find it satisfies the intense fury they feel when Israel is winning.
Like being fanned on your veranda while lambasting the evils of Empire, it is a paradox, to be sure. But it is also a perversity. And it doesn’t come from nowhere.
==
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"From the water to the water, Palestine is Arab."
This is the actual genocide.
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outofgloom · 4 months
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[This story is the last in my previously-posted anthology of Bionicle short fiction, to which it lends its name]
AIKURU
We arrived at the site before sunrise. It was in a place north of the ridge called Sakerra in the language of our Skrall guides. The discovery had been made only five days ago, and as we made our way down from the wind-worn crags, there were no apparent signs of raiding. 
A structure was there in the valley, just as the flyover had reported. It was of the same gray, stonelike material from which all Their architecture is made—so old now that it no longer gleams in the light, but somehow still smooth to the touch.
As soon as we reached the lower steppes, our rangers set about the task of making provision for departure. Four days were allotted to us, and then the existence of the site would be announced to the Quadrate at large. After that, the System Adherents would claim their rights, and the site would be swallowed up in pilgrimage.
The structure was immediately familiar to me as we approached: a broad circle, rounded at the edges, raised from the ground by perhaps two spans to form a low column or stage. Half of the structure was covered beneath a berm of sediment, probably deposited by one flash-flood and then partly washed away by another. We immediately began the process of excavation, except for Neisa, who took up a position on the west side of the structure with her tools for assessing angles and spans, ready to note the position at which the red dawnlight would fall. It was a typical measurement, given the theory that such shrines were oriented in a significant way.
First with shovels and then with small brushes of fine wire, we cleared away the dust and caked mud until the entire circumference was revealed. As I had suspected, the entryway was already opened, and it too was filled with earth. Most of the first day was spent this way: in turns, we sifted through each layer, revealing step by narrow step the spiraling staircase that characterized shrines of this type. They were an original icon: the prototype for the modern chapels of the System Adherents. 
I was halfway down the second bend of the staircase, carefully cleaning dirt from the lip of the next step, when Osphos summoned me from above. I emerged with my bucket and saw that he was crouched over the shrine’s far edge. I stepped across the rolls of harak-cloth that had been laid down for the protection of the exterior and made my way over. 
“Lytus!” he said, seeing me approach. “Look here.” He pointed at the stone surface before him. 
We had already noted the usual markings on top of the shrine: the eighteen-fold division of the broad circle, the components of which descended into a staircase when the shrine was opened. That was nothing new, but here there was something else. Small symbols were carved around the outer edge of the circle; very worn, but still visible.
“They showed up once we cleared off enough sediment,” Osphos said.
“Are they makoki-symbols?”
“Herem’s Eye, that’s the word I was thinking of! Makoki-symbols, yes,” Osphos said. “Ever seen them on a structure like this?”
“No, never. Are we sure they’re original?” I crouched, put an eye close to the surface. “There’s graffiti sometimes, bone-hunter codes, the Matan inscriptions on the eastern sites... These are new to me.”
“Any guess as to what they might signify?”
“Well...” I sat back on my heels, rubbed my eyes. “Makokori are early period, and we don’t find them past Second or Third Myriad—not in the tablets or kini-ruins. Prior to that, they’re inscribed on doorways, and some of the Machines. There are theories that they signify keystones, or some kind of locking mechanism.”
“Fortunate that this shrine is already unlocked for us, then.”
“Yeah... I suppose these symbols might help date the shrine. If they’re original, this might be one of the earliest sites we’ve found. We should do an analysis of the sediment back at Naqua.”
“Already collected some samples. I’ll take a rubbing as well,” Osphos said. “How’s progress on the interior?”
I brushed off my hands. “We’re close. Another turn and we should be at the bottom. I could use more help.”
Osphos snapped his fingers to the other workers who were combing the field-grid for artifacts.
“Double-time on the stairs for the next few hours,” he called. “I want to see the bottom before Solis is down. Let’s move it!”
*  *  *
We did not reach the bottom. Normally, shrines of this kind exhibit two or three turns of stairs and then level out in a circular chamber. Not this one. Solis had set an hour ago, and still we were digging, our work illuminated only by pale quartz-lanterns. Stair after stair we exhumed, always expecting the next to be the last. But after six turns, descending fully twelve thori—or about six of Their bio—into the earth, still there was no end.
Osphos finally gave the command to stop, frustrating though it was, and we began to pack up the tools. I was at the bottom of the excavation at that point. The air was thick, and my back hurt from crouching for so long. I began to gather the various shovels and brushes that had accumulated around me, handing them up to Neisa on the stair above me. 
“Can you handle the rest?” Neisa nodded to the remaining implements.
“Right behind you.” I stood and stretched my limbs in the cramped space, then reached for my tool-bundle and bucket.
Something caught my eye—a glint in the quartzlight, a fragment of something sticking out of the mass of earth before me. I rubbed my tired eyes, blinked away the settling dust. It was still there. 
Wordlessly, I snatched up a brush and began to sweep away more dirt. It was metallic—a shaped metal object. There was a corner and a round sweep and...
“Lytus?” Osphos’s voice filtered down from above. He was annoyed. “Pack it in. We’ll get back to it first thing in the—”
“I’ve found something!” I called back. “It’s an object. I’m not sure...”
Eyeholes. A facelike shape. My heart thudded.
“It’s a mask,” I said excitedly. “One of Theirs.”
“What?!” Neisa had come back down the staircase. Light from her lantern spilled into the space. “What condition?”
“Intact, I think.”
She knelt down beside me with a brush of her own. Together we worked to carefully expose the surface of the mask. The sediment here was dry and loose, spilling away in small showers of particulate. All at once, the object came free, along with a mass of unpacked earth. Out of instinct, I put out a hand to catch it.
“Watch it,” Neisa said. “Careful not to—”
I was standing on the stairs, alone. Light was coming from somewhere—not quartzlight, from somewhere below me. Coming up out of the stone itself. I was descending... or had I been ascending? My mind was kuru, and... What? Dark. Foggy. My mind was foggy. What was happening? Where was—
Suddenly the ground lurched, and there was a roaring noise above. I staggered against the smooth poha... no, stone. Against the stone, and the avo flickered below me. The light flickered, rather. Then another tremor knocked me sideways, and stars broke out in my aku as my head struck the poha hard. The avo went out, and the roaring was all around, and it was kuru, ai kuru, ai kuru ai—
“...touch it,” Neisa finished. The metal of the mask was cold against my fingers. The stairs spun, and I felt sick for a moment. Then it was over. I quickly transferred the mask to a strip of harak-cloth, handling it gingerly.
“What was... What did you say?” I shook my head. “Don’t touch it?”
“Yeah... uh, you alright? You look pale.”
I grinned. “I’m fine. Could use some fresh air though. You feeling superstitious or something?”
She scoffed. “I don’t know why I said that. It was silly.”
“You know they say these masks trap the souls of their wearers...”
“Uh-huh. Sure.” Neisa bent down to examine the artifact. “Amazing. I’ve only seen them behind glass, or in the sterile rooms at Naqua.”
“Yeah, this is... It’s a find,” I said. The mask felt heavy and solid in my hands.
There was a murmur on the stairs, and I could hear Osphos’s grumbling voice descending toward us. He turned the corner.
“What now?” he said. “Tell me you’ve found something to make this worthwhile.”
“Think so,” I said, holding up the mask.
“What’s that?”
“Are you blind?” Neisa laughed. “It’s a Kanochus Mat—”
“No,” Osphos said, pointing past us. “That.”
There was a cavity in the wall of earth before us. It must have opened up when we removed the mask. 
“The bottom!” Neisa said excitedly. She moved forward, shining her light through the gap. 
She stopped. It wasn’t the bottom. I could already see. My heart was still thudding. It was dark. It was roaring in my ears. There was a smell, strangely metallic... and another shape sticking out of the dirt. Not a mask.
Fingers. A hand. An arm.
A face. Flat, blank eyes. A circular, wedge-like mouth. Open.
One of Them.
*  *  *
We stood around the examination table with its harak-draped contents—Osphos, Neisa, and myself. It was afternoon, and Solis was already falling toward the horizon, casting red shadows through the fabric of the tent.
Osphos broke the silence: “I don’t need to impress upon either of you how significant a find this is. Maybe the most significant I’ve overseen.”
“That’s for sure,” Neisa said. “The protobiologists back at the Institute would lose it if they knew...”
“They would, and hopefully they still will.” 
We had worked to remove the body from the shrine over the course of the day—Osphos, Neisa, and myself, in shifts. It had been difficult work, but uneventful. Bit by bit we’d brushed away the packed earth and ancient sediment, revealing more and more of the remains. Now extricated from its tomb, the body lay on the large table before us, still wrapped, ready to be examined.
Before today, I’d only ever seen bits and pieces, partial casts of exoskeletons, mock-ups of skull-like faces... But this was different. It was completely intact, as far as we could tell: head, torso, limbs. A monumental find. The first complete specimen of what we called Matorus Matans. 
“Before we start, there’s the matter of our timetable,” Osphos continued. “We obviously weren’t expecting a development like this, and that means priorities have changed.” He looked at me: “We might not get back to the shrine. I’m sorry, Lytus.”
My heart sank. “You’re sure? The shrine is pretty significant on its own, and we still haven’t reached the base layer.”
“It’s not going anywhere. The Adherents can have their Node if they want, and we’ll work something out via the Institute later if necessary. These... remains... have to be our focus now. I want them cataloged and prepared for transport offsite.”
“Offsite?” Neisa raised her eyebrows. “That’s pretty drastic.”
“There’s good reason,” Osphos said. “The Adherents have some odd notions when it comes to remains of this kind.”
“I mean, they’ll want them interred I suppose, but...”
“Maybe. It’s complicated—”
The tent-flap opened, and someone else entered carrying a bundle of implements. It was one of the junior researchers—Cyrcia.
“Yes?” Osphos said flatly.
“I told her that she could observe,” I said, beckoning her in. “Neisa and I thought we could use an extra set of hands.”
“You’ve done catalog before?” Osphos asked.
“Yes, I have,” Cyrcia replied. Her eyes passed over the table and its contents, then back up. “It’s a real honor, I’ve gotta say—”
“I’m sure it is. Grab a tablet, and get ready to make notes.” Osphos turned to the table, cracked his knuckles. 
“The light’s a bit better now. Neisa, will you do the honors?”
Neisa began to carefully pull back the cloth that covered the body while I unrolled a bundle of fine tools. The limbs and lower torso were still encrusted with sediment. I’d start with that while Neisa took her measurements. We each began to call out observations in turn for Cyrcia to transcribe. We moved quickly, notating and tagging the legs and the squared-off feet, then the lower torso with its segments, then the upper torso.
“One and a half thori across the chest,” Neisa called out, “and we’ll say ten sub-thori for the arms...”
“Primary exoskeleton is of common morphology,” Osphos said. “Similar format to those recovered from the Galian Sea. Connective tissues are mostly decayed...” 
“Some surface corrosion around the joining plates,” I added. “Centerline and upper shoulders. Only 1-2 ditori of penetration. Make note for dating purposes, mark upper-left buckle for cross-sectioning...”
“Twelve sub-thori across the lower mid-section. Five sub-thori for each of the radial pistons...”
“Tissue residue along the clavicle struts. Mark for lab-sampling. Limbs and neck will need to be secured for transport...”
Finally, we reached the head. I tugged the cloth upward and pulled it off. Cyrcia gasped and put a hand to her mouth.
“First time?” Neisa said, smiling.
“Yes, but... shouldn’t it be... shouldn’t it stay covered?”
“It’s a corpse,” Osphos said. “Just a body, like yours or mine. Several ten-myriads older, but nothing to be afraid of, despite all the superstitions.”
“Right... sorry.”
“Can you handle it?”
“I can.”
“Good. Let’s keep going then. And remember—no souvenirs. We’re not bone hunters here.”
Neisa rolled her eyes. The practice of fashioning talismans from Their relics and remains had fortunately been curbed in recent centuries, though you could still find them in the odd back-alley market. 
We finished primary cataloging, and Osphos stepped to one of the crates, removing a bundle he had stored there. He moved back to the table and unwrapped it. Smooth metal glinted in the tent. Two eyeholes stared up at the tent-roof. Cyrcia’s eyes goggled at the ancient mask.
“Shall we do a match-up?” Neisa asked, nodding to the exposed face. “This would have been the specimen’s personal Kanochus. It must have been separated during whatever flood or mudslide buried the shrine.”
There was a noise in my ears. Roaring noise, and a memory of a dark place... I shook it off as Osphos moved to the head of the table after double-checking the mask’s interior. He lowered the mask gingerly over the face, lining up the mouth-apertures. There was a faint click. Neisa leaned over to see how it fit over the side-vents—
Dark eyes glowed, and a light winked on in the center of the chest. Pistons hissed. Joints creaked. The body sat up suddenly in a shower of dust, limbs convulsing, fingers clenching and unclenching. I stumbled backward in shock, tripping over the low crates that lined the tent-wall. The masked face swiveled mechanically in my direction, and there was a noise. Not a noise—a voice. The rounded wedge-mouth was grinding out syllables at me. Alien sounds. Alien words. I put up my hands to ward it off, and—
Everyone was standing still. The eyes were dark. The body had not moved. I was sitting on a crate, my ears ringing. Neisa was looking down at me with a concerned expression. 
“You okay, Lytus?”
“I... I got dizzy,” I lied.
“How much sleep did you get last night?” Osphos asked. He had removed the mask and was wrapping it up again. 
“A few hours at least. I’m fine, really.” I stood up, looking at the motionless body warily, trying to compose myself. No one else had seen what I had seen. It hadn’t really happened. Neisa was still looking at me. 
“Are you sure? You look a little unsettled. First in the shrine, and then this. Maybe you should see a medic.”
Before I could reply, the tent-flap opened and another worker poked his head in. He was out of breath.
“Sorry, to bother you, boss, but there’s, uh... Someone’s here to talk to you.”
“Someone?” Osphos frowned.
“There was an airship, not two minutes ago. It landed beyond the ridge, and someone’s approaching from the trail.”
“Herem’s Eye,” Osphos swore.
*  *  *
The rangers escorted the strangers—there were two of them, actually—down to the edge of the camp. 
One was tall—clearly an Athori—and as he approached, it was plain that he was fully armored; head to toe, like the Glatorian of old. The other was much shorter, bent over, leaning on a staff. It was a Skrall—an ancient one, by the head-crest. 
Both of them wore metal masks. Only their eyes were visible.
The tall one planted himself just ahead, his squared-off, armored feet crunching in the gravel. The Skrall settled himself on a low metal stool beside him.
Osphos stepped forward. “Welcome,” he said politely. “I am Osphos, the overseer of this excavation. And you are?”
“My designation is Tasius,” the tall one said. His voice rang harsh behind the mask. “I am a Toa of the Adherency, of the Ackarian line. This...” he gestured to the Skrall, “...is Tura Shozu, elder of the Adherent Node at New Tellu. We have been sent to make claim upon this site.
“You’ve lost no time, it seems,” Osphos said dryly. “I wasn’t aware the Quadrate had opened the site at this time.”
“The site and its contents must be turned over at once. We—” Tasius stopped suddenly. The Skrall had raised a wizened hand.
“You are aware,” the elder said in a thin voice, “that the Adherency is granted right of access to all sites attributed to the System of Mata, are you not?”
“Well aware, yes. That is what we aim to determine: the provenance of the site, and the proper methods of its excavation and preservation, according to our charter.”
“Preservation or contamination?” The Skrall’s glance flicked to the tents behind us. “Our intelligence has indicated that this site is of particular significance to the Adherency.”
“You can follow the proper channels to make your claims, like everyone else.”
The Skrall continued undeterred:
“We have been made aware of certain... remains... left at this site. What is their nature, and how have they been contained?”
I could see the muscles in Osphos’s jaw flexing.
“Our excavation is less than two days old. May I ask the source of your ‘intelligence’?”
“The System is knowledge. Through Unity, knowledge is shared.”
“Fascinating,” Osphos said. “Well, regardless of your sources, I can’t give you access to the site at this time. By charter, the Quadrate has—”
“Animal remains, yes? Within the structure. I was led to believe that it was a beast.”
“I’m not at liberty to make that assessment.”
“May I see the remains?”
“All materials found at this site will be made publicly available.”
“I demand to see the remains.”
“No.”
The Skrall smiled. “Thank you for your candor. We have a truth-saying, amongst the Nodes: ‘The people of the world are of one nature or the other: Look into their hearts, and you will see that they are either Builders or Destroyers.”
“With respect, I believe it may be more complicated than that.”
“Then I have looked into your heart.”
“Uh…thank you. Is that all, Tura? We have a lot of work still to do.”
“I shall take word of our conversation to the Node Hierarchy and return later.”
“Fine by me.”
The Skrall put out a crooked hand and closed it into a fist in the manner of the Adherents. He inclined his head, waiting. After a moment, Osphos stepped forward and pressed his own fist against the elder’s. Then it was over. The Athori helped the Skrall to stand, and the two of them departed back up the slope, accompanied by the rangers. Osphos stood and watched, tapping his foot. He spoke quietly, keeping his face fixed in a smile.
“So much for offsite transport,” he growled after a few minutes. “They’ll have eyes on the camp now. By Angon, if we’d been just a bit quicker...” He swore again. Then, satisfied that the rangers had escorted the Toa far enough, he turned back to the camp. 
“Nothing for it now. Let’s clean up and get things packed away. Oh, and Lytus—”
“Yeah?”
“Get some sleep—for real this time. I can’t have you falling over again during sensitive work.”
“Sure thing, boss.”
*  *  *
I didn’t sleep well that night after all. Instead, I dreamed. 
Long, complicated dreams. Dreams that didn’t make any sense. I was in the stairwell of the shrine again. I was on a bright, open plain. I was speaking words and sentences that meant nothing to me. I was running from a dark, crashing wave that rolled over me and pressed on my face, on my mouth. 
I was walking on the open plain again, and two suns were shining down on me. My face was still covered though, somehow. I reached up to claw at whatever was there. It came away in my hands. 
It was my face, staring up at me. 
I was lying in my cot, and the tent was dark. The desert night was cold outside. I shivered and turned over. There was a noise at the tent-flap, something scraping in the dirt. The dull ring of metal on poha... on stone. 
The flaps shook. It was trying to get in. It was grinding, grinding words and syllables at me, words that meant nothing. It was roaring, roaring noise and darkness, darker than the night. It was kuru, ai kuru, roaring over the camp, crashing through the walls of my tent in a wave and sweeping me down into dark, into kuru, ai kuru, ai kuru ai—
“Lytus?” Neisa’s voice brought me fully awake. It was morning. My bleary eyes focused, and I could see her silhouette through the side of the tent. “Lytus, you awake?”
“I’m up, sorry. What’s going on?”
“The emissary from the Adherents is back. Osphos is speaking with them.”
“Oh. What should we do?”
“Osphos said to stay put. Probably wouldn’t look good to have everyone out at the shrine right now.”
“That’s a shame.”
“Yeah I’m heading over to one of the storage tents to help with tagging. Want to help?”
“Sure, I’ll follow you over in a bit.”
After a few minutes, I stepped outside into the pale red sunlight. I could see Osphos and a couple of the rangers on the far side of the circle of tents. The Athori and the Skrall were there as well. Their voices echoed faintly in the morning air, and I found myself walking closer. I stepped behind one of the taller tents nearby.
“...does not accord with our canons,” the Skrall was saying. 
“I confess, Shozu—can I call you Shozu?”
“The correct title is ‘Tura’,” another voice said brusquely—the armored Athori.
“Sorry... Tura,” Osphos continued. “I’m not as familiar with the canons of Adherency as I should be, but I can assure you—”
“It is of utmost importance that we examine the site. The Kanohi in particular must be handed over.”
They knew about the mask somehow. Had they been spying on the camp?
“As I’ve said, that is something to take up with the Quadrate.”
“It is already in process, but the matter is urgent.”
“I must adhere to my charter and await further orders. Until then, we’ll continue our work.”
“We must be allowed to supervise. My companion here is trained in the handling of such objects. They must be treated with utmost care.”
“Yes, and—”
“And these remains—they must be verified. Some hapless bone hunter or a beast, I’m sure.”
“As I’ve told you, it is clearly a specimen of Matorus Matans, good Tura. There’s no mistaking it.”
“And as I have said, this is not in accord with our canons. Such things only lead to greater kuru.”
“Pardon?”
“Greater obscurity—my apologies. The Children of Mata are not some extinct automaton race. We ourselves are the heirs to the Great System Hierarchy. You must understand—”
“Your beliefs are your own.”
“...The Kanohi are precious. They connect us to the spirit of Mata, and to the spirits of those from the Before Time...” 
My mind was racing, an avalanche of thoughts, fragments of dreams. A roaring noise, and dark, and kuru... What was happening to me? The Kanohi are precious... They connect us to the spirit of Mata...
What if...?
“Only then can we hope to repair the Shattering,” the elder was saying.
“With respect,” Osphos replied, “the Shattering is ancient history. It was repaired, at least five myriads ago.”
“A common myth, but it is a great untruth.”
I could tell Osphos was short on patience by now: “I can literally point it out to you in the strata. You see that ridge there? The Sakerran Ridge? It’s the tail end of a subduction zone where the Botan and Baran plates met—”
The Skrall laughed dryly: “A fantastical narrative, I admit, that a planet could be broken in pieces. But the reality is much more abstract. We ourselves live within the Shattering, my friend: the decay of the Great System Hierarchy of the Great Beings, which they called Mata Nui...” 
“I do not—”
“We the Matoran,” the Skrall continued, ignoring him, “the Children of Mata, work now to rebuild and restore the Great System, in accordance with our canon. To connect all things together, till the scattered elements are made whole. Only then will the Great Beings return and truly heal this world.”
A long moment passed. The air was thick with tension.
“Ahem... I do not believe this conversation is productive,” Osphos said at last. “I’m not granting you access to the site at this time—no matter what your canons say. You’ll just have to wait for your request to be approved by the Quadrate, and that’s that, by Angon.”
Something happened. There was a scuffling noise, and the clank of armor.
“Hold it! That’s enough, you—”
I peeked over the top of the tent. The Athori—the one who had called himself a ‘Toa’—was standing between Osphos and the Skrall now, fists clenched. For a moment, I thought... I thought the air around him was shimmering with heat, like high noon on the desert. Then it was gone. There were rangers standing all around, and I noticed that they had weapons at the ready. One of them swung a bolas lazily.
“Control your guard, Shozu,” Osphos spat. “My reports go directly to the Quadrate. They’ll hear of this.”
“Take not the names of the Great Beings in vain!” the Skrall said indignantly, pointing a crooked finger from his stool. “The canon shall not be denied, nor shall it be mocked.”
“I’ve said all I have to say, by Angon.” He emphasized the expletive. “Now if you’ll excuse me, Tura, I’m on a timetable—”
“Such things lead only to kuru and ukuru worse! We must strive for clarity...!”
I had heard enough. Quietly I crept away between the tents, back toward the other side of the camp. The Skrall’s words spun in my mind as I walked. Kuru and ukuru worse. Something was wrong—ever since I had touched that mask... was that when it started? What did the Skrall know? I wanted to tell someone, but who would believe it? I was tired, that was all. It had been a long few days, full of strangeness and excitement. That must be it. I hoped so...
The rest of the day passed uneventfully. We didn’t get much work done—mostly tagging and storing various artifacts found around the site. I was itching to get back to the shrine, but Osphos was wary. He had sent couriers south to apprise our Quadrate contacts of the situation, but they wouldn’t be back until tomorrow. Until then, we were stuck.
In the evening, Osphos sought me out. He had a bundle under one arm.
“Here, Lytus. I’d like you to keep this in your tent.”
It was the mask. My mouth was suddenly very dry.
“Is that, uh, necessary?”
“Maybe not, but I’m taking no chances. The Adherents aren’t getting any more patient. Neisa’s keeping some other artifacts, and I think I’ll sleep in the examination tent tonight, just in case.”
“You mean... with the body?”
“Don’t make it sound creepier than it is.”
“Sorry.”
He offered the mask. I took it. My fingers felt numb.
“Tell you what, we’ll take another pass at excavating the shrine in the morning, try to get to the bottom.” 
“That’s great! I’ll have my gear ready.”
“Only one day left to go, so what have we got to lose, right?”
The mask felt heavier than I remembered.
*  *  *
I had the dream again that night, or something like it. A stairwell, a bright plain with two suns. A dark roaring... Then... Then something else. A dim enclosure. Fabric walls. A tent? I was lying on my back, and my limbs were bound tight. My face was covered, but not with heavy suffocating darkness like before. It was lightweight, like cloth. I struggled, I yelled. My words were meaningless again. 
The tent-flap shook, like last time. I could hear it, the scraping, the grinding. It was trying to get in, but I couldn’t move. Couldn’t do anything. The entrance parted, and there was darkness outside. Darkness on the ground, and in the darkness... now there was a crawling thing. Crawling, dragging itself through the dust, right up to the place where I lay. I could feel it. See it, even though my face was covered. Its flat eyes glowed, and its mouth was open. Grasping hands rose up toward me and searched, reached, searched—
I was standing in front of myself, seeing myself. I was stretched out beneath the covering, on the table. I was walking under stars, and my hands were full of something. I looked down and saw that I was holding my face. It looked up at me, up at the stars. I tried to put it back on, but it wasn’t my face anymore. It was glowing eyes and grasping hands, and a mouth grinding syllables and words. It was a shape under fabric, stretched out on a table in the dark, and I stood before it, holding its face... my face. 
I clawed at the covering, trying to pull it off, but the noise was approaching again. The roaring, rolling noise, and my face... its face... my face was grinding alien sounds and alien words, and it was so dark in the stairwell, in the cold, heavy earth. So dark under the cloying wrap of fabric, so kuru it was, and ukuru worse, ai kuru, ai ukuru—
I awakened in a cold sweat and rolled over. My hands slid in sand, and a stinging thornbush brought me fully awake. I wasn’t in my cot. Wasn’t in my tent. How...? It was still nighttime, but there were lights in the encampment, and the sound of people running. I could hear voices. What was happening? I stumbled up, brushing dust from my face, and realized that I was in the space next to my own tent. I went to the entrance and looked inside. No one there. Then I looked out toward the center of the camp, trying to get my bearings.
A figure came out of the darkness, and I flinched as it grabbed my arm. It was Osphos. He was out of breath.
“Where is it, Lytus?” he hissed. “The body—it’s gone!”
“What, from the examination tent?”
“Yes that body, by Angon. Did you do something? I didn’t even hear...”
“N-no, of course not!”
“What about Neisa? Have you seen her?”
“I haven’t.”
“Have you seen anyone?!”
“No, I just woke up!”
“Adherents...” He ground his teeth. “Ah, the Quadrate will hear of this...”
“Wait—Are you sure?”
“Who else? It’s gone from the tent, but nothing else has been taken. I came right here once I realized. Where’s the mask? Has anyone been in your tent?” He pushed past me, through the entrance.
A crawling thing, a thing with glowing eyes, reaching out... but that wasn’t my tent, was it?
“N-no, no one,” I stammered. 
“Where did you put it? I have to be sure.”
I moved to the back of the tent and opened my personal crate. The hinges creaked. “It’s right here, see?”
The mask was gone, wrapping and all. Osphos saw.
“Acta!” he cursed, and then let fly a string of imprecations, invoking the dream-eater and the death-mind, among others. “What, were you drugged or something?!”
“I don’t know... Osphos, I—” I tried to get it out. “I had a dream, or I thought it was a dream. I keep seeing things...”
“Spare me.” He stormed out of the tent, and I followed, feeling absolutely bewildered. There was too much happening, too fast. 
“Go find Neisa,” Osphos ordered. “I’m heading back to the examination tent. Can you handle that?”
“Yes, boss.”
I snatched up a quartz-lantern and made my way across the encampment toward Neisa’s tent. Hers was the last tent on the outer ring of the camp. My lantern cast a pale glow over the ground as I went, and I could see that there were lights in the hills now, figures moving up and down the steppe. The rangers were likely combing the perimeter. I stopped for a moment to watch, then realized that I had stupidly lost track of which tent was which. Was Neisa on the east or the west side?
I backtracked. The tents all looked the same in the quartzlight. I took a different turn... and now found myself standing on the path that led out to the open part of the valley. Out toward the shrine.
There were footprints in the dirt. Very fresh. Hard-edged, square toe. Where had I seen that before? I looked up the path, raising the lantern. There was something else. I stepped forward to investigate. It was a heap of cloth, harak-cloth, in small strips. Further up the path, there was another bundle cast to the side.
I kept walking, quickening my pace. More bits of cloth here and there. More footprints. Soon, the edge of the shrine loomed ahead. I moved toward it, stepping gingerly through the rope-grids that were stretched over the ground. I made a circuit of the shrine, then I climbed up on top. I wasn’t even sure what I was looking for. I shed quartzlight all around, then I stooped to look into the stairwell. The dust on the stairs had recently been disturbed—
“Get down from there,” a voice said, and I whirled to see the towering figure of the Athori Tasius standing on the trail.
“You—” I said. “What are you doing here?”
“I have every right,” the Athori said, stepping forward. “Remove yourself from the sacred Amaja!”
I put up my hands appeasingly and complied, climbing back down to the ground and taking a few steps toward him.
“I saw footprints on the trail up here,” I said. “Were they yours?”
“On the trail? No. I came from the hills. I have been charged to keep watch over the Amaja, to make sure no one further contaminates the site.” 
“Did you see anyone come here ahead of me?”
“No.”
“There’s been a theft in the camp,” I said. “Do you have anything to do with that?” I immediately regretted asking so directly.
“Theft?” The Athori’s eyes widened. “Theft of what?” He took another step toward me.
“Uh...”
“Tell me!”
“The mask! The... the Kanohi, you call it. Someone took it tonight.”
“What else?”
“Nothing,” I lied.
The Athori said a word that was foreign to me. Probably a curse. He looked back toward the camp. His hands were clenched.
“Listen,” I said, “it looks like someone has entered the shrine. It wasn’t you, was it?”
“I am forbidden, without the Tura,” he said.
“Well, I’ll need to check inside.” I took a step back toward the shrine. “It will only take a second. If you’ll just wait here—”
A heavy, armored grip fell on my shoulder and I was forcefully turned back around. The Athori was fast, and very strong.
“The Amaja will not be touched again,” his voice said, deadly serious. I could feel hot breath through the mouth-piece of his mask. “You and your people have brought rahi upon this place, but no more. Now, I—”
He stopped suddenly, and I felt his fingers seize. He was looking past me, up at the shrine. I turned slowly.
Glowing eyes. An ancient mask. A small figure stood upon the top of the shrine, unmoving. I could see it. The Athori could see it. It was no hallucination this time. Not a dream.
“M-manas!” the Athori croaked. “Get back!”
He shoved me to the side before I could say a word.
And then he burst into flame.
Real flame, like the elementals of old who had been devoured by the Great Beings’ wrath. I didn’t even have time to register shock or surprise before the heat washed over me. Instinctively I threw up my arms to protect myself.
“Stop!” I shouted, scrambling away. “You’ll damage the site! Stop it!”
The fire whirled up and resolved into a glowing nimbus around the Athori’s hands and head. He drew a strange tool from a slot in his armor, and aimed it at the figure atop the shrine.
“No!”
Something flew out of the dark—a whirling rope-like thing—and wrapped itself around Tasius’s burning face and neck. The ends of the bolas whirled for a split second before they snapped tight, and the loud clack of the weights meeting their target made my teeth hurt. The fire went out suddenly, and the scene plunged into darkness. I heard the tramp of feet on the path, and voices shouting. Quartzlight bobbed in the distance. 
I was already up and over the top of the shrine before I knew what I was doing. The figure was gone. The opening of the stairwell yawned before me—cool dark after the furnace heat—and I was scrambling down the stairs, two at a time.
“Wait!” I shouted, but my voice was blunted on the stone. “Come back!” 
Turn after turn I went. I wasn’t thinking straight. It was pitch-black. I should have grabbed my lantern, but I had dropped it. I realized my hands were burned. They stung when I touched the wall, feeling my way along. I stumbled, picked myself up, and then felt earth against my fingers. The wall of earth where we had stopped excavating. No one was here... Had I been mistaken? Had the figure not gone back into the shrine? Maybe it had run off... 
There was light, I realized. It wasn’t pitch-black here. My eyes adjusted, and I saw with a shock that the earth wall wasn’t a wall anymore. It had been dug through, shoveled back and shored up into the walls of a narrow tunnel. When had the others done this? Why hadn’t they notified me? There were handprints in the dust, I noticed. Squared-off palm, five fingers.
Heedless, I push on, squeezing through the tunnel, wriggling on my chest. For a moment I thought I was stuck, and panic surged, but then I was through, and there was no more earth. No more dirt or sediment. The stairs on the other side were clear, pristine. We had been so close, after all. 
The light was stronger here, filtering up from somewhere below me. Coming up out of the stone itself. I had been here before, hadn’t I? No, not possible. I had just come through the tunnel... and I was descending... or had I been ascending? My mind was... my mind was kuru, and... foggy... What was I doing here again? I was waiting for something, wasn’t I? Waiting for a roaring sound... a darkness to come and cover me. I had been here many times, in my dreams.
No, that had been before, long ago. This time it was different. I was descending, and the light was getting stronger. Another bend of the stairs, and then the stairs ended.
It was a round, level, circular room—just like the many others I had seen before. The first thing I noticed was the Pedestal. In shrines of this kind, there was usually a square pedestal at one end, surmounted by a face-like image. In later types, the image was the skull of an animal, usually a Spikit or an Ironwolf.
On this one, there was a mask. It was the mask. It was glowing, and the light was coming out of every surface. My heart was thudding. 
I was not alone. The body lay in a heap on the ground before the pedestal. I could see scorch marks on its back and upper arms. I came closer and saw that it was moving slightly. Slow breaths. The eyes glowed faintly.
I touched it, gently, almost reverently. It was strange how my mind resisted the idea that this was no longer... remains... It was living, somehow. After all these eons, it was alive. The dim eyes shifted, fixed on me. The mouth moved, and the wedge-like shapes ground out their halting syllables and words, but I still could not understand. 
How had it gotten the mask?
A crawling thing, with glowing eyes, searching, reaching. 
A shape under fabric, stretched out on a table in the dark. 
What was happening to me?
I was walking under stars. I was crawling, dragging through the dust. I was standing in front of myself, looking down at myself. I was holding my face in my hands. I was touching an ancient mask in a small, cramped space, and sparks were leaping into me. Its metal was cold against my fingers. The Kanohi are precious, I remembered. They connect us to the spirit of Mata...
It was dark all around. It was roaring. It was kuru, ai kuru, ai kuru ai—
A metal hand touched me weakly and brought me back to reality. The finger pointed up at the glowing mask atop the pedestal, and I understood. It needed the mask—its personal Kanochus.The mask had activated the shrine, but the circuit was incomplete. It needed the mask back, in order to accomplish whatever purpose it intended. Whatever purpose it had been kept from all those eons ago.
There was a noise on the stairs. Voices murmuring. The thud of metal on stone. How much time had passed? I had lost track. They would be looking for me. Hopefully the rangers had done their work.
“I’m here!” I shouted up. The voices continued. The hand gripped my arm again. The mouth ground out more words.
“I know,” I said. 
I stood and pulled the mask off the pedestal. It sparked in my hands, and I felt a charge go through me... or maybe that feeling had already been there, ever since I touched the mask, days ago. Something had been clinging to me. I felt it now. Something intangible, something in my thoughts and my dreams. I had joked about trapped souls to Neisa, but now I wasn’t so sure...
The light increased. I bent toward the body... not just a body—toward the Matoran... and—
A wave of heat rushed down the stairwell, and a burning smell filled the chamber. I froze, and fear surged in my chest as I turned my head to look.
It was the old Skrall. He was standing on the stairs, leaning on his staff. His eyes were sharp behind his mask, and somewhere in the back of my mind it clicked, that although the masks of the Adherents were clearly forged like the one I now held, they were subtly different, like a picture whose original reference had been lost. A copy of a copy of a copy...
“Hold a moment,” the Skrall said urgently. “You stand on sacred ground. Disturb not the machines of the Great Beings.”
“I don’t know what that means.” I stood up and turned around slowly. The Skrall’s eyes widened as he saw what I was holding... and what was slumped behind me.
“That Kanohi...” he hissed, descending another step. “It is meant for the Children of Mata alone. You must give it to me—it is not for you to touch!”
“I’ve already touched it. It has... shown me things. Things I don’t understand.”
The Skrall’s breath hissed in his mask.
“Give it to me, and all shall be restored to unity.”
“It’s not yours. It belongs to... to this one.” I pointed at the Matoran. The dim eyes looked at the wizened elder, but the Skrall averted his gaze.
“This is not in accord with our canons,” he intoned. 
“I don’t—”
“Such things only lead to greater kuru.”
I was on a stairway. I was on a great open plain, beneath two suns. My face was covered, but it was not my face. Not anymore. It belonged to someone else.
“You’re wrong.” I held the mask close.
“The canon shall not be denied, nor shall it be mocked. Give me the mask.”
The Skrall was not alone now. Another figure moved into the stairwell behind him. A cracked and broken mask, a bruised and bloodied face. More heat poured into the chamber as the Athori Tasius descended, eyes still glowing with fire.
I shrank back to the pedestal, and the lights of the shrine brightened further. The Matoran moved pitifully. We were trapped. The pedestal was humming. Waiting. 
Waiting.
The Athori was moving, hindered by the small opening. His armored hand reached out at me, white-hot.
But I had already placed the mask on the Matoran’s face, and the charge that I had felt in my body went out of me... back into the mask, into the Matoran.
And the shrine was blazing white with light, and the pedestal was retracting into the wall. And the Skrall was staggering back onto the stairs, eyes raving. And the Athori was still moving forward, overbalanced, tipping forward into suddenly empty space.
The walls were pulled back and then were gone as the bottom of the shrine became a circular platform and dropped down, down into pitch-black. The stairwell shrank into the distance above us, and I saw the Athori hang for a moment, glowing with heat. Then he fell, whirling like a fiery meteor, right past the edge of the descending platform and away into the greater dark. 
Gone.
A few moments passed, maybe longer. I sank down on the platform, exhausted and spent. The Matoran was sitting next to me. It reached out and gripped my shoulder with its metal hand. Its eyes were glowing bright again, and the light in its chest blinked steadily, despite the corrosion and scorch-marks that covered the rest of its body. It looked at me, and its mouth shifted into a different configuration. 
I think it was smiling. 
Cold air rushed past us as we fell onward, onward into unknown. I don’t know how long we spent in that smooth descent. I looked up and saw nothing above, and nothing on either side. I wondered if I would ever see the surface again, if I would ever have a chance to tell someone. I wondered what was happened or had happened in the camp. I wondered if anyone else but the two Adherents knew what had happened to me, to the mask, to the Matoran...
Except for the light of the platform beneath us, it was dark all around. Featureless, unbroken dark. 
“Kuru,” I said aloud, unbidden, remembering the word.
“Ha te ai kuru,” my companion replied, nodding.
I shivered and rubbed my arms. 
“Ukuru,” I said.
“Ru,” it replied, standing up. “Ru te aikuru. Akuya.”
The Matoran went to the edge of the platform—too close for my comfort—and pointed out into the surrounding dark. 
“Akuya,” it said, and gestured at my... my eyes. My aku. Look. It beckoned me and pointed again. And hesitating, shivering, I rose and went to where it stood, and looked out. And I saw:
Rising up over us, ascending as we descended into the depths of Spherus Magna... Deeper than any excavation could reach, deeper than the catacombs of lost Atero, or the mass tombs of the Glatori hosts, farther and deeper than the silo-vaults of the Great Beings, or the maze-labyrinths of Old Skralla, or the vast mutated seabeds of Old Spherus... Far beyond the reach of Quadrates or Adherencies, of charters or canons...
Past the unknown dark, the aikuru...
There were stars, and two suns rising.
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polyamships · 2 months
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This is the fifth of six posts to help expand on the prompts for anyone who needs a little more to go on than just one word. We hope these ideas help inspire people, but they are only a jumping-off point and there will of course be plenty more interpretations we didn’t think of!
March 21st: Wonder - This could be about something or someone who inspires amazement or admiration. Perhaps a child's wonder, or wonder from anyone at things like nature, the vastness of the world/universe, magic, miracles, or amazing skills. Another possibility is items or locations that are considered a wonder, like revolutionary inventions or grand architectural/engineering feats. Alternatively, do your characters wonder about things? They might be curious, or a worrier. Maybe they have doubts about their relationships, or if they're not in one yet, wonder how things might go, leading to them taking action.
March 22nd: Pirate - Pirate could be the occupation of your characters, the setting for an AU even if your characters aren't the pirates themselves, or even just a plot detail to a story, whether historical or modern. Maybe your characters have a deep love of all things piratical, dressing up as one for a party, watching a pirate film for a date night, playing pirate themed board games or video games for games night. Perhaps they pirate tv shows/film etc - does everyone in the polycule agree with that choice? Don't forget the possibility of space pirates either, for a scifi twist.
March 23rd: Begging - Who is begging whom? And for what? This could be begging for food or money, begging for help of some sort, or something more trivial like playful begging for something non-urgent. It could even be pets begging for scraps of human food from the dining table. What about a kid!fic where your OT3/4/+'s kid is begging for attention or candy or just five more minutes with their computer? For maximum drama and potential angst/whump, a character could be begging for their life or for someone not to hurt them or their partner(s). For a spicy take, this could be begging in the bedroom and how things get there. What kind of playful things make them beg for more?
March 24th: Night - Taken most literally, this can be about anything from relaxed summer nights, to the dark of midwinter, the witching hour late night, or a location that is in perpetual night-time. What do your characters do at night? Going out for a night with friends, game night, date night etc. Do they stay overnight at their partner's place? Are they night owls in terms of habits or do they work a night-shift? Perhaps they only go out at night for medical, or supernatural, reasons. For entertainment, it could be opening or last night of a show/movie. Or anything else that is specific to night, e.g. night lights or night school. Do they use the cover of night for a strategic reason? This could also be metaphorical or spiritual, like 'dark night of the soul'. This also works as a shortening of goodnight, "Night night!".
March 25th: Commitment - What are your characters committed to? It could be people - whether romantic, familial, friendships or QPRs - but it could also be commitment to their career, to an organisation, a cause, an ideal, a duty, or their faith. Perhaps they are committed to achieving a goal or record they've set for themselves, or seeing out a period of time on a team, project, or job. A financial commitment may cause problems or be a serious consideration they must think on and talk to partners about. Are they overcommitted time or energy wise and struggling to juggle everything in their life - do they need to cut back on something? Did they fail to honour a commitment they made? If so, who does it effect; partners or others in their lives? Are there knock-on effects on their relationships?
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isfjmel-phleg · 1 year
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Five years ago today, I was with the study tour group in Chester.
I was ignominiously late to class because I had had to dry my hair--we were meeting outside in the cold for some reason--and the starting time hadn't been clearly communicated to me. So, more metaphorical Bad Student Points to add to the previous day's worth. We had been assigned an excerpt from Alice's Adventures in Wonderland, and the lecture was all about how the book is secretly about drugs, because in the nineteenth century people gave children bizarre concoctions to put them to sleep, so because this practice existed and Alice is dreaming and the presence of the "Drink Me" bottle, clearly this is the one and only explanation for what's going on. Any argument otherwise was shot down.
(This is what class was like. Every. dang. day. except for the one time that the other grad student and I had to fill in and teach our Wuthering Heights excerpt. On a train coming back from Whitby, crowded with schoolchildren. Whole nother story.)
We had high tea at an Alice-themed tea room (which tragically no longer exists) in honor of a birthday in our group. Every place was set with a plate, saucer, and cup in mismatched china patterns, to charming effect. A plain white cup was pointed out to me--wouldn't you much rather have this one? seeing it's so plain and...Puritan? and you're a Puritan, Rebekah! (A derogatory designation that had been made for me the previous day.)
But childish pettiness from a grown man aside, the tea room experience was magical. There were teacups hung by strings in the front windows, the chandeliers had multicolored shades, and the tables were strewn with confetti stars. I don't drink tea and ordered hot chocolate, and they brought it in a tall glass, topped with cream and marshmallows. Our tea arrived on three tiered stands piled with scones and sandwiches and multicolored macarons and elaborate cupcakes. We had a glorious, probably sugar-overdosed time, and I've been trying to recreate the gist of it every year when the group gets back together.
I don't remember what we did the rest of the day. Wandered the streets, maybe. Chester is full of timbered Tudor-style buildings in striking black-on-white, and it's like going back in time (visually, architecturally, at least--everyone in town is very much modern-day, going about their business in centuries-old buildings as casually as if they were not a gorgeous piece of history). There's a bridge with an ornate clock, and walls where people hang up their art (including some DW fan art because why not). It was such a different atmosphere from any city I had been to before, and I wish I had been able to take it in more fully.
Someday I'm going back. Maybe not specifically to Chester, but the UK has not seen the last of me.
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5. BENGAL COURT
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LEAH DID MANAGE TO GET SOME SLEEP. SHE ONLY slept for five hours after the meeting with the Volturi. We waited for the morning to pass since the sun was out and shining. It was when the clouds covering the sky were when we travelled to the crime scene. We did hunt down animals to keep our thirst under control but when we do get thirsty at some point in the city, we'll have to find rats (which was Mum's favourite animal to hunt). Leah had food before we left and Ethan also packed a few clothes for her in case she might change into a wolf in case of danger approaching us; they were packed in his grey backpack.
I was wearing black jeans with rips on the knees and a black leather jacket with a dark grey loose vest underneath it; my hands were in leather black fingerless gloves. My black Dr Martens boots splashed on the little dirty puddles, leaving small filthy droplets on them. I definitely need to clean them after this. The rest of my family and Leah wore casual clothing. Starting with the men. Dad wore a black trench coat with a black turtleneck sweater and black trousers and shoes. Simon had a grey single-breasted trench lapel coat with a black shirt and blackish-grey jeans and maroon boots. Joseph had on a brown leather jacket with a grey hoodie, dark denim jeans and black boots. And finally, Ethan wore a purplish checked shirt with a magenta sweater over it, dark grey trousers and blue Converse trainers. He also had a trench coat to match his trousers. Now for the ladies. Mum wore a black-sleeved top, denim jeans, black boots with small heels and a beige trench coat over it. Alana wore a black skater dress with a grey leather jacket and tights and grey Oxford shoes. Rhona had on double denim (jacket and trousers) with brown boots and fingerless black gloves. And lastly, Leah had a dark green hoodie with black leggings and white trainers.
The murky clouds churned ominously overhead, threatening the promise of a torrential downpour. London always was both the wide avenues and the backstreets, had so many faces and a few voices were heard around her. I had gone into town a couple of times but I never thought London was a bit advanced, and there was no doubt about it. From the innovative subway system to the beautiful architecture, it was a modern metropolis. Even though there were new buildings, London was still vintage. The winding streets and Victorian architecture were hard to ignore. And that was where we arrived at.
Bengal Court was covered with blue and white tape with POLICE DO NOT CROSS on the white background. The feeling in the air at the crime scene was foreboding, making it clear that something terrible was afoot. The blood - or what was left of it - was dried into the concrete floor as flowers were laid by the nearest lamp alongside teddy bears and photos of the recently dead Nancy Clarke. She was a pretty girl too. She had light brown hair and hazel eyes with smooth tan skin. In the photo, she was wearing a white blouse and denim skinny jeans.
It was sad to see the dead girl and yet I wondered if she would be happy being dead rather than living eternity as a vampire. And have everyone thinks you're dead. That made me wonder a lot.
"There's no way a human is capable of this," Joseph was first to speak since arriving.
He was right too. We had heard stories from different people about how she died. More specifically, how she was founded. She was founded with blood draining out from her stomach with her rib cage completely broken as if she was crushed by a giant boulder. Her face — not youthful tan anymore — was gaunt and her eyes stared blankly into space, looking like she was tired.
"And they said that the victim is the seventh person who was killed," Simon commented. "Why didn't the Volturi do something about it when they were here?"
"I don't know, Simon," Dad replied, shaking his head. "I honestly don't know."
As they discussed, I spotted something glimmering on the crime scene floor. It looked like some kind of jewellery - a ring or maybe an earring - that was left behind with only a small crimson dot on it. I patted Dad's shoulder and he looked at me.
"What is it?" Dad asked.
I pointed to the crime scene, at the glow. "Something is shining at the crime scene."
Everyone glanced at the crime scene and Dad, after spotting it, fixed his gaze on the glow and his right arm bent into an angle. His fingers danced, his hand turned and the glow began to rise from the floor. It flew towards us and Dad gracefully caught it in his hand. It was a silver piece of a necklace, a heart-shaped piece with a black butterfly outline and a blue gem at the top. On the piece, two words were engraved in black: Little sis. I rubbed my heart piece necklace.
"Alana," he said and handed the piece over to her. "See what happened."
Alana took the piece into her hands and her thumbs and index fingers pressed against it. She stood still, her eyes widened and her lips pursed together. She was in complete focus, using her powers of clairvoyance. She froze for a few seconds until her golden eyes relaxed.
"I couldn't make it out," she admitted, shaking her head. "All I know is that she seemed to be viciously attacked by something."
"A vampire?" Rhona enquired.
"I don't know. She was tossing and turning, screaming in pain. Even vomiting out blood at one point."
"Well, we all know that it isn't a human doing it," Joseph said.
"Who or what could be doing this?" Mum puzzled. "We should step away from this."
We all agreed on this. Then, Dad spotted the alleyway and, with Mum holding on to him, decided to walk down there.
It took us less than five minutes to walk along the alleyway. The rained blacktop streets absorb the spring sunshine as if intent upon sending heaven's warmth back through my soles. The air was crisp after the night's rain. We skirted puddles and listened to the gutters dripping, keeping a watchful eye out as we moved onto the streets, not wanting to be surprised by anyone. But no one seemed to be out this time. Probably been advised by the news to not go out unless it was necessary. The snarling bull emblazoned above the doors would probably have looked more impressive at night, lit by garish red neon. But at this hour it felt more like a guard dog staring balefully from behind a gate, prepared to bite if I strayed too close.
I almost jumped.
A woman had tottered from a nearby doorway without noticing me. As I watched, she lifted her gaze, revealing a pair of ruby eyes. She moved her pale face and her brunette hair effortlessly swayed to the side. Her two-inch high heels, scarlet biker jacket and obscenely low cleavage all conspired to make my eyebrow rise. She was like a prude Victoria's Secret model.
"She's a prostitute," Alana whispered.
"Mum!" Ethan half-shouted as Simon watched on in shock.
"How can you tell, Lana?" Rhona asked.
"When a woman's breasts are on display, they want to come out to play," she explained herself.
I snickered. I never thought I would hear something like that from a vampire. I only could imagine them watching Alana in pure shock and horror at the same time.
"That's the weirdest thing I've ever heard in my life," Leah added.
"Just because we saw it, doesn't mean that —,"  Mum began to speak.
"Trust me," Alana interrupted. "I know one when I see one."
"Well, if that's the case, sweetheart," Simon said, looking down at her. "Why not ask her if she knows anything about the killings?"
"Sure thing, honey," Alana replied and walked towards the vampire woman; we soon followed her.
"So she was a wild cold one back then, huh?" Leah said softly to Ethan.
"Let's not go there," he answered, shaking his head as he felt embarrassed.
Alana stopped in front of the brunette and we surrounded her.
"Not a lot of passing trade at this hour?" Alana inquired meaningfully.
Not one hair on her brunette head moved out of place as she whipped around. She seemed to be surprised to see a bunch of gold eyes glaring at her. Either she never encountered any of them or was shocked to be visited by vampires at this time. Probably expected a woman or a smelly drunk to approach her; she visibly relaxed.
"It's early yet. Move along, goldie, you make the place look crowded."
Alana shared her smirk. "Have you worked in this neighbourhood for long?"
"What can I do for all of you?" she sounded more frustrated than before.
"We're looking for someone," Dad began. "A vampire named Joham? Do you know him?"
The vampire sighed and shook her head. "No, never heard of him."
"Okay. What about the killings that are happening around here?"
Her hand tapped while her arms folded. "Listen, goldie, I don't anything about this Dark Angel or the killings. If anything, you should check out a cult down the street."
"We're not here for—," Joseph spoke up.
"What cult?" Simon enquired, quietening him.
She jerked her head disdainfully, "The Cult of Astaroth," she replied plainly and without pleasure. "I heard some crazy stuff happening there. And there's a lot of trouble now, Member problems. Things need to lie quiet for a while."
"What sort of trouble?" I asked.
She regarded me carefully. "You don't hang out around here, huh, little goldie? No one knows why, or how. I did hear someone say it was the Dark Angel, but who knows for sure? Astaroth's people... Very messy business."
I didn't miss the way she shuddered. It was small, and she tried to hide it, but it was there. Her eyes, darkened as if they were eyeshadows, narrowed as she took us in, perhaps for the first time. "What do you want to find Joham and who's responsible for the killings?"
"I was asked by old acquaintances," Dad winced inwardly. "Someone brought up that name during a trial and then... asked us for help."
She sighed and leaned against the wall. "Tell you what, I know a guy who knew the leader of the cult, many years ago. Name's Alistair. He does have a distaste for him. He hangs about in Hampstead Heath especially under weather like this," she shook her head but was smiling, "He's not the social type, but you never know, might be worth a shot."
I remembered meeting Alistair for the first time. She was right about him not being social.
"Better than anything we've had so far," Alana muttered, noting down 'not the social type' for a later time. "I didn't catch your name?"
"Rebecca," she replied, already rummaging in her bag. "Everyone knows me around here. But you watch out, goldies. The cult's a psychotic operation, and these members would do anything for him."
"How so?" I pressed, wrinkling my nose.
"He owes his years of dealing with humans to his innate power to influence the decisions of those around him." She must have noticed my scepticism showing through because her smile gained a Cheshire cat's smugness. "He can easily change the decisions of his targets, make them make the choice he chooses. I don't know if he controls the mind head-on, or if he has an extremely persuasive effect on his targets."
"He can manipulate decisions?" Joseph's words skipped out automatically.
"That's what I'm saying," she sounded annoyed. "He makes the final choice in the end, regardless if they're vampires or humans."
Come to think of it, maybe this cult might have something to do with it. Maybe this leader's ability might have been the reason for all the killings. Yet, I didn't understand how this got something to do with Joham.
Rebecca shook her head in concern. "Yeah, you be careful, goldies. There are a lot of sickoes loose on the streets!"
"Yeah," Alana replied vaguely.
"That's okay. Some of us like it that way!"
Whatever floats your boat.
Before we could say our farewells, Rebecca's nose flared and her pale face crumbled like a piece of paper. "What's that rotten smell?" She asked, her tone disgusted. Then, she spotted Leah, with her hood up. "Take a shower," she said in a harsh tone.
Leah growled at her remark.
Continue to 6. HAMPSTEAD HEATH
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Designed by @wall_buildings WALL Corporation. Project Name: The Cuban Square Location: Havana, Cuba Located in the Vedado district towards the west side of Old Havana, Plaza de la Revolución is not only one of the largest public squares in the world - 72.000 square meters - but also a place of great historical relevance. The square has been the stage of several of the main events of the Cuban Revolution and the place where up to a million people have congregated at once during political gatherings. One of the indispensable elements of Cuban culture is dance and music. In the project, the sound of water flowing from the walls gives a reference to the life style integrated with this music. The starting point of the project is that the water flowing from the wall creates different sounds at different distances. A new square was designed according to the waves of the water by excavating the ground level in the area. Five different spaces have been defined in the middle of the water in the area built in the newly designed square: yoga hill, hammock park, cafe, children's playground and sandbox, amphitheater for concerts and events. These five circular activity areas can be accessed from the walking platform that continues along the wall. Art works that can be encountered while walking in the water mass formed in the middle are exhibited, and the entire square area functions as an open modern art museum. While the square was being designed, all functions were designed at the lower level in a way that would not create visual interruptions, rather than placing a new building or group of buildings here. The monument in front of the square and the portrait of Che will not be interrupted visually. #cuba #havana #архитектура www.amazingarchitecture.com ✔ A collection of the best contemporary architecture to inspire you. #design #architecture #amazingarchitecture #architect #arquitectura #luxury #realestate #life #cute #architettura #interiordesign #photooftheday #love #travel #construction #furniture #instagood #fashion #beautiful #archilovers #home #house ‎#amazing #picoftheday #architecturephotography ‎#معماری (at Havana, Cuba) https://www.instagram.com/p/Cm16QUIrM5B/?igshid=NGJjMDIxMWI=
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venetianwindow · 2 years
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220610 • 9:15pm 🧳
Glasgow self-tour highlights, part 2 (part 1 here).
Tour 3 focused on the modern buildings, partly by chance on a walk to and from the GSA. The Savoy Centre is a beast of concrete, looking more brutal and raw than ever when drenched in rain. Oddly charming though. I only saw the Glasgow Film Theatre for a moment but I took to it instantly - it exudes everything I associate with ‘vintage’ and I can only imagine what it’s like shot on Kodak film.
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In the background of 3 is Beresford Hotel, absolutely magnetic with its red accents. I love 4 as a composition: Greek Thomson’s St Vincent Street Church peeks out from behind 301 Vincent St - not so meek, each its own statement. They blend in quite well, at least in the weather I saw them.
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Tour 4 was the final one, our epic conclusion to the field trip. Once again we treaded in Nairn’s footsteps. (I should mention at this point that, with his destinations, I ceremonially read from the book at each location.) Before that though, we stopped by the ZHA-designed Riverside Museum just so we’ve ‘been there’. It’s not great, nobody liked it - I thought it was completely nonsensical, a wholly uncomfortable user experience. A quick walk around suffices.
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I’ve already shown you our Kelvingrove and Glasgow Green adventures, so we go onto the final stop - the Necropolis. Nairn suggested this be the last place one visits in Glasgow, so we did that as well. Unfortunately, we didn’t get to go inside Glasgow Cathedral, but we tried our best to get a glimpse from the gates (a slightly comedic scene).
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Coincidentally, my group ran into another led by my tutor here, so we collectively headed for the summit. Standing on that hill, we took the panoramic Glasgow into our eyes, savouring each and every honest stone glimmering in the sunshine. Basked in light, this industrial city was glorious. Of course, I read the conclusion of Nairn’s Glasgow chapter for my small audience - the monument to John Knox lent it extra weight as my backdrop. This is the perfect way to finish this field trip, these five days of pure wonder and discovery. Thanks for all the fun and architectural joys, Glasgow - until next time! ✌️
And that’s a wrap on my Glasgow field trip recap! I hope you enjoyed it - I loved this trip and all the things we saw, so I wanted to share some of that feeling with you.
I’ll be going back to my regular travel and study posting content in a couple of days! It’s been a while since I made dedicated study posts but I have some in the works - stay tuned. :) 💗
☞ studygram
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feministdragon · 1 year
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www.bloomberg.com/news/features/2021-11-19/recognition-grows-of-modernist-women-designers
“The larger institutions of architectural history always frame these women around male architects,” says Nora Wendl, an architecture professor at the University of New Mexico and longtime scholar of the Edith Farnsworth House. Until five years ago, the video in the visitor’s center repeated the assertion that Mies and Farnsworth were lovers, as if her romantic life was more interesting that her professional one as independent woman. “Let’s pause a minute and acknowledge that we reframe this woman’s life as a pulp fiction novel because that’s what we are familiar with, Wendl said. “But her work with Mies was really about imagining ways of modern living that aren’t even the norm for us now.”
Writing women back into the story offers an opportunity to expand the audience for buildings which may seem (even to their owners!) remote and un-homelike. The commemorative booklet for the name change, written by Wendl, features photos of Farnsworth and her friends reading, lounging and playing with puppies at the house. Along with furnishing her house to her taste, the current leadership at the Edith Farnsworth House has also opened the 58.5-acre landscape to visitors with picnic tables, trails and a canoe and kayak landing. Seeing a historic house — and architecture history — from a different point of view is necessary for their future, and for our collective understanding."
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usafphantom2 · 2 years
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New U.S. Army Black Hawk 'Victor' completes initial operational tests
Fernando Valduga By Fernando Valduga 08/22/2022 - 5:43 PM in Helicopters
The U.S. Army Office of Utility Helicopter Projects completed the initial operational test and evaluation (IOT&E) of the latest variant of the UH-60 Black Hawk helicopter in Fort McCoy.
The UH-60V (Victor) is an updated variant of legacy UH-60L with a digital "glass" cockpit and integrated avionics set. The helicopter carried out IOT&E a year after the U.S. Army began putting the type on the field in July last year.
As explained by the service, the purpose of the test and evaluation is to demonstrate and evaluate the degree to which the aircraft meets the designated requirements and define the conditions for the full rate production point.
IOT&E began on July 5 and during three weeks of preliminary testing, the pilots flew more than 120 hours with five UH-60V helicopters under realistic battlefield conditions.
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Differences between the cockpits of the legacy UH-60 (below) and the new UH-60V (top).
Record tests took place from July 28 to August 5 and ended with the aircraft accumulating more than 200 hours of flight time, demonstrating the capabilities of the model.
The completion of IOT&E is a crucial step for the UH-60V program on the way to full rate production.
The UH-60V's updated cockpit increases the pilot's situational awareness while reducing the pilot's workload, resulting in a more capable and safe aviation platform. The updated helicopter is the first U.S. Army aircraft to implement open architecture, a critical element of the Vertical Lift Ecosystem of the Future.
"This successful IOT&E phase allows the Army to make an informed decision about the transition from UH-60V to full rate production," said UH-60V product manager Lieutenant Colonel Howard Swanson. “The UH-60V recapitalized the UH-60L proven in combat, applying the latest information and technology improvements making it “UH-60M Like” to support the combatant.”
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The Army plans to convert 760 legacy UH-60L Black Hawks helicopters to the modernized UH-60V and they will remain part of the long-lasting Black Hawk fleet in the future.
The Operational Test Command Operational Test Report should be released in 30 days and the Army Test and Evaluation Command Operational Assessment Report should be released in December this year.
Tags: Military AviationHelicoptersUH-60V Black HawkUS Army - U.S. Army
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Fernando Valduga
Fernando Valduga
Aviation photographer and pilot since 1992, he has participated in several events and air operations, such as Cruzex, AirVenture, Dayton Airshow and FIDAE. He has works published in a specialized aviation magazine in Brazil and abroad. He uses Canon equipment during his photographic work in the world of aviation.
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sanstropfremir · 2 years
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Omg! I saw you briefly mentioned Tomorrow in an ask and I just finished the show. I have so many thoughts about it and not sure if they’re all good but I would love to hear your opinion about the overall show (especially the distinct costume design of each character and the set design!!). For a show that navigated some heavy material — it was full of such bright color and fun fashion decisions! Unsure if you talk about shows but I thought to ask because you always provide such interesting and thoughtful critiques.
THE COSTUME DESIGN IN TOMORROW!!!!!! it's soooooooooooo good it was one of the things that kept me watching bc yes there some glaringly obvious problems with the script. the production/set design are excellent too, especially for jumadeung. literally framing it as a company is a.....choice, but visually framing it with art deco style architecture a la the chrysler building is a smart way to keep it feeling outside time, because our brains still interpret art deco as a relatively modern style because of its scarcity and association with wealth, but in reality art deco is approaching it's centennial in just a couple of years.
ok i'm gonna talk about some major plot beats so spoiler warning for anyone who hasn't finished the show or cares about that kind of thing.
tbh i actually think the best costume design was in the scenes with all the team leaders because they were so quick and so infrequent but each of them had such a clear signature that tbh i spent like five minutes stopping and starting that first intro scene where we see everyone just to try and pick up all the little details.
other than that though, they do such a good job with koo ryeon, joong-gil and ryung-gu and interpreting how very old/essentially immortal characters would interpret clothing and what they would be comfortable in. jun-woong is fine, but the show itself kind of acknowledges by the back half that really he's the vehicle for the rest of their stories, so imo his design choices are all intentionally wallflower-y. but koo ryeon, joong-gil, and ryung-gu all share some key character traits: they're all extremely loyal, dedicated, defensive, AND they all lived their formative lives pre the invention of the zipper and stretch fabric. i know this sounds like a very weird point to make, but trust me on this one, i'll get to it. and all three of these characters embody all of these traits in their clothing. many of the creature comforts that we associate with fashion are very very modern, think within the last 100-150 years. zippers? the 1910s. spandex/lycra/synthetic stretch fabrics? 1958. hell, even the concept of sportswear and leisure clothing only started cropping up in the mid 1800s. for a lot of cultures and for long periods of history, clothing consisted of a lot of layers and a fair amount of internal structure, by virtue of fabric being a solid weave. for a significant portion of their lives, all three of these characters were wearing anywhere between two and probably five layers at all times, with koo ryeon and joong-gil for about 250yrs longer and also with much more intricacy due to their higher class. clothing plays a very big part into how someone presents themselves to the world, and it can be a protective measure. this might be a bit difficult for some to understand for some, especially in our modern 'comfort first' fashion culture, but the structure and weight of a lot of layers and the rituals around getting dressed a specific way can be both a defensive mechanism and also a physical comfort. you see it with older generations and their likelihood of wearing older styles/styles that were 'on trend' in their youth; think grannies who still get their hair permed and put on lipstick every time they leave the house, or someone like my grandfather, who never stopped wearing the same style of highwaisted slacks and dress shirts from the early 60s. and i think it's a very fair trait to extrapolate to characters who 1) have had particularly traumatic lives, 2) have spent a very long time wearing the same thing, and 3) have a textually noted extended/different understanding of time.
let's start with joong-gil, who exclusively wears a three piece suit post-becoming a reaper. this means he's wearing at least three well structured layers, and i'd be willing to bet that he'd be the type to wear a singlet/underlayer as well, which brings that total up to four. he's also frequently shown wearing an additional jacket (five layers) and gloves, another further barrier. given the fact that jumadeung appears to have 'westernized' aesthetically when korea was freed from japanese colonial rule***, three piece suits were still standard business attire. and he's very strict about his own dress code, he's either in white shirt and three piece or a black shirt and three piece. obviously this is also a physical manifestation of his discipline and dedication of the 'rules', as we can see that when he deviates from that uniform it is as a specific character point for him. the most notable instances of this are in the last episode, where he's wearing a turtleneck (but still a waistcoat) when jun-woong goes to try and reason with him, and then again later in the episode when joong-gil is taking his punishment in his shirtsleeves. and then for a third time at the very end of the episode, where his black three piece has been exchanged for a grey one, signalling his softening and the merging of his two selves (his pre-reaper self that wore mostly lighter colours, and his post-reaper self that wore mostly black).
unsurprisingly, koo ryeon is also a very defensive dresser. all the same observations from joong-gil apply here, but with koo ryeon instead of her being a dedicated rule-follower, her dedication manifests as rule-breaking in order to achieve her goals; as you can see she wears a lot of colours in counter to joong-gil's monochrome. but i think the most interesting of her visual 'rule-breaking' is that she doesn't particularly follow the convenions of 'feminine' coded dressing. this is most noticable in when the rm team goes on 'assignment' in different workplaces, where ryeon will wear nearly identical suits to jun-woong and ryung-gu (interestingly, it's pointedly not her wearing men's clothes, she's always wearing a 'female' version even if the cuts are virtually identical. you can tell bc the button closures are opposite). she also dresses very 'modestly', she doesn't show any skin at all and more notably, she doesn't wear anything form fitting. she favours boxy and bulky shapes with a predominance for longer lines and wider shapes on her lower body. now there's two reasons to speculate for this: the first is the same as for joong-gil, that she's very used to layers and a specific silhouette, especially considering that the shape of female hanbok is not even close to being form-fitting and has heavy skirting. and the second is that her trauma is directly tied to people's perception of her femininity. literally the reason ryeon died is because she was stigmatized for 'using her femininity to get out of an adverse situation' even though we are explicitly shown that that is emphatically not the case. thus her rejection of more western feminine silhouettes is directly related to how she wants there to be no question that the reason she is so accomplished at her job is purely because of her skills, and not for any other reason.
and ryung-gu! more similar to koo ryeon in style than joong-gil, but again they all share that propensity for numerous heavy and obscurative layers that echoes a more traditional style of dress. because ryung-gu is younger (literal age wise but also i'm pretty sure he died younger as well) there's a little more flexibility in his materials and cuts, and because he's of a lower class than koo ryeon and joong-gil, he tends towards less formal shapes too. although i would not describe koo ryeon as a 'formal' dresser, she wears a lot of blazers and two piece suits, as well as heavy wools and fabrics that are generally associated with business and formalwear. ryung-gu however, almost exclusively picks his shapes from garments that have a working class or blue collar origin; lots of jeans, informal but still structured jackets like bombers and denim jackets, and a fair amount of casual sportswear, practical wear, and synthetic fabrics. and although ryung-gu is framed as being rebellious like koo ryeon, unlike ryeon his rebellion always comes as an active response to something that upsets his internal or external systems. as a child he is dutifully and lovingly reverent of his mother, she's the centre of his world, and even as a reaper he isn't shown to have any real issues with authority. sure he clocks out right at eight hours, but that's not being rebellious, that's just following the rules to a technicality. it's only when his mother is taken from his life and he loses that external structure that he actively 'becomes rebellious', and even then i think rebellion is the wrong word; it's actually just self destructive behaviour that is 'morally' grey according to the wider societal system. when his story arc finally concludes and he has his mother back in his life (sort of), he visually sheds some of his more 'rebelliously' attributes by cutting and redying his hair to the 'standard masculine' haircut and showing up to work in a suit and/or less flamboyant patterns and garments. but he does still keep the same number of layers and shapes as he did before.
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***when japan surrendered in 1945 it ceded all its territories to the us, so really korea was actually just colonized again. you can see in the korean war vet episode that in flashbacks joong-gil is wearing a western style suit as a reaper, which would have been between 1950-53, but in the comfort women episode he's still wearing hanbok, which would have been at the earliest 1930ish. also it would makes sense logistically as jumadeung is supposed to mirror the 'real' world. i also think this is where the framing of it as a 'company' comes from as well.
#OK I HAVE TO STOP NOW THIS IS WAY TOO LONG#non kpop questions#if more ppl start asking me about shows and stuff i might start a general media analysis tag#tomorrow#netflix tomorrow#tv#this show had like a TON of problems but i think the heart of it was really good and it was probably necessary?#like the fact that it was extremely empathetic is very important but also. it wasn't realistic at all#and also it was relatively kind to character stereotypes that don't normally receive kindness? like fat characters#AND the fact that ryung-gu is explicitly a recovered addict and still framed sooo empathetically is a huge deal#esp for a country with massive drug stigmas still#but the fact that christian morality is SO deeply baked into just the concept of the show is big oof. like huge massive very large OOF#anyways. here's my very long essay on defensive dressing and how immortal characters arent just gonna dress in the latest trends#text#answers#also further point about ryeon. i think the reason we rarely saw her as a reaper in the period between when jumadeung 'westernized'#and the present is bc it would be a huge betrayal of her character to dress her in something 'traditionally' feminine from that time frame#but they couldn't feasibly dress her as more gender-nonconforming because it would have pretty much instantly coded her as a lesbian#which i think they were actively trying to avoid#OH I FORGOT ABT JOONG-GILS CAMEL NUMBER IN EP5#thats an important character beat for him tho too so it still fits the pattern#since its the first time he makes an effort to try and see a different perspective. even if it doesn't actually work and he regresses lol#anyways these three characters are sooooooo interesting and unusual and i really like all of them#yes ryung-gu is my favourite and no its not just bc he cries pretty! i have real reasons!!
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abookishdreamer · 2 years
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Worldbuilding Intro- Welcome to New Olympus!
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In Olympius (where my fantasy series Kingdom of Ichor takes place), its capital is New Olympus, which is also the country's largest city! The inspiration/aesthetic of the city is an amalgamation of real world locations like Modern day Greece, Ancient Greece, Ancient Rome, Modern day Rome, Modern day Italy, NYC (New York City), LA (Los Angeles), Miami, London, & many more other places!
Here's some general info about the city:
Near the Lightning Harbor stands a 600 ft glittering Imperial Gold statue of King Zeus (holding his iconic lightning bolt in one hand and an aegis in the other). It's called the Panhellenios Statue, commissioned & built by his son Hephaestus (god of the forge).
It's the most diverse, in terms of population!
Grand Thunder Station is a commuter rail terminal having a connection to the New Olympus Subway. It's a mode of transportation not just throughout the country, but also some direct lines to the Underwater Realm & a single direct line to The Underworld. The terminal's Main Concourse is often used as a meeting place. Grand Thunder Station contains a variety of stores & food vendors- including upscale restaurants, bars, three food halls, and a grocery marketplace. It's a tourist attraction! Grand Thunder covers more than 50 acres & has 45 platforms.
Other modes of transportation include ferries, cabs, buses & trains (courtesy of the NOTA- New Olympus Transit Authority), and even through use of a chariot (pulled by a pegasus).
The Three Kings Bridge is the longest suspension bridge in New Olympus. It's of course inspired by the three main rulers & most powerful gods with each section of the bridge being built out of a different material. One section is built out of Imperial Gold (inspired by Zeus), the middle section being built out of Oceanic Metal (inspired by Poseidon), with the last section built out of adamantine (inspired by Hades).
The governor of the city is a mortal woman named Corinna Sotiropoulou while the mayor is the first of its kind- a satyr named Stathis Spiridakis.
There's the Pantheon Walk of Fame- where five pointed Celestial Bronze & Imperial Gold stars contain the names of the major and minor gods & goddesses. They're embedded in the sidewalks along several blocks of Eaglepoint Boulevard and five blocks of Bolt Street in Downtown New Olympus.
The hearth goddess Hestia's eternal red flame (which never goes out) is a symbol of strength and hope is situated (seemingly juxtaposed) in Acropolis Square.
Acropolis Square is a major commercial intersection, tourist destination, entertainment center, & neighborhood in Midtown New Olympus. Brightly lit by numerous billboards, neon signs, and advertisements, it's often referred to as "The Crossroads of Olympius." It's the second most visited tourist attraction in Olympius (right after the palace on Mt. Olympus) & is the busiest pedestrian area. Notable locations in Acropolis Square includes Acropolis Square Garden (a multi-purpose indoor arena), Mall of Olympius (the largest retail shopping mall in the country), and The Parthenon Theater (the largest movie theater in the city)
* not to be confused with The Parthenon (an architectural feat & temple built to honor the goddess Athena, located in Athens.
Eaglepoint Park is New Olympus' largest urban park, located between the Queenstown & Skyline neighborhoods. It covers over a thousand acres of land- home to the New Olympus Zoo, among other attractions. Another statue of Zeus (built out of marble) with an eagle perched on each of his shoulders is here as well. The Summer Solstice Music Festival also takes place here. All the people of the city and its visitors know better than to mess with the stymphalian birds (carnivorous birds known for their bronze beaks, sharp metallic feathers, & poisonous dung).
Some notable things to eat in New Olympus:
Gyro hot dog- a beef frank folded into two slices of pita bread & topped with tzatziki sauce, feta cheese, cucumber slices, and sliced plum tomatoes.
A bag of spiced olives!
Loukoumades- small fried dough balls usually covered in honey & topped with cinnamon and chopped walnuts
Koulouris- a ring shaped bread garnished with sesame seeds
A bag of assorted dried fruits (usually containing raisins, figs, apricots, & pears) lightly drizzled in honey
Greek frozen yogurt
A box of mini honey cakes!
Dolmades- wrapped grape leaves stuffed with rice, onions, fresh herbs, & pine nuts. Comes with tzatziki dipping sauce & other sauce options.
*The next post will go more in depth into the individual neighborhoods of New Olympus!
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