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#Dispersal Stories
awkwardbotany · 4 months
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Winter Trees and Shrubs: Sweetgum
Sweetgum is a distinctive tree at any time of year. It stands out among most other deciduous trees with its excurrent growth habit, which gives it a narrowly conical or pyramidal shape. Only in its advanced age does it begin to develop a more rounded and irregular form. Its leaves are star-shaped with either five or seven lobes and span between four and seven inches. Their glossy green color…
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actualbird · 7 months
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// tot spoilers, bakerlon event story
mc, artem, vyn, and luke: dont worry, emmy! im a lawyer/psychiatrist/detective, and my profession does not allow breaches of confidentiality!!
marius: dont worry, emmy! i wont snitch either because lalalalaalalaaa im not listening lalalallaalalala i cant hear anything~
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cherrywhite · 8 months
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When the silt verses characters start talking about beginnings and endings >>>>
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genspiel · 4 months
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Ray Walker: is a bisexual Lakota man
me: oh, some bi and Indigenous rep! that's cool
also Ray Walker: has "never been a romantic" and "never expect[s] anything long-term" from relationships, feels like "romantic" is an inaccurate description of his relationship with his ex, and asks another character if they can be friends who have sex sometimes
me: oh wait holy shit, is he aroallo???
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aztralsea · 8 months
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Listening to World's Beyond Number (still catching up) and damn, not only is the sound design and Brennan's descriptions amazing, Lou, Aabria, and Erica are some of the best roleplayers ever holy shit.
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verysaxyberry · 6 months
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I think the thing that just continues to astound me about ttrpgs is the fact that people who meet up and are friends outside of the game just... refuse to try anything other than 5e? I've seen so many stories about DMs asking players to try a new system, and they just refuse.
Why? I mean if you come into the night like fully expecting to play 5e but instead they throw something new at you, I get that being frustrating. But I'm talking about DMs asking ahead of time for something new and being refused.
Hello???? These are your friends, you're like 99% going to have a good time even if all you guys can manage is rolling up characters. And 9 out of 10 times its another d20 system so the rules really are not that different.
We started out with 5e, played a full 1-20 campaign and did lots of oneshots. And you know what we all said when our DM, the guy who helped bring the world to life who does the most WORK, asked us to try a new system? We said, "Absolutely dude!"
And ya know what? We had fun! We made mistakes, we had to recheck rules, but we had fun! In fact, it was like playing for the first time again! That exact same sense of wonder and fun!
And guess what? We liked it more than 5e! Its our new standard go to system! We try out other systems occasionally too! And if we had hated it and the other ones? Well, 5e is still right there and we could go back at any time!
Anyway, all this to say, try something new. I mean ideally I want you to try something outside of DnD editions, but honestly just try anything outside of 5e. I promise, if you hate it 5e will still exist.
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tchistorygal · 3 months
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Y3 Story Chat Summary #7: "Uncle Ted's Assets" By Yvette Prior
The Story’s Success With 121 recent views, 32 likes, and 89 comments, this month’s SC story, “Uncle Ted’s Assets” by Yvette Prior was a huge success. If you love to read short stories, you will enjoy Story Chat. For links to all of the SC stories, bookmark the Story Chat Page. What Yvette Said About her Story Chat Experience “Marsha, Thank you so much for hosting story chat and for having me…
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phantomrose96 · 1 year
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The Ship of Theseus is a story of a ship which, over time, has part after part replaced. By the end, 100% of the original ship's pieces have been replaced. The paradox begs the question of whether it is still the same ship.
The Ship of Theseus is a story of a ship which has its pieces replaced one after another. By the end, every single piece of the original ship has changed. The paradox asks if this is the same ship.
The Ship of Theseus tells the allegory of a ship whose crew are replaced one at a time. Eventually every single crewmate has been swapped for a new one. No one left knows what the carved initials in the mast mean. The paradox wonders whether the ship is still the same ship.
The Ship of Theseus refers to a company which has experienced complete turnover and rebranding. The query wishes to know if it is still the same company. The debtors are asking.
The Ship of Theseus is about a family. The original constituents are dead now, replaced by younger generations which have dispersed, found love, married and gained new names. No one is Theseus anymore. No one remembers the bones. But the genes never forget. Who is the family now?
The Ship of Theseus is you, shed of all the cells which first made you. They're stardust again. You'll be stardust many times over. Who are you?
The Ship of Theseus is me. All my words have changed. Who do I get to be now?
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echolynnetelf · 1 year
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No stream today and maybe tomorrow, my brain is still in FF14/PF2e brainrot and refuses to release me from its clutches till I get the details sorted out with what happened with my character in the session last night.
To best explain the shit that had the table go absolutely crazy at the table, here's some memes for the jist of what went down after clearing (we think) the first part of the floor:
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Needless to say, my poor identity-theft of a samurai now has much more burn scars to add to the ever growing collection of 🌟✨️trauma✨️🌟 and self-hatred.
#In the moment of all the chaos I was fully prepared to accept the first time any of my characters dying#Yeah it would have sucked but there was already an idea of some way to tie the new character into the story should that final DST fail.#It wasn't until after the game that I was alone with my husband (the dm) and a fellow player where we figured out something#If Exitus would have died there then it was very likely possible that the death would have possibly ended the campaign.#Not because of anyone throwing a hissy fit but because the character being the accidental glue holding the party together.#Exitus has seen what originally happened to cause the Calamity on the (current) 2nd shard and has info that the othera don't.#If she were to have died there in a very fitting way as it were then the party would have dispersed#They would all end up scattering with the nephew/oracle ending up on Emmet Selch's side to reunite all the shards.#Exitus has unintentionally as a pc been the driving force of righting wrongs & overcoming the impossible to prevent the end of the world#If she's gone then so is any hope of killing the world enders.#This morning I made the connection that the driving force behind Exitus wanting to kill Zenos is similar to Inigo Montoya.#“My name is Silvianna Allucinox. You killed my mother (& burnt my village down). Prepare to die.” -Exitus to Zenos someday probably#I hate Harry Potter but the whole “Dumbledor said calmly” reminds me of what happened between Jita towards Nyx and it's hilarious
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skzdarlings · 2 months
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bets and situations ; skz ; minho x reader
original ask: requested by anonymous: minho and “is that how you usually get out of these situations? by fucking your way out of them?” please
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pairing: lee minho/reader content info: rivals to lovers. street racing. stubborn!reader. placing bets, betting sex (still explicit consent), fucking vs making love. outdoor sex. sex on a car. explicit sexual content. word count: 3400 words.
masterlist. part of the valentine’s day stories series. credit to prompts. requests are closed.
enjoy! <3
-
Sure, you are a little insufferable. 
But Lee Minho is worse. 
He carries himself with an elitist pomposity, like he is above the other drivers just because he once raced professionally.  Trophies or not, he is out here with the rest of you, illegally racing cars down desert roads, placing bets in the dead of night. 
You were content until this fucker came along.  Lee Minho and the stupid pretty face that won him fan clubs and brand deals.  Ugh.  You hate him for having that life and for giving it up when it is a fantasy for you.  The world of professional racing is notoriously hostile to women.  You admit there is a tinge of bitterness on your side of every interaction, but he goads you like an asshole.    
He arrives with his usual entourage.  A couple of them are racers, though not professionals, and a couple just spectate and mind his vehicle.  He has a nice car, almost as pretty as him.
You whistle as he approaches.  He looks at you with his usual exasperation, delicate features pinched with annoyance.  His hair was a vibrant red in his racing days, quite the act of showmanship, but it’s a natural dark brown now, framing his mean, stupid, handsome face.
“Hey, pretty boy,” you say.  “Finally gonna grow a pair and race me?”
His scowl turns to a bitchy little sneer.  He laughs sarcastically. 
“Not worth the mileage,” he says.  He shoulders past you, his leather jacket against your denim.  “Winning against a little girl does nothing for my massive ego.”  He says this with a sarcastic flourish, mocking your derision of him. 
You know the comment is a deliberately cheap shot.  Unfortunately, in reality, Minho is the least chauvinist racer you have ever met, treating the women here with the same basic dignity as the men.
It’s just you he hates, because you hate him too.   It was inevitable.  You were hostile when first meeting.  You challenged him to a few too many personal races.  You were a sore loser and even worse winner.  What started as an effort to prove something spiralled into a rivalry. 
You won the last couple races.  You gloated a little too hard and now he is refusing to race you again. 
“Sure,” you say.  “Sounds to me like you’re scared to lose for the third time in a row.” 
He just keeps walking, ignoring you, which is so much more infuriating than when he snaps back. 
You decide to keep your distance tonight.  If you continue to agitate yourself, you are going to develop a stress aneurysm.   So you keep to your own group, race your own races, and collect your own winnings. 
But, ugh.
He is right there. 
Just in the corner of your eye, just skirting the periphery of your space, just breathing the same night air.  When you are looking at him, he captivates you.  When you look away, he is like an impossible itch, begging for your attention again.  You constantly catch him looking at you too, which does not help matters. 
By the end of the night, you feel like a live wire, all electricity and unbound energy.  Not a single race has satisfied you.  You won three of four, making way more money than you lost, but it is not enough.  It is never enough.  You already know how good you are.  You know you can beat most of these guys blindfolded. 
Your only perfect match is Lee Minho.  The only victory that matters is that one. 
As the crowd disperses and everyone departs, you march towards him.  He is saying goodbye to his crewmates, his back to you, but his buddy cracks a grin when he sees you coming.  He smacks Minho on the shoulder before turning away. 
Minho turns around with a befuddled look on his face.  When he sees you, it slackens to that unamused vexation.  He pockets his hands in his leather jacket and slouches against his car.  He shakes his head as you stomp up to him. 
“One race,” you say. 
“No,” he replies, without missing a beat. 
“Why not?”
“Because I said so,” is his insufferable reply.
“That’s not an answer,” you say.
“That’s too bad.”  He gives you a final shrug then turns, opening his car door, preparing to leave. 
“Wait,” you say. 
You heart is racing.  Somehow, you feel like tonight is different from every other night.  Maybe it is the perfect crispness on the breeze, the remarkably clear sky, or maybe just the way those jeans seem to hug his thighs.  Stupid hottie.  You will have him and his attention.  You will get the better of him, one way or another.  It was all leading to this. 
“One race,” you say.  “A bet worth the mileage.” 
“I don’t need your money,” he says.
“I’m not offering money,” you reply. 
Finally, he closes the car door.  He sighs, a very loud and dramatic sigh, like you are the biggest inconvenience on earth. 
“What are you offering?” he says, facing you.  The disinterest in his tone is betrayed by the curious sweep of his gaze, an up-and-down perusal like he expects to find his prize somewhere on your body. 
Oh.
You feel flushed inside, realizing that it exactly what he is thinking.  Looking at you with a hungry, lecherous gaze, anticipating you are about to offer up yourself as a potential prize. 
It makes your heart stutter and your lips do the same, your next words all tangled up on your tongue.  It did not even occur to you to offer such a thing.  You hate him, so of course you would never think about him that way.  But now that he is looking at you like that, his expression coloured with interest and suggestion, you find yourself too shocked to even parse your feelings. 
The only thing that is obvious, abundantly obvious, is the punch of heat in your gut.  No, lower.  Heat that curls up inside you and makes you second guess.  Heat that is curious about the look in his eye. 
Then you shake your head.  You resist the urge to smack him for throwing you off.  You were in control and now you are flustered. 
“Not me,” you snap. 
His eyes, which have made their way down your whole body, follow the same path up.  He meets your gaze eventually.  Then he says nothing, because he is the worst, and just lifts an eyebrow at you. 
“My car,” you say, with no-nonsense finality.  “I bet my car.” 
He blinks at you.  Long, slow blinks like a cat.   It takes him a second to find a sentence. 
“Your car,” he says.  He tilts his head and squints, looking at you with scrutiny, like he is trying to see through your ploy.  “And what do you want if you win?” 
“Admit I’m the better driver once and for all,” you say.  The words feel a little foolish leaving your mouth.  You have been chasing the high of that confession, aggravated every time he dodged it, but saying it out loud makes you feel needy.  You clear your throat and stand straight like you are unbothered.  “That’s all I want,” you say.
He rubs a hand across his jaw, laughs incredulously, then swings his arms out at his sides. 
“Fine,” he says.
By now, everyone else has gone.  It is just you and him under the streetlights, the long empty road stretched across the dunes ahead.   You stare at one another, like there is no road and no sky, no world at all outside each other.  It is intense and all-consuming.   
You hold out a hand.  He takes it and yanks you closer to him.
“I would have told you that for free,” he says.  “Since it’s the truth.  You just had to ask.”
Now it is your turn to blink, looking at him with shock.  You would have been less stupefied if he called you a tirade of rude names, or tried to weave doubts in your mind.  Instead, he smiles at you, and it is not half as smarmy as usual.  He drops your hand and turns away, leaving you gawking at the air as he ducks into his car. 
He honks the horn, snapping you to attention. 
The heat rushes back in a hurry.  You swallow, then walk to your car on suddenly shaky legs. 
-
He wins.
Of course he wins.
You were distracted by his parting words.  You and him are so closely matched in skill that a fleeting weakness is all it takes for one to overtake the other.  You were faring well at the start, but his engine revved and your attention strayed.  Your prize was somewhat nullified by his confession, your behaviour embarrassing in hindsight.  You bet your car.  What were you thinking?
You weren’t.  And it was all his fault.   
Your car skids to a screaming halt just seconds after him.  You smack the steering wheel with frustration. 
Maybe I should have just bet my body, you think to yourself, a thought that has you shivering from something other than adrenaline.  Thoughts like that are not like you.  And Lee Minho is the last man on earth you could ever want.  Even though he is simultaneously the only man you want, or at least the only one with an opinion that matters, the only man whose attention you ever want.  He is always the highlight of your night. 
Oh god, you think with a nervous twist in your gut, I like that arrogant loser. 
Facing him is hard and it has nothing to do with losing your car. 
He is not gloating because he is not the type.  He is just leaning against his vehicle with his arms crossed, watching your nerves and passion get the better of you.  He does not flinch when you get right in his face, huffing from exertion.
“Do-over,” you say.
“Absolutely not,” he replies. 
“You got in my head on purpose.” 
“I can only do that if you let me in,” he says, looking smug.
“One more race,” you insist. 
“You have nothing left to bet.”
“Me,” you blurt.  “I bet myself.” 
You feel some satisfaction at the flicker of surprise that creases his brow, but then he is just staring and blinking again.  Your heart still thinks it is in a race, stampeding so far ahead that your whole body is awash with heat. 
“You,” he finally says.  His tongue darts out to wet his bottom lip, then he tilts his head in that studious way. “What does that mean?” 
You feel so hot it is making you a little woozy.  It’s just aftershocks from the race, you tell yourself, even though that heat comes from somewhere much more intimate. 
You cross your arms stubbornly.  You look away.  You even stomp your foot. 
“You know what I fucking mean,” you snap. 
“Is that how you usually get out of these situations?” he asks in a teasing tone.  “By fucking your way out of them?”
You refuse to answer.  You arms are still crossed, your face still turned.   
He touches your chin, a painfully delicate touch.  Whenever you do fuck someone, it is hard and fast, like everything else you enjoy.  Your greatest rival should be touching you with the roughest touch of all, but it is the very opposite.   It is a suggestion of a touch, little more than a caress as he turns your face to his.  You swallow until the intense focus of his sharp eyes. 
“I don’t fuck like that,” he says.  He bats his pretty eyelashes while smirking like a devil.  “I don’t have to make bets.  I make love to people because they want it.  Sorry.”  He rolls his eyes and turns away, wiggling his fingers in a sarcastic good-bye wave as he slides into his driver seat.  “You can keep your car.  I don’t want or need it.  Good night.” 
You put yourself between the door and car, stopping him from closing it.  He looks at you, eyes narrowed more intensely. 
“Now, now,” he says. 
“I’m a big girl,” you snap.  “I don’t need you protecting my honour.  I wouldn’t offer to let you fuck me if I didn’t mean it.” 
He stares at you, contemplative behind those dark eyes.  He has just returned your vehicle so you have no reason to make another bet, other than to prove the veracity of your previous offer: that you do want to fuck him, even if you don’t want to admit it.
“I told you that you can keep your car,” he says. 
You are amazed smoke is not blowing out of your ears, considering how hot your face feels. 
“I heard you,” you say. 
He gets out of the car slowly, holding your gaze the entire time.  You take a step back. 
Then he walks at you, which forces you to take another backwards step.  Step by step across the tarmac.  The breeze tousles a bit of his hair, but nothing stops his stride and his eyes never leave yours. 
You find it difficult to catch your breath.  Garnering this man’s undivided attention has been your only goal for months, and the reality of it is heady.  He is intoxicating. 
It seems the feeling is reciprocated, given how he looks at you, which just makes you stumble in your backwards trek.  He catches your wrist, tugging you upright, yanking you closer.  You collide with his chest, disoriented from so little. 
“So,” he says.  “If you win, we fuck.  And if I win, we make love.  Is that correct?” 
“Whatever, there’s no difference,” you say.  You are instinctively combative when flustered, redirecting the source of your embarrassment to confrontation. 
It seemingly works.  His attention diverts and he says, “Yes, there is.”
“No, there isn’t.” 
“Yes, there—”  He stops himself from retaliating with the same childish rejoinder.  He props his hands on his hips, shaking his head at himself as he stares up at the stars.   
Eventually he huffs, rakes his teeth over his bottom lip, then looks at you. 
“Fine,” he says.  “We’ll race.” 
Your heart is already revving like an engine.  You take another couple steps back to smirk at him triumphantly.  You walk right into your car, that smug face dropping in surprise.  It gives him the opportunity to crowd you against it, planting his hands on either side of your head.  You hold your breath. 
“You have to pass my test first,” he says. 
“Excuse me!”  Your own incredulity resounds.  You smack his chest but he does not move. 
“It’s just two questions,” he says.  “You’re a smart girl.  You’ll figure it out.” 
He is tormenting you.  You hate him.  You hope he never stops. 
“Fine,” you snap.  His smirk makes your whole belly swoop with anticipation. 
“Good,” he says, then stands back. 
You hold his stare, refusing to show any weakness.  At least you can catch your breath in the space between you. 
Then he says, “Get on your knees.” 
Your legs are already shaky – from nerves, from the dwindling adrenaline of your race.  There are a lot of reasons your knees buckle.  Plenty of explanations for why you do not hesitate, sinking to your knees right there on the road. 
Your gaze drops, flustered by his demand and your response.  You look at his shoes, all black, well-worn, scuffing the tarmac as he steps towards you. 
“Now tell me,” he says, then gathers a fistful of your hair and yanks your head back.  He meets your gaze as he says, “Is this fucking or making love?”
Then his fingers are in your mouth.  You let him in without any hesitation, like your whole body is instinctively attuned to his.  His grip is firm, his fingers relentless, undoubtedly fucking your mouth with the sloppy, mean thrust you would expect from an enemy.  Still, it feels good, unbelievably so, your mouth wet and hot and his fingers sliding over your tongue, the soft suction of your lips making his eyes blaze and his throat bob as he swallows. 
When he slides out, a trail of spit connects his fingers to your lips.  Your lips quiver with a shuddering breath. 
“Well?” he says. 
You swallow, but eventually manage a weak, “Fucking.” 
“Good,” he says, grinning that wicked grin.  “That’s one out of two.  How about this one?” 
He drops to his knees.  You are face-to-face now, kneeling on the road in the dead of night.  There are no witnesses to this scene except maybe the stars, the clear night revealing all your secrets. 
His face is as open, his expression suddenly so devastatingly soft and vulnerable.   Your breath stutters before he even moves.  He cups your cheeks with both hands and draws you to him.
Your eyes close when your lips touch.  He strokes his thumbs across your cheeks and licks into your mouth with decadent slowness, like he wants to savour every second of your taste.  Your mouths move together like they were made for each other, never racing too far ahead. A perfect give-and-take. 
When he stops, you feel dizzy and bereft, but only for a second.   He cups your jaw and tilts your face just so, then his fingers are parting your tender lips and the taste of him is on your tongue once more.  Your eyes close and you moan thoughtlessly, bobbing your head to the gentle rhythm he sets. 
“This,” he says in a feathery-light voice.
You shiver as he slowly withdraws his fingers.  He wipes his thumb across your lips to clean you.  You let him cup your chin and tilt your face, this time so he can look you in the eye. 
“Tell me what we’re doing,” he says.   
The suggestion makes you throb.  You are hot and aching when you admit, “Making love.”
“Good,” he says, then pecks your lips before rolling onto the balls of his feet and shooting upright.  “Now we can race.” 
-
It is a perfect draw. 
You are both distracted.  When you slam on the brakes in the same place at the same moment, it is with a singular purpose in mind. 
Doors slam.  You meet in the space between your vehicles. 
“I won,” you say, just to be argumentative. 
He is shrugging out of his jacket.  It his the ground.  He does not break his stride, already going for his belt.  Your knees nearly buckle again. 
“Fine,” he replies.  “Then get over here.  I’m fucking you on the hood of my car.” 
Fucking you is exactly what he does.  It is not making love.  He strips you methodically, your jacket and shirt and bra.  Your jeans get shoved down past your knees and he bends you over the hood, still warm from the purring engine.  You are hot and frantic, cheek pressed to the hood of your rival’s car while he works you open and shoves himself inside you. 
You make a sharp sound then a low moan, hands plastered to the hot hood.  He fucks you like he races you, without holding anything back because he knows you can take him. 
It feels as primal as a race, the animal instinct that conquers you in a rush of adrenaline.  It is your singular focus, the steady thud of him inside you.  You do not care about appearances, about seeming ridiculous, meeting every thrust and moan with your own.  He sounds good and feels better, your bodies in harmony, chasing each other to the finish line. 
He yanks you up, your back arching as he turns your head for a kiss.  It puts you over, clenching hard around him, setting him off.  He makes a soft sound then groans with pleasure.  He stays there for a minute, both of you breathing hard.
“I want you to keep your car,” he finally speaks, “because I need you to come back tomorrow and race me again.” 
You gasp when his hand moves between your legs, working you up again, slowly but surely.   
“Because next time I’ll win,” he says.  “You sounded so good getting fucked.  I want to see your face when you come on my cock again and again from making love.”
“Won’t happen,” you say, even while your on the cusp of doing just that. 
“Mm,” he says, then laughs that light, evil laugh as you come all over his hand.  He kisses the side of your head and says, “Wanna bet?” 
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awkwardbotany · 8 months
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Tea Time: Fireweed
lf you’ve seen one fireweed, you’ve probably seen several. As an early successional species, growing in large numbers across a vast amount of space is kind of its thing. Any disturbance that leaves bare ground in its wake, such as a wildfire or a windstorm, gives fireweed the opportunity to colonize. It grows quickly and spreads via rhizomes, producing thousands of airborne seeds in the process,…
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thef1diary · 1 month
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Little Big Fan | Fifteen
— Little Big Aftermath [aka the end]
Series Masterlist
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wc: 3k
we’ve made it to the end guys! I just have to say I never thought I’d complete this story and that too fifteen parts of it but to all those who read it and motivated me to keep writing, thank you. While it is the end of the official story, I will continue to take requests for blurbs on specific scenes you’d like to see. However, there won’t be a set posting date on these blurbs, it’ll be out whenever it’s requested and completed. Once again, thank you so much for those who were here since the first chapter, and here’s to more fic series in the future. P.S lemme know if you want to be tagged in the blurbs.
Your frown grew deeper as you turned in the direction your daughter had pointed, unfortunately spotting Tyler. Luckily, he wasn't looking at you two since he was focusing on the podium celebrations about to happen.
"I didn't know daddy was here, mama." Picking Isabella up, you shook your head, "I didn't know either, angel, but let's focus on Max for now okay?"
She gave a nod of agreement and applauded for the drivers, Oscar and Lando in particular, who finished second and third in the race. She did, however, cheer the loudest when Max, as he has done after almost every race this season, stepped onto the top step of the podium.
He was having trouble finding you and Isabella right away in the crowd, and you could see the slightest frown forming on his face until a smile emerged when he succeeded, connecting his gaze with yours.
Isabella giggled as Max held his hand up to wave at her before blowing a kiss in the air in your direction. His behaviour drew Lando and Oscar's attention to you as well, with the former driver rolling his eyes at Max jokingly and Oscar smiling at the interaction.
However, you didn't realize that someone else was also looking at you because your gaze didn't waver away from Max.
The champagne bottles were popped, and this time Isabella was awake to see it all, watching with fascination as it was the first time she was able to see it in person. "I wanna do that, mama," she pointed at the drivers spraying the alcoholic drink, soaking each other's race suits while laughing. "Maybe when you're older, Bella."
"When I'm 7?" She asked, and you chuckled, "a little more than that, sweetheart."
Once the celebrations were over, a huge part of the crowd dispersed, the teams resuming to their usual scheduled routines, preparing for post-race debriefs and other meetings. "Where's Maxy going?" Isabella asked, watching as he was led away by someone clad in a RedBull uniform.
"He's a little busy with interviews, but he told me that he'd come back as soon as he's done," you explained, knowing that Max had a post-race conference and a few other duties lined up.
Isabella huffed, "but he won the race." She rested her head on your shoulder for a moment while playing with a strand of your hair—the habit formed back when she was a few months old.
"Yeah he did, which means he's very famous right now and so many people want to talk to him," you explained and while she nodded in understanding, she still pouted, "I wanna talk to him too."
"Why don't we wait for him inside his driver's room?" You asked, turning around when she nodded.
You had almost reached Max's driver room—a place he had suggested for you and Isabella to stay to wait for him, but pausing in a secluded area as a familiar voice called out, "Isabella!" then heard your name as well. Isabella squirmed in your lap, wanting to get down after seeing Tyler walk up to you both. You sighed, knowing that you'd have to stop and chat.
"Tyler," you greeted, and awkwardness hung in the air for two seconds before Isabella decided to speak up. "Daddy, you said you were busy, what are you doing here?"
Despite her hesitance to stay at her father's place, which she still hasn't done since the day she was discharged from the hospital, she frequently spoke to him over the phone.
Unfortunately for him, Isabella rarely forgets promises. While he was busy playing the "good father" role after your ultimatum, he had make false promises, agreeing to everything she asked for without hearing her out properly. In that conversation, she asked about the promise he made of taking her to a race before she had met Max.
While you and Max had taken her once, she still wanted to experience the thrill with her father since he was the one who introduced the sport to her.
He glanced at you, silently asking if he did in fact claim that he was busy, and frowned when you nodded. "Oh Bella, sweetheart, I didn't know that I would have the time to be here, it was an unexpected decision or else I would've brought you along, but you're here anyways!" He tried to uplift her mood, but instead of hanging on to every word he spoke like she used to do, she just shrugged.
Deciding to divert the topic of conversation, Tyler asked, "did you enjoy the race?" He stepped forward, kneeling down to be closer to her but on instinct, Isabella moved away, clutching on to your hand tightly.
He frowned, once again glancing up at you after noticing her behaviour, but you didn't let an ounce of emotion show on your face. "I'm so happy Maxy won!" She exclaimed, her mood improving for a moment as she thought about him.
Standing up to his full height, Tyler looked at you, "why don't we sit and chat for a moment?" Pressing your lips together in a tight smile, you replied, "I don't think that's a good idea."
He scoffed, then shrugged, "fine, have it your way like always." You were not in the mood to indulge his stupid comments which would eventually lead to an argument, in fact you were here to enjoy the weekend with your boyfriend who you dearly missed in this moment.
His eyes widened briefly when you didn't respond to his comment, wondering how you changed so much in a matter of a few weeks that you couldn't care less about him anymore.
"Hey Bella, why don't you show daddy the caps that you got?" You prompted another topic, that Isabella quickly agreed to. Tyler's gaze remained on you for a moment, understanding that you truly had no intention on speaking to him longer than necessary. The conversations you did have were only necessary due to your daughter, but even those texts and calls started becoming less and less frequent.
Isabella took off her Red Bull cap, which had autographs from Max and Checo, to expose a Ferrari cap with two more signatures from Charles and Carlos, and then a McLaren cap that undoubtedly featured two signatures from Oscar and Lando. She caught up to Lando and Charles, who had given her their hats earlier, as well as their teammates, to obtain signatures. She then wanted to get autographs on her RedBull cap as well. When she asked Max and Checo, they chuckled with the latter claiming she had them all at her beck and call, but they nevertheless signed the cap.
Isabella ended up stacking all three caps on her head because she couldn't choose which one best matched with her outfit. She began explaining the story behind the signatures, and Tyler intently listened, asking a few questions in between as well.
"And then-" Isabella's gaze wandered off, eyes lighting up in excitement as she spotted, "-Maxy!"
Without any hesitation she ran up to him, colliding with him as she tried to wrap her arms around him, earning a low, "oof" from him.
Picking her up and settling her on his hip, holding her up with one arm, he held up his other hand that had a medal hanging from it. Max placed the medal around Isabella's neck, which he received on the podium earlier along with his trophy. "We won, princess," he commented, smiling as wide as she did.
She held both of her hands up, imitating the action Max did as he held his trophy on the podium, causing him to laugh. You watched the interaction with a smile on your face, and could hear their laughter from a few feet away.
Walking towards you as Max was initially planned on doing, he noticed a man next to you, which based on your descriptions was Tyler. He decided to overlook him for now, instead greeting you with a kiss to your cheek.
Tyler held his hand out, "great race, congratulations on the championship. I'm a huge fan by the way." Max, nodded politely, still holding Isabella in his arms but shaking his hand nonetheless. "Thank you," he prompted, waiting for the man to introduce himself to confirm his suspicions.
"Oh, so you're Tyler." Max glanced at you for a moment, watching as you tried to hide your smile behind your hands because of his antics. "Why do you say it like it's a bad thing?" He questioned, and Max was quick to retort, "well, it's not really the best thing now is it?"
"I don't understand," he trailed off, and your boyfriend shrugged, "I figured you wouldn't understand, it's okay," he patted Tyler's shoulder in faux consolation. You had to take a step back so Tyler wouldn't see your expression, placing a hand over your mouth to muffle your laugh.
Tyler was quick to catch on to the condescending tone Max spoke with, looking at you—after you composed yourself fortunately. "So what, you get invited to one race and you guys are best friends now?" He asked, a hint of jealousy you were familiar with revealed in his tone.
"More like she's my girlfriend and they're here to support me," Max clarified. Tyler looked at Max, then Isabella, finally understanding why she was always so enamoured by him.
He scoffed, "oh great, enjoy my sloppy seconds then mate, I will warn you though, it's not worth it because a few months later she'll show you a positive pregnancy test and force you to be a father."
Your jaw dropped, instantly responding, "in front of my daughter?" You glanced at Isabella who was in fact hearing all the words spoken, only frowning due to yours and Max's expressions as she didn't understand the full context of the words her father had said, just knowing that it wasn't good.
Max wiped his hand over his mouth, jaw clenching while his warm gaze turned cold within seconds. "Apologize, now," he instructed, trying to hold himself back from causing a fight.
"Now why would I do that? It's true." Max placed Isabella back on her feet who quickly shuffled over to you, standing behind your legs. "How dare you stand here claiming to be my fan yet talk shit about the person I love?" The driver placed his hand on Tyler's shoulder again, but this time you could see the fear bubbling up in his eyes as his grip tightened.
Still, Tyler managed to scoff, "love? Bold claims there. Sorry to break it to you but she's probably just with you for your mon-" he couldn't finish his sentence because he was punched square in the jaw by your boyfriend.
"Max!" You shrieked, and watching the interaction, Isabella held on to your hands tightly with tears welling up in her eyes. You picked her up again, noticing that Tyler was fuming in anger. "Gonna fucking sue you for that," he spit out some blood, but Max only shrugged, "try me."
Fortunately, you guys were stood in between the team motorhomes, which meant you were slightly hidden away from public eye due to the buildings covering the scene.
Readying himself for another punch if needed, you shook your head, "it's not worth it, Max."
"Yeah Max, listen to your girlfriend," he taunted, angering you in the process. "Will you ever shut up?" You shot back. Max glanced at Isabella who had hid her face in the crook of your neck, arms wrapped around you. Although he couldn't see her face, he guessed that her eyes were tightly shut.
Nodding as a silent agreement with Max, you decided to walk away from the scene as you didn't want to expose Isabella to any more of this argument than what she has already heard. Glancing at Max once more, you hoped that your expression was indicating something along the lines of, "don't do anything too bad."
However, you could hear Max's words as he began speaking to Tyler, "listen here you little shit..." but you didn't stick around to hear the entire conversation, smiling to yourself knowing that Tyler would finally be put into his place—that too by his favourite driver.
Finally entering his driver's room, you sat down on the couch sighing in relief. Isabella was still in your lap and you ran your hand up and down her back in a soothing motion because you could feel her sniffling against you. "Bella," you murmured, wanting to see her adorable face.
"I'm so sorry you had to see that, sweetheart." You kissed her head before brushing your hand through her hair. You heard her mumble but didn't catch her words, "what was that?"
She lifted her head to look at you, and you frowned seeing the tears staining her cheeks. "Why is daddy so mean? I don't like him."
"Some people are just mean for no reason, and unfortunately, your daddy is one of them," you explained, no longer covering for him knowing that after what Isabella witnessed, she wouldn't want to be near him no matter what you said.
She frowned but didn't respond, leaning her head against your shoulder again. You didn't disturb her peace, knowing that after the eventful day, she needed some quiet time.
Max entered the room a few minutes later, and he smiled to greet you but it fell flat. He pointed at Isabella, then put his thumbs up to silently ask if she was okay, but you shrugged.
"What did you say to him?" You asked, knowing that whatever conversation followed probably wasn't kind. "I told him that I'd ban him from future races if I saw him anywhere near you or Bella, and he left."
You knew that it probably wasn't that easily done, but you didn't ask for more details.
You had thought Isabella fell asleep since she hadn't moved in a while, nor could you see her face, but she lifted her head up to look at Max once she heard some shuffling about in the room.
He paused as soon as his gaze connected with hers, unsure of how to initiate a conversation because he did literally punch her father. Isabella wiggled off your lap, and both you and Max thought that she would walk away further into the room so her next action surprised you both. Running towards Max, she held her arms out, engulfing him in a hug.
"You're better than my dad, Maxy," she muttered, and he audibly sighed, the stress wrinkles on his face disappearing while wrapping his own arms around her smaller frame.
"Thank you, princess," he whispered back, and she pulled back to kiss his cheek. Isabella looked back at you, smiling when she saw you smile as well. "Thank you for taking care of my mama," your daughter told Max, and his heart warmed at her words. "Always."
The ring of your phone interrupted the beautiful sight in front of you, but your eyes widened when you saw that it was your mother calling. As soon as you pick it up, you're greeted by hearing your full name.
"Hi, mum," you stood up and walked further away just in case you were about to get a scolding although you had no idea what you could've possibly done. "Why didn't you tell me?" She asked.
"Tell you what?" You answered with a question of your own, knowing that she could be referring to anything at the moment. "That you have a boyfriend."
Your mouth dropped open, "how do you know that?" She chuckled, "because a friend of mine called me and told me that she just watched you kiss someone on live television, some racer guy."
Covering your mouth with your hand, you thought back to the moment Max kissed you in front of the huge crowd after getting out of his car, and of course there had to be cameras capturing the moment. "Max, he's a Formula 1 driver," you explained.
"Wait, the same Max that Bella talks about?" You hummed, "the same one."
"I'm glad you finally moved on from your daughter's father, but I'm also sad that you didn't tell me sooner and I looked foolish because I didn't know until my friend told me about it."
"I'm sorry, I didn't think my relationship would be broadcasted live. Plus, I think the chapter with Tyler is finally over, for both me and Isabella."
"That's good to hear, she doesn't deserve a father like him. Is Max good to you?"
"He's the best to both of us, she lights up with joy every time she sees him." Your mother hummed as she heard your response, "then me and your father have to meet him one day."
You heard some laughter in the next room where Max and Isabella were, and you smiled at your mother's words, "I hope we can come by soon, I'd love to introduce him to you and dad."
After saying goodbyes and promises to meet soon, you returned to the room Max and Isabella were in, pausing in the doorway at the sight in front of you. Just like how Isabella was sitting in your lap earlier with her head against your shoulder, she did the same to Max.
You were about to make your presence known when you heard your daughter's question. "Maxy, why do you call me princess?"
Max's gaze found yours, always finding you whether you were standing in the corner of the room or in a crowd. "Because your mama is the queen," he responded casually, as if he was stating a fact.
Isabella lifted her head, "does that make you the king?" He shrugged, "I guess it does."
She giggled, "and does that mean we get a happily ever after like the storybooks?" Max reached his hand out towards you, asking you to join them which you obliged to easily.
"Ours is better than the storybooks," he stated, placing a kiss on Isabella's forehead before pecking your lips briefly.
The End.
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hayatheauthor · 6 months
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Everything You Need To Know About Writing Gunshot Wounds 
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Welcome to the latest installment in my ongoing series on crafting realistic wounds in fiction! After covering stab wounds and burns, it's time to explore the next wound category frequently explored in fiction—gunshot wounds. 
Gunshot wounds are a recurring motif in the realm of storytelling. They're something you can easily come across in every genre, however, authors often poorly portray gunshot wounds due to lack of proper research. I understand finding the right resources to aid with your writing can be hard, so here's my comprehensive guide on how to write gunshot wounds. 
How To Categorise Gunshot Wounds
There are certain factors you need to consider before writing a gunshot wound. These details are instrumental in crafting a vivid and plausible narrative while avoiding plot holes. The first and most important one is identifying the type of firearm used to inflict the wound. 
Picking The Right Firearm 
Selecting the appropriate firearm to inflict a gunshot wound is a pivotal decision. It's not just about choosing any gun; it's about picking the right one to align with your desired outcome and the narrative's overall impact. Here's a quick guide on how to pick the right firearm.  
The Impact of Firearm Selection
The firearm you choose can significantly influence the severity and appearance of the gunshot wound. Whether your goal is a graphic, gory injury or a precise, long-range shot, the choice of firearm plays a crucial role. Here are some guns you to consider:
Handguns: These are versatile and commonly used in close-quarters combat. They can result in gruesome, close-contact wounds with a higher potential for damage due to their stopping power.
Shotguns: Shotguns disperse shot pellets upon firing, making them suitable for creating a broader pattern of injuries. If you aim to depict a devastating, close-range gunshot wound, shotguns can be a fitting choice.
Rifles: Rifles are known for their accuracy at longer distances. When you need a precise, long-range shot, rifles are the go-to option. They tend to produce a cleaner wound channel, especially when used for a targeted, well-planned injury.
Choosing the Right Firearm for Your Narrative
The type of firearm you select should align with your story's objectives. If you intend to evoke visceral, gory reactions, opt for handguns or shotguns used in close proximity. On the other hand, if precision and long-range engagement are key, rifles can achieve your desired outcome.
Keep in mind that firearm selection can affect the wound's damage, trajectory, and overall portrayal in your narrative. 
Categorising The Wound 
Once you've identified the type of firearm, you need to establish what type of wound your character will incur. 
In order to bring your character's injuries to life, it's important to first identify what you're dealing with. You can do this by categorising the injury based on several factors. For gunshot wounds, this includes the type of firearm used, the bullet's trajectory, and the specific areas of the body affected.
You can categorise your character's gunshot would into seven main categories, here's a quick breakdown of what these categories look like and the level of severity associated with them: 
Penetrating Gunshot Wounds: These wounds occur when a bullet enters the body but doesn't exit. The bullet remains inside the body, causing damage along its path.
Perforating Gunshot Wounds: In this case, the bullet enters the body and exits on the opposite side. This type of wound can have a different set of implications due to the bullet's trajectory.
Ricochet Gunshot Wounds: Ricochet wounds happen when the bullet bounces off a surface before hitting the character. The nature of the surface can influence the severity of the wound.
Through-and-Through Gunshot Wounds: As the name suggests, these wounds occur when the bullet enters one side of the body and exits through the other. The trajectory can greatly affect the injury's severity.
Close-Contact Gunshot Wounds: These wounds result from the firearm being fired at extremely close range. The proximity of the gun to the body can lead to unique wound patterns and burn injuries.
Shotgun Wounds: Shotgun wounds differ from those caused by handguns or rifles. The shot pellets disperse upon firing, leading to a broader pattern of injury.
Long-Range Gunshot Wounds: When a character is shot from a considerable distance, the wound might appear different due to factors like bullet tumbling and loss of velocity.
The Anatomy of a Gunshot Wound
To create a vivid portrayal of a gunshot wound, writers need to grasp not only the external appearance but also the internal effects it has on the body. A well-executed description captures both the physical trauma and the emotional turmoil experienced by the character. Here are some symptoms you should take into consideration.
1. External Appearance and Bleeding:
Wound Size: The size of a gunshot wound can vary significantly based on the type of firearm and bullet used. Smaller calibers may leave entry and exit wounds that are relatively small, while larger bullets or high-velocity rounds can create much larger wounds. Be specific about the size, which can help readers visualize the injury.
Blood Loss: Gunshot wounds typically result in bleeding. The severity of bleeding depends on factors like the wound's location, the size of the blood vessels damaged, and the bullet's trajectory. Mention the amount of blood, but avoid excessive gore unless it serves a specific purpose in your narrative.
Coughing Up Blood: If the gunshot wound affects the chest or lung area, characters may cough up blood. This symptom often signifies a more critical injury and can add drama to your story.
2. Internal Damage and Symptoms:
Pain: Gunshot wounds are painful, and the character should express this pain through their actions, dialogue, and internal thoughts. Describe the sharp, burning, or throbbing sensations as they resonate through the character's body.
Shock: Depending on the severity of the wound, shock can set in. The character may appear pale, sweaty, and disoriented. This state of shock can impact their actions and decisions.
Loss of Function: A gunshot wound may impair the use of the injured body part. Describe any loss of function, such as the inability to move a limb or use it effectively.
Fainting: In extreme cases, characters may faint due to the pain, blood loss, or shock. Be sure to contextualize this within the narrative, as fainting can have significant consequences for the character.
By diving into the details of a gunshot wound's anatomy, you can craft a compelling and realistic portrayal that draws readers into the character's harrowing experience. I haven't exactly covered every symptom out there, but these are the major ones you should take into account when writing. 
Medical Assessment and Treatment
Once you've established your gunshot wound, it's now time to focus on the aftermath. One of the main factors to consider is the medical process that follows. If your character is supposed to die from the gunshot then you could probably skip this section, but if they're alive here are things you need to consider. 
1. Initial Assessment:
Scene Safety: In a real-life scenario, safety is paramount. First responders will ensure the scene is secure before approaching the injured person. Consider factors like the presence of firearms, potential threats, and the safety of medical personnel.
ABCs of Assessment: Medical professionals follow the ABCs—Airway, Breathing, and Circulation. Writers can reflect this in their storytelling by highlighting the character's ability to breathe, cough, or speak after being shot.
Vital Signs: Mentioning vital signs like heart rate, blood pressure, and oxygen saturation can help convey the character's condition and the urgency of their medical treatment.
2. Trauma Assessment:
Focused Assessment: Medical personnel perform a thorough examination to identify the gunshot wound's location, entry and exit points, and any associated injuries. This assessment informs their treatment plan.
Imaging: Depending on the complexity of the injury, X-rays or other imaging may be required to visualize the bullet's trajectory and any potential damage to internal organs or bones.
3. Treatment:
Bleeding Control: Stopping the bleeding is a top priority. This may involve applying pressure, packing the wound, or even tourniquet application in extreme cases.
Wound Care: Depending on the wound's severity, cleaning and suturing may be required. The character's response to this procedure can add an element of realism to your narrative.
Pain Management: Gunshot wounds are excruciatingly painful, and medical personnel will often administer pain relief or anesthesia during treatment.
Monitoring and Observation: Patients with gunshot wounds require careful observation and monitoring for signs of infection, complications, or changes in their condition.
By accurately portraying the medical assessment and treatment of gunshot wounds, you not only enhance the authenticity of your writing but also depict the physical and emotional toll such injuries can take on your characters. This attention to detail helps your readers connect more deeply with the story.
The Psychological Impact
Gunshot wounds don't just inflict physical harm; they also leave lasting emotional and psychological scars. It is important to note that the extent of the psychological impact on your characters will heavily rely on various factors. 
For example, you need to consider whether or not this injury is something normal for them. Do they work as a spy, assassin, or other such roles that would mandate such dangerous injuries? You also need to consider who shot them. Does this wound come with emotional damage as well? Think of Aaron Warner’s reaction to Juliet shooting him. 
If you’re sure your character will have some extent of a psychological impact, here are some factors you should consider. 
1. Shock and Denial:
Immediate Response: Characters who have been shot may initially experience shock and denial. This can manifest as disbelief, emotional numbness, or a surreal sense of detachment from the situation.
Physical Symptoms: Shock can lead to physical symptoms like trembling, chills, or even fainting. Incorporating these details can make the character's reaction more genuine.
2. Fear and Anxiety:
Survivor's Guilt: Characters may grapple with survivor's guilt if they are the only ones to emerge unscathed in a violent encounter.
Anxiety: The threat of recurrence or the fear of returning to the location where the shooting occurred can trigger anxiety and panic attacks.
3. Post-Traumatic Stress Disorder (PTSD):
Flashbacks and Nightmares: Characters who have survived a gunshot wound may experience recurring flashbacks and nightmares, vividly reliving the traumatic event.
Hypervigilance: PTSD can lead to hypervigilance, where characters are constantly on edge, expecting danger at every turn.
4. Depression and Isolation:
Emotional Withdrawal: Characters may withdraw from social interactions, experiencing feelings of isolation and sadness.
Emotional Numbness: Some may describe feeling emotionally numb, unable to experience joy or pleasure.
5. Recovery and Resilience:
Therapeutic Support: In your storytelling, consider how characters seek therapy or counseling to cope with their emotional scars. Therapy can be a path toward recovery and resilience.
By addressing the psychological impact of gunshot wounds on your characters, you create more layered and relatable individuals within your narrative. This depth allows readers to connect with the characters on a profound emotional level.
I hope this blog on Everything You Need To Know About Writing Gunshot Wounds will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.  
Looking For More Writing Tips And Tricks? 
Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 
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undiscovered-horizon · 6 months
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Hi! I really enjoy your one piece writings, they have given me so much comfort when I don't feel okay 😭
Can I please get a Mihawk (I'm completely in love w this man aah) imagine where his wife is a sensitive person who gets sad when someone is rude to them but they feel insecure couse they think it's stupid
Thank youuuuuu ❤️🥺
First of all, I'm honoured that I can provide a source of comfort to you. I'm glad my work has made you feel better in your time of need.
Second of all: oh yessss bestie this hits the spot. It also reminds me of a wonderful scene in The Gentlemen (10/10, highly recommend) [it also hits close to home because I am a sensitive person]
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The thing about strong people is that they make others want to be just as strong, which isn't always easy if even possible. You've always known you're a little 'softer' than most people but only after marrying Mihawk did you find the difference in temperament bothersome. Instead of considering your sensitivity a fact of nature, you've begun to find it a flaw, something that you should change about yourself.
You've never admitted it to yourself but the truth is plain and simple - you think it's embarrassing. That Mihawk will find your sensitivity embarrassing. Maybe if you had been up-front about it with your husband, you'd learn that he adores your soft heart. If he felt forthcoming enough, perhaps you'd even hear that you're the source of warmth and light in his life. Hence he calls you his 'sun'.
To say that Mihawk grew concerned when he heard your muffled sobs would be like not saying anything. A delicious euphemism at best. Anger and fear bubble inside his chest. There's a strange itch in his hands that eggs him to wreak havoc.
"Apple of my eye," his voice carries well through the rather empty room you're both staying at currently. "What is the meaning of this?"
Frantically wiping away your tears, you look over your shoulder to meet his gaze. Mihawk is leaning against the doorframe, blocking the entrance if you so wish to run away from this situation.
"Oh, it's nothing. Really, I'm alright. No need to worry," you half-heartedly attempt to reassure him.
The swordsman loudly exhales through his nose. He's your husband, worrying about you is his duty. In slow steps, Mihawk walks over to the edge of the bed where you're sitting. Pride and titles as if forgotten, he drops on one knee in front of you. One of his hands gently squeezes your knee.
Unsure what's the best way to go about these circumstances, you timidly meet his intense gaze. The passion in his yellow eyes makes you think of a maelstrom captured in a jar - something devastating held back by a miracle. He's already seething, just doesn't yet know who exactly to direct his violence at.
"Indulge me," he prompts you to confide in him. There's a rare sense of pleading in his tone.
So indulge him you do - you tell Mihawk all about the unpleasant encounter with a local tearaway. Your husband tries his best to control his expression as you recount the unambiguously offensive words, unwanted touches and threats of real violence coming from someone who was probably looking for a cowardly scapegoat to vent his anger. As you continue your story, tears just keep rolling down your cheeks, fear and humiliation finally finding their way out of your heart.
"I know I'm being stupid," you mumble as you clumsily wipe your face, "he was just rude and it's not like he actually hurt me but-"
Mihawk's touch makes you cut your sentence short. His hand, its skin rough and calloused, gently cups the side of your face. Your hot, salty tears disperse as his thumb slowly rubs them away. Something about the tenderness of his touch, of hands that have killed and maimed, is enough to make you feel like you're about to break in his arms. Even if you do, you know that when dawn breaks you will be whole again, put back together with the unending love Mihawk holds for you.
"You've always been too good, my sun," he tells you in a low voice. He could have said 'too soft' or 'too sensitive' but then his remark would come off as deceitful as it would suggest his dislike towards your nature. Nothing of that sort - Mihawk genuinely thinks you're a better person than most people walking this plane. And he'd rather succumb to torture than let anyone make you feel bad about that.
The man leans in and places his warm lips against your forehead. Without much effort, he lays you down on the bed and you let him. Even if you wanted to fight back, you're way too tired to do so.
He's sitting on the edge of the bed, caressing your face, neck, arms and back as he's waiting for you to fall asleep. The anticipation doesn't require much patience - Mihawk's tender touches lull you to peaceful slumber rather swiftly. When he's sure that you're asleep, he kisses your forehead again before cautiously leaving the bedroom and closing the door behind him.
Perhaps he can't turn back the time and make the offending man choke on his words but he can ensure that the tearway won't hurt you ever again. Someone resting in peace so you can rest peacefully is a good bargain.
Mihawk knows exactly who he's looking for. He made a note of a certain characteristic trait you had mentioned - an earring with a single, red-coloured feather. It doesn't seem like a piece of jewellery that would be common anywhere.
It doesn't take much to find the tearaway. He makes his presence well-known as he stumbles out of a tavern, his legs almost giving away with each step.
So he assaults random women minding their business and then gets blackout drunk. It's pathetic enough to consider his death merciful.
Staying true to his name, the swordsman stalks his prey before lunging. Appearing as another patron of the inn, Mihawk follows the stranger around the corner towards barns, stables and pigstys. Fitting place for the likes of him, Dracule thinks to himself.
The man with the curious earring staggers his way towards a drinking trough. He's fumbling with his pants, desperately trying to pull them down to relieve himself but his fingers are not dextrious enough.
Mihawk picks up the pitchfork leaning against the barn wall. In one, swift motion he gores the tool through the back of the man's knee. A guttural scream tears through the night as he falls to the ground.
The swordsman grabs a fistful of the tearaway's hair. He forces the kneeling man to look up into his seething, yellow eyes.
"Do I owe you money?" The man is slurring his words. He squints his eyes, trying to focus his hazy vision on Mihawk and, possibly, recognize his creditor. "It's money, isn't it? Shit, just give me two days, man. I'll give it back with interest."
"I don't care about money."
Instantaneously, panic appears in the tearaway's eyes. Did he just find himself in the same position he's put hundreds of people in to cure his own boredom and need for grandiosity?
"Then what it is?!" he shouts, fear settling in his viscera. Dracule's calmness put together with the sheer hatred emanating from him makes for a deeply unsettling impression.
"You hurt my wife," comes the answer. The fist clenching the man's hair tightens its hold further, threatening to tear off his scalp. "My wife," Mihawk growls.
But before the tearaway can ask for clarification, his head is forced into the drinking trough. Surprised and scared, oxygen is escaping him fast. Soon, his throat and chest begin to clench and throb painfully. Dark spots dance across his vision, foreboding blindness.
Then, Mihawk pulls his head just above the surface. The man desperately gasps for air.
"If you believe in a god," the swordsman begins in a low voice shaking with anger and adrenaline, "I suggest you start praying. Fast."
The tearaway's head is forced underwater again but this time, Mihawk keeps it there until the ruffian's body stops trembling and shaking. After that, Dracule waits for a while longer - just for good measure.
You're woken up by the creaking of doors as they slowly open. Blinking sleep away from your eyes, you look over your shoulder only to experience a sort of deja vu: Mihawk is standing in the doorway. Before you can ask about his strange behaviour, your husband makes his way to you in long, quick strides. He kneels on the floor beside the bed.
Mihawk takes your hand in his. He takes something out of his pocket and places it in your palm. You recognize the red feather earring immediately. And is that... a piece of skin still attached to it? Gently, your husband closes your fist and lifts your hand to place a chaste kiss on your knuckles.
"The rat has paid for its sins," he whispers to you. Judging by the intense look in his eyes, you don't want to know the details of this story.
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beansandsprouts · 4 months
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Sunshine
Female reader. Sparse use of y/n.
Summary: Growing up, Bucky never thought he'd find his soulmate. Years and years and years of searching. Even Steve had found his. But you were nowhere to be found. Until he was living in the Avengers Tower. Until you happened to join the team.
Warnings: none
Considering making this a series, let me know if you wanna be tagged in the next one. I may consider doing a bit of a rewrite of it all on my other fanfic blog and add in some sweet smut in there. Everything on this blog will be kept mostly PG.
Bucky was irritated. He didn't see why there had to be this big deal about a new team member. And he didn't understand why he had to be there. They hadn't been told much about you. All Tony had said was you were ex-military, and that everyone typically called you Grim. As in Grim Reaper. Bucky had to admit he was curious to know what earned you that nickname.
With a callsign like that, you had to be ruthless. Cold blooded. So he wasn't expecting this cute bubbly thing to practically skip in alongside Tony with a huge grin. Though he could tell that belt buckle you had on was hiding a knife.
He was immediately taken with you. He'd been a heartthrob in his younger years, had no shortage of women throwing themselves at him. Though he hadn't really been with anyone since being freed from Hydra, though he'd seen pretty women. You, however, were completely different.
The warmth of your smile and twinkle in your eyes made his chest warm. He admired the shape of your lips and the way your jaw curved. Even the little glimpse of your collarbone had him tingling with an unfamiliar excitement.
"Alright, everyone this is our new teammate. I'll let you introduce yourself." I gestured for you to step forward.
"Hi, nice to meet you all. Name's y/n but most just call me Grim." You offered a bright smile.
Bucky felt his heart skip a beat when you spoke your name. Hell everytime he heard that name he got his hopes up, and without fail they'd been dashed. There was no way it was you. You were technically a lot younger than him, it'd be ridiculous if you were his soulmate.
Right?
Everyone else immediately greeted you warmly, your sunshiney demeanor immediately brought a feeling of ease to everyone around you. It didn't take long before you and Steve were swapping combat stories. Bucky sat quietly the entire time, taking you in. He was hoping to get a glimpse of your soulmate mark, wondering if it'd be his name written in his messy writing. But your damned long sleeves obscured even the tiniest glimpse of it.
Your laugh was like music to his ears. He felt breathless hearing that beautiful sound and watching the way your face changed. You were gorgeous. Even the way you blinked had him enamored.
He swallowed hard as you giggled and playfully nudged Natasha when she made a joke. You hadn't even directly spoken to him yet and he was already absolutely whipped for you.
After a while, everyone dispersed, and Tony led you to your room. Which coincidentally was right across from Buckys.
He awkwardly stood in his doorway as he watched someone bring two duffels and a box into your room. You didn't have much. He had a feeling you had tactical gear in those duffels and a few sets of fatigues. He had to admit he was a bit surprised considering your bubbly personality. He thought you'd be the type to have a bunch of cutesy clothes to wear when you were off duty. And some pretty things to decorate your room.
Though to be fair you'd basically come straight here from the military. You'd hinted at having enhanced abilities, but Bucky doubted you'd been given the same serum as him or Steve. He had to admit he was excited to see what you were capable of.
You'd dropped the box on your bed and noticed Bucky across the hall.
"Hey! You're Bucky right?"
A bit embarrassed to have been caught watching, he just silently nodded.
"You're also a super soldier, yeah?"
He nodded again and you offered a soft smile.
"Steve's more the talker huh?"
Bucky huffed out a chuckle.
"Definitely." He responded.
It was the first time you'd heard him speak and it sent shivers down your spine and a heat between your legs. He'd caught your eye the moment you entered the common room, and now his room was straight across from his. If you had to describe the situation in one word it'd have to be "fucked." It woukd be heaven and torture to have such a gorgeous man living mere feet away from you.
"Well I look forward to spending more time together. I don't mind silence." You offered a sweet smile. You couldn't help but notice the way his cheeks tinged red at that, which you found incredibly adorable.
This was going to be an interesting experience.
Next Part
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dykedvonte · 1 month
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Most unrealistic part of Fallout New Vegas companions is that they all just disperse from you once the story is complete. Like you fought a war with and/or for me, a REVOLUTION, and you just fuck off after all that???
In my mind they all just sit in the Lucky 38 having Always Sunny-esque conversations with each other and the Courier until they venture out to get shot at for fun.
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