A LOOK BACK at Ida & Aoki (AGAIN)

KIETA HATSUKOI (2021, JAPAN)

Episode 9

Aoki's (MICHIEDA SHUNSUKE) embarrassment of dating Ida (REN MEGURO) getting out at school makes Ida suggest a place to be together outside of school. A date.

This of course leads to their breakup when Ida is confronted by his teammates (they are supportive) and he does what Aoki didn't want by revealing their relationship.

@pose4photoml @lutawolf @pharawee @kingofthereblog-boysloveed @gabrielokun

Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

Abby isn't scared of any FNAF animatronic..

Being jurgen leitner the day that gerry almost killed him was probably really surreal. Imagine you’re minding your business, collecting fucked up books, and out of nowhere this goth guy covered in eye tattoos shows up and beats you half to death, then stops, goes, “no you’re too pathetic to be jurgen leitner” and leaves without further elaboration. And you dont correct him, you like being alive after all, and after that you just… continue with your life. And then several years later you tell this to some random guy in the tunnels you’ve been hiding in, and he not only knows who the goth was, but seems somewhat fond of the goth. And then you get brutal pipe murdered by the random guy’s boss. Oops

Lena losing her patience and furiously berating Gwen for potentially endangering the staff members of the OAIR is quite literally the opposite of how Elias ran the Archives.

Elias used the Archival staff—as well as his Archivist—as pawns that can be readily replaced as needed. His patron offered them minimal protections at best (the Archivist’s privileges notwithstanding), and even then, he would never actually intervene to save any of them if they were in danger, much less take precautions to protect them at their headquarters. They are used as bait, as sacrifices, as currency, as objects. The listener knows, eventually, how easily he could discard them if his plans called for it.

But Lena. This episode showed us that Lena keeps her entire organization running through keeping her subordinates hidden, safe, and unnoticed by the Externals. It’s quite clear through her conversation with Gwen that such a safety risk has never happened before.

As far as we know, Lena has successfully kept all of her employees alive, watched them come and go, bemoaned the turnover rate, and then got them to look the other way while they documented and dutifully filed the horrors.

But most impressive of all, she’s kept her real work hidden from her subordinates, and her subordinates hidden from her real work—a feat Elias had no interest or desire to accomplish.

Latest sketch bunch :) trying to practice poses

a terrifying presence has entered the room

(bloody ver. under the cut)

he’s like if a boy was a princess

If a transgender person asks you to deadname and misgender them in front of certain people. Misgender them and deadname them in front of those people. It doesn't matter how icky or gross it may feel, it doesn't matter you'd rather be honest. It doesn't matter if there's more of you there. Certain people aren't safe, and honesty IS NOT the best policy when honesty could put them at serious risk. It doesn't matter if there's a crowd, because when there isn't shit goes down.

Be an ally, do what they ask. Understand that the trans person knows more about their situation than you do, and this includes who's safe and who's not. Some one can be "trans friendly" to other people, but not to people they know or specific people. Do as the trans person asks, yes it's uncomfortable, but it's 10 times worse if the person we don't trust finds out. 100 times worse if they have access to us when you're not around.

Respect trans peoples safety. Misgender and deadname when asked.

being aromantic is like. hey btw you're going to live a life that is the culmination of most of society's worst nightmares. sorry lol ✌️ but then you turn around and take a really good hard look at it and it turns out that living in that nightmare is fucking awesome and you get to wake up every day and take that fear that other people have and laugh and hold it close until it's a great joy for you instead. and being happy is a radical act that you define instead of someone else. and you're sexy as fuck that's just a fact of life i don't make the rules on that one

Ceaseless Watcher if it was awesome

there are a lot of posts out there that are positive and healthy coping mechanisms for handling the holidays. this is not one of them :)

i think there's like. going to be times in your life you will be stuck in a social situation that you cannot escape from gracefully. i do not know why the internet doesn't believe these times exist. it's not always just that your physical safety is at risk - sometimes it's legit like "i just don't currently have the energy or time to put in the effort of responding to this." sometimes it's a coworker you hate so much. sometimes it's just like, fine, you know? like you know you can handle your aunt when she's cheerily horrible, but if you actually set a boundary around her, it's going to be weeks of fallout with your father.

i don't know why people think the answer is always just "cut them out!" or "don't let them get away with that!" because ... the real world is tricky and complicated. i think kind of a lot of us have an internal "radiation poisoning" meter for certain people. like - i'm talking about the ones who are absolutely giving you gradual ick damage. like, you can handle them, but you'll be exhausted.

and yes. you absolutely should listen to your therapist and the good posts about handling others and set good boundaries and take care of yourself. prioritize peace.

HOWEVER :) ...... since im often in a situation with a Gradual Sense of Ick person i cannot just "cut out" of my life (without losing someone else precious to me) - i have sort of developed the most. maladaptive form of mischief possible. because like, if i'm going to have to listen to this shit again, i like to have a little bit of private fun with it.

now! again, i am physically safe, just mentally drained by this man. you should only do this with people you are not in danger with. which leads me to my suggestions for when your Unfortunate Acquaintance shows up and says oh everyone pay attention to me.

my favorite word is "maybe!" said as brightly and happily as possible. whenever the Horrible Person starts in on a topic you do not want to go further with, particularly if they make a claim that you know to be inaccurate, do not respond to it. you and i have both tried to actually argue with this person, and it hasn't gone well, because this person just wants the drama of an argument. however, "maybe!" gives them literally nothing to go on. it is incredibly disarming. they are used to people having some response. they know they can't prove what they're saying, and maybe! treats them like the child they are. it dismisses them in the politest way possible.

i like to say maybe! and then, in their stunned silence, immediately change the subject. this is because i have adhd and i will have something unrelated to talk about, but if you can't think of topics fast enough, i recommend just pointing to something and saying, "isn't that lovely?" because fuck you let's bring in some positivity.

by the way. that second trick - of pointing to something and stating an opinion about it? - that just works on its own, like, 70% of the time. i picked it up from teaching preschoolers. it's an intentional "redirect". it stops children crying and it also stops grown adults from finishing their explanation on why women belong in kitchens. dual wielding!

keep it silly for yourself. i absolutely do not care if people think i'm fucking stupid (it's more fun if they do) and as a result i will purposefully misunderstand things just to see how long it takes them to realize i've completely removed them from the subject at hand. when they say "women aren't funny" i get to be like. "which women." "all women." "all women in america?" "no in the world." "like the mole people? the people in the world?" "what? no. like, alive." "oh are we not counting the mole people?" "what the fuck are you talking about." "you don't believe in the mole people?"

similarly, i play a personal game called "one up me." my Evil Acquaintance literally knows this game exists (my family & friends caught onto it and now also play it) and it always fucking gets him. i don't know why. you have to be willing to be a little free-spirited on this one, though. the trick is that when they make one of those horrible little bigoted or annoying comments they are always making, you need to go one unit weirder. not more intense, mind you - just more weird. "you don't look good in that dress." "yeah, actually, my other dress was covered in squid ink due to a mishap at the soup store." "you shouldn't wear such revealing clothes." "wait, what? oh shit. sorry, your son tears off strips when no one is looking and eats them. i swear it was longer before we left the building."

the point of "one up me" is to completely upend this person's narrative. we both know this person likes setting up situations where you cannot "win" and then they really like telling other people how badly you handled it. in a usual situation, if you respond "please don't say something that rude", you're a bitch. but if you let it happen, you're letting yourself be debased. they are not usually expecting door number three: unflappably odd. because what are they going to say when they're telling everyone how badly you behaved? "she said my son eats her dresses" ".... okay?"

if you can, form an allyship with someone whomst you can tagteam with. where they can pick up on your weird "soup store" story and run with it.

the following phrase is amazing and can be deployed for any situation: "oh, be nice :) it's the holidays!" i do not know why this works as often as it does. i'll say it for the most random shit. i think this is bc most of the time these people know they're being impolite, they just like to fight.

godbless. when in doubt, remember that you could always start stealing their pens.

the whole point of this is - if you can't escape. maybe see how long you can just be. like. a horrible little menace.

How FNAF movie Mike would learn about Vanny

uh, okay. i'm very scared to ask but : rabbit that's not really a rabbit...?

yeah, there's, like. a small god, shaped like a rabbit, that lives in my yard. I would say it's a normal rabbit except it's not. It won't move from my driveway if I'm trying to drive out and it was there first. I can walk up within a few feet of it, and it will turn and just look at me like what do you want? It's the only rabbit that freaks the hell out of all my birds, they CANNOT be directed or communicated with when this rabbit comes around, they will do nothing but stand on alert and stare at it making a soft warning call. I've caught it SEVERAL times now standing nose to nose with one of my peacocks, and it just looks at me and walks away when I catch them. hawks and falcons and eagles and owls constantly pass over my yard, and it is full of rabbits that do not hide from them, and I've never seen evidence of one being taken. You know the moment you walk into a very dark room and maybe it's a room you've been in before and maybe you don't believe in ghosts, but also it's still dark and your little leftover lizard hindbrain goes "anything could be inside of here waiting for me" the second before you turn on the light? It's like that feeling, except in the shape of a rabbit. i didn't ask for any of that.

pinned

Danny runs for Mayor

Simple Prompt: Danny runs for the Gotham Mayor position

Extended Prompt: Danny is an absolute little shit throughout his entire campaign but still manages to win because he is legitimately one of the best candidates around

Just imagine the crack that could come from this!

Reporter: What is your stance on Vigilantism? Danny: Well I agree that Vigilantes are helpful for the communities that need them, and they should work with the police at every opportunity, I feel like the idea will always be a city where Vigilantes are not needed. Also I fail to see the relevancy of the question, there are no vigilantes in Gotham Reporter: What do you mean? What about the Bat-Family? Danny: No, Batman isn’t a Vigilante. Batman is a Crime Lord.

Or

Danny: As mayor, I promise that I will not be infected by corruption. Not because of my moral standings, but because I absolutely fucking hate clowns and I will never accept a bribe as long as that guy is still alive. Yes this is me putting a hit out on the Joker. Crime Bosses, if you want to try and bribe me, you gotta kill him first or I won’t even consider it!

Or

Batman: Why is a Meta-Human running for Gotham Office? You know this city doesn’t have a very good track record with people like you. Even the Signal had a rough start. Danny: Well, I just had a strong compulsion to help this city reach the peak of it’s potential *looks over Batman’s shoulder to see Lady Gotham holding up Cue Cards telling him what to say. She promised to help with his paperwork for the next 50 years if he became Mayor and helped fix her city* Danny: Such a strong compulsion...

Or

Penguin: Look kid, I don’t care if you have enough power to destroy me at the subatomic level, I have enough money to ruin you, your sister, your parents, even your uncle! Danny: Oh really? I could get the souls of every person you have ever killed to get confessions out of them. Or I could give them the power to rip you apart. Or I could even just possess you and donate all your money to charity.

Or

Danny: Oh god dammit! Vlad: Hello Badger! Glad to see you followed in my footsteps instead of your fathers! Danny: This wasn’t because of you! Lady Gotham asked for help! Vlad: A WIN IS A WIN!