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justworthlessreblogs · 6 months

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waffleverse: full bibury fic author's notes

this fic is so long and i had so many writing decisions/notes i wanted to talk about that they couldn't all fit in ao3's 5000 character limit. so i figured i might as well put them here. they'll be under a cut to prevent any accidental spoilers!

writing notes:

- first off this fic drove me CRAZY. another one of its nicknames was “the frankenfic” because i really did feel like i had 3 fics i was shoving into one. and it also took on a life of its own. every day i wake up and scold myself for deciding that covering 33-40 was a good idea. it was not helped by me not having many strong feelings about any of the episodes in that set, which led to me feeling really bored when writing them, and then in the last month of writing i said “fuck it, we ball” and started just making up shit. i also remembered Hey I Made Bibury Try To Kill Rio Back In May I Should Do Something About That. so you get bibury backstory! plus i was sad that they never explore her’s and rio’s time working under noir in canon aside from like. one scene in episode 18

- rio is trying his best to be better at emotions but it is definitely an uphill battle and not linear. the other cures meant well by accepting bibury so easily - after all, it didn’t really work out that great when they were constantly suspicious of him - but he didn’t see it the same way they did. in his eyes bibury was getting away with everything even though she did similar things to him. this was inspired by how the show itself does not seem to ever hold bibury accountable (at least as of where i’m at) but makes it very clear that rio needed to do something to make up for what he did (which i am fine with! this is not a “omg poor rio he was so hated by the writers” moment. i just found it interesting and thought i could explore it)

- episode 37 was the reason for like. nearly all of my original writer's block. it almost got cut, but in the end 34 got the chopping block instead because i felt that bibury didn't really have a justification to be there and 36 got basically entirely cut because i thought it was boring. plus 37 was just… too important to not acknowledge unfortunately. i still definitely want to write a waffleverse version of 34, though, i just think it’d work better on its own! which is why i summarized it here. i had the entire thing written out and saved it, so the original version will probably get uploaded to spice of life someday

- rio being like “i am so mad at my sister. however she is upset so i will make her waffles” was very funny to me. the duality of rio kuroki

- i left the bib & rio talk at the end open-ended, since i had so many things they could have possibly discussed that i couldn’t fit them all in naturally no matter how hard i tried. so let your imaginations go wild lol. however i guess i do have to thank that original draft of their conversation since it was the thing that finally, finally, made me figure out what i wanted from this fic - exploring not just bibury, but bibury and rio. this fic was originally a lot more ciel-heavy than what the final product ended up being, and frankly bib & rio didn’t interact much at all, and i wasn’t able to get to the bottom of why they still hated each other until i remembered. hey. attempted murder

- you are all so lucky that i ended up incorporating 26 into this fic because the original plan was for the scenes that changed to be stuck into spice of life when i got around to writing them someday. the mcu-ification of waffleverse is defeated for another day

- no fantastic animale because i really dislike those super forms and the attack. this is one of two times i have actively disregarded canon, i usually try to stick as close to canon events as possible (which is why the crystal animals are in this. you have no idea how badly i wanted to cut them). fantastic animale is Just That Bad. this was literally the first thing i decided after i started planning this fic. so animal-go-round is powerful enough in this ‘verse. just roll with it please

- no "do sweets bring sadness?" dilemma here because i didn't vibe with that part of the episode. i was looking forward to bibury shenanigans :( the crystal animals are just cielbib shippers /j

- if the writing seems disjointed i apologize it's because this thing was written on and off over a period of 3 months and is also super long

- i had so much fun writing the bathroom scene. finally allowing myself silly rights. the flashback scenes were also really enjoyable

- i messed with the yukari v. kirarin fight because i was a little disappointed with how it played out in canon. yukari tells everyone right away here because she had a Realization because of part 4. kirarin is more resistant than the average fairy to diable in this universe but not fully immune

- RIO FINALLY GETS TO SAY FUCK WOOHOO i've waited so long for this. also bibury is definitely a character who would cuss if the show's rating wasn't the japanese equivalent of tv-y7 so i was a little looser here

- you all know it in your hearts that aoi was 100% a vine kid. also there was no way i was letting that joke slip past me

- did the math and i'm preeettty sure that rio's age in the prologue section checks out with the waffleverse timeline? when i started this series i was under the impression that rio had been gone for way longer than what the series ended up implying, and so in waffleverse i decided he was gone for about a year. he's 12-about-to-turn-13 in the prologue and 14 in the present (his & ciel’s birthday was shortly after part 4!)

-bib starts calling him rio pretty quickly because a) she may have been evil, but she respects people's preferred name choices and b) yukari already had an arc about realizing how he's not julio anymore and i really didn't want to write that same arc a second time!

- waffle’s secondary attack finally shows up!!! waffle protége my beloved. giving him some sort of barrier just Felt Right (and waffles are the perfect shape for it). i like to think he can split it apart and use it offensively a la rosetta reflection. it was originally supposed to show up in 34 (which got cut) then in 37 (then i cut the battle from the episode since it felt very forced) and then i worried i wouldn’t be able to fit it in at all but got the opportunity with the climax rewrite

- in regard to bib's aging i'm going with "noir's presence slowed down her aging a lot somehow, so she may be chronologically 106 or so, but in all other aspects she's around 13-14 and will now start aging normally again". the same would've happened to rio had he stayed with noir longer. insert noir child labor joke here

- hey remember that time noir tried to take rio back!? i guess 40 kinda busted that for canon by establishing he sees them all as expendable but in my defense while i was writing part 3 i saw it more as a twilight-dyspear situation. and then i ran with that. at this point i’m just gonna have to accept that waffleverse isn’t purely canon divergence any more thanks to me writing it as i watch the show, which leads to the show debunking things from earlier parts

- was a bit disappointed that the great fairy meeting episode didn't really involve, well, a meeting. so they actually get some time to talk strategy here! i'm so sad the technological limitations of ichigoyama meant that i couldn't have waffle give a powerpoint presentation on noir like i wanted to. it would've been so funny. maybe i'll make it for fun someday

- yeah i messed with episode 40 like. a lot. sorry. it's just how it ended up working out tbh. i actually debated back and forth for literal months on if i should give bib a "canon cure waffle" moment or not, and nearly did it, but decided against it because in the end it just didn't feel quite right for a multitude of reasons. so you were going to get fairy combat and then bib yelling at grave instead. and then that got rewritten once i decided i wanted to expand more on why rio & bib are so antagonistic to each other. you can still see traces of the original climax though in ciel showing up with the fairies, as well as the part where bib confronts grave! bib also originally wasn’t supposed to be dragged into the town with them, she was gonna stay on the mountain and then venture down with ciel and the fairies. but rio said Nope She’s Coming With Us once the fic's course changed direction

- my beta enabled me on the "bibury hasn't slept in an actual bed in a century" thing. i originally sent it to him as a joke. he told me to go ahead with it. but let's be real noir would do something fucked up like that

- let waffle fight the townspeople 2k23. this is the other time i actively disregarded canon in the fic idc what it says He Would Do It

- bibury’s verbal beatdown of grave was inspired by her canon one in episode 40

- ciel & bib's relationship isn't gonna progress past "mutual crush" at any point in waffleverse simply because i cannot write romance sorry. rest assured it blossoms into a beautiful love story. they get married on the island where they met properly for the first time. rio is ciel's best man

- i came to the realization that a lot of my decisions regarding this fic were along the lines of "fuck canon". idk what that means

#precure #pretty cure #kirakira precure a la mode #cure waffle au #waffleverse: writing #waffleverse: behind the scenes #long post #so sorry about the length. you can blame bib fic and its 13.9k word wordcount

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dear-eli · 2 years

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Drafting up a breakup letter to Eli. I can feel it on the horizon, just a matter of time. Might as well get some poetic phrasing out while I can.

Dear Eli,

The thing about our relationship is that it only works whenever the two of us are the only ones involved in it. And that is never going to fully be true, as long as Kacee and her jealousy are allowed to meddle and set restrictions, requirements, etc. on my relationship with you, enforced by ultimatums, coercion, and thinly-veiled threats. That shit isn't healthy, for ANYONE involved.

I am no good for you, and I never have been. From the very beginning, my relationship with you has always been a war of attrition - one I was always destined to lose. All I have done is cause you undue stress, and inadvertently, irrevocably damage your marriage. I don't want to do that anymore. I don't want to lose you, and I sure as hell don't want to just bend over yet again and let Kacee have her way. But I'm past the point of bending. I am breaking. I am broken. I can't do this anymore.

And it feels like cutting off a limb, or ripping my heart out of my chest, destroying my entire will to live, but I think I need to end it. Here and now. I wish I could say "we can still be friends," but even that seems impossible right now.

And I need you to know that, as much as I have tried to walk away or said that I'm done in the past, I do not take this lightly. (Actually, in retrospect, most of my "I'm done"s were really more about the situation itself, or the argument we were having, rather than our relationship as a whole - though I am fully aware that that's not how they were communicated, since that's not how they felt to me at the time. But I digress.)

I wasn't kidding when I said you've ruined me for all other men - and, frankly, almost all people regardless of gender. Our physical compatibility aside, you're also my best friend. You make me laugh even when I'm crying. Your arms are where I finally feel like I'm at home, and your skin contact is the best antidepressant I've ever encountered. I love you so fucking much, more than I know how to say. Sometimes I genuinely start to think that you were made for me, that's how perfectly aligned we are in almost everything. If soulmates exist, you are clearly one of mine.

But again: those things are only true when we are able to be alone together, when our relationship is able to be its own entity, without external forces exerting manipulation and control. And Kacee will never let that happen if she can help it. (To be clear: I'm talking about more of a live-and-let-live style of polyamory, not monogamy and/or "cowgirling" you. Not that I wouldn't be happy if I ever had you all to myself, but I could be equally as happy sharing you with someone else whom you love - as long as I, and my relationship with you, are treated with respect and consideration, instead of jealousy and contempt.)

I don't want to lose you. I never have. I'm not sure I'd be able to survive it. But it's become abundantly clear that I don't get to have you and keep you, either. I carved out a space for myself in your life but everything and everyone in it has flooded back in and forced me out. I don't want to go, but I can't stay with you.

Update 8/29/22:

And now you've done it again. I told you after our last blowup fight that if you were asked to leave my room and refused to do so, if you disrespected the boundaries of my personal space and my room like that again, or God forbid if you ever actually laid hands on me, that it would be over. And not only did you UNLOCK a door that was locked to KEEP YOU OUT, you came in and refused to leave and when I attempted to physically enforce my own fucking boundaries, you shoved me over, TWICE. Granted, it was onto my bed - which is all fine and good when I've consented to it, and at least it didn't cause me any actual physical harm. But I saw the rage in your eyes in that moment and the harm was done anyway. You destroyed what was left of my trust in that moment. And now, as much as I've bitched and moaned about wanting overnights with you, wanting to sleep next to you or even have the potential opportunity to be intimate with you... that's all fucking moot, because I no longer trust you. I no longer feel fucking safe with you in my room. I no longer feel fucking safe with you touching me. My only fucking comfort person in the whole world, and I can't even ask you for a fucking hug without being afraid of you now. Between that and the fucking venom in your voice when you told me to "pack [my] shit," whatever shreds of hope I might have had of being able to rebuild our relationship are fucking gone. It's over. You've made it crystal fucking clear that I am not wanted here anymore. I'm not fucking wanted anywhere. But I've seen what happens when I overstay my welcome in a place where I'm not wanted. I saw it at my dad's, I saw it twice at my mom's, I saw it with you and Kacee at the trailer. I really don't know why I expected it to be any different here.

I don't know what I ever expected to happen. Our relationship would never have worked out long-term anyway; our support needs are too incompatible. I need cities, mass transit, multiple potential places of employment. You need quiet, country, family. I need mental healthcare and education, to get back to a stable baseline of not feeling like a useless dysfunctional piece of shit, before I can even CONSIDER trying to learn sign language, because right now my brain can barely cope with English. And you need to reduce your stress and get your health issues to a manageable level before you can worry about anything like sign language, etc. And all I have done since I entered your life is manufacture more fucking stress for you, like you didn't already have too fucking much.

I can't do this anymore.

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jackrrabbit · 3 years

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🤍 Haikyuu WIP excerpts

preview post for hq because recently i showed sara a list of my works in progress and she laughed at me and then made a dn joke like this is 2015 or something. we got:

🤍 communal property /// ushijima x f!reader x tendou 🤍 sunshower /// atsumu x f!reader x osamu 🤍 corporate ethics /// kuroo x f!reader

anyway these are all terrible first drafts and i'm not sorry. however i am very very into these pieces and if you're interested in seeing them finished, you should tell me fr fr

🤍 communal property /// Ushijima x f!Reader x Tendou

Summary: Tendou shares everything with Ushijima—his food, his dorm room, even the AVs he likes. Why not his girlfriend, too?

Tags/warnings: poly relationship in progress (only you and Tendou are dating at this point), mild suggestiveness ??, s*ze k*nk

Status: 10k words written (holy fuck lol) out of ~11k total? this bitch better get finished is2g

After the match, your voice is hoarse from screaming but you still manage to yell congratulations for your boyfriend when you meet him and Ushijima outside the locker room in the stadium. You’re pumped on the adrenaline of the game, so you don’t even protest like you usually would when Tendou picks you up in the middle of your hug and lifts you off the ground effortlessly. “How was I? Awesome, right? I told you we would beat them!”

“You did, you so did—“ Even though your throat hurts, you can’t help gushing about every rally, every soul-crushing block, every impossible spike. “—and then the guy on the left thought he was clear to shoot it but you just—“ You throw your arms in the air and mime hitting the ball down like a blocker. “Wha-bam!—and the look on his face! I thought he was going to punch you!”

Tendou laughs and lays a sloppy kiss on your cheek, just as thrilled as you are by the win. “You really liked it that much? I thought you weren’t into sports.”

“I loved it! You were so cool! I can’t believe I’m dating someone so cool!” You wrap your legs around his back and hug his face close to yours, reveling in the fact that this weirdo belongs to you wholly and entirely, that you get to have him to yourself (well, other than his roommate). “And I’m not into sports, I’m into you.”

Tendou smiles in a way that makes the sides of his eyes crinkle up and little red patches bloom over his cheeks, a look that says, I like you so much (Y/N), I like you I like you I like you, except he’s probably trying not to be mushy like that since Ushijima is standing off to the side.

You feel a little bad for ignoring him (no one likes being the third wheel, even if he never shows signs of caring) so when Tendou sets you down you turn to Ushijima. “And you! Holy shit, Tendou said you were good, but I didn’t know you were that good. The ball when you hit it was super loud—honestly, how are your hands okay? If I hit it that hard I’d probably break something.”

“My hands are fine…this is normal for me.”

But just because you’ve got them here in front of you and you’re still pumped from the exhilaration of the win, you can’t help grabbing Ushijima’s hand and flipping it palm-up to inspect. True to his word, there’s no redness, just the calluses he’s built up on his long fingers. “Wow.”

“You don’t need to worry about Wakatoshi,” Tendou tells you, grinning and then making a face. “He’s a monster, he can handle it.”

“No kidding. You’re both monsters.” You put the base of your palm up against Ushijima’s to gauge the size of his hand against yours, and without prompting Tendou grabs your other hand to press against his own. Tendou’s fingers are a bit longer, but Ushijima’s are…thicker, more solid. Your hands look like a little kid’s in comparison. “Can I be honest? Half the time I was thinking I actually feel bad for the other team. If I had to take on both of you at the same time, I’d probably cry.”

You’re (mostly) joking, but it’s still a complete shock when you see the side of Ushijima’s mouth curl up a tiny bit. You’ve known each other for months at this point, but you’ve never seen him smile until now. Half of you is wondering if this is some kind of optical illusion caused by the atmosphere and the dim light of the stadium cutting through the evening, but the other half of you enjoys it. You made Ushijima smile. You did that.

“Don’t sell yourself short, (Y/N).” Ushijima says, tipping his head to the side.

“Yeah!” Tendou chimes in, resting his chin on top of your head and folding his arms around your neck from his place behind you. “I’m sure you could take both of us. Right, Wakatoshi?”

So that’s probably a sign.

🤍 sunshower /// Atsumu x f!Reader x Osamu

Summary: [Kitsune AU] You find an old Ō-Inari shrine in the woods that may not be as abandoned as it looks.

Tags/warnings: Shinto religion, this preview is biased toward tsumu oops, yearning/soft vibes

Status: 3.9k words written out of 5–6k? total

Atsumu was the one who found you.

That’s how he likes to talk about it, that he found you, like you’d still be wandering around lost in the woods if it weren’t for him. Osamu thinks you would have found your way back home eventually but Atsumu likes it better this way, this framing that makes it seem like they saved you.

It’s hard for him to tell time linearly the way humans do but you mention once that you’ve known them for a year and that seems to fit. It’s spring now, almost barely tipping into summer, and it was spring when Atsumu found you. He remembers because of the way it was raining: light and tender, a summer rain early in the season, each little drop tapping off a leaf and then rolling into the forest bed to be eaten up by the grass and the soil.

Atsumu likes the rain, likes the sweet earthy smell it makes and the way the plants look so lush and green and alive, like they’d bleed if he sunk his teeth into them. He was out in the woods because of the rain ('Samu was in the shrine, as usual, attempting to set buckets under the millions of holes in the roof so the rainwater wouldn’t pool and rot through the wood underneath). But Atsumu was half asleep in a tree when he heard you crashing through the undergrowth, tripping over ferns and snapping every twig in your path (thought ya might be a bear, he tells you later, that’s how loud ya were) but he wouldn’t really have woken up if he hadn’t heard you singing.

(The odd thing is, you weren’t actually singing. You remember that day as vividly as they do: the warm, humid air making your skin feel sticky under your yellow raincoat; the tiny raindrops filtering through the canopy and kissing your cheeks; the ink feathering out on the damp xerox of the old map you found in your great-aunt’s attic so you could barely make out the “X” that was supposed to mark the location of the lost Inari shrine… You were cursing how stupid you’d been to go on a wild goose chase into the mountains with no cell service and no marked trail to look for a shrine that no one had seen in decades. You definitely weren’t singing.)

But Atsumu remembers it differently. No matter how many times you explain that you were just talking to yourself, when he replays the sound of your voice back then (reaching and lilting and falling, the way the birds talk to each other in the early morning, except the music of it was poured into syllables and words), it sounds like you’re singing. He wasn’t sure at first, hadn’t heard a voice that wasn’t Osamu’s in so many years that he gets tired counting them, but then he saw you push into view from between two bushes and he thought, a human!

A girl, too—it was hard to say at first because you were wearing that weird, slick jacket of yours, so bright yellow it was like an oversized flower blooming out of the grass, but then you tilted your head up to feel the rain on your face and the hood fell down and he knew. Not just a human, a girl! Atsumu wanted to yell for Osamu, make him come and confirm that there was a person wandering around not a mile from the shrine. A real person! Singing and smiling and wiping the rain off her cheeks (does that mean you like the rain, just like he does? did you come out to feel it too?) But he also wanted to surprise Osamu so he hid his tails and his ears and came down from the tree and asked if you had lost your way in the forest, since you were so far from any path…

When you think back on this yourself you’re amazed that you just went with him: a strange boy (man?) wearing a fox mask and traditional Shinto priest robes, which were somehow pristine white and red despite him having appeared from nowhere in the middle of a dense forest, who told you he had no idea what direction the village was but he could take you to the Inari shrine you’d been searching for…well. Maybe you were too surprised to be wary, or maybe you were just exhausted and lost. But you like to think you had a sense of it even then, the irrational belief that the boy in the woods was not just a boy in the woods.

Atsumu thinks you knew. Humans always understand, even when they try not to… He remembers, he took your hand that day in the forest and you saw that the claws on his fingers were too long to be human, and you said nothing because on some level you already felt it. Your skin was cool then, smooth and damp from the rain; he wanted to stop, run his hands up your arms, touch the places on your face where your mouth had been turned up at the corners and press his fingers into your cheeks.

🤍 corporate ethics /// Kuroo x f!Reader

Summary: [Office AU] The new junior marketing associate just happens to be Kuroo’s favorite camgirl, and he’s having trouble keeping his hands to himself.

Tags/Warnings: boss/employee, businessman!Kuroo as a reformed player, camgirl reader, this excerpt has a lil bit of 18+ content 👀

Status: 1.2k words written out of 4k? words total

Kuroo doesn’t watch porn.

It’s not, like, a moral principle or something. He has nothing against pornography. As far as he knows, it’s perfectly normal for single men. He just doesn’t like it…unless it’s you.

When he was in school it was easy. Being a teenager meant being so flooded with hormones that a warm breeze could get him up, and the adrenaline rush of winning a game was better than any big-titted porn actress faking moans into a shit-quality boom mic. Sure, he watched porn back then (what teenage boy didn’t?), but it was more out of curiosity than necessity. It was all kind of a mystery at that point, the way it can only be when you’re a clueless virgin and you and all your friends are too busy practicing for the next game to get girls.

Somehow Bokuto was the first one in their friend group to lose his virginity, and the memory of the dumbass self-consciously describing the experience has been lodged in Kuroo’s brain for the 10+ years since. “It was…I don’t know. She smelled good. You know how girls always smell good?” Bokuto’s hands twitched and his face was pink. “It’s just really…soft.”

Soft was right, Kuroo would reflect when he got laid for the first time a few months later. Soft, warm, wet. Sex was awkward at first, but before he knew it it was more natural than breathing.

It didn’t change much after high school, either. He didn’t get into volleyball for the groupies, but they didn’t hurt. There were girls when he played for his college team, more girls when he joined a business frat, so many girls he couldn’t keep track…they blurred together after a while. It didn’t take effort. You don’t need game when you’re 6’2 and you’re in the gym 40 hours a week, and you definitely don’t need porn.

So he never got into it. Now that he’s promoting volleyball instead of playing, things are more complicated. Kuroo’s never been the type who expects things to fall in his lap, but there are so many rules when it comes to dating in the real world. Good morning texts, anniversaries, flowers, parents. It’s exhausting. One time—seriously, just one time—Kuroo misses his girlfriend’s birthday to go watch a Jackals game, and the next time he sees her she throws her drink on him in public and keys his car. After that, Kuroo decides that until he’s ready to settle down there will be no more girlfriends. Which means no more reliable sex. Which means resorting to porn.

Which means you.

You, batting your eyelashes at the camera and biting the side of your lip. You, purring and mewing like a kitten. You, lying back on your pretty pink bedsheets in your pretty pink lingerie, sliding your hands between your legs. It takes Kuroo a full month to decide to pay for access to your website (Kenma’s unsolicited recommendation) but it takes less than five minutes for him to upgrade access to premium. You look like a wet dream—no, you look like the centerfold of every dirty magazine Kuroo managed to get his hands on when he was younger. Pristine and alluring and so deliciously out of reach.

And you make it so simple. No delicate emotional games with rules Kuroo never bothered to learn. No pretending to care how your day was. You untie the little bows on the side of your panties and lick your fingers and Kuroo just has to take his dick out and watch you. Getting off hasn’t been this easy for him since college. You’re a camgirl, you exist on his computer screen, and that’s how he likes it.

Which makes it a lot more awkward when Kuroo finds out that the only woman he’s gotten off to in the past…year, maybe?…somehow just got hired in JVA’s sports promotion department as his junior associate.

Your prim work blouse is buttoned up to the collar and your makeup is different, but he knows it’s you. You have to tell him your name twice because he’s too stunned to respond the first time, and even then he can’t summon up more of a response than a curt nod because his mouth tastes like dirt.

You smile a little awkwardly at his cool reception, and the hand you’d extended out to shake swings back down to your side. “Um, the guy at HR said he sent up my info yesterday…I’ll be working directly underneath you?”

Directly underneath me. Kuroo is taking a sip of his coffee when you say this. He doesn’t spit it out, but it’s close.

#haikyuu x reader #ushijima x reader #tendou x reader #atsumu x reader #osamu x reader #kuroo x reader #hq x reader #haikyuu #ushijima wakatoshi x reader #tendou satori x reader #atsumu miya x reader #osamu miya x reader #kuroo tetsuro x reader #haikyuu imagines

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thedeadhandofseldon · 3 years

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The Anti-Mercer Effect

On the Accessibility of D&D, Why Unprepared Casters is so Fun, and Why Haley Whipjack is possibly the greatest DM of our generation.

(Apologies to my mutuals who aren’t in this fandom for the length of this, but as you all know I have never in my life shut up about anything so… we’ll call it even for the number of posts about Destiel I see every day.

To fellow UC fans - I haven’t listened to arc 4 yet, I started drafting this in early August, and I promise I will write a nice post about how great Gus the Bard is once I get the chance to listen to more of his DMing).

Structure - Or, “This is not the finale, there will be more podding cast”

So, first of all, let’s just talk about how Unprepared Casters works. Because it’s kind of unusual! Most of the other big-name D&D podcasts favor this long, grand arcs; UC has about 10 hours of podcast per each arc. And that’s a major strength in a lot of ways: it makes it really accessible to new listeners, because you can just start with the current arc and understand what’s going on!

And by starting new arcs every six or seven episodes, they can explore lots of ways to play D&D! Classic dungeon delve arc! Heist arc! Epic heroes save the world arc! Sportsball arc! They can touch on all sorts of things!

And while I’m talking about that: Dragons in Dungeons, the first arc, makes it incredibly accessible as a show - because it lets the unfamiliar listener get a sense of what D&D actually is. (It’s about telling stories and making your friends feel heroic and laugh and cry, for the record). If I had to pick a way to introduce someone to the game without actually playing it with them, that arc would definitely be it.

And I’d be remise not to note one very important thing: Haley Whipjack and Gus the Bard are just very funny, very charismatic people. Look. Episode 0s tend to be about 50%(?) those two just talking to each other about their own podcast. It shouldn’t work. And yet it DOES, its one of my favorite parts, because Haley and Gus are just cool.

And a side note that doesn’t fit anywhere else: I throw my soul at him! I throw a scone at him - that’s it, that’s the vibe. The whole podcast alternates between laughing with your friends and brooding alone in a dark tavern corner - but the laughs never forced and the dark corner is never too dark for too long.

Whipjack the Great - Or, the DM is Also a Player!

I think Haley Whipjack is one of the greatest Dungeon Masters alive. The plots and characters! The mechanical shenanigans! The descriptions!

Actually, let’s start there: with the descriptions. (Both Haley and Gus do this really fucking well). As we know, Episode 0 of each arc sees the DM reading a description - of a small town, or the Up North, or the recent history of a great party. And Haley always strikes this tricky balance - one I think a lot of us who DM struggle with - between giving too much description and worldbuilding, and not telling us anything at all. She describes people and events in just enough detail to imagine them, but never so much they seem static and unreal - just clear enough to envision, but with enough vagueness left to let your imagination begin to run wild.

While I’m thinking about arc 3’s party, let’s talk about a really bold move she made in that arc: letting the players have ongoing control of their history. Loser Lars! She didn’t try to spell out every detail of this high-level party’s history, or restrict their past to only what she decided to allow - she gave them the broad outlines, and let them embellish it. And that made for a much more alive story than any attempt to create it by herself would have - but I think it takes a lot of courage to let your players have that agency. Most Dungeon Masters (myself included) tend to struggle with being control freaks.

And the plots! Yeah, arc one is built of classic tropes - but she actually uses them, she doesn’t get caught up in subverting everything or laughing at the cliches. And it’s fun! In arc 3, there really isn’t a straight line for the players to follow, either - which makes the game much more interesting and much trickier to run. And her NPCs are fantastic and I will talk about them in the next section.

Above all, though, I think what is really impressive is how Haley balances mechanics, and rules as written, with the narrative and rule of cool - and puts both rules and story in the service of playing a fun game. And the secret to that? She’s the DM, but the DM is a player, and the DM is clearly having fun. Hope Lovejoy mechanically shouldn’t get that spellslot back, but she does, and it’s fun. The changeling merchant in Thymore doesn’t really make some Grand Artistic Narrative better, but wow is it fun. And she never tries to force it one way or the other - the story might be more dramatic if Annie didn’t manage to banish the demon from the vault, but it’s a lot cooler and a lot more fun for the players if Annie gets to be a badass instead - and the rules and the dice say that Annie managed it.

Settings feel like places, NPCs feel like people, and the narrative plot feels like a real villainous plot.

Anyway. I could go on about the various ways in which Whipjack is awesome for quite a while - she’s right, first place in D&D is when your friends laugh and super first place is when they cry - but I’m going to stop here and just. Make another post about it some other time. For now, for the record I hold her opinions about the game in higher esteem than I do several official sourcebooks; that is all.

Characters - Or, Bombyx Mori Is Not an Asshole, And That Matters

Okay, I said I would talk about characters! And I will!

Just a general place to start: the party! All of the first three parties are interesting to me, because they all care about each other. Not even necessarily in a Found Family Trope sort of way, though often that too. But they generally aren’t assholes to each other. The players create characters that actually work together, that are interesting; even when there’s internal divisions like SK-73 v. Sir Mr. Person, they aren’t just unpleasant and antagonistic all the time. Listening to the podcast, we’re “with” these people for a couple hours - and it isn’t unpleasant. That matters a lot. (To take a counter-example: I love Critical Role, but the episode when Vox Machina pranked Scanlan after he died and was resurrected wasn’t fun to listen to, it was just uncomfortable and angering and vaguely cruel).

All of the PCs are amazing, and the players in each arc did a great job. If you disagree with me about that, well, you have the right to be incorrect and I am sorry for your loss. Annie Wintersummer, for one example: tragic and sad and I want to give her a hug, but also Fuck Yeah Wintersummer, and also her familiar Charles the Owl is the cutest and funniest and I love him. And we understand what’s going on with Annie, she isn’t some infinite pool of hidden depths because this arc is 7 episodes and we don’t have time for that, but she also has enough complexity to be interesting. Same with Fey Moss: yeah, a lot of her is a silly pun about fame that carries into how she behaves, but a lot of how she behaves is also down to some good classic half-elven angst about parenthood and wanting to be known and seen and important. (Side note: if your half-elf character doesn’t have angst, well, that’s impressive and also I don’t think I believe you).

There are multiple lesbian cat-people in a 4-person party and they both have requited romantic interests who aren’t each other. This is the future liberals want and I am glad for it.

Sir Mister Person, the human fighter! Thavius, the edge lord! Even when a character is “simple,” they’re interesting, because of how they’re played as people and not action-figures. And that matters a lot.

In the same way: the NPCs. There really aren’t a lot of them! And some of them come from Patreon submissions, so uh good work gang, you’re part of the awesomeness and I’m proud of you! The point being, the NPCs work because enough of them are interesting to matter. It’s not just a servant who opens Count Michael’s door, it’s a character with a name (Oleandra!) and a personality and history. They’re interesting. Penny Lovejoy didn’t need to be interesting, the merchant outside the Laughing Mausoleum didn’t need to be interesting, but they ARE! And Haley and Gus EXCEL at making the NPCs matter, not just to the story but to us as viewers. I agree with Sir Mister Person, actually, I would die for the princesses of the kingdom. I actually care about Gem Lovejoy of all people - that wouldn’t happen in an ordinary campaign! That’s the thing that makes Unprepared Casters spectacular - and, frankly, it’s especially impressive because D&D does not tend to be good at making a lot of interesting compared to a lot of other sorts of stories.

And, just as an exemplar of all this: Bombyx Mori. Immortal, reincarnating(?), and described as the incarnation of the player’s ADHD. I expected to hate Bombyx, because as the mom friend both in and out of my friend-group’s campaigns, the chaos-causer is always exhausting to me. And yeah, Bombyx causes problems on purpose! But! She is not an asshole.

And that’s important. Bombyx goes and sits with the queen and comforts her. Bombyx gives Annie emotional support. Bombyx isn’t just a vehicle to jerk around the DM and other players; Bombyx really is a character we can care about. To compare with another case - in the first couple episodes of The Adventure Zone, the PCs are just dicks. Funny, but dicks. Bombyx holds out an arm “covered in larva” to shake with a count, and robs him of magical items, but she also cares about her friends and other people! She uses a powerful magical gem to save her fertilizer guy from death! Yeah, Bombyx is ridiculous, but she’s not just an asshole the party has to keep around for plot reasons; you can see why her party would keep her around. And one layer of meta up, she’s the perfect example of how to make a chaotic character like that while still being fun for everyone you’re playing with, which is often not the case. And I love her.

The Anti-Mercer Effect - Or, “I think we proved it can be fun, you can have a good time with your friends. And it doesn’t have to be scary, you can just work with what you know”

The Mercer Effect basically constitutes this: Matthew Mercer, Dungeon Master of Critical Role, is incredible (as are all of his players). They’re all professional story-tellers in a way, remember, and so Critical Role treats D&D like a narrative art-form, and it’s inspiring. Seeing that on Critical Role sets impossible standards - and people go into their own home games imagining that their campaigns will be like Critical Role, and the burden of that expectation tends to fall disproportionately on the DM. And the end result, I think, of the Mercer Effect is that we get discouraged or intimidated, because our game isn’t “as good as” theirs. (And I should note - Matt certainly doesn’t want that to be our reaction).

So the Anti-Mercer Effect is two things: it’s D&D treated like a game, and it’s inspiring but not intimidating. And Unprepared Casters manages both of those really freaking well. Because they play it like a game! A UC arc looks just like a good campaign in anyone’s home game. They have the vibes of 20-somethings and college students playing D&D for fun because that’s who they are (as a 20-something college student who plays a lot of D&D, watching it felt like watching my friends play an especially good campaign). They’re trying to tell a good story, sure, and they always do. But first and foremost, they’re trying to have fun, and it shows, and I love the UC cast for it.

And that’s the other half of it: it’s inspiring! It’s approachable; you can see that Haley and Gus put plenty of work into preparing the game but it also doesn’t make you feel like you need hundreds of pages of worldbuilding to run a game. Sometimes a cleric makes Haley cry and she gives them back a spell-slot from their deity! That’s fantastic! It’s just inspiring - listening to this over the summer, when my last campaign had fallen apart under the strain of graduation, is why I decided to plan and run my new one!

That quote from Haley Whipjack that I used as the title for this section? That’s the whole core of this idea, and really, I think, the core of the podcast.

The Mercer Effect is when you go “that’s really cool, I could never do that.” But Unprepared Casters makes you look at D&D and go “wow, that looks really fun. I bet I can do that!” And I love the show for it.

And I bet a lot of you do too.

#unprepared casters #bombyx mori #haley whipjack #long post #this is really rough but I don't have time to keep working on it and it's already a month later than intended

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sourholland · 3 years

Note

Ooooh angst “what about us?” “there is no us, there never was.” with tom plssss! Really love ur work 🌸

Last Kiss || Tom Holland

Summary → After a fling you and Tom had started while filming a movie together, he tells you that you two can’t be together anymore. Once you get home, Tom let’s you know that he made a mistake.

AN → This was supposed to come out yesterday, I just got lazy and waited to edit it. I can’t tell if I like how this came out or hate it, either way, I hope you guys like this. Also in honor of the Fearless re-record!!

Pairing(s) → Tom Holland x Fem!Reader

Warnings → Strong Language, Suggestive, Alcohol Use

Prompt(s) → 38

Word Count → 1.9k

The ringing of your phone sounded through your apartment loudly, the sound of the rain pattering loudly against the windows out-looking New York City. You set down the remote, feet padding against the cold hardwood while you looked for your buzzing cellphone.

You didn’t bother glancing at the caller ID, picking it up bringing it to your ear all in one quick motion.

“Hello?” You said, pulling a wine glass down from the cabinet.

“Y/N?” Tom’s voice came through the phone.

Your heart dropped, a breath catching in your throat while you stood in your kitchen. He was across the country, wanting nothing to do with you. He repeated your name through the phone, asking if you were there.

“Yeah, I’m here,” you answered, pouring more wine than you’d originally intended into the glass.

“Isn’t it like one in the morning in England?” You asked, listening to the muffles coming through the speaker.

“Yeah—yeah, it’s late here. I just couldn’t sleep, and I started to think of you. Sorry, I probably shouldn’t have called.”

You sat at one of the barstools, swirling the red contents of the glass around. You wanted to yell at him, or maybe you wanted to tell him how much you loved him. You sat silently for a few moments, bare legs cold from the draft.

“Tom,” you started. “I just don’t get why we have to rehash the past, you know? I came back to New York, just like you told me I should. You’re working on whatever new movie, I’m doing the same. I don’t know—I just think we should leave whatever happened between us alone. You made it very clear that it was me that you didn’t want,” you mumbled, pulling at the sleeves of your sweater.

He audibly sighed, the ruffling of sheets coming through the phone. He was probably in bed, if he wasn’t so far away you’d have asked him if this was a sad attempt at getting you to sleep with him.

“I was fucking stupid, and I’m sorry, Y/N. I’m so fucking sorry, I’ve said that a million times,” his voice was hoarse and tired.

“I’ve already forgiven you, Tom. I just can’t keep doing this—this thing with you.”

You both went quiet for a minute, the only sound being the noise from outside in the bustling streets of the city and the rain. You knew you should hang up, block his number and forget about anything you two ever had. You’d tried a few times, unable to bring yourself to doing it.

“What about us?” He asked lowly, a twinge of hurt in his tired voice.

“There is no us, Tom,” you replied. “I’m not even sure there ever was.”

He didn’t say anything, you wanted to let out the repressed cry and tell him you didn’t mean it. That you were sorry and that you thought about him more than you’d like to admit. Something in you knew if you didn’t do your best to cut it off, you two would continue down the same everlasting cycle.

“Okay,” he said.

“Okay.”

The line went silent for a moment, and then your home screen lit up. The call had been ended. You downed the remainder of your wine, ditching the cup and just going for the bottle. You thought about calling him back, about apologizing and booking a plane ticket like some lovesick teenager.

You opened Instagram and began scrolling through your feed of posts, liking and commenting occasionally. You weren’t anywhere near drunk, merely tipsy and heartbroken. Your finger lingered on the button to go live, wondering if you really wanted thousands of people to see you in this state.

You left the kitchen and instead propped your phone against the couch, taking a seat on the white rug of your living room. You wearily pressed the go live button, raising the bottle to your chapped lips once more. You are pathetic, you thought.

“Hey guys!” You smiled at the camera and outpouring of greetings in the comments. Within a few minutes you’d racked in a few thousand viewers. You grabbed the guitar sitting against your wall and strummed the cords lightly while it sat in your lap.

userone: you are so adorable

usertwo: can you please say hi?!!!??

userthree: it’s my birthday y/n!

“I’m sorry I haven’t been very active on social media, guys. It’s been super crazy traveling back and forth from London to New York and then having to leave again in a few weeks. And now I’m sitting on my living room floor with a bottle of wine,” you laughed. A few familiar people popped into the comments of the live, some you’ve worked with and some you’ve yet to meet in person.

florencepugh: y/n!!!

gracieabrams: might just bust out the wine just for u

“Florence, I can’t wait to see you soon!” You smiled, “Gracie, I swear it’s making everything like a hundred times better.”

userfour: i’m in love with her

userfive: y/n saving 2021???!!!

“I’m not even sure what I’m supposed to be singing,” you flushed. You did sing, before getting into acting you’d post a lot on Instagram and TikTok. It’d always been more of a hobby, something you loved to do, but weren’t good enough to pursue.

“I’ve had a little too much to drink,” you added. “So don’t get upset if I’m a little pitchy, guys.”

usersix: if she’s pitchy i’m not sure what i am

userseven: sing taylor swift!!!

“Okay, okay!” You chuckled, scrolling through the hundreds of comments saying to play Taylor Swift. You’d only just been crying to like three of her albums a few hours before.

“How about the chorus—and maybe the bridge too, yeah, that’ll work,” you mumbled to yourself, fiddling with the strings. “Alright, guys, Last Kiss it is. I won’t bore you all with the whole thing, though. I could never do Taylor justice.”

“And I’ll go sit on the floor, wearing your clothes”

Getting involved with him was singlehandedly the most stupid decision you’ve ever made, you thought. Late nights in his flat after long nights on set, ordering in and just talking, you two would talk as if you’d known each other your whole lives. It was something about the way he’d let you wear his clothes, or the way he’d tuck your hair behind your ear while you told him about whatever insignificant thing that had happened that day.

“All that I know,

I don’t know how to be something you miss”

The car ride to the airport was the worst, it was grey and cold outside. There was makeup running down your face, mascara covering your eyes generously. You’d wrapped filming a week earlier, unable to bring yourself to walk away from him.

You couldn’t tell the driver to turn you around, or could you? Tom had already made it clear that you were both in different places in your career. This wasn’t what he wanted. You weren’t what he wanted.

“I never thought we’d have our last kiss”

He had held you just a little tighter, you ran your fingers through his hair for just a second longer. The taste of each other lingering on the both of your lips. Like you knew it would be the last time he’d hold you without knowing.

His stupid smiled, the way he pulled away and ran his thumb over your swollen bottom lip. You were almost wrapped around his finger, absolutely sickened with desire and infatuation for him.

“I never imagined we’d end like this,

Your name, forever the name on my lips”

The day you’d left to come home to New York started with a huge argument between the two of you. He’d basically just told you that you’d both known from the beginning you wouldn’t last together. It wasn’t a matter of how much you cared for one another, but that it was impossible, as he put it.

His eyes glossed over and bloodshot, you a complete and utter mess. Slamming the door behind you as you left was one of the most painful things you’d ever endured. Even more painful, the fact that he never came after you.

“So I’ll watch your life in pictures like I used to watch you sleep”

“I can feel you staring at me, love,” he murmured against the pillow.

Your face heated, eyes averting to the stream of light through the sheerness of the curtains. He leaned into you a moment later, his lips soft on your own. He was warm, he was always so warm. You cupped the side of his face gently, pulling him in a bit harder.

“And I feel you forget me like I used to feel you breathe”

You dropped your bags, stepping into your apartment after months of being away. It felt quieter than usual, desolate and empty from your being away. It was dark out, the illumination of the bright city lights from your windows.

You glanced down at your phone for a moment, not a missed call, not a text, not even a fucking notification. He’d simply told you to go home, nothing more nothing less.

“I keep up with our old friends just to ask them how you are,

Hope it’s nice where you are”

You’d texted Harrison a few times, regretting it almost immediately after. He was sweet, telling you that Tom would come around eventually and to just be patient. You’d relied on those kind words for some time, eventually deleting them all together.

After Tom’s first text, you’d realized he wasn’t coming around or regretting what he’d said to you. He was lonely, maybe even a bit desperate. For months you had been there to listen to him and hold him, and now you were gone.

You’d fed into it the first few times, sitting on the phone with him for hours at a time. Then you started to feel worse hearing his voice, silent sobs escaping as you’d listen to him ramble. Then your finger would linger over the decline button a little longer than usual when he’d call, until eventually you started to use it.

“And I hope the sun shines and it’s a beautiful day,

And something reminds you,

You wish you had stayed”

Once you started to go out with other guys, Tom’s ‘I miss you’ texts became more infrequent. Paparazzi would snap pictures, and the next morning they’d be plastered all over the internet.

There was no doubt he was seeing you going out with other people, watching article after article about who you were dating surface. Would he be jealous? No, you thought. Tom was probably doing the same thing as you. Hopeless hookups, meaningless blind dates.

“You can plan for a change in the weather and time”

One early morning, you found yourself in a sweatshirt you’d stolen from one of his drawers and forgotten to return. Listening to the morning rush of traffic and hugging yourself, noticing the lingering smell of his cologne.

You wondered if he knew you’d taken it, if he would think you were pathetic wearing it months after you two had broken things off. This only made you clutch yourself a little tighter, closing your eyes and trying to remember.

“But I never planned on you changing your mind”

#tom holland imagines #tom holland #tom holland imagine #tom holland x reader #peter parker imagine #peter parker x reader

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tommysparker · 3 years

Text

Never Forget You [Chapter 3]

Obi-Wan Kenobi x Jedi!Reader

A/N: hey y’all! thank you for your patience with this chapter. enjoy!! :) [also totally didn’t have this in my drafts then forget to post earlier pfftttt whaaaatt?]

Warnings: angst with a tiny amount of fluff. anakin finally makes his debut in this series. it gets better just stay with me. long italic paragraphs = flashbacks

Anakin Skywalker had witnessed many things over the years.

Giant beasts? At least once a week. Sith Lords? Becoming too common. Droid armies? All year long. Looking death in the eye? Simply another day in the life of a Jedi.

Nothing could ever have prepared him for the sight he was currently witnessing.

Obi-Wan Kenobi, his Master, The Negotiator, the Jedi Council’s most prized Jedi…sulking.

It has been a full week since You returned to the Jedi Temple and Anakin couldn’t help to think his former Master’s mood and your arrival were connected. He was vaguely aware of your past friendship, only hearing bits and pieces of the adventures you had together as Padawans.

During his days under Obi-Wan’s apprenticeship he would often hear about how “a wise Jedi I once knew” would do certain things. He wanted to know more about this oh-so-great Jedi, however, any time the young boy asked his Master would always brush him off with a mournful look in his eyes.

He didn’t understand at the time but now he’s beginning to piece together that perhaps there was something more between the two of you.

“You think Master Y/l/n and Master Kenobi were courting?”

“Keep your voice down, Snips,” Anakin hushed.

“Sorry, sorry. But Master,” Ahsoka lowers her voice, “what led you to that conclusion? I’ve hardly seen them together since Master Y/l/n came back. What makes you think they could be lovers?”

“That’s just it, Ahoska. They’ve been avoiding each other like the Rakghoul plague. Obi-Wan told me they were such good friends, and now that they’re back they can’t stand to be in the same room as each other? I don’t buy it.” Anakin looked back to where Obi-Wan sat with Commander Cody, no doubt brainstorming new battle tactics and liberation plans.

“So what do you suppose we do? Set them up or something?” The look her Master gave her made her regret her words the moment they left her mouth.

“Come on, Snips. It’s a good idea. We get them to stay in the same room so they have no choice but to confront each other and talk things out! It’s genius.” Anakin smiled, his eyes still on his former Master. He had a feeling if Obi-Wan were to find out about this plan he would be in for a major lecture but he couldn’t bring himself to care at the moment. He couldn’t stand to see the old man look so miserable, not if he can do anything about it.

Ahsoka crossed her arms and followed her Master’s gaze. Something was clearly different about her Grand-Master. He had put his full attention into ending the war, which wasn’t new. However, she could tell something was off. He no longer came out to the landing zone to greet returning fighters, stayed away from the meditation and training centers as well as the Jedi Archives which was the most off-putting observation considering that was where he spent most of his time.

Anytime someone needed to find Obi-Wan Kenobi, the first place they would check was the ancient history section of the Jedi Archives.

“I don’t know why you find so much interest in these old books Y/n/n,” Obi-Wan complained from across the table. “Can’t we go practice our lightsaber skills instead?”

You smiled. “Nuh uh, mister. If I won the wager you promised to sit with me during my reading time. Now shush, and read.” You pushed the unopened textbook toward the pouting Padawan. “Maybe you’ll actually learn something.”

Obi-Wan stuck his tongue out in a childish manner, sighing dramatically when you gave him a certain look and reluctantly opened the cover and began to read Tales of The Old Republic.

Safe to say from that point onward, Obi-Wan would join your daily Archive visits with zero complaints.

You close the book, careful to make sure no pages fell out and gently push it back into its place on the shelf. Using the force, you carefully push the ladder you were currently standing on over to the next column and begin nitpicking through the array of old texts.

It took a few days for you to settle in and readjust to the Jedi Temple life. Once you had, however, things quickly took a turn.

Master Yoda requested that you help train some of the younglings who were having trouble advancing into the next stages of becoming a Jedi. In all honesty, you much rather have had the freedom to roam for at least one more week, but the new role presented an excuse to not be around a certain blue-eyed Jedi.

“Looking for something?”

The voice startled you, causing you to jump and lose your balance on the ladder. You yelp as you begin to fall towards the ground, bracing yourself for the hash impact and the bruises that would add to the collection on your side still currently healing.

Instead, you feel a pair of arms catch you, one under your back and the other behind your knees in a classic bridal style. The hold felt secure instantly, and you instinctively clung to the tunic of your savior. You look up to thank the person for preventing any injuries, but the blue eyes staring back at you made your mind go blank.

Obi-Wan stared back, unsure of what to say. This was the closest he has been to you since you left a decade ago. He longed to have you in his arms, to hug you, to regain that safety net you provided he knew he could always fall back on.

“Um...thank you, General.” It came out as more of a question, your mind still reeling from almost falling and also the fact that the man who you had been actively avoiding just happened to be in the same place you spent hours of your youth together.

“Obi-Wan, please. No need for formalities, darling.” The old nickname slipped out, and he was about to apologize when he noticed the light blush that spread across your face. Perhaps not everything about you has changed.

“Right...Obi-Wan. Well, I’ll be on my way then,” You rushed, trying to pass by him but he stopped you once again by the call of your name.

“Y/n/n’s wait. Whatever game you’re playing, frankly I am not a fan of it.” Obi-Wan crossed his arms and furrowed his eyebrows.

“What are you talking about?” You turned around and looked at him confused.

“You were the one who summoned me here,” he stretched his arms out, “here I am and now you’re trying to run away again. I hardly think that’s fair.” He was beginning to get frustrated. He came in with his heart on his sleeve, ready to finally talk to you after so long and find out why you’ve been keeping your distance. Now, all he felt was betrayal and irritation at the ongoing dance you insist on doing around each other.

He preferred to dance like you did in your youth, but alas this was nothing but another sign he needs to get mind out of the past.

You scoffed lightly. “Again? What is that supposed to mean exactly?” You knew exactly what he meant, but you didn’t want to admit it. You’ve been denying it for ten years and Force be damned if you’d admit it now.

“You’ve been avoiding me since your return--” You open your mouth to protest but he ignores you and continues “--and then you send the youngling to bring me here, only to try to flee upon my arrival,” He frowns, lifting his elbow and resting it on his remaining crossed arm. “I know our history can make things...difficult in the present time,” He glanced around cautiously as he spoke,”but I would appreciate it if we make an agreement simply to not speak from now on. No more games.”

You blinked, head tilting slightly as you waited for him to finish. “Obi-Wan, I didn’t ask for you to come here. Nor would I ever involve younglings in personal matters.” He should know that, you thought. But should he really?

His face fell from annoyance to embarrassment, his arms falling to his sides. “Oh.” He wasn’t sure what to do now. It was his own fault for getting his hopes up. I should have known better.

You purse your lips and nodded slowly. “Well, I’m glad we at least came to an agreement. Goodbye, General Kenobi.” You took your leave, forcing yourself not to look back as you felt his eyes watching your figure.

Obi-Wan let out a frustrated sigh, knowing he just ruined any and all changes of reconnecting with you. In his defense, however, you were the one avoiding his attempts at friendly conversation and refusing to meet and make up for lost time.

Still, something didn’t feel right about this.

“What the kriff was that?”

Ah, there’s that something. “Anakin, please tell me this was not your doing.”

Anakin smiled guilty, Ahsoka coming out from behind the bookshelf to stand next to her Master.

“It was Snips' idea.” Anakin shrugged, flinching when he felt her punch his arm. “Ow!”

“You were the one who came up with the plan, and now look! Master Y/l/n and Master Kenobi will never get together--” Ahoska stops herself, realizing she said too much. “Oh no.”

“I beg your pardon?” Obi-Wan looks at them both incredulously. “First of all, Master Y/l/n and I are simply…” he wanted to say friends, but even that was a reach at this point, “acquaintances. We knew each other in the past, and in the past our friendship shall stay. As for ‘getting together’, you both know very well any implication of that goes directly against the Jedi Code.” He crossed his arms tightly as he scolded.

“I can tell you harbour feelings for them, Obi-Wan. You don’t need to lie to us.”

“Whatever feelings I may or may not have for Y/n are unrelated. You must understand your responsibilities as a Jedi. No matter what emotional sacrifice we must make.” He made a point to look at Anakin at the end, knowing he won’t follow the implication but at least hoping he’ll get the message.

“We’re sorry, Master.” Ahsoka looked down in shame not at what they had tried to achieve, but at the cost and clear damage they caused.

Obi-Wan sighed, running a hand over his beard before resting it on her shoulder. “It’s alright young one. You meant no harm. Perhaps some things are better left forgotten.”

Oh, if only it were that simple.

A Padawan approached the three of them quickly. “Excuse me, Master Yoda sent me to tell you he and Master Y/l/n are waiting for you all in the council room.”

Of course, these things never are.

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heres a box to put your heart pieces in -> [] :)

Taglist: @queenariesofnarnia @dwarfplanet69 @katsukink @blondekel77 @generousrunawaydonut @fandomtrashwhore @fortheloveofaqueenfan @mrskenobi19 @mellowstatesmanhandsempath @hotleaf-juice @emiijemii @neji85 @doctor-warthrop @ayamenimthiriel @lizzy-95 @lovelylostminds

#rae writes sometimes #obi wan kenobi #obi wan #obi wan angst #obi wan x reader #obi wan kenobi angst #obi wan kenobi x reader #obi wan imagine #obi wan kenobi imagine #obi wan x you #obi wan x y/n #obi wan kenobi x you #obi wan kenobi x y/n #obi wan fanfic #obi wan kenobi fanfic #obi wan kenobi fanfiction #obi wan fanfiction

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katytheinspiredworkaholic · 3 years

Text

Wip Wednesday

Untitled Fic (Correspondence)

Summary/Story so far: HotchReid, slow burn, AU where Reid never joined the FBI, but got roped into consulting for the LA field office while working and teaching at Caltech. Hotch gets his email from a fellow agent, and they start to work on cases together – until they start talking on a regular basis. Regular becomes frequent, frequent becomes constant. This goes on for months, their tentative friendship turning to flirtatious virtual dates, and now that Hotch knows how old Spencer actually is the barriers just continue to break down one by one. The next escalation? Stepping up from text messages... to a phone call. But it isn’t planned, or how either imagined it would be. In fact, it all begins because of a case...

(Part 1) (Part 2) (Part 3) (Part 4)

(Set in late season 6/early season 7, unbeta’d, first draft)

(Without getting into spoilers I’m going to skim over the how and the why of Hotch knowing Spencer’s age now, just know it happens. It had to at some point, right? But they both still don’t know what the other looks like, or even heard each other speak... until now.)

Spencer doesn’t even see the caller ID flash across his phone screen. He's too busy with the security work he’s been buried in all morning. A project that the Attorney General sent to their department, specifically, and yet Spencer always gets roped into completing it on his own. Because ‘you can finish it faster than all of us combined, have at it tiger’, and while he may have the Ph.D.’s and titles to back up his academic positions, he’s still the newest and youngest member on the board. Seniority trumps intellect, yet again. He hates bureaucracy with a passion. But Spencer doesn’t even bother to look down at his phone when it rings, just reaches over for it blindly with a half-suffering sigh. Phone calls are always consultations, or requests from other universities, or students and faculty calling in for favors, or something else that isn’t as important to him whatsoever.

Not like Hotch is.

But Hotch is always a text. Spencer knows that text tone, his heart skips when it chimes, his ear is trained for it now. This morning, however, that’s not what happens. His phone rings, and he answers like he always does during office hours. Not even looking up from his work as he puts his phone to his ear.

“This is Dr. Reid.”

There’s a heavy pause on the line, and Spencer is in the middle of writing out an equation that takes up half a page of his notebook. Too busy to notice it right away.

“... Dr. Reid, this is SSA Hot--” the man stops, clears his throat, voice pitching even lower in an attempt to quiet the conversation. Wherever he is at. “... it’s Hotch.”

Spencer’s heart literally stops in his chest.

The deep bass, reverberating tones, ring in his ears like church bells and he doesn’t quite comprehend what is happening even as his mind whirls. Stalled, like a car engine that is being revved uselessly, to no avail.

There’s no way…

“H-Hotch?”

If he was in his right mind whatsoever, instead of stunned speechless, Spencer would have winced at the breathless sound he just let out.

“I didn’t -- I’m sorry, this wasn’t how I wanted our first phone conversation to go,” Hotch says, his voice clear and concise and smooth as water flowing over river stones. Just as cool, somehow, and yet there’s warmth in the layers underneath. They weave their way in after he apologizes, earnestly, like a small dam breaking in his cadence. He truly was sorry that he had sprung himself on Spencer like this, bringing them into a new light. Another barrier broken between them. “But I need your help.”

That shakes Spencer out of his mild panic. His irrational worry about how he sounds on the phone -- how young he sounds on the phone, because it’s far too late to do anything about that, now -- or how his voice cracks when he answers the older man. Still partially in shock, mind racing to righten itself, somehow.

“R-Right. Yes, of course. You’re still on your case, in Wyoming?” It all comes out in a rush as Spencer closes his notebook and stands up from his desk in a shot, immediately pacing along one of his floor-to-ceiling bookshelves in his office. Free hand raking through his hair to ground himself.

“Yes, the geographical profile is too complex for us to decipher and we don’t have time to cycle it through digitally. There’s a snow storm up here, we have next to no service. I can’t even get text messages or email out… just phone calls. Emergency phone calls.” There’s an authority to Hotch’s voice that just feels like it fits him, and his job, and how Spencer remembers their first emails sounding -- it’s nothing like how they text, how they message each other at all hours of the night and make each other laugh on different sides of the country. He finds he likes it, though, finds it soothing in a way that calms his rattled nerves the more he speaks, and gets Spencer to focus on the task at hand. Hotch’s team is on a case, people are dead, a killer is on the loose. Hotch needs his help. “It also means we can’t access anything from the home office at Quantico, so we’re stuck up a creek at the moment.”

“I’m faster than a computer, anyway, have Ms. Garcia send it all over to me as soon as she can,” Spencer tells him, putting his phone between his ear and shoulder as he scoops up his laptop and races out of his office. Making a beeline towards the conference room where he’ll have more room to work. Spencer is already logging into his email and closing the door with his foot for privacy when he juggles his phone to his hand. “I’m putting you on speaker, but it’s just me in here. I can start when I have everything.” He drops his cell to the table and leans over it as he sets up, clearing off the work space as quick as his frantic hands allow.

But something stops him. Spencer pauses in his shuffling of papers left over from that morning’s meetings as a thought sticks in the forefront of his mind. Entirely inappropriate, considering the circumstances, but… face flushed red and eyes darting to the phone -- Hotch’s name there above the call time duration -- Spencer licks his lips nervously and asks, anyway.

“... am I on speaker there?”

“Not yet, I was about to switch you over.”

“Wait! I just --” he pauses, flushing further at his outburst, and he knows his words have gone a little breathless and high and he’s embarrassed by it all but... he has to say it. The development is too shocking, too out of their realm of influence. If and when they had planned on moving up from texts to phone calls, it wouldn’t have gone like this, or have had this much urgency. It’s still the first time Spencer has ever heard Hotch speak, and he can’t ignore how groundbreaking that is. What it’s changing between them, even as they work on a case that requires all their attention.

“-- I really like the sound of your voice,” he admits, his own words quieted because he knows this isn’t the time or the place. “The decibels are soothing, which is so fascinating to me and I’m sure there’s a science behind it, I’ll have to look it up later. And…it’s close to how I pictured you might sound… but better?” God, Spencer never stumbles over words like this and he clears his throat as he tries to righten his composure to something a little less… awestruck. Focus. They have a case. “Will you -- can we talk tonight, too? Please.”

“Of course,” Hotch says quietly, assuringly, and his voice rumbles through the speaker on the table. Spencer feels it like a shockwave, from shaking breath to numb fingertips. He’s glad he’s leaning against the table, when it happens, because he goes a little lightheaded from it. “You’re… just as I expected.” And there’s a tone there that says it like praise, and Spencer’s heart feels light as air. “We’ll talk more about it later,” Hotch promises, and suddenly Spencer can hear a door opening on the other end of the line and a click of sound as the police station background noise filters through the conference room. “You’re on speaker with my team,” Hotch says, his voice a little bit further away, but not any less stronger for it. “This is Dr. Spencer Reid at CalTech, he’s going to finish the geographical profile for us.”

(tbc...)

#I will begin posting Saturday April 3rd #im officially setting a date #THIS IS JUST A SNIPPET #I'm really getting into the meat of why I started writing this in the first place and I'm so EXCITED about it #idk if anyone reads these tags but I will be posting an overview/preview before I post the fic with CW and mutlimedia content links #all sorts of crap #I go all out when I do long fics I just can't help it #anyway #early post since I had time today #HotchReid #Heid #katyswriting #snippets no one asked for

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meltwonu · 3 years

Text

| 🎃 𝕸𝖔𝖓𝖘𝖙𝖊𝖗 𝕸𝖆𝖘𝖍 🎃 |

↪ ✦ bitch ✦

this chapter pairing; warlock!seungkwan x witch!reader

genre&warnings; warlock!seungkwan, witch!reader, enemies!au(not hate fucking tho), hallucinations/tripping, high sex, cockwarming, overstimulation, forced orgasm, the smallest bit of switch!seungkwan, dirty talk 🥴

notes; it’s the way the draft for this chapter was completely different for me 🤪 He was a lot meaner in the draft but my natural thought was like HE WOULDNT BE THAT MEAN 😩😩 lmao fjkhkfh also can we just have a laugh at the fact seungkwan was doing a we remember kpop vlive and todays his monster mash fic day? thank u sir for all the content 🤣💕 As always, thank you for your interest with Monster Mash~ 3 chapters left! Say a prayer that maybe drunk me will post the last three in order!!! Have a great weekend! Be safe!! I love you!!! 💕 👻 🎃

word count; ~1700

chapters; 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - x - x - x

we do things a different way;

it’s up to you and it’s up to me

i’m your bitch, you’re my bitch!

boom, boom!

You hurry down the dirt path towards the small home where you knew Seungkwan would be; adrenaline coursing through your veins.

Of course this would happen.

You let out a frustrated noise, hoping that you were right in assuming Seungkwan had taken the spell book from your own home; there was no time to waste if your assumptions were wrong.

“That fucking bastard, I swear when I get my hands on him!” Mumbling angrily, you enter the clearing in front of his small abode; hands balled up into fists at your sides.

In fairness, part of it was probably your fault for leaving the spell book unattended and without a protection spell to keep it safe, but also, you’d only been gone for about ten minutes.

Unfortunately, that’d been enough time for Seungkwan to sneak in and take the book for himself.

You’d known Seungkwan for a while now and you’d even go so far as to say from your early teens. He was always using his magic for silly pranks and while he’d never done anything harmful with his magic yet, there were definitely spells in your spell book that could be used for harm if in the wrong hands.

You march up to his door, forcing it open as you storm in.

“Where the fuck are you, Seungkwan!?”

Scanning the small space, you walk around, no sign of the male anywhere in sight. You head up the small set of stairs to the second floor; noting one of the two doors was cracked open slightly with light coming from inside.

You all but sprint towards it, flinging the door open as you find Seungkwan holding a vial of liquid with the spell book open in front of him on the table. “You son of a bitch, Seungkwan!”

“Hey, wait, don’t----”

You slap the vial out of his hands as it knocks another one off of the table, plumes of purple and red smoke filling the air as the two of you start to cough violently. “Fuck, why did you do that!?” He shouts, trying to cover his mouth and nose from the odd smelling smoke.

“What the hell are you trying to do!?” You scream back, eyes watering as you, too, try to cover your mouth and nose.

“Fuck!” His fingertips wrap around your wrist as he tugs hard, pulling you out of the room and into the one directly across from it. He slams the door once the two of you are inside, coughs and gags filling up the space.

“Seungkwan, what---what the hell!? What was t-that!?” You shoot him an incredulous look, brows furrowed when he starts to look a little weird in your eyes.

Did Seungkwan always have four eyes? Or was it eight?

“Damn it!” Seungkwan mutters, sitting down on the bed in the middle of the room. “It was just one of your stupid illusion spells, okay? And maybe if you didn’t slap the damn vial out of my hands and make it knock off whatever god knows was in that other vial, I wouldn’t be seeing two of you right now!”

“Wait? You’re----You’re seeing t-things too?”

“Well, duh. I mean I don’t think it’s supposed to be quite like this but then again neither of the liquids in those vials were meant to mix on the floor either.”

You stumble over to the bed where Seungkwan sits, mouth hanging open as you stop in front of him. Leaning down, you stop until you’re face to face with him, shaky fingers reaching out to touch his cheeks where his other two eyes seemed to be.

“You have, um, four eyes?” You whisper.

“Oh, god. What did those vials do.” Groaning, he flops back onto the bed. “I don’t know what the hell that mixture is doing but it’s not good.”

You sit on the bed next to him, throat oddly dry.

There’s a weird warmness that floods your senses at the same time the room starts to shift; body swaying slightly as you let out a soft moan.

“Seungkwan, there’s s-something weird h-happening…”

“Oh no, don’t tell me you’re feeling it too…”

There’s two things you always promised yourself.

One: Keep the spell book safe.

Two: Don’t fuck Seungkwan. Even if you thought he was really handsome.

“Stop moving, damn it.” Seungkwan growls; hands on your hip as he keeps you in place. You drool slightly in response, head rolling and blown out pupils finding it hard to focus on the male when he had two heads. “M-me? You’re the one who w-won’t stop moving!”

You sit in Seungkwan’s lap, his cock snug inside of your pussy. His lap is exorbitantly covered in your wetness as the two of you stay unmoving; accusing each other of moving every few minutes. Or so what you both thought.

God only knew how much time had already passed.

Blinking slowly, you convince yourself you’re as still as a stone; soft giggles spilling from your lips. “What---what the hell are you laughing at?” Seungkwan mumbles, pupils shaking as he tries to focus on your swaying body.

“I’m---I’m suuuuuper still right now. Can’t you tell?”

“No, you literally w-won’t stop moving. How many times am I going to say i-it?”

Groaning in response, you swivel your hips slightly, “No, see idiot, that was me moving!” Seungkwan’s already overly sensitive; moans spilling from his lips at the simple movement.

“This is the worst, I can’t believe you’re sitting on my cock like this right now. I mean you’re hot, yeah, but fuck.”

“Wow, thanks Seungkwan, that made me feel great.”

The two of you fall into a somewhat comfortable silence and you find yourself slowly leaning down until your head rests against his shoulder. You can’t stop the drool that pools on his skin underneath your mouth; eyes focused on the wall that seems to warp endlessly.

“Seungkwan…”

“Hmm?”

“I think I want to cum.”

“Okay. Go ahead.”

“Okay.”

You lift your head from his shoulder, a trail of saliva connecting your mouth to his skin making you laugh. “Oops.”

Seungkwan’s blunt nails dig into the skin of your waist, mouth parted slightly. “Didn’t even have to do anything and you’re already gonna cum, huh?” You reach a hand down between your bodies, a shocked expression on your face when you feel just how wet you really were. “I’m---s-soaking…”

“I can tell.”

Your fingers rub circles on your clit, loud moans and whines falling from your lips at the way your body is already on the edge of an orgasm. “Ngh, ‘m already c-close…” Your eyes clamp shut as you start swiveling your hips; odd patterns dancing behind your eyelids as you start to feel the tension snap.

“Ah, Seungkwan!”

He feels your walls fluttering around him and despite him trying to resist all of his urges, he can’t deny the way he wants to press you into the sheets underneath him.

So much for self control, he thinks.

It only takes a split second before Seungkwan is using all of his strength to reverse your positions as your back meets the bedsheets. You let out a choked sob as the pleasure continues to wash over you and Seungkwan starts to chase his own pleasure as he starts fucking you.

The sound of your wetness makes you blush a little as Seungkwan chuckles under his breath. “Don’t worry, I know this isn’t all my doing. I’m not that big of a jackass.” You open your bleary eyes; attempting to focus on Seungkwan as the ceiling behind him turns into a black hole. “Uh---uh huh…”

The remnants of your orgasm start to ebb away and you honestly can't even tell when your fingers went still on your clit, but you close your eyes, moving your hands to his forearms. “You okay?” He asks.

“Yeah, s’just everything’s f-fuzzy and--and it feels like I’m f-falling…”

Seungkwan fucks into you faster, brows furrowed. “Shit, I--I’m already close t-too.”

A weird wave of emotions wash over you and you find yourself oddly wanting to dominate Seungkwan. “Yeah? Gonna cum? You get to fuck my pussy for what, 2 seconds, and you’re already close? You’re so weak, baby boy. But okay, go ahead.”

You laugh deliriously, nails digging into the skin of his forearms as he lets out a choked sob. “Ah, ‘m s-sorry, I just--I can’t help i-it…” He whines, overcome with an odd feeling, himself.

“I know you can’t help it, baby boy. You’re just so easy.”

His moans become breathy and he finds himself mentally trying to fight off the way he wants you to keep talking to him.

Seungkwan bites his lip, growling. “Fuck!” His hips piston into you, cock throbbing as he finally cums. The feeling makes you moan and Seungkwan quickly finds himself annoyed almost as quickly as he felt himself wanting to submit to you.

He places his thumb on your clit as his orgasm washes over him, rubbing harsh circles on the nub as your back bows off the bed and his hips stutter.

“Ah, S-Seungkwan, wa---wait, I--I can’t, I’m t-too sensitive…” You mewl, thighs shaking as the sting of overstimulation starts to bleed into pleasure quicker than you can process.

“Don’t care, you’re gonna cum again. I know you want to.”

And you hate how right he is.

Your choked cries mix with his sultry groans and when your second orgasm hits you, it feels like it lasts forever.

You can only assume that Seungkwan feels exactly what you’re feeling.

It takes a second for your body to finally go slack and your chest heaves in deep breaths. “O-oh my… g-god…”

Seungkwan groans, pulling out of you as he lays down next to you in bed, completely spent as the room continues to spin. “It feels like I’m falling but I’m--I’m not...” He whispers. Your thighs continue to tremble even when you sit up, slumping forward slightly as you gain some of your senses back.

You turn to Seungkwan, watching as he starts to get overcome with the desire to sleep.

“Are you tired, Seungkwan?” He only nods once, eyes already closing as he gives in.

“I jus’ needa s-sleep for--for one minute...” Seungkwan mumbles.

You had to get the book before he got up.

Whether or not your body wanted to cooperate.

When Seungkwan wakes up, he doesn’t know how long it’s been.

His head is pounding and he’s naked is all he knows.

“What... happened?” He whispers to himself; eyes dancing over to the window.

It was still night time....

...Ah, shit! The book!

Seungkwan gets up from the bed, tripping over his own feet as he all but rips the door open to find the door to his study still open. He sighs frustratedly, turning back to get dressed before he assessed the situation.

Clearly, the two of you had experienced something bizarre together. That was for sure.

Once he gets his clothes back on, he heads over to his study, already noticing that some of the things on his shelves were gone. He groans, knowing you’d taken important ingredients that it’d taken him weeks to collect.

A small note sits on his table, held down by a small dagger and he leans in close to read what it says; rolling his eyes almost immediately.

“An eye for an eye, bitch! x”

#seungkwan smut #seventeen smut #svt smut #seungkwan scenarios #seungkwan imagines #monstermash!svt #warlock!seungkwan #seventeen scenarios #seventeen imagines #svt imagines #svt scenarios #seungkwan #seventeen fic

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athena-is-a-chaotic-lil-shit · 3 years

Text

Of Ice and Blood

Part 4

Welcome back! Hope you enjoy✨

Pairing: Tai'chi Kashharzol (Orc) x Pearl Blackbell (Human OC/Reader)

Warnings: Violence, cursing, shouting, and fighting. No blood mention. Just broken bones and stuff.

2.1k+ words [originally 1.6k but I revised it and added more details!]

Part 1

Part 2

Part 3

Part 5 Part 6

Sensing another one behind me, I went low and struck his leg with mine, using his fall to punch his chin with my right fist this time, being careful to use a controlled amount of force or else the nerve I hit will result to permanent brain injury and can be fatal.

I got up, swift in my actions as I saw the guy with a raised baseball bat heading towards me from my left flank, and the other one from the right, fast.

On reflex, I leaned back, the bat that was aimed at me hitting his comrade on the shoulder instead. Guy's lucky, actually. He would have suffered internal bleeding if it bashed the side of his skull.

Four down, two to go.

I took my stance once again to ready myself. This dude was a foot taller than me, with muscles packed with raw strength, but even so, pale in comparison to Tai'chi's p—

Stop thinking that! Focus!

"Smash her head Dan!" The man behind him yelled.

This 'Dan' went straight to me with his bat raised with intent once more.

Breathe in.

Everything slowed down. I let my heart rate decelerate, my hearing sharpened, my sense of smell heightening even further.

I closed my eyes, letting the rest of my senses take over. Years of practice, days of pain from training, each motion engraved to my entire body with purpose. To defend not only myself, but also those who are looked down upon, discriminated and stepped on like dirt. My parents had always taught me to defend myself. Me. Don't get me wrong, my parents are good people, albeit wary of the other races in our community. But the moment I left the roof of my home, I knew it was time for me to defend someone other than myself. I don't give a damn about where we come from or what kind of blood flows within our veins. I will protect those who need protecting, and set anyone straight and down to the ground when they deserve it.

Breathe out.

At the last few moments, with my eyes still shut, I changed my form. I followed his aura and pictured out the shape that was drawing up to land a serious blow to my head. Dan is solid and heavy, but everyone has at least one weakness. And this guy is not spared from that.

The bigger they are, the harder they fall.

I opened my right fist, right foot forward and relaxed my arms, my legs serving as a firm foundation for my upper body. With the bat inches away from me, I smoothly dodged to the side, using my palm to push away the hand holding the weapon and punched a vital pressure point right under his bicep.

I bent my legs even lower and struck the center of his ribs with my thumb, closing my hands as I jabbed his sciatic nerve on each side at the same time, both located in the middle line of the thigh between the groin and the knee. A solid blow to those nerve points will cause intense pain and shock to the person, along with a temporary immobility of the feet.

a/n: Self defense 101! Remember that dear readers♥

With the support of my left leg, I went behind the man, standing straight and proud. Calm, I opened my eyes when I heard his fall, staring right into the fearful ones of the moron that started all of this.

"Y-You- You killed them!"

Is he that dumb?

"Correction, I didn't. I knocked them unconscious is all. And the fellow that attacked me first? Well, he passed out from the pain of his now funny-looking arm." I stated flatly as I trudged to where he was standing.

"S-Stay away from me! Monster! Freak!" He stumbled, his ass on the ground and away from me until he felt a tree trunk on his back.

I scoffed and withdrew my knuckle dusters back under my baggy sleeve.

"You wanna know who the real monster is?" I stopped and held him in place with my scrutinizing gaze. He was trembling like a wimp at this point.

"It's you.

"You and your disgusting racist friends.

"You, along with all the people who view and treats anyone other than humankind as lowlifes and pests that are meant to be squished and eradicated from the society.

"No, it's you, and the ones who have the same mentality as you, who are monsters under the guise of a human."

I paused, not even blinking as I bore holes into his skull.

"I am human, down to every inch of my being. But unlike you, I respect and treat everyone, regardless of kind or gender, and to those who deserve it, fair and right."

Before I could continue, I scented new people coming into the scene. It was the teaching staff, along with the uni's guard.

Shocked of what they have seen, they turned towards me, angry, surprised, confused expressions on different faces.

"What have you done?!" A female, human instructor, looking to be around her late 20s shouted.

"Ma'am, if you would just let me explain—"

"You are hereby expelled from this institution, young lady!"

All the color of my skin left me as I heard the words I have dreaded even before I set foot in the campus grounds.

"Now let's not go straight to conclusions. We need to deal with this professionally AND properly Miss Holson. You are also not in authority to suspend this student." A heavily bearded dwarven professor, clad in a brown suit and Oxfords, told her off firmly.

"What are you saying Mr. Dulrik? Look at her! Look at this! She murdered students and oh my God, is that the dean's son?!"

For the love of— she blind? Why does everybody think I killed someone???

"Ma'am they are—" I was about to tell her but got cut off, again!

"Helpmehelpmehelpme!" He scrambled away from me and ran to the group of teachers and hugged the young instructor. "I don't know what came over her! She just attacked us out of nowhere!"

The audacity of this fucking bitch!

"Pardon me? Attacked you? YOU were the one who followed me out here! You and your" —I gestured to the bodies laying flat on the ground— " buddies over there!"

"She is lying! The orc was with her and and and—"

It dawned on me that I almost forgot about Tai'chi. My eyes widened, and I frantically scanned the area around for him. And there he was, standing by the oak tree, right where I told him not to move.

He seemed...irritated?

Oh no. At me?

"I have not moved an inch from where I am standing ever since I planted my feet here." He said with his deep baritone voice, turning to confront the staff. "What she's speaking is the truth. They were the ones who followed her here and attacked her, first."

"And how can we be sure you are telling the truth, orc?" Miss Holson replied spitefully.

Even the teacher, huh? Her odor smells like vomit. I mean, I knew she was...foul, but I thought it was because of the situation. Guess not.

Tai'chi did not respond. Instead, he moved to look at me in the eyes. His gaze, searching, but not in an awful way. Was he asking me what I'll do?

"How about we discuss this in the office, shall we?" An elderly professor spoke. She was wearing the university's formal teaching uniform together with black, flat, closed toe sandals. "And Miss Holson, please quiet down. As Mr. Dulrik said, we should not jump into baseless conclusions."

Miss Holson fumed and shut her mouth, holding the coward in her arms.

"Now then, Miss...?"

"Blackbell."

The woman paused. I caught a smell of surprise and... astonishment?

She cleared her throat "Well, then Miss Blackbell, please follow us to the Dean's office, along with your, companion."

Weird.

"Oh and Mr. Smith, kindly call for assistance and take the unconscious students to the infirmary to be treated and looked unto. Thank you." She told the guard. With that, she and the rest of the faculty started walking back.

I glanced at Tai'chi once more to find him, again, staring. I approached him warily, expecting him to be mad at me.

"Uh. Hi?"

I let out a long exhale when he replied, with a slight tug of his lips, his tusk jutting out. "Hi."

I fidgeted, trying to come up with words to explain myself.

"I uh, uhm. Are you mad?"

With his brow raised, "Why would I be?"

Yeah why would he be?

"I-I never told why I keep wearing my mask." I stuttered, "You see I—"

"You two! Start moving before I force you to." A teacher yelled at us from a distance.

"We'll talk later, Pearl. For now let's get this resolved first. I know for a fact that they won't expel you unless they ignore the ill intentions of the ones who attempted to harm you first. But better be safe than sorry, he was the dean's son afterall."

"Yeah... Thanks. We should.. go." I turned and started walking along his side.

******pov shift for a bit*******

Little did Pearl know, he was thinking about how...nice, yeah that's the word, definitely not sexy, you were when he witnessed your skills in combat. It awakened something in him that it took a lot of control not to get aroused there and then, which was the real reason why he stood there, unmoving from his place. Not once did he leave his eyes from you, almost jumping to help you when the guy with the baseball bat was closer than we would have liked. But oh no, he was not surprised, he was astonished and shookt , amazed when you pulled that last technique, sending the human plummeting to the ground almost soundlessly. And the way you stood right after, he knew he was smitten. That proud and intense aura you gave off was enough to make him bow down at your feet. He could feel it. He could smell it. That was his secret, he can scent people and catch any mood shift they make. Even though he told her that her eyes and brows gave it away, it was not entirely true as he could smell, literally, you and the changes on your scent.

Oh but little did he know you could to. Just not as observant as he is.

*******************************

Wow— when I copy pasted the original thing from my notes to my drafts in Tumblr I was like "okay, so. I should read it AGAIN before I post it if I wanna avoid more unnoticed mistakes and keep editing it again and again even though I posted it already! " And I never though it would lead me to adding almost a half thousand words and a pov shift— which i found interesting and really nice! Should I do it more often? Like little inserts of what Tai'chi or another characters thoughts in second pov in between fics if necessary? It's just, nice, to put them in and write all out about what they were thinking outside of Pearl's pov! Let me know what you think and I hope you enjoyed reading❤

Tags: @kokokatsworld @crackinanutshell

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rpbetter · 3 years

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Reblog Etiquette (and ships)

At this point, we all know about “reblog karma” and “reblogging from source.” Though, I say that...and am questioning it. You should fucking know this by now, but in the event you don’t, let me define that shit for you.

Reblog Karma: the RPC’s oldest attempt at keeping people from clogging notifications and using others as meme resources. Essentially, don’t reblog a meme from a mutual unless you are sending them something from that meme first. Not all blogs practice it, or practice it the same way, please see their rules.

Reblogging from Source: another effort to stop being used as a meme/aesthetics resource. Many RPers would like you to reblog quotes, aesthetics, and memes from their source (original post location or the meme/aesthetics/quotes resource blog they got it from), even if you are sending them a meme. This is especially applicable when not interacting with the RPer.

Okay, that’s out of the way.

There is more to Reblog Etiquette than this!

And, when that etiquette is nonexistent, it almost always deals with a RPer’s ship. Mentioning ship partners and/or tagging ships on a reblog from another RPer, not removing that RPer’s mentions or tags, and even dropping a mention or outright RPing in the comments of another RPer’s reblog.

Don’t reblog from another mun and tag your ship or mention (@) your ship partner(s).

Don’t reblog a post with someone else’s mention still stuck to it.

Don’t reblog a post and leave the previous mun’s tags still in the tags.

Don’t go into the comments on someone’s post and mention your ship partner(s).

Don’t roleplay in the comments of someone else’s post.

None of this is alright, I have no idea what would make anyone think this is appropriate reblog etiquette, but it very much is not. It’s incredibly rude and lazy. Because I know that many people have similar ship aesthetics and so on, I’m not saying you shouldn’t reblog something for your own ships that a mutual has for theirs. (That’s a whole other in depth conversation we’ll have later.)

I’m saying that this is how you should be going about it:

Reblog from the source.

-What if there is no source because it’s deactivated, or there is another reason why I can’t access it?

Go into the post’s notes. At some point, damn near every post that could be used as an aesthetic, quote, or prompt for a ship (and RP in general) has been reblogged by at least one source blog. Look for RP meme, aesthetic, help, and other resource blog urls. If you cannot find one of those, look for urls that are general resource-style blogs. Personal blogs reblog aesthetics etc. as well, and there are many such resource blogs out there. -If you’re uncomfortable reblogging from a personal, that’s tough shit; I hate to break it to you, but most of your resources came from personal blogs. Deal with it, or don’t reblog anything you can’t find filtered through a RP specific resource.

-- “But this takes time/effort lol I just want to use it for my ship.” Again, tough shit. Sometimes, it does take energy not to be rude and do the right the thing. In all honesty, it’s fairly rare that doing the right thing is effortless, even when it’s something as simple as RP. Grow up.

--- You went through the notes, but there’s no appropriate blog to reblog from, now what?

Just because it’s a rare occurrence doesn’t mean it’s impossible. I know this one isn’t, I’ve had it happen too! My choice was to not reblog it at all, I just sent the link to my ship partner privately instead. If you don’t have that kind of friendship, you really wanted it on the dash, or another reason, you are now left with one option, and you’re not going to like it. Message the mutual you want to reblog from. Politely, explain that you’d like to reblog the post for your ship, and ask if they’re comfortable with it. No guilting, begging, or general, weird ass rudeness. If they decline, accept it just as politely, thank them for their response. If they accept, thank them, and especially if this isn’t a mutual you interact with much, be sure you’re showing them continued support on the dash by reading and liking/commenting on their headcanon posts and other appropriate material. (You should be anyway.)

Remove any mentions present (@’s)

Seriously, this is incredibly rude! Yet, with the typical lack of self-reflection and awareness of others in the RPC here, I see it multiple times a day on my dash. Not just with RP-blog-to-RP-blog interaction either, I also see RPers reblogging from personals and leaving their mentions attached. (I see it the other way around too, but I’m not here to school personal blogs.) For all the excessive emphasis RPers put on appearance, you’d think they’d want to get rid of something that looks this sloppy, but no. Not if it takes one extra second of effort!

-I know that xkit’s editable reblogs tends to break whenever tumblr gives us a new, exciting, hideous, insulting, limitation, I mean update, but come the fuck on. It is also one of the quickest things to regain functionality, so, maybe you should save the reblog to drafts, be following xkit’s blog for updates, and edit it once there has been a patch. If it’s worth it to you, it’s worth a short wait. When it’s working, you can easily remove that mention with editable reblogs.

--If you’re going to use being mobile as an excuse, or if you don’t want to wait on it/don’t use xkit, again, go to the source. And, also again, if that isn’t an option, you can find where it has been reblogged by an appropriate blog at some point in its history, sans mentions. Reblog from there.

Do not reblog someone else’s tags (#)

Some people have their xkit set up to reblog automatically with the previous poster’s tags. While that can be useful in some situations, I can think of, very literally, no situation this is appropriate for an RPer to use. If you have this set up on your personal/resource blog/wtfe and your RP blog is a sideblog (or you are using certain methods of having your browser open to two separate blog accounts where your xkit settings are transferring over), it’s up to you to delete the tags on these posts.

-It takes maybe one full second to click in the tag field and hit your delete button a few times to clear it. Do that. It’s never, ever, appropriate to keep someone’s ship, muse, verse, or other personalized tags attached to a reblog.

--If you are a personal blog reading this somehow, maybe you’re wanting to get into RP, please take note of this. This is one of the many reasons why most RPers will not interact with personals. We don’t like you reblogging an aesthetic post and keeping our tags on it.

In the case of both situations, not only is it rude and lazy, it’s fucking with someone else’s tags and privacy. Most RPers don’t want their content showing up in generally searchable tags, it’s one of the reasons that personalizing tags came about. Furthermore, if I’m on my dash and click a mutual’s custom tag for aesthetics, verses, ships, and so on, it’s now going to come up with instances of those tags on someone else’s blog as well.

Delete the fucking tags if they auto-populate. Don’t use someone else’s custom tags of your own volition either.

“Subverting” reblogs to mention in comments is a hard no, too

-So, you don’t want to reblog the post, but do want to @ your ship partner(s) in it? There’s no way to do that without being rude and strange. To be honest, this is even worse than just reblogging and tagging your ship.

I may not be the OP, but you came onto a post on my blog, one very likely tagged for my ships and/or having my ship partners mentioned on it, and commented on it mentioning your ship partner. It’s every bit as offensive and more so than someone reblogging from me and using it for a ship I’m not a part of. I don’t know what’s worse, when that other mun is a ship partner, casual mutual who doesn’t interact, or a writing partner but not ship partner. It’s all deeply fucked up. No one’s RP blog is here for your use like this!

--You’re also not subverting anything. I think the idea is to be polite or go unnoticed. People seem to lack a basic grasp on how tumblr works; you get notifications on reblogged posts you are not the OP of when someone comments on them just like you get a notif when someone likes it. The only way to genuinely be secretive about this would be to comment on it from the source or a resource blog. They will get the notification.

If you are commenting on, liking, or reblogging a post you see on the dash, the person having reblogged it, putting it there for you to encounter, will be notified of your interaction with it.

---What I’m saying, just in case it isn’t abundantly clear, for the third time now: you’re not being slick. Your mutuals will see that you weirdly @’ed someone in a comment on their reblog. They know.

----The appropriate behavior is to do just as advised in the above points: GO TO THE SOURCE. If no source exists, find an appropriate resource blog in the notes. You may then, and only then, give that mention in a comment.

Frankly, it’s still weird, and I would recommend you just reblog it from the source to interact with it. There is always the option of sending it to the intended party by way of tumblr’s messenger or linking the post in an off tumblr messenger like discord.

I say this because it hasn’t escaped my attention that the only time I have this issue on my own RP blog is when the imagery or text is fucking filthy. As in, Other Mun didn’t want something that sexual, kinky, violent, and so on to be posted to their own blog. You need to grow up if that’s your deal. Like writing smut or violence, if you need to do it in private only, you’re obviously not adult enough to handle the topic.

Keep your roleplay where it belongs; in your inbox and threads

-It’s not appropriate to start up RP in the comments of another RPer’s reblogged ship aesthetic. (Or anything else, this just happens to be the most common.) It’s incredibly odd and offensive to look in your notifications and see that a mutual and their ship partner are flirting, or outright fucking, in the comments of a post you reblogged for your ship.

It’s just as awkward feeling and offensive when someone reblogs the post and begins full-blown RP on it. It’s one thing when it’s a post originating from an RP resource blog, or when it’s kept to something like a mention and a short line that your writing partner can start their original post in inspiration of. But...

--You know how I said above that auto-copying tags thing is one of the reasons why RPers are iffy about personal blogs? Well, this is one of the reasons why personal blogs think RPers are exceedingly weird members of fandom that need to be excluded and devalued. It’s odd, especially if you’ve never encountered RP, to see someone reblogging your quote, moodboard, or other original post and RPing on it.

Listen, we all need to RP some crack and commentary sometimes, but it’s best left in the tags or put into a new post.

---Instead of RPing (not sorry, especially if it is smut) on that post, link the image to show in a new post, and go from there.

Please remember to be polite about artists, including photographers and gifers, when you do this! Tumblr automatically gives the source of imagery when you use a link to display the picture, that’s why I recommended doing that instead of saving, then re-uploading the image as though it is your own. If you’re going to do that, even if it’s just silliness going on, give mention of the artist, photographer’s blog/site, or gifer’s blog in the tag or below the image.

Tumblr is deeply unfriendly to artists of all sorts, don’t be fuel that. When you upload artwork for the sake of RP, again, even if it’s just crack, that’s literally violating what artists ask people not to do; you’re reposting their art without permission and credit.

#rp better #reblog etiquette #rp advice #rp help #psa #rp psa #mun behavior #ships #tumblr rpc

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popculturebuffet · 3 years

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Of Moons, Millionares and Mothers Part 2: The Ballad of Duke Balloney or “I’m Flintheart Glomgold and I Always Will Be!” (Commission for WeirdKev27)

Hello all you happy people. I”m Jake, I review stuff and today continues my look at Ducktales season 2 story arcs, of Moons, Millionares and Mothers. And while this arc as a whole is paid for by WeirdKev27, due to the Arc’s length, 17 parts including 15 episodes and 6 comics (2 of which will be in the same review), this one’s special as he’s using his patreon review every month to do so. If you too want me to review something of your choice simply hit up my ask box or join my patreon at patreon.com/popculture buffet. You get access to my discord, to pick a short when I do a group of them for characters birthdays, help me hit neat stretch goals like my next which is reviewing a darkwing duck episode a month, and best of all EXCLUSIVE REVIEWS. And I just added one this saturday of a carl barks story centerting around wigs, legal battles and attempted murder, both by our villian.. and by our heroes...

I will never get tired of that panel nor the boys inexplicably finding a blowgun. Point is it’s there if you want it at THIS LINK, but enough plugging so I can help pay the streaming bills and keep doing this... let’s get to the meat of things shall we?

This episode begins the second arc of this retrospective, The Glomgold Arc. And this arc was inevitibly going to come to this blog for two reasons. The first is that I have made no secret, in fact i’ve shouted it as loud as I can the neighbors are concerned, that I fucking love the 2017 Version of Flintheart Glomgold.

Glomgold is Keith Ferguson’s best role, tied with Lord Hater obviously, but it is indeed a tie. No one but Keith could’ve pulled off glomgold’s combination of ego, ham, and batshit insanity. He just makes the utterly stupid and wonderfully ludicrious things that come out of the mans mouth sound so damn natural with such an unearned confidence. It’s very clear that Frank had Keith in mind when putting this version of everyone’s faviorite South African Billionare pretending to be a Scottish Billionare and wisely built the characcter around him and his immense talent. I was not familiar with Keith at all, wasn’t even aware he voiced hater before this show but damn if that hasn’t fully changed.

Glomgold was also just in general a brilliant update of the character: While I know a lot of duck fans weren’t happy with this version at least at first. As the action figure sitting on my shelf that once road in a car with my david hasslehoff baywatch funko pop I have entirley due to my love of baywatching, this insane music video hoff did in the early 2000′s, and just in general how gloriously rediculous the man’s life is when you stop and think about it for a second from a pay per-view concert that ended up falling on the same night as The OJ Chase, to his kung fury cameo , to his weird insetence they never had sex on baywatch desspite mounds of video evdience and the fact the show was buit around the bulk of it’s cast’s sex appeal, to the fact the model of his pecs used for the spongebob movie was sold in an auction and on and on... I was going somewhere with this...

Oh right as the action figure, and previous praise, shows I am not one of these fans: The original isn’t bad, in fact one of my faviorite life and times chapters that i’ll be covering this week and talking about later in the review has him as the main antagonist and a pitvitol figure in Scrooge’s life in the worst way possible. Rosa GETS what’s needed for Flinty to feel specail: to have him be an evil mirror to scrooge, what he could’ve been had he kept down the path he started down in Africa. A ruthless, amoral asshole who will do ANYTHING to get rich.

It’s just often that isn’t emphasised enough and he’s instead just another one of the millions of generic assholes trying to get scrooges money sometimes with hired goons...

Not only that but Frank really COULDN’T have him at full effectivness. See an arch enemy in the Silver Age, which STARTED the same year Glomgold Debuted no less, wasn’t a big deal. They were still considered your deadliest foe but they’d often, much like Flinty be shuffled into the rogues gallery, show up for an issue to meance the hero, then either escape, get thrown in jail only to escape from that easily later, or be presumed dead. The last one I bring up because it happened to Magneto a LOTTTT pre-claremont. For Fuck’s Sake Charles have those teenagers train to look for a body once in a while!

Original Flinty was built for that, and brilliantly so as Barks had a talent for it , as seen by the fact The Beagle BOys, Flintheart and Magica have stuck around ever since and even in comics overseas where Flintehart is replaced.. it’s by Rockerduck who Barks ALSO created. The 87 Show followed the same formula, which was just as standard for 80′s cartoons. It’s why Megatron took until his toy was canceled the movie to shoot starscream in the face.

The problem is villians evolved and the expecation became more that a true arch enemy had to be a true threat. While Frank and Matt COULD’VE made Flintheart a real and honest threat, he also would’ve had to make him a Big Bad. The probelm was those seats were clearly taken: while i’m pretty sure some ideas came as they went, the main story beats were clearly planned out well in advance: Webby being a clone was always the plan, as was FOWL, Darkwing being a fan of a fictional Darkwing who became the real thing, and Della being on the moon. So he presumibly carefully choose each season’s big bad... and thus Season’s 1-3 would be full up wise. Season 1 had Magica, who he made into a TRUE threat, yet left the door open for her to return as she did, Season 2 had Lunaris who even if they hadn’t fully thought him up, they probably had thought up the moonvasion, and Season 3 was what they’d built the series towards with FOWL.

Details probably changed, it’s very clear to me they were likely going to have all three buzzards be important and ended up deicding to pivot to it just being Bradford over time. But given how well they though tout the general framework, I highly doubt Flinty was ever considered as a seirous big bad.. and I know i’m saying this in an arc that tried to set him up as one, but i’m getting there simmer.

So they could wait for a season 4 that might not happen.. or make him a recurring villian. So Frank and Matt decided to do that and leaned into comedy. Centering him around keith who Frank worked with previously on Wonder and thus knew he could play a hammy manchild like no one else, they simply leaned into the goofier aspects of his personality. His being similar to scrooge became him being an intentional and blatant knockoff. As Scrooge himself perfectly summed up in episode 1 “The poor man’s version of me.. which to be fair still makes him insanely rich”.

It’s another reason to really love this version as while yes, they did make him a bafoon.. he’s a wonderfully, redicuously layered bafoon: He still contrasts scrooge perfectly, manically hammy to Scrooge being calm, especially around flinty, blantatly crooked to Scrooge’s died in wool honesty, and wasting money on revenge instead of spending it on his actual company. There’s more obviously but some i’m saving for the review.

Not only that but his insane schemery has a rhyme and reason to it: He attacks Scrooge every week like the saturday morning cartoon villian he is, but his schemes are always unwieldly and massively stupid, and he always goes with the first draft. It’s something the team enforced: the first version is what they role with because that’s how his sad brain works. He also is obssed with sharks and explosives, the former being given a suprisingly heartfelt and unsuprisingly insanne origin story towards the series end, and works them into every plot no matter how much itm akes no sense. He’s pure ego, pure stupid and pure fun.

So yeah circling back to him being the big bad, I felt he was made one for this season for two reasons: the first is while a lot of fans (raises hand) enjoyed this version, some didn’t like how inept he was, so this would give them a breif bit of Flintheart being a genuine threat again. The other was frankly... they didn’t want to play their hand. Lunaris WAS the big bad... but fans would get supscious if there was seemingly no true threat on the horizon. Magica popped up in episode 4. We didn’t know her full plan yet true, but all we needed was lena SAYING HER NAME and fans of any other version of teh Disney Ducks would instantly go “Oh shit there she is”. So fans would now have the expectation of a main antagonist.. but would be instantly supscious of Lunaris and Penumbra if there wasn’t one for the first third of a season it took to them, and it’d leave a gap in the story to not have someone driving the plot on earth.

So Flinty got an upgrade.. a slight one and we’ll talk about the eb and flow. And thus he got a proper origin. Now granted they could’ve planned this too, but this one’s harder to tell as the curse you me gag could’ve been a clever setup or could’ve just been a one off gag they somehow turned into an entire episode. So Flinty got an arc.. and a comedic foil, the other reason this was inevieble, and Kev’s faviorite character, Zan Owlson. So how did it work out for them? Well we’ll begin that journey under the cut.

We begin our story a few months ago.... on every level really: the months ago shadow war aired when this episode originally good, the months ago I reviwed Shadow War (which via counting I found out was my 200th episode not counting Patreon. Nice), and most importantly for this story, the four months ago before the present day of Season 2.

Glomgold saying curse you me as he fell into the bay during the Shadow War.... only for once in his life he dosen’t somehow get out of it unscathed and instead passes out, almost drowning. He’s found by Fisher and Mann, two fisherpersons... Mann is specific about that due to being a woman despite the obvious irony. It’s a good gag. Flinty acts like he normally would.. hostile, demanding that they know who he is.. and while they don’t.. neither does he.

Cue credits and cue present day. Via a newscast with Roxanne we learn what I mentioned earlier: It’s been four month and Glomgold’s been missing. The general mood.. has been about what you’d expect.

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Yeah Roxanne turned on him real fast. I genuinely wouldn’t be surprised if it was because he later openly bragged about stealing scrooge’s money during the shark thing on live tv at some point, making Roxanne look terrible for enabling him and for blatantly supporting him earlier. I mean.. how else do you get a corrupt journalist to do anything decent.

But with Glomgold gone SOMEONE’S gotta replace him.. and that someone is Zan Motherfucking Owlson. Top of her class at Mouseton Univesity, Owlson is the show once again updating things: previously they added Mark Beaks to the Rogue’s Gallery as he contrasts the 50′s (scrooge ) and 80′s (glomgold) idea of billionares from previous versions of the property being a modern tech weasel. Though instead of just one thing Owlson represents a few: The most obvious is she’s a woman of color: Having a black woman in such a high position of power is something disney would’ve outright vetoed in the 50′s and 80′s. Here it’s well accepted as it always should have been. It also feels like a delebrate move on Frank’s part: There weren't’ any major african or african american coded characters in season 1, despite the show being very open and accepting, so that needed to change. The other is frankly outside of Brigtaa MacBridge, whose also weirdly absent from this series for some reason and has taken Fethry and Rockerduck’s place as the most major overseas duck character to never get adapted, there are hardly ever any females on Scrooge and his richer foes level. He’s had the occasional female rival or suitor, but only Brigittta had staying power and while I love the idea of her, another person as rich as scrooge whose willing to spend more and has a crush on him, she badly needed an update as she’s essentially Adventure Era Amy Rose in a grown ass woman’s body.

Owlson also provides a diffrent dynamic in that she portrays the ideal of what we’d want from a ceo: She’s honest, works hard, earned her way as square as scrooge did, gladly donates to charity and is extremely charismatic and intelligent. Granted most CEO”s are nothing like this but still, she’s what we WANT them to be. Using the money not for themselves or taking big paychecks but to help people. She also provides something Glomgold needed: a straight man. While he has one in Scrooge at times, Owlson unlike both of them is a fully functional resonable human being. Scrooge, while a good person deep down, can be reckless, impulsive and greedy, and Glomgold had a tarzan like experince with sharks, goes on to name his dummy son sharkbomb, and tried to murder Scrooge on live television twice that we know of. She’s the calm, snarky, put upon sane person trying to reign in the crazy shark explosion man.

Owlson dosen’t get a ton to do here, but that will change and she does get a decent amout in the final scene. But what she does here establishes who she is and how sh’es FIXED Glomgold industries; She’s shut down the vast number of money sinking scheme related departments, set ups everal charities, and is even setting up a new one with Scrooge, Dimes for Ducklings. In short she knew exactly what was needed to fix the company and it’s image and did so in FOUR MONTHS. Probably even less given they had to be sure Glomgold wasn’t coming back right away. I guarantee he’s faked his death like 10 times just to try and kill scrooge. They have to make sure it’s real first. As one last note before we move on, Owlson is played by Natasha Rothwell, a producer and writer who i’ve only seen outside of this in Love, Simon and Sonic the Hedgehog.. that is a weird combo of things that mean a LOT to me I haven’t been able to bring up here again.

We find the tv this was all playing on on the docks with a non-anthro segull pecking it while a bunch of fisherpersons go about their day. We also get this guy.

Add him to the list of spinoffs I want THE LIST OF SPINOFFS JAKE WANTS: 1. Darkwing Duck 2. Donald, Daisy and the Kids 3. The Sabrewings 4. Tailspin Reboot 5. The Flintheart Glomgold Show 6. A Sequel Movie 7. This Guy Punching A Fucking Fish

So you might be wondering when any of our main cast are going to show up.. and why the fish puncher isn’t in said main cast. Well that’s about now as Webby and Louie are fishing. Well okay more acuratley webby is fishing because she genuinely enjoys it and Louie is tagging along so he can nap on a boat while Webby paddles him around. That plan is threatnned by her spear fishing and he suggests using rods instead, but they need bait for that.

Naturally, given we need to get this plot going our heroes run into Duke Baloney, aka an amnesiac Glomgold. Understandably, both of htem think this is some sort of scheme at first because waiting for someone related to Scrooge to stroll by his fish stand for some sort of shark themed trap, especially since he’s right near the water so he dosen’t have to worry about keeping them hydrated like that time he dropped one from a plane onto scrooge’s board meeting with two chainsaws strapped to it. But .. it’s not. While we the audience saw him amnesiac, and at first I thought that spoiled the episode... it really dosen’t. He still ACTS like himself on instinct, so your not sure if he faked it as part of some elaborate scheme or is really gone till this scene shows that, no he really isn’t there. And the how is simply in knowing the guy: Glomgold is not good at subtley. He has disguises and such, but their never remotely convincing. He could NEVER pull off actually being a humble fish monger nor have gone four fucking months without yelling at scrooge or remotely contacting him. There’s also the fact Fisher and Mann 100% belivie in duke and back up his very real story of being dredged out of the bay. There’s also his south african accent, which actors including David Tennant himself have admitted is one of the hardest to pull off but Keith does swimingly, which is a hint.. but only on rewatch or for those who know his comics origins.

Louie isn’t convinced which is fair: even if Glomgold isn’t good at this sort of thing, he’s still tried it a lot. Webby however correctly figures he has amensia. So the two simply try talking to him. Fisher and Mann do get a bit dickish laughing off the idea he’s possibly Glomgold.. despite the fact you know you dredged him out of the fucking water 4 months ago.. and if you actually looked at the news, would see Glomgold disappeared around the exact same time you found Duke. It just annoys me because otherwise these two are great characters: Friendly loveable fisherpersons who love their job, have no comeptiviness and genuinely want to help their friend duke. The encounter does have them seeing a fancy money clip Duke has but with no other options they leave for now.

But while Duke has forgotten who he was... bits of glomgold still stir within him. And that starts when Duke spots the McDuck Industries fishing boat, the best fishing boat on the sea, something his friends are okay with.. but Duke naturally isn’t. So while Duke was a calm sane fisherman before the true glomgold in him is on full display as he comes up with insane schemes involving fish and explosives, before presenting a rather insane scheme to his friends involving getting engineering degrees and other stuff.. it’s as poorly drawn and wonderful as you expect from him. But what’s telling is that he reigns it in when his friends show obvious concern with his actions... something Glomgold would NEVER do. For one he dosen’t have friends. For another, he doesn’t care about anyone else’s feelings or thoughts.

By now Webby is also championing that Duke is a diffrente person.. which is true. Duke is Glomgold stripped of his hate and resitment towards scrooge. He’s who the man COULD’VE been had he not sworn eternal vengeance on Scrooge. Louie is doubtful that he’s amnesiac still.. but neither can quite figure out the full story so it’s time for research.. and for Webby to accidentally knock Louie into some lobster traps.. which given he’s spent the entire episode assuming an amnesiac man isn’t that despite all the evidence to the contrary, he earned that. That said these two were the perfect choice for it: All of the boys have a bit of skeptic in them, and we already had a plot with Huey being skeptical.. and even he would’ve given up by now as would dewey since he only has a pinch at best. Webby.. has none. She can question motives and stuff sure, but at her heart she’s a kind forgiving soul who belives the best in everyone. And.. its’ paid off fo rher. Look at the whole Lena situation, she believed in her, even while Lena was actively manipulating her,.. and it truly changed her, convinced Lena to do the right thing despite the cost, to choose love over the abusive monster who made her. It’s the only missed opportunity in the episode for me. Character wise it has exactly the 8 it needs to tell the story and focuses heavly on the five it truly is about. But not having Webby bring up Lena when we don’t hear her mentoined AT ALL during her absence (though to the shows credit they did a good job showing Webby still had never remotely given up), and it made the wait more agonizing and would’ve made her motivations hit even harder: that she belives in duke because she believed in lena and it was real. And while this thank christ isn’t remotely romantic, the point does stand: She wants to see the best.

Louie is a conman by nature so he only sees the worst, the weakest in people, the things he can use to take htem down or take hteir money. He can’t fathom someone doing good because he can’t fathom HIMSELF being good. And that.. says a lot.. but he’s accepted himself as a shady conperson who cares only for himself.. even if that’s not the truth. His inclusion here enhances his own arc much like Huey’s role in quack pack enhanced his. It shows that deep down Louie dosen’t think much of anyone.. and probably not himself. That he has to be shady and greedy to survive when that’s not tru. Sharper than the sharpies yes but also square.

One last bit before we moved on I just found out though: The Crew originally had this as a straight up origin story: no kids, none of the rest of the duck family, except presumably Scrooge’s parts here, just Glomgold’s struggle with amensia and his past leading to who hei s now. Honestly I think that version could’ve worked, but likely given disney seems TERRIFIED of making a show starring an adult without a chlid and had to be talked into the child light Golden Lagoon, that was a non starter but I think it still works fine. I also foudn this out via a twitter thread of Frank’s rewriting history that goes in deep on teh production of each episode. Had I known this existed before writing this one, I would’ve used it for the other two arcs and most dangerous game night, but I intend to read through it so I have everything on the table from here on out.

For only the second time in her long career of researching stuff though, Webby has hit a dead end. Mostly because she couldn’t find anything on Duke.. and NOTHING on Glomgold’s past pre-Duckburg. The most she has is his visa...

I want to frame this on my wall.. and someone is actually seling id cards out there, so I want this one at some point. It’s not Disney because they don’t care about fan merch like this, but then that just means they don’t get the money because they didn’t think of it or put the work in then huh.

But yeah with nothing else our heroes go to the only person they know who knows him well... Scrooge.

Meanwhile Duke has .. this... I just.....I can’t put words to this truly bizzare surreal dream sequence.. it involves Glomgold going insane, the kids dancing on a bagpipe, and owlson is there.. despite the fact that Glomgold should have zero idea whot hat is. I think the kids mentioned here but even then, he somehow knows exactly what she looks like.

Otherwise good stuff and it’s raining hard as Duke goes in. Fisher and Mann have formally added him to their sign, and warmly welcomed him in and Duke says “this is the nicest thing anyone's ever done for me I think” which is probably true. and makes what’s coming all the more heartbreaking.

But before what’s coming Duke has another thing coming.. Scrooge who the kids brought to talk to him. The two talk casually, the kids watch not knowing.. and then Scrooge comes back to them. Turns out Webby was, unsurprisingly right on the money, Flinty does have amnesia, and unlike what Louie thought.. he isn’t inherently evil. Duke is just duke.. and Scrooge has no intention of fixing the amnesia. And while that SOUNDS bad.. his intentions are noble: Glomgold.. was a throughly miserable person. He was never happy and never would be till Scrooge was dead by his hand and that was never going to happen. It isn’t even taking an enemy off the board: Flinty is only a threat on occasion. Scrooge clearly ENJOYS their conflict: it may annoy him from time to time, but he clearly enjoys upstaging the guy. And as he points out, it’s not a brain injury or anything: Glomgold is practically immortal as Louie put earlier, and Scrooge outright mentions Glomgold’s taken a LOT of explosions to the face. So he’s in no real danger physically or emotionally.. he’s happy. He has friends, a calling he truly enjoys. There’s another reason too but we’ll see that in the final scene.

So Duke is finally happy... but it doesn’t last... the kids go out but a storms a coming, and Duke selfleslly heads out to save them.. only to get hit on the head and fall in the ocean again.

It’s here we get the 2017 version of Glomgold’s origin story. We did kinda get one with life and times, as we saw his first meeting with scrooge and why he hated him, long story short with the long story coming later this week Glomgold left Scrooge for dead and Scrooge’s response was to come back, kick the fuckers ass, tar and feather him and utterly humilaite him, leading to Flinty swearing vengance.

But while I love that version..t his one is just as awesome if not better. And it’s without having Scrooge ride a lion. Here we instead meet Flinty as a child Scrooge’s age... and as a shoeshine boy. Yup just like Scrooge Duke, Glomgold’s birth name, was an industrious young boy with big dreams. He also had unwieldy schemes from minute one, but Scrooge saw in this lad the same fire he had and tried replicating his own origin.

The problem was... the different context ruined it. Scrooge was paid by an equally poor ditchdigger the us equilvent of his pay: still useless in scotland, but a good lesson in hard work and not being swindled. Scrooge tried that... as the richest duck in the world and without giving flinty the same amount of money.

So Duke/Flinty took umbrage at this yelled at scrooge.. and pick pocketed his money clip. In the only bit taken from the rosa version of their first meeting, Scrooge never realized he’d met flinty already. There and then duke came up with his first true, and first insane scheme: Save the money and use it to mold himself into a richer, more scottish version of scrooge dedicating his life to one upping him and killing him. A “single white female” type thing as Frank put it.

It’s.. utterly brilliant... taking Glomgold being a knockoff as mention and just running with that... making Glomgold a LITERAL knockoff. This was indeed the plan all along: A way to have him be both south african and scottish and it was brilliant. It also gives him more depth and more tragedy: He COULD’VE been the next scrooge.. but instead of being his own man or learning any of the hard lessons scrooge did he doubled down on never learning anything and getting vengeance on an old man’s well meant but accidently classist gesture.

So Glomgold reawakens and while it first looks like he’s going to save the kids... he instead throws Webby into the raging sea, and steals their fish. Webby is heartbroken and Louie asks him “what about duke.” His response is heartbreaking as it is character defnting

“I”m Flintheart Glomgold and I always will be!” the lightning shot, the cackle..i t’s just such a damn good moment that underscores the tragedy of the episode as Glomgold’s new friends are horrified by what he is now and what he was always meant to be and Glomgold leaves to go stalk scrooge once again. He indeed is Flintheart Glomgold and always will be.. because he threw the decent person he could’ve been away. He’s miserable.. because he can’t let go of his rage or ego and just move on from something that happened to him when he was ten! He has to be in his 60′s now! Glomgold may think Scrooge is his worst enemy.. but it’s really Flintheart Glomgold.... and it always will be.

So naturally his first actoin is to storm into his company and scream at scrooge. How he found him there... honestly not a huge suprise it’s his company and he likely knows how to find scrooge anywhere because he’s a creep like that. Scrooge and Owlson’s reactions are both worth a look at:

Given Glomgold bursts into an already annoying meeting of Scrooge trying to get the dimes part knocked down to nickles (and likely lower before that given he mentioned Pennies earlier), to accuse Scrooge of trying to trick him by appearing as a boat in his dreams her bafflement is both understandable and hilarious. Like she probably HEARD what Glomgold was like but gennuinely didn’t belivie it and her face is just now frozen in a look of “oh my god they were not exagearating what fresh hell is this”.

She tries to be professional and introduce herself but he just brushes her off and yells at Scrooge blaming him for being forgotten (”You literally forgot yourself), with Owlson also considering calling security. She only dosen’t because Scrooge points out he’ll tire himself out eventually and as usual for their jousts, is not remotely threatened or worried. He’s just..sad. And getting back to his reaction.. that’s what’s telling about his plan. He probably KNEW this would happen. He in his heart knew Duke Balloney would be gone soon, and he’d have to deal with Glomgold again. It helps soften the implicatoins: it wouldn’t last and fraknly if it did Scrooge would probably have people check on him regualry to make sure he was okay. He’s not a monster.. he just wanted Flinty to be happy for five minutes and to not ruin that out of some misplaced sense of right and wrong.. when the right thing was to simply let the man be happy till it inevitably blew up.

Glomgold however, furious at being forgotten and cast aside has decided to take a huge poorly thought through gamble and challenges scrooge to a classic Scrooge comics trope between the two, but with higher stakes: A contest to see who will be the richest duck in the world by the end of the year.. and given Christmas happens right after this i’m just assuming he means a year from now. Winner gets both companies and fortunes. Scrooge scoffs at this.. till Flinty pulls out the clip, taunting him with how he did it and “If I can beat you once scrooge i’ll beat you again”. And this, Flinty revealing he stole from him and he NEVER KNEW it or realize it, enrages scrooge enough to agree and to take him seriously... meanwhile Owlson.. just tries to get actual work shit done and just forges their signatures. Look she is a woman of color in the business world with genuinely good motives... she’s probably used to using white nonsense to get things past two idiots having a peeing race.

Final Thoughts:

This episode is truly excellent and like Most Dangerous Game Night! i’d forgottne just HOW good it was. The pacing, the comedy, and the character work is all on full blast and i’ve gushed plenty enough about how great an origin story is. it’s a character piece that explains why this doofus is the way he is and that is what holds him back.

Next time on MMM: Louie’s back as he pulls a ghostbusters to make quick money and Storkules starts rooming with Donald with predictable results.

If you liked this review consider joining my patreon and i’ll see you at the next rainbow.

#ducktales #flintheart glomgold #scrooge mcduck #the ballad of duke balloney #webby vanderquack #louie duck #fisher #mann #fishing #weblena #disney plus #disney xd #disney channel

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dallonm-archive · 4 years

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So I Turned Church Mud Into A Novel Lol Oops | NaNoWriMo 2020

Folks the JOURNEY I have been on in the last 3 days. I’ve been on a great albeit chaotic Church Mud high and it led to? This?

For those who don’t know, Church Mud is meant to be a ~7k words short story for my writing dissertation (and it still is). I attempted to do Draft Zero over summer, completely missed the mark, pretended it didnt exist for a month and here we are. One thing I learnt from that attempt though was that there is a much wider story to be told than what we’d see in those 7k words. Back then I was content with it only existing as a short story, not having all the parts told, because I liked the idea of Felix and Dorothy existing in this small window with a happy ending that’d otherwise be temporary. But I cannot help myself :) I met my advisor on Wednesday and reaffirmed that I’m at a really good place with this story in terms of ideas, themes and character - what’s missing was just the plot. So that’s what I’ve been working on (and killing my sleep schedule over) since, and what happened was: I realise most of my ideas wouldn’t fit the short story --> But they’d work in a novel --> So I guess I’m writing Church Mud as a novel after I graduate? --> But I kinda wanna write it now --> But I can’t --> But I want to --> Chloe your dissertation --> Hey you want more novel content? Here’s chapter titles --> God I Can’t Wait To Write This As A Novel --> Hey that thing where you write a novel in a month is happening soon...could be a...perfect excuse to...….,,,

So I had a ~revelation~ at 4am: why can’t I write it now? NaNoWriMo coincides with when I’m meant to brainstorm this story, so why don’t I take what I have and pants it as a novel, intentionally #LoseNano2020 and use what I wrote to infer what the short story will look like whilst also have a Draft Zero to work with/finish/rewrite next year? I debated if this was a good idea because it felt ~unconventional~ but I realised that a) I want to write this as a novel anyway and b) this is where I’m loving the project and that’s what matters and c) makes it feel less like uni work lol I’ve spent the all day playing around with what Church Mud The Novel would look like, and not only am I o b s s e s s e d but it also taught me? so much? about the short story? I was worried it’d get complicated but from the vague plot idea I have, I have a clear vision of Church Mud The Short Story separate from the novel, but I also see how it would fit into the novel as a chapter, and seeing where it’d fit in has really helped me figure out where it sits in the twins’ lives and so many elements I hadn’t considered before. I believe very strongly in Writers Intuition and my intuition is telling me that this is the direction I need to go with this project. My only issue is Church Mud doesn’t fit as a title for the novel at all and was never going to be the title, but I really don’t care oop, I’m not titling it until next year unless I come up with a title so good I want to change the short story as well lmao. But other than that this is working so well for me and really catalysed the momentum I already had atm for this story. I’ve also wanted to rework how I share Church Mud things here and this is a perfect way to at least for the next month, but before I ramble more lets actually talk about where the story is!

CHURCH MUD

Genre: literary fiction Setting: California (+ probably some other states? Idk I’m not American wtf is a state), 1986 POV: third person present + retrospective moments, split between twins Felix and Dorothy The Vibes: hazy summers, hot air, 3am, saltwater breeze, grainy photographs, empty roads at night, the moon blurred by clouds, arms resting out car windows, abandoned churches, telephone boxes, getting lost on purpose, cigarette smoke, dust from an old Bible Deals with: faith & the weaponization of it to control others, identity, perceptions of reality, chosen family, independence v co-dependence, free will, trauma & what it means to “let go”

CONTENT WARNINGS: religion/religious imagery (specifically Christianity), trauma, toxic relationships, inferred addiction (all updates will be tagged with these/any more specific warnings)

This is still in very early conception, in the sense of it’s existence as a novel, but it’s definitely an expansion on the ideas I had for the short story, where these two seek to let go of their past together so they can live their own, new lives, and also restore their tangled relationship that could never be fixed through letters and distant contact. When Dorothy left the controlling religious cult she grew up in, she never gave herself a chance to properly process the complicated emotions that came with that decision, or the trauma she went through, opting to cope with it by putting all her energy into building her new life and embracing her identity. Watching her brother navigate the same new, confusing path she took four years ago forces her to look back on her own experience, and the repressed memories of events that prompted her to leave in the first place. When Felix catches up with her, he struggles with the realisation that adjusting to this new life and world won’t be easy, and whilst it was the right choice, his impulsive decision has ramifications. Trauma does not necessarily stay in the place you associate it with and for Felix, it’s like seeing all of it from a birds eye view, all at once, including everything he blocked out. With his faith, his sister, and his drive to be a good person, he has hope for himself and the world, but the pain and anger he harbours will not make it easy for him. ^by no means a pitch literally just the copy paste of the quick summary I wrote for myself lmao

The most exciting part of this to me is how different, yet similar the novel feels. This version of the story isn’t necessarily happier, it’s still rough around the edges, but it’s definitely from a different mindset and there’s this haziness to it that doesn’t exist in the short story. It feels like a grainy home video that they’d never let see the light of day. I wouldn’t call it dreamlike or softer because of this, but there is this distinct tonal shift from the short story to the novel that I can only describe through the aforementioned Vibes. As I said, I have an idea of where the short story would fit into the novel’s timeline as a chapter, but they still won’t be the same. The short story is obviously more restricted to one singular event, and that turns the intensity and tension up high. This difference is also 100% influenced by the fact that the short story is set only at night (bar for some potential flashbacks), and the night plays a huge thematic and atmospheric role. Of course parts of the novel will take place at night, but the presence of daytime changes the mindset to me? In the short story it feels like they’re stuck in this perpetuate-esque night, whereas in the novel you know that the sun will always rise.

This story is also very different aesthetically, but at the same time elements of the short story’s aesthetic come into play and clash with the unique aesthetic of the novel, where they coexist, but are also in conflict with each other. As you can tell from these two moodboards where you can really see how for the second I gave up trying to make it coherent lmao:

To me there are two distinct aesthetics, and they are both very different and exist in different ways, but they are both inherently part of the story, and it feeds into this idea of perception of reality and these two realities that the twins perceive: the “outside world” and the gated world they grew up in.

The stars of the show, my favourite disaster twins:

Not fragile, but not made of stone either

Loves very hard, sometimes more than she’d like

A protective and loyal soul, especially with those she loves, but she never wants to forget to protect herself

If I’m in love with my best (female) friend, no I’m not <3

-goes to the edge of the pier and stares wistfully at the ocean so everyone knows that I am the main character-

Loves her brother more than anyone else but is struggling to figure out his new role in her life. As teenagers she felt painfully tethered to him because they were always The Twins, and she had nobody else, as adults she hopes to find a balance between their deeply close bond and their harshly different lives

Arc driven by defining your identity and then redefining it, and facing the parts of it you’d rather lock far away. Also deals with her experience growing up as a girl in a religious cult in the 60s/70s, and the relationship faith has with her feminist identity.

As of now, there’s more focus on him in the novel, since the short story focuses on Dorothy and I feel to write him from an observer perspective I need to get into his head first

Just found out restarting your life completely is hard?

Trying to be a good person, wants to be a good person, but there’s an anger in him that he hates but it’s festering and it’s growing

But ultimately he is a sweet and soft person and that’s what he wants to be in life even though it’s hard, it shows especially with his sister

I think at some point he locks himself in a cabin and? I would too

Centred around perception of trauma and v influenced by my own experiences with that, where you think things will be easier as soon as you leave that situation but really it just makes you look at everything from a distance and be like “what the fuck?? that actually happened??” (which conflicts with the fact that you KNOW you’re in a better place and you would never go back, but it hurts and it’s hard especially understanding the placement of your trauma in this new space)

I need to give this dude and his sister a happy ending for my own wellbeing. I don’t know how that’ll look but these two will get their happy endings. I actually don’t think I’ve loved two characters more and I love all my characters deeply

And I think that’s all for now! This 100% was not the direction I expected to take but I am so glad I did, and I also love the opportunity to reintroduce this story because good Lord it’s changed so much (and this instance is the most change). I also think this is the perfect Nano scenario for me, as someone who’s never done it before, there’s zero pressure on me to “win” because I don’t expect to even finish this. I’m just going to see where it takes me and see what it’s given me at the end of the month. I’m also not outlining this at all lmao, one because me and outlines do not get along but also my Preptober is just. the work I have to do for my dissertation anyway, which is reading and gathering a lot of fiction/nonfiction about cults/religion, and all the weird and unhinged takes on it. It’s very slow but it’s also fun! My uni work this weekend is literally to read The Girls by Emma Cline so I think I won here?? I also want to dedicate the rest of October to the short stories I planned to write for Nano (I was going to work on my collection).

I don’t know if I’ll do a taglist for this - I have the og Church Mud one but like I said I’m rethinking how I want to share this story and updates for this will only be regular in November so?? But chances are I will be constantly on my bullshit for the next month and a half with this story, pretty update or no pretty update

My NaNoWriMo page is here, although fair warning I have No idea how this site works, this is my boomer moment. Excited to clown about this story though!

- Chloe

#first off my fatal flaw is interchanging between Felix and Dorothy and Dorothy and Felix #second off i would die and kill for them #writing #amwriting #writeblr #writeblr community #religion /#trauma /#nanowrimo #nanowrimo 2020

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alexseanchai · 3 years

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Fanfic 2020 in Review

I got tagged by @kasienda @noirshitsuji and @marvelousmsmol and I am tagging whoever wants to play!

1) List of fics completed this year in the order they were finished:

*filters own works to complete and updated in 2020*

1 - 20 of 57 Works by AlexSeanchai

nope. *adds filter to include only works of at least 1000 words*

unless otherwise indicated, these are all Miraculous Ladybug:

“don’t bake it lying down”, post-reveal Marichat vs Felix Graham de Vanily

“veracity”, canon divergence from “Ladybug” featuring Mister Bug and Verity Queen (so also Marichat, I guess)

“(no request is too extreme, if) your heart is in your dream”, in which Hawkmoth wins, for the thirty seconds or so before Emilie saves Ladybug and Chat Noir’s lives

“tell me you love me and make me believe it”, in which trans girl Chatonne Noire ropes Ladybug into helping plan her civilian self’s escape slash social transition

“kingmaker, oathbreaker”, in which Hawkmoth wins and Emilie watches her son remove himself from the family

“stay and let me watch you break it down” (Twelve Dancing Princesses), a modern setting

“set a course for winds of fortune”, in which trans girl Chatonne Noire has already escaped and Gabriel and Nathalie are trying to bring Gabriel’s son home

“we ground love in a hopeless place”, in which post-reveal Marinette’s attempt to remain resolutely not in love with her partner dissolves like sugar in coffee when they start a pun war

“ring the bells that still can ring”, in which Alya is deeply confused about why Adrien and Marinette are planning a wedding when last night both were single

“burning wishes at both ends (the cold wind and long loud wail remix)”, in which Gabriel made a monkey’s paw wish and Emilie makes another

“words cannot espresso”, in which Marinette’s OC roommate is justifiably worried for Marinette’s safety, and meanwhile Adrien takes care of Marinette

“the compromise of truth” (the chronologically second-earliest part posted to date of nine lives, snake’s eyes), in which Adrien tells his friends how he won some freedom and respect from his father

“At The Present Time”, the Ladrien/Ladynoir marriage proposal follow-up to @art-deco-shrimp‘s “Your Presents Required”

“j'ai rêvé (so I don't have to dream alone)”, in which the events of canon must just have been a series of dream sequences, Marinette and Adrien both think, until they both arrive at Chloe’s Halloween masquerade dressed as themselves from the dreams

2) Number of words written:

ahahaha no. I am not counting all my scattered fic drafts and trying to figure out what I did and didn’t write in 2020. I refuse.

AO3 says I posted 162K in 2020. it is counting all of keeps you guessing (like any real love), which (a) I started posting in 2019 (b) is co-written by @galahadwilder; it is counting all of my meta snippets collection, much of which was written in 2019; it is counting the Vimeo passwords for my vids. but I probably cleared 150K by a safe margin.

3) Your most popular fic:

“veracity” has a four-digit kudos count, wow, when’d that happen? this is also the 2020 work with the most hits and the most bookmarks, but “tell me you love me” has four-thirds as many comments as its nearest competitor.

4) Your personal fav:

“cannot break us, not with a thousand swords”, no question about it. this is the one in which Ladybug proposes marriage to Chat Noir via Princess Bride meme on Tumblr. (if you intend to download the work or otherwise to consume it with creator style off, you want the accessible version instead of the primary version.)

5) Your fav scene:

aaaaaaaaa

—okay so this is cheating and I know it, since Uncertain Humors (the one where Marinette/Adrien is both Orpheus/Eurydice and Theseus/Ariadne) is nowhere near finished, never mind posted (maybe I'll get “Sanguine” done to post on my birthday?)

but it is still my favorite of the year. as you might guess from that description of the story, this scene has content notes for character death:

Hell is a maze. Marinette walks.

This acrid passage has little to see but damp stone, seeming blood-stained in the dim carmine light. At about the height of her heart, the faintly glowing thread cuts through the not-clammy air; it ought to be pulsing at the same rate as the heart it's bound to. She might be able to see her own reflection if she looked down at the open sewage pipe, or at one of the puddles that now and again she splashes through, dampening the canvas of her shoes. She might see reflected what's behind her.

She remembers Mme. Mendeleiev lecturing on human physiology. In healthy humans old enough to have learned how, urination is a voluntary action: one may not know which muscles one tenses and relaxes in order to do so, and probably isn't paying attention to those details when one is doing, but one has conscious control over whether one does. Usually. Stress and anxiety mean some people are unable to relax the relevant sphincter muscle and others are unable to stop themselves. It's voluntary for cats, too: it's one way they mark their territories. Cat-boys have other ways.

There is a moment in every human life when all one's muscles relax at once. Some Parisians have had several such moments.

The thread is braided with itself around her left fourth finger, rows of tiny red half-hitch knots, and falls loosely over the back of her hand to loop twice around her wrist. She holds it wrapped between the fingers of her right hand to keep it at a constant tension, as though knitting with this insubstantial thread, so fragile for something two (two dozen, two million) lives hang from—too thin to sew with, no thicker than one strand of his hair. As she walks, she winds it around and around and around her wrist.

Between her ring finger and her right hand, it loops twice.

Marinette's shoe lands in a puddle she didn't see. The rainwater splashes soundlessly onto her bare ankle and on the stone.

(With cat-like tread, upon our prey we steal— It's a very loud song.)

She walks on.

6) A fic or scene that challenged you:

where the firelight fades, no contest. this is the second story I’ve ever been able to stick with more than a couple hundred words past the 20K mark, but it’s easily the twentieth novel-length I’ve begun. (though also, you know that kedreeva post? well, 90K later, I’m less than 15K from completing this 10K fic! I think.) and I have been learning so much about long-form fiction.

there has also been a lot of weeping and tearing my hair. case in point: I just trashed the chapter 15 draft because I figured out the reason it wasn’t going anywhere! I can probably keep the first few hundred words of that draft without any editing, and another few hundred with some revision...

7) A line of writing you’re proud of:

from “j'ai rêvé (so I don't have to dream alone)”:

Everything about their partnership is fragments of sentences in the dream diary Adrien writes in ultraviolet pen. Disjointed flickers of thought even when examined under the black light he hides in the snack cabinet under packets of Super Yoyo sandwich cookies and bags of cheesy Monster Munch potato chips and boxes of petit écolier butter cookies (chocolat noir)—none of which explains the gym-socks smell. All fleeting incoherent flashes, invisible between the mundane lines of La Modification shelved at his bedside between Leroux and Dumas. None of it is solid. Adrien has more proof his room's haunted.

okay let me break this down for you!

* Adrien started a dream diary to make sense of the memories

* in invisible ink, in a book that (according to Wikipedia) is thematically appropriate and won’t (if Gabriel sees it) look like anything other than Adrien developing an interest in French literature

* shelved between Phantom of the Opera and The Three Musketeers

* look I didn’t come up with the name “black light”

* or “chocolat noir” for what English speakers call “dark chocolate”, or “petit écolier” (that is, “little schoolboy”) for that sort of butter cookie

* also not my fault that “chocolat noir” sounds remarkably like “Chat Noir”, which, attentive readers may have noticed, is not a name that appears in the story after the header and before Miraculous Cure

* I found the website of a store in Boston, Massachusetts that caters to French expats, and the yo-yo cookies and the monster chips were right there in the photos, y’all

* the snack stash and the black light live in the cabinet where, in canon, the Camembert lives; yes, that cheese smells in the real world like gym socks

* this story’s akuma was not able to affect anything but squishy human memory: nobody affected remembers anything about Ladybug or Chat Noir or Hawkmoth, not in any solid way, not even when they read news articles about the subject, and this includes Marinette and Adrien not being able to see or hear or remember their own kwamis—but you know what Adrien’s Insta post about his poltergeist and Adrien’s Insta post with the floating sock don’t show and don’t explicitly refer to?

* I love this paragraph so much (my housemates may have been lovingly mocking me over it)

8) A comment that touched you:

there are people (y’all know who you are) who said y’all are studying my style. I ded of blush.

9) Something that inspired your writing:

by volume of fic drafts that can be blamed on any particular person, the winner is probably @norakwami

10) Your proudest accomplishment (that one scene; finally finishing that one fic; posting your first fic; etc):

so that longest-story-ever-written record I set in 2007 with the 89.5K story that, till where the firelight fades, was the only story I’d gotten much past 20K?

I broke that fucking record!

and then I deleted the draft of firelight chapter 15 😭

11) Do you have any writing goals for the next year?

I’m starting work on a fantasy novel, a Sleeping Beauty retelling in which I explore (among other things) the economic consequences of the king’s ordering all the spinning wheels burned, and I want to make significant progress on that. and I want to not make my hands any worse; I kind of need those!

(breaking news alert: bodies fucking suck. so does giving yourself repetitive stress injuries in doing one and a half to two people’s worth of work for an organization that was never ever going to pay you more than one person’s worth of pay.)

#by alexseanchai #miraculous ladybug #tag game

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kentonwrites · 3 years

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“Anamnesis” - Project Update

Look, I know I only have 40 followers and like 38 of them are bots, but writing these updates is my only source of joy. If someone happens upon this, please enjoy.

My projects/writing life since 2017 have been utter chaos. I’ve started and abandoned probably over a dozen projects, had nightmarish problems in my personal life, and pretty much put writing as my last priority. For some odd reason though, returning to it now has given me a better perspective on the craft. I feel like taking a couple of years to simply live and observe and consume other media and suffer has actually strengthened my writing.

A summary of my current projects:

1. Mispacha (Untitled): I used the placeholder title Mispacha because it’s the Hebrew term for “family,” which is what this novel revolves around. It’s about a dysfunctional family in the early 2010′s who simply live in constant disorder and end up degrading themselves. I love the characters and the plot points I have planned, but I’m only 16k words in and am not happy with what I’ve written. The dialogue feels awkward, the writing extremely sparse, etc. I want to see it through, but it’s hard to persist at it when 16k words worth of dead weight is just...hovering there on the page.

2. Blight 117 (formerly titled Potent). This was my last start-to-finish project, and the piece that I first introduced to @breefrankelwriting when we were CPs like 4 years ago. I recently reopened that document and read through a few scenes and was absolutely APPALLED at how atrocious it was (Bree I’m so sorry please forgive me), but I also feel like I’m somehow meant to tell this story and I eventually, someday, want to make it work. It was my first ever idea for a “real” novel--I’ve had the idea and characters with me since 7th grade. I feel like it’s supposed to be my magnum opus, but if I ever go back and re-attempt it, it’ll need an overhaul the likes of which have never been seen since the dawn of time.

3. Short Story Collection: Literally last night I was just standing around and then suddenly got the inspiration to start writing short stories. I know, it’s literally so spontaneous and quirky of me. I’d attempted a few during the absolute deadzone of 2018-2020, but none of them truly worked out. Since I evidently suck at writing longer pieces (see Mispacha) I figured, maybe my strengths could be suited to a shorter medium.

So I decided to randomly draft a short story last night that played directly to my weaknesses!!!

This story is what the bulk of this update is about.

It’s called “Anamnesis” and I literally came up with the idea, wrote the first draft, and made revision notes all in a span of 5 hours last night, from 9 PM - 2 AM. It was exhilarating honestly--I hadn’t written like that in years. The first draft ended up being 5200 words (!!!) but I want to eventually buff it to around 6k since I think I majorly underwrote the final scene due to fatigue.

“Anamnesis”

TITLE: The title, “Anamnesis,” literally fits the story in so many ways I could cry. It operates on every level. All I can do is bow down to the person who created this word and thank them for its relevance to my story.

CONTENT WARNINGS: Sexual abuse, violence toward elderly

SYNOPSIS: A home health worker is assigned to an elderly woman whose memory resets each morning. He begins to take advantage of her illness, using her inability to remember the previous day in order to mistreat and abuse her. But when she is prescribed a new, promising treatment, she begins to remember more than just the abuse.

AESTHETIC: This story has the most unpleasant aesthetic known to man. I’m talking old people, pills, mold, dust, stray cats, oatmeal, etc. I’ve been in a few hospice patient homes before and I wanted to capture just how uncomfortable and depressing it can be.

CHARACTERS:

Luna Lemin - the protagonist, an elderly woman with dementia whose memory resets every morning. Always confused. Pitiful. Sad. Dark secrets in her past???

Alex - the patient care technician assigned to look after Luna. An absolute piece of trash. A spectacular liar. Malicious yet curious.

PROCESS: Like I said, this story played directly to my weaknesses. How? Because I simply cannot create compelling characters or pace a story to save my LIFE, and this story DEPENDS on the characters and the pace at which their relationship progresses. Furthermore, the setting in this is somewhat bland (literally just an old woman’s middle/lower-class house) which is a sin in terms of my writing. I thrive off of having a strong sense of setting and being able to describe specific, interesting details of that setting. In this piece I largely deprived myself of that. But it also helped me balance my flowery, poetic, overly-quirky writing style with a cohesive story and effective characters. Lately I had been putting my work on the crutch of having good writing, but it didn’t work because 1) my writing is not at a good enough level for that, and 2) sacrificing effectiveness is never a good idea. Sometimes it’s better to choose the clear, effective verb over the never-before-seen exotic one found in the depths of the Thesaurus under “archaic.”

I’m going to begin editing the story and might soon post excerpts/more updates! Though I literally wrote it in one long sprint and haven’t looked back at it since so I am PRAYING it’s not garbage. Thanks for reading!

#writing #writers on tumblr #writing update #short story #anamnesis

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eddie-redmayne-italian-blog · 4 years

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photos by Frank Ockenfels

The Long Journey and Intense Urgency of Aaron Sorkin's 'The Trial of the Chicago 7'

by Rebecca Keegan September 23, 2020, 6:00 am PDT

The director of the Netflix film, which stars Sacha Baron Cohen, Jeremy Strong, Eddie Redmayne and Yahya Abdul-Mateen II, reveals why it took nearly 20 years to get the project about the politically motivated prosecution of protestors made and why it couldn't be more timely: "I never imagined today would go so much like 1968."

In October 2019, hundreds of protesters marched down Chicago’s Michigan Avenue toward the Hilton, chanting phrases like "No justice, no peace!" and "A people united will never be defeated!" as police in riot gear descended on the crowd with billy clubs and tear gas. Earnest and energized, clad in 1960s period costumes and flanked by vintage police vehicles, this group thought they were acting out the past, staging a scene from Aaron Sorkin’s The Trial of the Chicago 7. As it turned out, they were performing the future, too.

Sorkin’s film, which opens in select theaters Sept. 25 and hits Netflix on Oct.  16, tells the story of the riots at the 1968 Chicago Democratic National Convention and the circus-like trial of political activists that followed the next year. Thanks to Hollywood development hell, the movie is arriving 14  years after Steven Spielberg first mentioned the idea to Sorkin but just as its themes and plot points — civil unrest, a self-proclaimed "law and order" president’s vilification of protesters (Nixon then, Trump now), the police’s excessive use of force, tensions within the Democratic Party over how far left to move — have become bracingly current."I never wanted the film to be about 1968," Sorkin says in an interview over Zoom from his house in the Hollywood Hills on Labor Day weekend. "I never wanted it to be an exercise in nostalgia or a history lesson. I wanted it to be about today. But I never imagined that today would get so much like 1968."For only the second time in a career spanning nine films as a screenwriter, Sorkin serves as director with Chicago 7, helming a sprawling ensemble cast that includes Eddie Redmayne as anti-war activist Tom Hayden, Sacha Baron Cohen as Youth International Party (Yippie) provocateur Abbie Hoffman, Succession’s Jeremy Strong as counterculture figure Jerry Rubin and Watchmen’s Yahya Abdul-Mateen II as Black Panther party co-founder Bobby Seale. There are undeniable parallels not only between the film and the present political moment but also between the performance-art activism of the actors and the men they’re playing, most vividly Cohen, who, like Hoffman, has made a career of political self-expression through comedic stunts, including crashing a far-right rally in Olympia, Washington, this summer while pretending to be a racist country singer. (Cohen, who shoots most of his satirical projects incognito, impishly calls reports of his appearance at the rally "fake news.")Eight months after Sorkin filmed the protest scenes in Chicago, Abdul-Mateen was marching in Black Lives Matter protests in West Hollywood, as was Strong in Brooklyn. "There’s power when a lot of people come together to protest out of anger, out of frustration," Abdul-Mateen says. "Everybody has a role in the revolution; this film shows that.

"Though the movie feels crafted for this political moment, it was born of another. At Sorkin’s first meeting with Spielberg, "I remember him saying, 'It would be great if we could have this out before the election,'" Sorkin says. The election Spielberg was talking about was 2008’s, when Barack Obama and Joe Biden faced John McCain and Sarah Palin.The film hit multiple roadblocks, beginning with the 2007-08 writers strike and continuing as financing faltered repeatedly, a fate illustrated by the more than 30 producers who can claim some sort of credit on Chicago 7. It took another unscheduled detour this summer after Sorkin finished it as the pandemic worsened, and the odds of original distributor Paramount mounting a successful theatrical release before the Nov. 3 election seemed increasingly slim. For some involved with the film, there is a question about the ethics of Hollywood inviting audiences to return to theaters before a COVID-19 vaccine is widely available. "

There’s a moral quandary that we, the motion picture business, have to be careful that we don’t become the tobacco industry, where we’re encouraging people to do something we know is potentially lethal," says Cohen.Before his visit to Spielberg’s Pacific Palisades home to discuss the project on a Saturday afternoon in 2006, Sorkin knew next to nothing about the Chicago 7. The federal government had charged seven defendants — Hoffman, Rubin, Hayden, David Dellinger, Rennie Davis, John Froines and Lee Weiner — with conspiracy for their participation in the protests against the Vietnam War outside the Democratic National Convention. (Originally the men were known as the Chicago 8 and included Seale, who asked to have his trial separated from that of the others and postponed so that he could be represented by his preferred lawyer, who was ill; that trial never took place.)

When Spielberg proposed a movie about the riots and the trial that followed, Sorkin, who was 7 in 1968, said, "'You know, that sounds great. Count me in.' As soon as I left his house, I called my father and said, 'Dad, do you know anything about a riot that happened in 1968 or a crazy conspiracy trial that followed?' I was just saying yes to Steven."Despite his ignorance, Sorkin was a logical choice to write the project: Having penned Broadway’s A Few Good Men and its 1992 film adaptation as well as the long-running NBC series West Wing, he’d shown a flair for dramatizing courtroom procedures and liberal politics, and he turned in his first draft of the Chicago 7 script in 2007. Originally, Spielberg planned to direct the project himself, but by the time the writers strike was over, he had moved on and a number of other potential directors circled, including Paul Greengrass, Ben Stiller, Peter Berg and Gary Ross, though none was able to get it off the ground. "There was just a feeling that, 'Look, this isn’t an Avengers film,'" Sorkin says of the studios' move away from midbudget dramas and toward action tentpoles in the 2010s. "This isn’t an easy sell at the box office. And there are big scenes, riots, crowd scenes. How can this movie be done for the budget that makes sense for what the expectation is at the box office?"As the project languished, Sorkin tried writing it as a play, ultimately spending 18 months on a fruitless effort to fashion a stage treatment. "What I didn’t like was having a script in my drawer," he says. "I was just thinking, 'Jeez, this is a good movie and it feels like it’s stillborn.'"It was the confluence of two events that ultimately revived the film with Sorkin in the director’s chair in 2018 — the 2016 election of Donald Trump and the 2017 release of Sorkin’s well-received directorial debut, Molly’s Game, which doubled its production budget at the box office. "This is before George Floyd and Breonna Taylor and police protests or confrontations," Sorkin says. "This is just when Donald Trump was musing nostalgically about the old days when they used to carry that guy [a protester] out of here on a stretcher and punch the crap out of him."With Trump’s throwback rhetoric lending the subject matter a new timeliness and Sorkin’s directing chops confirmed in Spielberg’s eyes, the movie moved forward with its screenwriter at the helm.

Cross Creek Pictures came in to finance, and Paramount bought the domestic rights. But all those years in development had left an expensive imprint on the project — a jaw-dropping $11  million had been spent on casting costs, producing fees and the optioning of Brett Morgen’s 2007 documentary about the event, Chicago 10, leaving just $24  million for the actual 36-day production.

One way Sorkin attempts to achieve a sense  of scope despite that budget is by intercutting real black-and-white news footage with his dramatized protests. He rounded out his large cast with a deep bench of experienced and award-winning actors including Oscar winner Mark Rylance as defense attorney William Kunstler, Oscar nominee Frank Langella as Judge Julius Hoffman, Joseph Gordon-Levitt as prosecutor Richard Schultzand, Oscar nominee Michael Keaton as former U.S. Attorney General Ramsey Clark — with the filmmaker and many of his actors working for scale. (Abdul-Mateen and Strong both became first-time Emmy winners Sept.  20.)Sorkin shot the protest scenes on location in Chicago and built a courtroom set in an old church sanctuary in Paterson, New Jersey, because none of the available courtroom locations in the Garden State conveyed the scope he wanted. "If we’re saying the whole world is watching, I want a packed courtroom for six months full of press and spectators," Sorkin says. "I wanted the big, cavernous feeling of the federal government and its power coming down on these people."

Julian Wasser/The LIFE Images Collection via Getty Images/Getty Images "The movie is tribute to the bravery of the protesters of 1968 [pictured] and today in Belarus, on the streets of America, in Portland," says Cohen.

Among the vestiges of Spielberg’s original plan was the casting of Cohen as Hoffman, which required the London native to affect a Boston accent and return to a subject he had studied as an undergraduate at Christ’s College in Cambridge, where he wrote a thesis paper about Jewish activists during the civil rights movement. At 19, Cohen had interviewed Bob Moses, the leader of the Student Nonviolent Coordinating Committee, which Hoffman was involved in before he founded the anti-war Yippie movement. "Honestly, I was very proud of the fact that Jews were involved in the Black civil rights movement in the '60s, and there wasn’t much written about it," Cohen says, explaining his youthful scholarship.

There’s a clear line to draw between Hoffman’s 1960s theatrics — which included throwing fistfuls of money into the gallery of the New York Stock Exchange and vowing to levitate the Pentagon — and Cohen’s contemporary TV and film pranks. Perhaps among Cohen’s most memorable and pointed gags was getting Vice President Dick Cheney to gleefully autograph a waterboard kit, which the comic did while posing as an admiring Israeli anti-terror expert for a 2018 episode of Who Is America?, his Showtime series. “What I wanted to do was to show that he was proud of torturing," Cohen says. "I could not believe how happy Cheney was to be sitting next to an uber-fan. So, yes. Ultimately in the shows and the movies that I do, I’m trying to be funny, but yeah, I’m trying to get out the anger that I have within me."

Cohen sees Hoffman’s unorthodox protest methods as pragmatic. "The Yippies were underfunded, and he was using theatricality to gain attention for his aims," Cohen says. "He wanted to stop the war. And how do you do that? You use stunts and absurdist humor to try to effect change." The actor estimates that, after researching Hoffman, he pitched Sorkin hundreds of lines the activist had really delivered. "As an annoying person with a lot of chutzpah, I was emailing Aaron every other night until morning, 'What about this line? What about this line?'" Cohen says. The writer-director, known for his exacting prose, politely tolerated the suggestions while largely sticking to his own script.

As Rubin, Strong is playing Hoffman’s conscientious jester sidekick, a role wildly different from the tragic, wealthy approval seeker he portrays on Succession. Strong added some of his own dramatic flourishes, including painting words on his chest for one courtroom scene and bringing a remote-controlled fart machine to disrupt Langella’s imperious judge. "I wanted to channel as much as possible that spirit of the merry prankster and of joyous dissent," Strong says. Hoffman and Rubin’s real-life personae were so large that Sorkin at times asked his actors to dial down their faithful portrayals, requesting, after one particularly jubilant take, "less cowbell."

Sorkin’s script draws a sharp contrast between Hoffman and Rubin’s campy methods and Hayden’s more reserved approach to the anti-war movement, with the tensions between Hoffman and Hayden supplying the film’s key relationship in a kind of begrudging brotherhood of the peace movement. To learn more about Hayden, Redmayne studied remarks that Jane Fonda, who was married to the activist and politician from 1973 to 1990, made upon his death in 2016. In his own life, Redmayne is cautious when it comes to discussing the role that he, as an actor at the center of a huge studio franchise (Warner Bros.’ Fantastic Beasts) might have in political life. "I find it endlessly challenging," Redmayne says of navigating his public activism. "There’s the elitist thing. It’s speaking up on climate change but being conscious that you’re traveling a lot. One has to be aware of one’s own hypocrisies, because they can be detrimental to something you believe in. So sometimes I find that I have to live my life and speak to my advocacy in a way in that it’s around friends, family and people I know rather than making something public."

Abdul-Mateen has begun his acting career largely associated with fantastical roles, like Dr. Manhattan on HBO’s Watchmen, Black Manta in Aquaman and Candyman in the upcoming Jordan Peele-produced remake of the slasher film. Playing Seale represented a chance to do more grounded work and to depict a man who had loomed large during Abdul-Mateen’s childhood in Oakland, where Seale co-founded the Black Panthers in 1966 and later ran for mayor. Seale’s inclusion in the original Chicago riots indictment was controversial and strange — prosecutors accused him of conspiring with men he’d never met after visiting Chicago that week for only a few hours to deliver a speech. For the prosecution, Seale functioned largely as a prop to tap into the fears of white jurors and white Americans watching the news coverage, and during the trial he had no attorney. "I wanted to key in on, how did Bobby Seale survive this trial?" Abdul-Mateen says. "How did he survive the gross mistreatment by the United States government, and how did he go through that with his head high and not be broken? It was an exercise in finding my pride, finding my dignity."

In one scene, Seale is brought into the courtroom bound and gagged, and throughout the trial he is kept separate from the white defendants. "Although it was meant to be a humiliating act, I walked out with my chest high, with my head high. Bound and gagged and everything else. It would be very dangerous for a Black man in that time, even sometimes today, to show the proof of the wear and tear that oppression can take on a person, because that can be seen as a sign of weakness, and a sign of weakness is an open door that it’s working." For the moments of lightness that Cohen and Strong bring to the movie, Abdul-Mateen supplies ballast. "It’s important for the right reasons and at the right time to make art that makes people uncomfortable," he says.

Niko Tavernise/NETFLIX. On the set, from left, Yahya Abdul-Mateen II, Mark Rylance, Ben Shenkman, Aaron Sorkin and Eddie Redmayne

Spielberg has remained involved in the film "in an emeritus role," Sorkin says, "from giving me good script notes to casting to notes on early cuts of the film." He also showed up to the New Jersey courtroom set. "When you have to direct a scene in front of Steven Spielberg, you’re not at your most relaxed necessarily," Sorkin says. Spielberg did not, however, take an executive producing credit on the film and declined to be interviewed about it.

The decision to switch to a streaming release came after an early summer marketing strategy call between Sorkin, Paramount chief Jim Gianopulos, other Paramount execs and some of the film’s producers. "At the end of the call, Jim said, 'Listen, we don’t know what the theater business is going to look like in the fall. We have troubling data telling us that the first people back in movie theaters are going to be the people who think that the coronavirus is a hoax,'" Sorkin says. This was clearly not the intended audience for a movie whose heroes are liberal activists. "I said, 'I don’t think the Idaho militia are going to be the first people coming to this movie,'" Sorkin says.

The group agreed to explore alternatives and gave Netflix, Amazon, Apple and Hulu 24 hours to watch the film. After a bidding war, Chicago 7 landed at Netflix in a $56  million deal against its $35  million production budget, with a robust marketing campaign and promise of a theatrical release. "We knew we didn’t have the option of 'Let’s wait a year,'" Sorkin says. "This is what we’re thinking about and what we’re talking about right now, and it just would have been a real shame to not release it now."

After Chicago 7 opens in limited release, Netflix will add more theaters in the U.S. and abroad throughout October, expanding upon the film’s premiere on the service, a strategy akin to what it provided Oscar best picture nominees The Irishman and Roma, albeit in a wildly different theatrical environment.

As Hollywood opens up to more production, Sorkin, and many of the Chicago 7 actors, have begun returning to work. Abdul-Mateen has been in Berlin for The Matrix 4 and Redmayne in London for Fantastic Beasts 3, while Sorkin is shooting a West Wing reunion special at the Orpheum Theatre in downtown L.A. that will premiere on HBO Max in October as a fundraiser for When We All Vote and include video appearances by Michelle Obama, Bill Clinton and Lin-Manuel Miranda

For the real-life Chicago 7, the denouement consisted of ultimately being acquitted of conspiracy. Judge Hoffman sentenced Seale to four years in prison for contempt of court, one of the longest sentences ever handed down for that offense in the U.S., but those charges were overturned on appeal. Just three of the original eight defendants — Seale, Froines and Weiner — are still alive, but the legacy of the case lives on in contemporary protest movements. "The movie is tribute to the bravery of the protesters of 1968 and the protesters of today in Belarus, on the streets of America, in Portland," Cohen says. "These people now are risking their lives, and they’ll continue risking them."

https://www.hollywoodreporter.com/features/the-trial-of-the-chicago-7-aaron-sorkin-and-stars-on-films-timeliness-to-election-and-why-everybody-has-a-role-in-the-revolution

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