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#writers are irreplaceable
tuttle-did-it · 1 year
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In 1969, in the episode ‘Love All,’ John Steed met an AI / ChatGP that wrote romance novels. ‘Her’ name was Rosemary Z. Glade. 
They input various scenarios into the computer, and then 'Rosemary' popped out over 400 romance novels based on those scenarios. What's of interest here is
1) how quickly the AI can pop something out when it has all the built in scenarios,
2) even in '69, they realised that to get an AI to pop something out, you have to put something original IN. Funny how someone's imagined version of how this would work is precisely what has happened 54 years later.
youtube
Originally aired 3 Feb 1969. Season 7, episode 21. 
Please forgive the bad recording and bad audio- I tried uploading it to YouTube to automatically create craptions, but it just won't do it. Please see below for the transcript. 
Teleplay by Jeremy Burnham, directed by Peter Sykes
Transcript:
[Steed knocks on a door. A woman, Thelma, is inside, talking to a recording device. He watches her.]
Thelma: Sir. Please... Please take the blindfold off my eyes. I know you're there. I sense the aura of evil that surrounds you. I beg you, untie my hands. I can hear you. Your breathing. I can hear your breathing. Why do you torture me this way. Do you keep me in this foul dungeon just to stand and silently gloat over me. Scarlett's voice caught in her throat and she sobbed helplessly. Blinded by the velvet band across her eyes she was unable to see the claw-like hand that reached forward to stroke the ivory flesh of her shoulder--
[Steed puts his hand on her shoulder. She screams.]
Thelma: Oh my goodness you frightened the life out of me.
Steed: I'm most terribly sorry.
Thelma: I should think so too. Scare like that could give a girl grey hair.
Steed: I'm sure that whatever the colour of your hair you'd still be equally attractive.
Thelma: Oooh dear... thank you... It's not original you know.
Steed: Your hair?
Thelma: Your line... it's not original.
Steed: Oh it's been said to you before?
Thelma: Lord Digby Covington said it to Samantha pride in "love under southern skies"... It was just after he'd rescued her from the gorilla who fancied her.
Steed: Of course. I remember now. "Love under southern skies"... It was a very touching story. I read it three times.
Thelma: Something went wrong that day. Couldn't get the end of the story to work. Instead of boy gets girl, it kept coming out girl gets gorilla.
Steed: That's a tricky situation.
Thelma: Very.
Steed: But you solved it with your customary skill. I hope you won't think me immodest if I claim to be your greatest fan.
Thelma: Really?
Steed: I've read all of your books.
Thelma: What, all four hundred and thirty seven?
Steed: On a cold winter's night I like nothing more than curling up in front of the fire with Rosemary Z. Glade.
Steed: Thelma: That's nice.
It's been my life-long ambition to meet Rosemary Z. Glade in the...[flirtatiously] If you'll excuse the expression, flesh. So you can see it's a rather special moment for me miss glade. Or may I call you Rosemary?
Thelma: You may if you like. My name is Thelma.
Steed: You're not Rosemary Z. Glade?
Thelma: No. [points to computer shaped like piano] She is.
Steed: That... writes all those moving novels?!
Thelma: She's a computer... Quite clever really. You see every romantic situation in the world is built into her memory circuits. The keys activate the situations.
Steed: [reading keys on computer shaped like piana] Moonlight kisses. Wife hears rumours. Girl meets wife. Wife sues girl. Wife leaves husband. Husband leaves wife. Girl returns ring. Boy gives flowers. Ah! Fascinating!
Thelma: Once we've picked out the situation, the machine does the rest. It chooses the scenes from the dialogue bank and bingo... Another best selling Rosemary Z. Glade romance. I'll show you if you like.
Steed: Please. The creative arts have always fascinated me.
[Thelma presses several keys, then goes to collect a manuscript that has popped out of the back of the computer. She hands the manuscript to Steed, who looks at it.]
Steed: Ha! Ha!
Thelma: There you are. Instant romance.
Steed: Brilliant.
Thelma: We keep adding new dialogue to the memory banks. That's what I was doing when you came in.
Steed: The machine's a genius.
Thelma: Oh I don't know. It's a very bad speller sometimes, but Mr. Bromfield's working on that.
Steed: Mr. Bromfield?
Thelma: [obviously has a crush on him] Oh he's lovely. And ever so clever with electronic things and stuff. He invented Rosemary.
Steed: Oooh! Well I'd like to meet him.
Thelma: Oh, he's not here at the moment.
Steed: Pity, well I'll call back...[Steed gets distracted when he sees something on a table] Later.
You can purchase the dvds here- https://www.amazon.co.uk/Avenges-Complete-Collection-DVD/dp/B096YF5VJT/ref=sr_1_4?crid=QTXQUD8LA7WJ&keywords=the+avengers+tv+series+complete&qid=1683223825&sprefix=the+avengers+tv+series+complet%2Caps%2C179&sr=8-4 
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poetrybyonur · 6 months
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Some people may replace their friends like an object when you’re no longer useful to them. Because that is what you were to them. An object. You will never be an object to me. You are a beautiful soul. A rarity. Exceptional and Irreplaceable. And if I were to lose you one day, I would never go looking for a replacement. No one could replace the shape of you in my heart.
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remyfire · 6 days
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When the writer agonies hit.
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canadian-riddler · 3 months
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Fanfic writers will get mad if someone calls them content creators and then they’ll call readers who don’t comment consumers
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markruffalo · 1 year
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If you’re a SAG-AFTRA member and stand in solidarity with the Writers Guild of America in the fight for fair pay, AI protections, and the future of television and entertainment, cast your vote via the link below by June 5th! Our writers are irreplaceable and vital elements of Hollywood. It's time to pay them as such. #SAGAFTRAstrong #WGAstrong Reposting from Writers Guild of America, East
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luxmoogle · 3 months
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The news about AI scraping also reaching this nook of the internet (tho' I don't doubt there's been scraping already before this) has been going around and I'd like to write a little word about my feelings on it.
For awhile this direction of art theft in the art and writers communities has been weighing a lot of people down. I've seen many familiar faces stop posting at all, probably out of fear of their beloved work being thieved away.
I don't really talk about it, but many times it has deterred me from posting or even working on some pieces purely from a sense of melancholy and sadness. Every time news about the topic comes out it creates a new kind of wave of despair. I get the feeling, what's the point, if the AI created sludge is enough for the public, if such surface level imagery fulfills peoples wants for art, then what's the point of me sharing my work at all? To just keep posting to feed a machine.
But then I sit at my desk and draw something. Paint something by myself. And I remember, why I do art at all. The feeling of creating is irreplaceable, the joy I get out of the struggle of creation can't be taken away from me. The way one pours their thoughts, feelings and even the tiniest things that might feel so insignificant to oneself so candidly onto paper. And then. AND THEN. One might be brave enough to share those pieces to others. Post them online, show a friend, a family member. To show your vulnerable self to others, and those others respond. They comment, ask questions, perceive it and best of all... ..might get inspired, and create something for themselves!
I remember reading a magazine once, that had a page at the back with all these art works readers had sent in, and I though 'wow, these are great'! And that really inspired me to create more than I already was doing, and most of all to share it with people. That's why way back when I started sharing my art in online spaces. And I don't want to stop, because I don't want us to lose that connection. That human connection, because that's what sharing art is really about, our humanity. Sharing thoughts and feelings, not about generating the most technically perfect piece of art, void of all human error.
So, I'd like to say, do not despair (but keep fighting). There are always people out there to receive your heart.
Thank you for reading and sorry for the ramble, but I really do hope these words find you all well.
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ceirinen · 3 months
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January 2024
I'm so glad that 2023 ended... I hope this year is so much better for everyone.
I didn't expect last month's list to be well received. I just wanted to show my admiration and gratitude to all those incredible writers. So there was no need to thank me for being included in the list, since recommending your stories is the least I can do as a reader.
Your writing is wonderful. Some of the things I've read this month have left me speechless, I didn't expect to find in a fic the quality of something that should be published instead.
Thank you for sharing your stories, for dedicating your time to writing, and for offering readers (for free) these masterpieces.
You can find the previous list here.
(If you are in this list and don't want to be in it let me know, please).
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Like a good neighbor... | Cillian Murphy x fem!Reader by @cillianmesoftlyyy Cut the shit-delusion, sweetheart | Cillian Murphy x fem!Reader by @cillianmesoftlyyy Shut if off! | Cillian Murphy x Reader by @darlingsfandom No fucking way | Cillian Murphy x Reader by @cillspropertea A welcome surprise | Cillian Murphy x Reader by @garrison-girl-08
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THOMAS SHELBY
Calling him pretty | Thomas Shelby x Reader by @darlingsfandom Not a virgin anymore | Tommy Shelby x Reader by @your-nanas-house Curses, spirits and other things nor to believe in | Thomas Shelby x OC by @dearshelby What really makes a family | Thomas Shelby x Reader by @dearshelby Nice face | Thomas Shelby x Reader by @dearshelby Missing | Thomas Shelby x Reader by @fallatyourfeet Winter light | Tommy Shelby x Reader by @fallatyourfeet Of bending and breaking | Tommy Shelby x Reader by @call-sign-shark He wouldn't dance with me | Tommy Shelby x Reader by @acewritesfics Fireflies | Tommy Shelby x Reader by @acewritesfics Always with me | modern!Tommy Shelby x Reader by @look-at-the-soul Twelfth night | Tommy Shelby x OC by @evita-shelby
ALFIE SOLOMONS
Reddish marks | Alfie Solomons x Reader by @dearshelby Fuckin' irreplaceable | Alfie Solomons x Reader by @fallatyourfeet It's bloody three o'clock in the mornin' | Alfie Solomons x Reader by @fallatyourfeet How I met my dad (Cyril) by @raincoffeeandfandoms Afraid of everyone | Alfie Solomons x Reader by @pacifymebby
ARTHUR SHELBY
Thunder storms | Arthur Shelby x Reader by @pacifymebby People like us | Arthur Shelby x fem!Reader by @red-riding-wood Ruined | Arthur Shelby x fem!Reader by @red-riding-wood
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Christmas together | Patricia "Kitten" Braden x fem!Reader by @your-nanas-house Truly smitten | Patricia "Kitten" Braden x shy!fem!Reader by @your-nanas-house I'll be your girl | Kitten Braden x Reader by @wutheringcaterpillar
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The ward | Jonathan Breech x fem!Reader by @cillianmesoftlyyy
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Miracle | Robert Capa x physicist!fem!Reader by @aurorag98
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Little spy | Leonard "Lenny" Miller x fem!Reader by @aurorag98 Love of his life | Lenny Miller x younger!Reader by @aphroditeslover11
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Just a little kiss | Emmett x Reader by @beastofburdenxo Quiet | Emmett x fem!Reader by @cillmequick
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Hiding here inside a dream | Robert Fischer x OC by @emotionalcadaver
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sotwk · 3 months
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When your writer friends are so talented and you love their fics so much, you are torn between wanting to force beg them to feed you more stories but also insisting they put self care first because their talent is irreplaceable and they need to be protected at all costs.
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lillified · 15 days
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I love your versions of the decepticons but I do have a question! I honestly love tarn and his brooding nature, so I wanted to know what happened to him? Why’s his face absolutely destroyed and why does he hate megatron,,?
hey, that’s a good question! I believe I’ve answered something similar in the past re: Tarn’s deal, but I can rephrase it again+give some additional context below the cut!
Tarn and Megatron have a very similar background. Both come from low-caste professions (Megatron, obviously, a miner, and Tarn a construction hauler) and both became gladiators to an impressive degree of celebrity. Tarn was an artist in his own right, being a musician and composer (which wasn’t as broadly commercially appealing as Megatron’s writer-artist repertoire, but certainly attracted its fans).
On Cybertron, gladiators have their own sort of “stardom.” Regular audiences aren’t just invested in the sport, but the story behind it, and so the performers become “characters” in themselves. Established fighters often have a dedicated fanbase, lore, and even “managers” or “agents” to manage that public persona. These “careers” can be lucrative, but, unsurprisingly, very brief.
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In his heyday, Tarn was everything the gladiator celebrity complex favors: young, charismatic, attractive, skilled, and, above all, marketable. The music he made enhanced his character, and, in turn, his gladiatorial feats promoted his music. He found a degree of purpose in his popularity.
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Tarn’s era of celebrity ended when, in his closest match, he lost his face. He survived, but this spoiling took away the foremost aspect of his fame—his identity (in the past I’ve talked about the culture around faces and their irreplaceability, which applies here). Having no choice but to wear a pit mask to protect his exposed interior, he gradually faded out of popularity, in favor of the new wave of rising stars. Over time his music lost its audience and he became cemented in the second rate.
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When Megatronus came along, she was quick to gain notoriety for the same reasons Tarn had, with a very similar audience. It was almost natural that she would fill the same niche, with a similar backstory, skillset, and audience appeal. Tarn immediately became jealous, but also couldn’t resist the familiar pull of a world he’d been unceremoniously excommunicated from: in Megatron, he found a way to live vicariously, and quickly began to see her as some parallel proxy for his lost ambitions. All gladiator friendships are underscored by a sort of tired acceptance of impending doom, but, in Tarn’s case, he abused their gallows goodwill to be an extremely two-faced fairweather friend.
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Though they certainly shared some traits, Megatron and Tarn were notably different. Where Tarn found earnest purpose in his success, Megatron resented her popularity, engaging with her high society pass with cynical disdain. She invited scandal and scorned the whole scheme until she could use it to get what she wanted. Tarn frequently scolded her for her shallowness, but envied her and the attention she received immensely. This resentment only ever festered and grew.
Internally, Tarn’s wish has always been to witness Megatron’s downfall, and to indulge in her suffering. As his proxy, he will only ever be satisfied to know that she is more miserable than him. The only things preventing him from killing or hurting her directly were his deep desire to live her life, and his own utter hollowness and insecurity.
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callofdooty69 · 3 months
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part 1 || part 2
cw: use of y/n, fluff
helping a drunk can get you dates - part three (last part)
underneath the soft glow of streetlights, the atmosphere crackled with an undeniable tension as you and simon ambled down the dimly lit sidewalk. with the moonlit sky looking down on you, a magnetic tension lingered.
his hand brushed against yours, sending shivers down your spine as laughter echoed through the quiet streets. the sounds of your voice blended with the rustling leaves, creating a symphony of the shared moments.
the night air was cool and crisp as in the quiet streets after an eventful evening, the ambiance of dimly lit lamps and the distant murmur of the city created a romantic backdrop for the moment.
simon’s hand grazed against yours, a subtle yet electrifying touch. your eyes met, an unspoken connection weaving between you. the cool air seemed to intensify the warmth emanating from your bodies.
“this is really nice,” he said, his voice a gentle caress against the quiet night.
you smiled, a soft blush gracing your cheeks. “i think so too, it’s been ages since i’ve felt so comfortable with someone.”
the spark was undeniable, and your eyes met with a shared understanding. your gaze lingered on him, a mix of gratitude and anticipation in your eyes.
“you know,” he began, his voice low and intimate, “there’s something about the way you look tonight. you’re absolutely breathtaking.”
a shy smile played on your lips, “you’re not so bad yourself, simon.”
he chuckled as you both continued walking, the air thickening with an unspoken tension. he took a deep breath, mustering the courage to express what was lingering in the air before stopping on the cold concrete. “y/n, there’s something i’ve been wanting to do since we started walking from the station.”
your eyes sparkled with curiosity, keeping your voice at an awkward whisper. “what is it?”
without a word, simon gently cupped your face, a magnetic pull drawing you closer. leaning in, his lips pressed against yours, meeting in a soft, lingering kiss, an irreplaceable connection forming between you.
your heart raced as you reciprocated, savoring the warmth and tenderness of the moment.
reluctantly breaking the kiss, you locked eyes once more, a silent acknowledgment of the unspoken chemistry that had ignited. he couldn’t help but smile, a mix of warmth and longing, as he whispered, “i’ve been wanting to do that all night.”
your gaze locked onto his, a mixture of surprise and desire in your eyes. “i didn’t expect that, but i’m definitely glad you did.”
you laughed softly, the awkwardness of the unexpected moment dissolving into shared amusement. the night continued, the distances of your conversations and shared laughter weaving a tale of connection and intimacy.
as you two approached your doorstep, simon lingered, his eyes fixed on yours. “i hope we can do this again soon.”
you nodded, a subtle smile playing on your lips. “i’d like that.”
with a final, lingering glance, simon turned to leave as the night air carried the promise of something more, and as you watched him walk away, a flush of exhilaration was painted across your cheeks.
the reminders of your first shared kiss lingered in the air, leaving you with a sweet taste of what the future might hold.
****
man writers block is kicking my ass right now 😭 but i think i’m gonna make this the last part tbh, not my best work lol
anons and interactions are always appreciated 🫶🏻
stay safe lovelies ╰(*´︶`*)╯♡
- 𝓀.𝒿
tag list: @idesofarch
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scarletgray · 11 months
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SOUKOKU FICS FOR THE SOUL!!!!!
partners by setosdarkness (best skk fic my favorite the most adorable thing I've ever read in my entire fucking life hnhhgg)
The irreplaceable things by BlowingYourMind
A Few More Tries by StarshipDancer
our hearts steeped in hate by setosdarkness
the taste of love cherryousama
never ever invite soukoku to parties by xxalwayssofia
look chuuya, i just want a divorce by xxalwayssofia
minus four years by xxalwayssofia
plus four years by xxalwayssofia (honestly just go read everything by xxalwayssofia they're so so good)
Admit Defeat by StarshipDancer (again just read everything by StarshipDancer)
Full Tacit Understanding by setosdarkness (this writer is the ceo of skk istg just read all 1001 of their works lmao)
into continents and cars by halfbloom (diphylleias)
Narrow Staircases by rutu14
all of these except the last one (so angsty but has a happy ending dw) are the FLUFFIEST CUTEST SWEETEST SKK FICS EVER will heal your soul they're all on ao3 enjoy :D
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theotherhappyplace · 1 year
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artists: oh no! people are using generative stuff to replace our jobs!
writers: haha! sucks to be you! I'm irreplaceable!
writers: oh no! people are using generative stuff to replace our jobs!
techy people: haha! sucks to be you! I'm irreplaceable I-
me: ....hmmm
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astraltrickster · 1 year
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All the people calling the analysis of the queer undertones in Goncharov "reaching" and "tumblr fangirlism" need to sit down and do some damned research because listen, I'm one of the first people to be skeptical of intent in things like this, I lived through TJLC, but this is, decidedly...not that. Matteo JWHJ 0715 addressed it in this 1975 interview, one of the few he's ever done! He makes it clear, in no uncertain terms, he is a queer person, he uses his pseudonym for his and his family's safety, and his work cannot be fully understood without understanding his struggle with being unable to fulfill a role prescribed to him.
(Hell, the comment about him sometimes wishing he was a woman so that he might be loved the way a man is supposed to love a woman makes me wonder if he ended up being on the mlm-transfem cusp, but that's as far as I'm willing to speculate, especially because odds are decent he's still alive so that would be not just historically unstable but also just plain rude.)
And I mean, okay, it's an obscure interview, I don't blame some of you if you hadn't seen it until now, and I know that filmbros can look at a guy saying "yeah this movie is partially about my queer experience" and still be like "oh but it's just METAPHORS there aren't REALLY gay people on screen and besides he was probably joking anyway", but...some of you at this point are just reinventing "UGH why do you freaks have to make EVERYTHING gay?" and claiming it's not homophobic because you are also gay.
Yes, the queer elements are a lot more subtle than you might get in 2022, but that doesn't mean this is just "internet shipper goggles"; you don't even get the full power of the themes if you don't acknowledge the complex web of attraction going on here. There's a running theme of characters obsessing over the ideal of something to the point of destroying the real thing they're based on - from "heritage"-obsessed nationalists destroying priceless, irreplaceable historical and cultural artifacts as acceptable collateral damage to take out one enemy, to Joe straining all his family relationships and driving himself deeper and deeper into debt in the interest of propping up their image of the perfect, loving, wealthy, glamorous unit; to, yes, the entire mess of the Andrey/Goncharov/Katya/Sofia would-be polycule. They contain so many examples of this running motif that you can't deny that the whole tangled net of homoerotic attraction is there without sacrificing the thematic integrity of the entire film.
And hell, with that - even if it wasn't part of the writer's intention, well, this is what "death of the author" means, not "the author is a prick so Hatsune Miku wrote it". If the themes of a piece have better payoff if you include an unintended subtextual detail - who cares that it was unintended? It's still THERE, echoing and amplifying the themes. Whether he intended to or not (and it's pretty clear from the interview that he did), he wrote a bi4bi couple being thrown into chaos because suddenly they couldn't pretend they were straight anymore.
(Speaking of which, while I can't fully agree with the reading that Goncharov and Katya's marriage was exclusively one of convenience, I can't say I really have a problem with it as a whole either...but can some of you out there please stop insinuating that it HAD to be because they MUST both be totally 100% Kinsey 6 gay? Bisexual people can have sexuality crises with body counts in the dozens too, thank you~)
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netherworldpost · 2 months
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Zine test print to make sure I did my math right (I did) and a zine board I invented. Feel free to make your own! It’s super handy!!
It’s a flat surface with a 1/8 inch (about 3mm) taller ledge, flat surface is bigger than the zine.
This allows me to fold paper over evenly, perfectly, quickly, without considering line up — the ledge does all that for me — and then the roller creates the crease.
Given it’s a roller you don’t need to be precise when you roll, because physics, and surface area, and other words
(I study science and engineering CONTINUOUSLY but very informally).
Must roll over entire edge, doesn’t have to be in single pass, multiple passes have no additional effect, ergo precision and timing do not add efficiency.
Set, fold over until it stops folding over, roll.
Practically ZERO effort for perfect paper folding at incredible speed and efficiency.
In every business, one of your goals must be to constantly assess physical labor and seek to build tools to reduce it.
Failure means exponentially growing risk you go out of business :)
(Btw artists and writers and everyone else — your body and mind are your most irreplaceable tools — have you stretched lately?)
Netherworld Post Office will always be tiny, and, we will always be mighty.
Cheers follows its back to sapphic sorcerer poetry writing.
Got zines to make!
Dryads and elves!
Royal intrigue!
ANGST!
TREASURE!!
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olealoa · 4 months
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what if….since evil morty now has the omega device, he…kills himself?
i know this sounds rather far fetched, but im just thinking about it. i mean, the boy is not the most mentally stable person, he might appear so as charismatic and clever, but he’s also deeply traumatized and filled with some pretty…unaddressed feelings. it’s made clear with rick that revenge doesn’t…magically heal you. rick is left with a 1000 yard stare at the end of 7.5, and this applies to running away from your trauma too. escaping your abuser can definitely help prevent any NEW trauma, but all that old trauma sticks, and i know damn well e!morty isn’t going down to visit ms wong once a week.
i am not saying that he is implied to be suicidal at all, but let’s just think. he was totally good with letting himself get shot just to eliminate a possible threat. he actively kills people, and i know that even if he’s resting in paradise he is definitely not too keen on the idea of a lack of purpose, especially since morty’s whole thing is to be of use, to be irreplaceable. he might have completed his goal of escaping rick, but just like rick himself, settling into a new life without that same goal to chase after can feel meaningless. and who knows, maybe there’s a reason he’d kill himself, maybe it’d be a desperate attempt to get revenge on ricks, maybe he’d randomly feel sympathetic (in some delusional, mentally ill way) and want to kill all mortys to let “them escape rick too”. problem is we just don’t KNOW ENOUGH about him or his current goals. evil morty’s appearances are scattered and rare, his whole thing is to be mysterious. his existence in unmortricken was a total surprise, we just can’t say what to expect.
but either way, that boy is NOT OKAY. he desperately needs some goddamn help, i can’t rely on the writers to give him an in depth, emotionally vulnerable part of his character, since it’d piss fans off probably, but if they did, it would be really interesting. a nice deep dive into his own fears, his own goals, his own feelings about his existence. they were able to do it with rick, maybe that can do it with him. or they’ll skimp out and make him the total villain of the series, but im honestly rooting for anti-antagonist. definitely ain’t an anti-hero, at least not yet, but i don’t see him as a full on villain.
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mnemo-li · 1 year
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Gosh, I have so many thoughts about Gromph Baenre. Maybe I’m reading too much into things lol, but here we go. Spoilers below for Starlight & Shadows, War of the Spider Queen, Companions Codex, Homecoming, Generations, and parts of The Way of the Drow.
Imagine literally being the most powerful man in a city, potentially the oldest (non-undead) man of a race, and still being limited in what you can do just because you’re born male. You have so much power, and yet in the end you are not free. People may fear you and perhaps even respect you, but no one cares for you. You, no matter all you have done, are replaceable and will be discarded the moment you are deemed a liability.
There’s this quote in Tangled Webs:
But no matter what powers he might command, what information he possessed, Gromph needed someone like Shakti. The archmage was tied to Menzoberranzan by the task of enchanting Narbondel—an honor that was also a chain with links forged anew with the coming of each midnight hour.
The so-called honor of being the only one allowed to enchant Narbondel is a double-edged sword. It’s a symbol of his status yet, because he has to do it daily, it means he can’t be away from Menzoberranzan for more than a day. It’s a chain that binds him to the city, to the control of the Matron Mother. It’s a leash.
I also find the mention of Narbondel in Extinction to be interesting:
Despite the toehold the enemy had gained—and lost—in Tier Breche, Menzoberranzan seemed untouched by war. The stalactites and stalagmites of the noble manors still sparkled, and a ring of magical fire was creeping up the great spire of Narbondel. Gromph frowned, wondering which of the wizards of House Baenre had been keeping it going in his absence. It seemed that he was not quite as irreplaceable as he would have liked. He’d have to speak to Triel about that.
That’s what I was referring to. The lighting of Narbondel — something that is meant to be performed only by the Archmage of the city — is in actuality a role that anyone could do, really. Logically, I’d agree with Triel too. The city needs Narnondel to tell time and if Gromph was missing, it was more pragmatic to have someone perform his duty in his stead. And yet, all of this goes to show how if someone else could do what Gromph does, then that means he isn’t irreplaceable.
I also find this exchange between Guldor and Gromph to be intruiging (and funny— I always love when Gromph is his good old surly and sarcastic self).
“Archmage!” cried Guldor Melarn. He was supposedly without peer in the realm of elemental magic, though it couldn’t be proved by his performance thus far that night. “We were worried about you!”
“I’m sure,” said Gromph, striding closer. “I noticed all the search parties you sent out looking for me.”
Guldor hesitated. “Sir, the mistress of the Academy commanded—“
“Shut up,” said Gromph.
The small interaction is also very telling. None of the other mages seemed to care about Gromph enough to go look for him, or it could be that what Guldor said was true, that Triel forbid them from doing so. It’s either that Triel believes Gromph is capable enough to get out of whatever trouble he’d gotten himself into by himself, or she too couldn’t be bothered (or has other pressing matters to deal with— and considering the state of Menzoberranzan, that’s understandable).
Whatever the reason, it still must be harrowing for Gromph deep down. To learn that he is replaceable, and to not have anyone he concerned about his disappearance enough to look for him. Of course, the concept of caring for someone is arguable something alien to the drow in the first place. Still, it would be interesting to see how Gromph would react should he realize that his position as Archmage isn’t secure.
As much as I sometimes joke about RA Salvatore being a shit writer — at least compared to the likes of Elaine Cunningham and Paul S. Kemp (whose Star Wars books I’m a huuuge fan of, whose contribution to the War of the Spider Queen series I absolutely adore) — Salvatore did manage to sprinkle bits and pieces to make Gromph a sympathetic villain or at least a villain whom we can partially sympathize with and feel pathos towards.
Take for instance, this excerpt from Vengeance of the Iron Dwarfs:
It is about embarrassing Matron Mother Quenthel, Kimmuriel said in Jarlaxle’s thoughts, and he looked from the psionicist to the archmage, trying to sort it out. Or perhaps it goes even higher than her. Jarlaxle snorted at that, for who could be higher than Quenthel, who served as the Matron Mother of Menzoberranzan? Then he figured it out, and he stopped snorting.
He looked at Gromph, only then beginning to appreciate how wounded his brother had been by the betrayal of the Spider Queen. Lolth had gone to the realm of arcane magic, had tried to dominate the Weave itself—and indeed, by all reports, she had made the magical strands encompassing Toril take on the aspect of a gigantic spider web. Gromph had dared to hope that Lolth’s move would elevate his standing, that he, as the greatest drow wizard of the age, as the greatest drow practitioner of the Art, would become more than a mere male in the matriarchal City of Spiders.That was Gromph’s error, Jarlaxle realized, and he nodded knowingly as he considered his brother.
Poor Gromph had dared to hope.
I feel pity for Gromph reading that. As an aside though, I really love the dynamics between Gromph and Jarlaxle throughout the series. I wonder too if Gromph is secretly jealous of or resentful towards Jarlaxle for his relative freedom.
Also, there’s this bit from Archmage that really makes me feel for Gromph:
His sly taunting of his sister did little to improve Gromph’s bitter mood. Even if he toppled her, even if he destroyed every matron mother and high priestess in the city, what would he accomplish? 
He was a male, nothing more, and even when Lady Lolth had turned to the Weave, to a domain he had come to dominate more than any dark elf in centuries—in millennia, in perhaps the entire history of the race—Lolth’s gratitude had not reached to him, nor his fellow male wizards.
Sorcere, the drow school of arcane magic, the academy under the control of Gromph, had counted among its students almost exclusively male drow, with only a few notable exceptions of priestesses looking to enhance their magical repertoire by adding arcane spells to their divinely inspired magic. Yet as soon as the Weave had become a web, as soon as it appeared that Lady Lolth would steal the domain of the goddess Mystra, the noble Houses had flooded Sorcere with their daughters as students.
The matron mothers, with Lolth’s blessing, would not suffer the males of Menzoberranzan their position atop the ranks of Lolth’s arcane disciples. Would Gromph’s ultimate title of archmage have proven secure? But Lolth had lost her bid for the Weave, so Gromph had learned, though the details were not yet known to him. The Weave was no longer in her spidery claws and the city and school would return to normal, perhaps. Gromph would remain the archmage, and, he now even more poignantly understood, would remain a “mere male” in Menzoberranzan. 
I’d like to argue that it isn’t Gromph’s ego or arrogance that is the reason behind his hunger for power. But rather, it’s Gromph deep rooted desire for security— not just in his position as Archmage, but security in the sense that he is quite insecure deep down. After all, excessive arrogance is often a mask for hollow confidence. Look at the scene here leading up to Gromph’s accidental summoning of Demogorgon.
“Your demon led the defense,” the matron mother spat. “This failure falls upon your shoulders. Be cautious, wizard, for Tsabrak Xorlarrin will surely survive this, and he remains in the graces of the Spider Queen.”
She spun and swept out of the room and Gromph fell back in his seat, his fingers tap-tapping once more. He tried to dismiss Quenthel’s overt threat, but he began to see some troubling possibilities. Would his sister cut a deal with Matron Mother Zeerith to absorb House Xorlarrin into House Baenre? Where might the Xorlarrins go if the dwarves gained an unshakable foothold? They would not be welcomed back into Menzoberranzan as a rival House, particularly not now with so many backroom alliances being formed among the ruling matron mothers.
And perhaps Quenthel would spread the whispers that Gromph had failed, that the archmage had, in fact, been the cause of the loss of Q’Xorlarrin. In that event, would Quenthel be in a stronger position to offer Zeerith one of her most coveted trophies: a Xorlarrin as Archmage of Menzoberranzan? Nay, this was not a threat Gromph could easily dismiss, and in that realization, so came his outrage.
His “outrage” was a reaction to being “threatened”. Sure, it was his anger and ego that overruled his common sense, the sense of caution that he should’ve had when summoning a powerful demon… but the root of it all was the fact that Quenthel threatened his position as archmage.
This all harkens back to the fact that Gromph is replaceable and will be replaced should he no longer be useful. Hence, his insecurity and the constant need to prove himself.
Additionally, I also find Gromph's interaction with Catti-brie in Maestro to be incredibly fascinating from a character perspective.
First though, I should put a disclaimer saying that I think their relationship is weird as fuck, and Salvatore's way of writing Gromph thinking of Catti-brie in a horny way is just... ew. The whole 'mind-rape' thing is not something I condone, the bit where Gromph uses his psionic abilities to impart a vision of him and Catti together into Catti-brie's mind. However, it does hint a lot at the way men are treated in Drow society and how Gromph's sexual relationship with women usually go.
In Daughter of the Drow, there is this quote:
Perhaps even more than his obvious wealth and famed magical power, Gromph's ability to select his consorts was a testament to his status. In this matriarchal city, males had a decidedly subservient role, and most answered to the whims of females.
I might be reading into it too much, but if men are suggested to be unable to choose their wives, then it is implied that they wouldn't have any experience in romantic courtship either. It's like their entire notion of what a relationship is for men, is that they are meant to be pickedby women and forced to marry or have children with women without any say in it. Men getting to get to know someone, to flirt with them and court them, before making the mutual decision to enter into a relationship doesn't seem to be a thing in drow society. Starlight & Shadows goes to explain more about how male drows don't even get to be a part of their children's lives either, which is why Gromph's decision to murder Sosdrielle Vandree and "adopt" Liriel Baenre to be such a major powermove and a violation of societal norm.
Anyhow, the point I am trying to make about Gromph and Catti is that, of course Gromph would "flirt" with Catti in such a fucked up manner. He doesn't know anything about courtship, doesn't have any other frame of reference for what a healthy courtship or relationship between males and females is like.
“I forgive you,” she repeated. “For your telepathic intrusions. I understand now that you were not even there in my thoughts, and that it was only a suggestion placed for me to find.”
“And to enjoy.”
Catti-brie’s expression went cold.
“Then I am no rapist,” Gromph smugly replied to that look.
“You are a scoundrel and a fraud,” the woman said. “But I expected as much from the outset. I forgive you because now I trust that you will not hold me in lust, in body, in mind, or in hatred.”
Gromph wanted Catti to "enjoy" the image of him and her together. In other words, that really is his way of initiating a sexual relationship, that is what he thinks flirting or courtship is. In real life modern day terms, Gromph's telepathic intrusion would definitely be a form of sexual assault... but Catti-brie is right in the sense that Gromph hadn't meant to rape her. Let me be clear though, I am not justifying any of his actions. I just find Gromph to be so fascinating from a narrative perspective. If the Drizzt series wasn't what is was, if it was more like A Song of Ice and Fire for example, then I'm sure the author would explore more about how Gromph's actions and attitudes probably stems (at least partially) from his women-related trauma.
Look at this scene in Archmage here for example:
She dared look up, to find Gromph glaring at her.
“You know nothing of what I know or do not know, Minolin of House Fey-Branche.” His reference to her lesser House, instead of naming her as a Baenre, was a clear and sharp reminder.
“You are not a woman,” Minolin Fey said quietly. “There is nothing more … personal.”
“I am not a woman,” Gromph echoed. “A fact of which I am reminded every day of my life.”
Gromph definitely has a sore spot about not being a woman, and thus being beneath a woman in terms of societal status. This resentment and emotional wound of his shows up again in Maestro, in this interaction of Catti-brie.
“You have no power over my free will, and that is the measure of intimacy,” Catti-brie pressed on against his sheer awfulness. “You’ll not get back into my thoughts, nor will you ever get beneath my robes.”
“Truly?” Gromph asked slyly. “Dear human, you will be amazed by the things I can accomplish, particularly when a woman tells me that I cannot.”
I find the latter half of the sentence to be poignant. It's as if he's taking Catti's resistance as a challenge, or an insult. Mind you, Gromph is still a monster for many of the things he does. But he has such a potential to be a multifaceted villain (who then becomes something of an anti-villain), something I believe Salvatore is working towards. I believe Salvatore’s attempt at a pseudo redemption arc for Gromph is very... lacking. The scene at the end of Maestro where he bows down to Catti also gives me weird vibes too ngl.
Yet, I still wouldn’t dismiss his attempts to soften Gromph recently. Take this scene in Boundless for example:
“And your friend in Ship Kurth?”
“Any who should concern us are in no danger,” the archmage assured her. Caecilia gave a little snort, but tried to cover it when she saw the scowl on Gromph’s face and realized he knew she was mocking him.
“Such a drow thing to say,” she admitted. “If all of Luskan other than those you deem valuable to you were to be slaughtered, would you even care, Archmage?”
“Should I?”
Caecilia blew a long sigh and let it go. Curiously, though, as she walked through the door leading to her extradimensional mansion, she realized that she actually didn’t believe Gromph. Had he been so battered by the distorted culture of Menzoberranzan that he thought it a sign of great weakness to admit compassion? How many others? the cloud giantess wondered. How many other dark elves had been similarly broken?
Gromph has spend pretty much the majority of his long, long life in the Underdark. Menzoberranzan is all he knows. Which makes me curious about the direction Salvatore plans to take Gromph’s character in the The Way of the Drow. Take this scene for example:
“To the Nine Hells with that ugly spider,” said Gromph from the tunnel. 
Drizzt turned to watch the sour archmage come forth, and took great pleasure and great hope in seeing the man verily transform at the sight, as if the tension and anger were suddenly simply falling away from him as he looked upon the wonder of Callidae.
“It was worth the journey, yes?” Jarlaxle asked him, and Gromph couldn’t respond, and he didn’t have to.”
Callidae, a place where drow may live in peace upon the surface, is a symbol of hope-- a hope so strong to the point where Gromph is willing to throw away his allegiance to Lolth. I know Cunningham is unlikely to come and write for the Drizzt series, but damn... I wish Gromph could meet up with Liriel again. I wonder what she’d think of her father now. I wish we could one day see Gromph fully embody his role as the Archmage of the Hosttower, shedding the former identity of Archmage of Menzoberranzan, both in name and in heart. Speaking of Liriel, a part of me wonders too how much Gromph actually cares to her (yes--- she is a tool to him, but Liriel seems to be capable of activating a strange sort of fatherly instinct in him, something very vulnerable and pure and hopefully enduring). We have this scene of their first proper meeting, in Daughter of the Drow:
"Look down," advised a lilting, melodic voice, a voice that rang with mischief and childish delight.
Incredulous, Gromph shifted his gaze downward. There stood a tiny, smiling female about five years of age, easily the most beautiful child he had ever seen.She was a tiny duplicate of her mother, whom Gromph had recently left sleeping in a nearby suite of rooms. The child's face was angular, and her elven features delicate and sharp. A mop of silky white curls tumbled about her shoulders, contrasting with baby skin that had the sheen and texture of black satin. But most striking were the wide amber eyes, so like his own, that regarded him with intelligence and without fear. Those eyes stole Gromph's annoyance and stirred his curiosity.
This, then, must be his daughter. For some reason that thought struck a faint chord in the heart of the solitary, evil old drow.
(Of course, I won’t disregard how he then goes on to murder her mother / his wife in the next scene... so lol. Gromph is still a ruthless drow, after all. But even monsters can love, or so I wish to believe.)
There’s also certain tiny details that stuck out to me:
"So, drowling. I don't suppose you can read?"
It was a ridiculous question, for the child was little more than a babe. Yet her brow furrowed as she considered the matter.
"I'm not sure," she said thoughtfully. "You see, I've never tried."
She darted toward the open spellbook and peered down at the page. Too late, Gromph slapped a hand over her golden eyes, cursing under his breath as he did so. Even simple spells could be deadly, for magic runes attacked the untrained eye with a stab of searing light. Attempting to read an unlearned spell could cause terrible pain, blindness, even insanity.
See what I mean about fatherly instincts? His immediate instinct was to protect her eyes, her sanity etc.
As Liriel grows up, her relationship with Gromph also seems almost... cordial. She seems relaxed with him, not holding back her tongue too much. At times, Gromph is seen chuckling and seemingly enjoying her presence too (unless he’s in a bad mood or she crosses a line somehow). Gromph is more lenient with her than one would expect, but also knows how to be strict when necessary, as befitting his station.
"Have a good time," Liriel mimicked bitterly as she and the archmage strode down the hall. "This, from someone whose idea of fun involves whipping people with snakes!"
Her blasphemous remark drew a shocked chuckle from Gromph.
"You must learn to guard your tongue," he admonished. "Few of the Academy's mistresses are burdened with a sense of humor."
"Don't I know it! Father, do I really have to become a priestess?" she demanded. "Can't you do anything to stop this?”
Liriel knew the words were a mistake the moment she spoke them. No one stayed healthy for long by pointing out to proud, frustrated Gromph that there were limits to his power. The expected rage did not come.
"It is my will you become a priestess," the archmage said coldly.
The scene continues with Gromph granting Liriel the means to go wherever she wish.
The archmage reached into a hidden pocket of his cloak and drew out a small book.
"This is yours. Learn it well, for you would surely go mad in Arach-Tinilith without the escape this book offers you." He paused for a grim smile. "I had this compiled for you—a task that spanned several years and cost the lives of a number of wizards—knowing this day would come."
That was quite a pitch, even for melodramatic Gromph, Liriel thought with a touch of wry humor. She took the book and opened it to the first spell. She skimmed the page, and the meaning of the symbols came to her with a rush of excitement and disbelief.
"This is a spell for summoning a gate!"
"And so is every other spell in the book," he agreed. "With this knowledge, you can travel where no priestess can follow."
Liriel leafed through the spellbook, her excitement growing by the moment. Magical travel was extremely difficult in the Underdark, and those who tried it often ended up as a permanent part of the landscape. This gift would give her greater freedom than she had ever enjoyed. Best of all, her father had foreseen this day, and prepared for it! Liriel hugged the precious book to her chest.
"I can't begin to thank you!" she cried joyfully.
Gromph Baenre smiled down at her, but his amber eyes remained cold. "Not yet, perhaps, but when the time comes I will tell you how you can properly express your gratitude. Become a priestess and seize what power you can. But never forget you are a wizard first and foremost. Your loyalty belongs to me."
The warmth fled from Liriel's heart. She held the arch-mage's hard gaze, and her golden eyes mirrored his. "Don't worry, Father," she said softly. "Lloth forbid I should ever forget what I am to you."
Gosh, this is why I love Cunningham sooo much. Much like Gromph’s scene with baby Liriel where the two have somewhat of a cute father-daughter moment, throwing faerie fire at each other etc.. the heatwarming scenes are always proceeded by an emotional whiplash, reminding the readers that this is Gromph Baenre we’re dealing with. In the first scene, Gromph murders Liriel’s mother right after having a cute moment with Liriel. Here, Gromph grants her what is one of the most valuable grimoires she’ll ever own, right before reminding her that she belongs to him as his tool.
A part of me could not help but wonder too though... does Gromph see himself in Liriel? The natural aptitude for magic, the fact that by their gender they are being forced into a role they did not want (Gromph being subservient to females as a male, Liriel being forced to become a cleric as a female despite wanting to be a wizard etc). The parallels are definitely there. I wonder if, through Liriel, Gromph may be unconsciously wishing to give her the opportunities he never had: freedom.
True freedom.
A part of me would like to think that Gromph, deep down, secretly wants Liriel to one day flee Menzoberranzan--- just as Jarlaxle did, to an extent at least. 
I could go on and on about this forever, but I’ll stop here. If anyone is reading my rant this far, thanks! Feel free to hmu if you want to talk to.
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