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#why must i live like this
babygirltony · 2 years
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need him so bad its fucking SICKENING
source: totaliykafkaesque on tt
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uncanny-tranny · 7 months
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It is my sincerest and unironic belief that we must invest in preserving "old technology." The more we move to a hegemonic, easily-surveilled way of living, the worse we will find this world to be.
Letters, public phones and transport, cash, and so much more are key to ensuring both freedom of movement and information, but also to combat the surveillance state. We need to preserve the ability to both access the world but also to be untraceable. I truly hope more people start to recognize this. It isn't about nostalgia for the past. It is about ensuring that we are actually afforded freedom, from the richest person to the person who lives on the sidewalk.
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andy-clutterbuck · 2 months
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The Ones Who Live | 1x03 - Bye
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cryptocism · 2 months
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Since I think about clones like I’m getting paid for it, I've been rotating those alternate universe "what if Bart and Thad were actually raised together" scenarios in my brain, with Thad either post-redemption-arc or pre-villainy. Because adjusting Thad's character to fit an ally role while still keeping true to his core motives and personality is so so fascinating to me.
Like I think there's an immediate first instinct to slot Thad into a "bad" twin category: ie rebellious and prickly, doesn't get along with people, mean lil shit. And obviously it's not wrong bc we're outside the realm of canon, but the reading still feels a little left of center.
Because Thad is mean and prickly in canon. In the Impulse comics he belittles Bart and Bart’s friends/family constantly in his appearances. He loves to goad, and monologue about his own superiority and intelligence. He’s very Not Nice, and he causes many problems, and he even does it on purpose.
But, I think it’s important to consider the context. From the jump Thad knows very little about anything except which team he’s on and who he’s playing for. He gets his orders from an unseen authority and he carries out his tasks because success means his team wins.
For all his self-aggrandizing talk, everything he does is in service of an end goal that doesn't actually center him. He's trying to get revenge for grievances he's never personally suffered, retribution for actions never committed against him. Everything he does is on someone else's behalf.
Thad sees in black and white, us or them. Up until the final few issues of Mercury Falling, Bart and co. are Thad's enemies, of course he's not going to be nice.
So Thad's motivation seems pretty simple: Thawne Supremacy™.
But it’s in Mercury Falling where this starts to fall apart, and the real core of his motivation gets revealed. Thad pretends to be Bart and suddenly Helen is nice to him. Bart’s friends think he’s funny. Bart’s teachers are impressed with his grades. Max ruffles his hair and gives him hugs and tells him he’s done a good job.
If he was actually an inherently mean and standoffish character, if Thad actually had significant personal stake in the Thawne VS Allen conflict, the weight of such tiny acts of kindness wouldn’t completely break him the way that it does in canon.
Thad thinks his goal is superiority and revenge and Thawne Supremacy™, but he's chasing validation. Thad doesn’t have a personal stake in the Thawne VS Allen conflict. He wouldn't get much satisfaction if he actually destroyed Bart and his family. Thad's personal victory would be the recognition after the fact: the praise and attention from the other Thawnes (a group of people he has literally never met) for his success.
He wants validation. That's basically it. And the fact that he gets it so easily from Bart's family and friends doesn't align with how he's told himself things are supposed to work.
Actually tangentially, Bart and Thad’s respective relationships to authority is so diametrically opposed and tbh kind of subversive in a superhero narrative. Where the hero is the one carving his own path without regard to social or societal rules, no fucks to give what anybody thinks of it. And the villain is a chronic people-pleaser.
Just based on Thad’s reaction to simple praise and affection from Max I really think Thad’s motivation has more to do with the response he gets than whatever the details are of any given task. He has no actual personal convictions beyond getting positive attention, and whatever he did have crumbled as soon as Bart’s friends laughed at his joke one time. Which of course leads into the core of his whole conflict at the end of Mercury Falling. He cares too much about Bart’s friends and family now, he doesn’t want to kill them, but worse than that, he’s faced with the sudden realization that he’s on the wrong side.
The Allens gave Thad everything he actually wanted and needed, but his conception of himself is inexorably tied to the Thawnes: who gave him jack shit. These two facts are in opposition to each other, and he can’t reconcile the reality of it.
Anyway all this to say, in an AU where Bart and Thad are raised together or Thad gets an actual redemption arc etc etc, I think my personal take on Thad’s personality whether it be pre-or-post-villainy would be one that is extremely socially conscious. He is much more of a people-person than Bart. Whether he's actually accurate in assessing people's feelings and how to respond to them can be hit or miss, but he wants to behave in a way that gets people to like him.
Pretending to be Bart isn’t remarked upon as, like, a difficult task for Thad. In his internal monologue he’s literally bragging to himself about how easy it is. But what’s especially notable to me is where his act differs from Bart's typical MO. Everyone notices, and lots of people comment, and presumably if Thad didn’t have the excuse of Max’s illness to “motivate” Bart to do better he would’ve been found out immediately. And those things are, specifically: paying attention in class, doing his chores, staying on task, and being helpful around the house. The one thing about Bart he chooses not to emulate is Bart’s rebelliousness.
Thad wants to prove himself, constantly, to whatever authority he respects (probably Max in this scenario) and will do whatever it takes to make that happen. In contrast to Bart, who only listens to authority when the shit they're saying actually makes sense to him. It’s excessively difficult to convince him to go against his own interests. (And I think a key part of that is Bart’s security in knowing that no matter how much he fucks up or doesn’t listen, the people he loves will always love him back.)
Thad’s got the people-pleaser in him that has to deserve whatever he’s given. It’s why he’s happiest when he’s given a clear goal or objective to complete, because it gives him an opening to prove himself.
All this to say that if we are quantifying Bart and Thad as a "good" or "bad" twin, in the eyes of every authority: Bart is the bad twin. Bart is the bad twin, Bart is the bad twin. Bart is the one who doesn’t care about school and whose grades vary wildly depending on his personal interest. He’s the one who goes off to do dangerous shit for fun and gets in trouble constantly and doesn’t do his chores and is thoroughly unconvinced by any authority figure trying to sell him bullshit. 
Thad is the one who needs to know all the rules just so he can experience the joy of following them. Relentlessly obedient. He'll put all his effort into doing all the right things that’ll endear him to whoever he wants to impress - meaning he’s the asshole who reminds the teacher about the assigned homework. Bart might be the most popular boy in school, but Thad is a pleasure to have in class.
Like Thad can (and should) still be high-strung and short-tempered and sarcastic and edgy and mean, because he is. But he can’t be doing all that without rhyme or reason. Colouring every interaction has to be that one-zero binary of ally or enemy. He needs to have somebody he’s proving himself to: a team he’s on and a team he’s against. He’s not an inherently rebellious character. He can go up against The Enemy, whoever he deems as such, but it has to be in service of a hypothetical future in which somebody eventually tells him he did a great job.
And in the interest of continuing to beat a dead horse, it connects to their respective upbringings. Thad and Bart were both raised in VR, but Bart’s experience had the side effect of basically hard-wiring him against insecurity. His world was a playground tailor-made for him, and he was never made to feel bad or insufficient about any aspect of himself. His first interaction with a real human person was Iris moving heaven and earth to save him, without him knowing her, without her knowing him, with no reasoning for the act needed beyond Being Her Grandson. Which is probably a significant factor in why Bart moves through the world with frankly atomic levels of autistic swag.
Thad’s VR upbringing installed self-consciousness in his psyche before any other personality trait. As in: he is immediately made conscious of himself and his relationship with everyone he will ever encounter. He’s told two things: he’s a clone of someone else (inherently derivative, lesser) and that he was made to be superior (a status to achieve). Which is such an instant clarifier for Thad’s everything. Where superiority is a condition that everyone either has, or does not. It’s the one-zero binary again: are they better than me or am I better than them. Being above others is mandatory, and if his superiority is ever challenged by hard evidence or god forbid nuance Thad’s brain physically cannot take it. He needs to be better, to be worse is unthinkable, and there is no other way to be.
And this status of better or worse is, crucially, not up to Thad to decide. He needs The Authority to validate him. Bart never tries to prove himself because he has nothing to prove. Thad’s entire identity hinges on the self-worth he gets from doing a Good Job.
It is such an inherent part of his motives in the Impulse comics canon, which is why it always feels a little off when he’s interpreted as a jackass indiscriminately.
Like I don't think he needs everyone to like him. But I do think he has either one person or a set of very particular people that he needs to like him. Everyone else is either in that circle or outside of it.
(Which is why Bart is such a great foil for Thad tbh. There is no set of words or behaviors that’ll change Bart’s opinion of Thad, because Bart is unaffected by obedience or charm. So ironically Bart is probably one of few people that Thad doesn’t bother to put on even a little bit of an act for.)
While Bart goes with his instincts, his personal beliefs and convictions at all times, Thad is hyper-conscious of big-picture goals. They balance each other out that way. Thad's keeping track of whatever expectations he has placed on him, and how his actions reflect on him and the team beyond short-sighted solutions. He's a team player. AND he's an asshole.
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deoidesign · 1 month
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A short comic I made for an anthology
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welcometogrouchland · 3 months
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Dick as Damian's third parent while also having bad parent Talia: stale, boring, relies on poor characterization of Talia. Yawn.
Dick as Damian's third parent with good mom Talia except Dick and Talia still hate each other: beautiful, talented, show stopping, never been done before, etc. They take Damian out for a day and constantly try to out do eachother in who can be the most fun. Dick takes him to the circus except the high wire act is actually the two of them doing an old Flying Grayson's routine. Talia takes him to the arcade and buys the cabinet for his favourite game right there on the spot (also she's surprisingly good at DDR. Dick gets demolished in a match with her). Damian's torn bc on the one hand he knows they're both losing themselves in the competition instead of just being in the moment with him but on the other hand. Richard and Mother are taking him to his favourite Lebanese restaurant where they plan to buy him an all you can eat buffet bc Talia thought he looked thin and Dick agreed bc he knows Bruce can't cook good meals for shit. So who is he to deny them their whims?
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theotherbuckley · 6 days
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It’s the way that Buck’s view on Tommy was so so so similar to Buck’s initial view of Eddie. Man doesn’t know how to deal with his attraction so he runs in the opposite direction and “hates” them (but can’t stop talking about them) until things finally blow up (injured Eddie —> kiss Tommy) or don’t (you can have my back any day)
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loveromeo1641 · 14 days
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I recently reinstalled tiktok and GOD it was such a jumpscare remembering how god awful the tiktok tdlosk fandom was compared to tumblr. Like jesus christ why is everyone so negative and shitty all the fucking time, do they not get like exhausted from it
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accio-victuuri · 2 months
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i can’t believe it’s only the start of the week and we have to deal with this. it reminds me of the roseonly x peace elite thing or the mendale incident. i shouldn’t even be surprised and that’s sad in itself, that it is considered normal for fans to control things like this. so my previous post was about the 10:05 kadian for Cotti’s post and all that. people got angry, and i know both sides hate each other and wouldn’t want any association. the other camp will say, he/company is using xx’s popularity etc. so the posts got deleted and comments on certain ones are hidden.
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i sort of get the “anger” and the feeling of getting betrayed from wyb fans because when wyb was announced for Cotti, they gave all out support. it even went on HS and really made a difference from the brand. but we can’t confirm it’s all so/os who brought in the money, but they definitely put the word out and made a trending topic that attracted people’s attention. so they expect the brand to be fully in their side. collabs like this tho, most likely have nothing to do with the cp or whatever. these are two independent companies. do i think cotti could have handled it better by not using 10:05? definitely. was it unprofessional? kind of.
as much as i cpn, i would rather have the boys not deal with any problems and boycott drama ( which their solos love to do btw, they love to flex that they can easily boycott a brand unless they give them what they think they deserve). i guess they didn’t know just how sensitive solo fans ( not just wyb or xz solo fans— this is in general ) can be. now they do. i hope fans don’t boycott the brand, but i’m seeing some of them posting photos of a different coffee chain. lol. just another day in the toxic c-ent fandom circle. 💀💀💀
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aurorangen · 2 months
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Thump. Thump. Vincent couldn't believe what he was hearing. He had a feeling there was something off about Isaac, with his constant questions about his personal life. If this was true, then all he intended was to get to know his brother better. He put a firm hand on his shoulder and looked at his face. Just like their Dad, they had similar facial features. Vincent wanted to clarify by asking him a question. The question was ridiculous, but it wasn't shared with the media during his disappearance. Only his family would know his habits, "What football club did he support?" Isaac turned the other way.
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"Arsenal. That bastard never missed a match!" an immediate response. He tried to hide his anger and gritted his teeth, "Look, Vincent. I lived as Isacco Romano in Italy. I worked my ass off there to become a lawyer" he paused, "Now that I've found you, let's uncover the truth and give our Dad the end he deserves." Vincent knew at that moment, that they shared the same goal. They were both certain that their Dad was still alive.
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skitskatdacat63 · 10 months
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2011 Japan Post-Qualifying
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uncanny-tranny · 1 year
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Sometimes, I'm sad about the hobbies I have abandoned or have been too intimidated to pick up. But... what good is it, to just beat myself up over that? My bass is sitting in the corner, patiently waiting, and so is everything else. My life isn't over, and I've got nothing to answer to. I'm wading through a sea of time, and I'll pick up the seashells that interest me, and it's okay to put one back in the sand. The current's waves will bring it back to me if that is to be destiny. I can not hate myself into productivity, so I must swim on.
I think the same can apply to anybody. It's okay if you have dropped something, such as a hobby or passion. Human beings are like that sometimes, it isn't reasonable for you to beat yourself into submission. You, too, can not hate yourself into being a well-rounded person. You must cultivate it like you would a garden - with patience, time, and care.
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lagosbratzdoll · 7 months
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On Daenerys, Colonisation and Race Discourse within the ASOIAF Fandom
This has been on my mind for a good long while and honestly, as much as I would like to leave discourse in the pits, it has been bugging me intermittently over the past few weeks.
Far too many of you get on here and call people who like the fictional dragon-riding family, neo-Nazis and that sentiment is so prevalent, that white people feel comfortable telling me a black woman that I am a neo-Nazi for rooting for Daenerys Targaryen. I am upholding neo-Nazi power fantasies for wanting to see a little girl live at the end of a story. I am a neo-Nazi for wanting to see the rape survivor have the family she aches for and children with the man (or men) she loves.
Then, those same people go on spiels about how the systemic erasure of those who sing the song of the earth and other old races is not colonialism. That their removal from their home is not displacement but an agreement between two equal parties. The fact that the only place where those who sing the song of the earth exist in the present timeline is north of the wall, surrounded by the bones of their dead, is not a travesty. That the expulsion of the old races from their home isn't that bad and should not be condemned. 
Instead, people argue, completely seriously, that the harm that the First Men and Andals have caused is centuries in the past, so essentially the slate has been wiped clean. The logical leaps that are required to arrive at such a boneheaded conclusion are truly mind-boggling, and those who make such arguments are not good people. 
I am unsure how one could read those books and come away with the impression that the old races do not mourn the loss of their home. I am unsure how one could read The Last of the Giants[1] and Ygritte’s reaction to both the song and Jon’s dismissal of the ethnic cleansing of the giants then believe that the old races and the free folk have moved past their displacement. 
In Westeros, from the Wall to the broken arm of Dorne, they all speak one language despite the fact they are all different ethnicities and they all landed on the shores at different times. That is not the case in Essos, we have been introduced to at least six languages and in A Dance with Dragons, Tyrion notes that the Valyrian spoken in the Free Cities has evolved into nine distinct dialects, and they are well on their way to becoming different languages.
How would a continent as large and diverse as Westeros maintain its hegemony over the people if not for forced assimilation, discriminatory practices and violence? The brutal repression required to keep one house in power for thousands of years is nothing to sniff at. The suppression required to keep the vast majority of Westeros worshipping one (or seven) gods. The systems in place ensure that language does not grow or evolve amongst the highborns at least.
Centuries before Aegon's Landing the maesters were the definitive educational authority and even now centuries after, nothing has changed. The grey rats still decide who learns what and when they learn it. There's one in every highborn home, all correspondence passes through them, they are the healers and the councillors.
The circular logic gets even more blockheaded when you factor in the fact that Daenerys is far from the only white character in the books. She is not the only character who wishes for home. She is not the only character who draws strength from her ancestors, her bloodline and her magical creatures. 
Cersei draws strength from her family’s iconography, and the Stark children (Jon included) all draw strength from their direwolves, their home and their blood. Sansa, Arya and Bran wish to return home and their home was built on the indiscriminate murder and displacement of the indigenous peoples. Their home is built on centuries of rape, murder, exclusionary practices and sexual slavery. 
However, if we give the nonsensical argument that time erases crimes air; the Starks, Lannisters and Tullys are warring to settle personal grievances in the present timeline. As a consequence of that war, thousands (a modest guesstimate) of small folk, minor nobles and even some major ones have been raped, tortured, maimed and killed.
Despite all this, no one writes meta after meta about how Sansa and her siblings must surely die for justice to be had for those who sing the song of the earth, the free folk, the giants and all the old races that fled beyond the wall.  
People write meta about Cersei and how she must die, but those are typically more misogynistic nature. They typically argue that she must die not for the “crime” of being Lannister, but for the “crime” of being Cersei and “ruining” Jamie. 
I would not mind criticisms of Dany and her peace-focused approach to ending slavery because the approach is naïve and she gives the slavers far too much ground. However, she is learning, growing and self-critiquing. At the end of A Dance with Dragons, she has decided to embrace fire and blood, her knight is breaking the false peace which is a necessary step forward.
What I find offensive is people saying that she should have planned better before she abolished slavery. And that the death, violence, and sickness that arises from her quest to eradicate slavery is somehow worse than the death, violence, and sickness that already existed in Slaver’s Bay. 
This argument often downplays the horrific conditions and suffering that exist(ed) under the slave system in Slaver's Bay. Such arguments are often in poor taste and prioritise the lives and comforts of the slavers more than the people they have enslaved.
I would not mind criticisms of Dany if people applied that same critique even-handedly. The same people who believe that Jon and Bran have done much to rectify the evil that their ancestors perpetuated believe that Dany has not done anything to right the wrongs of her ethnic kin. They praise them for the non-existent steps that they have taken, but in the same breath, they condemn Dany for not being able to immediately end the plague that is slavery. 
It is perfectly alright to not like fictional characters, no law requires you to like certain fictional characters over others. However, what is not right is making broad accusations about those who do, it is beyond the pale. It is disgusting, and annoying, and trivialises real-world issues to score cheap points against fictional characters.
Equating the survival of a teenage survivor to the restoration of a fascist house or neo-Nazi power fantasy when such designations do not exist in the world of ice and fire is strange behaviour. Saying that the teenage survivor will eventually be manipulated and raped (again) before ending up dead on her manipulator's blade is also strange behaviour. 
Dismissing the horrors of colonialism, especially when the text shows you that the involved parties are still affected by it, is not normal and often veers into real-world imperialism apologia. While criticism and analysis of characters and their actions are valid and even encouraged, it is essential that we do not resort to sweeping generalisations about other people and that we keep criticisms of characters grounded in the text. 
[1]  
Ooooooh, I am the last of the giants, my people are gone from the earth.
The last of the great mountain giants, who ruled all the world at my birth
Oh, the smallfolk have stolen my forests, they’ve stolen my rivers and hills.
And they’ve built a great wall through my valleys, and fished all the fish from my rills
In stone halls they burn their great fires, in stone halls they forge their sharp spears.
Whilst I walk alone in the mountains, with no true companion but tears.
They hunt me with dogs in the daylight, they hunt me with torches by night.
For these men who are small can never stand tall, whilst giants still walk in the light.
Oooooooh, I am the LAST of the giants, so learn well the words of my song.
For when I am gone the singing will fade, and the silence shall last long and long.
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bc its hot out im thinking about Laughingstock (two fluffy boys) being too warm to sleep in the same bed. so they start arguing over who gets the bed - trying to give it to each other of course - and Howdy. Howdy starts making a sales pitch about how great the bed is, wouldnt Barnaby like to try it? its right up his alley! perfectly suited to him! so Barns is like "oh hm well sure ill give it a go". he lays down. blinks. "heyyyyy wait a minute" but Howdy is already camped on the living room couch, smug as a bug
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supermusicallee · 1 year
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NO other show in existence understands sister dynamics better than fleabag. especially from the perspective of older sisters i believe. having the same character yell "...you're fine! you'll always be fine. you'll always be interesting, with your quirky cafe and your dead best friend. you just make me feel like i've failed," AND "the only person i'd run through an airport for is you" !!!!!!!!! it's insane and it's exactly how i feel
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elitadream · 8 months
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Hey do you want another angsty scenario? Mario and Luigi get called off to another adventure while Peach stays back and watches the kingdom....except the brothers just don't come back. She sends out search parties, contacts other kingdoms, nothing. Did they die? Did they go back to Brooklyn? Did Mario abandon her for someone else? It keeps her up for weeks, months and absolutely wrecks her.
Omg... ;_;
I can picture what such an ending would be like. Months after having chosen to stay in the Mushroom Kingdom to start a new life there, the brothers would one day hear of a strange surge of energy being spotted near the oustkirts of the realm, causing a mild fright to the local fauna. Curious, they would decide to go and investigate.
"Are you sure you don't need me to accompany you?" Peach would ask, casting Mario an insistent glance.
"Not to worry, Princess! I'll watch over him," Luigi would chime in with a wink, ruffling his brother's hair on his way and hefting their toolbag over his shoulder. Mario would mutely follow, his gait however slightly more hesitant than usual.
"Be safe!" The Princess would call after them, feeling inexplicably unnerved at the sight of them leaving.
Mario would stop at the door, pausing to give her a reassuring smile. His deep blue eyes shimmering in the morning sun, his expression one of tender affection and gentle regard.
"We'll be back before you know it, I promise."
And with a small parting nod, he would turn and exit the front gate.
...That would be the last time Peach ever saw him.
No one had believed the magic portal would ever return. But it had. And with its final, abrupt vanishing, it had taken everything from her. 🥀
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