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#those are evil versions of the boys
eugeneplace · 3 months
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One more time!
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I bet you can't guess who found the first designs of these guys and almost had a heart attack~
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It was me, I almost died. GOD This things were a disaster! AND I CAN SAY IT! it was my work, guys, and now I can see it wasn't a very good one.
Rafa's design was to much and Leo's to little. Mikey's design was a bunch of unrelated concepts. I think Donnie's was the only one that worked, but- the colors
So yeah, Redraw Time
I mean- don't get me wrong, I'm proud of my past self and all that- BUT! Since then... I have... gathered new knowledge (rubs my hands maliciously)
So here we are! New looks for @greatlyblessed boys!
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Hope you like them ❤️
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merr-murr · 1 month
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Human Vox !!
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Bonus Doodle -- Someone get him some contacts, he's scaring the hoes....
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thebluestbluewords · 4 months
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happy holiday break, let’s talk class schedules
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According to the Secrets of Auradon Prep tie-in book, AP runs on a rotating block schedule. Six periods per day, plus lunch. Pretty reasonable for a high school class schedule.
Homeroom once a week feels a little weird to me, but after an unofficial poll of some friends, it’s apparently not too uncommon for American high schools to only have it at the start of the week.
It’s sort of nice that the students get a study period every day, instead of having their free block/study block worked into the rotation with the rest of their classes.
In Mal’s Diary, we get another look at her schedule.
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She’s in most of the same classes as the sample from before, but no chemistry class. Is Mal not interested in chemistry, or did Fairy Godmother decide it was more important for her to learn about evil fairies instead? Are there other “cultural history” type classes for other students, or did Fairy Godmother and whoever planned the class schedules for the other VKs just decide to pile on allll of the history/social studies classes for the VK to educate them in the ways of Auradon?
I think it’s funnier for me personally if Fairy Godmother received transcripts from Dragon Hall, looked at the VKs’ classes so far, and decided to say ‘fuck it’ on math and science classes, what these kids need is Auradon cultural education. Woodsmen, Fairies, Auradon History, and straight-up Goodness 101. One singular math class will take care of the rest, they’ll be fine.
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chaoartwork · 8 months
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Just sketches of a dubious little creature getting up to mischief.
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rosalinesurvived · 10 months
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Teen Wolf’s Mason Hewitt-while mainly a side character-undergoes a character arc which subtly conveys to the audience about the deconstruction of goodness and purity-perceived, internal, or real within him; both on a morality scale: such as his eventual murders of innocents and his acceptance of “with the bad guys Corey Bryant” but also on a deeply personal scale, as he is revealed to be the Beast–thus fully entering the world of supernaturals, something considered to be cruel and evil within his pack after being the only human within it-and hosts Sebastian Valet in his mind. Furthermore, the reveal of his absorption of his twin at conception, thus being a genetic chimera after they were considered by him to be a bad guys implicates him inside and shatters his code of morality as he previously states he would rather die than be with the bad guys and yet is revealed to be a so called “bad guy” proving to the audience that his arc is largely centred around the meaning of morality, and humanity and goodness, and yet also the darkening of a person however unwillingly. In this essay I will–
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fionnaskyborn · 4 months
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one day when i am not busy dying on the inside and out i will write an honest-to-god essay about how people are, for the lack of a better descriptor but simultaneously for the lack of a more perfect one, too edgy about five.
#like yeah five is an edgy game and the darkest in the series and gloomier than all of its predecessors but. i lack the words for it now but#there are important little moments in five where light shines through the carpet haphazardly thrown over a pile of garbage that oft get#ignored in favor of pushing the agenda that everyone in five is filth down to the core and that's just not true#i just- deeeeeeep sigh. people are so shallow sometimes man#this is how we get those characters that do not resemble the original in the slightest that either take one trait of the given character an#then bloat and exagerrate it until the character is a caricature of themselves OR projections of what the people would like these character#to BE in order to... be able to wrap their heads around them and their motivations more easily‚ i guess??#i don't know it feels to me like people just don't want to bother with the intricacies of complex characters and that's how the wood plank#versions of characters get created and then passed around ad infinitum#sweet grouchy baby boy who never did anything wrong ever. man who is either an innocent little big guy or satan himself. guy who is#objectively one of the most flawed individuals in the series being worshipped as a hero (griffith syndrome). guy who is either depicted as#an obnoxious playboy who only cares about getting laid and having as much skin exposed as possible at all times or the most vile man on#planet earth while being neither. the fucking. masochist cyborg thing. i'm gonna explode#oh and if you point out that there needs to be depth to any analysis of these characters if you are to do them justice you end up with a#gaggle of people saying oh yeah of course everyone in here is awful and they all have pig hearts#and i'm just wondering why this is the default conclusion most come to and not‚ you know‚ the thought that complexity does not inherently#imply rottenness but rather that even in the most horrible of situations you can find something good#i'm not the happiest or the most fortunate of individuals but i still refuse to believe in the idea of inherent evil that's being sold for#cheaper than a copy paper pack these days#but that has nothing to do with this my point is if you're trying to do media analysis you've got to look beyond... i don't have a word for#this... i guess you could call them fanmade stereotypes? no that's not it‚ my point is that people need to open their eyes to how complex#motivations and circumstances and human connection are and face that complexity head on instead of rubbing the story with sandpaper until#it's satisfiable to them#logs
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i really like young jade and young billie as the netflix subtitles like to call them, i like their dynamic
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lgbtlunaverse · 25 days
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This page from the adventurer's bible makes me want to cry
Like basically any neurodivergent dungeon meshi fan, I see a lot of myself in the Touden siblings. But I was blindsided by just how much I suddenly related to Falin in this little comic from the adventure bible's complete version.
It's about the Touden siblings' differing relationships with their parents, and why Laios still holds their treatment of Falin against them, while Falin herself doesn't.
We know that Falin was isolated and ostraziced by their village after she saved Laios from a ghost, displaying her uncanny affinity for magic. Her parents, instead of defending her, sent her away, which angered Laios so much he ran way himself before Falin even left for magic school, hoping to make a living so he and Falin could live together alone.
He tells Marcile this, but when she goes to Falin, she says she sees things differently. Her father sent her to magic school to protect her form the rest of the village without having to cause a conflict. He didn't explain that, and we actually see her burst into tears when he says it.
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But, well... Laios was gone for a year before Falin went to magic school, and everyone else in the village avoided her. The understanding Falin has with her parents to me looks like one borne out of necessity, she literally didn't have anyone else to talk to.
And this is where we get to the page that made me want to cry
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Like I said, I relate to the Toudens because I'm neurodivergent myself. that feeling of suddenly realizing you're disliked, but not knowing what you did wrong or what you should have done instead? Yeah... that's one I recognize.
When I was around 9 years old, the same age Falin is in this comic, a bunch of kids in my class decided to make a "game" where you lost if you touched me. It was basically the 'cheese-touch' from diary of a wimpy kid, except I always had it and couldn't pass it along. They'd pretend I was poisonous or disgusting and run away from me screaming or gagging. The point was to make fun of me. But my autistic little 9 year old ass thought "Oh I get it! It's tag but I'm always it!" So I... played along. Running at a boy and having him fall on the ground screaming in fake pain because you tapped him is, in isolation, pretty funny.
It wasn't until months into the "game" that I realized it was meant to be meanspirited. That the reason I was the one who was always 'it' wasn't an arbritrary rule but the whole point. Because I was weird and gross. I wasn't in on the joke, I was the punchline.
Falin may have come to understand her parents' intentions, but she didn't always. The adventure bible actually tells us that she at first didn't even notice that the rest of their village disliked her. She clearly knows now, but she had to be told. So when her mom tried to exorcise her, she just saw it as an activity she got to do with a mother she usually didn't get to spend much time with because of her poor health. It's only Laios who notices something is wrong.
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(Sidenote, Laios being hyper-aware of people's poor attitudes towards Falin but completely blindsided when he's in the same spot, like with Toshiro, is also very relatable as an eldest sibling)
It probably also took Falin months, until after her brother had left and she had no one but her parents, to realize why her mother had been doing all those things.
And I know they're not the same. Even misguidedly, Falin's mom was trying to help her, not make fun of her like those boys in my class. (Though, as a queer person who also cares a lot about the queercoding in Falin's storyline, a parent trying to 'exorcise' their child of a fundamental part of them the parent thinks is evil or corruptive? yeah... that's not perfectly wholesome)
But do you know what I did, when I finally figured out the game was always meant to make fun of me?
To me, it looked like I had a choice.
See, those boys eventually figured out I didn't understand that they were being mean to me. I'd laugh every time I managed to catch one of them, I was visibly having fun. And while it no doubt only made me more of a weirdo in their eyes, they never informed me that I shouldn't be enjoying myself. That the point was for me to feel hurt.
So now that I did know, I had a choice. I could either get upset, and let the insult land as it was supposed to. That wouldn't stop them, because making fun of me was the original goal. Or I could ignore it and go on as usual. They had already accepted that I didn't get it, and they weren't gona stop me from having fun, so why should I?
And the thing is that I had... one friend, in that whole class. One person who actually liked talking to me and hanging out with me. I was lonely. And the 'game' provided me with another social interaction, mean-spirited as it was, that I desperately needed. And it was so delightfully simple. Navigating actual friendships as a kid with autism and adhd was so fucking complicated, and I'd never know when I might break an inivisble rule. But I knew the rules to the game perfectly!
Sometimes, if I was chasing one of them, the others would trap him and hold him down so I could tap him. In those moments it actually did kind of feel like I was playing with them, rather than against them. And it didn't change much, they didnt start actually liking me. But they were willing to roll with the fact that I wasn't upset, and I took advantage of that because I needed to.
So you can look at Falin seeing the best in her parents as her being naïve, but I look at this page and I see myself, at first unable to differentiate between playing and being made fun of. And then later, when I did see the difference, deciding not to get mad about it because that'd mean losing that social interaction, and I couldn't afford to.
Like I said, Falin probably first realized this in the year she spent with her brother gone, and everyone else avoiding her like the plague. If she refused to talk to her parents, like Laios did, she'd have no one left.
I see a lot of people relating to the fight between Laios and Toshiro. that frustration when you realize someone you thougth was your friend actually hates you, and they never said anything, never gave you a chance to fix it because you had no idea that you were even doing something wrong! And I can see that, too. But sometimes, when people don't fully hate you, it feels better to go along with the pretending. Because adressing it won't fix it. Because the problem isn't a specific behaviour, it's you. And if they're willing to tolerate you, despite the fact that it's you, then you'll take it. Because other people do hate you, so this is the best you'll get.
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dcxdpdabbles · 8 months
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Cave boy Danny has way to much fun fucking with the bats after a while. Jason is too until Danny bites him after some unwanted human contact. Alfred gets a big wave of nostalgia when Danny does it too.
Danny can say that the Waynes have been ridiculously welcoming, all things considered. He still hasn't come clean about not being Bruce Wayne's alternative double, so to throw them off from finding out the truth and have a safe place to crash- he's missed plumbing- he has been invited to the Wayne Manor and has been lazing about when under their watch.
If there was one thing apparent, it was that Bruce Wayne did not laze about. It was mind-blowing to those who knew him to see Danny- a version of Bruce- act like walking across the room for a remote was too much work.
It drove them mad to see such a difference between them, and thus, none of the Waynes noticed Danny's side project to get home.
The Waynes gave him a giant room and helped set up a fake Identity for him while they worked on getting him home. To the public, he was Danny Kane, a long-lost relative recently coming to Bruce for help.
Thanks to the support of Jacob and Kate, they agree to make it seem that Jack Kane- Danny's made-up father- was the result of Bruce's material grandfather having a fling after his wife's death. Jake was hidden from the public eye but had his father's financial support until he was an adult.
Jack was never bitter and told Danny stories of his wayward father, filled with love to prove it. These stories inspired Danny to seek out the remaining Kanes after Jack's untimely death, which led him to Bruce as Martha Wayne nee Kane's son.
The day Danny would be sent home, the Waynes would fake his death, and no one would be the wiser that Danny Kane never existed.
Fine by Danny
. He only planned to stick around long enough to get his ship ready and pinpoint a location that had the vile between the living and dead thin enough to slice his way back to the Ghost Zone.
Unlike Wulf, who could open portals wherever he wanted, Danny had to find points weak enough to punch a hole through. He knows his parent's portal was way out of his set of skills, and he sure as hell wasn't going to give anyone the idea to build their own here. Two percent of portals were already two too many.
He mostly hung around the house- with someone always close by in a poor attempt to hide the fact they were watching him. Most of the time, Danny was either lazing around the house, eating and sleeping, and it felt like a costly vacation.
He refused to help on the coms when the Bats went out to kick ass, even after Dick offered to sit in front of monitors and relay information to the heroes like he was offering the chance of a lifetime.
This seems to disturb everyone else in the house except for Alfred.
If anything, the fact Danny straight-up refused to put on tights and rush into night to fight crime made Alfred adore him. The butler claimed he was worried everyone in the family would forget what everyday life was supposed to feel like.
A few Waynes couldn't seem to wrap their heads around the concept.
"You're not interested at all?" Tim asks, eyes narrowed. He was among the few who thought Danny was suspicious for not wanting to risk his life to fight the corrupted system.
"Nah, man, I'm good here. I got my nachos, I got a movie room and I got the softest bathrobe ever bathrobe." Danny snuggles more profoundly into the pink plush robe that Steph had lent him. "Why would I want to ruin any of these? Sides, I can't even throw a punch."
".....There has never been a single alternative Bruce Wayne that wasn't involved in this life in some way. If not as a hero then he was a villain. Bruce as a villain is one of the most dangerous things that can ever happen across the multiverse" Tim reveals grimly. "We've won every single encounter but only by the skin of our teeth."
"Damn. Let me guess. You guys beat the evil Bruces by sending his kids after him."
"Yes."
"Problem solve. You already know you can kick my ass, so if I try anything, you can take me out, right?" Danny doesn't wait for a answer. He turns away from the teenager to stare at the movie screen showing his picked movie. "I can do nothing but tremble before your bat might."
Tim steps into his line of sight. "I mean it. You do anything to harm this family and will regret it."
"Does that mean I can't bite Jason again? That sucks. It's the only way I can get him to stop trying to drag me to galas. He wants to scare the other rich people with my poor people's manners."
Tim's lip twitches and Danny knows he's fighting to keep his face under control. "You didn't have to lock your jaw in like that."
"I really did. Jason tested me."
Tim tilts his head. "You don't really feel like Bruce. You look just like him at fifteen. Alfred says you act just like him. But for the last three weeks, you've been trying really hard to make it seem like you're okay with doing nothing."
"I am comfortable doing nothing."
"I think you're lying," Tim says, moving closer to stare down into Danny's eyes with frankly a manic glare. Danny's core flares up with the sense of challenge he finds in that dark blue gaze.
Which is a first for a human, and frankly is terrifying. If Tim had been a ghost he would have easily been an Ancient assistant or a baby Ancient. He has to be able to match Danny's power like this. Holy shit.
"I think your parents didn't give you enough love as a child, and now you seek approval from everyone around you while trying to push everyone away because you are too scared to make yourself valuable. You find yourself in an endless loop of self-doubt and self-hate by doing both simultaneously." Danny blurts. He watches Tim freeze, then winces. "Shit, sorry, the psychoanalyze came out as a reflection. Forget that."
Tim is still frozen in a way Danny recognizes as someone hearing something challenging to come to terms with. This is why he needs to break the habit of using Jazz's psyche training as a weapon.
He forgets not everyone insults each other with their deepest insecurities. That's just how he and Jazz love.
"...Do you want to watch the Grey Ghost Marathon with me?" He asks after a long pause. Tim closes his eyes before plumping down next to him.
"I like that."
Neither mention Jason, who is gasping in the last row of seats and attempting to suppress muffled laughter behind the wrist cast that Danny lovingly gave him at the last gala.
On a side note, Danny Kane is called "Rabid Dog." by the elites of Gotham, who watched the boy make three grown men cry after two minutes of talking to him and also witness four Waynes attempt to pry his mouth open screaming, "No Danny drop it. drop it!" while the boy munched on Jason's wrist.
No one has noticed that half of the tech has disappeared.
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betaphannie · 29 days
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Dan and Phil April Fools Day Predictions:
Video where they fully commit to the cat boy aesthetic and mew the whole time
Found-footage horror film where we discover that the Crafty versions of dan and phil live under their house
They announce that they adopted a dog and share a pic of it and it's a wild coytote
1-1 recreations of their coming out videos but this time they're coming out as straight
They announce the gaming channel is going back on hiatus (evil)
They do one of those NPC TikTok livestreams for 10 hours
They change their Twitter accounts to mimic phannie accounts from circa 2015 and post shit like kissing edits and imagines
They do absolutely nothing and leave the phannie hivemind to scavenge the internet for a joke or jape and slowly go insane
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lizzieheartsfanclub · 9 months
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The most effective thing about Ever After High is that every student has their own personal struggle that adds another element to just how life-ruining the destiny system is.
Apple is so terrified of what will happen to her if she doesn’t follow her destiny, that she is willing to compromise everyone else’s happiness to make sure it happens. This disregard for other people is only encouraged by the influential adults in her life.
Ashlynn has to be a servant to an abusive family and live knowing that the ultimate end to her supposedly happy ending is dying to set the stage for her daughters traumatic backstory, starting the whole cycle over again with no chance for any of them to escape.
Blondie feels so pressured to fit in to a deeply classist/monarchist society and ashamed of her parentage that she constantly presents a fake version of herself to everyone she knows, even her best friends.
Briar has to spend her whole life waiting for the moment her destiny comes and she falls asleep for a century. She knows that when she’s woken up, she will be forced to marry a boy dozens of years younger than her who she’s never met and live knowing that everyone she ever loved is dead and gone, the very things that she watched cause her mother’s emotional breakdown.
Cedar’s father was so afraid of watching her repeat his mistakes that he overcorrected, making it impossible for her to ever learn lessons for herself. She is also forced to share incredibly personal details with anyone who asks her questions, and can’t be trusted by her friends with any of their secrets, and it’s all because of her father’s past trauma.
Cerise has to hide who she truly is and never gets to see her family together and happy despite the fact that her parents have potentially the most healthy and mutually beneficial marriage in the whole franchise.
Daring was groomed from birth for a destiny that ends up not actually being his at all, leaving him aimless, feeling as though he has no purpose and has wasted his entire life.
Darling is forbidden by patriarchy and destiny to become a knight, the only thing she really wants, and at which she would be better than both of her brothers. She has to hide who she is and what she loves from everyone she knows
Dexter lived his whole life never knowing what his destiny would be but also knowing that whatever it was he’d have to commit to it forever the moment he discovered it at Legacy Day.
Duchess has spent her whole life knowing that the story she’s commited to living out ends in tragedy for her, and then had to watch the very people she’s been jealous of for years because of their seemingly happy endings give up those endings, while Duchess, loyal and rule following Duchess, is still stuck with her tragedy.
Faybelle tries so hard to commit to what she sees at her destiny that she’s never had a real friend in her life. Even still, no one recognizes her for all that effort and all she’s given up to be a suitable villain. Everyone is more afraid of Raven, who doesn’t even want to be evil.
Hunter has to constantly go against his moral compass to fulfill his destined role as a Huntsman and to try and make his father proud of him.
Kitty has been taught over and over again to value her Mother’s approval over all else, even at the expense of her friends. Her destiny is to create mischief, but how much more mischief can a dissolving world take before it’s too much?
Lizzie finds it almost impossible to express love or care for anyone else due to her mothers excessive conditioning that’s nearly akin to brainwashing. The saddest thing might be that her mother is actually, in her own way, trying her best to prepare Lizzie for a world that will only ever see her one way—as a villain. Now she lives in Ever After, princess to a kingdom that might not even exist for much longer, having given up everything for a destiny that may soon be impossible.
Maddie is a refugee forced from her home into a world she barely understands at a tender age. But she cannot express any angst or negative feelings about this circumstance, because to do so would go against her character. She lives in a world obsessed with destiny and stories while not even knowing if she’ll ever be able to return home and live out her story.
Raven is judged by almost everyone around her for her mothers crimes, many of which were required of her by destiny in the first place. She is nearly forced to commit to becoming a tyrannical megalomaniac (and almost falls into it herself, several times) who would be sentenced to lifelong punishment and torture for committing acts that weren’t even her idea in the first place, and the one punishing her would have been the very girl who begged so often for her to stop being so difficult and just follow her destiny.
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deadsetobsessions · 2 months
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What’s in a cape, but the hopes and dreams of the one who bears it?
What’s in a cape, but shelter and warmth for those that receive its protection?
What’s in a hero suit, but a person that’s determined to die in it?
——
Long before Danny Phantom died in his hazmat suit, Bruce Wayne donned his cowl to dive between Gotham and the bullets with faces engraved on them. His cape began to signify fear, for those that harmed Gotham knowingly. But for the rest, it became a sign of protection, of promised vengeance against the crime committed.
And for a select few, the cape was a shelter during cold and rainy patrols. For Tim Drake, the third Robin, it was a warmth he’d never experience past those moments.
When Danny Fenton became Danny Phantom, he’d had wanted to have a cape like the crusader.
Danny wasn’t sure if he wanted to shelter or be sheltered.
But eventually, as things escalated and Danny found himself with less time for normal, personal things, that wish shuddered to an ember. After all, Danny had learned that he doesn’t get the luxury of protection. Not anymore. Which meant he had to be the one doing the protecting. A thousand miles away, as Danny came to terms with it on a clear Amity night, Robin was huddled beneath Batman’s cape to shelter from the pelting rain that came often with Gotham’s gloom.
When Danny got pulled along, invisible and attached to Robin’s side as the vigilante got thrown into a prison, he witnessed Robin talk to his evil older Batman self.
He’s visible again before he knew it, startling the two versions of Robins. Ice slammed into the Robin that became Batman as memories rung through Danny’s head. Where Robin was, stood himself. Where the Evil Robin Batman laid on the floor, covered in glowing ice, was Dan.
Danny died, and became a hero. He just had the unfortunate luck to live to see himself become the villain.
He would never allow Robin to go through it alone, not when Danny had his family and friends to fall back on. Robin, in this cage, ripped away from his team and in the midst of an argument with Batman, was painfully so.
“I’m Phantom.” Danny introduced himself. “Looked like you were in a bit of a spot. I’m sorry for butting in, if you wanted to take care of him yourself.”
“Robin.” Robin was wary. That’s okay. “How are you here?”
“That one’s on you, actually.” Danny glanced around. “Let’s get out of here before edgy future you wakes up. The ice won’t melt, and it’ll be hard to break, but I honestly don’t want to stick around for him to wake up.”
“Can you move him?” Robin eyed their cell contemplatively.
“Sure.”
——
“That seemed personal, earlier.”
Danny nodded. “Yeah. Had the displeasure of meeting an alternate evil version of myself that lost everyone I loved. Kind of hit a sore spot there.”
“…right.”
“No worries, you’re good. My friends and family promised to stay away from explosive sauce.”
“That’s good. So… where do you live?”
“Wouldn’t you like to know, weather boy?” Danny somersaulted in space next to Robin’s jerryrigged space ship. “Anyways, we’re friends now, so I’ll make sure you don’t live to see yourself become a villain.”
“See, that sounded like a threat.”
“It’s not! I don’t kill! And besides, if you were dead, you’d probably be a ghost, and you’d kick my ass for killing you!”
“Are you implying you’re dead?”
“Not an implication. I’m dead. Kind of. Half. I’m still breathing even if I kind of don’t need to. So, where are your friends?”
Danny will be damned before he let his new friends die in their suits, even if they make the job incredibly hard for him. After all, there’s only room for one dead hero on the team, and that’s him.
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celaenaeiln · 8 months
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thinking about some quotes i’ve read and i wanna hear your thoughts on them because i have a lot and i don’t know what to do with them.
“the day Dick Grayson turns evil is the day the universe ends, not because that day will never come but because the boy will make it come”
“Dick Grayson isn’t the universal constant of good. Dick Grayson is the universal constant of competence”
“So, having said all that, it is a few but definitely significant words that fill the contingency plan on Nightwing in case the hero of Bludhaven ever turns to the dark side. Let's hope that never happens.”
YESSSSS
“the day Dick Grayson turns evil is the day the universe ends, not because that day will never come but because the boy will make it come”
This is the truest fact I've ever heard because this is really canon.
Word for word this happened.
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In one of the canon timelines Clark laser blasted Bruce under mind control.
And oh how Dick took over. You know what Luthor says?
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"After all, as I've heard your father [Dick] so often quoted, 'we make the hardest decisions for those we care about the most.' Well, in his case...that has meant remaking the world."
This man has the power to single-handedly control the fate of the world.
Whatever he wants, he will make it happen.
The entirety of the justice league, all the metas, heroes, and villains too stood no chance against him.
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DC vs Vampires
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“Dick Grayson isn’t the universal constant of good. Dick Grayson is the universal constant of competence”
I think it's true.
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Nightwing is one of the most formidable figures in DC, without fail consistently coming out on top, so if Superman is iterating that Dick's personality and essence of being is the same, then there's really no room for disagreement.
But more truly, I think he is a Nexus.
By Marvel's definition, "Nexus Beings are rare individual entities with the ability to affect probability and thus the future, thereby altering the flow of the Universal Time Stream. These beings, each referred to as a nexus, act as the keystones of the Multiverse and are crucial to its ultimate coherence and stability."
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That means that the universe hinges on the actions of Dick Grayson.
Not only does he control the fate of the world but his mere existence determines what will become of it by other people:
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I'd like to reiterate that Neux Beings are "the keystones of the Multiverse and are crucial to its ultimate coherence and stability."
You can still be a nexus if you turn dark. For example Lore was a dark version of Wanda Maximoff but she is still considered a nexus. So you're right in saying that Dick Grayson is a multiuniversal constant of competence.
“So, having said all that, it is a few but definitely significant words that fill the contingency plan on Nightwing in case the hero of Bludhaven ever turns to the dark side. Let's hope that never happens.”
In the easiest terms as someone put it, "hope he fucks up" is Bruce's only contingency plan against Nightwing. The man doesn't have a clear plan how to neutralize Nightwing.
His exact words are: "As a result of overanalyzing any situation, this allows Dick Grayson to overconfident and misdirected. This will make himself open to a second attack."
So the plan is basically 'Dick is too smart for his own good so we'll have to go with a lucky surprise attack.' He's literally saying 'yupppp. Let's just hope he messed up because there's nothing we can do on ouR end.' Note that Bruce doesn't even have a back up like 'the second attack didn't work? we're fucked.'
For everyone else he actually has a coherent plan in mind- do this and they will fall. But for Dick? 'I hope he messes up enough for a second attack to actually stick. Otherwise we're shit out of luck. And lives. Fingers crossed he doesn't jump to the bad side.'
Tim also confirmed he would never make a contingency plan for Dick. The only person in the world he wouldn't do one for.
He's just that formidable of a man. Even now he can easily take down the Justice League if he wanted to.
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And we know that Dick has one of the strongest wills on the planet.
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"I have my enhancements. I have powers. Dick Grayson...what do you have?"
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A world where Dick loses his emotions is a world that would not survive.
1K notes · View notes
devilmademewriteit · 1 year
Text
Ultraviolence
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pairing: raider!joel miller x fem!afab!reader
summary: thank god—a handsome stranger saves you from the grips of a pack of cruel, cruel men. unfortunately, said stranger, joel miller, is cut from the exact same cloth as the rest of them.
warnings: oh. boy. rough sex/smut (fem penetration, fingering, cum play if you squint) so 18+ only content; fem!afab!reader; raider!joel; canon typical violence; mentions of hair pulling/reader having long hair; light dacryphilia; age gap; pet names (baby, darlin’, sweetheart, girl); slapping, spanking, choking; !!!NONCON!!! (sexual violence/assault, coercion, allusions to more sexual abuse—Dead Dove, Do Not Eat y’all, protect yourselves).
word count: 4k+
no use of y/n in this fic
alright y’all!!! here is the non-con raider!joel fic!! stay tuned for the version coming out soon wherein Joel actually rescues the reader LOL join the taglist to be notified when I post it!!! y’all’s requests will quite legit be the death of me BUT this was fun to write so im not mad. this version is just purely depraved & Joel ‘Big Dick’ Miller is a mean mean man. wrote it pretty fast too so b nice 2 me.
love u all, sorry for searing your eyeballs:)
-em<3
The stucco prickles and tears at the flushed skin of your cheek, a reminder that it’ll be winter soon. The birds are sure of it, and most of them managed to get away before the frost stood a chance of nipping them.
You didn’t.
After a few years of non-stop struggle, losing everything but your own life, you figured there were worse ways to go. At least you would be… well—you, in the end.
In whatever shape this man and his leering group of accomplices left you in.
“Against the wall,” and his voice had been the crack of a whip, snapping by your ear as electricity shot up and down your spine, as the tingling realization that the chase was over—the jig, up—settled into your bones. “Spread your fuckin’ legs.”
There were more hounds around… waiting.
Always waiting.
They’d already gotten to your old, tattered clothes. The brisk air bites at your exposed skin, but at least the cold would account for the violent shivers wracking your limbs. Even as the beast pins you to the side of the decrepit house, forces himself between your knees, your primary preoccupation is to stifle your fear.
They’d get everything else on display—but they would never get to see that.
When the screaming starts, those confused grunts, huffs, and squelches of a blade carving into flesh, you mostly commend your own imagination:
“I did it. I’m in my happy place. This will be quick, then.”
But then a rough, unfamiliar hand grabs hold of your naked waist, flipping you around, slamming your spine against the frosty stucco.
This is real.
And you bear witness to his carnage.
He painted the side of the house into a mosaic of inter-mingling blood, splattered like a Pollock against the grass, the wrinkled clothes and the rugged face of your salvation.
His eyes rake over your still-trembling body before he wrenches a red-coated knife—never breaking eye-contact—from the throat of the man you’d been at the mercy of just a few seconds ago.
Blood gushes up from the fatal wound, and you both watch the cruel scene, mesmerized. The attacker’s eyes dull, all evil dissipating from that once-ferocious gaze. The rescuer’s big, wide hands flip him over, stripping him of his stained beige jacket. Then, he carelessly kicks the lifeless form face-down onto the yellowing grass.
“Put it on.”
You uncross your arms, snatching the coat from the stranger’s extended hands. It doesn’t bother you, its belonging to him.
He’s dead; you get his coat.
A fair exchange.
He keeps an eye on you as he sorts through the pickings: a few strips of dried meat here, a loaded gun there (two bullets in the clip—you watch as he checks), and a few good blades, stashed inside pockets, bags, and down shirt-fronts.
The man straightens up.
Tall.
“Get in front of me,” his low baritone strikes you, causing your knees to concede to a slight wobble. “You run, you die. Got it?”
Texan.
Slowly, you nod, and a firm grip circles your wrist, tearing you from the wall.
“Walk.”
Your heart hammers—near deafening in your ears—as the stranger stalks behind you, directing your trembling movements with brusque, snapped commands.
Finally, the scattered orangey-red leaves begin to multiply, the domestic remnants of a past civilization thinning. The neighborhood opens into a field; large oaks and slouching willows shiver under the weak glare of the afternoon sun.
There’s a house up there. It seems to be in alright shape (some things are built tougher than others) and it’s certainly a step up from a few of the more… unsavory places the outbreak had led you to.
Nearing it, you take not of how much it resembles a barn-house. Red, pentagonal roof, and a big, wide, brown front door.
Gingerly stepping a foot on the cracked wood of the porch, you turn to face your rescuer, uncertainty tying slippery knots in your tummy.
Because there’s clamour coming from inside. There’s people in there.
The momentary hesitation allows you to get a good look at your rescuer: he’s greying and dark—mixed, likely, or just disposed to a stubborn tan—and probably in his mid forties. Probably handsome, too, if it weren’t for the resident cruel scowl deepening his apathetic expression, or the violence dancing in his eyes.
A raise of his eyebrows.
“I tell you to stop?” He nods towards the looming house. “Move.”
But… you don’t.
“Are you gonna kill me?” and you’re downright shocked by the strength—the resignation—of your tone, the way the question comes out so matter-of-fact.
That sparse mustache crinkles in the corners, teasing into something wicked. “You want me to?”
“No.”
“So get movin’, then.”
That left little room for debate.
So, you turn, fingers and knees shaking with anxious anticipation. He cuts in front of you at the last minute, shoving the front door open with his knife at his side—for you or for something else, you’re not entirely certain.
He pulls you into the foyer by your forearm; to your great dismay, you’re faced with an entire group of middle-aged men. Killers—for sure—leering at you with that same starved, animalistic look your rescuer had fixed you with.
Then, he tosses the bag on the floor.
“Found ‘em by the school. Decent haul.”
Their eyes tilt to your shuddering frame, dwarfed by the jacket weighing down your shoulders. One of them looks strangely familiar, proud features reminding you of something else you were afraid of. “No shit, huh,” he commends, “Nice work, Joel.”
Joel.
As the shaggy-haired man speaks, his voice strikes familial resemblance, and it dawns on you. Your rescuer’s brother, or at the very least a cousin.
And what he says is a clearly marked taunt. That much is clear. Uttered with the kind of cruel camaraderie which collected on the tongues of men who committed acts of violence together.
Who hunted together.
And it’s obvious you’re not being rescued. Just… reclaimed. Redistributed.
Fuck.
Another voice joins the mix. “How much you think y’could get for her?”
Joel’s profile turns, harsh, brutal lines forming as he assesses you. “Depends,” and then—ohmothermary—he smirks.
“Gonna have to test her out first.”
A few snickers.
Oh god. Oh god. Oh god.
You’re trapped with nowhere to go, once again surrounded by a gaggle of soulless monsters. Fear grips you, but thankfully, it’s muted, now, having been mostly expended during the harrowing events of the morning.
Just an hour ago, pressed to the side of an abandoned house, you’d allowed yourself to give up.
So, it feels easy—natural—settling back into that rhythm.
To submit to your inevitable, violent fate.
Joel’s voice cuts through the clamour of your racing thoughts. “Upstairs, the room with the open door. Go.”
Eyes glued to the floor, you put one foot in front of the other, your insides twisting and turning inside your core. Fuck, you can feel the pairs of eyes following you with every step you take. The stairs creak as your weight presses into them, squealing like wounded prey.
“N’ take that fuckin’ jacket off,” Joel calls after you, the echoes of his booming voice and the group’s degrading laughter chasing you all the way up into the room—the one with the open door.
And it’s nice, surprisingly. Dusty, admittedly, and clearly having belonged to someone else—a long, long time ago—but the bed is made, the window lets the light in, and the walls remind you of cinnamon.
No, this wouldn’t be the worst prison. Or the worst place to die. It’s a sure-fire step up from the gutter between two dilapidated houses.
You keep the jacket on, shivering under its weight. Even as you hear footsteps climbing the stairs, even as the more rational, civilized side of your mind urges you to accede to your (non)rescuer’s every command.
The conversation downstairs dies off just as Joel rounds the corner, appearing in the doorway—a giant. Though your stomach lurches, and though your legs feel like putty, you hold your ground.
“I’ll fight, you know,” you hiss, watching him seal off the entrance to the room behind him. His flannel has droplets of blood on the collar—reminders of your previous captor—would your other attacker have been a better option? Who’d be more merciful to your quivering body?
You charge your voice with every last modicum of strength at your disposal. “I’ll fight.”
He turns, smirking softly at your clenched fists. “S’good, sweetheart. I like a little fight.” He stalks towards you, swiping his thumb along the plushness of his bottom lip, his intimidating presence forcing your back to meet the flat hardness of the wall behind you.
So much for fighting.
There’s nothing living in his eyes as he says it—nothing save the roiling flames of hunger: “You see those guys downstairs?”
You glare up at him, trying not to notice the alluring hook of his nose, or the way your body works against you, responding to the earthy smell of him.
Then, you nod, wordlessly.
“Did you count ‘em?” He splays a hand beside your head, using one hand to pry your arms uncrossed.
Again, you nod. “How many?” He asks, his voice deceptively soft.
“Five.” Breathless.
“S’right, sweetheart. Ever had your lil’ holes stuffed by five guys at once?”
A swallow, and your voice cracks when you’re finally able to put it to use. “No.”
He pries your elbows to your sides, pulling the beige fabric open, revealing the torn remains of your underwear.
It’s almost a croon, feigned concern underpinning his low tone. “You wanna see what it’s like?” He drinks in the sight of your bare chest, almost groaning at the sight of your naked front.
It’s not cold anymore; no, suddenly you’re very hot.
“No, please, no.”
He slips the coat off of your shoulders, letting it fall in a heap to the ground. He assesses you once more: studying every square inch of your skin under his shadowed eyes.
“M’only gonna say this once, sweetheart.” All that fake-gentleness fades from his tone, replaced by the sadistic, authoritative timbre he’d first greeted you with. “I need you to be very careful.”
You’re frozen—all that fight, it drains out of you, captivated by the raider’s looming form, his mesmerizing speech.
“You’re alone, yeah?” A nod, which he acknowledges, trailing a hand up the length of your waist. “S’what I thought. N’ the way I found you today? That’s a best-case-scenario for a girl like you, out here on your own.”
He drags a finger up the centre of your breast, skilled fingertips just barely brushing the peaked nipple. You lean into his touch—the near imperceptible arch of your back doesn’t go unnoticed, and you kick yourself internally as the corners of his lips twitch up.
Still, the raider ignores your trembling.
“You’re mine, now,” he continues, egged on by your involuntary movement. “Means you’re gonna be a good girl n’ do as I say, n’ I’ll make sure I’m the only man who touches you.” His big hand drops to his heavy silver buckle, and the clearly defined, bulging lines underneath it have your heart clawing out of your chest. Joel senses your fear—and it only makes him harder. “I don’t like sharin’ what’s mine, y’know? But you try anything—you step outta line—I’ll throw you to my guys downstairs.”
His hand finds your throat, hunger and warning beating to the same rhythm in his gaze. “I have no problem watching.” He gives your larynx a squeeze, multitasking as he pulls the strap of his belt through the worn loops of his denim. “Understood?”
You have no words left, shaking from head to toe as the reality of the situation finally settles in.
As he works the intimidating weight of his cock out of his jeans.
A huff. Joel flips you over, impatient, pressing your scraped up cheek to the cinnamon-brown of the wall.
Déjà vù.
Your knees are separated by his own, and his weight flattens you. He wastes no time: lining himself up, his tip separates your folds. Resistance is futile—with one hand, he holds your thighs open—even as they try to press themselves closed, even as you whimper at the rough, male knuckles pressed to bruise on the insides of your legs.
Leaving his mark.
It’s not an option to simply take it. Joel forces you to participate in the sinful act: “I asked you a fuckin’ question,” he growls, gripping your chin indelicately. “You understand me, girl?”
A swallow and a flinch as you feel the head of his cock poke at your entrance. “Yes. Okay. Yes.”
“Yes, Joel,” he corrects. “Use my name. You’re mine now. Use my fuckin’ name.”
Tears prick the corners of your eyes at the promised savagery in his tone. Holding back a sob, you respond: “Yes, Joel.”
You watch his hand, large and capable, splaying out a mere inch away from the tip of your nose. “Good,” he commends. “Z’are the only fuckin’ words you know, from now on.”
His free hand slaps against your hip, yanking you down onto his hard length. Your hips buck up against his abdomen, responding to the pull of his fingertips, even as you cry out at the sting, the stretch. The raider tries to force himself between your walls—muttering a grunted “shit”—and thrusting up against your ass.
But you’re too tight, too tense, and your stubborn body refuses to open up for him. Finally listening to you.
“Relax,” he orders, surprisingly softly. He moves his hand from your hip to the apex of your thighs, rubbing rough circles against your clit. Fuck, how’d he find it so fast? You gasp at the feel of his fingertips against your most sensitive, touch-starved spot, hating yourself for the way his pressure makes you feel.
Because…
Because—fuck.
It feels… good. The man knows exactly what he’s doing—methodical in his ministrations, prepping you only enough to ensure his own eventual pleasure. “S’too tight, baby,” he breathes against your neck, “Need to loosen up for me, yeah?”
He’s not gentle. No part of it is gentle. Nonetheless, pleasure ripples through your centre and down your thighs as he effectively turns you on.
“Thaaaaaa’s right,” and his voice is mocking and taunting and degrading as he drags his digits away, grabbing and pulling at your breasts, instead. Feeling the involuntary release of your cunt, Joel finally pushes himself in, sheathing the long, thick length of his cock inside you.
“Need to show this pussy what it’s fuckin’ made for.”
A current of pain flutters up your cunt just as he fills it up to the brim. You can’t help it—your stoicism crumbles to dust—and a soft, scared, pained whimper tumbles from your lips.
And he groans at it, thrusting roughly, over and over again. And again. “Hurts, does it?”
His breath is hot against your ear, and despite the fear, the ancient instincts gripping your bones, telling you to run, run, run, fight, fight, fight—it’s… enticing.
Hot.
“It hurts.”
He laughs, low and dark, bringing his hands to circle your hips, steadying you as you stumble on your tip-toes.
“Cry about it.”
And he keeps on going, tearing you open. The way his girth touches every starved part of your insides leaves you wanting, even despite the sting of his fingernails biting into your hips, the tears and cuts stinging at your opening.
You hate yourself for it.
But you clench around him, stifling a pathetic moan.
God, no—I am not enjoying this.
He breathes another laugh. “Feelin’ full, baby? Tell me how good it feels, c’mon,” and your inhalations come in heaves as he pounds into you, delivering a harsh slap to the side of your hip, hard enough for your skin to ripple from the contact. “Do as I say.”
When you refuse to sate him, swallowing all of your little noises, Joel grips your throat, bringing your head slamming against his shoulder. Your back arches into a perfect crescent, spine contorting at his will. A gasped cry fans out against his salt-and-pepper jaw.
A sob—of fear, of frustration, of reluctant pleasure. “You’re evil.”
The grip on your throat tightens, and he looses another laugh, squeezing your skin, muscles, and tendons oh-so-tight.
You’d be wrecked, bruised—branded—come sunrise.
“Yeah?” He groans, cock slamming up into your very guts.
“M-mhmm—” and the saltwater tears start pouring, trailing glistening slopes down your cheeks in long, long lines. Distantly, you hear his answer—“Yeah, well, you’re wet”—as those silver droplets keep on falling. Where they come from, you aren’t certain; of course, the terror, the physical torture, and the frustration at your entrapment contribute to the mess under your eyes.
But that warmth… the unbridled desire radiating between your thighs… that wasn’t helping, either.
“Fuuuuck,” he groans, muttering another “S’it—s’right,” and releasing your throat to tilt your head up to face him. He drinks in his creation, the ruined sight of your tear-stricken face, and his cock swells between your beaten walls. “God, you look so fuckin’ pretty takin’ it from me—cryin’ like your lil’ pussy ain’t desperate for this.”
Joel smiles when you sob.
It goes on for a while. He doesn’t tire quickly, bringing you right up to the edge of reluctant ecstasy before you remind yourself of the hatred you owed the man fucking into you. You get used to the sound of his hips snapping against your skin, your cries mingling with his gravelly, low grunts. It’s a dirty, depraved symphony—orchestrated by the monster between your thighs.
You can’t help the moan that escapes your lips when he finally, finally brings his fingers back down between your legs. He grunts in approval, barely grazing the length of your folds, pressing his thumb into the delicate flesh of your thigh, instead. “Dirty lil’ girl—fuckin’ dyin’ to be an old man’s whore, z’that it?” and he doesn’t even touch you, focussed on his own pleasure, but the proximity alone is enough to have you wrecked.
And you just can’t help it: “J-joel—”
“Y’know,” he chuckles, slightly out of breath, slowing his strokes to address your wanton whine, “You’re gonna make such a good lil’ fuck-toy, baby, f’you keep makin’ those pretty lil’ noises for me.”
The reality of the situation comes barrelling down on you as he acknowledges—praises—your enjoyment of his torture.
This man… this man was cruel. He was hurting you, and enjoying it.
You struggle against him, a pathetic show of weakness. Joel holds you in place effortlessly, arching your back further, keeping your hips preened back to receive the harsh thrusts he delivers to your torn, ruined cunt. “Where you goin’?” He laughs at your pathetic attempt at resistance, grips tightening. “Thought we were havin’ fun, baby—don’t it feel good?”
And he quickens again, slamming into every needy spot inside you. His breaths grow shallow, as rough as his hands and the ferocity of this punishment.
“No,” you manage, fingernails digging into his forearm.
He tuts, the vocal click constricted with lust, and his hand travels the length of you, settling against that aching bud between your thighs. “Fuckin’ liar.”
He presses down, proving his point. Your entire body tenses as pleasure ripples through you—despite your best efforts, climax crests through your core, threatening to implode within you. Joel hums, smirking when he feels your legs parting even wider.
“S’mine now, alright? You’re mine now.” He crams every inch of his cock up inside you, pulling you flush against his chest. “S’okay to come for me—s’okay, baby, I want you to—s’fuckin’ right, let go for me, baby—” and his crooning takes you over the edge.
Christ, it feels so good.
You clench around him, high-pitched pleas and moans tumbling from your lips, his own pair dragging down the swoop of your ear. In that split second, Joel—the devil at your back—is your favourite thing in the world: your hero, your haven, your God. Fuck, you could just kiss him, marry him, fuck him over and over and over and over—
A hand clamps over your mouth during those brief, blissful moments; the man practically bounces you up and down the length of him, muffling the cries of pain and pleasure tearing from your sore throat against the rough skin of his palm. He groans inside your ear—a stammered, sinful “fuuuck”—and then he’s spilling his seed inside you, shoving it impossibly deep as those quick, harsh strokes stutter and slow.
You come to, waking up from your pleasure-drunk daze. Before you get the opportunity to wriggle away from him, the monster flips you over again, slamming your shoulders to the wall. With his forearm barring your chest, and despite your fear and ire—somehow, all you can think about is the fact that he’s not as out of breath as he really should be (given his age and, of course, what he’d just done to you).
Joel leaks out of you. His cum paints masterpieces down your legs.
He slides his free hand down the length of his cock, collecting the last bits of slick clinging to him and not dripping out of you. The intermingling juices are brought to the roundness of your breasts—the raider slathers your sore peaks with his own spend.
“Nobody’s gonna fuck with you—but that means you’re Joel’s girl. Hear me?” With your head bowed, you glare up at him through silver-lined spider lashes, shame beating at your cheeks. When you hum your acknowledging “uh-huh,” the stranger continues on, gripping your jaw to angle your gaze up: “Means you listen—you-you don’t fuckin’ try me—n’ you take everything I give you, every fuckin’ time. Understand?” He tucks his softening length back in his pants, dark eyes dancing with satisfaction as he leers at your destroyed form.
When you don’t respond, he brings the back of his punishing hand colliding with the side of your face.
Something between a squeal and a gasp tumbles from your lips; Joel catches it, placing the pad of his thumb to your bottom lip, pressing down. Your cheek stings from his harsh slap, delivered on top of the scrapes and wounds a different cruel man had left upon your skin.
“I don’t wanna hurt you, baby, but I will f’I have to,” and he’s earnest, commanding and pleading at once. “You gotta answer me.”
Slowly, you croak out a timid, “Yes,” and an “I understand,” followed by a final “Joel.”
Nodding, he straightens, the violence in his gaze fading just minutely. When he lets go, you stagger—the raider senses the instability of your knees, reflexively snaking a steadying arm around your waist.
You’re not sure where the impulse comes from. Perhaps it’s exhaustion, the aftermath of your orgasm, or maybe it’s just a sick, twisted desire to sink into something beyond your body—either way, you respond to Joel’s support by throwing your arms around his neck.
And he responds by lifting you, walking you over to the bed, and tossing you down on the sheets. Awakening into reality, you scamper back, grabbing and yanking at the surrounding bedding in a desperate attempt to cover yourself.
But Joel pays you no mind.
Having had his way, he’s through with you—for now. Nonchalantly, apathetically, he runs a hand through his hair, tracing heavy steps towards the door.
“Lock the door when I leave,” he instructs, but his tone is soft… possessive and commanding, yes, but… caring. “Don’t open it for anyone but me.”
He waits for your show of understanding, your near imperceptible nod.
Then, he sighs, yanking on the handle and giving you his final address over a pair of creaky, squeaky, rusted hinges. “Try to sleep, sweetheart—got a long night ahead of you.” Chuckling to himself, he leaves the sanctuary of the room.
All you can hear as your body grows heavy and warm, travelling somewhere far, far beyond this violent world are the echoes of male laughter down the hall, and a familiar, satisfied, gravelly voice:
“Not worth much, now. Might just fuckin’ keep her.”
And you slip away, dreaming of belt buckles, blood-stained collars, and the lung-squeezing heat of the setting Texan sun.
He used to call me DN
That stood for deadly nightshade
'Cause I was filled with poison
But blessed with beauty and rage
Jim told me that
He hit me and it felt like a kiss
Jim brought me back
Reminding me of when we were kids
With his ultraviolence
Ultraviolence
Ultraviolence
Ultraviolence
I can hear sirens, sirens
He hit me and it felt like a kiss
I can hear violins, violins
Give me all of that ultraviolence
He used to call me poison
Like I was poison ivy
I could've died right then
'Cause he was right beside me
Jim raised me up
He hurt me but it felt like true love
Jim taught me that
Loving him was never enough
With his ultraviolence
Ultraviolence
Ultraviolence
Ultraviolence
I can hear sirens, sirens
He hit me and it felt like a kiss
I can hear violins, violins
Give me all of that ultraviolence
We can go back to New York
Loving you was really hard
We could go back to Woodstock
Where they don't know who we are
Heaven is on earth
I would do anything for you, babe
Blessed is this union
Crying tears of gold, like lemonade
I love you the first time
I love you the last time
Yo soy la princesa, comprende mis white lines
'Cause I'm your jazz singer
And you're my cult leader
I love you forever
I love you forever
With his ultraviolence
Ultraviolence
Ultraviolence
Ultraviolence
I can hear sirens, sirens
He hit me and it felt like a kiss
I can hear violins, violins
Give me all of that ultraviolence
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I think about Sun and Moon's original versions a LOT, and I don't get why people say they're not expressive!
Or perhaps, I do, and I just wanna ramble. Anyways! Big ol warning for lots of talking, some fursuit gifs and analyzation of body movement.
So, they have flat, immobile faceplates, right? Technically, yes!some argue that this makes them immediately inert and expressionless and opt to enhance their expressions. And this is a-okay! Do what you like!
But as someone who used to be a costumer, and wears a fursuit on occasion,
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(Sorry, I love this gif so much)
BUT! When in a mascot costume, fursuit, or any other costume with a mask over one's face, the performer has to learn how to move in order to portray the emotions necessary for character engagement with the audience! Whether it's exaggerated head bobs, using your hands to talk, or making everything a bit of a spectacle, even the way you tilt your FACE can affect how you look.
Even MUPPETS do this with their limited range of expression. And we can easily draw those conclusions of how the boys were programmed to act in canon!
Take Sun's default animation in the daycare, just standing there.
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It's very obvious here what he's trying to portray, and who his programmed audience is- little children! When costuming around little kids, you wanna use big gestures, and get on their level because you can seem HUGE AND SCARY to them! You wanna get down towards the ground, make big sweeping cartoon motions, and make sure all your movements are ROUNDED- not jabbing, sharp, or sudden- so that the kid isn't ever surprised, but rather delighted by your performance as a costumer. I'll show you an example by the amazing performer, Temba the Bat! (Made by Toxicoon, I believe.)
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Big sweeping motions, slow without being too spooky, and generally friendly motions while swaying the head! Looks kinda similar right?
Another point is, though, these exaggerated motions don't really... turn off when feeling other things. Sun and Moon don't have a customer service mode, and that's WILD to me that their programming requires them to act like this all the time. Exhibit B: Sun's pain in the transformation scene.
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He's making such exaggerated motions and movements to INDICATE he is in pain or holding something back. He's gripping his face like something is trying to come out of it, and even dramatically falls backwards to indicate a loss of control in his body. Whether the way the fall looks so cartoonist was intentionally programmed in, I couldn't tell you.
And then... there's Moon.
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This is SO cartoon villain sequel, isn't it? The hands tapping delicately on the surface, the exaggerated head tilt, all of it is so wildly exaggerated in such a smooth way to let you know "Ah! I'm in danger! Great!"
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And yet... he still is low to the ground. Still in that pose of going after someone SMALL. Performing for someone small. His evilness is almost completely exaggerated and, dare I say, fabricated by his programming. Of course, the virus probably had something to do with it but LIKE! Look at that range of motion!
Idk what the point of all this is, I just wanna say: it's totally understandable to make the boys super duper expressive in the artistic, flat 2d styles i see a lot!
But man I do hope someone draws them biblically accurate while expressing something else because that would be hilarious to see Sun throwing a temper tantrum by banging his fists on the ground and flailing while his face is just
:D
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sunderwight · 3 months
Text
SVSSS AU where Shen Yuan's younger sister does a villainess transmigration.
The world she ends up in was originally a dating game and visual novel with some light RPG and crafting elements. Playing as purehearted main girl Qiu Haitang, one could choose any number of routes to pursue, from dashing Liu Qingge, to scholarly Mu Qingfang, sexy ice demon Linguang Jun, cute-but-domineering younger half-demon Luo Binghe, and so on. It was an interesting game, though it notoriously inspired some frustration when some of the more interesting side characters (like Yue Qingyuan) were completely unavailable as romantic options, and inspired at lot of rumors about hidden content and demands on future DLC expansions.-
Shen Meimei hadn't particularly liked the game. Sure, she played every route to 100% completion, bought all the extras, the official soundtrack, and the merch (fanmade as well as what slim-pickings existed officially), but that shouldn't be mistaken for approval. Much of that was in fact a desperate quest to figure out what the hell was even going on! Ignore the play time listed for this scathing Steam review, everyone! It shouldn't be factored into any assessments!
The game had several problems, in Shen Meimei's opinion.
The main issue was the lack of follow-through on the buildup of the backstory. Qiu Haitang's whole family was killed one night, maybe-probably by her sketchy as fuck ex-fiancee, who was also a hostage being kept by the Qiu family as leverage against a rival family. Which begged so many questions! Shen Meimei had suspected all along that there was more to it than met the eye (not just because the evil family shared her surname) but it was never deeply delved into. The whole thing only even got resolution in some of the routes, and the most thorough was Luo Binghe's. Luo Binghe had a huge vendetta against Shen Qingqiu, Haitang's sketchy former fiance, which left a lot of room for doubt about his investigating the issue. Was Shen Qingqiu really to blame? Or was Luo Binghe just taking advantage of an opportunity to pin SOME crime on him, since he couldn't really get him for the shit he actually did to Luo Binghe himself? What about the hints regarding that Wu Yanzi guy? Why did those never seem to amount to much? Were the Qiu family really stupid enough to betroth their only daughter to a hostage, or was something else going on? And what about Xiao Qi, the slave boy servant of the Qiu who was mentioned a few times as another possible survivor or witness, but who never comes up again?
Shen Meimei played through everything, certain that there had to be some way to actually solve or gain clarity on the Mystery of the Qiu Family Murders, but even after completing the main routes and unlocking and completing the hidden ones -- nothing! It was all just swept aside in favor of tepid romance arcs, made all the more insufferable because of the compelling subtext between the male love interests. Like, why were any of these guys even interested in Haitang when they so clearly had more going on with each other?
Annoyance over a game Shen Meimei lost too many hours of her life to was one thing, of course.
Transmigrating into the younger sister of notoriously sketchy ex-fiance Shen Qingqiu was another!
Bad news: in the routes where Shen Qingqiu is prosecuted for his crimes, his whole family goes down with him. So if this goes poorly, not only will he be punished, but so will Shen Meimei!
Worse news: this fictional version of her family is almost identical to her actual real family. To the point where she would be checking everyone else for transmigration, except that no one but her seems aware that anything is odd. Shen Qingqiu acts exactly like her older brother, right down to his particular flavor of prickly social behavior and cynicism. And their middle brother is a chronically ill nerd who hate-reads trash novels and is completely fascinated by weird monsters (a much more worrisome trait in a world that actually has a lot of those...)
In short, her life is on the line, and so is her family's!
Damn you, Veiled Heroine Games! If you hadn't abandoned so many plot threats, Shen Meimei might actually know what was going on and be able to neatly circumvent everything! But now she has to figure out how to win the protagonist back over, rescue her brothers, and solve (and possibly further cover up...) the mysterious Qiu family murders, all while keeping Luo Binghe away from Shen Jiu, and preventing Qiu Haitang from completing any of the romance plotlines that will cause troubles for them! Which is most of them!
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