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#this makes sense to me
disgustinggf · 7 months
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pickle is like if a cucumber was a slut
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taxidermychrist · 1 year
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need to be ripped apart and left like that for a few days i think
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murdrdocs · 7 months
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i feel like hazels too much of a silly loser to be really dominant like she’s just so cute she doesn’t even know what she’s saying half the time
oh absolutely. i think that she’s one of those sort of submissive girlies, but she has this air abt her that isn’t necessarily dominant but somewhere in that field ? if that makes sense. like she is so needy for everything that is you that she sort of ends up taking what she wants and she doesn’t realize it.
she’s asking all politely while she does it, too (“can i please eat you out? lemme taste you, please?” while she’s getting on her knees). she knows what she wants, and she knows that you’re hers, so when you put those two together you get a hazel that is needy and whiny as she fucks you until you feel like you’re losing your mind.
and when she’s fucked out, she’s wayyy worse. fucked out hazel let’s herself go completely, mouth running a mile a minute while you’re scissoring (for example). her body acts on instinct, and muscle memory, alone. she doesn’t need her thoughts, really (which she prefers to fill with you).
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solar-settings · 10 months
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elegy, billy collins // lottie & nat, yellowjackets
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my kink is hannibal regretting things and apologising. my kink is also hannibal absolutely unrepentant for everything he's done.
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no-lavender · 9 months
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Maybe the qsmp event was the horrors we experienced along the way
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1000-worms · 2 months
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does this make any sense
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tonihatessociety · 18 days
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Okay I have been thinking about the Hatchetfield Timeline again. And what will not leave my mind, is that the basissituation for TGWDLM and Blackfriday are incredibly similar but completly different from the one in NPMD.
While we are introduced into a world full of problems in the first two (the issues between Bill and Alice, Charlotte just being incredibly unhappy, the conflict between Tim and Tom, every single issue Becky Barnes is facing). The characters we are introduced to have one Thing in common: there biggest wish is to change their surroundings because their Situation is becoming unbearable to them (Paul is an exeption but I'll come to that later). For short: We are met with people with strong wishes and intentions, which in the longrun lead to them being used by the Lords in Black because they seem to be able to fulfill their wishes.
Now I think this differs hugely from the Situation in the beginning of NPMD. We are met with a bunch of Highschool student who are all quite unhappy with their situation but they arent desperate for power to change their situation because they are facing normal school problems (bullying, grades and similar). The characters are aware that these problems will disapear when they grow older and leave highschool. Highschool is killing them, not life. That is until Max dies and his issue is now not not being able to get the girl he wants but an unmet incredibly strong desire for revenge. All of the sudden the situation is different and while it is noted that people go missing in Hatchetfield everyday, people are suddendly very worried about the murders. Something has changed.
What has changed is that Max Jägerman had a need, a wish he wanted to be fulfilled more then anything else, which in my opinion opened him up for the Lords in Black. The entirerty of TGWDLM is about the followers of Pokey trying to figure out what Paul wants because that is what Pokey needs to have an access to his mind and controll it. Linda becomes Wigglys prophet after explaining what she wants. Max comes back as a demon after proclaiming his final wish with his last breath. The Lords in Black need to know exactly what a person desire to access them. That is why Pokey had such a hard time with Paul because he has no desire conquering all others until he lost everything and just wants the catastrophe around him to end.
These different set-ups make me believe that NPMD is a prequel to the other two. I think the events in NPMD happen in every timeline and lead to different chain reactions triggering the other events such as those in Black Friday, TGWDLM, Watcher World and most other Nightmaretime episodes. Max Jägerman and through him later Grace Chasity, who now shares her big desire for revenge with Max, bring the Lords in Black back into Hatchetfield and make them able to have their way with the town.
In conclusion: NPMD is a prequel to almost every other story happening in Hatchetfield (some nightmaretimes episodes such as Time Bastard have a similar status to NPMD) because it shows how desire and pain find their way into the town.
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cosmic-d1ce · 1 year
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Yk how Forever was banned in Phil's chat since 2019
Hc that Q!Forever has had his eye on Q!Phil for years
He first noticed that he looked a lot like Brunim and then got interested in him. He got Phil's number and started texting him and got blocked, never changed his number, and when he tried to message Phil when they met on qsmp he was still blocked
The messages were gone so Phil had no idea why Forever's number was blocked and guessed it was someone else's number before
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tallulahsspace · 5 months
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This makes sense to me
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murdrdocs · 1 year
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random headcannon but rafe cameron can play piano.
he wasn't always the rafe we know. at one point, he was the only cameron kid, young, bright, all smiles and filled with wonder. his parents put him into piano lessons from a young age, and he continued them when sarah was born, and he kept going whenever sarah was put into soccer and ward suggested football for rafe. he continued them up until the end of elementary school, when ward suddenly got serious about his son involving himself in sports, and rafe just lost interest in playing. but the muscle memory is still there, and he finds himself playing invisible music against your knee or the worn wood of the dining room table.
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crumbofmoon · 7 months
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kendall roy x the deal by mitski (edit)
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littlebean2905 · 6 months
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Loki S2 isn’t really about romantic relationship
I just saw someone here talk about that (I think it was @ftmwillz ) and I was like, omg it’s brillant I have to write about it !
The theory is that this scene isn’t actually Loki standing between his 2 love interest and having to choose between them, but actually a scene kinda like angel and demon and the shoulder
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And this makes totally sense if you think about it:
On one side, you have Sylvie ("the demon"), which represent what Loki used to be (full of pride, of anger, blaming everyone for the situation he actually did put on himself, violent)
On the other side, there is Mobius ("the angel") which here is what Loki has become / is becoming ( patient, calm, using his power not for himself but for the other)
And this can also explain the whole dynamics of the show.
On season 1, Loki is clearly running from himself or to be more precise, from what he could become. We can clearly see that by the scene in season 1 episode 2 where Loki runs from Mobius. And this is also why Loki clings to Sylvie the whole first season. He doesn’t want to be better, he wants to go back to what he used to be because it is easier. The pressure Mobius represent for Loki to be better is overwhelming and force Loki away.
But the change in him I think happened in the last episode. He embraces (quite literally) Sylvie, who still represent what Loki think he should be.
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But he is actually being rejected (again quite literally) and this is when he realized that this is not him anymore, that the TVA has actually change him. And so he runs to Mobius, because he is the one closer to him now.
And this also explain why after Sylvie yell at mobius in season 2 ep 4 (that was mean >:( ) Loki runs after Sylvie, (because you can never stop to be your true self, and we all know Loki is not a pure sweetheart and will never be),not to confess to her but to explain to her why Mobius acted like that. He actually has mature.
Also Mobius may represent more that just Loki’s good side. He can also represent his fears. When you think about it, what Mobius is actually afraid of this season is the base of Loki character in the MCU: he just has learned that he has been lie to his whole life, and he runs from who is really is.
So to resume, the season 2 might not be about Loki having to choose between Sylvie and Mobius as love interest, but it’s actually Loki choosing between what he used to be and what he can become.
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this-is-lovin · 2 months
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snippet from a mobius/loki fic i was gon make but stopped bc i couldn’t even fathom changing the ending of the actual show 💀
“Do you know I once dreamt of death?” The voice comes out gently, breathlessly, as if they don’t even understand the need to explain a hidden section of themselves to someone.
They are sitting on a curved bench. The wood is rotten— planks fall against the cold sand.
The water’s breeze carries a piercing chill with it. He moves closer to the water’s edge; waves collapse inwards on themselves. Foam accumulates at the border, slipping back into the undertow.
The moon reflects on the lapping surface, and the lighting dims at night. It offers a simple moment of escape. Of what would be stillness.
“Why?” He asks as if he does not know.
“Have you ever heard of the notion that someone ill wishes to grow worse as proof of their ailment?” They answer. The sand plunges beneath their feet as they approach him. Their dark hair blends into the sky—even the stars do not compare to its pitchness.
“I wished for a change in fate. For the attention I so unbearably craved. All that resulted was further loneliness. When you are born of Norse gods, you have far fewer deities to pray to. I’d pray to myself.” Loki answers, staring at the expansive space of the water. How endless it seems.
“Do you regret it?” Mobius watches the God, how his expression lowers into something indistinguishable.
“My wish of dying, or loneliness?” He tilts his head towards the other, smirking slightly—his lips thin under the night.
“Neither.” He doesn’t know what he is asking.
“Do I regret not dying?” Loki questions. “Most days, I fear yes, but I don’t. If I were to die, I wouldn’t be as I am now.”
Mobius turns, “Away? A tree?” He doesn’t mean for his words to sharpen into a territory of hatred.
“Yes. I gave those who didn’t have a chance, a possibility of living.” He shreds a single smile at Mobius. “I gave you an option.”
“What if I didn’t want one?” He begins. He is acting on desire; it’s deflection. “I was happy with how things were.”
“Nothing would go as it was without me shattering the loom.” He turns. “You often have to leave something when you grow an attachment to it. I thank you for staying near me throughout the advancement of your life.”
Mobius scoffs, “You are stuck at the end of time while I live.”
“That’s how I wished for it to be.”
At the end of time, there is an absence, something void— silence that develops into pure noiselessness. Murmurs of life developed within a hazy video capture. Loki is in a state of isolation, yet he doesn’t feel alone, unlike the emotion he felt while growing up.
He has one single strand woven around his neck, twisting down his body in tendrils. The fiber of the branch is constant; the color is vibrant. And he hears the discourse within it.
It eases what would be unbearable isolation; he listens and becomes a factor in life in distant and crucial ways.
He has two sons, both with such distinct and apparent characteristics that there’s a struggle to balance them. One outperforms the other, expanding quickly further. There’s a constant battle for harmony in the house—his home.
He works as a salesman, selling jet skis. He’s known around the block as the poor mourning father whose wife suffered from a severe illness, the one who held a loose budget for babysitters. The one that would run from his house in pitch dark, wearing only his underwear in a futile pursuit to retrieve his sneaking child.
The tired father.
And god, did he love it. It was something he never knew he longed for, and once he had it, he couldn’t displace the sudden emotion of suitability.
This was undoubtedly his life.
Loki listens to the prayers of the children and the discussions of parents. And he learns from it. His chest aches from the tautness of his muscles. He sits, and he waits.
It all becomes suddenly worth it when he hears the expansion within Mobius’s life. How his daily life alters and changes from day to day. It’s beautiful the instability it holds.
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dreamhot · 2 years
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dream is so canadian hockey boyfriend like you go for some pregame tim hortons before cheering him on from the stands at the local rink and then you both get slushies at the canteen after the game
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fun ghoul transmasc tits and a cock
kobra kid transmasc no tits no cock
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