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#this is not as coherent as I would like but hopefully it makes sense
waitineedaname · 1 year
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I don't know how to make this thought coherent, so bear with me people, but. I think ritsu calling shou "suzuki" instead of "suzuki-kun" says a lot about their relationship. ritsu is extremely consistent and polite with his use of honorifics, even with people he doesn't like that much (reigen is always reigen-san, for example)
but shou is always "suzuki," he never gets his proper honorific. this might be a stretch, but I think it fits into what I've thought about their relationship in the past, which is that shou gives ritsu the opportunity to drop the perfect kid act. him using everyone's polite honorifics might be good etiquette, but it also might be him creating distance between himself and others while wearing a polite mask. with shou, he doesn't need to bother with that. they met by beating the hell out of each other for fuck's sake, etiquette is out the window here
but while him dropping honorifics might be rude in other cases (the "NO HONORIFIC??" bit with hoshino in that one omake comes to mind) I don't think it is here. I'd forgotten until doing this reread, but ritsu refers to shou as his friend really easily. like, they've known each other for maybe a full day, and they were enemies before that, but when looking up at the cultural tower, he tells mob "my friend is up there!"
so I think him just calling him suzuki is actually a sign of him being close with shou. no bullshit, no using honorifics to maintain a polite image or to intimidate or to impress. he's just being direct with him, because shou isn't someone he has to put up a front around
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Lowkey thinking of doing a kind of informal reaction to the ost once it’s out. Like, it would probably just be audio and not video (which is my entire youtube channel so I mean) because I get very nervous in front of a camera. Or actually like a video that’s just screen recording of the spotify page or something like that. If I do one, I’d figure something out so it’s not just like me talking over a static image tbh
Might end up a little scuffed since I’ve never made a reaction vid, but I really enjoy reactions and I know a lot of other people do as well so I’m sure someone out there would still enjoy it lol
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depravitycentral · 10 months
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Yandere! Feitan Portor General Profile
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Yandere! Feitan Portor x fem! reader
Tw: kidnapping, violence, murder, mentions of torture, mentions of Feitan carving his initial into you, mentions of masturbation, stalking, jealousy, threats, Feitan tortures a man in front of you, I stand by the (semi) soft creepy yandere Feitan agenda and I will not be swayed otherwise, this got super long I'm so sorry, I'm also delirious as I'm writing it so hopefully it makes coherent sense/is consistent, fem reader, MDNI
I do not condone any of the actions described in this post - this is fiction and should be treated as such. If you or a loved one is in a similar situation to anything contained in this post or my blog in general, please seek help. You're in charge of your internet consumption; please make responsible choices. With that, enjoy! 
DARLING PROFILE:
Empathetic
In general, Feitan finds his attention drawn by a darling who is almost the complete opposite of himself.
He wants someone sweet and caring, all soft and squishy and warm. He’s never found this particularly attractive before meeting his darling, but there’s something oddly endearing about the way they’re always trying to help those around them, fruitlessly asking them to vent about their feelings, to use them as a supportive shoulder. 
It makes him scoff, rolling his eyes and wondering at how impossibly naive his darling can be, but even he can’t deny how nice it is to have someone by his side, a human presence that’s steady and calm and understanding. It makes him feel good, a warm sensation bottling up in his chest and threatening to explode out, and although he’ll never really come clean with how he feels for you (at least, he never will verbally), a darling who can kind of read his rather emotionless face would be a very, very big attraction for him. 
He just wants a darling who can understand him, even if his rational brain loathes the idea. An empathetic darling is sure to draw his attention, if only because he’ll be mildly revolted and intrigued by how they can be so selfless and so foolish. 
Submissive 
Feitan doesn’t want a feisty darling. 
He doesn’t enjoy having to tame his lovers, and although he’s never really had a lover, he gravitates towards someone who is more naturally submissive and willing to follow direction. 
He already feels powerless enough in the situation, frustrated that he doesn’t really have any say in how he feels. It scares him, quite honestly, if only because he doesn’t like how easily and quickly he’s jumping to conclusions where his darling is concerned, more than willing to jump through any hoop necessary in order to get what he wants, in order to make sure his darling is safe and isolated from every other man on Earth. 
He likes knowing that his darling will do what he tells them to; it builds a layer of trust that makes Feitan go feral, and for every ounce of trust his darling gives him, he’ll try to return it as full heartedly as he can. He likes that he’s fully in control of his darling, and particularly if they were to be submissive in more… intimate aspects of the relationship, he’d be absolutely smitten.
He just wants his darling to revere him and believe his word as the word of God, and the moment that happens? 
He’s only falling deeper into obsession, his desperation for them growing with every beat of his heart, getting harder and harder to swallow until he gives up, jumping head first into every swirling, dark, lecherous desire he harbors. 
Soft
Of course, Feitan’s darling doesn’t have to have a softer body, but he can’t deny that there’s something enticing about a darling who is physically quite soft. Whether that’s rounder features, a plumper figure, or even a soft, demure voice, it all entrances Feitan. 
His darling is something of a dream to him, because he’s never really believed that someone that stereotypically weak could ever really survive in this world. He likes how his darling feels, the touches he sneaks late at night when they’re sleeping sending sparks up his spine and serving as fuel for when he’s unbearably horny, his hand around his cock not nearly enough. 
He’s prone to fantasizing about his darling, slipping into daydreams of his they’d feel in his lap, how they’d look with their ass up and face pressed into the mattress, how they’d feel so good wrapped around him. He just thinks it’s oddly endearing, and a darling who fits these characteristics would help initially draw his eye - he just thinks they’re pretty, a polar opposite to him, even going so far as to playing into some of his more protective traits. 
Of course, he’d rather die than admit any of it, but he’s interally a bit soft for his darling - they’re just alluring in an almost primal way he can’t describe, but he can’t fight it. He can’t fight anything when it comes to his darling, as it turns out, and soon Feitan will decide that he doesn’t care. 
After all, once his darling steps into his life and stays there, nothing at all matters - how can it, when he’s decided that they’re his, his woman to keep and admire and touch and fuck? 
(It will take him a very, very long time to get comfortable with either of the last two options, but the desire and sentiment is still there, if the frequent raging erections he gets as a result of his darling is any indicator.)
Talkative 
This trait is one of the things Feitan loves and hates most about his darling. 
He enjoys listening to them talk; he himself isn’t particularly fond of conversation, nor is he particularly talkative towards his darling in general. And so, a partner who is capable of filling the silence between them sometimes is something that makes Feitan grateful, if only because hearing the sound of their voice makes his breath hitch. 
And when they talk to him, all their attention aimed solely at him? 
Well, how can Feitan not be flattered, not feel a bit prideful that they’re spending their time directing all their focus and thoughts around whatever small question he prompted them with? He just likes listening to his darling go on and on, even if the topic doesn’t interest him much. However, the downside of this trait is that it creates a rather ugly combination with his tendency to grow jealous. 
If his darling is talkative with everyone, it’s sure to extend towards the men they meet, who just stare at them like they’re a slab of meat waiting to be devoured, all of them eager to get their hands on them and destroy what Feitan has claimed as his own. It’s infuriating, if only because it means that they’re interacting with others, putting themselves into a position where they could develop feelings for another man or be put into harm’s way or overhead something they shouldn’t have or any number of things. 
It becomes a massive liability, and one that Feitan is so, so very aware of. It irritates him, and as much as he loves when his darling is chatting with him, he’s not so approving when they're with others.
And so, it’s really in his darling’s best interest to reign in the conversations with anyone else - unless they want to see their blood splattered all over the walls, hear their cries, feel Feitan’s red soaked fingers grasp onto their arms and force them to see the results of their chattiness. It’s in their best interest, and they’ll learn that soon enough. Hopefully. 
GENERAL YANDERE TRAITS:
Distant 
There’s a part of Feitan that genuinely hates you for making him feel the way he does. The constant pounding of his heart when you’re merely mentioned, the throb in his chest when he’s gone too long without seeing you, the nervous twitch of his fingers when he thinks about what you’re doing, what other man you’re thinking about… 
He hates how paranoid you’ve made him, how so much of his time and energy goes into you. It’s your fault that he’s always distracted, that he’s not able to fully focus on his work anymore because he’s only able to think of you you you. It’s frustrating, and honestly it initially wards Feitan off from getting any closer to you - he doesn’t like the way he feels around you (that’s not true, but he needs it to be), so he’ll stay away and ignore you. Maybe that’ll get you to stop smiling at him so kindly, to quit asking him how his day was, to stop looking so pretty while you hum and make yourself dinner. 
As time passes, slowly this hatred diminishes (or at least dulls), instead replaced with a desperate, pathetic need to be around you; he just can’t keep himself away from you, no matter how hard he tries. It’s demoralizing, embarrassing beyond belief that someone like you could get his emotions so twisted, but it’s reality. 
He tries to fight it at first, believing himself to be above such stupid human emotion – he doesn’t need you, he’s a criminal and has never needed love or anything of the sort. And yet, each and every time he tells himself to not trail behind you as you walk to the grocery store, his resolve holds out for roughly five minutes. By then, there’s unwelcome thoughts drifting through his mind about what you’re doing, whether you’re talking to anyone, if you’ve managed to trip like you always do and scrape your knee. 
(There’s even a small, very small part of him that wonders whether you’re buying foods that are nutritious for you, or whether you’re doing your usual junk food spree. A thought pops up in the back of his head: him beside you in the store, scoffing as you place chips into the cart. He’d replace them with fruit, mumbling something about you being so stupid, only to see you smile at him and thank him, telling him how grateful you are to have him watching over you. His cheeks feel hot at that, and he buries his face deeper into his jacket, grumbling under his breath.) 
He’ll try to stop himself from circling back to you, but each and every time he finds some excuse of why he should be watching you, of how you aren’t really capable of taking care of yourself without his watchful gaze. It’s patronizing, more than anything, but eventually he’ll stop trying to fight it, submitting entirely and allowing himself the concealed pleasure of watching your horribly mundane life. 
He’ll need to be around you, constantly, but he’s still not willing to let his emotional guard down. No, you’ve done enough damage just simply existing - you absolutely cannot know how deeply he feels for you, how wrapped around your pinky finger you have him. Not only would it eliminate any semblance of leverage he holds against you (in order to stay above you, that is), it also showcases just how far the extent of his feelings for you run. 
And frankly, the thought terrifies Feitan – he’s never felt so strongly for anyone before, not even in the context of hatred or pleasure at their suffering. He’s in over his head, wading through waters he's always scoffed at and dismissed, and suddenly he’s finding himself nearly drowning, head always buried just under the surface. 
So he steels himself, grabbing onto any shred of control and power he can against you – he grabs on and clutches on, strong fingers frantically staying attached so that he doesn’t get blown away and truly drown. And even in the beginning of your captivity, Feitan won’t change the way he’s so detached. He’s purposefully putting distance between the two of you so that he can remain in control of the situation, in control of you, and – most importantly, and most concerningly – in control of himself. 
Because frankly, Feitan doesn’t trust himself around you. He doesn’t trust the way his body just does things, how any rational thought leaves his brain the moment your eyes meet, how fingers are already lifting up a bit to reach out touch you, to brush away stray pieces of your hair when you’re within a few feet of him. 
The biggest way he maintains this control is by not giving you a whole lot of attention, aside from one stark, grave exception: his dark eyes are constantly watching you. He’s always just sort of staring, his expression blank as he observes you, motionless and still. It’s unnerving, terrifying you initially and only slightly calming down as time passes, but Feitan doesn’t care much. 
He doesn’t necessarily want to interact with you, but just watching you allows him to be in your space, to be beside you, to smell you and listen to your breathing. You’re kept in one large room most of the time, and he’ll often sit in the chair in the corner and just stare. He’s not talking much, not trying to touch you or hurt you, but you almost wish he would sometimes. 
He just doesn’t understand what about you it is that attracts him so deeply, that’s morphed him into this lovesick fool, and while he initially tries to understand, eventually Feitan gives up, because does it really matter? 
Does it really matter how he became obsessed with you when you’re locked up in his spare bedroom, duct tape covering your mouth and an expressionless, frozen Feitan watching you with his heart practically bursting out of his chest? Does it really matter if he pinpoints exactly when he developed his love for you when you’re looking at him with those pretty tears in your eyes, whispering out a thanks as he sets the tray of food down in front of you? 
It really doesn’t, now that his feelings for you are formed and solidified, now that they can’t be changed or reversed. So while he’ll never be the most accessible and sympathetic to your feelings, rest assured that Feitan really does love you in some fucked up way - he’s just unorthodox, incapable of properly expressing himself to you. 
But actions speak louder than words, right? He’s always thought so.
Obsessive 
Because Feitan is relatively quiet and secretive when it comes to his feelings towards you, it’s difficult for you to really pick up on this aspect of him. You’re unlikely to ever truly understand just how much he feels for you, the sheer depth of emotions you cause him. 
He won’t ever tell you what’s going on behind that expressionless facade of his. He doesn’t tell you how oddly adorable you are when you’re sleeping in the early mornings, curled up in the corner of your room with your eyes shut and lips slightly parted, looking so soft and sweet and weak.
 He’ll never make you aware of how his breath hitches ever so slightly when you make eye contact with him, even if it’s shaky and you look away too quickly, his spine tingling because fuck, your attention feels good. 
You’ll never know why his foot is tapping lightly when you’re eating in front of him, the way those annoying nerves eat away at his stomach while he subconsciously wonders if you think he looks attractive today. (He’d trimmed his hair a bit, feeling it was too long and interfering with his work - do you like it? Did you notice? He’d hesitated a bit with the scissors earlier, brows slightly furrowing, dark eyes glancing at your sleeping form.) 
He’s very cryptic, and this tendency to keep you out of the loop of his personal thoughts and feelings can cast a shadow on his more obsessive tendencies. That is, before he’s stolen you away from the world, Feitan did an extensive amount of research into you. He does nothing on a whim - he’s a calculating man, and once he’d finally come to terms with the fact that his feelings for you weren’t going to disappear, he was scouring every resource possible to garner your information. 
He’s got access to all kinds of personal knowledge about you - your search history, for example. It’s a bit unexpected, if Feitan’s being honest - you’re much darker than he’d expected, the things you read about making him quirk a brow, his interest in you only deepening because hmm, seems the little sheep may be a bit of a wolf inside. 
He’s getting Shalnark to hack into the camera of your phone and computer, the stream of footage easy to access as he cleans his tools, blood washing away as you smile and laugh at some comedy you’re watching. 
It’s stupid and at first he pretends to find your laugh annoying. But then he sees the way your cheeks get all full and round as you smile, your eyes crinkling up, even the way you wheeze slightly when it’s really funny. 
(Briefly, he wonders whether you’d find his dry sense of humor entertaining.)
He’s got photographs of you from his time spent trailing you, and though they’re a bit blurry and not as focused as he’d like, they’re still something nice to pin to his wall, keeping his favorites beside his bed. He’s never had trouble sleeping, but something about looking at you as he drifts into slumber makes him rest more soundly, wake up more refreshed. 
Once you’ve been trapped with him for long enough, however, Feitan’s front of careful indifference to you will slowly begin cracking. You’ll never see fully through him, but you’ll catch the way the corners of his lips twitch up ever so slightly when you snuggle into the blanket he gives you one day, noticing how you’ve been shivering incessantly at night. 
(He won’t tell you the blanket was freshly stolen, that he’d made sure to take one with the softest, thickest material he could find, and even in your favorite color. It’s just a coincidence, so don’t read into it.) 
You’ll realize he’s slowly inched closer to you the longer you watch the television program Feitan turned on earlier, your spot on the couch feeling smaller and smaller as Feitan’s hip eventually brushes yours, neither of you acknowledging what’s happening. 
(You’ll never know how badly he wants to reach out and touch you, to freely run his hand up and down your thigh, so trace your collarbones, to feel just how soft your body is.)
It all makes him feel weak, pathetic, disgusting, but Feitan can’t help it. There’s something magnetic about you, and he can’t pull himself away. His pride won’t allow him to fully succumb to the thoughts and desires about you that are constantly swirling through his mind, but that doesn’t mean they aren’t there, that they aren’t bothering him constantly. He’s secretive, and maybe it’s for the best that you don’t know how many nights he’s spent with his fingers wrapped around his cock, his pale cheeks rosy as he imagines the way you’d like tied up with hickeys he made spanning the insides of your thighs. 
Perhaps it’s best that you don’t know how often he’s (begrudgingly) held the extra pillow on his bed close to his chest, dark eyes staring up at the ceiling as he tightens his arms around it.
(No, he wasn’t imagining it was you – he’s a touch starved man, and everyone has urges, right? It’s just coincidence that the pillow casing is one he stole from you, that he never washes it because it smells like you, that he nearly loses his mind when he almost gets a drop of blood from a victim on it.) 
It makes it much easier to scare you into what he wants when you don’t know - you’re much more complainant this way, malleable, willing, and Feitan likes it that way. Sure, having you fall in love would be ideal, getting your obedience through a genuine desire to please him, but at least this way he can keep a piece of his pride intact. 
This way, you’ll never realize the power you have over him - how he’d be willing to wipe out entire towns for you if you so much as mention it. You’ll never understand just how he needs to have you - to have you for what, you don’t know, but you can sense the odd sort of desperation coming off of him. 
You can feel it in the way his fingers grip you just a bit too tight, the way his eyes linger on you just a tad too long, the way the smallest, most embarrassing little whimper falls from his lips when your hand touches his. 
He’s good at hiding it, but everyone makes mistakes - just don’t pry too hard, because Feitan still needs to be the one in control, and you’ll quickly find yourself learning much, much more about the short man than you’ve ever wanted to know. Namely, that the only thing worse than him staring at you is him ignoring you.
Protective  
Although, it will take you a very long time to see this side of him. Initially, Feitan’s feelings towards you are that of mild interest, mild disgust, and mild indifference. 
Mild interest because he had, of course, noticed that you were pretty, what with your soft lips and doe eyes, your figure and the lilt of your voice. Indifference, because Fietan was sure there were a thousand other people just like you on Earth. And disgust, because you were so visibly weak and unable to fend for yourself, like an animal waiting to be slaughtered.
 And yet, the more time he spends around you (maybe a long job has him centered in the same city for a few weeks, and you work at the little store he gets his meals from, or some other service job that brings you in contact regularly), the more complex these feelings become. His interest becomes peaked because you’re not just pretty, but also entertaining to talk to, handling his dry jabs well and even daring to throw back some jokes of your own. (He never laughed, of course, but a wry smile sat underneath his jacket.) 
He’s still a bit indifferent, but not when you’re helping other customers or smiling down at your phone. (Were you texting someone? Your fingers were moving, implying typing – what were they saying that was making you giggle like that? What could he say that would make you giggle? Why does he care?) 
But the starkest, quickest change of heart that Fietan experiences in how he feels about your strength and abilities. Of course, you are weak. Even if you can use nen, even if you know the basics of self defense – Feitan is sure that he could kill you in the blink of an eye, cleanly, easily. (He’s sure because he’s thought of doing it before – never seriously, just a fleeting thought, something that only briefly passed through his mind when he was still resistant to his attraction towards you – it was promptly expelled after that familiar sinking, uncomfortable feeling started up in his gut, but still.) 
You’re embarrassingly weak, really, and as much as he tries to make himself ignore it or to simply stop caring about it, he can’t get it out of his head. He can’t seem to stop imagining you getting hurt, doing something stupid or careless and tarnishing that pretty skin of yours. 
He can’t seem to stop imagining the way you’d take a corner too fast and slip on your own feet, tumbling to the ground and ending up with a sprained ankle or a scrape across your knee. 
He’ll be sharpening a blade, blood stains caked onto the metal, and suddenly a flash of what your blood would look like staining the material makes him freeze for a moment, black eyes just a tad bit wider, the muscles in his arms and legs taut because there’s something sickening about the thought, something malicious and just carnally wrong. 
He can’t help but imagine how you’d fare against someone like his coworkers, whose strength is difficult to handle even for an experienced nen user. How would someone like you fare against someone like Uvogin? Someone like Shizuku? Hell, even someone like Kortopi? 
(Upon first meeting Hisoka, a very sudden and very intrusive image of the clown slicing a card clean through your throat flashed through his mind, and he’d nearly reached forward and ripped out the taller man’s heart at the thought, a purely instinctual response that left him more shell-shocked than he’d care to admit.) 
He knows you wouldn’t stand a chance, and while he doesn’t want it to bother him, it does. It does, as much as he tries to forget the mental images or assure himself that you deserve getting injured for being so weak and helpless. But he can’t just sit still and let it pass by, if it were to ever happen - and so, Feitan’s protective tendencies begin manifesting. 
They’re small, for the most part; making sure to keep his torture tools as far away from you as possible, just so that there’s no chance of you accidentally tripping or running into one or being stupid and getting any ideas. 
He’s making sure that you’re under his watch as often as possible, becoming your second shadow and stalking you every free moment he can spare, just in case someone unsavory crosses your path. 
He’s making sure that all your locks are working every night, compulsively checking them even though he knows they’re still good. 
He keeps his protective tendencies under wraps, making sure that they’re subtle and just ambiguous enough that you won’t pick up on his intentions. Because while there’s something appealing about you knowing that he wants you to be safe, he would rather you not find out just how extensively he watches you, just how much he cares about your wellbeing, deciding that it’s yet another potential opportunity for you to manipulate him. 
And of course, he’s embarrassed - he briefly considers requesting help watching you from a Troupe member or two, only for when he’s aware for long periods of times on individual jobs, but eventually he chickens out, too scared to have to explain why he wants Pakunoda to keep an eye on you.
 He’s not embarrassed of you, per se, but rather the extent to which you affect him. And even once he’s stolen you away (an action which has roots in his paranoia for your safety), those protective tendencies are still firmly in place. He’s not a good cook, but he still tries to provide you with somewhat healthy foods, even if they’re undercooked and limp, bland and just overall unappealing. 
He’s by no means an interior designer, but he’s getting you a somewhat soft, thick blanket, making sure the one pillow you have isn’t covered in stains or lumpy. It’s all subtle, nearly unnoticeable things that you’d have to be very perceptive to catch onto - but to Feitan it’s all important, because while he may still resent you for turning him into a lovesick fool, he’ll be damned if he lets you starve or be uncomfortable.
It’s stupid and he knows it, grumbling to himself the entire time he’s doing something to prevent hurting you, but it’ll always get done - and if you were to ever notice it, to thank him? Feitan would deny your allegations, telling you to shut up and eat your food, all the while the tips of his ears turn pink and his heart flutters because you noticed. 
You noticed the way he takes extra precautions for you, the way he thinks of you and your wellbeing, even having the gall to thank him for it… 
Don’t bring it up again or he’ll grow angry, but the pride sitting in his chest at your words is enough for him. It’s enough for him to know you see him, that you’re paying attention to him, that you appreciate all he does for you - it’s enough for now, at least. 
DEALING WITH RIVALS:
Feitan is, unfortunately, a bit prone to jealousy – as someone who is aware that he isn’t the best option out there for you, the acknowledgement that there is a multitude of other men that deserve you more and could likely land you never fails to get past him. 
He’s so, so aware of the fact that you likely don’t like him, that stalking you and planning to kidnap you likely doesn’t earn him any favors. He knows he’s fairly quiet, and while it’s mostly a fear of mildly embarrassing himself that bars him from actually interacting with you, it only pushes Feitan to worry that you only see him as a strange, unfamiliar man. 
It’s likely that you think of him as nothing more than an acquaintance, a man who doesn’t seem to want anything to do with you. And so, the minute that another person tries to flirt with you, to look at you and think of you and speak with you, the insecurities over how you perceive him are blooming in his chest, growing and blossoming into full blown panic, because what if you fall for another man? 
Of course, Feitan has absolutely no problem eliminating the threat, even enjoying taking the life of such a worthless man, but he can’t help the way fear grips his heart, cold and stabbing and brutal, because while he may be icy and difficult to approach, a stone face that leaves little emotion o be seen, Feitan wants you so fucking badly, to the point that it genuinely hurts. 
And while he isn’t all that soft towards the beginning of his obsession (and really, even once you’ve been ‘living’ with him for a while as well), he does honestly want for you to return the feelings, to love him and care for him, to want to be with him and enjoy your new life by his side. Ideally, he wants you to fall for him, to see him and smile, to have your soft skin pressed against his rougher, more callused skin, your hands cupped in a firm embrace, a soft hug, a kiss against the lips and short, whispered words of trust and acceptance. 
Of course, it’s makes him feel so damn pathetic each time he gets caught in a daydream where you’re smiling and laughing with him, tucking a strand of hair behind your ear and telling him he’s handsome, but try as he may, he just can’t allow another man to steal the opportunity to make you theirs. 
He wants to be the only one in your life, the only man you see and think of and talk to, and quite honestly Feitan will succeed – his profession is death after all, and he’s a master at stalking his prey, locating their weaknesses, seamlessly killing and annihilating his target before they even have a chance to fight back. 
And so, once his jealousy is triggered, the poor man’s fate has already been decided. Feitan’s never been particularly merciful, and where you’re concerned, this trait only grows - it feels good to kill whoever dared to speak with you, like some sort of cathartic release of all the emotions he’s been bottling up, all the anger and desperation and self-loathing and yearning trapped in his chest. 
It feels good, euphoric in a way he can’t describe, and so he’s quick to jump on any man posing a potential threat to your status as single and ripe for Feitan to claim. He’s a trained killer, after all, and who is he to waste away a perfectly good target? 
When the man in the black dress shirt approaches you in the grocery store, Feitan’s eyes narrow. The shorter man had been trailing you all day, watching you go about your weekly errands, and the tri-annual trip to the grocery store had been your last stop. You’d managed to evade any male attention today, a fact that had Feitan simultaneously sighing in relief and growling in anger. 
And yet, here you are, dressed in a rather provocative set of leggings that have Feitan’s eyes absolutely glued to your supple ass, matched with a slouchy, oversized sweatshirt. You’re cute, he begrudgingly admits, and it seems the stranger agrees. 
Feitan’s standing in the next aisle over, staring through the holes in the shelving to see the way you tap your chin and scan the aisles of bread, searching for the perfect loaf. You don’t seem to have noticed the man slowly walking up to you, his eyes visibly scanning up and down your body. Feitan scowls, black brows drawing tightly together as he debates what to do. 
On the one hand, there’s not much he can do - you’re in a public grocery store, and he doesn’t particularly want you to notice his presence. And yet, he can’t just let this man approach you, speak to you, look at you, now can he? He grits his teeth, steeling himself to just watch for now, and jump in if the time is right, if he feels the man goes too far. The man clears his throat, making you jump and look over at him, the suave smile he sends you making your own smile falter a bit. 
Which bread’s best? He’s asking you, and you answer quickly, naming your favorite brand and which style you like best - Feitan’s scowl only deepens when he realizes you’re telling him the truth. 
The man nods along, before his smirk turns smarmy, one eyebrow cocked up as he asks which rolls are best then? I’m thinking they’re yours. 
You blanch at that, disgust written across your face as you awkwardly laugh and inch away, but Feitan sees none of that - how can he, when he’s already moving, already grabbing the man by the neck and sprinting down the aisle and around the corner, all too fast for you to see with the naked eye? 
You’re confused, unsure of how the man just suddenly disappeared, but his comment left you shellshocked and lost at what to do, so you quickly grab a random loaf and anxiously push your cart away, trying to put distance between you and wherever the man had ended up. 
Meanwhile, Feitan’s got the man held against the back wall of the grocery store, fingers wrapped around his neck and a cold, menacing look in his eye. 
Bastard, he grits out, tightening his grip and feeling the way the man panics and scratches at his fingers, trying to rip them away. 
Disgusting, she is mine, didn’t your mother teach don’t touch what’s not yours? Feitan’s shocked he hasn’t just slaughtered the man yet, but there’s something in his heart telling him to prolong this out, to let the man suffer, to make this as slow and torturous as possible. He wants the man to bleed, to scream and sob and beg for his mercy, for being stupid enough to even try to seduce you. 
Feitan’s angry enough that his breathing is uneven, his muscles occasionally flexing without his permission, the rage simmering in his veins nearly potent. He can’t stop replaying the sight of your disgusted and uncomfortable look, the fact that this scum caused you to feel such an emotion making his skin feel hot, his fingers eager to steal the man’s life. 
He smiles as the man wheezes, the lack of oxygen making his face slowly take on a purple hue. What’s wrong? Can’t breath? 
He squeezes once, harshly, roughly, and the man splutters, spit dribbling down his chin and getting onto Feitan’s wrist. He scoffs. Filthy, disgusting. Die. 
And then the man is being stabbed with his sword, not once, not twice, but again and again and again, until holes and wounds decorate the planes of his chest, blood flowing down in rivers onto the dirty concrete floor. 
The man is dead within a matter of seconds, but it’s not enough for Feitan. He’s quick to throw the body to the ground, kicking and stomping and mutilating the body until its unrecognizable. He’s still breathing hard, his fingers shaking, and he finishes it off with a spit at what was once the man’s face, a scowl thrown his way. 
Pathetic, he says, dark eyes closing for a few moments as he looks to sense your familiar presence, already on your walk back towards your apartment. Feitan gives one last, firm kick, before taking off, the urge to have his eyes on you once more making him rush even quicker than normal. He’ll spend the rest of the evening watching you, like always, but this time he’ll pay more attention to your face. 
You’ve never looked at him the way you looked at that man, all scared and revolted. 
You’ve never tried to get away from Feitan, never ran or panicked or anything of the sort. Pride swells in his chest at the knowledge that you like the dark haired man more than that mangled corpse; you’d choose Fietan over him, he’s sure. 
And as you slip under your covers, a soft look on your face as you drift to sleep, Feitan can’t help but slide open the window, slipping into the bedroom and coming up to stand beside your unconscious form. 
Would you choose him over other men? 
If given the choice, would you want him? 
He’d always choose you, his heart always coming back to you no matter what he does or how he hates it - and one day, he’s hopeful you’ll feel the same. One day, you’ll be just as stupidly, pathetically, frantically in love as he is. 
He sighs, the corner of his mouth twitching up. Someday, you’ll be all his. 
TAKING HIS DARLING AWAY:
It takes Feitan a long time to resort to kidnapping you. It’s not that he doesn’t want to, but rather that it’s never been a priority for him. He’s reclusive, and because it takes him so long to sort out his feelings for you, stealing you away was certainly not at the forefront of his mind. 
It takes him so long to even admit to himself that he cares for you, and that process alone takes anywhere from a month to three months, and only then does the stalking begin. Only then is he allowing the feelings for really grow, to fester and brew in his chest until he’s insatiable, desperate to see you and be in your presence. It takes him so long to warm up to you that he just simply doesn’t have the time or forethought to consider taking you for himself - that is, until his protective tendencies begin coming into play. Once he starts actively caring about your safety and wellbeing, little thoughts begin springing up in the back of his mind. He’s chastising you mentally for staying up late, the hands on the clock moving past hours he’s comfortable with. 
He doesn’t like when you lay in your bed scrolling through that damn phone of yours, the bright light bad for your eyes and making you delay sleeping for as long as possible. It makes him angry (if not hypocritical, seeing as he himself only gets roughly four hours of sleep per night), and before he can even stop himself he’s thinking of how he’d make you fall asleep if he was with you, prying that phone out of your hands and telling you to sleep now. 
He doesn’t like when you walk home alone at night, as if you’re practically asking to be mugged or assaulted or killed, which is why he has to follow you, begrudgingly hiding in the shadows and trailing you as you meander back to your apartment. 
You’re stupid, is what you are, and as time passes, Feitan becomes more and more shocked at how lightly you take your own life - how can one single person be so careless? How can you be willing to eat food so close to the expiration date, or look both ways at the sidewalk just once? You’re helpless, truly, and it pisses Feitan off. 
It makes him mad, if only because he’s trying so much harder than you are to keep you safe, and isn’t it unfair to him? Isn’t it awfully inconsiderate of you to make him spend so much time looking after you, doing everything for you because you’re so damn incapable? It’s a negative view and Feitan doesn’t really blame you, only convincing himself he does in order to make him feel better. It’s an excuse to help him feel like he isn’t as attached as he really is, a way to help alleviate some of the embarrassment he has regarding his feelings for you. 
It’s pathetic, he thinks, but then something happens - something bad, something Fietan had hoped never would. Somehow, an enemy of the Troupe had discovered you. Maybe he was too preoccupied by keeping his eyes on you that he missed the stranger’s presence, unknowingly leading them directly to you. 
Sweet, weak, defenseless you. 
Time is frozen for Feitan as he returns from Troupe work, slinking to your apartment and letting himself in the front door, knowing that although it’s horribly late, you’re surely freshly asleep - except, the door is already ajar, and Feitan feels his blood run cold. There’s someone here. It doesn’t matter if they’re a friend or enemy to you - why the fuck is there another person in your home at such an ungodly hour? 
The hairs on the back of his neck stand on end, and for a moment Feitan feels pure, absolute panic - you’re incapable of warding someone off, especially if you’re asleep, and although he feel sense your presence, there’s a distinct aura coming from your bedroom that isn’t yours. He’s quick to rush in, dark eyes narrowing when he sees the figure over your bed, a man hunched over and about to touch you - 
His sword is slicing through the man’s neck before he can even blink, head dropping to the ground with a dull thud and blood pooling where it lands. His chest is rising and falling rapidly, brows pinched together and his grip on the sword hilt tight. 
His gaze flicks to where you’re still sleeping peacefully, utterly unaware of the man standing beside your bed and the lifeless corpse bleeding out onto your floor. He’s got no choice, really - there’s something ugly stirring in his chest, something big and bad and painful, and he’s reaching out and scooping you into his arms all too quickly. 
The man surely was after Feitan - he’d looked at him with recognition, and Feitan can only swallow and tighten his grip on you ever so tightly, hopping out your window and taking off into the night, the makeshift home he’d been residing in lately eventually coming upon the horizon. 
The whole event spurs Feitan to believe that relocation is really the best option - his enemies are aware of you now, and who’s to say more won’t come knocking? How does he know you won’t be targeted again, those with vendettas against the Troupe knowing that someone weak and such an Achilles Heel like you would be the perfect revenge? 
He doesn’t, and so although he’s grimacing and slightly worried to have you under the same roof, he sets you down on the hard mattress, giving you a few glances before closing the door, sighing to himself and hoping you wake up soon. 
Feitan, once you’ve been stolen away, is mostly just an enigma to you. 
He’s so painfully unexpressive, so difficult to interact with that you’ll be left to wonder just why he stole you away, why he even bothered to take you when he seems so utterly disinterested in you. He doesn’t talk to you - outside of a few clipped, short commands, he’ll hardly ever let you hear his voice. 
Particularly in the beginning of your captivity, he would listen to your crying and begging to be released silently, his eyes slightly narrowed before a small, curt stop filled the room. 
He’s never given you any sort of an explanation for why you woke up in his home one day, even when you ask him over and over again. He’ll only look at you, dark eyes fixed on your face, before telling you to go to sleep, you need sleep and promptly shutting and locking the bedroom door. He’s entirely unwilling to really interact with you in any meaningful way - except, it’s not because he hates you, or because he’s simply biding his time to kill you. 
You may think that, fear swimming through your veins every time you see him, but it couldn’t be further from the truth - he’s not interacting with you much because there’s a part of Feitan that’s honestly afraid to. It makes him feel stupid and pitiful, but every time he tries to ask you a question or tell you something, the words just sort of die in his throat, his tongue frozen in his mouth even as he tries to move, tries to interact and get you to just look at him, dammit. 
Honestly, he’s embarrassed to speak to you - he’s been watching you for so long, acting as your shadow and seeing you so natural and perfect and raw, and he’s grown used to having a front row seat without having to do anything. He’s not used to you being able to see him or hear him or even know he’s there at all. It’s scary to have you be aware of him, placing him in an uncomfortable position where he can no longer simply watch you or long for you from afar - no, now, as much as he hates to admit it, he cares about your opinion. 
He cares about how you view him, how you perceive him, what you think about him. He wants you to think he’s funny when he tells cutting jokes, and generous when he gives you bowls of semi-cold soup. He wants you to find him attractive, catching your eyes settling on his body or your fingers running through his ebony locks. 
He wants your opinion to be favorable, but despite how strong this desire is, the fear that you’ll find him weird outweighs it. He knows it’s stupid, but he’s terrified that you’ll think he’s strange, a freak, some sort of monster if he talks with you. He’s scared he’ll say something wrong, something to scare you or offend you, and while he may be a mass murderer and an atrocious man, there’s something about the way your eyes would get all glassy and teary, face contorting into disgust as you physically recoil from him that makes his gut wrench, a small frown tugging at the corner of his lips. 
He’s too awkward and nervous to speak with you - and so, he resorts instead to the staring, to the watching, to the observing. It’s what he knows best, after all, considering that was how most of his time was spent before kidnapping you. This is better; he has control in this situation, and he won’t accidentally slip and say something that bears too much truth, that lets you in on too much of what’s going on in his head. 
There’s less room for error if he relegates himself to minimal verbal and physical interaction, and while he aches to reach out and touch you, to feel the softness of your cheeks or the texture of your hair, he’s restraining himself. Just the mere thought of your skin against his gets him shivering, but it’s quite easy to overwhelm him; he’s not used to being the recipient of your attention, and while it feels good to have you looking at him and attempting to start conversations, it can get to be too much for him very quickly. 
It’s easy enough to answer trivial questions; things like what the food is that he placed in front of you (doesn’t matter, it’s good is all he’ll answer with) or inquiries into why he wears that same massive coat all the time (warm and my favorite color). 
Those are easy enough, not breaching too close to anything personal or anything that you could use against him. But the more complex questions, or - once the Stockholm Syndrome eventually kicks in and you’re so lonely you’ll happily converse with your kidnapper - compliments? 
As soon as the words slip from your lips, a simple your eyes are pretty or a I hope you sleep well makes him stiffen up a bit, lips parting ever so slightly under that cowl of his, before he’s quickly darting out the door and slamming it shut behind him. He has to take a few moments to collect himself, his ears and cheeks feeling hot because god, you were looking right at him, and you’d even said his name. 
(He spends the rest of the night in the basement, compulsively cleaning and recleaning his torture tools over and over, trying to distract himself from replaying your compliments over and over in his head, ingraining the sound of your voice and the tingling warmth he felt into his brain. Everything is sparkling clean by the time he’s done, a few hours having passed, and yet he’s spent the whole time thinking of you, letting you plague his thoughts like you always do.) 
He just can’t handle having all of your attention on him like that, and although he gets better at it and more used to it as time goes on, he’ll still be very skittish. He’s like a feral cat; he’ll stalk and watch, staring at you with beady eyes from the corner of the room while you try and act natural, only to scamper away when you try to reach out and pet. 
You’ll be starved for human contact as his captee, but aside from the lack of any sort of touch, you’ll find that being stuck with him is actually not too bad - he feeds you a decent diet, and lets you live in the spare bedroom of his home. He’d even cleaned everything up before you arrived, a preemptive measure he underwent one night when he couldn’t sleep, both his dreams and thoughts revolving around you. 
(There’s still bits of dust and a spider or two in the corner of the ceiling, but everything smells not terribly musty, and you don’t notice any mysterious stains on the sheets, so it could be worse, right?) 
He leaves you to your own devices more often than not, just on the condition that he can be present, whether you’re reading a book or sleeping or doodling with some art supplies he stole for you a while back. He’s not too demanding, but eventually the Stockholm Syndrome will get to you - you will eventually start wishing he’d do more than just look, even when he comes home with blood speckling his jacket.
You’ll grow to wish he would sit just a bit closer to you, so that you could feel his body warmth or a brush of his skin against your own. You’ll hate yourself for endearing your captor, but you don’t have much of a choice - Feitan, while terrifying and absolutely capable of killing you in more ways than you can count, is strangely sweet in his own way, even if it takes you a while to notice it. 
He’s not buying you flowers or declaring his undying love to you, but he is leaving small, insignificant gifts on your nightstand, maybe a small pastry that you love, or even a small, pretty little jewel he managed to snatch away from the goods Chrollo said were communal among the Troupe from the latest heist. He won’t ever say anything about them, and if you bring it up to him he’ll either ignore you or deny their existence, but he likes leaving them there as a token, as some way of quelling the intense desire to please you that wells in his chest.
It’s the only route he can allow himself to take, because that way he doesn’t have to confront you, only looking at your sleeping face. You always look so peaceful and pretty this way, all the lines of stress and worry smoothing away - you look how you used to, before he stole you away, back when his infatuation first started. 
And as he gently, carefully, hesitantly sits down beside your sleeping form on the mattress, he can’t help but gulp harshly and slowly, ever so slowly, reach out and rest his palm on your leg, the sheets separating your skin. He’ll keep his hand there for a while, dark eyes appraising your form under the covers, before exhaling shakily and standing back up, making sure the jade he’d brought back for you was securely on the bedside table, right in your view when you wake up. He’s not a bad captor by any means; he just has trouble expressing himself, walls built up too highly and too thickly to ever really knock them down. 
And you’ll get close - as close as you can, at least, as time passes. Feitan will eventually warm up to you, but he’ll never be particularly loving, particularly obvious with his feelings for you - he’ll always be a lovesick fool, but he’ll be damned if he lets another soul know that. 
PUNISHMENTS:
As a general rule, Feitan doesn’t particularly like hurting you. Of course, his career rides on his ability to harm, torture, mutilate and extract information out of even the worst criminals and agents, and for the most part he enjoys it. 
There’s something about the way he can elicit screams and tears out of others that gets him giddy, the smile stretching across the part of his face covered by his jacket as wide as can be. And yet, for all the enjoyment he derives out of hurting others, seeing you harmed, bruised, crying and begging isn’t nearly as fun as Feitan had expected. 
He’s not really sure why, but for some reason seeing you looking at him with so much fear dancing in your pretty eyes makes his gut wrench, an uncomfortable feeling sitting at the base of his throat while he mutters something demanding you to stop looking at him like that. It makes him feel weak, frankly, that you have this effect on him, but he can’t help it – early on into your captivity with him, he tried to settle your disobedience by physically harming you, but he got as far as leaving a rather large carved ‘F’ right over your heart before your crying got to him. 
He couldn’t lift his hand as you sobbed below him that day, your wrists bound by leather cording stained with his previous victims’ blood. Your eyes were puffy and glassy, snot dripping from your nose and pathetic little cries and begs for him to stop tumbling past your quivering lips. 
Frankly, Feitan was embarrassed for you. But more than anything, he was pissed – his hands were trembling, the switch knife grasped between his fingers frozen, his dark eyes wide as they stared down at you, guilt flashing through them the longer you sniffled and shook, the sight of you in pain with your pretty red blood dribbling down your collarbone simply too much. 
That day, he cleaned your wound, packed up his torture gear and locked you into your designated bedroom, all without a single word, mostly because his tongue didn’t seem to be working. But the shaky gasps stumbling from his lips as he stared at his own two hands later that night were enough to make him realize he hates to see you in pain, particularly when he’s the cause.
It’s confusing, irritating, scary, even, that you have this effect on him, but try as he might, any thought of physically harming you from that point on makes his stomach twist, bile rising up his throat and nausea hitting him square in the chest. 
But trouble, of course, arises; he refuses to physically harm you in most cases, but he still will only tolerate absolute obedience from you. You can’t simply walk all over him, he won’t let you – you need to listen to his instructions, follow his rules, eat the food he gives you, smile at him all pretty and warm, and let him sneak into your room and hold you when you’re fast asleep in the middle of the night, just as he starts craving. 
Feitan needs you to be obedient and submissive to him, and so how can he mold you into the perfect, obedient partner without laying harm to you?
The solution, as it turns out, lies in making you absolutely believe that he will hurt you, despite it not being true. 
You don’t need to know that the thought of making you wince or scrunch up your face in pain makes him physically hurl; no, you’re much better off thinking that he’s simply playing nice, waiting for the right moment to strike and leave you broken and bleeding. He’ll allow you to believe that he’s constantly ready to punish you, because then you’ll have some incentive to follow his words and rules, and to do what he believes you should do. 
And why wouldn’t you believe it? 
You know what Feitan does – he makes no effort to hide the torture tools scattered across his basement, and while you’ve only been down there once (the initial carving of the F), your imagination can conjure up plenty of scenarios of what goes on in that damp, dark basement. 
The fact that he has hurt you leads to you staying mostly in line – you’re more than aware of what he’s capable of, and although it slightly pains Feitan that you think of him as a monster, it’s for the best. It’s better for everyone when you’re well behaved – when you simply follow his orders and do what he wants you to, no matter how strange it makes you feel. 
You probably aren’t particularly fond of eating in front of him, but he’ll be sitting at the other end of the table as you carefully, hesitantly, twist the strands of pasta around your fork, your gaze flickering from the slightly undercooked noodles to your captor and back again. 
You probably don’t really like sleeping while he sits in the corner of the room, that stupid jacket pulled up over his mouth, making the only part of him visible to your drowsy self those damn eyes – and his hands, of course, with just the slightest touch of dried blood under his nails. You’re probably not particularly a fan of any aspect of being his captive – and Feitan carefully controls this. 
However, on the off chance that you do act up, that liquid courage flows through your veins and you cross him, you’ll quickly grow to regret it. Feitan still won’t hurt you – not physically, at least. 
But others? 
Well, it’s not hard to get Chrollo to give him someone who needs to give up some information, to set up the basement and make sure you get a front row seat as he makes the knots tight around the man’s wrist. It hurts him, really, to see the way your face contorts into horror as you watch him break bone after bone in the man’s body, but Feitan can’t stop looking at you. He needs you to be watching – you have to see what he’s capable of, even if he doesn’t really want you to know. 
You have to know that he’s serious when he tells you that you can’t leave, that there’s nowhere in the world you can run to where he won’t find you. He rips the man’s nails off, a finger at a time, just to make sure you understand that his touch can hurt – but maybe, some part of him hopes, you’ll realize that when he touches you, his touch is only ever gentle. Or at least as gentle as he can be. 
It’s all to make sure you understand that he’s utterly, absolutely in charge – his word is law, and while he craves for you to love him, he’s willing to compromise with just your respect and undivided attention. 
It’s not ideal, but as he watches the way tears stream down your cheeks and your body heaves and shudders with your sobs, he can’t help but slice the knife into the man’s thigh deeper, send the punch to his jaw harder. 
He has to keep you in line – this complicated, doomed relationship he’s forced you into is the only thing that makes him feel that strange, fluttering feeling in his chest, and he’ll be damned if he lets it go. He’ll be damned if he lets you go – even if you think of him as a monstrous, sadistic freak. 
Maybe he is, maybe he isn’t; it doesn’t matter, because you’re never getting away.
OVERALL DANGER:
8/10
The danger that lies with being Feitan’s darling is much more mental than physical. By all means, he’s not the ideal captor – he’s a criminal and mass murderer, torturing people for a living and liking it. And yet, there’s something about you that tones down the more deranged, violent aspects of his personality - he’s by no means soft, but he’s rounder at the edges, less rough and bitter and cold. 
He hates himself for falling in love with you, for having allowed you to worm your way into his heart and settle there, plaguing his every thought and dream with your face, your voice and laugh and smile and god, your body - 
He blames you, initially, but as time goes on and his feelings only grow stronger, harder to suppress, he finds that it doesn’t matter. You’ve already staked your claim on his heart, and there’s simply nothing he can do to stop what’s inevitable. 
Kidnapping is imminent with him, but it really does take him a long while to actually go through with it; you’ll have a long period of freedom from his clutches where you’re living your own life, with him only controlling it from the shadows rather than blatantly, like when he’s stolen you away. He’s not particularly needy, only demanding that you stay in his line of sight, but there’s something more terrifying about the way he’s always watching you like a hawk watches its prey than simple touching would be. 
You’re thankful he hasn’t forced himself on you or even forced any kind of affection, but it doesn’t make up for the fact that you miss human touch, that you almost wish he would reach out and hold your hand, press a kiss to your lips, slip the ratty old t-shirt he’d given you over your chest.
You’ll find yourself growing stir crazy under Feitan’s rule, growing desperate but still too scared to confront him, because his intentions with you will remain ambiguous at best - he hasn’t killed you yet, so you must be important to him somehow. You’re not sure, but the longer you spend with him, the less you’ll care until eventually you’re actively dreaming of the day when he finally, finally touches you with those cold fingers and lets you out of that bedroom you’re locked up in. 
Feitan loves you, in his own sick, twisted way, and the sooner you realize that the better - maybe you never will, but Feitan will always, always be there waiting, his gaze never faltering once from your figure. 
You’re just too mesmerizing, after all - and Feitan’s never been particularly good at denying himself what’s his. 
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harrywritingsbyme · 9 months
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I Just Called To Say I Love You
Prompt: You don’t like talking on the phone, but Harry always calls you instead of texting. Harry later admits it’s because he just wants to hear your voice.
A/N: I may be a lil rusty so don’t judge me…I just wanted to write a cute ’n cliche lil something to post on here…I’m in my soft girlie era. Hopefully, there’s more to come soon. Hope u enjoy, love y’all🫶🏾
You hated talking on the phone. Anytime you had to take a phone call, whether it be in your personal life or at work, you had to give yourself a mini pep-talk to make it through. Of all methods of communication, you highly preferred to send an email or text message as opposed to taking phone calls. Phone calls that at times, could be long and drawn out. In your eyes, the only upside to talking on the phone was that you could visibly express your disinterest as opposed to talking to someone in person and keeping your disinterest internal.
However, while you hated talking on the phone, there was a small handful of people who had a free pass to call. You even went as far as to make a separate ringtone for them so that you could differentiate their welcome call from the unwelcome ones. 
One of the people you designated as a welcomed caller was your boyfriend Harry. And boy did he take his phone call free-pass seriously.
Because his work at times took him away from home and you, Harry was diligent at calling you up when he couldn’t be with you physically. But even when he wasn’t away for work he always made it a point to call you and just check in. And Harry wasn’t overbearing with it and just dialed your number at any chance. It was almost as if he could sense when a conversation with you was needed. Whether it be because you were on the verge of losing it and not feeling the greatest, or because you were feeling great and needed to share that great energy with someone else. And it worked the same way with you. When he needed to vent or share some of the good vibes in his life you were more than willing to call or pick up.
Sometimes though, the calls would have no rhyme or reason to them. Like today, you weren’t having the best day, but you weren’t having the worst day either. You were just getting through the day until it was time to drop everything and go home. Towards the middle of the day, your phone lights up with Harry’s photo and sounds off with the ringtone you’d set just for him. Instead of mentally preparing yourself for the phone conversation ahead, you readily put in your earbuds and pick up the call.
“Helloooo” Harry sings, dragging out the ‘o’ for as long as he possibly could.
“Helloooo to you too” You quietly laugh, mimicking his greeting. “How can I be of assistance to you today?”
“No assistance needed, I just wanted to hear your voice.” Harry sappily replies. You could practically hear his dopey smile through the phone as he spoke. But at the end of the day, that’s all Harry wanted whenever he picked up the phone to call you. He just wanted to hear your voice.
“Well, I hope I don’t disappoint.” You whisper, the seemingly permanent smile that had been on your face since picking up the phone only widened.
“You could never disappoint me, love.” Harry definitively responds. Which only made you smile even harder and solidify an ache in your cheeks in a little while.
For the next 15 or so minutes you and Harry manage to cover a range of topics that somehow come together to form a coherent and flowing conversation. In this time, not only were you fighting to hold your giggles in you were also playing the role of lookout just in case your boss decided to randomly appear when you were supposed to be working. It was a common pattern for your happiness to summon him and ruin everything. But that was a conversation for another time.
Unfortunately for you though, you had to get back to work. Which meant that the little happiness bubble that you were in with Harry had to be popped.
“Well, I’m gonna let you go now, don’t wanna keep you from your work” Harry states when you two have a lull in the conversation, not wanting to steal any more of your time.
“No, keep me from it! Please?!” You jokingly plead, not wanting your happiness bubble to pop quite yet. 
“How about this, you make it through the last couple of hours there and then come over to my place and I’ll cook you some of the best dinner you’ve ever had.” Harry barters.
“You may just have yourself a deal, Mr.Styles.” You agree, looking forward to the end of the workday even more now that you had plans with your boyfriend.
“Well, I’m glad to hear it.” He hums, already thinking up a menu just for you. “Oh! Also, guess what.” Harry adds.
“What?” You curiously ask, wanting to hear the news.
“I love you.” He simply replies with the utmost sincerity. “That’s the main reason why I called you. To hear your voice, and to tell you that I love you.”
“I love you too. And I’ll see you later.” By the time you hung up, you were a smiling maniac and a complete puddle of yourself at your desk. But on the plus side, you were ready to power through the next couple of hours at your desk.
While you weren’t big on phone calls if there was one that you were always going to answer. It was Harry’s.
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thedeathdoctor · 1 year
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Won’t Let You Get Away (1/?)
Pairing: Simon ‘Ghost’ Riley x GN! Reader
Summary: Ghost falls hard for one of 141′s new recruits
Warnings: there’s no smut in this one it’s just fluff and exposition
A/N: Just sat down and wrote this because i need to get back into writing again. Gonna be a possessive Ghost x reader fic hopefully because that’s like crack to me rn. Will probably get pretty dark & into some trauma in later chapters so heads up now if you aren’t into that. May or not edit this later for coherency but I am not doing it now. :)
From the day Ghost first met you, he knew you were going to be his undoing. Happy, bright eyes looked directly at his own, unafraid to see the person underneath the skull mask and fearsome reputation. Ghost no longer kept up with the mythology surrounding himself as doing so would take entirely too much time away from him, time that he preferred to spend training instead. Even after working with him for some time, most soldiers still preferred to train their eyes to the bottom of his mask, unable to fully meet the cold gaze of their Lieutenant.
You had to have heard the stories. There was no way that you’d make it all the way to 141 without being told at least one about its shadowy Lt. Sometimes, during R&R at base, Ghost could hear some of the grunts whisper incredulously about him and still, when he turned to face them, hardly anyone would allow themselves to be caught staring at him.
Given the way that most tended to leave him alone as if he were an apex predator, your kindness surprised him. A high level of respect accompanied the title of Lieutenant, and you managed to inject a sense of warmth into your conversations with him. While he was used to being feared, he felt genuine admiration from you, something that he hardly received from anyone else in 141.
You had asked him to help you train, and your willingness to admit your own weaknesses impressed him. You were an excellent sharpshooter, but when the enemy was up close, you struggled at hand to hand combat. It especially didn’t help that you simply weren’t as big as many other soldiers. As huge as your spirit felt in your body, it just didn’t have the mass that you felt you had. So, in order to improve, you asked the largest guy in 141 to practice with you, the Lieutenant.
The two of you trained hard, sometimes at odd hours, but you wanted to feel competent in any situation. Defending yourself, even in the depths of fatigue was worth being awoken at 2 or 3 am for impromptu training. Despite feeling groggy and discombobulated, you put all the effort you could give into all of your sparring sessions. Slipping out of holds became easier, and you learned that with the right timing, you could use his mass to your own advantage in a fight. Even when you failed and ended up with a face full of dirt, you got up and brushed yourself off, sometimes even cracking a joke before trying to analyze where you could’ve done better.
He couldn’t help but grow fond of you, and this scared him deeply.
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vasyandii · 6 months
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Headcanons of The Cousins
Beforehand: These are just my personal headcanons, it's okay if you don't like them; you are entitled to your own opinions and can freely scroll by.
Creator Notes: I headcanon that König's birth name is Darius Doss, I will be using that name and König interchangeably.
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DARIUS "KÖNIG" DOSS
-I headcanon that he's Krueger's younger Cousin by a few months on his mother's side, hence the surname "Doss"
-Born with a cleft lip, a possible reason why he was bullied as a child alongside him being a fairly chubby kid.
-Took up smoking when he was 15 as a way to fit in, he's been clean for 12 years.
-In regards to his social anxiety, it's not that severe as it once was when he was a teen; he gets dizzy when his social battery is running low.
- Darius has dark brown hair, not blond/ginger, natural freckles.
-Buzzes his head constantly to keep cool, it must get hot in his sniper hood.
-Carries an abundance of gear; as much as he is confident in his abilities, he overthinks
-had a huge growth spurt when he was 18, so he went from 6' to 6'8".
-He's mean, alot meaner than Krueger, but he's more patient.
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SEBASTIAN JOSEF KRUEGER
-I headcanon that he's König's Older cousin ( He would be 38 in Modern Warfare 2, so König being a colonel still makes sense to a degree)
-Buzzes his head occasionally, or when it gets too hot to manage
-Lost contact with his external family after he killed his parents, didn't reunite with König until He was in his mid thirties.
-Grew up with childhood food insecurity; even though he lived in one of the more wealthy parts in Austria, his parents didn't make good financial decisions to support a child.
-Started smoking at 15 as an act of rebellion, it slowly turned into a way to relieve stress in the field so he never stopped.
-Too smart for his own good, he was a problem child
-Wanted to look out for his cousin; he doesn't know if it was out of pity or genuine care
-Had the stupidest gelled up hairstyle when he was 16.
-Can't wink, so he just squints.
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HEADCANONS FOR BOTH
-Their families often went on trips to Nordsee Beach when they were younger, gave them time to bond
-Awkwardness runs in their genes, Krueger is just so overly confident that he convinces himself things worked out
-Both extremely observant to the point it's kind of scary, must run in the family.
-Both are extremely intelligent however the moment they are put into a a room together they are two of the dumbest people on earth
- They pretend not to know each other while on duty during cross faction missions. (Both are kind of embarrassed to be related to each other)
-Darius has not forgiven Krueger for parricide.
If you made it this far to the post, I want to thank you for reading! Hopefully my rambles are coherent enough to be understandable xD Please have these Old sketches of them as babies/teens as a thank you :)
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I have talked quite a bit about this in the past, but given where we are in the campaign now and what has just happened, I wanted to put down some thoughts in a maybe, hopefully coherent kind of way. Mostly the thoughts chase each other around in my head going “brrrrr” so here’s hoping they cooperate.
Since we have known him, Orym has been on a Mission. When he first linked up with the Crown Keepers he had been on the road, presumably on his own, for at least four years, possibly five. At some time during those years, Keyleth charged him with finding out information on the attack that killed Will and Derrig to make sense of what happened that day. Early on he’s quiet, thoughtful, reluctant to take the lead, and honorable to a fault. Even as he opens himself up to create connections with this motley crew, he still guards part of himself. In fact, in the time we see them together he never tells the Crown Keepers about his family. The only mention we get is when he is asked by the Wildmother if he will continue on and Orym says, “For him, I will.”
None of this is to say he doesn’t feel connected to his friends, who manage to take him on a journey away from his primary directive, and–given the fact that Orym was alone at the beginning of ExU–it’s safe to say these are the first people he’s connected with in a long time. It was while he was with them that he started practicing the Zeph’aeratam again. Being part of the group with Opal and Dariax and Fearne and Dorian and Fy’ra showed Orym that the world was bigger than his grief.
But still, he kept it to himself.
After the events of ExU Prime, Orym and his two best friends from the Crown Keepers, Dorian and Fearne, went back to Zephrah. A place that I would argue Orym probably had returned to seldom, if not never, since Will and Derrig’s deaths. It was sometime during this journey that Orym told them both about his family, likely the first people from outside of Zephrah to know their names and what they meant to him. These friends went with him to continue his Mission, to try to help him get closure. And when Dorian left, Orym kept hold of the means to keep in touch, because Orym had gotten closer to Fearne and Dorian than he had gotten to anyone since he lost his family.
I would love to know what, if any, kind of conversations Orym had with Dorian and Fearne about Will and Derrig, especially Will. Because as the weeks went on, Orym did forge bonds with Bell’s Hells, he did start to tell more people about the ones he’d lost, but always at a distance. He kept the memories of who Will and Derrig were to himself, even as he was honest about how much he missed them. Did Orym take the chance to tell Dorian and Fearne about what they were like when they were alive? Because it’s clear that Orym is bereft, and angry, and lonely, and goes to sleep every night with them in his thoughts. Is there anyone else alive who knows the secrets of what Will and Orym were like when they were together, just the two of them?
There is nothing secret about the pain and anger he feels, but what about the joy?
The Mission as it was originally put to Orym is over now. They know everything about how and why Zephrah was attacked. That doesn’t mean Orym is stopping, because Orym isn’t the kind of person who could stop when someone is in danger. But the single-minded drive toward Otohan, toward answers and justice or whatever Orym thinks Will and Derrig would have wanted from him in this, was the mortar Orym used to build up his walls. He’s standing on a precipice of a vast future and he’s alone because he has made himself alone. His grief has made him alone. And there are so many complicated reasons why Dorian is the one he is finally, actually reaching out to now that there is no more path to shuffle down. 
I’m not sure if Orym even knows who he is anymore without this grief, without this Mission. In his mid-thirties his whole adult life has been spent married to Will, or grieving Will, or searching for answers for Will’s death. In the middle of the world ending, how do you decide what comes next?
A million episodes ago Orym offered to be the one Imogen could lean on, and then, after she walked away, he reached out to Dorian on the Sending Stone. I think Dorian has been the one Orym thought that he could lean on for a long while now. And I think that is intrinsically tied to his Mission, this journey, and his grief.
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kaladinkholins · 2 months
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I was wondering, what do u think Taigen reaction to finding out about Mizu being a woman will be? Although I don’t think he will have a bad reaction I wanted to know what u thought about it?
OOH I like this question because the thoughts on this have been swirling around in my brain for a while and I don't think I ever properly talked about this, outside of maybe this post (which is barely coherent imo). There, I compared Mizu/Taigen to Mizu/Mikio, as well as to the main romantic couple in the movie Yentl. Then from both those comparisons, I tried to speculate on Taigen's reaction to Mizu's gender reveal, based on what would make the most narrative sense.
However, I didn't really analyse Taigen himself in that post, and neither did I ever come up with a concrete conclusion to what his reaction may be. So this ask gives me a good chance to speculate even further and hopefully come up with a proper and more in-depth answer.
Similar to you, anon, I don't think Taigen will have a bad reaction per se, though I guess it depends on what you'd define by bad.
Because this is Taigen we're talking about, I don't think he'd exactly be chill about it. He's very much a drama queen, especially around Mizu, as he's never afraid of stepping on her toes, and thus will vocalise his feelings to her whenever he's feeling them. That, combined with his short temper and his brashness, means that there's almost certainly going to be conflict when he finds out the truth. He will be shocked, and because he's immature, he'll be angry and upset because of this shock. Simply because he doesn't know, and hasn't yet learned, how to deal with his emotions in any other way besides getting angry.
So I think that will definitely be his first instinct. To get upset.
I don't think he'd immediately know why he's upset. Maybe only after a few minutes of angry questioning (think something along the lines of "Why are you telling me this now?!" and "You've been hiding this all this time?!"), he'd finally come up with some tangible cause for his anger.
What would the cause for his anger be then? Well, it could be several things.
Possible Reason #1
He feels "betrayed" because Mizu didn't trust him enough with the truth even after the two have grown close, and after Taigen has put his life on the line for her numerous times.
Possible Reason #2
He feels "cheated" because Mizu is not the man he'd believed she was, thus making it feel like their entire friendship was a sham. This is because the basis for their relationship, in the way he'd related to her, bullied her, envied her, admired her, allied himself with her, and eventually grown attracted to her, had been entirely based off the premise and belief that Mizu is his fellow man, his peer, comrade, and fellow samurai. Thus, discovering that Mizu is not a man would, initially, feel like all of that has been ripped away from him. And this is actually related to the third possible reason.
Possible Reason #3
This is a big one, and the reason everyone, including myself, is putting their bets on: misogyny.
Essentially, Taigen would find out that this whole time, the person he'd been envious of and struggling to beat in every single fight, is not a man, but a woman. And as far as he knows, even if women in feudal Japan could once be warriors (see: the Onna-musha), perceptions have since changed by the time of the Edo period. Furthermore, even if women could fight, men were still expected to be stronger, because men are supposed to protect women.
However, I believe that Taigen's particular flavour of misogyny is a little different, in that he does not view women as "inferior." Because remember, his fiancee was Akemi. This was a woman who took no shits! She was snarky and playful and intelligent, and moreover she was a princess, superior to him in every way, and he knew and respected all of that, and respected her as an individual who could make her own choices. When she'd told him the news of their engagement, Taigen asked her, "He's [your father] sure? You're sure?" And then, when she tried to seduce him in Ep 2, he asked her, "Akemi, are you sure?"
His respect for her is the only reason why Akemi had been so desperate to marry him in the first place. She did not love him, but knew he would be good to her. Because she could not guarantee that any other man would treat her nicely as he would.
Thus, with that being said, I don't think Taigen is some "alpha male dudebro" who thinks women belong in the kitchen etc. Instead, I think Taigen simply believes women are just... different from men. So it's not that women can't or shouldn't fight, it's that they just don't. It's not that women can't or shouldn't be friends with men on equal footing, it's just that they aren't. You get what I'm saying?
It's like, imagine your whole life, you're told, and fully led to believe, that a lamp can't light up. They're just meant to be in your house as decoration. And then suddenly, you find out that your lamp lights up! And you're like, "OMG a lamp is lighting up! How is it doing that?! I thought light only comes from candles and the sun! This can't be right, I thought lamps never light up! Isn't that a fundamental part of their design?"
Now, put aside that this is a pretty bad analogy because it's 1am as I'm writing this and I can't think of a better one atm, but I hope the point comes across, in that this is clear-cut misogyny (I'm comparing women to a piece of furniture here on purpose), but the lucky thing about this particular flavour of misogyny is that it's rooted in ignorance, and is not inherently malicious. It can be, but it isn't necessarily.
Ignorance can be undone through learning and educating oneself. And luckily for us, my friends, educating oneself out of ignorance is the entire point of Taigen's character! He represents the uneducated masses who blindly follow the flow of the fucked up system. This is in contrast to Mizu who has never had a place within the system to begin with, Akemi who has spent her whole life struggling to go against the grain of the system, and Ringo who has always tried to follow the system, but due to his disability, is denied full access to it.
Thus, we've already seen him take the first steps to unlearn his xenophobic and racial prejudice, and we've also seen him start shedding his massive ego and desire for glory, which are both used to mask his own insecurities. If Netflix gives us all 4 planned seasons, then we have 3 more seasons for Taigen to fully grow out these backwards mindsets and finally reach his full potential to become—not a good man—but a great one.
THEREFORE, whatever the reason for his upset at discovering Mizu's gender, I firmly believe that Taigen will get over himself in the end, regardless of whether his anger stemmed from his misogyny, hurt, confusion, or whatever else.
Because Taigen's short temper and emotional immaturity is born from him spending his whole life on the move. Unlike Mizu, who is always alone with her thoughts and meditates constantly to try to cleanse herself of her restless emotions, Taigen is used to surrounding himself with people (see:him in the Shindo Dojo) and ignoring his emotions completely (see:him trying to forget Kohama). Which is why, when he does feel anything, it's overwhelming, and he doesn't know what else to do with it except let it out, usually in an angry outburst. Only when given the proper chance to reflect in Kohama in Ep7, does Taigen finally go through some substantial growth and start feeling remorse over how he'd treated Mizu.
Hence, I suspect something similar will happen when he discovers Mizu's gender, in which he will get upset and shocked and confused first, but then he'll reflect and regret and try to make up for his past behaviour.
And this is what I meant earlier when I said that I don't think he'll 't have a "bad reaction."
Essentially, it is my belief that his reaction will not follow in the footsteps of Mikio's, but instead, directly oppose and subvert that. This is related to the points I referenced in the post I linked above, but also, more importantly, because Taigen and Mikio are narrative foils.
Thus, where Mikio had betrayed Mizu and left her for dead, I believe Taigen will, at the end of the day, remain loyal and continue to fight by her side until the very end.
Because the thing about Taigen, as a person, outside of all the attitudes and prejudices that have been ingrained into him, is his relentless devotion. He gives himself into everything he does, puts in his all, and does not do things halfway. That's what makes him such a good soldier. He does not lead, but follows. He is inherently self-sacrificing and driven by a desire to protect, and we see this in how protective he is of Mizu to the point of enduring torture for her and telling her to use him as a human shield; how his first instinct upon hearing Akemi had been dragged off to get married against her will, is to get up and try to go to her; and how, when hearing the shogunate is in danger, he immediately goes straight to Edo palace to try to warn the shogun, even if it might get him killed in the process.
I could go on about why I think this is what makes him so good for Mizu (because Mizu's arc, especially in Season 1, is literally about accepting help and opening herself up to others) but this post is already atrociously long, so I'll just leave it at that.
So, anon, I hope I answered your question! I'm sorry I can never give short answers though, but I think at this point, it's to be expected from me lol. Thank you for the ask btw! And on that note, my inbox is always open for more 👀
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gffa · 6 months
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Hi there! I’m someone who’s been following you for Star Wars for a while but I’ve become really interested in your DC comics posting recently, and I was wondering - since the franchise has been going for so long and has so many instalments - what you would say to someone who wants to start reading these comics/watching the shows/movies but doesn’t know where to start? Have a lot of the comics been retconned? Is there a particular order one has to read in? Where does one even find these comics…?
My interest in this franchise was literally sparked by the Jason Todd telephone poll so I’m definitely interested in reading more about him - he seems like a character I’d like - and the rest of like, the… Batfamily, I think they’re called? I just have no idea where to start lol - my knowledge of DC is limited to seeing bits of Teen Titans GO when I walked past my little brother watching TV, and watching the Lego Batman movie with him xD
Also! If I’m correct, after observing the fandom, Talia seems like an interesting, complex female character (with some bad writing), like Padmé or Bo-Katan? I always love those kinds of characters, just wondering if I’d got the right impression of her.
Hi! You've got a solid idea of things so far, so hopefully, this shouldn't be too hard of a climb to get used to the structure! And I'll do my best to explain the structure of comics without getting too lost in the weeds about it. 😂
INTRODUCTION AND OVERVIEW: In my view, comics aren't meant to be a single coherent whole and it's helpful to drop that idea before you get started because otherwise you'll drive yourself around the bend in a fruitless attempt to make everything line up neatly, when it just never will. There is no one single "true" version of the characters, there is no one single creator who is the highest authority on a character, no matter who created the character or even who is most famous for writing them, these are shared characters being written and drawn by a multitude of authors and artists who all have varying takes on them. The characters should stay true to a core personality and traits, but the flexibility of an author to write a character differently from the last person who wrote them is a feature not a bug imo. I like to think of comics as stories being told by different authors playing with action figures and we're in the audience enjoying these stories, regardless of how some authors fit really well together and others completely clash with each other. You can try to make them mesh (sometimes that's fun!) or you can just shrug your shoulders and pick what you like out of the pile of comics that have been handed to you (you'll probably drive yourself less over the edge this way!). Jason is particularly difficult on this aspect, because he often doesn't have a regular book to be written in and his overall place/point in the Batman comics is murky at best somedays and so he is wildly different from author to author. I personally enjoy this, because I think it works for Jason as a character who has some core beliefs, but also is kind of a mess who doesn't really know what he wants, so he veers wildly from one reaction to another. You can read comics in a variety of ways, but I genuinely do not recommend trying to read "in order" because it's a nightmare to try to keep track of everything once it's been a few years and the numbering of these series is the most confusing thing you'll ever meet. Instead, I think it's better to focus on picking up trades (collections of comics that originally came out in single issues, but are put together in a single volume that tells the whole story of that particular run) that sound interesting or come recommended. (And, honestly, it's not even satisfying even if you did do all the work to read them in order. Throw out the idea that comics have a coherent timeline, because they do NOT.)
CONTINUITIES AND DIFFERENT ERAS: The ONLY context I think you need (other than a general sense of the Batfam, we'll get there in a minute) is to understand that there are sort of four "continuities" that you're likely to run into, and this is EXTREMELY simplified/streamlined, so nerds don't come for me on this unless you have a better streamlined and simple version. 😂 - Anything published before 1985-1986 is all "Pre-Crisis" and while reading a lot of the older comics can be super fun, they're generally not super relevant to current comics - In 1985-1986, there was a comics event (an event is where multiple different comic books are all written to be part of a bigger storyline, whereas normally, they don't cross over that much, each book usually has its own self-contained storylines) called "Crisis on Infinite Earths" (which is different from "Infinite Crisis") that was basically a way for DC to streamline all the different versions of the characters running around into one manageable universe. This ran up until about 2011 and I'll often refer to it as the "preboot" or "post-Crisis" continuity. (This is where Jason's death happened, in the storyline "A Death in the Family".) - In 2011, DC wanted to reboot their entire universe with an event called "Flashpoint", with the purpose of creating an all new lineup of 52 comics that new readers could jump right into, which isn't a bad idea in theory. The problem was that people were really attached to the preboot versions of the characters, a lot of the Nu52 comics were really badly written, and there was almost no collaboration. You expect a certain amount of contradiction just by the nature of comics, but there were major issues with "nobody is talking to each other, so everything is a giant mess".
- In 2016, for a variety of reasons (probably including that sales for Nu52 had dipped back down pretty far again), DC rebooted their universe again, with "Rebirth", which is the continuity we're in now. I'm still catching up (I left when Nu52 happened) but I think a lot of preboot events are leaking back into the continuity, but that's not the same as saying it's equal to the preboot continuity in total. This is also the era that I generally talk about the most because I've found it genuinely the most engaging to get back into! Generally, as long as you understand those four eras of continuity, I think you'll be fine in understanding how things are put together. If you want to know where something falls, just check the date and that'll tell you! But, honestly, yeah, background details change all the time, so even within a single continuity there will be retcons--just that there are MASSIVE differences in the Nu52 era that might confuse you if you're unaware of the reboot shenanigans. (Or if you want to understand how Jason returned--like, preboot continuity has the explanation that Superboy Prime (don't ask) punched reality so hard that it shook Jason back to life, even if they never found out about it, that's what happened. I think Nu52 said Talia dug him up and put him in the Lazarus Pit? Don't quote me on that. I flamed out hard on Nu52. Rebirth continuity, they have no idea what the hell happened and I'm not sure there's an explanation. I just assume the Reality Punch leaked back in or something.)
SO, LIKE, WHAT'S THE DEAL WITH THESE CHARACTERS? AS SHORT AS I CAN MAKE IT: - Bruce Wayne witnesses his parents being murdered in front of him and this traumatizes him so badly that he withdraws from life to obsess over it, eventually travelling the world for several years to learn every kind of skill he can, until he comes back to Gotham at, like 22 years old or whatever and becomes Batman to fight crime. The only rails on this ride is his butler Alfred who basically raises him from the time he's eight and Alfred is working MIRACLES here, but there's only so much even he can do. He is absolutely Bruce's father figure, even if they rarely frame it in those terms, because Thomas Wayne (Bruce's father) is such an important figure in their lives and because Alfred is extremely British. - Bruce is Batman for a few years, usually depicted as being super grimdark because he's shut his heart against loving anyone ever again because the pain is too much. But then one night he's at a circus performance and there's a terrible "accident" where a little 9 year old boy (shhhh we ignore any other versions than that he was nine, dammit, it's important for the thematic parallels!) witnesses his world-class aerialists parents falling to their deaths. Dick Grayson's grief and loss spark something in Bruce and he takes on this grieving, angry, brilliant little boy as his ward. Now, not even God can stop Dick Grayson, who is going to get justice for his parents' murder, so eventually Bruce reveals that he's Batman and Dick basically barges his way into creating his sidekick persona, Robin. Bruce is not a fan of this, but seriously. He couldn't have stopped that kid, he tried. He could only put a leash on him. Dick brings light and joy back to Wayne Manor and they have the most fascinating relationship--they're father & son, they're brothers, they're best friends, they understand each other like no one else does, they fight like no one else in that family does, they love each other, they're so angry at each other, they're co-dependent and absolutely batshit about each other, they basically raise each other from the time Dick came to Wayne Manor. - Dick eventually grows up and starts clashing with Bruce more, especially as he gains his independence. Different versions happen differently in different continuities, but eventually it hits a boiling point and either Bruce fires him as Robin or Dick quits because he can't deal with this. He goes off to become Nightwing, while Bruce eventually meets another kid who (in the most common version) tries to steal the Batmobile's tires because he needs the money. Circumstances happen, Bruce eventually ends up adopting Jason Todd, who becomes the next Robin. Things are relatively stable for awhile, until Jason learns about his birth mother and runs off to try to reconnect with her, except the Joker's got his sticky fingers all up in this situation, and it results in Jason dying in the exploding building.
- Bruce is Not Doing Well after this, so in comes our favorite horrible little stalker gremlin Tim Drake, who hunts down Dick Grayson and says, hey, you gotta become Robin again because Batman's going to get himself killed if you don't. Dick is like, no, I fucking do not. Tim responds with, well, guess I gotta do it myself then and basically barges his way into being the next Robin. He bonds with Dick as a brother (who is far and way Tim's favorite, imo), he does his best to be as good of a Robin as he can be. - Things are better after that, they're fairly well into Batfamily territory by this point. Jason comes back and, originally, it was supposed to be a trick, it was a villain pretending to be him, but was later retconned to actually be Jason who came back and... it's complicated. I don't think they really knew what to do with him once he came back, so he kind of ping-pongs around with varying levels of villainy for awhile. - Then we get to the time around Batman R.I.P. where a lot of shit happens all at once, especially for Tim. Bruce dies fighting a Justice League villain, Tim also has his bio-dad die around this time, his relationship with his ex-girlfriend/good friend is kind of going to shit, the boy he's in love with (not canon at the time, but current day storylines basically confirm it was true) also died and it wrecked Tim, like he lost his MIND over Conner Kent's death, there's this annoying little shit Damian Wayne who has showed up as the bio-son of Bruce, and then suddenly Bruce also dies. And Dick has to become Batman because Gotham needs Batman and he's in mourning and dealing with Jason being back and everything OFF THE RAILS as various people are like, "No, I'M going to be Batman now!" and Dick has to shut all that shit down and take up the mantle himself despite that he doesn't want it AND deal with Damian being an emotionally traumatized 11 year old baby assassin who has been abused into being a killer his entire life (I mean, it's comics, don't take it too seriously) and he needs something to hold onto or he's going to leave and go back to killing, so Dick and Alfred give the Robin mantle to Damian, which pisses Tim off because he's not doing well and sees it as a betrayal (while Dick was asking for his help as an ally, that he was ready to graduate to being more than just Batman's sidekick) because he's lost so much. - So we have Dick & Damian as Batman & Robin (THIS ERA WAS SO GOOD), Tim as Red Robin (fandom way overplays Tim and Dick's tension, they come back together after their dramatic few months), and eventually they find Bruce who was lost in the time stream (don't ask) and then, WHAM, Nu52 happens. But basically, that's the Robins timeline. I'm skipping over Steph's turn as Robin because it was so short and it was clearly set up just to knock her down, as well as not touching on Cass much because this is long enough as it is and I'm trying to circle back to focusing on Jason-friendly stuff.
WHERE TO START: Ask a dozen different people where to start and you'll get a dozen different answers! I think starting anywhere is fine and it's going to depend on what you like--for example, I'm personally not that into the animated DC movies (not enough of my Blorbo) but "Batman: Under the Red Hood" is generally very well-regarded as an updated version of Jason's return and is nicely self-contained if you want to watch it without much other context. I also think watching the Justice League animated series from 2001 is fantastic if you want a funny, charismatic, streamlined adaptation of what the Justice League is like. (Batman: The Animated Series was groundbreaking at the time and a really good adaptation, but very dated by this point in time, so I hesitate to recommend it too much, even though it's beloved to me.) The Wayne Family Adventures is an absolutely adorable, delightful webtoon adaptation that is very light-hearted compared to the mainline comics! I like recommending it to new fans because I think it's super easy to start reading without too much extraneous context and gives you an idea of the characters' relationships to each other, so long as you understand that it is EXTREMELY soft and is much in the vein of LEGO Batman content--you're not supposed to take it super seriously, there are times it's deliberately crossing into something like parody territory, but that doesn't mean it's not genuinely funny, charming, and a great read. @fantastic-nonsense has an incredibly thorough list of recommendations for comics by character here, and you can scroll down to the Jason Todd section and start reading there! Or you can check out the "A STARTING POINT: BATMAN IN OTHER MEDIA" section because I pretty much 100% agree with everything she says about the various adaptations. I like recommending "Young Justice" as an introduction to DC, so long as you understand that it's a loose adaptation and that the team compositions and various relationships are not always going to be accurate to comics dynamics. I have my own comics recs tag, but I'm more Dick-focused, so your mileage is going to vary on how useful you might find my recs! But basically, you can't go wrong with starting with "A Death in the Family", then "Under the Red Hood" (movie then comics) and "Red Hood: The Lost Days". Basically, anything by Judd Winick has a good chance of being a solid read for him. It's hard to recommend Jason comics, because so many of them are either not great or require knowledge of the events that are going on around the same time--but, honestly, once you're familiar with the set-up, I do think you can pick up almost any trade and pick up context along the way. I personally also loved "Robins: Being Robin" series, because all five of the Robins working to solve a case together and being unhinged weirdos at each other is my jam. (But I like pretty much anything Tim Seely writes!) I also always recommend the 2016 Nightwing series because Dick is my Blorbo, but I also think "Robin & Batman" by Jeff Lemire is a fantastic story to understand who baby Dick Grayson is and his relationship with Bruce, and both "The Long Halloween" and "Dark Victory" are some of the best Batman comics I've ever read, but they can be tough to get through if you don't like Tim Sale's very stylized art.
WHERE TO FIND THESE THINGS TO READ? The movies and animated series should be on HBOMax and/or Netflix, and comics I always recommend hitting up your library to see what they have--so many libraries have a ton of comics available, especially digitally! And, if you have a library card, it's very possible that your library partners with Hoopla, where they have a ton of Batman comics! You can also check out DC Universe, which has almost all DC comics if you get a subscription.
TL;DR: If you want bigger context on how all this stuff works, start with either "Justice League" or "Young Justice", they're really cute, fun adaptations. If you want to get straight to the Jason stuff, start with "A Death in the Family" --> "Under the Red Hood" --> "Red Hood: The Lost Days" --> "Batman: Urban Legends vol. 1". (And, yeah, you have the right impression of Talia! She often gets written as a villain, but she's also often a lot more complex than that, it really depends on who you get to write her. The corner of fandom I hang out in is generally more generous to her, but some of the actual comics can be kind of rough. But she's complex and has a lot of sharp edges, so, you know, I love her, too. 😂)
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Drunken Confessions - Bill Guarnere x F!Reader (1st POV)
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Summary: The boys and reader are out for a night of fun and drinking that leaves the reader with little to no memories of what happened after she had a drinking contest with Babe. As things slowly start to drift back to her, she remembers one thing clearly; she spilled her true feelings about Bill to someone. But who did she tell?
Warnings: none really, cursing per usual. No use of y/n or physical description. She/her pronouns.
A/N: I have the biggest respect for the real life heroes of WWII (and all other wars, past & current), this work & all other works is based on the actor(s) and character(s) portrayed in the Band of Brothers series.
A/N pt2: This turned out longer than I thought it would starting out, but I let the fanfic gods guide my fingers and here we are, haha. If anyone likes this enough, I have an idea of a next day smut part 2 I can write. Comments, likes, and reblogs make my day. Thanks for reading!
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I wasn't sure what made me wake up. Maybe the skull splitting headache, or maybe the sun shining through the blinds hitting my face, or maybe the way I'd sell everything I owned for water or maybe my bladder being so full that a single sneeze would cause a mess. Whatever the reason, the barest of movements to open my eyelids made me want to die instantly. The only motivation I could grasp onto to get up was to empty my bladder. Dying from a hangover is one thing, dying in my own piss is not something I could ever live with. The logic of my thought made no sense, but what the hell did I care as I practically crawled to the bathroom.
Once I was relieved and able to draw the last bit of strength I had to splash water on my face and half-ass brush my teeth, I made it back to my bed with a little more dignity. Okay, it was still on my knees but at least I wasn't crawling. A win is a win. A full glass of water on my bedside table catches my eye and I down it quicker than I've ever done before, well except for maybe the drinks last night. How did this get here? No way I was coherent enough to pour a glass of water for myself to wake up to.
As I got more situated in the bed, very much facing away from the windows because I couldn't bring myself to gather any more will power to close them more properly I couldn't stop thinking about the glass of water. And then it hit me that I was not in my dress from the night before or even just my underwear but pajamas. Being aware of how little my brain and motor skills actually worked together when I'm more than tipsy, these things stood out. What the hell happened last night? I tried to focus on my last memories of the previous night hoping that would shed some light on my current situation.
~~ last night ~~
"Oh come on! Are y'all scared to lose to little ole me?" I smiled sweetly to the table, making my southern accent a little heavier to hopefully sway one of them to take on my challenge.
"None of us would lose against you, doll. We just don't want to deal with you tomorrow morning." Toye said, motioning around the table before pointing his finger directly at me. I rolled my eyes and leaned a little closer over the table.
"Nah, I'm sweet as pie darlin'. I think y'all don't want the news spreading that someone in Easy Company lost to a little farmer girl." I smirked at Toye and the rest of the men, daring them to deny it.
"Fuck it, I'll do it." Babe shot up from the end of the table and made his way over towards my section. I beamed at his cocky smiled and made shooing motions to Luz and Perco to make space so he could sit across from me. With a nod to Liebgott, I watched him go off to grab us our first rounds of beer.
As Liebgott made his way back holding two beers, I see Bull, Martin, and Bill following him from the bar.
"The fuck are you doing?" Bill's eyes bounced back and forth between me and Babe. Unsure of who was directing the question to, I shrugged and decided to answer.
"Babe thinks he can handle a drinkin' contest with me." I shoot Babe a wink as he narrows his eyes a little at me. I look back up to Bill when I hear him curse and turn more fully to Babe.
"Haven't I taught you anything? Don't start shit you can't win." He's poking Babe in the chest with every other word, making the other bat his hand away.
"Who says I ain't gonna win? Look at her, she's like a flower. This will be over by the third beer." Babe sits up straighter, setting determined eyes on me. He starts to look more annoyed than ever when Luz, Bull, and Tab start laughing.
"Anyone else, I'd say you had a chance. But she," Tab throws his arm over my shoulders, jostling me into his side, "has come the closest out of all of us to beating Bull. She lost, but damn it was amazing to watch." I give Tab a playful shove, righting myself back to a sitting position.
Babe's face has paled a little but somehow manages to look even more determined to see this through. "I'm still in."
"Perfect!" I smile at him, raising my glass to cheers him. "If I win, you have to be my shadow all day tomorrow to take care of me. If I win, you can get my cigarettes for the next two supply packages."
"Deal." Babe cheers me back, and we take our first sips of beer simultaneously. Bill looks beyond annoyed, muttering 'It's your funeral' and starts back to the bar. Bull sends me a wink, Martin a smile, and then follow behind Bill.
"Buckle up, Philly boy. You're in for a ride." I shoot a final wink at him, and then start inhaling my beer. Babe's shocked face and scramble to follow my lead is the last full coherent memory of that night.
~~
I groan in frustration as the rest of the night seems to dissolve from my mind and I can't comfortably say I know what is fiction and what really happened. I have a vague feeling dancing with Tab, Luz and Toye probably happened. Drinking usually turned to dancing in my case. I prayed that singing at the bar with Malarkey and Muck was fiction. It feels like a huge gap is missing after that (please be fictional) memory and then slivers of different memories start floating out. Suddenly I'm in a cold sweat as bits start floating in.
"He's alright but doesn't hold a candle to Bill. When he actually smiles, it's like seeing the sun shine."
"You can't tell him any of this. Swear it."
"No, I know his eyes and yours are too dark. His are warm and beautiful with small flecks of gold in them. I could drown in those eyes forever."
Fuck me, fuck my parents for having me, fuck my grandparents and ancestors for having them, fuck fuck fuck. I take it back, I'd happily sing drunk songs with Malarkey and Muck for the rest of my life if I can take those words back. And just when I thought my life couldn't get worse, I shot up in bed and another fact hits me...I don't know who I said all of those things to. FUCK!
Hours later, I'm still in bed trying to make myself remember anything about my mystery companion or at the very least come up a way to turn back time. Just as my stomach growls for the fourth time, there's a knock on my door and then it's swinging open. I jump up again for the second time that day.
"Hey sleeping beauty, how's the hangover?" Luz asks, all bright eyes and smiles as Babe follows behind him looking exactly how I feel. I shift up the bed to make room for Luz to sprawl out at the foot of the bed while Babe just curls into a ball next to me, back to the window and sunlight.
"I feel like death." I manage to croak out. It's the first time I've used my voice since passing out last night and you'd swear I smoked like a chimney from the sound.
"You look it too." Luz narrowly dodges the pillow I throw at his face. The movements cause Babe to give a pathetic whine and he curls up even more. "I don't know who pissed in your coffee, but this is not how a winner should be acting." I roll my eyes, smiling briefly as I get confirmation that I did win last night. My stomach growling again wipes it from my face.
"I'm starving. And if I won, that means you're my personal shadow all day today to help me feel better." I give Babe a small nudge, just enough to make him crack an eye open to look at me. "Y'all head down to the mess hall and get me two of everything while I get ready and meet you there."
After a few seconds of Babe making no moves to get up, Luz jumps up and all but starts dragging him towards the door. "Come on, Babe, you heard your mistress." Because his hands are full with Babe, he can't dodge the pillow I throw and gives out a low 'ow' as it connects with his face.
Just as they were about to close the door, I blurted out the question I've been trying to figure out. "Hey, who helped me home last night?"
"Not sure doll, I was playing darts with Martin, Bull and Babe." Luz almost had the door closed when he poked his back back in. "Why do you ask?"
I shrug, praying it comes out nonchalant while I'm dying inside. "Just needed to ask them a question. I think I lost something on the way home and just wondered if they knew about it." Something being my dignity. "Don't worry about it, I'll figure it out. Thanks." With a nod, Luz closed the door and left me to agonize alone.
The rest of the day was the most frustrating day of my life. Not because of the hangover, that started feeling better after I got some food and water, with a splash of hair of the dog, in me. Babe started to perk up too but was still definitely battling it so I took mercy on him and let him go back to sleep until his turn for patrol that night. I had the day off from helping Nixon censor mail and finalize reports so that didn't add to my frustrations. No, all of my frustration was because I spent the whole day tracking down the guys and asking who helped me home. They all gave the same answer: wasn't me.
Through my investigating, I was able to piece a loose timeline of the night. Once our game was over, I started dancing with Tab, the next song went to Luz, and I somehow managed to drag Toye out for the one after that. Once they all declined another song, I went to the bar to get another drink and ended up singing two bar songs with Malarkey and Muck, who afterwards started up a card game with Toye, Tab and Penkala that went on the rest of the time. I apparently stayed at the bar, chatting with Bull, Martin and Bill till Luz and Babe came over and got them to play darts the rest of the night. Liebgott kept me company at the bar, making sure I started on water but eventually left to start flirting with the barmaid that kept making eyes at him. My last hope was Perco but someone told me he left before I did to get some sleep before his morning patrol.
Just as the sun started to drift down, I was at my wits end. As a last ditch effort, I decided to write up a timeline diagram to triple check that everyone was accounted for. Surely one of the guys was lying to me and waiting to use my confessions as leverage for something. I move everything on my desk to one side and start making my diagram. By my third review of it, I can't shake the feeling that I'm missing something. So I write all of the men's names down and start checking them off as I mentally go over the stories again.
Luz...check. Bull...check. Perco...check. Babe...check. Liebgott...check. Tab...check. Toye...check. Muck...check. Malarkey...check. Martin...check. Penkala...check. There's no one left. I was just a lunatic talking to myself and somehow managed to get myself home and in bed like a sober person? Just as I was about to commit to believing that I realized I left one name off the list that didn't show up in anyone's story long enough to be crossed off. Bill...fuck.
I crumbled the paper and practically sprinted to my room, dodging soldiers and helpers like a madwoman. There was more foot traffic as the morning and evening patrol were switching foxholes and dinner was currently going. I managed to catch Babe on his way towards the mess hall and made him swear to tell everyone I was still feeling sick and would be in my room the rest of the night. Thankfully he was still feeling sick, so he took me at my word and didn't pay attention to my erratic behavior.
Back in my room I couldn't decide what I was more humiliated about; spilling my secret feelings about Bill TO Bill or being so drunk I don't know it was Bill I was even talking to. With a belly flop I landed on my bed, pressed my face into my pillow and let out a full body scream. Just as it ended there was a knock on my door.
"Go away, I'm dying." I moved my face to the side so whoever was there could somewhat hear me. It wasn't from drinking but hey, semantics at this point. The knock came again, this time more forceful. "Seriously, whoever is there just let me be." With a huff I push myself off the bed and swing open the door to reveal the cause of all my misery. Bill fucking Guarnere. Fuck me.
He's leaning against the door frame without a care in the world it seems and his signature smirk on his face. He'd never looked better. "You know my ma and sisters would come all the way over here and beat my ass if they ever found out I let a woman be miserable all alone. Especially without food." He raised a small bag to emphasize his point. Without waiting for me to answer, he brushed past me into my room and sat squarely on the bed, leaning against the wall, watching me.
Who knows how long it took my brain to send the right signals to make my body move, but eventually I broke our staring contest, closed the door and made my way to the bed. Because I was basically Nix's aid, I was able to get my own room but it was the barest of bare minimums. Side table, joining bathroom, and a bed against the wall. So the only place left to sit was on the bed with Bill, but I tried to put as much distance as I could so I sat crossed legged against the wall acting as the headboard and looked at the bag he still held.
"What's in there?" I decided the best tactic right now was to pretend nothing happened at all. So far Bill seemed to be of the same mind.
"Bread and some cheese. Didn't know how much your stomach could handle." He tossed the bag to me, nodding his acknowledgement to my quick thanks and I tore it open and started nibbling on the contents. After a few beats, he decided the best time to say something was when my mouth was completely full. "So...heard you lost something last night."
Next thing I know I really do feel like I'm dying as I choke on my bite of food, simultaneously batting away his hands that are trying to reach behind to pat my back. After I get small control over my breathing, I wipe the few tears that formed and down the rest of the water I had at my bedside. Two shaky breaths later all I can manage is squeaking out, "What?"
Bill looks at me with a sliver of concern that I'll start hacking up a lung again, but slowly his normal smirk starts to form and he leans back against the wall. "Luz said you were trying to figure out who helped you home last night because you lost something. Toye and Bull said you were pretty aggressive in your questions about everyone's activities last night. If you haven't figured it out already, I was the one that helped you get home from the bar but I don't recall you losing anything." His posture was relaxed, even lazy, but his eyes were hard and jaw was set. Challenging me to make the next move.
I cleared my throat two times, before I forced myself to speak. "Yeah, I actually figured it out a little bit ago." Bill inclined his head towards me, indicating that he wanted me to elaborate on the 'losing something' part. "I, uh, well I was just trying to figure out who helped me and didn't want Luz asking a million and one questions so that seemed the best answer."
"Why didn't you come find me once you figure it all out?" One thing about Bill Guarnere, he never pulled punches and was a hound dog when he set his mind to something.
"No reason...I, uh, well I just..." I turned all my focus on the crumpled paper bag in front of me so I didn't catch his eyes and completely spill my guts. Sober this time.
"Ah come on sweetheart, cat got your tongue now?" He moved to lean down on his arm, shifting closer to me. "Let me help you remember." With that damn, sexy smirk Bill started recounting the night before to fill in the blanks.
~~ last night, Bill POV ~~
I haven't taken my eyes off her all night. If anyone asked I'd say it was out of concern for how much she drank and watching out for a fellow soldier. That was partly true, but the majority was being jealous. Jealous for how easy she laughed and touched and moved with our friends. Don't get it twisted, we are friends too, closer than most of them but it's not as carefree as these moments I'm witnessing.
It can't be carefree because if I let my guard down for one second I'd spill my guts about how she makes me feel. How everything fades out around the edges when she gives that million dollar smile and her eyes crinkle a little at the sides. How I would do anything stupid again and again to make that little snort come out when she's laughing too hard and can't help it. How I want to protect her from this war so damn bad so I never have to see pain in her eyes. How I'd fight the entire Kraut army for the chance to kiss her just once and hold her in my arms.
But I can't say any of that because I'd rather suffer in silence than risk losing her from my life, even as just a friend. So I stay silent and keep watch as everyone around me enjoys their night without a care in the world, not knowing that my entire world is sitting at the bar alone.
She's just started on a second glass of water when some guy from Fox Company slides up next to her and starts talking. Whatever he said has her turning in her seat to point in the direction of Liebgott that left her for some barmaid. While she's focused on where Liebgott is, I'm focused on watching the guy shamelessly check her out. I down the rest of my beer, shove the glass into Luz's hand and march straight over to the bar before any of the guys can ask what I'm doing.
I make it over just as their hands connect and I can hear them exchanging names.
"I can't believe someone as beautiful as you is here all alone." I'm going to brake this guys jaw.
"She's not alone, private." I push myself to my full height and use my Sergeant's voice. This makes him stand up straighter and drop her hand.
"Bill!" She says my name with so much awe and happiness, as if she hadn't be around me in some fashion throughout the night. Being to drunk to care about policy or decorum she wraps her arms around me and gives me the prettiest smile.
"Hey sweetheart," I give her a soft smile back and wrap one arm around her shoulders, keeping her where she is. I look back at the private with a hard glare and raise an eyebrow. "Need something?"
"No sir, I just came to grab a drink. I'll, uh, I'll just get one over there." He practically runs to the other end of the bar, avoiding anymore eye contact.
A soft giggle, makes me look back down and smile again. "What's so funny, doll?"
"You didn't need to scare him, we were just talking." A piece of her hair falls against her cheek when she laughs again. I move it behind her ear, letting my finger graze her cheek before I answer.
"He wanted to do more than talk, believe me."
"What would I do without Bill Guarnere as my knight in shining armor." The smile she sends up to me is nearly enough to send me to my knees right then and there.
I wrap my other arm around her and drop a quick kiss to the top of her head. "You'll never have to find out, sweetheart. I'm always gonna be there." We stay like that for a minute, which isn't nearly long enough before I say, "Come on, lets get you to bed or you're gonna be dyin' tomorrow."
She manages to be get off the barstool and walk out of the bar so efficiently I wonder if she really is as drunk as I thought, but that hope is dashed once she stumbles over air and starts laughing. I can't help but laugh with her as I grab her hands to steady her.
"We should go dancing." She suddenly says and tries to get me to spin her.
"I don't think that's a good idea. Besides you probably want Tab for that, seems to be your favorite dancing partner. Always smiling at you and everything" I meant it to come out as a joke, but it sounded more bitter that anything. Thankfully she was in her own thoughts and didn't pick up the edge to my voice.
"He's alright but he doesn't hold a candle to Bill. When he actually smiles, it's like seeing the sun shine." She says it like it's a known fact and the most natural thing in the world for her say. It stops me dead in my tracks, which stops her because we are still holding hands.
"What did you say?" I tug her a little so she's turned around and looking at me. She gives a small shrug.
"Tab is cute and sweet but he's not Bill. I'd kill to dance with him and make him smile. It's so rare and makes my whole day when I can cause it."
"Sweetheart, you do know I'm Bill." I wait for the lightbulb to go off as she takes a step closer and looks at my face.
"No you're not, you're eyes are too dark."
"They're the same as they've been my whole life."
"No, I know his eyes and yours are too dark. His are warm and beautiful with small flecks of gold in them. I could drown in those eyes forever." She lets go of my hands and starts walking off to her billet. I know I have the goofiest smile on my face as I watch her, before it's wiped away by the realization that she can't remember who I am. Of course I finally get the girl of my dreams to confess her feelings for me and she doesn't even know it's me she's talking to.
Just as I'm catching up to her, trying to figure out what to say, she turns to me with a panic stricken face. "You can't tell him any of this. Swear it." She grasps my hands again, squeezing for dear life.
"Your secrets safe with me, sweetheart." I do my best to give her a comforting smile to ease her panic, which seems to work. We don't talk anymore the rest of the way to her billet but we do hold hands the whole way.
Once we are in her room, I can tell she's losing consciousness quickly. I find some pajamas for her to change into, helping just enough to make it easier for her change without seeing or touching anything inappropriate. As she finishes changing and crawls into bed, I fill up a glass of water and set it on the bedside table. I take one final look around to make sure she's comfortable and settled in properly before dropping a kiss on top of her head and heading to the barracks for some shut eye before my patrol.
~~ End of Bill's POV ~~
I feel my cheeks burning with embarrassment after Bill tells me the conversation we had. My eyes are firmly planted on the bag in my lap, that I've all but turned into confetti. I feel him shift on the bed again, so he's seated right next in front of me, but I can't bring myself to meet him gaze. His eyes never left my face the whole time he recounted everything and I'm too scared to look and see what emotion I'll find there. Amusement? Pity?
The decision is taken away from me when one of his hands cups the side of my neck and tips my head up to finally meet his gaze. There's a lot of emotion in his eyes, but I can't pinpoint what it is, which scares me even more.
"I'm sor-" I start to say but get cut off.
"Did you mean it?" His voice is soft but firm. He's not going to drop this and seems to be holding his breathe waiting for my answer.
"Yes." The word is barely more than a whisper but I know he heard it from the smile that takes over his face. Next thing I know he's leaning the rest of the way into my space, tilting my head to the side and softly pressing his lips to mine.
My hands reach up to fist his jacket, pulling him closer and the smallest whimper comes up when he nips at my bottom lip. My reaction seems to be all the go ahead Bill needs as he focuses on pulling me so we are flush against each other while taking possession over my mouth. At some point we rearrange ourselves to be laying on the bed, him draped over me like a second skin.
Our kisses between slow and languid to passionate and slightly frenzied. We don't know how long we stay like that, minutes or hours, but when we part our lips are swollen and we are breathing hard. Bill rests his forehead against mine and nudges my nose with his.
"Can I stay the night? No funny business, I just...now that I have you in my arms, I don't want to let you go just yet." He places soft kisses on both my cheeks and then my lips, looking at me with his heart in his eyes.
"I never want to be anywhere except your arms, Bill." I nudge his nose back and return the kiss he just gave. The smile he gives me has my heart melting and my lungs forgetting to breathe.
A few small kisses later, we've arranged ourselves into more comfortable positions; him on his back, me all but laying on top of him, our arms wrapped tightly around each other. Slowly we drift off to sleep with smiles on our faces thinking the same thing:
We have our whole world in our arms.
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wormlette · 2 months
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We are not a pet play expert but we ARE someone who spends entirely too much time working with kink psychology. The good pet play on AO3 is sadly very thin on the ground and we tend to make it harder for ourself by going exclusively for fandoms who have like five authors maximum so we can't offer recommendations but to be quite honest Laios feels like the kind of guy who'd really enjoy a day collar or something similar in that it would give him, like, a physical reminder of being, in some way, wanted, and a tactile sense of connection. Any sort of distinct accessory that serves as a subtle "mark of ownership" during day-to-day works here, but "day collar" is easier to say.
He would probably want to have something that can be tugged on and used as a handle or similar, honestly. He might find use in anything that Chilchuck can use to more easily catch his attention or, like, offer a physical "guide" to move him around by - Chilchuck may not be physically strong enough to actually move him on his own, but a bit of extra leverage can probably get a setup where it's a Noticeable Physical Sensation and Laios can follow through on his own. It would be INSANELY impractical in the dungeon, though, which would definitely put a stopper to it - the handle that you have put in so that your halfling pick-lock can have a shot at moving you around at will can also be utilized by enemies who were capable of moving you around previously and probably don't need the extra handle.
We feel like Chilchuck might not 100% Get the full "belonging" aspect of a day collar, at least initially but he could definitely get some mileage out of adding a built-in handle to get Laios's attention. The issue would, of course, be in getting them to this point - we feel like it wouldn't come up super easily? Most likely, we think it'd be the sort of thing where Chilchuck makes an offhand comment without it meant to be taken Seriously and Laios jumps on it as "hey we could actually do that".
Chilchuck feels like the sort of guy where it simply wouldn't have passed his mind that a day collar could be a Thing and the idea of someone Wanting that would be a bit out of his sphere of... interest? Knowledge? He wouldn't think of it until the idea of it'd be brought up, and he honestly might take a bit of convincing to come around to it. Laios feels like the kind of guy where he thinks about "what if I wore a harness like an actual beast of burden" and then he thinks about that continually for the next five years.
We can probably give advice on tracking down resources on IRL pet play, but we can't help very much with fiction? Our #1 thing that we feel we Need to have in any fic regardless of content is good characterization, and this tends to significantly narrow the margin of Things We Can Recommend because something can be a stunningly beautiful depiction of how to write pet play but we still won't like it if it's OOC and we are unfortunately prone to having the disease where we exclusively get into stuff that has maybe three other people in the same area.
Hopefully this coheres for you we're sort of rambling with hopes that this'll vaguely get at what we're aiming for - we are heavily impacted by our own personal desires to add MORE spec. bio to everything we're into, ever, so we're unclear if our halfling agriculture & domestication thoughts would fully apply?
We definitely agree that dogs would be uncommon or rare - a poorly-trained dog can probably be a very real danger to even an adult halfling, and the larger breeds of dog can get to be bigger than them, which'll be a HUGE risk especially for an environment when they can't be 100% sure of the breed content of any given dog. You can easily run into Issues training dogs as a normal-sized human - it's going to be a whole lot harder and more risky to get something that's BIGGER than you and can seriously injure or kill you to LISTEN, especially when your stakes are "either you do this right or you are at significant risk of injury from a dog that hasn't quite been trained to be considerate around halflings".
If the dog doesn't know precisely how gentle to go with its pack, then even with good intentions, it can hurt someone very badly - you've definitely got to know EXACTLY what you're doing, or otherwise have a very good trainer. Of course, that might be able to add to fun metaphors later, so... depends on how you handle it. Or handle them, as it may be.
We think that the most familiar form of animal agriculture to them would probably involve raising things like silkworms, mealworms, crickets, and other bugs, both for general materials and because they're small enough that "raising bugs for meat" almost definitely gives more bang for their buck than it would for larger races. We feel like larger domestic animals would be significantly rarer, just because trying to tame just about anything long enough to domesticate when you're only 100cm tall is going to be DIFFICULT. Easier to just make domestic lineages of things like "animal where you can put it somewhere dark and damp with some corn meal and potato slices and get ten times the yield after leaving it for a few weeks". Of course, they'd probably have other domestic animals beyond bugs, but we can't really think of what exactly - ferrets, maybe? Humans domesticated them for hunting, but halflings might be able to make more use of them.
Hopefully some of this at least sparks a bit of inspiration for you - we're simply having fun typing Words. Good luck with your writing!
Ok this is so fucking good I need to stop hoarding it. Everytime I go to publish I start rereading and get distracted 😵‍💫😵‍💫😵‍💫 Laios seems like the kind of guy where he thinks about “what if I wear a harness like an actual beast of burden” and then is thinking about it for the next 5 years… HELP… YEAG…..
I FEEL YOU I’m becoming a pet play enjoyer but so far nothing scratches the itch like it does with these two. I must do more research and yet…… I just keep coming back to Them. Laios spontaneously inventing the most avant-garde kinks in the dunmesh world… Chilchuck being like what the fuck. Well. What the fuck. I can’t not get him that. And it has to be made out of good materials. He’d fuck it up if he tried doing this himself. TWIST MY ARM. Sigh.
And god yeah the actual animals that half-foots would have … Chil’s upbringing vs Laios’ (with all his animals) would be so different. Brewing many scenes from this.
DREAMY SIGH. THANK U.
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hahligirl56 · 9 months
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A Glitch in Time Spoiler Discussion pt. 2
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I had to remember where I left my thought process at after the first post, but these panels at the end after the confrontation just break my heart. I’m not sure about you guys…but I have thoughts (that I hope are coherent and make sense as I share them).
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I love (well-written) redemption arcs. Not for the sake of of having a redemption story, but for it to serve a purpose and have a point. This isn’t Dark Danny’s redemption story, but Vlad’s. Maybe. If it sticks and they decide to explore this story further.
But a big focus in this story is the point of having a purpose, and the idea that ghosts have obsessions. Danny and (hopefully) Vlad found their purpose and with it more power. And Dark Danny’s obsession is explored.
In the original TUE special, Dark Danny is a creature of mass destruction, with no rhyme or reason for doing what he does. Even when his creation is shown it doesn’t really logically lead into his current actions. I think this graphic novel does a hand at trying to fix that.
I find it interesting that Danny’s original face is revealed for brief glimpses during these panels. And he’s frightened. You never see Dark Danny being frightened, but if this is what I’m thinking and showing everyone his true self. Well…I’d say I agree with our Danny at trying to find another solution. Dark Danny tells him that he’s lost everything, even things unspoken (his family? As Danny notes). And why did Dark Danny lose everything in his timeline and our Danny didn’t? It’s a valid question. If our Danny didn’t receive the support and guidance from Clockwork and the truth of his future wasn’t revealed to him, he would have walked into it blindly.
It’s not explicitly stated why Dark Danny was obsessed with gaining more power, to become more destructive. But just like vlad notes from his own demons that also make up a part of him, seeking power was a way to prevent further losses from ever hurting them again. I wasn’t sure if Dark Danny would have tried to use Clockwork’s powers to rewrite his own history (although his obsession with his power and his dialogue with Jazz makes me doubt that), but maybe a part of him wanted to, even if he didn’t want to admit it.
I’m really curious as to where Danny Phantom is going to be going in the future. I think this graphic novel was received well enough that Nickelodeon can perhaps realize “Oh, okay then. People actually are still really invested in this show. Let’s see what else we can do.” At least, that’s what I’m hoping for.
But I’m really interested in your thoughts as well, if you have any that you’d like to share (even if it’s just disagreement). Thanks for listening! :)
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kakudo45 · 9 months
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do you have any tips on how you color? your coloring style is similar to what i’m trying to achieve but i have no idea how you actually pull it off
Hi!
I'm gonna separate this question into rendering vs. coloring. I'm not sure which you mean so hopefully tackling both covers your question, although I'm not really the best at explaining things.
For rendering, I usually paint using some square/textured brush (kind of like the one pictured below and a low opacity circle brush (the standard in photoshop, and most painting software). Lately I like using brushsets from the digitalbrushes account here on tumblr.
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I sketch, and then paint underneath the sketch. after i paint for long enough I either delete the sketch layer or I merge the two. I like to add texture where the midtones are. I think a lot of my "rendering style" is probably owed to that.
I like adding texture around midtones. I also like adding limited random variation of color and value to large areas. Like below, you can see that I added a slightly different shade of red to the lit part of the apple in step 3. If you add variation or slight gradation to the large light shapes or shadow shapes you can create the impression of depth. At the very least it looks more fun.
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Also a disclaimer, but for the last two drawings I did I've kind of went off kilter. The process is the same but I used some oil paint brushes I downloaded and I pretty much added as much variation to every shape possible, which I would not recommend unless you're sure of what you're doing. But you can see here that even though I added variation (in color, brush stroke, etc) that the shapes are pretty readable and the light is very clearly separated from the shadow.
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In terms of choosing color, I had a long stretch of time where nothing would look right to me. Things were colored really literally, with no regard for lighting or ambient color (background/environment surrounding characters). I would often fix things up using a gradient map and using color burn or multiply on 14%. Honestly, this is still a great way to make things look coherent, I really like these gradient maps on the CSP asset store if you want to look into them.
My colors improved a lot after I developed an eye for color/figured out what colors I like to put next to each other. I did this by saving and making a folder of any piece I saw that I liked specifically for color. By doing this I got a clearer sense of what kind of color schemes I tend to like. I suggest doing this as well so that you can figure out what kinds of color schemes and pairings you tend to enjoy most.
Hopefully this answers your question <: ] Apologies if this doesn't make sense, it's a bit of a long post.
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bumbburger · 1 year
Text
Shrink rays your Soap
GhostSoap crack, and fluff
Simon woke up to clattering in his kitchen.
He was a light sleeper through and through, even more so when he didn't have Soap huddled by his side.
The first thing he noticed, aside from the noise, was the lack of the smaller man's warmth cuddled into him. That simply wasn't right.
Soap would always huddle Simon well into the morning, until they both would have to begrudgingly arise. But there was no Soap, no running shower, no breakfast cooking. Something was not correct.
Simon grunted, using his palm to rub the sleep from his eyes. He moved his legs over the bed and heaved himself upright, on a mission to see what was causing the ruckus.
He rounded the corner into the kitchen, senses on high alert.
On the floor laid a broken, ceramic mug.
Even more alarmingly, next to the mess sat a little, kitten sized Scotsman.
What.
"Quit yer gawking and help me up you big bastard!" His voice remained gruff as ever, never faltering.
Simon blinked his eyes again, mostly from disbelief.
"...Soap?"
"Get me off this bloody floor already!" He reached his proportionately tiny hands up for Simon, wishing to be picked up.
Simon scooped him up easily in both hands, deftly gentle with the now bite-sized Soap.
"But you're so… small… smaller than before, even-"
"Oh how funny. As if I haven't noticed I'm the size of your shoe!" He huffed, crossing his arms, thoroughly frustrated.
"Alright, alright calm down you little muppet." Simon cooed. "What exactly happened when I woke up?" He ran his thumb over the tiny man's Mohawk, his thumb enough to smother his head entirely.
Soap sighed a bit at the touch.
"Well I was jus' getting ready to make some coffee and breakfast, ya know. Had the mug in hand and everything and suddenly, it was… like a sneeze. I went from totally average sized man to this-" He stammered out, clearly frustrated.
"Maybe it'll wear off…?" Simon offered.
Soap grit his teeth.
"I'm still hungry too, didn't even get my coffee… how messed up is that?"
"I can make you something but… how would you eat it? I can only cut up toast so much- " He gave Soap a sarcastically grin. "I can get the bottle we used for the kitten I suppose."
Soap stiffened, blue eyes glared up at Simon's brown ones.
"Do not use a fuckin' bottle on me, Simon."
Simon chuckled a bit, putting up his free hand defensively.
"Alright, don't come complaining to me when you can't eat nothing because you're the size of my palm." He carefully set Soap down on the table, confident the small man wouldn't just throw himself off of it on a whim. Hopefully.
Simon started scanning their cupboards and fridge for something he could reasonably give to his tiny companion.
He dug through the fridge and discovered a carton of strawberries he didn't remember buying, they were still fresh. He took one out, the smallest and reddest one, and brought it to the table. He set it down beside him, nearly half his size.
"That's… kinda large, don'tcha think?" Soap chided.
"I can cut it up a little, or blend it up. I dunno, maybe you'll have to have baby food-"
"Just cut it up you big brute."
Simon let out an amused huff before grabbing the strawberry again, and unsheathing a paring knife from their knife block, he cut the berry as little and coherently as he could. The berry holds up well for being sliced so small, not reducing to mush under the blade. Simon cuts up the whole thing and places it on a small saucer, returning it back to the occupied table.
Soap stood up, looking approvingly at the pieces of berry.
Simon turned back around to make himself coffee. Normally, he'd like tea this early in the morning but for Soap, he'd bear through.
The coffee brewed slowly, filling the kitchen with the scent. Once finished, he took the mug in his hand and sat down at the table.
He found that Soap made pretty good progress on the strawberry, a few pieces still scattered on the plate. He was a bit amazed that he had gotten that far, really.
Simon took a little spoon, one he'd often use for his tea and dipped it into his mug, filling it with coffee before setting it down on the table by Soap. A peace offering, of sorts.
Soap looked up at him, still chewing with his cheeks full.
"I'm s'posed to lap it up like a dog, then?"
Simon took a sip from his mug.
"I could get the bottle if you'd like."
"You're a mean man, Simon."
"Maybe don't get shrunk next time" He shrugged.
He watched as Soap bent down to drink some of the coffee from the spoon. Simon found himself wondering how beneficial a strawberry and coffee are as a full breakfast. He'd try and make up for it with lunch.
Soap sat back now, arms splayed behind him, propping himself up. Simon swears he hears the littlest hiccup from him.
"Full? From a berry and some coffee-" Simon smiled from behind his mug.
"It was… a big strawberry. Shut your gob" He huffed indignantly.
Another chuckle from Simon.
"What am I to do with you?" He brought his index finger over the table to poke Soap's chest affectionately.
Another huff from Soap.
"I wanna go back to bed… wake up and be normal again…" He rubbed his eyes tiredly.
Simon pursed his lips in silent contemplation. He gazed at the microwave clock, reading 9:27 AM. He supposed it wouldn't hurt to go back to bed for a while.
"Am I to put you in my pocket and crawl back into bed?" He looked down at Soap.
"Oh definitely-" There was no sarcasm in his voice. He really did want to fall asleep in Simon's pocket.
"I guess I can keep you in there while I get some work done, then. That way I can be sure you aren't getting into trouble." Simon glanced at him.
"Aye, kinda always wanted to get wrapped up in your hoodie and take a nap… usually it involved different circumstances, though." He yawned dramatically and stretched his arms above his head, bringing one hand down to scratch his tummy under his shirt. He was putting on a little display, and Simon took his cue.
Gently, he brought a large hand to wrap around Soap's chest under his arms, careful not to squeeze him. He lifted him up and opened the front of his jacket pocket to place him in it. He looked down, making sure he was secure and finally allowed himself to stand. He decided he'd lay on the couch and do some relaying with Price about a mission in the works. His pocket was quiet and warm, a little fuzzy Mohawk sticking out from time to time. There was a rise and fall independent of Simon's own breathing, it made him feel comfortable.
He opened his laptop and worked quietly for a few hours, his tiny Soap never returning to his normal size in that time. It was going to be a long day.
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cosmicjoke · 2 months
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Hi again,
I haven't had time to organize my thoughts coherently so this might be a bit disorganized, apologies in advance lol.
We all know that Levi takes it upon himself in the AOT universe to be responsible for the lives of others, probably because he's the only one who has the strength he does. But does Levi ever expect others to want to care about their fellow humans' lives (especially those in power)? His own value of life might be so obvious to him, so would he expect others to share his value of life? Whether in AOT universe or in the modern world (if he did live in our modern world and didn't have the superhuman strength he does). I mean, in AOT universe, it's clear he can singlehandedly make significant contributions to saving the lives of others, but in the modern world, most of us obviously just aren't that physically strong and/or have very little actual power or authority on our own to help those who are oppressed, victimized, killed even...in the modern world, it's really a collective effort. Our strength is in numbers. So i guess my question is, would Levi hold that expectation of others in the modern world? Like, what if he was placed in a situation where he didn't have the superhuman strength he does, and has to rely on the goodwill and cooperation and *desire to help* of others in order to help people. He values life immensely, but it's also clear that he realizes that perfect peace in humanity is an unachievable ideal, right? Like human violence against other humans has always been and will always be a thing, both in his universe and ours. So while he probably expects that there will always be people who just want to harm their fellow humans, does he also always expect there to be people who want the opposite?
If he *does* hold that expectation for others, do you think he feels disappointment when he is inevitably let down, and he comes face to face over and over again with the fact that some other people simply do not care for fellow human lives? Or does he just set his expectations for others so low that he thinks it's a default for people to behave in that way? And whenever he does meet someone else who values life as much as he does, it's more like just a pleasant bonus rather than a given?
hopefully any of that word vomit made sense lol
These are great questions you're asking me, haha! So first, let me just say thank you. I really enjoy this sort of conversation about Levi.
It's interesting about Levi, because while he has this great strength, and he utilizes it the best he can to help others, he's still faced, more often than not, with sort of his own sense of helplessness. He often isn't able to save as many lives as he wants to, or make as much change as he hopes. He said something along those lines to Hitch, during the Uprising arc, when she was criticizing the SC for getting so many people killed in Trost while trying to capture Annie. He said "Hmph... It makes me sick. We're all in the dark when it comes to how this world works. Other than the ones in the very center, of course..." So I think, even within the setting of the AoT universe, Levi still feels pretty powerless, the same as he would if he lived in a modern world and didn't have his Ackerman powers. I think that's also pretty evident post time skip, after they've lost Erwin. Levi sees himself as a tool, as a weapon to be wielded by others. That's what he views his strength as good for. For Levi, Erwin was the person he sort of relied on to utilize that strength to its maximum potential, and when he lost Erwin, I think Levi felt a definite sense of directionlessness. He wasn't sure anymore how to use his strength to help others, even as the desire to do so remained just as strong. I think it was similar to how Levi felt when he was living in the Underground. He wanted to help people, but there wasn't much he could actually do. He was trapped in poverty and desperation with everyone else down there, and being physically powerful, while it can help in some things, isn't going to do much when we're talking about social inequality or oppression. Isayama said that Levi came to the surface because he wanted to help people, something he realized he was able to do after Furlan and Isabel came into his life; but his circumstances and status Underground limited his options. He didn't have citizenship, for one thing, so he couldn't officially join any sort of service branch, like the military. So I think Levi was always very familiar, even with his exceptional physical strength, with this feeling of helplessness and powerlessness, and a sense of being unable to do much to help others, despite his desperate wish to.
So, going into what you asked about Levi's expectations of others in that regard, I think Levi definitely WANTS people to care about others and to have the same level of respect and sense of value for life that he does. But that doesn't necessarily mean he expects them to be able to protect life or help others in the same capacity that he does. In fact, I think Levi understands and is sympathetic toward people not being able to do much to improve theirs or others circumstances. During his speech to the 104th during the Uprising arc, he speaks about choosing the hell of people killing each other over the hell of being eaten by titans. What he means by that is that he wants people to have a choice. As things stood then, the people of the walls were essentially living in a giant prison. They were trapped and had no options, no freedom, no choice in how they lived or where they went, and through no fault of their own, through no action on their part. It was just how they were born, the circumstances they were born into. So, yes, while Levi definitely understands and is accepting of human nature, of the violence inherent to human nature, and while I think he understands more keenly than anyone the tragedy and inescapability of that reality, he also believes the way people live should be up to them, and he prefers them having that choice, even if it manifests in violence and killing each other, to them having no choice at all and still dying. He calls both realities hell, but the hell in which people get to at least have a say in what happens to them is better than things happening to them which they have no control over.
Levi himself grew up in an environment which left him with no option but to rely on violence in order to survive. So yeah, I think he definitely understands that sometimes people just don't have a choice and that they can't always do the "good" or "right" thing, according to society, depending on the circumstances. He understands that sometimes you need to kill in order to protect yourself or others. He understands that sometimes you need to steal in order to survive. A lot of the characters in AoT look at morality as a static concept, through a black and white lends. They categorize things in two ways, good and bad, and there is no in between. Levi is one of the only characters that understands the fallacy of that premise. Morality isn't static. It's on a sliding scale and it's complex. What's good and bad, what's right and wrong, depends on the circumstances, depends on the situation. It's not always wrong to kill someone. It's not always wrong to steal. It's not always wrong to use violence. It doesn't always define a person's morality or reflect on their worth as a person if they do something which, within normal society, would be considered "bad" or "illegal". I always talk about how Levi is probably the least judgmental character in AoT, along with probably Armin. Levi never tries to tell anyone what to do or what they should think or believe. He always lets other people come to their own conclusions and choices.
With that said, what I do think Levi wouldn't be accepting of and what would really disgust him in another person is a total disregard for life. And that's why Levi hates Zeke as much as he does. Because Zeke shows, repeatedly, not just a deliberate disregard for life, but he also repeatedly expresses actual pleasure in the taking of it. We see Levi express similar disdain for Eren after the raid on Liberio, when he compares Eren's actions to the scum he grew up with in the Underground. What we know from this is that Levi no doubt witnessed a lot of blatant disregard for life while growing up, a lot of people treating the lives of others as worthless, taking life without needing to, just because they felt like it or because they simply didn't care and were apathetic toward other people's lives, and we also know it's something Levi has always felt disgusted by. So while I think Levi is both sympathetic and empathetic toward people not always being able to act and help others, and also toward them sometimes having to engage in certain types of behavior and actions that society would generally frown upon, what I think he wouldn't forgive and would be extremely judgmental toward is deliberate cruelty, dismissiveness and a contempt shown toward life and what he believes is its inherent value. I think, to Levi, that's unforgivable. So while Levi understands the reality that there will always be people who deliberately want to harm others, and who take pleasure in harming others, that doesn't mean he has to like it or forgive it. He accepts that violence is just a part of the world and a part of human nature, and he accepts and even forgives that people are sometimes forced to violence. What he won't forgive is intentional cruelty and disregard shown toward life.
So I think Levi probably is disappointed in the sense that he wishes things could be better, that people could be better in general, while at the same time acknowledging that this is just the way people are and there's nothing he can really do about it. I don't think he necessarily has low expectations, but I think he's always ready to be faced with the ugly side of human behavior. But still, he'll determine the worth of a person's character based on how much respect they have toward life, I think. Again, if someone shows a blatant disregard for life, or shows they don't value life in a truly meaningful way, Levi's not going to think very much of that person. We see that demonstrated in his disgust, also, for the nobility and their greed and selfishness in how they treat the general populace.
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"Ask me anything" huh? Can I ask you to rant about stuff you love about Doctor Who for a handful of paragraphs, with the additional requirement that you cannot use correct grammar NOR can your statements be fully coherent?
Doctor Who is like 50% fun nonsense and I think commentaries on it should reflect that. No elaborate and precise statements, just pure joy unhindered by foolish concepts such as "making perfect sense".
I was waiting until I was close to going to bed to answer this because this really needs my half-asleep brain to answer properly. (Or improperly, in this case.) Now, onto as grammatically improperly as I can make this (hopefully I pulled this off. like to think I did!):
you know what i love about doctor who? i love that this show covers every single genre in the universe. that it is horror and comedy and historical fiction and sci fi and alternate history and dystopian and myths and steampunk and biopunk and murder mystery and western and fairytale because genre doesn't apply, because the doctor is a mad man in a box telling the story, except that they're not, the doctor's not the one telling the story, because this is really a story about the companions of the doctor, the people who are reflections of them, the people who become the doctor, the people who were doctors all along, the people who were kind and brave and traumatized and curious and above all, wanted to see the stars, because this is a story about the stars, about the grand expanse of space and time, about everything that ever was and ever will be, but the thing is, the mechanics of the show and how seasons are shot and that no actor can ever stay young forever, because the show is made with real people, everyone has to move on, and that's the beauty of it, isn't it? that people have to move on.
writers and actors always have to move on but with doctor who, because some genius (affectionate) in the 60s decided that regeneration would get to be a mechanic in the show we get to have an eternal canon, we get to have renewal, we get to have companions reflect back on the doctor in an infinite number of batshit insane and unhinged ways, we get to see hope and grief and a bottomless fall and an infinite rise because the doctor cannot die even though everyone around them can BUT ALSO because this show is about travelling, about running, about having the entirety of everything that has ever existed or will exist or can't exist or might exist at our fingertips.
as a result you can have episodes like midnight and partners in crime in the same season and no one will bat an eye, you can have the farting calcium invasion-of-the-body-snatchers be the monsters that propel two of the best character pieces i've ever seen in my entire life, you can have capitalism critiques involving fish poop under the thames, you can have them visit the greatest people that will ever live and the worst, you can have them inspire artists and scientists before they die and that's just as important as the aliens or saving the world, you see, because at the end of the day doctor who is about love, it's about the small moments as well as the big saves, it's about wilfred staring at the stars and amy demanding her imaginary friend show up to her wedding and harriet jones worrying about her mother and about danny admiring the fact that a student said please and about ryan and graham learning to ride a bike together and about jackie being the last person that mickey said goodbye to in journey's end, it's about love and character development and charles dickens and vincent van gogh getting to smile and laugh before they die, it's about the love, you see?
doctor who is about running as far and as fast as you can because even though you're more afraid than anyone who has ever existed you have to see them all, you have to love them all, because you have so much love you can't contain it in one heart, that's why you have two hearts, because you love so much, too much, and you will never find peace, you will never find an ending, but right here, right now, you can have this. and that will never be enough, it can't be enough, but it still matters.
because the love was there.
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