bro is it weird i generally have no idea what people think of me?? especially in this community (also i forget it’s a Community i’m just like. it’s the people! who like big small! and i’m just kinda vibing in my own parallel lane i think) ,,,like i’ve seen several people recently refer to me as like an influencer or even casually talk about me without me and i’m like wait the fuck i exist in other people’s minds. like?? wait i’m just some dumbass i’m not. a Figure. who. what. not a vent i’m just perpetually confused always it’s almost funny

gently places these in your hands and cartwheels away into the night

Ik there are usamericans following me I have a question for yall , what the fuck do y'all even eat . Like . The typical huge greasy American breakfast has to be an exaggeration but I really can't think of meals that don't contain stuff exclusive to my country and do you guys even have that honestly

Delighted by my morning errand! My nana has… some hoarding issues. A year or so ago my mom and I tried to go in and help her clear stuff out. I was listing piles of stuff for sale for her, she made a ton of cash off it.

But my mom was so rude and judgemental during the process that my nana called it off and told us to stop coming. Most of the stuff we excavated from her garage is still sitting out in her carport.

One of the pieces that didn’t sell was this absolutely stunning old Singer sewing machine. It came in its own table and was in absolutely pristine condition. The machine itself is black with gold accents, really sleek and beautiful.

I mentioned it offhandedly during a one shot to a friend and he asked if I had pictures. I did, and when I showed him he asked what I listed it for.

I shrugged, “I asked 200 for it. It’s in great condition and besides being an antique those things never break. All the same machines on eBay were going for $400-500. But it was too pricey I guess.”

There was a little break in conversation and I saw the wheels turning in his head. “Do you want it?”

“200?”

“My nana will be thrilled, let me set up a pickup.”

So today we met there and he looked it over. It’s just as pretty as I remembered and when we plugged it in it hummed happily along. He was glowing with delight and my nana was thrilled to be making some cash.

I hope he adores it, but I’m mostly just happy it’s going on to be used rather than sitting unloved in her mountains of tchotchkes.

Picking people for his gang like rotten apples off the ground

still caught up on the back door of it all. (yes i'n turning it into my own heavy handed evan buckley style metaphor so what?). buck getting a side of eddie no one else does, this open and vulnerable and heartbroken man who doesn't have to be anything but himself because he knows buck is safety and certainty and of course. buck being let in in a way no one else is, into the deepest and ugliest parts of eddie that he's tried to hide and polish and fix on his own for so long. eddie opening the door wide for him and being shocked when buck asks if he can come in because buck's the kind of person to knock eddie's door down to get to him, but also knowing that buck will always knock first as an i'm here, i'll be here before he pushes his way inside all of eddie's mess. and the back door opening into the kitchen, into the heart of the home generally, but absolutely the heart of their home, buck comes knocking and eddie lets him into his heart without hesitation, eddie lets him into his heart directly, no hallways to traverse through first, one step and buck's inside because when is he not nestled safely in eddie's heart?

Posting my thoughts here too.

PPS; there is something about BGD still looking the same while jake has so clearly changed in appearance. I don't have anything clever to add, except that that stupid fingerless-gloved hand is so quintessentially Dirk, it looks like an aesthetic choice that belongs to a man much younger than Jake. Because it does. Because Dirk stopped, while Jake had to keep going.

definitely do not think about being called tons of masc terms by an f/o. if you’re comfortable with it of course, they make sure before doing so. maybe they start with calling you the petnames/nicknames they’d usually use for you, calling you handsome along with it (‘hey, handsome man’ or a ‘hi, my sweet, handsome boy.’) maybe you like being called pretty boy too, they’d definitely ask first. maybe they focus on the features they adore the most about you.

maybe you ask to be reassured with such words because you feel comforted by it and they don’t mind doing so, but in the end they really do think those sweet things that they mumble in your ear.

had a dream and drew it :o)

can we just listen to Disabled people when they say what accommodations they need??? Like it really isn’t that hard to just take someone’s word on what is best for their own body! Whether it’s more or less or different than what you deem they need it really isn’t your place to say!!!

Sometimes, people need more than they show! Especially if they’re used to being in pain all the time, then they won’t always display that discomfort.

Sometimes the accommodations someone needs are different than what you assume. A friend who struggles with noise sensitivity may ask for you to turn on a different type of music, instead of turning it down, and if that is what they express they need you don’t have to say “oh no I can just turn it down!” and ignore them saying that that isn’t necessary because your idea of noise sensitivity is different than their own experiences and needs.

And sometimes people need less than you try to provide! Or simply don’t want that accommodation at the time! And here’s the crazy part: this applies even if what they say to do could hurt them. Obviously this isn’t a rule for every situation*, but for some it absolutely is. If your friend wants to tag along for, say, a hike, and they have joint pain it isn’t your place to add in “oh no but they can’t do [the hike]! They’ll be in pain! We have to do something else to accommodate them!” If that person expressed a desire to go, especially if offered other options prior that wouldn’t hurt them, let them live. Let them do the thing that puts them in pain, because Disabled people don’t always want to be shoved into a little box of safety. Absolutely sometimes they do, and some might always want to, but if they don’t, then let them make their own choices for their body. Just as anyone else does. You go out and get drunk, even if it gives you a hangover. You go skating even if you’re shit at it and scratch up your knees a bunch. Just because someone is Disabled doesn’t mean that they can’t do the same thing and do that fun thing that hurts them.

I don’t know if I’m displaying my point how I want, so here’s my own example: I am allergic to the cold. Anything below 60 degrees (f) I get hives. Any water cooler than a fucking warm shower I get hives. My joints don’t do great when it’s cold out. This does not mean that when I say I want to go swimming, you can say “oh but you can’t you’ll get hives!” Or “no you can’t do that you’ll be in pain!” Because. I know that. I know that. I know my Disability better than anyone else can, and I can ask for accommodations I need. I am not a child to be wrapped in bubble wrap so I don’t get hurt. My body is my body and I can do with it what I want, and face the consequences. Likewise, just because I said I wanted to go swimming doesn’t mean that when I don’t want to go out and muck around in the snow it is anyone’s right to say “oh but you wanted to swim earlier, so obviously it isn’t that bad for you!” Or “oh it’s fine it’s not that cold! Just wear a sweater!” Because at that time I need and want different accommodations and that should be listened to and considered accordingly, as far as it can be in that situation.

Seriously. Just listen to us. We are in our own bodies. We know ourselves. It really isn’t that hard

*a situation where this point would be null is, for example, a situation where the person has been peer pressured into doing something, or one where you know the person well and know that the endurance of pain is a self-harming behavior

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

Do you have any tips on for people starting a comic and wanting to post to tumblr? Like pacing ect. Or well any experience you’ve had with your comics? Love your content as well ❤️

If it’s simply for fun, and you’re just trying to gain experience, my biggest advice would be to just START. Don’t worry about it looking perfect. Don’t worry about comparing it to other’s comics. Just try something, and if you find it’s not working, you can always change things up. I have gone through several styles and page layouts since starting. Do I wish those first pages of EW looked just like what I’m doing now? Yes, but if I’d waited around for perfection I would have never started. And I wouldn’t have had nearly as much fun creating it! If people like it, that’s great, but your art is for you. If you’re growing and learning and having fun, then you’ve accomplished something!

Now for some less preachy advice 😂…

—If your comic is gonna be hosted on Tumblr specifically, I would say, make sure you keep the 10 image limit in the back of your mind when you’re pacing things. That can definitely cause some headaches down the line. If you don’t plan ahead, and end up hitting it, you’ll have a sudden cut in your flow. This last update I knew it was gonna be long, so while I did plan, but I could’ve planned better.

—Variety is key!!!!!

Composition changes keep your viewers from getting bored. Sometimes I’ll find myself falling back into the bad habit of just doing the simple back and forth with two characters talking straight on, but changing the camera angle, making establishing shots when you change locations, and over the shoulder shots, etc etc…All these will make for a more interesting viewing. You may think a character needs to be in every single panel to make it interesting, but if you have a lot of dialogue, a simple plain shot—either in top of a solid background, or just over something boring, like a glance at the set, etc—this will let people focus on the words rather than splitting their focus.

Variety applies to shading as well—whether you’re using color or black/white. Variety in values are SO important for comics. You’re shoving a ton of information in a limited space, so try to keep your values different for items that are close together….it can make things very confusing and turn your line work into indistinguishable blobs if you shade without this in mind.

(Using this panel as an example….)

The top two panels have a variety of darker values and a halftone background—so the next two with Venus, I kept rather simple. I could’ve colored the buildings behind her, but then, she might’ve gotten lost amidst all the grey. There’s not really any trick or solid rule to this, but once you develop your creative eye, you’ll make these choices without even thinking about it.

A few links to helpful tools (they’re all procreate centered I’m afraid 😅)

Outline brush — a free tutorial for Procreate users. This brush kinda mimics the CPS feature that lets you create panels with a nice black outline. I used this brush very often, and it really gives your panels a professional look. Fair warning, it can be glitchy, but it’s free…

Manero Comic Bubbles and sfx — These brushes are not free, so I would recommend maybe getting in your groove before you try them out. They’re by no means necessary, but I’ve just started using them, and they save me so much time. There’s a HUGE selection of shapes, and they go on with a solid white background, so you don’t have to worry about coloring around your dialogue balloons.

do you ever think about how in the literal very first scene with Rebecca, we learn that Unit Bravo had no idea she even had a kid

she chose UB and The Agency over the detective so consistently, so frequently, that her team didn't even consider that she had some kind of life outside of them, with someone waiting for her at home

i will never be done defending just for once as one of the best songs ive heard from starkid so far. ive flipped through a few of the older non hatchetfield musicals and its STILL towards the top of my list. maybe its because shes ME in another world. if id switched schools earlier, or been "too gay" or "too smart" for the boys in fifth grade. if my shoulder had never healed and i had to quit dance years too early. just for once is a gorgeous, incredible representation of what it feels like to watch everything, even your own life, happen, watch it all from the outside, and never be able to take charge of it.

ruth fleming is a wonderful, weird, gross character and not enough people are cheering for her. in this essay i will

Thinking about Disco Elysium and stars. Something about communal experience and simultaneous isolation, hope and idealism, fear and beauty and terror and burning. The inherent horror in the vast romantic starscape of the sky, the melancholy and loneliness inherent in the untold distance, a communal experience of something too enormous to fathom. Stars bear witness to humanity, to the millions of tiny people crawling on the face of Elysium. They watch the people, and the people watch back, and make up stories about the stars. Stars symbolise love, hope, something unreachable and unattainable.

The way that the light of the stars reaches every single being in Elysium, from human to phasmid, but no matter how far it reaches it is still a cold and distant glow, always on the verge of going out. A moral brilliance, a holy light to strive towards, something always at risk of burning out, but there's a dichotomy too. A duality between the stars as brutal unfeeling observers, moralists even, like the aerostatics flying overhead, tiny dying lights that watch impassively over every terrible thing in the world, and the flipside; stars as the burning kernels of hope, furious burning flames that parallel Harry and his golden-orange forest fire nature. Stars as the light of communism, the star-and-antlers. They're hope and dreams- a million years in the stars. Rockstars and superstars. The light of a brighter future (however short-term that future might be) coming towards them at the end of the tunnel. It makes me think of Sacred and Terrible Air and the light pollution in Vassa- ending light pollution as the world ends. "You may laugh at this, but in the evening, when the big world in the distance swells into a bloody maelstrom, families come out into the street in Vaasa and are insignificant together. Only distant explosions disturb the deep peace of the winter night, its flawless starry sky. Everyone watches, heads tilted back." The stars are a shared experience. Something that everyone watches, insignificant together, when there's nothing more that can be done. Light in the face of darkness, community in the face of inevitability. Togetherness. The stars are there in the church with the ravers. They're there watching Harry and Kim together. Insignificant together. In dark times, should the stars also go out?