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#the morals are all over the place too with the tva
thorarms · 1 year
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The loki series is fascinating to me in that it says so much more about the writers than it ever could about loki himself
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kiteblue42 · 6 months
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Part 3 of what the heck is happening with Mobius anyway?
S2e4- the one where everyone dies and Sylvie hates key lime pie
A very very busy episode with not much time for character work (and a lot of characters to work on too!). We have to rely heavily on what others say about Mobius and body language for this one.
Mobius & teamwork
Previously we have seen Mobius excel at the case work side of his job and we see a little of this here when he works out Victor Timely is in danger at the chocolate machine. But what’s more noticeable this episode is that part of Mobius that enables others to do their jobs - the person in the team keeping it glued together. Examples: calming Victor down at the start, encouraging OB & Casey, even just all the jokes and banter. This is the sort of person that keeps a team together when morale is low. The sort of person that notices if one of the team is troubled by something and tries to fix it - small point noticing Timely wants to go for cocoa and sorting it out. Ever worked in a high pressure environment and you’ll know these sorts of people are what keep the place going. A positive sign for me is that Mobius still kept up his positive attitude even after Sylvie’s rant. On the other hand there is no one keeping an eye on Mobius in the same way he keeps an eye on the team.
Mobius & Sylvie
Ok so this was uncomfortable viewing (not as bad as some of the horror scene ofc!) If you only watch it once it might not be so obvious but once Sylvie starts her rant Mobius is completely silent. (As ever with shout-y and accusatory people what they say probably tells you more about themselves than the person they are targeting it follows that it would be easier to use this little performance to tell us more about Sylvie than Mobius). So everything we get here re Mobius has to come from his body language - very on brand again.
(1) Mobius wasn’t expecting to be attacked. In fact (as above) suggesting they go for a treat break is exactly how he operates and raises morale in the tva team. This is usually well received and understood so at first he just looks slightly stunned & puzzled.
(2) Mobius feelings about “his past life” are very private. When Sylvie talks about the timeline he goes very still and looks down. We know he is sensitive about this because of s2e2 - and we (& Loki) know why but Sylvie doesn’t. So here Mobius looks away to hide.
(3) Mobius does care about the timeline deaths - and isn’t hiding from that. When Sylvie accuses him of not caring about the timeline he meets her gaze again and shakes his head. We (& Loki) know he does care about this as we saw this at the close of S2e2.
(4) Mobius hoped Loki would support him but isn’t surprised when he doesn’t. Sylvie then storms off and Mobius exchanges that first shocked baffled look with Loki. This is followed by Loki walking past him with one glance and not saying anything. Mobius looks down then up to the light and sighs almost with a roll of his eyes - like that hurt but I should have expected it. Later when Loki and Sylvie appear at he scene of D90’s pruning he greets them both with a pretty dark look.
Dox & Mobius
The most ominous piece of mirroring is Dox & Mobius. Dox is a TVA general “true believer” who has just (really this episode) had the realisation everything they did was wrong (speech to Renslayer - now I see the bigger picture etc). We know from s1.e1&2 that Mobius was a true believer too (the jet ski magazine - it reminds me what we are fighting for etc). Mobius says nothing in Sylvie rant scene - and it ends with Mobius sigh, eyes to heaven and head roll with X5s voice over (to Dox) “are you going to say anything?” It cuts to Dox who makes exactly the same eyes cast up then down and head roll body language mirroring Mobius. Dox also does not reply. Dox eventually choses to let Renslayer kill her and her team as she sees no future for them - either in the timeline or the TVA.
Loki comments on Mobius
I’ve said elsewhere (re S2e2) that Loki handles Mobius well - when he’s paying attention - but I’d say here his attention is not on Mobius but Sylvie- and he handled exit from the Sylvie rant badly. It also seems to indicate an expectation that Mobius will understand and roll with it. Nonetheless Loki does lead into his conversation with Sylvie by raising Mobius. Loki is careful what he says here and I think it is a sign that he knows that Mobius would not want him sharing any private information. What he says is interesting “he’s just trying to see in the dark like the rest of us.”
Because Mobius makes light of the situation very few people realise he is in a dark place but Loki recognises this. On a hopeful note (the rest of the conversation is about hope) Loki also reuses the “broken things” line from s1e2. Renslayer tells Mobius he has a “soft spot for broken things” and Loki says “Trying to fix what’s broken is hard”. So we know that (1) Mobius MO is to fix broken things - (2) something that is hard to do. A hopeful note follows then - Mobius is practiced in doing this hard thing and maybe Loki is right to assume Mobius can roll with the punches.
Future
Themes that need to be paid off
- Making a hard choice & hope
- Order & chaos
- Partnerships & trust
It’s possible that the ending of Ep 4 which wiped out everyone means that this is the lowest ebb for these characters and we won’t see Mobius plunge into the level of despair that Dox displayed in this episode. I think that would be a bit of a cop out, but we’ll see. I still think there will be some angst ahead, but the themes seem to be pointing to an ultimately hopeful outcome (or maybe I have just been watching too much Lord of the Rings lately).
Given trailer footage (spoilers ahead if you’ve not seen them) I think:
(1) Loki will deliberately timeslip backwards before he gets hit by the radiation blast. He’ll then use the time loop theme to try to change the outcome. It will take a number of iterations and moving further back in time each time to start again. (There are clips in trailers of timeslipping we have not seen yet)
(2) It will involve him re-recruiting the team and a “we’ve got to get the band back together” - Blues Brothers style ending awaits (hooray). But this will involve some people having to give up good lives to join the team - and Loki will have to use all his powers, charm & mischief to get them back. (We have clips of Casey & B15 on the timeline we have not seen).
(3) Mobius will give up his good life (a pre-tva Mobius jet ski salesman) on the timeline to join the team. (We have clip of Loki timeslipping in front of jet ski store not yet seen). I’ve said before I don’t see a post TVA Mobius being content in this role (doing some jobs change you too much for a quiet life) but I could see him doing this before he ever became an agent - so I’m hoping that’s how this works. And we get a conscious decision to do the “hard thing” and join the team. (Foreshadowed by the “I’d like to thank the guy who bought me here … got me this pie” s2e2).
(4) There is still a risk that this may lead to Mobius death. However, given they killed everyone (except perhaps Loki & Sylvie) in this episode we may be spared further trauma and could get a happy ending for most of the team. I don’t think the explosion was a fake out so unless Loki changes something in the past they all are dead and will remain so and that gives us a better chance for more to survive in the end.
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therese-lokidottir · 2 months
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I feel mcu too much justify about peoples or organization that doing wrong things. Like tva and thanos. I meant they forces us to accept that what they did are justify and good even they did very very very horrible things (along I heard in future project mcu will make thanos more sympathy and having sad sob back story. Just record he already had in comics and mcu will making more sobbing)
You probably tired me talking about this but I can't help it specially there's other example why mcu is suck about this part.
Do you know decepticon? I take referees from transformers prime tv series, why decepticon be like they are today. Turn out cybertron in her folder age is full with corrupt the Senate's are corrupt, slavery is everywhere. The high class sacrifice lower class to they own need, the energies getting low in a word chaos.
Then Megatron (he was lower class) he was leading rebel against Senate with optimus(he middle -lower class) while all Senates were dead. Megatron became to extreme and blind by hate self, specially his friend optimus become prime it's like 'my friend become high class that I hate'. And well Megatron and decepticon becoming to extreme and mean, I meant like while they acre about cybertron they not care about other species, they do conquer to every place.
Decepticon is eiter you dead as hero or live to see yourself becoming villain. While they intended are good (erasing slavery and all caste bull shit) but they become corrupt
Also we all love decepticon for being evil, and we not saying that it's very justify for decepticon to conquer other planets for they own need.
You see here, decepticon is good example they past pretty much justify because well... They want live too and it's about surviving.
While thanos and tva reason was because 'their way are right and other way are wrong'
And the sad part is that we pretty much aware that even decepticon had sad and justify back story, we and the creator self no justify decepticon evil action to other.
But mcu justify evil actions what thanos and tva did, even what they did very very very unjustified.
It was sad if you thinking about it
Listen superhero stories when it was just villain do crime, cause mayhem or take over place/thing and then it was the hero's job to stop villain from doing bad, but then things in the MCU had a frequent habit of being bad guy wants to destroy system and hero must maintain status quo even when the story shows system is bad actually.
Like the problem with Thanos is that Marvel thinks he cool and it never takes the time to demonstrate that his plan is dumb and classist. The reality is that on earth, there's more than enough recourses the thing the prevents distribution isn't that lack of resources it's that distribution takes money. Rather than point out the mass chaos and death that would have been caused by the blip instead they give Thanos an ice cream shop and merch saying thanos was right. Because MCU thinks Thanos was cool and complex and they have people in-universe repeat that sentiment
And as I've said before, the Loki series is a mess of confused morals. Like, truly has no moral or ideals, not bad morals, just no morals either way. It doesn't think the implication of the characters actions through it just presents characters as quirky and likable and then it just makes up whatever to make the fact the they participated in fascism okay.
Just saying it was a lot easier when it was Lex Luther had a real estate scheme that put people in danger and then Superman had to stop him.
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brsb4hls · 7 months
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Adding to the Loki 2 reactions (with spoilers), slightly critical:
*I still like the aesthetic, the set design is great
*trying to figure out if Loki does not quite feel like Loki, because he actually is out of character or because he's in a completely different environment. I mean, he basically went from period piece-like drama and fantasy to SciFi
Plus he actually gets to built connections with other people here (outside of his family), because the show makes room for it, so that's kinda new. And has to be acted out somehow.
*Regarding those connections, I still feel Loki is a bit too emotional and touchy. Might be on purpose to make him more relatable.
(The "she'll be fine" comment after the car crash though felt Loki-ish)
He is more human in the TVA, which is connected to him not having access to his powers there.
I don't have much hope, but it would be neat to see a shift in his and Mobius' interactions once he gets to use his powers more again.
*On Mobius. Intriguing character, still don't completely buy into the buddy vibe. Mobius does care about Loki in a way and there might have been time to built somewhat of a friendship (I don't know, how much time actually passed in season 1).
But imo Mobius still treats Loki a bit like an asset. Their interactions in 2x1 are more about managing. Mobius maneuvers Loki around to keep him out of an unclear situation and in order to get information. He also needs Loki. As an Loki expert Mobius is fully aware how capable and valuable for a fight Loki is. Loki also knows more about what's happening to the time line, so Mobius has to keep him stable and work with him.
I still don't feel he takes him completely seriously. It all seems a bit patronizing.
Otoh Mobius takes a great risk to keep Loki. Might make sense given the overall situation, but is a bit inconsistent.
They should not have forced the buddy comedy imo. I would have enjoyed enemies reluctantly working together way more.
But Loki needs a friend so I take what I can get I guess. And at least it's Owen Wilson.
(I still would love to see Mobius nearly shitting himself over a display of Loki's true power. He is way to nonchalant, which comes with his position and experience of course, but well...)
*Yeah yeah, we all love OB, that's a given
*does time travel in the MCU work like this? Idc, it was funny. The simultaneous conversation with past and present OB was a nice touch, funny and well done.
*was the time slip a one ep kinda deal? Trailer indicates it wasn't. We'll see.
*Hunter B15 being the moral compass, important.
*That TVA council seemed a bit all over the place. What's the course of action apart from finding Sylvie? But yay, Liz Carr.
*So Sylvie thinks Loki's dead-dead? Makes sense, that she would try to built an actual life after everything. The post credit scene was a bit anvil on the head, but I get it in regards to Sylvie's journey.
Btw my guess is Loki will make a sacrifice in the end, but that will probably be leaving Sylvie and Mobius behind so they can have an actual life.
And Loki will be alone again.
It would fit. It would be dramatic enough, but Disney would still keep the character alive just in case. Loki's a cash cow after all.
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musclesandhammering · 2 years
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Loki Westview AU
(Because platonic lokius could’ve done it so much better than romantic wandavision and you can fight me on that)
- Instead of an android/human couple living an idealistic married life in the suburbs, it’s a an alien/human buddy cop duo basically living out a vintage murder mystery in various locations.
-When I say various locations I mean that as in, like… instead of Westview being one suburban neighbourhood it changes into different neighbourhoods every episode. Just to make it more trippy. But it’s still called WV.
-The plot is that people have been dying around the town, and the local PD (including detectives Mobius & Loki, and their colleagues B-15 & Casey) are trying to solve the case and figure out what’s going on.
-Their main suspect is Sylvie, a suspicious drifter that no one in the town seems to know anything about.
-It’s slowly revealed that B-15 and Casey’s minds are being tampered with (and at this point, they’re assuming Loki’s and Möbius’s are too), along with everyone else in the town & they realise that Sylvie has supernatural powers (she kinda sorta fills Agatha’s role).
-They set out to try to track her down and apprehend her, but every time they get close, reality bends/they lose their train of thought/the evidence goes missing/she disappears/etc.
-The big reveal is that Loki was the one that was enchanting them, and Sylvie was just acting as the bouncer. The people coming up dead were actually TVA agents that had found them and wanted to take them back.
-Loki, Mobius, & Sylvie had figured out the whole “the TVA is controlling you” thing in one episode and had decided to hide out in a little pocket of the timeline- that Loki kept casting illusions over & shifting and blending with other timelines (changing locals) so that they wouldn’t be found (yes, he can do that. In this au he’s as powerful as he rightfully should be.)
-They weren’t able to/didn’t have time to convince B-15 and Casey of this so they just brainwashed them and dragged them along.
-A twist is that Möbius’s mind was never altered, he knew what was happening the whole time and was just playing along and helping cover up for Loki.
-The first episode is basically the same as the one in the Loki series- starting with him getting arrested and introducing the TVA and worldbuilding, etc. Except Sylvie basically makes her episode 2 appearance at the end of episode 1.
-The next 5 episodes are the decade episodes.
-Episode 7 is a mix of flashbacks (revealing to the viewer what’s been going on all along), attempts to convince B-15 and Casey to trust them again, and foreshadowing that the TVA is closing in on them.
-Episodes 8 and 9 are the big showdown ones. There’s a badass scene where the Superhero Group We Deserved But Didn’t Get (Mobius, Loki, Sylvie, B-15, and Casey) fights the assembled TVA agents in Westview. The end up in multiple different places all across the multiverse (Lamentis??).
-This ends with them being separated. Sylvie and Casey end up being taken in by the TVA, Mobius and B-15 end up stuck in the WV illusion, and Loki ends up in The Void.
-Kang and the other Loki variants and several other plot points either don’t exist in this au or will just have to wait until season 2, up to you.
-There’s no need for Jimmy or Monica in this au because Loki fully knows what he’s doing, while no one on earth (aside from his posse) notices.
-In this au Sylvie is a likeable person who isn’t forced to be Loki’s romantic interest, shows actual remorse over killing TVA agents, and has a believable build up.
-Loki gets to be the extremely morally ambiguous cunning and manipulative badass we know he can be.
-Imagine the main 5 in six decades worth of detective outfits omg.
-This is purely a suggestion but the Westview locals should be: a small suburban town in the 50s, a hippie trailer park in the 60s, a big city in the 70s, a creepy middle of nowhere ranch community in the 80s, a Miami-like city in the 90s, and a boardwalk town in the 00s.
-All of this is tinged with the looming question of what exactly they’re buying time for- they don’t know how to defeat the TVA for good, they don’t know how to free all the agents at once, they don’t know how to escape them permanently, etc. The entire show is just our main crew existing in a panicked limbo.
-Some episodes are super comical, some episodes lean heavily into the murder mystery theme, some episodes are downright foreboding and eerie, some of them of action packed, some of them are really emotional.
-The main theme running through all of it is trust. Loki and Mobius trusting each other completely after not knowing each other very long at all. The two of them grappling with trusting Sylvie when she still seems shady even to them. B-15 and Casey struggling to trust Loki and Mobius all throughout the story. Just trust issues all around.
-We don’t have to endure all the brown of the TVA for as long as we did in the series.
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bushs-world · 2 years
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Since I am on a 'defend Sylvie' tirade, here's another pov that truly baffles me.
I have time and again seen posts about how Sylvie is a villian, how she has killed innocent TVA workers and she isn't held accountable for it. While these accusations may be true on a surface level, what's really sad is that they completely ignore Sylvie's trauma and the reasons behind her actions to paint her as a one-dimensional villian who is propped up just as a badass girlboss which is far from true.
Let me start off by saying Sylvie is not a hero. She is a heavily flawed, morally grey character. And yes she has done bad things. Also many of her actions aren't from a place of altruism but vengeance. But she is far from the villian some people make her to be.
1. She killed innocent TVA workers
Let's talk about the innocent part for a minute. Yes, the TVA workers are victims. Yes, they have been kidnapped and brainwashed into becoming TVA's slaves. Yes, they have been robbed of their lives. But they are not actually innocent. They have been pruning timelines and hunting down variants. The people who are actually innocent are the people they prune. People who just go about their daily lives until they suddenly appear and take their entire life away from them. People who don't even know what their fault is. You know people like Sylvie. And even if we assume they are innocent, can we just look at it from Sylvie's pov. These innocent people kidnapped her as a child, these innocent people hunted her like a dog and forced her to hide in apocalypses. If above all, we believe Sylvie is still wrong because she killed them, then so are they. How is it that Sylvie becomes a villian because she killed people while the TVA workers are innocent despite killing people? She is a villian because she killed her oppressor's minions?
2. But she hurt innocent people as well
Yes she did. By enchanting them. And she does rely on brute force to get her out of situations. But that is more about her survival, and less about wanting to hurt others and actively jeopardizing their safety which is the hallmark of a villian.
On another note though, at this may be dark, these people are in apocalypses, they are going to die anyway. And since Sylvie keeps returning to the same apocalypses over and over, she may have seen them die over and over again to a point where she became desensitized to them and their pain.
3. Sylvie learns of the TVA workers truth yet doesn't sympathise with them
Of all their reasons, this one really angers me the most. Because first of all, this completely ignores Sylvie's scene with B-15 to fit their narrative. But even if it was true, where does this complaint even come from? From the fact that since Sylvie is a woman, she is automatically supposed to care and look out for other people? Even when these same people turned her life into a living hell? That Sylvie is supposed to put other people and their pain over her pain and cater to them instead of protecting herself?
4. She isn't held accountable
First of all, who will hold her accountable? The shadow organization that controls all of time from the fringes and take away innocent people's lives from them. And secondly, do people truly believe that the TVA are bearers of justice who are metting out appropriate punishment to Loki? Because that is far from true. Loki is a victim of the TVA who hurt and torture him to get him to comply. TVA has no moral superiority over Sylvie so how is she going to be punished? And for another thing, Sylvie isn't hero coded. She is propped up in ep 4 and 5 but that was a conscious decision to make her arc in ep 6 more impactful.
And if we think about it, TVA and HWR aren't benevolent do gooders anyway. HWR's strict policing in the name of protecting the timeline caused as many casualties as the multiversal war if not more. So, maybe Sylvie wasn't too wrong in killing HWR. Yet Sylvie's actions are framed as wrong, HWR's death is shot in a tragic way and it is clearly implied she messed up. She is shown to be completely driven by anger. So, how was she hero coded? How was she portrayed as an awesome girlboss? She kills her oppressor, frees people from TVA's tyranny and still ends up the wrong one.
Sylvie isn't a perfect, poster image of a heroine. But she isn't a villian either. At best, she is a morally grey character or an anti heroine. And while I don't approve of all of her actions, I can understand where she comes from which many people in the fandom refuse to do.
What's even upsetting is that if these same actions were to be done by a male character, the fandom would have been quick to forgive him and excuse his behaviour. But since, Sylvie is a woman these very same actions are heavily criticised and she is painted as a big baf villian.
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galahadenough · 3 years
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I finally put together a review of Loki (TV Series). I've always been a huge Marvel fan, a huge MCU fan, but this show was horrific to me. Especially since I saw the show through to the end, I wanted to write a review for the main reviewing websites. I want this side to be heard. All it took was an immense amount of rage to get me to write reviews!
I’m planning on posting it on imdb, Rotten Tomatoes, and google reviews. So far I’ve gotten errors and issues with RT and google, and I’m hoping it doesn’t get lost on imdb. Any other places to leave reviews?
It took me a while to write this. I had to calm down a lot to make it coherent. Then I had to figure out how to condense it. I felt like a review should be my main points, but it took a lot of editing to get it down this much. (Then I had to make an edited version because google has much smaller word limits).
Thanks a lot @iamnmbr3. Your blog was the first one I found on the topic and it was a huge help. The show felt off from the first episode, but I couldn’t figure out why. Your analysis on the show really helped me to verbalize what I was feeling.
Review (except shorter on google):
As a huge MCU fan, I found the show to be intolerable. The plot was slow with way too much filler for the length of the show, and much of the filler felt purposeless. They could have deleted entire scenes or plot points without changing much if any of the story. The creators deliberately made the aesthetic average and mundane, which didn’t pair well with the underwhelming plot. The show relied heavily on slapstick humor, almost all of which was directed at the title character in a manner that encouraged laughter at his pain and stupidity. It would have been better suited for a cartoon, but it would be a cruel cartoon.
The TVA was presented as the better of two evils despite it being a totalitarian organization utilizing genocide and torture, both physical and mental. It felt very reminiscent of the book 1984 with the Thought Police, but the TVA was never truly represented as evil. Not one character opposed them as a hero or from a moral standpoint. All opposition came from a personal or self-serving motive. I’m not wanting every character to be brilliantly moralistic. That would be boring. But you don’t set up an organization like the TVA and say that they are providing a good and needed service, which was the idea the series was based on and ended on.
Mobius has a personality that is very easy to like, but he is very much complicit with the TVA. He happily 'does his job' of genocide and torture. He is Loki's captor, but we are informed he is his friend. When he isn't actively using physical or mental manipulation and torture, he is deriding and mocking him. There was nothing to indicate that they were friends outside of being told that is true. Mobius was never used as a villain by the show despite him fitting the mold well, but he also never has a redemption arc that would have made him a good hero. His reason for working against the TVA is because they lied to him, not because there is any moral reason. His change in alliances happened without much buildup, no gradual discovery throughout the series.
Sylvie felt like a caricature of a character, with very little to her personality other than grit. I was very bored with her. She was a tough, strong, and perfect character that lacked any other depth or nuance. She was called “terrifying” for being female, which felt horrifyingly sexist. She was yet another source of derision and mocking towards Loki.
Loki, the character, was very poorly written. He has always had a great deal of emotional depth that makes him interesting. He was acted with a range from extreme subtlety to riveting explosions of emotion in previous movies. His past is filled with good and bad choices, made with good and bad intentions. He was the villain who tried to be a hero and the hero who tried to be a villain. They took all that away and made him a side character in his own show who had little to no effect on the plot.
For abilities, he lacked his usual physical fighting prowess. He did very little magic, seeming awed when others used magic. His personality and mannerisms changed drastically. His gestures and expressions in this show were over the top and felt clownish, especially for a character that is known for his subtlety. He felt hyperactive and painfully eager to please everyone. His character is known for his manipulations, but his method of 'manipulation' here is to inform others that he is 'ten steps ahead' of them and is going to trick them. I don’t think that’s a good method of manipulation? Plus, the only effect he had on the plot was to slow down the other characters through his bumbling failures.
In addition, Loki was almost always the target of cruelty. This entire show felt like it was made to mock this character. They used every opportunity to tell us, and Loki, how terrible Loki is. How he is irredeemable and incapable of change. That he is a narcissist, which is inaccurate, and that any Loki is inherently untrustworthy. From birth, I suppose. Physical attacks, such as the slow-motion punch and the time loop where he was repeatedly kicked in the crotch, made me cringe. This show encouraged the enjoyment of cruelty.
As a last point, the show used the idea of representation to draw in viewers while avoiding having actual representation. The show was lauded as being good for bisexual and genderfluid representation. From what I’ve heard, the genderfluid representation was a mark on Loki’s paperwork, which you would need to pause at just the right moment to see. Plus, that makes the “terror” at a female Loki make even less sense. The bisexual representation was shown through a single word, and the character was only shown to be so when they made an entire show to mock and belittle him. That is not good representation.
I was very excited for this show, as well as for the next phase of the MCU. This has left me very disappointed and disheartened. I may not be entirely finished with the MCU, but this is the first part of the series that has killed my excitement for future releases. I get a sinking feeling when I hear about future projects now. I have enjoyed debating creative choices before, but this is not simply creative choices. It is too much cruelty, combined with poor writing and a lack of continuity.
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lokiondisneyplus · 3 years
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Variants. Time Keepers. Apocalypses. Alligators. Jet Skis. Over the course of Season 1 of Marvel Studios’ Loki, the God of Mischief has seen and done it all across the Sacred Timeline. But now at the end of time — literally, Loki has arrived at the Citadel at the End of Time, accompanied by Sylvie — only one question remains: Has this journey changed Loki? It’s even a question He Who Remains poses, reminding the duo that they can’t reach the end until they’ve seen a change: “It needs to happen, to get us all in the right mindset to finish the quest.”
For a trickster who has always been so focused on his wants and needs, it’s safe to say that Loki’s time working for the Time Variance Authority (and then trying to take down the TVA) has certainly shaped him in ways we haven’t seen before. Gone is the Asgardian who commanded people to kneel before him; now, for the first time, we’re seeing a softer side to Loki as he realizes that his choices have consequences and he’s in charge of his own destiny — no one else. Going all the way back to the very beginning of Episode 1, as Loki stands before Judge Renslayer at the TVA, he yells that no one else will dictate how his story ends, and he’s finally doing just that.
“Loki, as a show, has introduced so many complex ideas, and themes, and conversations,” Tom Hiddleston tells Marvel.com. “One of the things I've been so pleased and thrilled to see with the show is how deeply the audience is engaged with the big ideas, the ideas of fate versus free will, agency versus determinism. Do we have the capacity to genuinely choose our path through our lives? And in those choices, where do we derive meaning? To what extent are any of us free? To what extent are these characters free to choose their route through the universe and self-realize and determine the course of their lives?”
Loki didn’t change completely on his own, though, as everyone he encounters throughout all six episodes influences him in ways he never could have predicted, from his surprising friendship with Mobius to Classic Loki reclaiming his “glorious purpose.”
“People latched onto the relationship between Loki and Mobius, and understood that there was a mirror in the two of them,” Hiddleston says. “Both Mobius and Loki had a lot to teach each other. Mobius opens up Loki’s sense of his own identity and that this might be something that's malleable. And then Sylvie opens up something in Loki about the nature of identity. And that Loki is able to then reflect back to Mobius.”
“In Episode 5, suddenly, the conversations the three of them have had [cause] an effect on the variant Lokis — on Classic Loki, on Kid Loki, on Boastful Loki. I like to think on Alligator Loki, too. Maybe he starts to think about free will.”
This all comes to a head when Loki and Sylvie have the most important conversation of all, with He Who Remains. Standing before this man behind the curtain, He Who Remains lays out his entire philosophy, the reason behind the TVA and all the smoke and mirrors. It’s to protect the Sacred Timeline from his own variants.
“This conversation between the three of them about the nature of reality, about the nature of time, about the nature of the multiverse, and the question about whether the TVA organization has any moral authority to determine reality as we see it,” Hiddleston continues. “There's an enormous amount to unpack, an enormous amount to think about, and it provokes as many questions as it provides answers.”
Loki, having gained a new perspective, wants to stop and think about what he’s just learned since it’s heavy. Sylvie, on the other hand, believes “he’s stalling for time and that it’s another manipulation. She feels is on the precipice of some catharsis,” adds Hiddleston. The two come to a disagreement where they both believe they’re the one in the right. Loki wants to weigh the options of He Who Remains’ proposal, and Sylvie just wants this puppet-master dead.
“It’s incredibly distressing for both of them that they disagree in this moment,” Hiddleston says. “It was quite an intense scene for us. We knew we had to be quite precise about the way the scene unfolded.”
Not only are they verbally arguing, but soon both have their weapons at the ready and are trading blows back and forth. (Something He Who Remains giddily watches from the sidelines.)
This finale was the last thing shot for the season, with Jonathan Majors joining the cast, as He Who Remains, for the last week they were in production. From there, it was time to dive into the trio’s conversation and how it caps off all the themes leading up to this point — identity, free will, and accepting yourself, to name a few.
“Right up to the time of the few days in which we filmed it, we were refining the dialogue between Loki and Sylvie because we needed to make sure that there was a balance,” Hiddleston recalls. “Both their positions [needed to be] articulated, and the audience could see the struggle. We worked all weekend to make sure we integrated the scene with the choreography so that it was completely seamless. The disagreement was at the center of all of it, and every word and every move.”
Unfortunately, the two just can’t see eye to eye on the situation — as He Who Remains points out, Sylvie can’t trust and Loki can’t be trusted. Hiddleston even notes, “At the center of Loki’s identity, certainly for as long as I’ve played him, is untrustworthiness. He’s unpredictable and spontaneous.”
But now, with a tearful confession to Sylvie, Loki’s newly changed outlook shines through as he takes everything he’s learned over the course of the series and tries to reason with her. But, “it’s heartbreaking pain because she’s not on the same page.”
“The confession in Episode 6 reveals how much he’s evolved. Sylvie believes Loki’s position comes from the same old motivation to sit on a throne. But it doesn’t. It comes from genuine care for another being outside of himself. It speaks to a theme that was very close to all of our hearts as filmmakers, which was about self-confrontation, and self-awareness, and self-forgiveness, and self-acceptance in some way. That the only way of moving forward is to acknowledge who you are. And then change can begin.”
Making matters worse, Sylvie isn’t the only familiar face Loki loses in the end. Though he ends up back within the halls of the TVA, this isn’t the TVA he left. The choices Loki and Sylvie made at the Citadel at the End of Time are already breeding consequences, one of which is that “his friend Mobius doesn’t recognize him and doesn’t know who he is. His destabilization in that moment is profound.”
Loki and Mobius’ friendship has been a touchstone for the series, and according to Hiddleston, as the show was being developed, their relationship was “one of the things I was drawn to.”
“I’m very moved by the idea of their friendship,” he continues. “I don’t think Loki has allowed himself to have many friends. Because to have friends, you have to be vulnerable, and you have to trust. Loki’s so defensive, vulnerability and trust, those two things don’t come easily to him. Mobius is perhaps the first figure in Loki’s life to sit across from him and reflect him back to himself without judgment, but somehow with compassion.”
“Mobius is able to contain Loki and say, ‘This is who you are. And I understand.’ That feeling of compassion or lack of judgment is new for Loki, and allows him to open up in a way that facilitates the genesis of this unique friendship. Mobius also is surprised by his affection for Loki. And then it’s Loki who teaches Mobius about life outside the TVA, life before the TVA. Maybe he had a life. Maybe he had a family. Maybe he had a jet ski. They mean a lot to each other, and they’ve done a lot for each other.”
With a new Mobius now in the mix, this means that the pair’s parting goodbye in Episode 5 was their final farewell, when “Mobius offers his hand; Loki chooses to hug him and he says, ‘Thank you, my friend.’ That’s very sincere and very meaningful.”
What’s a trickster to do when he finds himself in an unfamiliar place surrounded by people he used to know? That remains to be seen, as the season ends before those questions are answered, laying the complex groundwork for Season 2 and the lingering unanswered TVA questions.
“What’s been fascinating for me making it, and continues to be one of the most interesting questions of our story, is the moral complexity of the TVA,” Hiddleston concludes. “The idea that an organization that claims to govern the order of time with benevolence and precision is actually something much more ambiguous. And there's a question: On what authority does the TVA, or anyone who has set it up or runs it, decide who gets to live and who doesn't, who gets to participate in reality as we know it?”
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kiki-shortsnout · 3 years
Note
21. Listening to someone's heartbeat? From the intimacy prompts, With Loki/Tony, please? 💜
I could've written a whole story with this prompt! As it is I struggled to keep this near 2,000 words! Thank you for the prompt!
~~~~
Where is this place? What is this place? Loki asked himself for about the millionth time, glancing around the room and trying not to fidget on the hard-backed chair he was sat on. He stretched his neck from side to side, trying to relieve the irritating itch he felt from the collar chafing his neck.
He’d suffered through worse. He could endure this.
‘If looks could kill,’ Mobius mocked.
‘What do you want from me?’
‘Well, let’s start with a little cooperation.’
This man knew nothing about him, and Loki had already formulated a plan about how he was going to escape from here, possibly killing him in the process. However, that plan began to unravel the more they spoke, this TVA agent able to strip back every façade, every mask that Loki had constructed around himself.
Only one other person had been able to do that, strip Loki bare and see his vulnerable, true self beneath.
And that man was currently shining on the wall that was playing the movie of Loki’s life.
Loki didn’t react at seeing Anthony again, didn’t give away what they were to each other, feeling himself seethe as an image of them kissing after a battle was revealed.
His greatest secret.
‘A secret Avenger lover! How did you guys manage to hide that? I don’t know which is worse, a hero falling in love with the bad guy who murdered his people…’
Loki clenched his teeth, refusing to speak. It was no one’s business about how he and Anthony had gotten together, what drew them together in the first place. He knew what Mobius was trying to do, but it wasn’t going to work. He was going to escape, find the Tesseract, and convince Anthony for once and for all that they needed to leave their worlds behind.
‘Or the man who fell in love with the enemy, giving up his mission for glorious purpose because of a pair of pretty doe eyes.’
Pushing himself up and away from his chair, Loki paced the room, mind trying to think of a way out of this, to protect Anthony, find a way back to him while eliminating whatever threat this was to them both. If the TVA knew about the relationship, something Anthony had taken great pains to hide, then Loki needed to eliminate this threat.
‘What exactly is it that you want?’
‘I want you to be honest about why you do what you do,’ Mobius answered, still calm despite Loki’s growing agitation.
‘Liar!’ Loki called him out.
Even as Mobius gave a passionate speech back, something about wanting to understand him, Loki paid him no attention, gazing at the hideous orange panels on the wall, feeling the squeeze of the collar on his neck.
‘What makes Loki tick?’
The man reached out and tapped the orange ball on his desk, revealing more moments of Loki’s life, the invasion of New York, his shame, his weakness that he’d nearly harmed the one he…cared about in some misguided quest for glory, his true intentions warped by the Scepter.
He needed to get back to Anthony, to explain it hadn’t been him, that he had been beholden to some trick.
That he wasn’t the monster Anthony had needed to stop, led away by Thor in chains and a muzzle until an opportunity presented itself. Loki was forced to witness his shame again from an outsider’s perspective, the haze of blue in his eyes as he’d forced the Midgardians to bow before him.
Had Anthony known that wasn’t him, that he had been controlled? Why hadn’t Thor seen it?
‘I was... I am on the verge of acquiring everything I am owed, and when I do, it'll be because I did it. Not because it was supposed to happen, or because you or the Time Variance Authority, or whatever it is you call yourselves, allowed me to.’
That wasn’t quite the truth, what Loki truly wanted mingling with the aftereffects of the Mind Stone’s influence, his impatience to get back to Anthony and set things right overriding his rational mind.
Please don’t allow this to change your feelings for me. Please, beloved, please realize it was not me who acted.
‘Honestly, you're pathetic.’ Who was Loki speaking to, the TVA agent before him, or himself?
‘You're an irrelevance. A detour. A footnote to my ascent."
‘If you hadn't picked up the Tesseract, you would've been taken to a cell on Asgard.’
What sorcery is this?
‘What is this? This is nonsense, more tricks. This never even happened.’
‘Not to you, not yet. Look, the TVA doesn't just know your whole past, we know your whole life, how it's all meant to be. Think of it as comforting.’
All his thoughts, his arrogance, his plotting fled as he watched his mother die. For the first time in his life, he was speechless, his desperation making him babble.
‘Where is she?’
‘You lead them right to her,’ the man said, a hint of sympathy in his voice.
‘I don’t believe you. You’re lying. It’s not true.’
He couldn’t be responsible. This was a trick, it had to be a trick.
‘It is true. That's the proper flow of time and it happens again and again and again because it's supposed to, because it has to. The TVA makes sure of it.’
‘Where is she?’ Loki demanded.
What if they have Anthony locked up in his place too? What tricks are they playing on him?
‘Now why don't you tell me, do you enjoy hurting people?’ The man asked again, his voice increasing in volume, making Loki feel as though his chest was being squeezed with overwhelming pressure.
‘I don’t believe you,’ Loki paced in agitation.
‘Do you enjoy killing?’
‘I'll kill you,’ the words were hollow, and they both knew it.
‘Like you did your mother? Like how you attempted to kill Thanos and left your lover alone to sacrifice himself?’
His rage that had been steadily building the whole conversation suddenly dissipated, leaving him lightheaded at the swing between the two emotions, a cold fear now scrabbling up his throat, chasing away the burn of his anger.
‘What happened to Anthony?’
‘Who?’
‘Anthony! Tony Stark! What happens to him?’
‘Does it matter? I mean I know he was your secret lover, but he was an Avenger, an obstacle in your-’
‘Tell me!’ Loki screamed, feeling the furious tears burning his eyes, the onslaught of his emotions frightening him.
He’d shown his hand, exposed his feelings for the two he cherished. Loki had known this would happen, that emotions would make him fragile, defenseless. Now he had no way of saving either and had given the TVA what they needed to blackmail him.
‘You care for him that much?’ All the bluster and posturing from Mobius was gone, a genuine curiosity in his face as he watched Loki.
‘I love him,’ Loki admitted, words he’d never uttered to anyone, not even Anthony. ‘Please, I know you have no reason to trust me, that I’m everything you say I am, but please, let me see what happens to him.’
Sighing, Mobius reached into his pocket and pulled out a separate tape, revealing he held it all along. ‘Here…he was a great man, your Tony Stark. I’ve watched how you interact with everyone around you, your enemies, and the ones you pretended not to care for… it was hard not to be moved by Tony Stark.’
Loki wasn’t listening, trying to fumble with the machine, almost snapping his teeth at Mobius when he reached over to take the recording from him and set it up in the machine. He watched the film, waiting for the moment where Anthony’s life had twinned with his own, when Thor had first been banished and Loki had faced the man of iron for the first time.
Their secret meetings Loki initiated because he’d been intrigued by this morally gray Midgardian, their first kiss, their first tumble into bed. Loki treasured those moments, and now they felt tainted with Mobius’s scrutiny, his gaze leaving grubby fingerprints over their memories.
There were other moments, a future Loki still had to discover. The moment Loki finally confessed his feelings, the heartbreak of betrayal Anthony felt from Captain America (Loki threw the chair across the room at that). He watched as the Hulk creature passed on news of Loki’s death, the way Anthony’s sorrow hardened and was reborn as fury, the catalyst for why he launched himself into space after Thanos’s minions.
And then the end, the blaze of glory, standing alone and proud against the Titan, his beautiful mind destroyed under the effects of the Infinity Stones. Loki couldn’t breathe, his chest trying to move in short sharp pants, his teeth gritted against the pain.
No. Not like this.
He couldn’t see past the agony, couldn’t keep his heart beating with the vile poison of the truth. He could feel a hand on his back, a voice trying to call to him.
‘Please, let me go to him,’
‘Loki, I can’t-’
‘Please. You’ve brought me here for a reason. Whatever it is you want from me, I’ll do it without question. I won’t escape. I won’t betray you, whatever it is you want, but please…’ Loki trailed off, unable to speak past the emotions webbing in his throat.
‘In all my studies of you, I don’t think I’ve ever heard you beg, not sincerely anyway.’
‘You know my…my love for him to be true, that I would not jest about this. Please, Mobius, you have my word, my vow, just please… let me see him.’
‘Ten minutes, that’s all you get. No messing around with the timeline, no giving cryptic warnings. You do anything to divert the timeline Stark is in and I’ll send in a team to prune him and the branch you’ve created, understand?’
Loki didn’t know what pruning meant, but he made an educated guess it had to do with those glow sticks the TVA agents wore and the way they disintegrated the people they stabbed them with.
Nodding, he offered up his hands in a silent plea, sniffing back the tears. Mobius reached out to clasp his hands for a moment, before pointing towards a glowing doorway in the room.
‘Ten minutes and then I’m pulling you out.’
Anthony was asleep in his bed when Loki stepped through, and he rushed over to his bedside, crashing down to his knees as a wounded sound spilt from his lips.
‘You foolish, idiotic mortal, what were you thinking!’ he hissed, the words barely forming sound, not wanting to wake Anthony up or inadvertently cause his destruction. ‘I knew your self-righteousness would be the end of you, that you’d sacrifice yourself in some heroic deed.’ Loki brushed Anthony’s bangs back, leaning forward to press their foreheads together, trying to keep his tears at bay.
He glanced around the room, recognizing it as Anthony’s house in Malibu, no sight of the Avenger Tower. This had to be before New York, before his carnage of Anthony’s homeworld.
‘Lo?’ Anthony suddenly whispered, voice thick with sleep, hands sliding from the bed covers to reach for him. ‘You said…busy…’ he yawned, not entirely awake.
‘I know, dear one, but I made time.’ Loki slid into the bed beside him, taking care to rearrange himself so he could curl around Anthony, protecting him while trying to keep him asleep. He rested his ear directly over the arc reactor, his hand on Anthony’s chest. He could hear the thrum of energy beneath his ear, felt reassured by its continuous sound, knowing it was keeping his mortal alive.
He could feel Anthony’s heartbeat under his palm, never as strong as he liked it, but reassuring enough that Tony was here and alive.
‘I’m sorry. By the Norns, Anthony I am sorry.’
Anthony shifted in his sleep, hugging Loki close and kissing the top of his head.
‘Bad dream, honey?’ he whispered, still sleepy, but trying to comfort him.
‘Something like that. Go back to sleep, darling,’ Loki soothed, hiding the pain in his voice.
He knew what he’d promised Mobius, and his promise to help him stood, but Loki knew he’d twist the intentions of his help to suit his own purposes. He’d find a way to meet these Time-Keepers and bend them to his will. He wasn’t going to lose Anthony to Thanos, would save him from his fate and be together like they deserved.
For now, Loki focused on the sound of his heartbeat, the reassurance he was alive, committing the sound to memory for the next eight minutes.
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iamanartichoke · 3 years
Text
... All right, let’s do this. 
Under the cut bc there’s SO MANY images, and I’m sorry, and I know the cut is worthless to mobile users but, well, here we are. Please don’t unfollow me for this post specifically. 
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^^ I can’t decide if this woman holding the Tesseract is impressive or not bc, I mean, she’s wearing a glove - but, Red Skull probably was, too? Also the TVA are obviously not humans, so “impressive” may be generous. On the other hand, “only beings of enormous power” can wield the Tesseract/infinity stones, so. 
Loki looks pissed. 
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“I know what this place is.” I like this, bc it provides us with some narrative evidence that Loki has always known much more about the universe and How Things Work than anyone cared to realize. Loki’s always known what’s going on; that he isn’t ignorant to the existence or inner functions of the TVA feels in-character. 
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Inception! 
Lokiception! 
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Why does every shot of the TVA’s headquarters look like the inside of a poorly-lit DMV? Though I guess it fits with the “timelessness” of it all as, after all, time ceases to exist or have meaning once you enter the DMV. 
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But I digress. 
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I’ve already remarked on the “I’m smart” comment, but I do like this shot. 
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I really love what Loki’s hair is doing here, I don’t even care. For better or for worse, his hair’s doing it’s own all-natural thing and I dig it. Let it move, let it dance, let it fall into his face and obscure his features as fanfic has allowed so many times. 
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I’m not a fan of the exaggerated jump or “wtf” expression along with “this is absurd” but THIS moment? Classic Loki. He looks 500% done and we’re only 51 seconds in. Also, I refuse to believe that stack of papers is everything Loki’s ever said. I know we all complained about the “you love to talk” line but, I mean, certainly he’s said more than approximately the total sum of Ulysses in his 1000 years of existence. 
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Here’s what I want to know: 
1. How does Loki taking the Tesseract result in so many new timeline branches? Surely he’s only responsible for one new timeline? I really, really hope they address that this is all the Avengers’ fault. 
2. What timeline is WandaVision and TFatWS taking place in? The main one, I presume? How do we know it’s not one of these alternate ones? 
3. Which timeline is Agents of SHIELD in and will they be addressed? Bc they got up to all kinds of Time Shenanigans in seasons 5, 6, and 7 to the point where I’m pretty sure they split off into their own universe (which is why they weren’t affected by the Snap or that whole thing, or so I’ve heard). If Loki crosses paths with Coulson & crew, I may pee my pants.
4. So where does Jessica Jo - ah, forget it, I’m not even going to ask. 
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I wonder what it is about this “unique Loki perspective” that Mobius is interested in recruiting. (Incidentally, I don’t think I’ve ever seen Owen Wilson in, like, a real role - wherein he’s not playing some version of Owen Wilson, that is. He’s got a costume and everything here. Fun to see!) 
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This is a bamf shot, okay. The way it’s framed is pretty intimidating. 
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“You listen well, brother -” 
“I’m listening.” 
^^ I figured out what kind of energy this moment has, lmao. 
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“It’s adorable that you think you can manipulate me.” I mean, do I even have to comment? I am here for narratively validating the “Loki is ten steps ahead” (heh, and I quote) canon. Here’s another place where I feel like Tom was involved, since I’m pretty sure that somewhere, he’s literally said “Loki’s always ten steps ahead of everyone else.” 
That said, I’m not crazy about the delivery of this line; the over-confident tone of it smacks of “here’s someone about to get knocked the fuck off their pedestal” and I’m not here for that. 
That said, these next scenes - 
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- not only show Loki with the upper hand but, also, it’s clear that Loki goes rogue at some point, possibly early on, and I do like that. Drag me if you will, but I want to see Loki scheming and being manipulative, in his own interests. 
I think that Loki being the protagonist will allow them to portray his manipulation in a way that the audience is on his side. I don’t think that the TVA is being framed as the “reliable narrator” through which the audience should view Loki, or “good guys” at all; I think that maybe they’re not evil, but there’s probably a lot of morally-grey shenanigans and goings-on. 
I also think Loki is capable of outwitting them; Loki, being ten steps ahead, has probably figured out something that the TVA has not even thought of yet, so he’s going to fix things his own way, according to his own plan. And I want to see that, because I think that this will give the narrative room to really explore both how Loki thinks and what he does when his plans go awry (as I’m sure they’re bound to do); like, how will he fix it and still remain on top in the end?
So, I mean, I’m pretty intrigued (and still cautiously optimistic). 
Lots of action shots happening, I won’t add even more images to this post, but this magic is still giving me life. 
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What is this, a food court? (Speaking of which , what’s up with all the action in the mall earlier?) 
“I’ve studied almost every moment of your life” 
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(^^ Missed opportunity)
“and you’ve literally stabbed people in the back like 50 times.” 
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Receipts or it didn’t happen, and that’s all I’m gonna say about that line right now. 
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Thanks, I hate it. This is all wrong, this whole thing - just awful, scrap it, toss it out. Tom, I love you, but this was the wrong delivery and an all-around bad acting decision. It’s too over-the-top, too earnestly “well I never!”, too comical (as in, feels like it belongs in a comic with a speech bubble as opposed to funny). 
Once more, with feeling. From the top! 
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I like that we get to see Loki doing a wardrobe change, as I don’t think we’ve gotten to see that before. He always just shows up in a new outfit or illusions one on. 
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That’s one ugly ass outfit, but you make it look passable, Loki. You’re beautiful, in case no one’s told you that today. 
The remaining shots are very visually pleasing and action-y and I dig them, except the volcano one (stop posing with your arms outstretched every five seconds, Loki, it’s kinda cringe. In the above still, it works; in front of a volcano, it’s just tonally off. I say this with love, don’t @ me). 
Overall, I think I maintain my 7/10 rating. I think that the trailer hints at a lot of potential in the story that I will enjoy seeing, and I think that the nature of it being a trailer means that it’s a little tonally hyperbolic (this is kinda the format for Disney shit; show the flashy bits, the funny (”funny”) bits, to draw in the casual viewer. Save the story bits for the show. (Case in point: there’s a lot of great material in TFatWS that happened just before or after the one-liners shown in the trailer.) 
So, yes. Sorry this is such a mammoth post, I just needed to explode my feels. If you think the trailer’s awesome, kudos and I love you. If you’re disappointed and upset, I’m sorry and I love you. If you’re hovering in the middle, still in cautiously optimistic territory, pull up a seat and have some popcorn with me. 
That is all. 
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sincka · 3 years
Text
If You Love Me || Sylki Fanfic
...really love me
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Loki x Sylvie fanfiction
[LOKI FINALE SPOILERS]
dt @entertainmentforgods
(every mean comments about this ship will be deleted. If you don't like this ship, please just ignore.)
They did it, it was over. The impossible had come true.
Their heart beating wildly, the anguish of their uncertainty gradually fades as they understand the finality of it all.
Loki and Sylvie had joined forces to destroy the true mastermind of the TVA. The overpowered individual who pulled the strings behind the curtain.
The Goddess of Mischief dropped her bloodstained sword on the dark ground, making a loud metallic sound. He Who Remains had just gave his last breath.
Sylvie took a deep breath while staring at the inert body of the one who called himself The Conqueror. As Loki stood behind her, he watched her worriedly. She had just accomplished what she had fought for all her life. So many years feeding a justified anger towards one man, for it turned out that the Time Keepers were nothing but a sham. So many years of hiding, of surviving in the midst of so many apocalypses instead of just living fearlessly. Instead of living happily, instead of laughing, smiling, dancing, singing, enjoying the present moment, observing the universe and its many wonders without them being destroyed around her, loving and being loved in return... All of that was taken away from her, because The Ruler had decided to do so. Because only one man had made the decision to sacrifice her timeline and her family and those she loved. She had lost everything as a child, because a human had condemned her existence.
And now, the latter had just died. He had lived millions of lives, and the last had just ended, killed by the vengeful hand of an innocent orphan.
Slowly, Loki moved closer to her as he kept his eyes on her. Then when he was right behind her, he gently took her hand to try to get her out of her torpor. Her face turned to him as her gaze was drawn to the ground. She was still trying to regulate her breathing and realize the previous events.
"Come with me…" He half-murmurs, his blue eyes tinted with green watching his partner's reaction carefully, anxious to see her breaking down despite her strength to contain her emotions.
It was then that she nodded softly, still too absorbed by this decisive moment in her life. Sylvie turns to him with the intention of following him, no matter where he wanted to take her.
A few seconds later, both found themselves outside the entrance to the Citadel.
Loki went down the few steps, before sitting quietly on one of them. His teammate was not far away and she watched him get comfortable, while thousands of thoughts jostled in her mind. Curious, Loki brought his attention to her. When their eyes met, she began her steps to him to sit beside him on the step.
A deep sigh escaped her lips as she sat down comfortably, her eyes fixed in front of her, finally noticing the awe-inspiring beauty of the sacred timeline they both would have admired sooner if it were in a less disastrous context. But now as they ran after time, it was as if it has just stopped.
The variants observed this painting before them, this masterpiece born from space and the end of the universe. For a moment, a pleasant silence rocked them in a surreal dream. Their eyes shine brightly, illuminated by the cosmos and time materialised in a perfectly fluid and sparkling line. But also, their intense feelings took over and tears had formed.
Hesitant but at the same time strangely confident, Loki turned to Sylvie, only able to imagine how she felt now.
"You're okay ?" He dares to ask softly.
Suffering of an internal conflict, Sylvie keeps her eyes wide open and try to look indifferent.
"I accomplished my mission, how do you think I feel ?" She replies naturally, almost on the defensive.
"Relieved ?"
"Yeah, among other things." She confirms with obviousness.
Amused by her slightly aggressive responses which, according to him, are what make her what she is, the god of mischief ends up stretching a tender smirk, realizing that this tone will never leave her no matter the situations in which they find themselves, as dramatic and catastrophic as they may be.
Innocently, Sylvie ends up looking at her partner.
"Why do you smile ?" She asks.
He smiles a little more.
"The real question is... why don’t you ?" Loki retorts, eyebrows raised.
The Enchantress raised her eyebrows in turn, that desperate, lonely look that makes her charm appearing on her face. What to answer to that? She had learned that Loki was insightful about her, but she wasn't used to being the center of attention that much.
"Why seek answers to trivial questions." She asks rhetorically as she looks away from him.
After a while, Loki also turned away, dissatisfied with her answer but still preferring to let go.
"So this is it..." He starts. "It's done."
"It's done." Sylvie asserts, nodding her head a little.
His eyes going here and there, Odin's son was asking himself lots of questions. Including one in particular.
"What do we do now ?" He wonders, seeming lost.
Sylvie took a deep breath again, ignoring like him the future of events.
"Should we go back to the TVA ?" Loki continues, bringing his gaze back to the one person he trusted.
"Why ?" She asks softly. "They don't need us anymore."
"But we don't have to hide." He responds with a comforting smile. "We are their allies."
"Is that what you want, to go back to the TVA ? But to do what ?" She asks again, looking into his eyes.
He thought for a moment, trying to unravel this enigmatic knot, stepping into the unknown.
"The Sacred Timeline is free" He said, emphasizing the first words in an exaggerated and caricatural way. "Maybe once we get there, we can look for another timeline where we can... fit in ?"
A silence took hold of them, leaving for only words the looks they exchanged.
Sylvie then ends up lowering her gaze in the direction of her own hands, revealing between her fingers the object that the Conqueror kept around his hand. The tempad.
"How about we take a break, until one of us finds a place to go ?" She offers softly, lost in thought as she doesn't take her eyes off the object.
"What, here ?" Loki asks, uncertain and surprised by her answer.
"Why not..?" She replies, her eyebrows raised, her mind being elsewhere. "When you've seen thousands of apocalypses, The Void isn't as bad as it seems."
Loki takes the time to consider this idea, thinking about everything else. The members of the TVA, the sacred timeline that has become completely independent, the very few people to which he is attached. They had just accomplished something huge, should they just ignore the multitudes of consequences their act caused ?
"It's over, Loki." Sylvie said, looking up at him.
Again, his gaze plunged deeply into her eyes
"We did what we had to do." She continues, looking serene.
"What if they still need us ?" He asks, referring to the TVA, specifically Mobius and hunter B-15, the only two people who believed in them and offered their precious help.
Sylvie watched the sacred timeline as it gradually divided, and she sighed.
"I am tired." She admits, ignoring Loki's question. "And you ?"
Loki admired the many timelines that continued to split, before taking a deep breath.
"Yes, me too..." He answers softly, releasing his breath, releasing the pressure he had been holding since his arrival at the TVA and which he hadn't known he had kept in him all this time until now.
However, he couldn't shake off his negative thoughts and all his apprehensions about the completion of their mission and the impact it will have on the trillions of people the universe can create. The god of mischief had, against all odds, developed a conscience and a moral code. Yes, they had delivered the world by giving it back its free will. But for some reason that he didn't quite understand, he began to doubt.
And buried into his torment, Sylvie brought a comforting hand to his.
Loki laid his eyes on this delicate hand, yet belonging to that of a warrior, his heart missing a beat at the gentle contact of the one he had become crazy about. In this moment of complexity, in this major turning point for the multiverse, he almost forgot his feelings. He almost forgot the way they looked at each other in the Citadel as they walked into the darkness. He almost forgot the moment she had gripped his hand in the Void, in front of Alioth, hoping to help him unleash his enchantment powers.
Suddenly caught up in his emotions, he looked up uncertainly in the direction of his partner. Then, she gave him a brief smile, but oh so genuine. The same smile she had given him on Lamentis, while everything around them was death and destruction. Apparently everything was written. But he decided to ignore this detail that the conqueror had shared with too much pride.
Still confused by these unusual feelings, Loki returned that affectionate and heartwarming smile. Only, looking into her expressive eyes - but in the greatest secret, a loving gaze- he realized that the very thing he wanted above all now was to never leave her again. To stay by her side, as long as possible, even forever, better than that : beyond death. His desires made him all the more nervous. He never thought he would be so consumed by his moods, let alone by a loving emotion that possesses him more and more after each day he spends in her company. Nevertheless he wanted to seize this desire and make it come true.
This time, it is the TVA that he forgets, it is the universe that he neglect, it is the time that he ignores.
It is his glorious purpose that he gave up, because he found a new one...
"Sylvie..." He said, drunk with love for her. "I..."
"No, Loki, wait." Sylvie interrupts him, being totally lost and frightened at the same time. "I have to tell you something..."
"Yes ?" He asks, innocent, patient, in love.
She looked at him intensely, trying to express herself. Something seemed to upset her. Loki was trying to read into her eyes, to read her face, when no word could break the barrier of her lips. Disturbed by this confession, it turned out that it was getting stuck between the walls of her throat.
So the Prince of Asgard frowned, intrigued by the torture she was inflicting on herself through this mysterious revelation.
"I..." She starts before her lips instantly seal.
She took a deep breath, bracing herself for another attempt, as Loki's piercing, loving gaze dug into her pupils until it consumed her whole being.
When finally, in complete disarray, she ends up throwing herself at his neck.
Her lips crashed against his, tenderly, passionately but mostly timidly. Surprised but more than grateful for this proof of unexpected love, Loki was not long in returning her kiss with just as much fervor.
Sylvie had never been attached to anyone. She never wanted to be weak because of her feelings. She would never have dedicated herself to someone body and soul, for trusting and breaking down the imposing and solid walls she had built around her was inconceivable. And yet, faced with the many selfless acts of the one who had irrupted into her plan, she had found herself giving him importance. She hated knowing that she was only considering trusting him. She hated the fact that he could climb these walls she had locked herself between.
Worse yet, she was terrified to find herself reaching out to help him climb.
Eyes closed, they kissed each other with fragility, embarrassed to feel such intense emotions but oh how much they surrendered to them.
Sitting side by side, they relished this moment of sincerity and calm after all they had endured. The highlight of their journey. The completion of a battle for freedom, the same cause that the rightful king of Asgard fought against to make it inaccessible to the people of the earth. This cause that he finally chose to defend ; for him at the beginning, but for her on the way, and for the others at the end of their fight.
Slowly, they parted. Loki then dared to rest his forehead tenderly against hers. They kept their eyes closed, as if to immortalized this moment in their memories, for who knows what might happen to them tomorrow.
That's why he whispered these few words :
"You're right, I... I'm a little tired..." He admitted again hesitantly, unsettled by this moment of pure sincerity.
Keeping her forehead against his, Sylvie nodded gently, not daring to open her eyes to face the truth she still had trouble swallowing.
"Let's stay here..." Loki continues.
"Only for a little while." She continues nervously, muttering her desires like him, probably too afraid that someone will hear them or too embarrassed to admit she is weak in front of him, while he is weak in front of her.
"Yes, after all... If something goes wrong, they know where to find us, right ?" He responds with a raised eyebrow as he still kept his eyes closed, trying to reassure himself by making excuses to stay.
"Yeah, of course, nothing prevents Mobius from coming back here." She confirmed casually.
"Well, unless... Unless he had to prune himself." He said worriedly. "But it’s not as if we have no way to reach them !" He adds anyway, optimistic and trying not to feel guilty.
“Yes ! We have the--” She mimics his optimism, as she pulls away from his forehead to observe the object in her free hand.
"T-the tempad..." He confirms by muttering and nodding his head, bringing in turn his attention to the latter.
The taste of her lips was still too present on Loki's for him to think properly. However, he was trying.
Shyly, he finally looked at her again, a quiet smile displayed on his face.
Of course, Sylvie had noticed it. How to ignore him ? So, embarrassed, she gave him an uncertain look, having no idea how they should react now. After all, despite their thousand years of life, the variants had never really been devoted to feelings or romance that seemed more than superfluous and unnecessary at the time. Although they were aware of their emotions, repressed or not, knowing how to react to them was still an area to be explored.
The landscape around them gradually brought her back to reality. Then, looking worried, she turned her gaze to the entrance to the Citadel. She remembered the corpse of the He Who Remains, the one who had wiped out her timeline and certainly thousands more.
Loki frowned, noticing the change in expression on his partner's face.
"Are you sure you’re okay ?" He asks once more with patience.
Lost in thought, Sylvie continued to look at the place where everything had changed with a blank stare.
"No..." she sighs slowly.
The god of mischief was envious to possess the complicated mind of his variant for the sole purpose of finding the source of her ill-being. It would be enough for him to touch her to enchant her, now that he knows the secrets of enchantment. However, would he dare ? He hesitated for a fraction of a second, before totally rejecting the idea away from him. He was incapable of defying her trust, for he knew full well that he would risk a lot if he tried. Especially since he was still cruelly lacking in experience concerning enchantments.
"But when I wake up tomorrow knowing that the one responsible for all this horror is only a memory, then I could savor every second of my life." She asserts returning her attention to Loki as if nothing had happened, speaking with confidence and lightness.
Perplexed but somewhat reassured, he just nodded briefly, straining to accept her answer. However, something in him told him that she wasn't being entirely truthful.
"...Glorious purpose." He said, trying to lighten the mood.
"Mh..." She only answers, a quiet smirk nestling in the corner of her lips.
Calm eventually took over. Neither of them spoke, only watching the story of trillions of lives forming before their eyes in those many fluorescent lines.
"We're not leaving." He speaks up, his statement sounding more like a question mark.
"We're not leaving." She repeats with a little more conviction than him.
Slowly, he finally took a light breath, before sighing in contentment.
After an extremely difficult journey that could have cost them their lives, even though the Ruler had decided that they would be spared so that they could both achieve their goal, they were going to be able to rest, they were going to be able to breathe. Because even if the gods have more ability than humans to resist fatigue and pain, they could do nothing before the effervescence of their emotions. And as tough as they could be, they were tired, mentally and physically.
Thereupon, on this mutual agreement, the two variants had decided that it was time for them to rest for a while. They didn’t know what they were going to do. But they had decided to figure this out…
Together.
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worstloki · 3 years
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I wrote something part two, electric boogaloo. I refuse to write anything but dialogue.
Also I made up Sylvie's origins because I'm hot and deserve to.
(submitted by @lookimtryingmybest)
“What are we doing here?!” Sati exclaimed, looking at their surroundings. A supermarket in the middle of a fucking hurricane. “Did you just take my Tempad?!?!”
“You were panicking! If you panic I panic, so I just decided to leave!!” Loki said, trying not to scream and failing. “And this is not your Tempad, it’s Mobius’s!”
“Well I stole it first!”
“Well, congratulations! Now, can you calm the fuck down?!”
“I’m calm!”
“Then stop screaming!”
“Fine!”
“Fine!”
They stared at each other, as Sati ran his fingers through his hair. The roots were starting to show.
And then Loki noticed. Sati’s seidr. He had one. It was subdued, almost borderline repressed, but it was there. Muted tones of green and rusty gold, swirling around protectively. It almost looked as if they where hugging him, providing comfort in their own way.
It reminded Loki of his own.
“Sati.” He called, trying to get the attention of the other. “Sati.”
“Not now, Loki.” Sati said, typing into the Tempad. “I’m trying to fix the mess you’ve done. You’ve sent us to one of the apocalypses I had considered as a possibility, and we shouldn’t be here.”
“Sati, look at me.” Loki said, trying to take the Tempad from him. “Sati, you have seidr!”
“What?” Sati said, stopping. Loki took the Tempad from his hands. “Hey! What do you mean I’ve got seidr? I can’t have seidr, I’m not from the nine realms!”
“Then where are you from?” Loki said, making the Tempad disappear into his pocket dimension.
Sati opened his mouth to respond and then stopped. Frowned. “I– eh–”
“Am I… interrupting something?” Asked a blond woman dressed in Asgardian armour, looking at both of them. She was eating chips.
“You.” Loki said. He turned to Sati. “That’s the variant.”
“Yeah, no shit Loki.” Sati said. 
The variant rolled her eyes. “Oh, great two Lokis.” She threw the bag of chips aside and pulled out a sword. “And TVA aligned, truly, the other Lokis would be so disappointed in you guys.”
“Wait, wait, wait, I’m not a Loki!” Sati said, backing away. “And I certainly don’t want to fight you!” 
“You are a Loki!” Loki screamed in realization. “That makes so much sense.” He turned to the variant. “Could you give us a moment? I’ll fight you in a few moments, just wait. Finish your chips.”
“I am not a Loki, and we shouldn’t be here.” Sati said. “If she doesn’t kill us, Mobius will!”
“We’re not going back to Mobius, he’s a dick.”
“You can do whatever the fuck you want, but I have to go back!”
“You’re me, so you can do whatever you want too!”
“I’m not a Loki!”
“You are! You know everything about our life, you have the same seidr as me, the same sense of humour and the same trauma response around Thanos.”
“You didn’t panic around Thanos.”
“Yes, I was focused on the fact that you were panicking. It’s called repression, it has worked my whole life.”
“No it has not.” Sati said. “And don’t refute me, I know your whole life by memory.”
“Because you’re me.”
“I’m not you.” 
“You are.”
“‘M not.”
“Boys.” The variant said. “You are boys, right? Anyways, are you gonna stop arguing and fight me or something?”
“I’m having a crisis here!” Sati said. “Where’s my Tempad? We need to go back.”
“Pocket dimension.” Loki said. “And we’re not going back.”
“You can’t keep me from coming back!”
“I can and I will.” 
“That’s kidnapping!” 
The variant observed them biker back and forth, before rolling her eyes and attacking.
Loki yelped, pushing Sati away as he pulled out a sword out of his pocket dimension.
~Ω~
When Sati opened its eyes again, they had changed locations to a small cafeteria. There where sirens sounding, probably alerting people of another destructive natural event. 
And then it saw Loki and the variant sitting in a table, sipping coffee and discussing… daggers?
“What” It said, sitting up from the couch he was in. “Weren’t you fighting?”
“Yes.” The variant said, just as Loki made a cup of hot chocolate appear in front of an empty seat. “But then you passed out, the TVA appeared, and Loki stabbed the guy with the weird mustache.”
“You stabbed Mobius?!” Sati almost screamed.
“Lightly stabbed.” Loki said. “I’ve done worse to Thor on sparring sessions, truly.”
“Mobius isn’t Asgardian, it’s not the same.” Sati said. It grabbed its cup. It tasted wonderful.
“Yes, anyways, we escaped and decided to stop and talk like adults.” The variant said. “And now we were waiting for you to wake up before leaving.”
“Where are we leaving to?” 
“I’m taking you to the other Lokis.” The variant said. “They can deal with your existential crisis. I have better things to do.”
“Like murdering the entirety of the TVA?” Sati said, bitterness in its voice.
“Sati, please do not antagonize the angry lady with a knife and no moral compass.” Loki said.
“I have a moral compass. I do not kill children.” The variant said.
“Congratulations on basic human decency.” Sati said. “Do you have a name or…? I keep calling you variant in my head.”
“I’m Sylvie.” The variant said.
“She’s our… adoptive grand aunt? Odin’s aunt.” Loki explained. “Which explains where she got the bloodthirsty demeanor from.”
“You’re supposed to be dead.” Sati said. “You died, which resulted in the war against the dark elves. And the genocide afterwards. Surviving would create a major branch on the timeline.”
“Yeah, yeah, don’t over analyze it.” Sylvie said. “You finished? This place has like five more minutes before everything comes down.”
Sati stared at its half empty cup before downing it all in one go. Sylvie stood up, taking out a tempad that shouldn’t belong to her. A door opened.
“Let’s go, ginger me.” Loki said, as they both watched Sylvie cross the door.
“I’m not a Loki.” Sati muttered.
It followed Loki, and crossed to the other side.
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Shine a Light, part 6
A Loki series/Lokane fic. Rating T.
Previously: Part 1 - 2 - 3 - 4 - 5
He is already spinning around and bracing himself as his boots touch the concrete, half expecting to see the beast come tumbling towards him.
But the air is mercifully still where the door has snapped shut.
The evening sky above him is heavy with clouds, and a light mist of cool rain touches his face.
Cool.
He looks down at his hands. They are still shaking from the adrenaline, but no longer blue. Nor do his clothes feel rough against his skin.
Did he consciously change back to his Asgardian form as he went through the door? He is not sure. Whatever the shape or shade, his body feels oddly disconnected from his brain and Loki idly wonders if using the tempad so much within a short time span might be affecting him on a cellular level.
Then again, if that was the case would the Minute Men and analysts at the TVA not have been suffering from chronic time travel fatigue?
Who knows, perhaps they did. A number of them certainly looked worn out.
Tempad “jetlag” (an apt mortal word) or not, unwillingly running into variants upon variants of old enemies on this treacherous timeline coupled with the incessant longing for her has caused Loki’s grip on reality to slip ever more from one destination to the next.
What reality? a mocking voice in his head whispers, sounding maddingly similar to the little devil clock.
You have no idea where you are, who you are or where you’re going. You’re a man out of time, for all time, always.
He straightens and draws in a few deep breaths, surveying his new surroundings: A narrow brick terrasse. At the back wall, a glass sliding door reveals a room covered in darkness, but as nothing moves inside (his night vision remains far superior to that of mortals), Loki turns instead to take in the view of … London.
There is a taste of early spring in the air, and before him as far as the eye can see, the rooftops and spires of the city stretch out into the distance.
Millions of little lights flicker in the dark and the fumes of traffic and city grime mix with whiffs of different cuisines drifting out of air vents.
He has been here once or twice before, though not in decades, and there are whole clusters of towering structures of glass and steel that he does not recall from on his previous visit.
The house by the ocean in 2016, Budapest in 2015, New York in 2014 and now London in what he assumes must be 2013. As methodical as the backwards count has proven to be, as confusing are the destinations and varying seasons.
Only they cannot possibly be random.
Free will is an illusion.
The eerie feeling that even this, his ill-thought-out ‘quest’, is being guided by an invisible hand in charge of his destiny is so dispiriting it’s comical. He can’t quite decide whether to feel perversely honored that some higher being – a version of He Who Remains? – would take interest in toying with him, or furious that he has been singled out for this preposterous punishment of drifting through another Loki variant’s timeline.
It is no use dwelling on either emotion. He has no one to measure his pride against, no one’s expectations to live up to expect for his own, and, frankly, by now that bar is scraping the floor. There is no telling where the female variant of him went and Loki has no means of contacting the TVA or the analyst-interrogator even if he wanted to (he really does not anymore).
Loki unclenches his fists.
Seeing as each destination may have been an intentional set-up for whatever bizarre reason, the question is which character from his past he will encounter in this place. He vows to himself that no matter who he bumps into, he will attempt to reactivate that silver tongue of his and gather actual, useful information.
No more chaotic exits.
Provided no one tries to kill him on sight or squash him through a wall.
The terrace is furnished only with an old sun chair and a few plants, but the room beyond the glass door appears very lived in, with books stacked on the floor and several shelves, a large couch, a couple of armchairs, and what looks to be an adjacent kitchen area with a dining table.
Amazing how most mortals spend their years in such small, crowded dwellings.
Using only his magic, he slides open the door. It makes a low swooshing sound. Quiet as a cat, he steps over the threshold.
//
It hits him immediately, like walking into a wall: The scent of lavender.
And Thor.
The apartment is quiet, but they were here and recently.
He has been delivered right to them.
Loki is once again frozen in place.
His initial plan when knocking out that man in the canteen at the TVA and stealing his tempad was to find Thor and Jane at the scene of his own moral redemption (well…) on Svartalfheim. Where he supposedly saves their lives. Find them and use the momentum of their unfiltered gratitude to deliver the news that, most regrettably, the universe is likely coming to an end if they do not devise a plan together to prevent a multiversal war – preferably enlisting the help of Thor’s colleagues, too, and in the best of scenarios, Asgard.
Seek out Thor before saving Jane’s life, and Loki would have to first win his brother’s trust in the aftermath of the attack on New York. Find Thor after Svartalfheim, and there would be the small matter of explaining how the variant faked his own death and, after having thus broken Thor’s heart again, took the throne of the Realm Eternal.
Not an ideal conversation starter, even for them.
From the reel, he knows that there were other moments, much later, when he and Thor would become friendly again. After Ragnarok, before his end.
But Loki also knows that this need to get to Svartalfheim has as much to do with her as it has with Thor. Perhaps even more so.
Something important transpires between himself and the brown-eyed scientist on that brutal, barren planet and if it is the last thing he does, Loki will find out what it means.
It does not make any more sense now than it did when he sat in the kill me kind of room, transfixed by her face, but if he had had any initial doubts as to whether he was simply imagining the magnetic pull of her, those had been effectively shattered to atoms when she threw her arms around his neck outside the white house.
“Where did you go, handsome?”
Nothing on this timeline seems to be playing out as it should. Which of course also means that the events on Svartalfheim may never have occurred at all.
On this timeline, a variant has more or less befriended the Avengers in the years after New York when, according to the proper Loki fate, he should have been on Asgard. And, in a few years from now, the variant will somehow be with Jane.
Jane, who has stayed in this very apartment. With Thor.
Briefly, Loki is back to wondering if Thor dies and how, but then he remembers what Bruce said about their “family soap opera” and Loki’s “victory”.
Could it be that he and Thor actually fought over Jane?
As much as he wishes it otherwise, even Loki finds it hard to believe that his variant would have beat the God of Thunder in a fight. The might of Mjølner is formidable. And though his brother has not quite discovered it himself yet, Loki has always suspected that Thor has his own kind of magic.
Then there is Jane: Without having ever conversed with her, Loki would be surprised if Jane would appreciate being treated as a prize to be won.
He is getting a headache. A rare thing for a god, but there is no putting the puzzle together with so many pieces missing from the board. Since he has no hope of using the tempad to transport him off Midgard, maybe the best thing to do would be to just wait here and see if Jane and Thor come back. He has been specifically sent here, has he not?
Without really noticing, Loki has moved to the blue, puffy couch. He sits himself down and leans back into the soft cushions, letting out a sigh. When was the last time he slept or ate anything? There is a sense of fresh paranoia as he realizes that he cannot remember doing either at the TVA, expect for when he fell asleep during research.
“Time works differently at the TVA. You’ll see”.
He stretches his legs out in front of him and yawns. On the wall opposite from the couch is a paper calendar: 2013.
He takes in the rest of the apartment but does not magic any of the lights on. There is the open kitchen, a tiny hallway with a coat rack and a few pairs of shoes, and two more doors to the left of where he is sitting.
Getting up suddenly feels immensely tasking, but Loki nevertheless hauls himself to his feet and goes to inspect the other rooms. First, there is the washroom. The scent of lavender is stronger in there, even more inviting, and spotting a stack of fresh towels on a shelf, he considers taking a shower. It is not as if he cannot easily use magic to uphold appearances (wait, were there showers at the TVA?), but that is no substitute for the soothing feel of warm water running down his body, relaxing his tired muscles.
Yes, he will shower. And cast a spell on the apartment, so he will be alerted if anybody attempts to enter.
He takes a small comfort in his powers being restored.
Loki reckons the other door leads to the sleeping chambers but just to be sure, he magics it open with a flick of his wrist.
A window with closed blinds. A wooden bookcase to one side, volumes and magazines piled high. An old, white wardrobe with brass grips. A pile of clothes strewn haphazardly on the thick yellow rug on the floor near a large, unmade bed.
Unmade – and not empty.
//
Loki stands perfectly still, one hand still raised.
Why did he not sense that someone was here?!
Seeing as Clint (Bird-Eye?) managed to surprise him in Budapest, perhaps Loki’s “wolf’s ears” really are failing him.
Even so, his nose is working just fine. Unless …
Then he knows. Of course.
His tongue tastes bile.
Inching closer, he sees the black hair spilling over the madras. His own lean, sculpted body whose long limbs and handsome Asgardian features Loki has never felt less appreciation for than right this very moment.
The variant is deep asleep. And half-naked under the sheets.
Something twists in his stomach at the scene. Something small and pathetic and evil that wants out. A foul, winged creature batting against his ribcage with sharp claws.
He takes another step forward.
How has the variant not been alerted to his presence yet? He seemed strong – very strong – in 2016.
Loki studies his twin’s face. His own exact face. Same high cheek bones, same long, dark lashes against a pale complexion. Only this close, the man’s skin has a faint ashen sheen to it. A few tiny beads of sweat glisten on his temples and, yes, Loki hears it now, his breathing is slightly labored.
He is injured. Enough to dull his senses.
It is not the madman from the Void, as Loki had feared after their first encounter. His energy is quite different from any of the other variants, and Loki suspects he may be the closest to a perfect double that he’s encountered yet (and please, let this one be the last. No more variants or Loki will forget which life was his own).
Stepping so close he can lean over the bed, the reason for the variant’s sedated state becomes evident:
Tied around the man’s mid-section, just about visible over the sheets, is the upper edge of a large bandage. Loki sniffs. Yes, he can sense the wound and the ugly tinge of dark magic still surrounding it, like a poisonous signature: This was inflicted by a blade of the dark elves. The variant has come from Svartalfheim after all.
The cut must have been near fatal, but from the smell of it, it is healing well, aided by the variant’s own powers and what can only be human medicine, judging by the clinical odor.
Even so, why was he not taken to the healers on Asgard?
Because he is evading his punishment for the attack on New York, Loki guesses.
Thor and Jane must have brought him to London instead of delivering him back to Odin. Although thanks to Heimdall’s watchful gaze, the All-Father will be aware of what has transpired. In his condition, the chances of the variant being able to use his magic to shield himself from Heimdall are next to none.
Still, he is here. No one has come for him yet.
Loki does not know which is stranger: That the variant is legitimately, badly injured and not currently in the process of dispatching Odin off to some home for the elderly in New York, or that Odin has allowed the variant to be taken to Midgard instead of the dungeons.
Presumably neither the All-Father nor Thor are aware of the variant’s role in Frigga’s death.
Though he tries to shake them off, the images remain crystal clear: The queen mother, killed by one of Malekeith’s monster.
A shiver suddenly runs through the variant’s body on the bed and Loki holds his breath. The man shifts under the sheets but does not wake.
So, dear ‘brother’, your Nexus event was that you nearly died for the people who care for you instead of following up your heroism with deceit, as I would have done.
What sentiment.
The winged creature growls.
Loki could kill him right now.
Kill him and take his place.
It would be easy, so easy to slit his throat. It is not as if he has not committed murder before.
“I don’t enjoy hurting people. I don’t enjoy it …” But this is not ‘people’.
This man is a murderer as well.
The variant has already veered spectacularly off course from his fate, and yet there are no Minute Men next to his bed, holding him accountable for his “crimes against the sacred timeline”, nor will he be apprehended in the following years.
This man got “the Time Keepers’ stamp of approval”, just like the Avengers.
It is so monumentally unfair it is enough to make Loki’s fingers grasp for an invisible dagger. The variant’s existence makes a mockery of the life that was cruelly stolen from Loki by the TVA and for that he loathes him with every fiber of his identical body.
Why should the variant have any more right to live?
Because he will make her happy.
Loki forces himself to rein in the rage. The man will play a part in Jane’s life.
He stares at his sleeping double.
The variant is worthy.
Or just simply unbearably, ridiculously lucky.
No matter what, he must live, but if Loki stays here much longer, he fears the variant’s chances of making it past 2013 will rapidly decrease by the minute.
Loki cannot stand to look at him, nor will he contemplate the fact that the variant is comfortable enough in the apartment to discard his clothes.
If he does, he will stab him to death. And relish in it.
Loki is about to magic himself away to find somewhere nearby to wait for Thor and Jane’s return, when a noise reaches him from the hall outside the apartment.
Someone is coming towards the front door, keys in hand.
Jane.
//
He should leave immediately. Disappear before she can turn the key in the door.
But he does not.
Still looking at the sleeping, half-covered form in front of him, something finally snaps instead. The winged creature shrieks in delight.
A quick spell ensures that no sounds from outside the sleeping chamber can reach the variant, no matter how light his sleep becomes.
Another one renders all the light switches in the apartment useless.
Then Loki swiftly picks up the clothes from the floor, looks it over, and changes his own black outfit into what he is holding: A dark green, long-sleeved shirt and a pair of soft, well-known black leather pants that makes him feel both a bit homesick and a lot stronger.
Don’t do this, don’t do this.
A voice, not the clock this time but his own. He ignores it.
He does not know what Jane’s relationship with the variant is of this time or what state of mind she expects to find him in, but she has let him stay here – and right now, she is alone.
Her fingers weaving through his hair while the sun beat down on his back.
His conscience will not allow him to kill the variant, yet Loki cannot resist the temptation to be him.
Again.
But just for a heartbeat or two.
This last part he promises to himself and to her, though it does nothing to bury the shame.
Perhaps he did not change at all during his time at the TVA. Perhaps his true, villainous self just lay dormant, biding his time, while various oppressors walked all over him.
Is a stolen moment with her worth more than his honor? Is it worth jeopardizing his one chance of enlisting Thor’s help?
Yes.
Yes, it is.
This is lowest you have ever sunk.
Shut up.
He steps out of the bedroom and closes the door behind him, but not before catching a glimpse of himself in a mirror on the wall. His hair. The variant’s hair is noticeably longer. He cocks his head to the side once and the difference is levelled out.
In the hall, Jane is fiddling with the keys. When the lock clicks, Loki is sitting on the blue couch again, trying to appear casual while his pulse is racing as fast as when Bruce turned green before him.
And there she is.
Hair windswept, cheeks flushed from the cool evening air, wearing a dark green parka, jeans and boots.
Her eyes find his in the low light and a warm smile spreads on her face. His heart leaps into his throat.
“You’re back”. She does not stop to take off her jacket or attempt to turn on the lights before coming towards him and, unsure of what to say, he stands up. She stops in front of him, apparently a little unsure of the situation herself. She bites her lip.
“So how did it go?”
Her voice sounds at once both concerned and hopeful and her eyes are wide with expectation.
She is searching for some sort of positive affirmation and so Loki smiles down at her and says the only thing that seems fitting:
“It went well”.
Jane exhales loudly and her smile returns. “It did?!”
“Yes”, Loki replies, grinning at her (her smile is too infectious) and hoping she will not ask him to elaborate on whatever the subject is.
“Of course it did! I mean, you’re still here, aren’t you? Oh Loki, I’m so insanely relieved!” Jane laughs and looks like she is about to throw herself into his arms (automatically he reaches for her) when she stops herself mid-motion. “Sorry! I nearly forgot. Again!”
She takes one of his hands in both of hers, and Loki swallows hard as her fingers softly caress his with unmistakable intimacy.
“But seriously, you two didn’t fight, like fight-fight, did you …? I hope Thor didn’t …”. She trails off and looks at him questioningly.
“No. No, we didn’t fight. Don’t worry. We both … behaved”. Loki tries to catch up while keeping his replies as vague as he hopes he can afford.
The variant and Thor have had words, and Jane has worried about the outcome. Could it have been a discussion of whether to return Loki to Asgard? But then why has Thor not come back to the apartment?
In fact, why go anywhere else to talk at all, with the variant being as beat up as he is?
Because he and Thor both expected a row not suited for the indoors.
“Okay, you sit, you’ve moved around enough for one day. I’ll fix us something to eat and you’re going to tell me everything”. Jane gently lets go of his hand, then shoots him a teasing smile. “Unless you’ve emptied the fridge. Again”.
“Um”, is Loki’s inspired contribution to the conversation.
“Uh oh, pasta it is then”, Jane laughs, and goes to shrug off her jacket and boots in the hallway, revealing an open flannel shirt with a white T-shirt underneath.
Was she wearing the same thing that day in the desert town? It looks familiar.
Jane flips a light switch next to the coat rack and makes a “huh”-sound as nothing happens. She tries a lamp next to the dining table with the same result.
“Has the electricity gone again? Was it out when you got back?”
“Ah, yes. It was”.
“The landlord seriously needs to fix this, that’s the third time this week…good old London”. Jane scoffs but does not sound all that bothered.
“Can you work a little magic for us?”
When Loki does not move, Jane walks up to him (now even shorter without her footwear) and lightly places a hand on his arm, nudging him back on the couch. “Sit. And shine a light, please”.
He lets her push him down, and her hand moves up to rest on his shoulder. Now he is the one looking up at her. She is standing between his legs and there it is, the affection in her eyes that almost makes him forget that he is not the man it is meant for.
He wonders for how long he can get away with not saying anything remotely coherent before she suspects something’s amiss.
Obeying her wish, he holds out his palm and a small, orange flame appears, casting a warm glow on both their faces. Motioning with his fingers, he makes the flame float elegantly over the low coffee table in front of the couch where it stills in the air.
“I was thinking more along the lines of just making the electricity come back on, like last time, but okay, that is very pretty too”. Jane looks at the little light with wonder and Loki thinks he sees the stars in her eyes again.
Then her attention is back on him. Her fingers brush against his hair. They linger by the curls at the nape of his neck.
“I don’t know if it’s relief, but it’s almost like you look a bit … different”. Jane’s eyes roam his face, his hair. “Do you even still have a fever?”
Before Loki can answer her hand is touching his forehead.
Jane shakes her head in surprise. “It’s much better than this morning. Maybe it was good for you to get some real air after all. It has been almost three weeks …”
How easily she touches him. How sad that he's not used to being touched anymore.
He has only to lay his hand on her forehead in return and he could use his powers to reveal glimpses of her past (yes, he kept many of his gifts from the female on Lamentis).
More specifically, what has happened between her and the variant.
But not without revealing himself in the process.
Her left hand is still on his shoulder while the other now travels down the side of his cheek. He leans into her touch and closes his eyes, just breathing in the scent of her skin when he feels her bending down and locks of her auburn hair tickle his face.
He opens his eyes and looks right into hers, inches from his.
You have not earned this.
You are deliberately, selfishly, monstrously taking advantage of her.
I am a monster.
And then her mouth is on his and he does not say no.
To hell with his soul.
--------------------------------------------
For a second, she thinks she feels him tense up.
But as soon as her lips melt onto his and he immediately, hungrily reciprocates the kiss, everything is right again.
Crazy, sure, but also oh so right.
Jane literally never wants to stop kissing him.
She actually told him exactly that the other night. Or, accidentally blurted it out as they were coming up for air, since she is falling for him so fast her brain apparently cannot keep up with her mouth.
Immediately she had felt embarrassed, but it did not last longer than it took for him to raise a teasing eyebrow at her and pull her close again. “Why, Doctor Foster”, he had purred in that low voice that he absolutely knows makes her go weak, “by all means, please…(and he’d kissed her) don’t…(another kiss) stop … (kiss) Ever”.
Then he had leaned back a little, still gently cupping her face between his large hands, and flashed her the most gorgeous, happy, wickedly lascivious smile she had seen on him so far.
Not many people radiate smoldering sex appeal while simultaneously suffering from the agonizing pain of a wound inflicted by an alien sword, but of course Loki pulls it off with flying colors.
From there on, there had been no returning to ‘movie night’.
Now, trying not to break the kiss, Jane carefully moves to sit herself down on the couch as well, making sure not to press against him. For two weeks, they have been making out like teenagers whenever they are alone. Somewhat hindered by his injuries, obviously, which prohibits him from moving much – it is both very, very hot and insanely frustrating.
The first time she had kissed him, he had been too stunned to move a muscle anyway.
The second time, he had nearly ripped the wound open again.
Since then, they have tried to take it slow, although on more than one occasion, Loki has been all but begging to throw caution to the wind – “I’ll heal!", “It doesn't hurt!” (said as he looked like he was going to pass out), and, Jane’s favorite, “It might make me heal faster”.
His impatience would be quite funny if it was not because Jane was feeling just as dizzy with want.
She has been going for a lot of runs in Hyde Park lately.
“Do you have a death wish?!”, she had asked him teasingly at one point when he had spontaneously grabbed her hand as she passed him the kitchen and pulled her tight against him, only to groan loudly in pain when her body collided with his bandage.
Then he had looked suddenly very serious and let her go, and she had instantly regretted the comment.
She knows enough about his past not to joke about things like that.
“Oh. Oh, no”.
That was all her mind had been capable of thinking when she and Loki had locked eyes in the palace on Asgard, right after she had slapped him (surprising both herself and everyone around her).
He had looked down at her with his trademark arrogant smirk, except as soon as Thor and Sif had turned away, his gaze had turned infinitely softer, and Jane had felt something monumental start to shift inside of her.
Something that had nothing to do with the Aether coursing through her veins.
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Not long after that, on that awful, doomsday-looking planet, he had saved her life. Twice in quick succession. And for a horrifying second, it had looked like he would die right in front of her.
The memory makes her involuntarily shudder a bit and, drawing her legs up on the couch so she can twist to face him more directly, she runs her fingers through his long, silken hair, and nips at his lower lip… and is startled when his head jerks. For real this time.
Jane draws back.
“Are you okay?”. Perhaps things did not go as smoothly with Thor as she had hoped.
It was a big ask after all.
Once more she feels a sharp pang of guilt. It is not just her and Loki’s worlds that have been turned resoundingly upside down in a matter of one turbulent month.
Loki seems lost for words, and the sadness flooding his face shocks her.
He is far from okay.
In fact, he looks close to tears. Were it not because she had just felt his cool forehead, she would have assumed it was the fever flaring up.
Jane feels her stomach tie itself into a knot. They are taking him away from her before they have even had a chance be together.
Or, even worse still, he has regretted everything about their unlikely union.
“Jane, I’m sorry. I’m so very sorry…”
Here it comes, Jane thinks as nausea builds. Erik is about to be proved right about him.
She lets go of him. He is clearly wrestling with himself.
And he does look different. Is this what him dropping the mask looks like?
It is more than just his facial expression, it is his entire posture. Even wounded and half delirious with fever, Loki usually carries himself with no small amount of pride.
His eyes are so lost.
What the hell is going on?
“Just tell me, Loki”. Jane tries to disguise how alarmed she suddenly feels. His touch is the same, and yet it is like a stranger is taking over the man in front of her.
He inhales deeply and runs both his hands through his hair. Entirely without wincing as he lifts his elbows above his chest, she notices.
“Okay”, he begins. “Jane…” (the way he says her name, like he is tasting the word) “…you have every right to hate me for what I’m about to tell you. I truly deserve nothing less.”
She feels the tears welling up.
“I can’t believe this is happening. I can’t believe you’re doing this.” Her voice breaks and Loki has the audacity to look taken aback.
“Are you being dragged back to Asgard, or are you dumping me? After trying so hard to get into my pants?!”
It comes out way too harshly, and Loki appears genuinely flummoxed.
Also, his face has gone red.
“Oh, Jane, no, he’s not going to… He won’t leave. I mean- ”
“What?” A chill runs down her spine.
“’He’? ‘He’ who? Thor?”
Before he can answer, they both jump a little as her phone suddenly goes off in her bag by the door.
That inane ringtone.
She still has not changed it.
Erik. She promised she’d let him know as soon as …
Jane wants to ignore it, but then her mentor will most likely keep calling and she cannot put it on silent from the couch. Loki probably could though, but she is not about to ask.
“Wait”. She holds up a hand and gets up.
While rummaging in the bag, a single tear runs down her cheek. No. She will keep her composure and listen to what he has to say like the commonsensical grown-up woman that she is.
Was.
She’s only just begun to get to know him properly, so why does it feel like she won’t be able to live without him?
She pulls out the damn phone and presses the button on the side.
The she straightens up again and turns. “Okay, Loki …”
Jane gasps.
The room is dark. And empty.
No, he didn’t!
“Loki!”
No answer.
She stalks over to the couch and frantically looks around. Nothing.
“Loki, don’t you dare!”
The phone vibrates in her hand. Shaking all over, Jane answers the call. “Erik?”. Her voice is very small. “Yes, hi, Jane, it’s me. Listen, has Loki gotten back yet?”
She starts crying. “Erik, he left. He was here when I came home and just now, he disappeared! He didn’t even say goodbye.”
She can hear how desperate she sounds.
“What do you mean ‘disappeared’?” Erik sounds confused.
“He is gone! I turned my back on him for one second and he vanished!” Jane’s voice breaks.
“Look, Jane, I really can’t believe I’m saying this, but maybe you misunderstood him? He came to see me not two hours ago after that thing with Thor and, well, let’s just say he went out of his way to make a case for himself. And you…”
“What? What did he- ”
“Jane?” Darcy’s voice cuts through. She must have taken the phone from Erik. “The lunatic is absolutely batshit crazy about you, okay? Stop blubbering. He’s probably just bored and fucking with you since you’re not actually f- ”
“Okay, that’s enough!” Muffled sounds, as Erik wrestles the phone back.
“Come on over, Jane, okay? We’re all still at the lab. Ian’s made tortillas if you can believe it”.
“But…” Jane wavers. Is Loki really playing a joke on her?
Erik is not taking no for answer: “Jane, don’t indulge these little games of his, okay? Come have dinner with us, and I’ll tell you what he told me before. And if he isn’t back later tonight, it’ll be my pleasure to enlist Thor to beat the crap out of him. It’s long overdue”.
Despite herself, Jane cannot help but smile.
“Okay. I’m coming over”. She exhales. The feeling of unease is subsiding a bit.
“Good girl”, Erik says. “Tell her to bring beer!” Darcy shouts from somewhere in background.
Jane hangs up and puts on her boots again. Loki and Erik had an actual conversation with no casualties?
She grabs her jacket and slams the front door behind her.
He really is infuriating, that prince of hers.
If he turns up later, she will make him pay dearly for scaring her.
No making out for a week.
(Yeah, right.)
To be continued in part 7 ....
This was supposed to have been the final chapter. Only 'someone' needed extra time star gazing. Please forgive me him!
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musclesandhammering · 3 years
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Loki (2021) Positivity from an Anti
Ok so all of my mutuals know I’m extremely anti-Loki (2021), anti-sylki, and anti-sylvie. But at a certain point, even we antis get tired of all the negativity. So! Here’s some Loki series commentary in the opposite direction! This is a list of all the things about the show that I loved :)
Also adding a disclaimer that all of this is just my opinion and some of my fellow antis (or even people who liked the show) might disagree, and that’s fine! I’ve been planning this post for awhile. I always say in my other posts that I don’t entirely hate the show and I wanted to be a little more specific about what I think are its good aspects. Feel free to leave your thoughts!
• Mobius is a gem (Owen Wilson owns my whole heart) and his relationship with Loki is so so great. He’s not one-dimensional at all, he has conflicted loyalty and is morally complex, and he has the tragic backstory- which makes him a perfect choice for eventually becoming Loki’s first genuine friend.
• The casting was really really great. Lots of women and people of color. Most of the female actresses (as well as the males) are over 30, which isn’t very common and is fantastic!
• Superb acting all around. I can’t think of a single scene where the actors under or oversold it.
• Beautiful set design, incredible cgi, and gorgeous cinematography overall. It looked more like a movie than a tv show, which is really good.
• Kang being the big bad was a huge plus for me. Johnathan Majors was perfect in the role, his vibes were immaculate, and I was honestly pretty worried that the man behind the curtain would end up being another Loki variant, which imo would’ve been boring and predictable and counter-productive, so it was a big relief when that didn’t happen.
• I like that it sets up a bunch of future marvel movies, rather than being contained to its own little world. It gives it more importance and (hopefully) will encourage writers to not just toss Loki’s character aside in future projects.
• All the Loki variants were delightful. All of them except Sylvie. Kid Loki has my heart. Boastful Loki is a fashion icon. Alligator Loki is a savage. President Loki is the superior variant. Classic Loki became my fav character in less than half an episode.
• It showed some more variety in Loki’s magic. A lot of his powers we’ve seen before, but it feels like they were portrayed a bit more blatantly in the show. The energy blasts, the telekinesis, the teleportation… Outstanding.
• It also implied that Loki has the potential to be waaaay more powerful than he knows he is right now, which? Yes.
• Some of the quotes- and the themes behind them- are just profound as hell. Such as:
“I think we’re stronger than we realise.”
“It’s never too late to change.”
“You can be whoever you wanna be, even someone good.”
“We’re Lokis. We survive. It’s what we do.”
“Loki, God of Outcasts.”
“The universe wants to break free, that’s why it manifests chaos.”
• Technically Loki was Marvel’s first canon lgbt (bi) character, which is a win. His genderfluidity is also technically canon, even if it wasn’t really acknowledged on-screen.
• There were a lot of throwback references to Thor 1, Avengers, and Thor The Dark World. Which I loved.
• Sylvie’s so pretty. Her hair and makeup and costume were all perfect.
• Big fan of Loki finally getting Laevateinn.
• Sufficiently slutty imagery, courtesy of a female director (Loki in a collar, kneeling to Sif, President Loki looking down into the bunker, the hair flips)
• The music was Excellent Wonderful and Superb.
• I love that Loki being a good singer is now canon.
• I love that Asgardians having their own language is now canon (even if it’s basically just Icelandic).
• I also love that they disproved all of those “Loki was a shy nerdy wallflower pre-canon” theories in Episode 3. The drinking/eating/singing scene was fun, if a bit wacky.
• There’s a million different reasons why Loki does what he does, especially in regards to the New York attack (I’m literally writing a huge meta on them), but somehow I never considered that Loki being desperate for control was one of them. It makes a lot of sense, and I always love getting new insights into his motivations.
• I love that Loki finally outright acknowledged that he doesn’t enjoy hurting people. We Been Knew™️ but it’s still nice to hear it out loud from his own mouth.
• The TVA outfit wasn’t as hideous as some people make it out to be. It could’ve been A Look, even. You know, if he’d just accessorised a little better. And kept the jacket on. And not gotten sweaty. And not gotten dirty. And maybe had at least one other costume change… But it had potential, though!!
• Even though I despise the Obvious One, I did actually like some of the other romance crumbs they tossed us (sifki, Loki x the flight attendant).
• The whole DB Cooper thing was iconic idc idc.
• Loki’s hyper sort of overly excited puppy attitude in episode 2 was actually pretty refreshing and funny (for awhile). And now I can headcanon him as adhd, yeehaw.
• “We’re all villains here.” That quote was iconic, my favourite one in the show. And the entire theme that it summarised was really great as well. When you think about it, every single main character in this series has been the villain at one point or another. I mean, I know all marvel characters do bad things etc, but none of the Heroes are ever narratively categorised as Bad. This show did just that with all of them, though. . Loki was framed as the psychopath that attacked New York. Sylvie was framed as the murderous fugitive. The TVA/Ravonna/Mobius were framed as the murderous fascists. Kang was framed as the crazy totalitarian. It’s made clear that all the Loki variants were the villains of their stories.
However, every single main character in the series is also framed as the Hero at a certain point. Loki is framed as the main protagonist who throws a wrench in the TVA’s dastardly plans. Sylvie is framed as the persevering freedom fighter who wants to take down the fascists. The TVA/Mobius/Ravonna are framed as the ones who maintain order for the greater good. Kang is framed as the weird but ultimately benevolent wise man who’s just trying to prevent something worse from happening. The Loki variants are framed as generous allies who befriend the main character and help him on his journey.
Everyone in this equation is openly acknowledged by the narrative to be morally corrupt, but not entirely morally bankrupt. There are no Straightforward Hero Figures (like the Avengers) in this entire scenario at all, and that makes for a super interesting dynamic that marvel has never done before. So yes: “We’re all villains here.” But also: “No one bad is ever truly bad, and no one good is ever truly good.” I loved that.
• Even if it wasn’t really enough imo, I still treasure the crumbs we got of Loki being competent and capable (him putting the collar on B-15, him figuring out Sylvie’s hiding place, him teaching himself to enchant on the fly while fighting a giant cloud beast of eldritch proportions).
• I love that B-15 was the one who stepped in and saved the day in Episode 4, when we all thought it was gonna be Mobius. What a queen.
• Marvel usually has a bit of a problem with creating compelling and memorable side characters. But aside from Sylvie, I genuinely got attached to every single character in this show. Like Casey, C-20? I was seriously emotionally invested in them and they were only in like 2 episodes. Wtf.
• Introducing the TVA storyline in the Loki series specifically was a really good move. I’m not saying they executed it well, just that it had a ton of potential. A lot of people have wondered why marvel even thought to put those two (the TVA and Loki) together, when they had literally nothing to do with each other, nothing in common, and essentially no connection at all. But when you think about it, it’s a really interesting twist on both of those stories. Forcing the embodiment of destructive chaos and the pillar of rigid order to interact could make for some seriously entertaining and compelling television. And as far as meshing these two completely unrelated entities together goes, I thought they did it pretty well- at least just the bare bones of the story (loki being arrested by the TVA and being one of their most common variants).
So that’s it! If you guys (fellow antis) wanna add stuff you liked, feel free. If anyone wants to discuss (or debate) my list, feel free to do that too!
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Lokius Hogwarts AU
All right my dudes, hot take time:
I’ve seen a lot of Hogwarts AU headcanons floating around, and having thought waaaaaay too much about it, I’m here to add my two cents.
( @sortinghatchats has my favorite sorting system I’ve seen to date, since it goes so much in depth into themes throughout the HP series that good ol’ JK barely touches on in her pretty surface level commentary on the subject, so that’s the system I’m gonna use. Go to their blog to learn more about the way the system works bc I’m too lazy to go more in depth than I already have.)
This is gonna be Hella Long tho so I’m putting it under a cut.
Loki: Petrified Slytherin Primary/Slytherin Secondary - sorting: Slytherin House
Perhaps it may seem trite, but Loki really is a Slytherin Primary at heart. Yes he is ambitious and all that stereotypical stuff, but that’s not really what makes a Slytherin a Slytherin. Anyone can be ambitious. No, he’s a Slytherin because he unapologetically prioritizes himself and the people he cares about above all else. 
“Slytherin Primaries are fiercely loyal to the people they care for most. Slytherin is the place where “you’ll make your real friends”– they prioritize individual loyalties and find their moral core in protecting and caring for the people they are closest to. Slytherin’s reputation for ambition comes from the visibility of this promotion of the self and their important people– ambition is something you can find in all four Houses; Slytherin’s is just the one that looks most obviously selfish.”
However, Loki’s trauma has pushed him to something this system calls Petrifying.
“Whether through death, betrayal, abandonment (from either side), or through never having had any to begin with, the Petrified Slytherin has decided that having important people is too dangerous. Having those strong ties leaves you open to pain and weakness, and the pleasure of those connections aren’t worth the despair that comes from their seemingly inevitable loss. In this way, they close themselves off to meaningful connections out of what is ultimately fear (though from the inside, it’s far more likely to be experienced as a rational, sensible decision given the circumstances of the world), and gives them a stony exterior that seems impenetrable, resolute, and cold.” 
Loki wants love and acceptance so badly, but he is convinced that the kind of attachments and relationships that that comes from are far too dangerous and the risk isn’t worth the reward. He pushes people away, hides behind a mask of self-aggrandizement, and betrays others before they can betray him in an attempt to protect himself from potential pain.
In the series, however, we see him slowly unpetrify and move towards a more healthy style of attachment because of Mobius and Sylvie’s influence on him. Whereas his circle of priorities used to include only himself (and arguably Frigga and later, Thor, in the movie timeline), he proverbially “thaws” enough to let Mobius and Sylvie in, and tragically, because of that, the loss of them hurts him so deeply because by the end of season 1, they’re all he had.
His Slytherin Secondary, however, is obvious in his methodology. He’s the god of chaos. He loves improvisation, and plans only exist as long as another better idea doesn’t come along and usurp it. He’ll change and adapt (quite literally) to best fit the situation in front of him, and he takes joy in that. But beneath all the running and his many personas, he has his “neutral state” that he lets only a precious few see. Mobius gets to see it, and so does Sylvie, and as he progresses through the series, he starts to be more comfortable existing in that state where he’s no longer hiding behind everything he feels like the world expects him to be and he can just be himself. 
Mobius: Slytherin Primary (Hufflepuff Model)/Hufflepuff Secondary - sorting: Slytherin House
People like to put Mobius in Hufflepuff, but honestly? I don’t think that’s where he’d be most comfortable. Yes, he is kind and caring to basically everyone, and we see this over and over again in the series. The man radiates comfort. However, like it says in Inky and Kat’s description of the Slytherin Primary, 
“Wanting to help someone doesn’t mean you’re loyal to them. Wanting to help them at the expense of your comforts, your values, your commitments and sometimes even yourself–that does.”
Mobius is kind to a fault. But he is not kind at the expense of himself. Not to everyone at least. He is kind to the child in France, but he is not kind to the point of saving him from the resetting of the timeline, and he doesn’t feel guilty about that. He believes in a duty of care, but he does not believe he has any obligation to go beyond what he thinks that duty of care is. He unapologetically plays favorites, and this is mentioned on multiple occasions. Above all else, Mobius values loyalty as a virtue. Sure, he cares about the TVA and its accompanying morality, and he genuinely does believe it’s his duty to care about and be kind to others. He seems to vibe quite well with the Hufflepuff ideal of caring about people simply because they are people, but this is all secondary to his personal loyalties when push comes to shove. For Mobius,
“dropping that model in order to stand by someone you love, or in order to protect yourself, doesn’t feel like a failing. Sticking to that modelled morality at the expense of betraying or abandoning one of their own would make a Slytherin feel guilty and wrong. Being able to put the things and concepts you like aside for the sake of the people who need you feels more righteous than any moral posturing.”
It’s for this very reason that Mobius gets so angry and feels so betrayed when he thinks Loki has abandoned him for Sylvie, and when Ravonna lies to him and prunes him.
“Betraying your own is the worst kind of crime. Loyalty is precious and terrible; it makes you vulnerable. It’s given sparingly, deeply, and a Slytherin will stand by their loyalties through the same death and fire that a Gryffindor would brave for the sake of doing the right thing, or a Hufflepuff to help someone in need.”
Loki is Mobius’ own. Mobius prioritizes Loki over almost everything else, sticks his neck out for him over and over again, and is willing to sacrifice his own happiness for him. He’s even willing to abandon the whole of his former ideology and prior friendships for this relationship that has become closer to him than his own self, the highest tier of trust and loyalty a Slytherin can give.
“It’s an extreme Slytherin who would let the whole world burn for the sake of a friend, but every Slytherin Primary would be at the very least tempted.”
And Mobius very nearly does exactly that. Even says the words, “burn it to the ground” when Loki asks him what he’s going to do. And he doesn’t feel bad about it. Especially after realizing what the TVA has done to him and the people he cares about. He kicks the TVA out of his circle of care, and doesn’t look back. And he does it for Loki.
Mobius’ Secondary is where people get his Hufflepuff vibes from, I think. A Hufflepuff secondary is marked by “their consistency and the integrity of their method. They’re our hard workers. They build habits and systems for themselves and accomplish things by keeping at them. They have a steadiness that can make them the lynchpin (though not usually the leader) of a community.” And that is what Mobius is. It’s why he radiates that kindness and comfort. He quietly and carefully works at and invests in the relationships in his life to the point that people almost automatically trust him, and over time he has learned how to read people and figure out what makes them tick. 
He approaches new situations with a steady head and gentle hand that Loki is unused to, and it’s this approach that eases Loki into learning how to trust and rely on people. It’s an inherently Hufflepuff approach, and it’s the key to his success as an analyst for the TVA and an understanding friend for Lokis across the timelines.
Tl;dr - Application to an actual Hogwarts AU fic:
THEREFORE! There’s a compelling narrative to be had with a tiny, first-year Loki coming into Hogwarts. He comes from a pureblood family that’s very proud of their Gryffindor heritage (they don’t talk about Hela, and Loki and Thor don’t even know she exists until later in this story), and his brother had been sorted into Gryffindor a couple years prior, and Loki has heard very little other than contempt for Slytherin House and everyone in it. Loki doesn’t want to be sorted into Slytherin. He doesn’t want to deal with the disappointment and shame from his father and the sad eyes of his brother. But the sorting hat sorts him there almost immediately, and his heart sinks. He wanders over to the table miserably but determined. If he’s gonna be sorted into the “evil” house, might as well just run with it, right? Best not to get close to people though. It’s Slytherin. Who knows when someone will betray you.
Enter Mobius, the tiny muggleborn, bright eyed, bushy tailed, and having no clue about the prejudices between houses. The hat takes a hot minute sorting him, giving him the choice between Hufflepuff and Slytherin and telling him Hufflepuff would love a kindhearted and welcoming member like him. But Mobius has been eyeing the little black-haired kid who got sorted before him and is now sitting far apart from everyone, and he can’t help but feel like he needs to be this kid’s friend. And didn’t the hat just say Slytherin is where you’ll make your real friends? Friends are what Mobius cares about, so he’d like to go to Slytherin, thank you very much, so that’s where he goes, and he happily plunks himself down right next to Loki and sticks his hand out.
“I’m Mobius. What’s your name?”
 Loki looks at Mobius’ hand disdainfully and doesn’t shake it, but he does answer, “Loki.”
Mobius’ eyes go wide, and he smiles. “Loki? Like after the Norse god?”
Loki nods, eyeing Mobius suspiciously. People don’t often bat an eye at his name. Not in the wizarding world, anyway.
“Wow, that’s so cool! I loved reading about Norse mythology in school and Loki was always my favorite. Names have power, you know. If you’ve got the same name, then you must be just as awesome.”
Loki has no idea what to do with this kid, but he’s immediately aware of two things:
He’s absolutely sure that this Mobius kid is in the wrong house. No way a Slytherin can be this excited without a single hint of deception in his face.
He’s going to be eaten alive by the other students if Loki doesn’t protect him. What a pain.
Loki is completely wrong on both of these points.
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theravennest · 3 years
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Hot Loki Take: Sylvie was Right
*Spoilers for all of Loki the series up to and including ep 6.
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Sylvie was right to kill He Who Remains and free the timeline.
I’m deadass.
He Who Remains forced reality into an endless cycle between a time of Order (he rules as dictator) & a time of simulated and controlled "Chaos" (his Conqueror variants wage war). I say this “chaos” is simulated because when you think about it, it’s chaos that He Who Remains arranges himself by manipulating Lokis.
He Who Remains is so fucking sus but for some reason people are just tripping over their own feet to believe everything he says and vilify Sylvie for killing him. 
He literally tells them (and us) that his methods are deceptive and we know for a fact that he’s willing to murder trillions upon trillions of people, planets, and realities to get the outcome he wants. Yet some are still believing everything he says cuz he said maybe 4 things that were truthful, I guess, and cuz he’s cute. Some of us are so blinded by the fear/anticipation of Kang the Conqueror’s arrival, we are letting him bamboozle us.
He Who Remains perfectly and personally tailored the Ordered period of the timeline to produce this exact Sylvie and this exact Loki, had them meet/influence each other, and then had them travel to the end of time...to him.
Now Lokis by nature are agents of chaos and could suddenly swerve left, so to speak, for no reason. So let’s assume I believe that He Who Remains didn’t 100% know what they would choose once they crossed the Threshold (if the Threshold he described is even real, tbh). He also so carefully molded both of their entire lives for that moment in the Citadel. He may not have known 100% but he knew at least 90% of how they would react to everything he said and did when they were both pushed to this place/mindset.
Notice how he teed them up for the fight that ended in his death:
Manufacturing a scenario where they would meet via the TVA’s variant pursuit.
Manufacturing a scenario where they would travel to the Void and meet Alioth.
Kid Loki being in just the right place to give his sword to Loki.
Miss Minutes appearing to menacingly offer an obvious devil’s bargain.
Him slyly telling Sylvie that she can’t trust Loki, putting it into her head just before he gives them his ultimatum.
All of these thing practically gift wrapped that ending to the Loki on Sylvie fight.
Let’s elaborate.
What was even the point of Miss Minutes offering to re-insert them into the same Sacred Timeline with both getting their hearts’ desires there? 
Not more than ten minutes later He Who Remains told Loki and Sylvie to their faces that he manipulated all this for the sole purpose of making them choose between taking over as rulers of the TVA or killing him and ushering in a Multiversal War. Neither of those choices would result in re-inserting Loki and Sylvie back into the timeline.
So what is the truth? Why waste precious moments with a creepy Miss Minutes menacing them in that vestibule scene?
Notice how Miss Minutes’ words pushed Loki further onto his path of no longer wanting power or a throne but desiring to change his attitude about himself and the universe. Notice how her words conversely pushed Sylvie into balking at the idea of accepting another “fictional” life after a lifetime of being manipulated and made her double down on her mission to free the timeline and get revenge.
Sylvie has the ability to see memories but interesting how he kept her distracted by condescending to her and provoking her, just stoking the fire to make her react negatively. (Interesting how he was far more focused on Sylvie’s reactions than Loki’s, most likely because he needed her to kill him for his plans to work.)
Now I don’t want to completely shift responsibility for her choices away from Sylvie. In truth, if she had held in her vengeance for let’s say an hour and trusted Loki a bit more, they could’ve sat down to talk about things and maybe found a third solution other than starting a Multiversal War or ruling the TVA that still could’ve even allowed her to get revenge. (More on the ultimatum later.)
But I can’t blame her for losing her cool, either. He Who Remains made damn sure she would burn as hot as possible because he tailor made her life to give her the personality he wanted. And any other version of her out there who might have made a different choice would’ve already been pruned.
He Who Remains tells Loki and Sylvie straight up that he set them on their particular life paths because he needed them to be “changed by the journey” to ensure everyone in that room was in exactly the right mindset to do what was needed to “finish the quest” and presumably “slay the dragon,” aka Him. (Notice the parallels to the speaker narration just before episode 2′s fight at the Ren Fair.)
We don’t know! Sylvie never enchanted him to read his memories because she was so filled with rage and Loki was too busy trying to stop her, he didn’t think to do it either. And we’ve already established that He Who Remains trained them that way. Nothing that happened in that office was without He Who Remains’ influence and meddling.
Another nail in the coffin that convinces me that He Who Remains is a no good dirty liar is Renslayer.
If He Who Remains’ end goal was to either have the Lokis choose to rule the TVA or destroy it and thus end up with no memory of her previous TVA judge role/life, why did he send Miss Minutes to Ravonna with files that caused her to pack her bags and search for what she calls “free will,” AKA the one in charge?
I’d bet dollars to donuts that when the next season rolls around the only people who will know what’s going on and still have their memories will be Loki, Miss Minutes, Sylvie, and Ravonna. (Maybe Kang the Conqueror will know as well but I could see it going the other way too. I’m 50-50.)
He Who Remains was planning something by pushing Ravonna the way he did. Does he want her out of the TVA so she doesn’t lose her memories when everything resets? Does he want her to go find the Conqueror version of himself? I mean, at this point, practically everyone knows who she is to Kang in the comics, so let’s not pretend that’s not an option.
Another thing to think about...it’s super suspicious that he was so eager to make them believe he’s one of the “good versions” of Kang and all these others are much worse while giving absolutely no evidence of that outside of an interactive blob powerpoint, a quirky attitude, and a couple of sad, weary faces????
Who’s to say He Who Remains isn’t playing the long game and always manipulates his variants to eventually give him the chance to seize control of the multiverse?
Who’s to say he’s not one of the Kangs that wanted to conquer too? Funny how the “pure of heart” Kang is the one who still wrested control of all reality, killed off every other timeline with a weapon of mass destruction, installed a fascist time bureaucracy, and set himself up as the dictator. Sounds an awful lot like some conqueror shit to me, just saying.
Even wilder theory: what if this really is the same Kang the Conqueror but at the end of his life? We only have hhis word that he’s a variant. He Who Remains tells Loki that this fight is for the “young and hungry.” Maybe the “young and hungry” he’s referring to is not Loki and Sylvie at all but his literal younger self. Perhaps he set up this entire cycle of chaos and order so that he can perpetually live, conqueror, rule, die, and start all over again? Reincarnation, as he says...
But let’s set that wild theory aside for a moment. Let’s circle back to the Multiversal War debate and say it really is is caused by an infinite amount of his variants.
I think it’s hella sus that He Who Remains was so insistent that Loki and Sylvie only had two choices to resolve this riddle: Multiversal War or running the TVA almost exactly the way he did while maintaining only a single timeline. Those are definitely not the only two options they had. In fact, I could probably name 1-3 other options off the top of my head right now:
Keep He Who Remains alive while learning how he manipulated time and using those skills to slowly unleash the multiverse while killing every version of Kang to prevent him from existing as either conqueror or dictator.
Kill He Who Remains, take over the TVA, and slowly change it to something not horrific or even build a brand new system for governing time.
Kill or keep He Who Remains, still take over the TVA, slow rollout the Multiverse and kill or prevent every Kang along the way.
(I’m not saying these aren’t also morally questionable options, I’m just saying they are different from the two choices He Who Remains presented.)
But let’s say these options I suggested are not feasible. I just randomly came up with them ten minutes ago so it would be fair if they were picked apart logically. 
So let’s contemplate this, instead:
Why should we assume/believe that a Multiversal War is actually a bad thing again??? Why are we assuming that He Who Remains’ Sacred Timeline really saved reality from total collapse? 
Assuming he told the truth about his motives, maybe he was just...wrong about the end of reality. Maybe he saw what he thought was the conclusion to the Multiversal War coming and erroneously believed it to be the end of everything but actually it was the multiverse sorting itself out and everything would’ve been fine after.
We (and He Who Remains too) will never know because not only did he not show any evidence to back up his claim that reality was on the brink of collapse, but he himself never allowed things to play out naturally. Whenever the end of the war comes to the brink of something, he always panics, weaponizes Alioth, and traps the universe in his cage of Order with the TVA.
Even more controversial take...maybe the collapse of timelines and the end of everything should be allowed to happen. Maybe the natural cycle of reality is to build and build, splinter and splinter timelines, until it collapses and starts all over again from the void.
Nothing is created and nothing is destroyed, all things exist in a cycle so why should the multiverse be any different?
After all in all, in all three possibilities an infinite number of timelines is destined to suffer and die. Whether it be during the Kang-controlled Order period, Kang-controlled fake Chaos period, or the unrestrained natural Chaos that collapses in on itself...an untold amount of people are dying anyway. There’s only one of those scenarios that has actual unrestrained free will where those people get to exist how they want, make choices they want (even bad ones) for as long as they can.
(Personally, I’ll take that over what the Kangs have wrestled the multiverse into.)
I’ll just take this moment to re-iterate: trust nothing He Who Remains says. He’s a known liar and manipulator, and unlike Loki he has done absolutely nothing to actionably show he’s not still lying or to show that he’s trying to change outside of some sad looks. It’s all pantomime, bruh. Like, the pageantry of it all astounds me. 
Is he maybe telling some truths? Sure. But that doesn’t mean he’s not using the truth to manipulate everything. It’s an illusion, I’m telling y’all! He was up to no fucking good.
Sylvie was far more right to kill him than to not. Loki, Sylvie, & team (prolly also the latest Avengers lineup too) now just need to find a way to break this Kang cycle.
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