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wen-kexing-apologist · 10 months

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Hi....If you don't mind, can I ask, what are your top 10 (or top 7) favorite media (can be books/ manga/ anime/movies/tv series)? Why do you love them? Sorry if you've answered this question before......Thanks....

Thank you for the Ask! Typically I find these questions difficult because I consume a lot of content and I love so many things dearly, and I inevitably forget about things that I cherish and then feel bad about it. So here are 10 of my favorite pieces of media I’ve pulled from my mental list of all the things in the world that have made an impact on me, I’m going to do these in alphabetical order

180 Degrees Longitude Passes Through Us

I only saw this show recently but it is an absolutely gorgeous piece of media. I have a bit of a theater background and this show definitely reads like a stage play, in the dialogue, in the setting, in the way that Nike carries himself around the space as Inthawut. This is a perfect piece of media in my opinion. The performances are a masterclass in acting, the use of vertical lines that place barriers between the characters or that cage them in, the complicated dynamics between the characters, the throughlines of grief and pain and loneliness that just radiates out of the screen for every character in this story. I have been through some shit, let me tell you, but there was a ten second moment in the final episode of this show that sent me in to the worst emotional distress of my entire life for a totally innocuous, complete reasonable, and minimally tragic scene and for that it does deserve immense praise.

Big Eden

I am making up for forgetting to put Pike on my Favorite Characters list by remembering to put Big Eden on my favorite media list! I saw Big Eden for the first time in my freshman year of college. Back then I was not aware of, or at leas was not acknowledging my own queerness, and to find a film like this one just healed a part of my soul I didn’t know was wounded. When I say I watched this film back to back two or three times when I first saw it, I mean that this is one of if not the only film that I have immediately started from the beginning the second that the credits started rolling. I love this film for what it gave me, an older queer romance, non-existent homophobia, PIKE! Some of the greatest lines of all time, that to this day get reactions out of me, mainly:

“I just want things to be nice for him”

and

"Well, screw you, Henry Hart. I do know what love is. You are my family. And I'm sorry... I'm sorry if that's not good enough for you."

And

“Why can’t you see how much love there is that people want to pour on top of you? I can’t help thinking that your grandma and I didn’t do right by you somehow. I feel like maybe we taught you something wrong, because you won’t tell me who you are. Did we teach you shame? Did I teach you that? Because it would break my heart if I had,” (watch the scene here)

Don't let the stars go out at night, don't let the moon break your heart, indeed.

I Told Sunset About You and I Promised You The Moon

ITSAY/IPYTM is two parts of one continuous story and therefore counts as a single piece of media.

I just got done gushing about this show the other night, because for me it is a foundational piece of queer media. It is one of my favorite pieces of media, point blank, period. Queer characters are allowed to complex, three-dimensional, and frustrating. They are allowed to make mistakes, and hurt the people they care about in their quest to better understand themselves. They are human. And the emotional honesty and vulnerability that the script and the actors showed struck deep in to my experiences figuring out my own identity. It has some of the strongest characterization that I have ever seen in media. The actors commit to the craft, the production team clearly put love and care in to every aspect of this show, every frame of it. The director trusted the audience to understand what was happening and trust the actors to play with silence. There is so much silence in this show because the actors portray so much with just the way they move around the space, the way they carry themselves, the way they look at each other. It is a gorgeous, gorgeous piece of media. It took me three watchthroughs of I Told Sunset About You before I was able to form a single analytical thought about it, because the first time I saw this show my brain went fuzzy. This show rewired my brain and changed my DNA.

And as a side note, anyone that thinks that Billkin is a bad actor or a bad crier can kindly meet me outside the Denny’s parking lot at 3am because I will not stand for Billkin slander in my household. That man is absolutely demolished the role of Teh. The constant fidgeting, the way his whole body just screams out whatever he is feeling without him ever having to say a word.

Moonlight Chicken

I have talked numerous times about why this show remains my favorite, and a lot of that has to do with the community that I gained around me because of it. But stepping back to the piece itself, I love how much this show is really dedicated to the importance of community. To showing the different mindsets of three generations of queer people, the way they struggle and don’t. The conversations that happen around poverty, and disability, and grief. The way that Li Ming and Heart are screaming to be understood. The way Jim has been hurt too many times and how that makes him scared to start over with Wen. The way Aof was able to take this BL structure and transform it into the story whose primary focus is on how a queer elder keeps and cultivates a relationship with his queer nephew. Jim and Li Ming’s relationship is the focal point of this show and I am so grateful to have that. The acting is phenomenal, the lighting is incredible, and it is a very technically strong piece. I know that Aof tends to tell us sad gay stories, but by god am I in love with every single Aof show I have seen (GOBK(with Jojo), ATOTS, HCTM, BB, MLC)

Pushing Daisies

What a deeply deeply tragic story wrapped up in the shiniest paper! I will never get over the fact this show got canceled because it is one of the greatest of all time. I love that Lee Pace has acknowledged how queer this show is, and how intentional that was, even though it was not discussed at the time of its release. Like, fundamentally this is a show about a man named Ned and his partner Chuck who can never touch. I’ll talk about this a little later too, but I am just such a sucker for stories where people can’t touch each other. I love the angst in it, the wanting to, the need to be intimate, to comfort, to care for someone and just…not being able to hold them. I loved watching how Ned and Chuck navigated this issue, the kissing through plastic wrap, the dancing in beekeeper suits, them getting excited for winter cause it meant they could wear gloves and hold hands like any other couple.

This show is hilarious and funny and fast, with a really intriguing concept and an extremely clear vision and it did not deserve the end it got.

I heard it might be on HBO Max, not sure if that is still true, but if you can find you, and you haven’t seen it, you should absolutely watch it, and if you have seen it, this is your reminder to watch it again.

Sense8

Before I begin, I just want to say

FUCK

NETFLIX

Once again, another incredible show, with very interesting themes, and things to say was canceled before it’s time. I will die mad about the fact that Netflix did not give this show the room it deserved to tell the story THAT THEY PITCHED TO NETFLIX AS A FIVE SEASON ARC. This show was so good, it got my homophobic dad to watch the whole thing without even squirming at the gay sex (like he did when he watched Game of Thrones).

I love love love love love this show. I love the way it connects people from all over the world, I love that these random strangers become a family, I love what it says about every day people being important, having important skills, and how much that can vary from being a good actor, knowing chemistry, driving, and being a skilled martial artist. I love how sex positive this show was. I love the utilization of orgies to demonstrate the way these characters are all connected to each other. I loved the mystery behind it all, they way the function of this psyllium network got progressively more understandable to us as time went on in much the same way that the characters get used to it. I love the humanization of drug users, that it touches on the struggles of trans people, queer people, eldest daughters, poor people, etc etc etc; ON BODY AUTONOMY IN MEDICINE!!! I truly believe there is something for everyone in this show and even though I am mad we really only got a two hour filmed storyboard of general concepts the Wachowski sisters were planning on diving in to over the next three seasons, I do love with my whole heart, for the memes, that Nom’s mother gets over her transphobia as a result of one very good weed brownie.

Six of Crows and Crooked Kingdom

I got in to these books after seeing the first season of Shadow and Bone on Netflix. Full disclosure, I did not read the Shadow and Bone trilogy, I will not read the Shadow and Bone trilogy, I do not care about the Shadow and Bone trilogy. This is a Crows Only household. Six of Crows and Crooked Kingdom are very incredible heist books first of all. The main plot is compelling in and of itself, before you even add the characters in to it. And what phenomenal characters we have: Kaz, Inej, Jesper, Wylan, Matthias, NINA MY BELOVED. I’m glad they aged them up for the show, but it is very funny to me to think of a bunch of gremlin teenagers running around and taking down criminal empires for the sake of revenge...and coin. Leigh Bardugo is a disabled woman and I love that she gave Kaz her same disability because it means that we get a really authentic portrayal of disability. His cane is seen as important, he is never embarrassed by it, and his chronic pain is always highlighted. (can we also talk about how pissed Kaz was when Genya offered to fix his leg?). I love how contradictory he is, how much he loves Inej and wants to be with her, and wants to touch her, and the way his trauma and touch repulsion just constantly stops him from being physical able to do what he actually wants. Inej, who loves Kaz back, and sees the boy underneath the image of a monster he has crafted for himself, who has her own hang ups around touch and understands Kaz, but values herself enough to not pursue a relationship with him if he will not or cannot work on himself. Who grew claws with the knives she carries with her, who herself is a walking contradiction, deeply religious and also murderous, and so brave, and kind, and patient, and who I love with my whole heart.

Wylan, whose own father tried to have him killed because he was dyslexic. Jesper who has been hiding who he is because of what his power did to his mother, who is always the comedic relief while harboring pain, our favorite gambling addict, ADHD, gunslinger. Matthais who has to confront a lifetime’s worth of propaganda. Nina who is just an all around badass motherfucker, who is fat and sexy and brilliant. My favorite superspy <3

The Fall (2006) dir. Tarsem Singh

You really have to go looking for this film if you ever want to watch it, because it has almost entirely been wiped away, which sucks because it is one of my favorite movies. Why?

Because it is one of, if not the most visually stunning piece of media I have ever seen. The plot for this film is a stuntman (played by Lee Pace) falls, is injured, and hospitalized at the same time as a 5-year-old Romanian immigrant who fell and broke her arm picking oranges. Roy (the stuntman) starts telling Alexandria (the little girl) a story, to manipulate her in to doing things for him, like spying on people and stealing pain meds. The movie cuts between real life, present day, and this grandiose epic tale that he is telling. This was 150% a passion project on Tarsem’s part, he spent 30 million of his own money making this movie, for it to only make 3 million in theaters upon it’s release. It took four years to film and was filmed in 24 different locations.

I love the overarching story, and how the growing friendship Roy builds with this little girl literally saves his life. The cast of characters is certainly interesting, Charles Darwin is a character in Roy’s story, but by GOD is it just a great watch, hours of stunning cinematography, with incredible costumes. Would highly recommend watching this if you can find it.

The Magnus Archives

I love this podcast for many reasons. First, because I think it was absolutely brilliant to start this show off as almost an anthology, lulling the audience in to a false sense of security by having each early episode be completely unrelated to one another, until they aren’t. Until names start popping up in multiple tales, until monsters and ghosts and any number of other unexplained creepy things start showing up in other people’s stories. How slowly you start to realize everything is connected and always has been. That set up was just…beautifully handled. Second, I love what this show says about survival and fear. That the more we believe in fear, the more powerful it gets. I love how often the survivors of these tales come out the other side of these experiences by thinking of people that are important to them, people they love. When The Buried tried to get that spelunker trapped in the cave, it was the thought of finding her sister, of getting help for her sister that got her through the other side. When Martin is in The Lonely, it is his thoughts of Jon that get him through the other side. I love that the avatar of Death is kind. I love that the Boneturner just wants to build a garden. I love the experiences and the world that Johnathan Simms builds in every story, and that he is able to create so many different types of fears, a little something for everyone. I love the heart at the center of this show.

The Princess Bride

Again, another piece of media that is fast paced and full of quips, with a beautiful, ridiculous, hilarious story, and a solid emotional core. I was raised on this film, which is part of why I love it so much. You can see and feel how much fun the cast had making this film. To this day it is beloved, highly quotable, and poignant. Also a great fencing movie, but I’m biased on that end as a fencer myself. I don't have much more to say about this film because I think it is perfect and I have no notes, but I will say I love how much this film helped Mandy Patinkin process his own grief around the loss of his father.

#wka answers #180 degree longitude passes through us #180d #big eden #i told sunset about you #i promised you the moon #itsay #ipytm #moonlight chicken #mlc #pushing daisies #sense8 #six of crows #crooked kingdom #the fall #the fall (2006)#the magnus archives #tma #the princess bride

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elshells · 1 year

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Welcome, Traveler!

Hello! Ella here, it's nice to meet you. Thanks for stopping by my blog!

I've only been on Tumblr for a couple of years, but I've been sharing original stories online since 2018, and writing for fun even before that. Mainly, I dabble in science fiction, fantasy, horror, and everything in between. If you read or write within these genres, we'll get along great. And even if you don't, hit me up! I'm always looking for another good read, and I'm pretty easy to please.

In the writeblr community, I welcome asks/tag games and am always looking for an excuse to talk about my beloved characters. Granted, it takes me forever and a day to respond to literally anything, but I'd love to get to know you and your WIPs!

If I'm not writing, I'll hop on to see what y'all are up to, and sometimes I'll chime in with whatever's on my mind. Usually late at night when I should be asleep. As one does. You know how it goes around here. And if I happen to say anything hilarious, there's a 60% chance it was unintentional. I rarely think I'm funny in real life.

The bottom line is, if you enjoy my WIPs or just wanna be friends, please don't be shy to reach out! I'm often afraid to make the first move, but no matter how I end up on your feed, I hope I can make you smile!

* * *

MORE ABOUT ME

—‌Currently pursuing a degree in English creative writing and gender sexuality, and race studies, with minors in publishing and printing arts and music performance. So, naturally, I can be a busy gal.

—‌My dream is to be a published author (looking into the indie route), with the goal to debut before I graduate. I also have aspirations to be an actor in community theatre and/or voiceover work; we'll see how that goes!

—‌I've played the flute for almost ten years, and am slowly learning piano and guitar. Eventually I'd love to learn my way around a drum set as well, if I ever find the time, money, and discipline. Maybe I'll even write my own music one day, who knows?

—‌I love to swim, do yoga, and I rode horses for several years. Beyond that, I'm pretty much hopeless at sports, especially the ones that involve throwing around a ball.

—‌Occasionally I'll find the motivation to make some doodles. I haven't been that dedicated to the craft lately, so I've lost a lot of my mojo, but I hope to get back into drawing some day and maybe share some of my art!

—‌As a teenager, I volunteered at my local zoo and aquarium—‌and I would still love to go back one day—‌but for now, I work as a lifeguard and swim instructor.

—‌Like I mentioned before, I'm here to make friends! I'll talk to anyone about anything, as long as the conversation stays friendly, safe, and respectful. I won't tolerate hate in any form.

* * *

WIP MASTER LIST

If you enjoy a chapter, please consider letting me know by reblogging and leaving a comment! I welcome anything you have to say, so long as you're kind to me, yourself, and others. Useful and constructive criticism is always encouraged if you catch something I didn't, so feel free to share any feedback, opinions, or questions you have. I'm always looking to improve and I appreciate all the support I can get!

THE HARMONT HEROES SERIES —‌A fusion of science fiction and urban fantasy told through the dual POV of two sisters on opposite ends of society. This saga features mystery and intrigue, thrills and chills, and an array of LGBTQ+ characters. -BOOK ONE: Agent Ace -BOOK TWO: TBA -BOOK THREE: TBA -BOOK FOUR: TBA

EMBR OF THE EARTH (Standalone)—‌In the far, unknown future, the world is overrun by human survivors, robot scouts, and hostile, alienesque creatures that came from nowhere. A ragtag group of teens choose to leave the safety of their satellite and return to Earth, determined to discover what happened to planet and if there's a way to save it. -ON INDEFINITE HIATUS -The current draft is still available on Wattpad; read it here.

ENCORE (Standalone) —‌An eighteen-year-old girl is rescued from a deserted island as the lone survivor with an unbelievable story. Twelve years later, the girl, now a struggling musician who's still tortured by the past, is given an opportunity to go back in time to save the others. But with such high stakes to succeed, the price may be too much to pay. -A twist on the Final Girl trope in classic horror. -COMING TO TUMBLR SOON! Get started with the first five chapters here.

POETRY

Am I a poet? I don't know, you tell me!

Water Nymphs

Witches

Alley Cat

Sea Urchin

Homebody

Puhpowee

* * *

WHERE ELSE YOU CAN FIND ME

Wattpad: @ persephonehale

AO3: @ elshells *In the meantime, thanks for saying hi!*

#ella thinks #ella's writing #introductory post #masterlist #masterpost #writer's blog #wip: agent ace #writeblr #wip: embr of the earth #wip: encore #poetry blog #art blog #among many other things #thanks friends for stopping by!#ask me anything!

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hollowfaith · 22 days

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👋

misc action memes

👋 - for my muse to tug at your muse’s sleeve for attention .

The movement at his sleeve makes Aurelius look down to see the blond Servant tugging at the fabric.

"Yes, what is it?"

Nero fixes him with a pair of sparkling green eyes. "What does it look like?"

Aurelius turns back towards the front. "Nothing out of the ordinary. The acrobats are performing up to expectations so far."

Another tug plagues him, sharper this time. "But I can't see them!"

Aurelius blinks at her. Then he scans the crowd of audience members around them, all forming a veritable wall around the stage of the performers showing off their craft. "Oh, I suppose you couldn't at that height."

"Aurelius!" A flare of indignation rises up in her chest; Nero is already thinking of a choice quip when she feels a gust of wind followed by exclamations from the crowd. Before she can process what's happening, strong arms catch her around the waist and settle her on the angel's right shoulder as he takes flight above the crowds.

Suddenly, they not only have the best seats in the plaza, but the center of attention from everyone else as well.

"Aurelius, you..." Surprised by the change in positions, she impulsively clutches at his other shoulder for balance.

"It wouldn't be practical to just lift you up when we'd block the view of those behind us," the angel explains calmly. He brings up an arm to steady her while the actors on stage recover enough to go on.

Nero lowers her voice into a soft hiss. "But I'm—I'm going to fall!"

"No you won't." Aurelius isn't even looking at her, but the invisible touch of his wings find Nero's back and stabilize her further, acting as a sort of cushion to hold her weight. Still she digs her fingers into his jacket, partly to censure and the rest a mix of giddy nervousness. To distract herself she looks back at the stage, just in time to see another performer skillfully execute a series of backflips perfectly off a tower.

"Oh!" the exclamation escapes her lips unbidden.

"It doesn't look so hard."

"You can't say that when you have wings."

"Klaus can do it without his wings too."

She can feel her expression turning wry. "Give the humans a chance, why don't you."

Aurelius says nothing, but she catches the look in his irises turn considering before he nods. "...I can accept that they're exemplary by their own standards."

She feels a tiny thrill of pride at him taking her advice, enough to settle down and make herself more comfortable. "Well, thank you very much for this seat. It's, um...it's extremely convenient."

"You can thank me by telling me where to find the bakery you mentioned with those cakes."

"Oh! Yes, of course. After this then, if you're not busy?"

The angel pauses to check his watch. "We should have enough time."

Then he could bring something sweet home for Klaus's dessert.

#rosaictus #𝔔𝔲𝔢𝔯𝔶 ࿐ answered #𝔉𝔞𝔟𝔩𝔢𝔰 ࿐ drabbles #sorry i can't write a drabble without a klaus cameo it seems

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myfirstisthefourth · 1 year

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Getting to Know Your BL Mutuals:

I was tagged by @piningbisexuals Thank you for the tag. It took some thought and effort because I've watched So Many BLs this year and Not Nearly All of the same ones others got to. I'm also not as eloquent describing things as @absolutebl or @piningbisexuals so y'all bear with me. 😁🙄👍❤️

rules: answer the questions and @ some people. include the tag 'g2ky BL mutuals 2022' on your post so we can find everyone's answer.

BLs That Took You by Surprise this year:

1) DNA Says Love You: Produced by Taiwan this one turned out quite different from what I expected based on the trailer and I mean that in a good way. It was a Beautiful story, well crafted and terrifically acted.

2) Color Rush 2: Korea picked up a new habit this year and started giving us sequels. Now, I know everyone was disappointed not to have the original couple back, but the way they continued the story was what I loved the most. They built on the first and got into more of the backgrounds and societies response to those who are different. A third installment is planned and I hope it gets made if only because I want to know what happens. 😁

3) On Cloud Nine: A Thai BL that almost no one watched I think. Another one that was not what you expected based on the trailer. I enjoyed it for it's unique storytelling, beautiful cinematography, and the twist you may or may not deduce along the way.

4) Blueming: Though produced by South Korea it was unlike the bulk of their BLs. There was more depth to the story, the actors were lovely, and it was shot Beautifully.

BLs that You Were Disappointed With:

I guess I'm lowbrow because I don't get disappointed a lot. I take it for what it is. That being said, there were a couple.

1) Check Out: I watched the entire series and it didn't help. They managed to take the great chemistry and UST of Ep 00 and turn it into a self indulgent whine-fest. It could have been so much better if they hadn't tried so hard shooting for depth and coming up far short imo.

2) Cupid's Last Wish: It pains me to put this one here because I Love EarthMix together. I also watched this entire series and at least they did get together in the end. They made Mix's character So Unlikeable...the Entire Time. And then the whole body swap business. It just didn't work well, all of it. A disappointing follow-up to 1000 Stars. I honestly hope their next series is better.

Favorite BLs of the Year:

1) Not Me: A Stellar series all around! I Love OffGun and I was so excited to see them in something so very different from their usual sort of roles. The fact that the series was truly risky for the amount of social commentary and impact it had only added to the enjoyment. The actors ALL Killed these roles and I was just left in awe watching them week after week. Seeing the awards piling up for this series here at the end of the year is also So Gratifying because They Deserve It!!

2) Kinneporsche: I didn't Just like it for the high heat. I truly enjoyed seeing a Different kind of story being done by Thailand. The relationships and the story were solid and enjoyable with plenty of twists and turns to keep us engaged. The acting was Marvelous, the Chemistry Insane, and I look forward to season 2...if it ever gets produced.

3) Semantic Error: Another South Korea BL that seemed to break the standard mold. Gorgeous Chemistry between the leads and an Unlikely love story made it a winner for me.

Favorite BL Couples:

I have Years of Favs but I'll stick to This year. LOL

1) OffGun is Always gonna be on this list. They just keep getting better and better.

2) OhmFluke have Had Me since UWMA and I am So Happy we're getting More of them this year.

3) EarthMix I Love their chemistry in general and I Know they have the acting chops to pull off great work. Just hoping for some better stories for them

4) BossNouel A Totally new pair this year, they Ate their roles Up with Tantalizing chemistry. I hope we see More from them.

5) MileApo and BibleBuild They crafted relationships that made an impact with Superb acting and Unreal chemistry. Give them More to do because they are up to it.

6) Kim Ji Woong & Yoon Seo Bin They have been Marvelous together this year. So Enjoyable! Korea gave us two very different series with them and we can only hope they'll give us more.

7) BounPrem got my attention in UWMA and I am Thrilled to finally be seeing them in their own series to follow-up on UWMA. I have loved seeing them all over this year, in Brilliant cameos and short series alike.

Non BL Favorites This Year

Some of these are gonna be Bromance we Wish Were BL but I enjoyed them all the same. Also, some may have been produced in 2021 but I just got to watch them this year.

1) Devil Judge: Just Wow! A Dystopian drama from Korea with an Insane story and Brilliant acting, it kept me on the edge of my seat until the end.

2) Remember You: A Thai drama with Tay Tawan, Petch, and Aun. Another one that kept me on the edge of my seat. An intense murder mystery series with family drama and the unexpected thrown in.

3) Kei & Yaku: Abunei Aibou: Japan gave us a Great show with this one. A cop and a Yakuza boss have to join forces and Wow! This is one I Wish they would give us a sequel for just to have More of them together

4) Under the Skin: A Chinese drama that very much gave me Sherlock vibes. A cop and a Forensic artist are forced to work together despite a rocky history but the unique skill of the artist makes all the difference to their cases. Loved it!

Tagging @negrowhat @meglaroque @heretherebedork @earthpodd @mysticmerc-awesome and @skaryneko

#g2ky bl mutuals 2022 #tag game #get to know me #fun stuff

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haljathefangirlcat · 1 year

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i know nothing about 1899 except that aneurin barnard was there, but i've heard of the cancellation and i'm sorry for you <3 this extremely capitalistic culture of any tv show getting cancelled after just one season if they don't get the same ratings of a MCU production is insane

Aw, thank you for your message. <3

And yeah, I totally agree. Especially in this case. See, the thing that makes me so *froths at the mouth* about this is how arbitrary and dumb it all sounds.

Like. 1899 was being written by Baran bo Odar and Jantje Friese, the same people behind Dark. Remember how I used to (and still do) wax poetics about that? XD Anyway, like Dark, it was also shaping up to be a complex mystery show with a gloomy atmosphere, well-placed mythological references galore, and morally ambiguous characters who made questionable life choices and whose stories were probably going to be revealed little by little. So, Netflix basically already had proof that a show like this made by these people could succeed before they even began releasing the episodes, right? And when they actually did release the episodes? 1899 stayed in their top ten shows for weeks. People immediately started posting comments, analyses, theories, fanworks. They were engaging with it and clearly wanted more. And official reviews were generally great, too! Like, "this is one of the best shows of 2022, can we have more German stuff plz" great!

And yeah, this show was a lot more slowburn than Dark had been. And some people didn't like that, I guess. Personally, by the end of the first (and now, only) season I wasn't even entirely sure I could trust anything the characters and the narration had said about themselves anymore... or that I'd even had exactly the firmest grasp on either of them through the whole thing, lol. But that very obviously wasn't the result of screenwriters trying to outsmart the audience and keep us in the dark as much as possible for randomness!!!1 shock value!!!1, it was clearly setting up something much bigger that needed a slow, careful build-up and trusting the audience to have the patience to see it done properly -- the amount of detail and care put into it was honestly insane, and I and many others were more than willing to see all the puzzles pieces be put in their respective places one by one. Because, hey, surprisingly enough sometimes audiences like being trusted instead of being hit over the head with a big sign saying Viewers Are Morons and/or wowed with shiny but empty spectacles and "witty" quotable one-liners!

And yeah, okay, it was probably a lot more expensive than Dark had been, too. But... had the execs at Netflix really not taken that into consideration BEFORE okay-ing the entire project?! There were characters of... what, six different nationalities? All played by actors of those nationalities to make sure their portrayal was accurate? All followed by people whose entire job was making sure the dialogue they were going to be handed in their different native languages was accurate and not stilted, awkward garbage?! And that's without even counting The Volume, the technology they were using to film scenes set on the ship's deck and at sea to make everything feel more realistic, which was the same thing used on HOTD to film flights on dragonback and apparently worked well enough to make some of the actors actually sea-sick during their first scenes with it. I mean... did nobody at all look at all that before shooting started, check the numbers, and go, "wait, no, actually we are not willing to spend that much money on an international series/scifi series/original project that's not an adaptation or a sequel to anything/something that most likely won't start any trends on TikTok or get any outraged kids screaming on Twitter, so how about you tone it down a little"?

Seriously... why give your audience a taste of something so creative and well-crafted only to yank it away because, whoops, you didn't really take enough time to think about it and understand that what you had on your hands wasn't actually the kind of thing you wanted? Why take two people who had already proven their skill and their passion (and likely also their willingness to actually treat their cast and crew well, given that one of the actors from Dark agreed to work with them again in 1899 and others publicly showed their support for the new series) and then pull the rug from underneath their feet? And that's not even counting what a great time the rest of the cast and crew all seemed to be having from the interviews and the behind the scenes stuff...

I guess what stings the most -- besides, you know, being left hanging on a cliffhanger that was obviously going to lead to a much bigger mystery that for once I could actually be pretty confident would get a satisfying resolution while interrogating human nature itself in fascinating ways while getting there XD -- is that people like that, ready to come up with big, fun, interesting ideas like that and to assemble great casts and crews like that, giving plenty of talented and hard-working people their time to shine on such amazing and heartfelt works, don't exactly get Big American Platform Able To Pick Up Or Drop International Projects On A Whim budgets every day. And when they do, and they're even lucky enough to get it a second time... they get discarded, apparently. Tossed away regardless of their talent, passion, great ideas, good relationships with their colleagues and respect for their public. Right in the middle of creating something else that could have turned out to be wonderful.

... and then people like me, who'd love nothing more than to stick with them to the end and fawn over them after seeing them stick the landing again, are left with truncated stories that will never give them the satisfaction of a good ending (how rare have those become, anyway?) and the grim knowledge that they probably won't see anything else like that in a long, long time. Because "anything else like that" won't likely get picked up by the people with the money needed to give it the shape it deserves, or even if it does, it will be picked up and then someone will go, "whoops, didn't think this through, sorry, let's pretend that just didn't happen!"

Sorry for the rant, I really did appreciate this message. I guess this whole vent *gestures upwards* had been building up, too. XD

#ask #queen-zimraphel

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charthanry · 2 years

Note

Love your meta's and Bad Baddy reflections!

Thats why I come to you with a specific detail I haven’t seen discussed anywhere yet:

So after the first legendary EP 5 Kiss,

Pat pulls away and the second before Pran kisses him back, we can catch Pat slightly shaking his head as Pran's hand on his neck pulls him in.

This detail had me pondering so much that I've developed some ideas about it but I'd live to hear other thoughts.

Pat initiating the first kiss and visibly having a moment of relief and clarity after he kisses Pran makes the reaction of short resistant super interesting. What was going on in his mind?

What would have happened if Pran hadn't kissed him back?

But because Pran did, I can imagine how this sealed Pat's unshakable devotion to the love in his heart.

Ahhh~~~ this series just keeps on giving! Thanks for adding to the broth, be safe, be blessed!

Lovely anon, what a great ask! I hope my ramblings will do your question justice.

I also noticed the little headshake on my first watch of this scene. At the time, like you, I didn't know what to make of it either. BUT on later rewatch, I slowed down the scene frame by frame to see exactly what Pat was reacting to. This was difficult to fully examine since the angle of Pat's little head movement is shown from Pran's POV and not Pat's.

We have Pat pulling back from their initial kiss, his eyes are still closed, he slowly flutters them open to gauge Pran's reaction. His eyes are entirely focused on Pran’s face so he notices a beat too late that Pran has reacted, with his hand.

Pran stares at Pat, warring with himself, asking Do I want this? And decides in that split-second that he’s going to be honest with himself Yes, yes I do and pulls Pat in by the neck for a deeper kiss. Pat's little head move is him reacting to Pran's hand on his neck, he doesn't understand what's happening until he feels Pran's lips on him that second time.

It's difficult to capture a screenshot of because it happens so quickly but as soon as Pran moves his hand to grab Pat's neck, you see Pat (Ohm) react to the hand in his peripheral and then he's pulled into a deep kiss.

Look at the grip Pran has on Pat's neck, he wants this badly. And his unguarded reaction says as much. He desperately wants Pat in this moment, and he lets himself have him. He stops thinking for this breadth of time and just takes and takes and takes. And I love this so much for him. His decision to GIVE IN to what his heart desires rather than let his head win out. It's only 28 seconds but in those precious seconds Pran tastes for himself all the what-ifs, gets all his imaginations answered. And it's an Oh, that's what it's like. It's better than he could have imagined during all those times he quietly sat with his feelings.

This is such great reactionary acting by the both of them. In Safe House 2, OhmNanon talk at length about their acting techniques, the entire clip is incredibly fascinating so go watch it if you haven’t already. It really shows how professional and mature both guys are and how seriously they take their craft. But since you asked about Ohm, I’ll speak more to his method.

I’ll specifically time stamp this part where Ohm talks about how as an actor he’s learned to be honest with his reactions. How he doesn’t wait for his “turn” to react according to the script, but reacts honestly and purely, he asks himself what would my character do in this situation? He doesn’t focus on what the script is telling him how his character should react.

We’ve seen and heard in a lot of the behind the scenes videos and discussions that Ohm is constantly asking P’Aof for clarity on Pat because he sometimes doesn’t agree with scripted Pat’s reactions. Ohm himself often corrects course by going off-script and P’Aof ends up using his take! (For instance, Pat wasn’t supposed to cry at the lead up to the kiss. Ohm did that. And it just makes the emotional impact of his “no” hit that much more).

Thanks to Ohm, we get a more fully realized version of Pat than what may have been on paper. And this results in a more sincere and relatable performance... just like the head movement we see in the scene you’re asking about. Ohm doesn’t just stand still and simply wait for his turn to act, he notices Pran’s hand movement and turns to look at it, but before he can fully digest what is happening, Pran has him by the neck and lips. And this makes his reaction to Pran kissing him that much more satisfying because it catches him completely off guard. All the intensity that we see Pat pouring into that second kiss is him reacting to Pran’s desperation.

We have truly been blessed watching these two masterclass actors portray Pat and Pran especially with how they act and react towards each other. We know that this is a scripted show, but the acting is so immersive and natural and genuine that it feels real. I don’t think it would have worked in any other actors’ hands. Thank you, anon, for your ask. It really made me put these thoughts down in writing.

#my asks #bad buddy #bad buddy series #bad buddy ep5 #the kiss #patpran #GOD EVEN MY ANSWERS TO ASKS ARE LONG #what is wrong with me???#bbs brainrot #asks #anonymous #ohmnanon #detailed acting

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jbbarnesnnoble · 3 years

Text

Pining and Anticipation

Summary: You work for Starkly Yours, the adult division of Stark Industries, as a PA. A sudden depature leaves you to fill a role you never expected.

Features/Warnings: Smut; self-doubt; mentions of weight; Oral sex (F recieving)

Pairing: Bucky Barnes/Plus Size Reader

Notes: Pornstar AU.

I did no research for this, just went with it. This will potentially become a series of oneshot series entitled ‘Dress’

Request: “Hi there! I have a request for a Pornstar Au featuring Bucky x Plus Size Reader. In this world, the Avengers are some of the biggest entertainers in the industry. Reader is a staff worker who usually works behind the scenes, fixing lunches and getting drinks. One day, she is asked to work as a fluffer, due to call outs, to none other than Bucky, the cute Pornstar who has been flirting with her. Cue smutty fluff.”

Word Count: 2447

Stark Industries had been a household name for decades. Household gadgets to military weapons, you name it, Stark made it. Upon Howard Stark’s passing in the 90s, his son Tony took up the mantle, making changes to the way the company was run and dropping the weapons for other ventures. Starkly Yours was the adult division of the company, focusing on lingerie, sex toys, and the production of high quality, ethically made porn. Tony Stark was known for keeping a strict code of ethics when it came to that division of the company. No drugs. No alcohol. You could leave at any time and he had ways of disguising appearance for those who didn’t wish to have their true identity revealed.

That technology was a closely guarded secret. Tony had mentioned time and time again not wanting the government to get their hands on it. You didn’t blame him for that, knowing the guilt he carried for what had happened to Sokovia, the home of Wanda Maximoff, who had started working in the adult division a couple years prior. Her story had been one of many Tony had heard over the years. Wanda had started out working as a receptionist in the R&D lab in high school and college, before she graduated and moved to Starkly Yours. Wanda worked alongside you as a PA.

You marveled at the tech Tony had made to conceal identities. It was usually the younger actors and actresses who went that route, the ones who had no intentions of making a career out of being in Stark’s films. It was good money. Tony ran heavy background checks on all staff who worked within the video and image division. Brock Rumlow had once tried to out a girl and that had been the end of his career. You’d never cared for him anyway. He’d hit on you several times, with you rebuffing his attempts each time. You knew about Brock and none of what you knew was good. Last you’d heard he had started on with Hydra Productions, a sketchy production company based in LA. The last time you turned him down he called you names you refused to repeat, making comments on your weight and the fact that your pining for Bucky Barnes was becoming obvious. You never told Tony, not wanting to give Rumlow more of a reason to dislike you. You knew if you had told Tony, Rumlow would have been out the door sooner.

You had started out as a PA for Tony after he and Pepper had gotten together, with Pepper taking over the day to day of the main part of the company. Tony’s domain these days was primarily Starkly Yours, between the films and the products. You were usually getting the lunches and drinks for the actors, and whatever else they needed. Steve Rogers, Natasha Romanoff, Sam Wilson, the list went on. There were a core of actors at the studio called the Avengers. It was a fun little nickname, after a superhero themed series of videos that had been done. Their personas stuck across multiple films and it had been a moment of marketing genius.

You were sweet on Bucky Barnes, something it seemed everyone but Bucky knew. Tony had crafted the arm he now had, working with the Wakandan princess who had spent a summer working with Stark Industries a few years back. You didn’t know the details of that exchange, just that Tony knew the Wakandan royals. Bucky’s arm was the only one like it in the world, made of vibranium and other metals. Others in the Stark prosthetic line were modeled after it, but with different metal. You knew the vague story of how he’d lost the arm, but never pushed for more than he was comfortable sharing when the two of you would hang out.

You glanced at yourself in the mirror. It was hot in New York that morning, summer making itself known with an early heat wave. You were thankful that day’s shoot was indoors, in the air conditioning of the penthouse Stark had just for filming. You had opted for a tank top and a light cardigan that morning but you were regretting your choice. The tank top clung to you in a way that you felt was unflattering. Natasha would reassure you that you were in your head. You never did believe her, or Wanda for that matter. You poked and prodded at your stomach after washing your hands in the bathroom sink. It was going to be a long day. You took in the image of your face, frowning at the appearance of your chin before letting out a sigh.

You knew it was going to be a long day. You had gotten a text from Tony early that morning that you might be needed to perform additional duties. You weren’t sure what he meant by that. There was a pit in your stomach that told you that you might not like the answer. Tony would never force you to do something that made you feel uncomfortable, that much you knew. You pulled yourself from your thoughts and headed to where your boss was, talking to Natasha and Wanda. Natasha was set to be in the scene that day, alongside Bucky and Steve.

“There she is, world’s best PA. Bad news, buttercup. Georgie resigned effective immediately. She got quite the opportunity across the pond in London with Peggy Carter’s new agency and Peggy needed her as soon as possible. That leaves us in a bind because you know how particular Barnes is,” Tony said. It took a moment for your mind to catch up. Georgie’s official job was as a camera tech, but she would, on occasion, act as a fluffer. Bucky was particular about everything, from who he did scenes with to who he’d allow to help him stay in the moment. He didn’t need help often, but Georgie was his go to person. She had been there before Tony had pulled you over to Starkly Yours.

“What about Nat?” you asked, your voice cracking.

“He said no. But something tells me he won’t say no to you helping him,” Natasha said with a mischievous smirk on her face.

“Me? Nat, I get near him and the man will be softer than an ice cream cone,” you replied. She rolled her eyes.

“Maybe you can’t see it, but that man has had it bad for you for months,” Natasha replied. You snorted. When you’d started working with Starkly Yours, you’d been seeing someone. He hated that you worked for a porn production company, but you refused to quit. It ended up being the end of your relationship six months earlier, with a parting jabs that stung more than you cared to admit.

“Nat,” you whined.

“It’s true. He’s always flirting with you,” Wanda noted. You couldn’t disagree there. Bucky did flirt with you, but you couldn’t bring yourself to believe it was more than friendly banter. Bucky Barnes was the kind of guy who could get any woman he wanted. You were sure that woman wasn’t you. No matter how long it had been, your face always warmed when he’d call you doll, honey, or sweetheart.

“No, he says that shit to everyone,” you deflected. You saw the look the two women shared.

“You’re up, buttercup. Trust me. He’ll be open to it,” Tony said, patting your shoulder. Natasha practically dragged you down the hall to Bucky’s dressing room. It was more like an actual bedroom. You glanced down at what you were wearing, regretting the fact that laundry day had left you with that damned tank top. ‘There’s no way Bucky will be turned on by this. If anything he’s going to get soft and I’ll be the joke of the day’ you thought to yourself. Natasha stopped suddenly, arriving outside Bucky’s door. You almost slammed into her. She looked you up and down.

“That top looks gorgeous on you. Don’t let him rip it,” she said. You held back a laugh at her comment. Only in your dreams would Bucky Barnes rip your clothes from your body.

Natasha knocked on the door before you had a chance to back out of it. It swung open to reveal Bucky, his robe wrapped around him. You tried not to stare, you honestly did. But Bucky Barnes did things to you. Sinful, wicked things that would surely make a nun blush. Nuns, think of nuns, you told yourself, hoping your expression didn’t betray you. Oh, the things you would let that man do to you.

“Bad news, Barnes. Georgie resigned suddenly to take a position immediately with Peggy’s new agency,” Natasha said.

“Oh?” Bucky asked. That voice. You could listen to it all day. You would take it to the grave how many times you had gotten yourself off thinking about that voice telling you just what to do.

“Lucky for you, everyone’s favorite PA volunteered to assist you. However you’d like,” Natasha said with an exaggerated wink. You felt your cheeks warm again. You wanted desperately for the floor to swallow you whole.

“Did she now? Is that true, doll? You volunteered to help me today?” Bucky asked, his voice dropping lower. You felt your own wetness begin to pool between your legs.

“Uh...yeah, I uh, I did,” you said, your voice cracking a little as the pitch increased. Natasha walked away, calling over her shoulder “have fun, you two” before disappearing around the corner. You were surprised when Bucky took your hand and pulled you into his room.

You had been in there before, bringing him lunch and occasionally hanging out. He was a friend above all else. His eyes roamed your body and you could have sworn you saw them darken as he did. He placed his hand under your jaw, tilting your head so you couldn’t help but look at him.

“Tell me the truth doll. Do you want to do this?” he asked, his voice low. You swallowed. You had a feeling he was talking about more than just a quick blow job to get him hard before a scene.

“Yes,” you replied.

“If we do this, sweetheart, there’s no putting that back in the bottle. And I’m not sure I can be just friends if we do. I’d prefer to take you to dinner first, but I think you and I can both agree, we are past the getting to know you stage,” he said. You blinked. It felt as though your brain was short circuiting. There was no way Bucky Barnes, one of the most attractive men you’d ever met, was asking you out, and from the sound of it, asking for something serious. You weren’t sure what had come over you before you answered.

“I’m all in if you are,” you replied. He smiled, a toothy grin that you knew was reserved for only you. He moved his hand, opting to take yours as he pulled you toward the bed, and gestured for you to sit. You looked at him, brow furrowed.

“I thought I was supposed to get you hard,” you said. He chuckled.

“Oh sweetheart, you underestimate how much I enjoy what I’m about to do. Our first time is gonna be all about you,” he said. He looked at you as he brought hit hands up to the button of your pants. With a swift nod from you, he undid the button and zipper in one motion, taking both your pants and your panties as he moved down your legs. You weren’t sure when you had lost the flats you were wearing, certain that it was somewhere between the door and the bed.

Bucky moved to take your shirt off, but you touched his hands, stopping him. He gave you a look, brows furrowed in confusion. Your mind was racing. You didn’t want him to see you fully naked. No. Not Bucky.

“Doll, let me see you, please?” he asked.

“Bucky,” you whined.

“Let me show you how you should be treated. You’re gorgeous, sweetheart. And it’s about time someone showed you some appreciation,” he replied. He was smooth. You’d give him that. You pulled at the hem of your shirt, making the decision in that moment to pull it off, leaving you in your bra. You had never seen someone look at you quite like Bucky had in that moment. You’d had partners in the past, people who had loved you, all of you. But no one had ever looked at you like him. Bucky looked at you with such an intensity you thought you would melt. He pushed you back on the bed, having you lay down. He moved between your legs as he pressed gently to get you to open them for him.

He kissed his way up your leg, taking his time. In the moments, thoughts about stretch marks and your size went out the window. You felt the anticipation, the desire for him to be where you needed him the most. At first contact, you arched off the bed, wanting more. You felt him smirk against you as his tongue moved from your entrance toward your clit. His right hand moved toward your center as he pressed one finger into you.

The sounds coming from you were absolutely sinful. Bucky swore he would do anything just to ensure he’d never go a day without hearing those sweet sounds coming from your mouth. He pressed another finger into you, knowing it wouldn’t be long before he pulled you over the edge.

And over the edge you fell, screaming his name. You swore you saw stars. As you caught your breath, you saw him, your wetness on his face and him wearing a grin that told you the pair of you were far from done. His robe had since been discarded and you glanced down. He hadn’t been lying when he said he didn’t need you to do any of the work. But you still wanted to. God did you want to.

“Later doll. Tony’s probably going to be knocking on that door any minute now looking for us,” Bucky said, seeing the look on your face. He had plans for the pair of you. Starting with dinner that night.

The two of you emerged a few minutes later, Bucky with an arm around your waist. Natasha gave you a knowing look as the two of you entered the room being used for the shoot.

If later that night, Bucky showed you just how much stamina he had, well, that was between you, Bucky, and the walls of his apartment.

#Bucky Barnes Fanfic #bucky barnes/reader #bucky barnes x reader #bucky barnes reader insert #marvel fanfic #bucky barnes #marvel fanfiction #marvel reader insert #winter soldier fanfic #winter soldier #plus size reader #bucky barnes/plus size reader #until the end of the queue

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dotthings · 4 years

Text

The gaslighting needs to stop. Systemic power imbalanced in the tv industry are real. Network interference is real. Erasure and unkindness towards marginalized characters is real.

I’m more on the canon analysis end of things personally, but I assure you the fans trying to figure out WTF happened here and account for stuff that objectively, even the people more skeptical acknowledge is weird and points back towards network interference, try to debunk their own theories. They are telling you that, they are transparent about their information, if you don’t feel like playing detailed murder wall, then don’t, but to deny there is a very very real power imbalance behind the scenes that hurt marginalized characters and fans, and hurt the story, is toxic. Stop it.

Things like the Spanish dub and people who have worked on the show coming out of the woodwork to support Destiel should be a clue. Latin America believes it’s a mutually requited love story, canon confirmed from both sides, because that is what aired on a big tv network there. And watch out for that US-centric thinking that somehow thinks this doesn’t count. (Also plot twist: the US is the restrictive market. Wake up).

My wheelhouse is more canon analysis so I’m going to say now that the gaslighting about canon, about aired canon, about confirmed canon, about implied canon, seems to me a whole lot of toxic detached-from-reality hand waving so hard to still, STILL!!--try to deny the validity of Destiel. I’m glad some of y’all think this is merely hilarious, and after not showing up and not being supportive and not sticking your neck out at all to protect Destiel shippers from bullying, you came back just to eat the popcorn because it amuses you and I’m supposed to think that’s pro-Destiel supportive or something, or it’s people who have no horse in the race who just want fandom entertainment so everything’s a joke while they reinforce the exact attitudes that let this kind of systemic oppression perpetuate and get away with erasing marginalized voices in the tv industry, in fandom, in stories. Nice work, people. Your holier-than-thou attitude is real convincing.

Then there’s the people trying to convince everyone it’s convincing to play false equivalency cha-cha and as if people only see this as canon due to a) 1 slash joke b) they stared at each other that one time c) drapes. Because old school fans are so proud that in their day, nobody wanted their queer ships to be canon and Destiel is just like *insert whatever slash ship of the past that had about 1/10th of the loud textual material and canon development Destiel has*. You want to try to argue against the epic nature of the text on Dean and Cas, hey give it your all, but it’s not going to hold up. If I started listing off the immensity, things that are textual plot points, it would be a 3,000 word essay. Stop playing false equivalency. Stop trying to artificially yank this back into the past because you can’t handle the textual validity of Destiel.

Deal with the fact that this is not an easily classifiable situation.

Even if in the end the same old systemic crap stifled its full due, and that’s the part that is tiresome, Dean and Cas deserve better than have their actual canon content demeaned.

After the story we have seen. After 12 seasons of deep-dive development. After Cas was finally openly confirmed as queer, and in love with Dean, in the final season, 2 episodes from the end, and Misha echoed it, and from Dean’s side, because full confirmation on Dean’s side is being held down, Jensen protected a romantic reading, protected people’s right to see Dean as in love with Cas not having a chance to speak his heart. Protected the right to that reading within the ambiguity that he knows is as far as the canon was able to take it. After the ship became canon confirmed as at least unrequited love story. Whether Jensen ships it or not, he has been very loudly and openly protective of fan readings and has been very openly excited about 15.18 and the handprint, he knows this is a great story and he’s been openly excited about how excited and joyful fans were about that episode.

But what we have seen on our screens, what the story told us, transcends the muzzles placed on it. What we have seen is a mutually requited love story. We already saw in action how Dean loves Cas. We are left with, in the end, the silencing of Dean Winchester. Gosh I wonder why the silencing of Dean Winchester. Why was it necessary. Why was he not even permitted to speak at all, to anyone, to confide about how he even felt about Cas’s love confession. Why did Jensen have to do the heavy lifting to meta it for us. Why did Cas have to be left fully out of the series finale on a show he was so key on for 12 seasons, as a 3rd lead. Why is that? Because the only thing the creative team would ever be allowed to do by corporate is friendzone it and they didn’t want to friendzone it.

So we are cursed with ambiguity from Dean’s side. And if the series finale had done better by Dean’s story, including his death, and by Cas’s story (instead of shoving him out of sight), if it hadn’t erased Eileen and Saileen, if it hadn’t failed Sam’s story, if it hadn’t been a regressive, awkward mess, most shippers would have accepted ambiguity if Dean and Cas has been given at least the respect of a reunion, if Dean had at least been given the chance to partially speak even if it couldn’t be removed from ambiguity. But the system was too scared of it. It had to be held down and muffled hard.

It was yanked out of the story artificially in ways that don’t match Destiel’s narrative importance before the series finale and don’t match 12 seasons of storytelling. It’s artificial. It is a silencing. And it shows.

That sudden silence was a scream.

"The writers” were for it. “The writers” wanted to tell that story even if network interference prevented it. Some of us were gaslighted and smeared and bashed just for pointing it out, and we turned out to be right.

DESTIEL IS CANON. And the parts where fans still have to rely on interpretation for have ample, AMPLE, story evidence and external evidence--that has nothing to do with deeper dive murder walls, it has to do with support shown, and confirmed information--all point to a mutually reciprocated love story.

How many more times do shippers have to be proven right before people stop this. I was bullied for several seasons just for saying Destiel was a purposefully crafted a valid textual reading, by my own lane. For asserting it was a love story designed to dodge under network radar. I was bullied for years before that by antis, who didn’t like seeing people love this ship too much, who didn’t like that I refused to get down on my knees and label myself as delusional just for seeing it, for refusing to bow down and say “it’s only about 2 brothers so I am wrong to say Destiel matters too.”

The unkindness in this fandom over all this continues to be overwhelming. Get your shit together. You worship your favorite actors and then they show you up every time by being kinder and more open and understanding than fans manage to be. Jensen and Misha are showing you how to roll and people are ignoring it in favor of continuing to try to silence and demean Destiel shippers.

For Destiel shippers, don’t let all this gaslighting and shaming nonsense and the systemic corporate nonsense that wants Destiel silenced knock you off from your reading of canon. It was valid. It was real. Thanks to the magic of bleedback effect, now it was always textual, the subtextual has been transformed retroactively, and it’s from both Dean and Cas’s end. If you still feel doubt on Dean’s side, because we didn’t get the same loud explicit confirmation, go back to the text itself. If you believed it already for Cas, if Cas’s confession to Dean only validated what you already knew, why can’t you see it for Dean, because it’s already there.

#Jensen Ackles #Misha Collins #Destiel #The 15 Year Show #Castiel #Dean Winchester #i'm not burying this behind a wank tag #i need people to pay attention and not dismiss it as mere 'fandom drama' please

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canary3d-obsessed · 3 years

Text

Lost Tomb Reboot Lewks: Part 13

(Masterpost) (Other Canary Stuff)

Warning: Spoilers for both seasons of The Lost Tomb Reboot and also vaguely for Daomu Biji in general

Look 66 belongs to Ah Ning, who has chosen, for this adaptation, to go with short hair, heavy makeup, and all-black clothes, but with a bit of a club vibe, rather than her more usual tactical vibe.

The short hair is a weird choice. The whole schtick with DMBJ adaptations is that you have to tell who's who by their costuming and styling, since the associated actors toss roles back and forth faster than Wu Xie and Xiao Ge on a date with Liu Sang.

Hot guy in a hoodie? Xiao Ge. Slightly dorky but ridiculously charismatic guy who dresses like Joey Ramone? Hei Yanjing. Man who's too old for fluffy bangs and puppy-dog eyes but is working the hell out of them anyway? Wu Xie. Ponytail, gun, and a whole bunch of disposable sidekicks? Ah Ning.

Ah Ning, Lost Tomb 1 version, with her signature ponytail & disregard for human life.

For this look, Ah Ning has gotten rid of her long hair, henchmen, weapons, and the part of her shirt that normally would cover her belly. This is an outfit that says "I am finally ready to fuck Wu Xie."

Unfortunately she decides to accessorize this outfit with a giant deadly snake.

This snake, unlike the equivalent snake in uhhhhhmmm a different DMBJ show that Ah Ning might theoretically die in, does not appear to be poisonous or have an unusual instant-kill-you ability. It just squeezes her a little bit, and the boys don't make any attempt to revive her, even though not-breathing is a super survivable condition, if it's corrected quickly.

This non-poisonous snake accessory is all about killing a woman so that men can feel manpain, and I am kind of offended that this version of Ah Ning went out like that, after being a badass in every other adaptation.

(more after the cut!)

The hypothetical other show where a version of this scene perhaps also happens does correct this, by having her talk about her acceptance of the risk of death, and by having the fucking snake be POISONOUS. I am not naming the show because where’s the fun in that? If you watch TLTR first, like I did, you get to be worried about Ah Ning in every other show she’s in, which is exhausting but also kind of fun. (I don’t mind women dying in fiction, as long as their deaths are an important part of their own stories, rather than just being important for the growth of the men around them.)

Thanks to poor accessory choices, Ah Ning and her snake necklace go the same route as Ye Piaopiao and No-Longer-Mute Chick; fortunately Xiao Ge didn't fall for Tattoo Artist Ah Tou or she'd be in the morgue with the rest of them.

Look 67 is young Wu Xie's jungle adventure outfit, featuring a bright white popover jacket with cream color sleeves from Scotch & Soda’s Club Nomade collection. Scotch & Soda have have thoughtfully printed their name on the string so that those of you who share Wu Xie's clothing tastes will know where to shop. You know who you are.

You would think highly visible bright white would be a bad choice for a jungle adventure, but apparently snakes in these parts are only attracted to goths.

Wu Xie is also wearing wired ear pods, which did not exist whenever this flashback supposedly happened, but if we're cool with sentient crustaceans and clams that can incapacitate a ruthless trained assassin (clams got legs!), we can be cool with ear pods.

The show conveys flashback-Wu-Xie's youth and naiveté by having him smile sweetly, not watch Ah Ning take her clothes off, and not attempt CPR after she gets lightly squeezed by a snake.

Looks 68 and 69 belong to Not Ah Ning, who is played by Liu Yuqi, who also plays Ah Ning. Her makeup is much softer and prettier as this character than as Ah Ning; this character’s job is to be pleasing to men, whereas Ah Ning’s job is to get male underlings killed on the regular, so I guess that makes sense.

This outfit is an amazing body-hugging soft green jumpsuit with raised quilty detailing on the arms and shoulders. Her jumpsuit perfectly matches the couch she's sprawled on, which is her subtle way of telling Jiang Zisuan that she is a nice comfy place to have a lie down.

She accessorizes this look with her usual soft wavy brown hair and a scattering of gold finger rings. I think she also accessorizes this with ass pads, because Ah Ning does not appear to be draggin’ this wagon in her scenes. I checked. For science.

When the first outfit doesn't work, she ditches the subtlety and goes for a Chanel-style suit in black, white, and red, with a with a black leather bustier underneath.

Unfortunately this is a wasted effort, because the Jiang Zisuan she tries this on is actually Wu Xie in disguise.

Wu Xie only likes girls if they are 1. secretly manipulating him while acting like a tiny adorable sidekick, 2. trying to kill him repeatedly while adventuring together, 3. planning to kill him as soon as the roads are clear but willing to bone in the meantime, or 4. are a skin effigy with a sentient crustacean in their head.

Sorry, Not Ah Ning; this was a good effort.

Look 70 features Wu Xie in a white thermal shirt, dark blue jeans, and fake facial hair. This is a good look for sitting with your not-quite girlfriend and wondering how you both managed to have romances with Bai Yu in parallel universes. (OP recently watched Love O2O, which is a trip for fans of DMBJ, Guardian, or feminism)

Fortunately Wu Xie doesn’t know that his second-favorite doctor/Zhan Rishan’s girlfriend also had a romance with Bai Yu or his mind would be entirely blown.

This is a soft, comfortable look, perfect for torturing someone, with help from your first-favorite doctor, by pretending to poison someone with nicotine, all so you can have a few moments of quality time with a cigarette before said doctor takes them away again.

Wu Xie's cigs are stored in a buttery-soft leather case that completely covers the brand name of the cigarettes, so apparently cdramas don’t go in for ciggy product placements.

Wo Xie wears this outfit with a silvery-metal watch with a black leather wrist strap. The watch appears to be round, and it probably tells time. (If you’re new to the Lewks series: I lack watch knowledge and that’s not likely to change.)

Wu Xie finally peels off his fake facial hair so we can see his pretty face again, only to replace the facial hair with an entire fake face. Fortunately, this face, belonging to actor Wu Lipeng, is also pretty.

Look 71 belongs to Wu Xie, initially (for this outfit) played by Wu Lipeng until his inevitable unmasking. So many actors have played Wu Xie, this whole disguise thing is barely worth blinking at. Wu Lipeng does a nice job changing his mannerisms to play Wu Xie, and this whole schtick eventually gives us Zhu Yilong's delightful performance as Wang Meng, so even though we eventually get way too much of not-Zhu-Yilong in the role, I’m good with it.

This outfit features black jeans, black tactical boots & gloves, and Ah Ning’s coin bracelet, although it’s mostly hard to see the bracelet. The outfit’s main feature is a possibly-leather jacket that’s been molded into a hideous and disturbing voronoi pattern.

This jacket is probably very expensive and took a lot of work to craft, but it makes him look like he’s wearing a Glad Force Flex garbage bag. I mean, I guess that's cool.

This outfit is good for several episodes worth of adventures, including getting tied up and being sassy...

...and underwater cave exploration, which is totally a thing that a person with critically damaged lungs can do.

This outfit is good for homoerotic wrestling...

...and also for heteroerotic wrestling.

This is also a good outfit for being gently cradled in the arms of your doctor, while you massage your throat in order to swallow what he's putting in your mouth.

The fingerless gloves are useful for helping Xiao Bai get out of not one, but two different situations in which she stepped on a trap without realizing it, requiring Wu Xie to get down on the ground and have a tense encounter with her foot.

Scenes like this are where costuming really makes a difference. In this shot, we we watch a stunt hand (Zhu Yilong has never had that long of a thumbnail in his life) hold a wire steady, while a stunt foot is pulled out from under it.

This shot includes a lot of visual texture and interest, from the hatch lines on the palm of the glove to the cross-striping of the boot lace. The complexity of this glove and this boot help to hold our attention when they’re in the frame, allowing the tension of the scene to build, instead of dissipating when the viewer runs out of things to look at.

Bonus Look 1

Carrying all that tragic baggage has given Jiang Zisuan spectacular arm muscles.

Bonus Look 2

Zhu Yilong with not-fake facial hair.

Daaaaaamn.

#the lost tomb reboot #reunion the sound of the providence #the lost tomb reboot spoilers #lost tomb lewks #spoilers #my gifs #canary3d-original #my stills #ah ning #wu xie #zhu yilong

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theglitterypages · 3 years

Note

Hi! I’m a new follower so i’m not quite sure if you accept requests now but if u do! i have this request that i think would be really nice!

I just read ur one shot called “behind the scenes” and i literally fell in love with it! I was thinking if you could do a sequel or part two where levi and reader talk about what he said in the interview and come to terms with their feelings for each other and then he says that they will take it slow and court reader properly.

After that, they would have like cute moments together like, she goes live on ig or such and he join and then flirts with her through the comment section 😆🥰 they have like small dates. And then when they film again for the next season, the other actors will ask what’s the deal with the both of them and Levi says he’s courting reader ><

Just a thought hehe i hope you have a great day!

Title: Behind The Scenes Part Two

Pairings: Levi x fem! Reader

Warnings: None

Word Count: 3000

A/N: Hello darling, I'm so sorry it took me so long to respond, I've been a little busy in cleaning our house these days and I'm trying to spend less time using gadgets that's why I rarely find time to write. Anyways, I hope you'll like this one. This is not proofread so Expect many errors, I will edit this in no time. Thanks for requesting dearie💗💗💗

Read Part 1 Here

°°°°°

“Let's see each other next season! Good luck on your upcoming projects especially you Miss Marvel!” Zeke walked towards you and hugged you tight.

The whole cast just finished eating dinner, it was a dinner filled of laughter, the whole cast talked about the days on set, the silly things and other stuffs. Throughout the years of filming attack on titan, every one became each other's best friends and every time the filming are finished it's kinda sad because it will take time before you guys start filming together again.

“Goodnight everyone!”

Levi guided you towards the parking lot, his car was parked beside Eren who's now opening the door for Mikasa. “Drive straight my sister home, it's late.” Eren nodded and saluted to Levi before he climbed up the car and drove off.

Levi, on the other hand also opened the door of the car for you before he entered the car himself.

••••

“Thanks for driving me home, Lev. Do you want go inside for some tea?”

“It's fine, I don't wanna keep you up. We barely had enough time to sleep these days because of the promotions and stuffs.” Despite of saying that Levi is still standing in front of you, his eyes are full of hesitation and he kept opening his mouth just to pursed his lips together again as if holding himself back.

You are holding yourself back as well, you wanted to talk about what he said on the interview, you wanted to make things clear but you're too scared to do so.

Levi is a man who's hard to read, you wouldn't know if what he's saying is for the sake of fun or it is because he meant it.

Maybe he said that because you two are good friends, right, that's the only logical reason that popped into your mind.

You smiled fakely, trying to hide your disappointment to the fact that he's not gonna say anything, you get ready to turn your back on him to go inside your house but Levi suddenly held your hand, causing you to look back at him with wide eyes, “W-What is it?” you stammered.

“I mean it.”

“You mean what?”

Your heart is beating so fast, you're suddenly wondering it is because of Levi or it is because you have a heart problem.

Levi sighed and squeezed your hand gently as he looked into your eyes, he prepared himself a lot of times already but why is he getting afraid all the time?

He wanted to say it, say that this is more than just a friendship, that this is more than a job, that what he's doing is not a publicity stunt but he's tongue-tied. His mind went blank the moment he met your gaze, everything that he practiced before all of this has gone into the abyss.

But if he won't take a step forward, he'll always be at the same place and he wouldn't want that.

“I like you—no scratch that, I'm in love with you.”

“We had no liquor earlier so you can't be drunk. I have no times for jokes right now Lev.” you wanted to say that you like him too but what if this is just a joke? Can you afford to lose the friendship you to has?

Levi took a deep breath before he slowly nipped your chin and leaned down, his lips almost touching yours. “I know this is ridiculous but I..fell in love with you. At first I thought it was just because I'm portraying a man who's possibly in love with your character but as time passes by, I realized I'm not portraying Levi's feelings anymore.” he closed his eyes and gulped hard, his Adam's apple bobbing up and down as he do so.

“On Erwin's last day on shoot, I've realized that my remaining time with you are short and I realized that I'm not ready to let all of this end just like that.”

Flashback

“Okay so Levi you'll be choosing between Armin and Erwin, you know what to do just show us that you're heartbroken without obviously doing it and then once Samantha and Hanji came in look at Samantha with a face of relief, because in this scene Levi is glad to see her alive.” Levi nodded to the director, the make up artists put more fake bloods all over his face and when he sat nearby Erwin, the latter opened his eyes.

“Come on, man. Loosen up, the camera's not yet rolling.” Erwin smiled, Levi is a passionate actor and he gives his best in his craft, this series for example, Levi doesn't have any stunt doubles, he learned martial arts for the role and he did great portraying Levi Ackerman.

“Lights, Camera, Action!”

The scene went well and everyone cheered since this is the last day of filming for Erwin's character, Armin immediately hugged his older co-actor, Jean and Connie did the same while Mikasa and Sasha are clapping and smiling at the production team.

You and Levi are standing side by side behind Erwin, “This is sad.” you commented while Levi sighed beside you, “Imagine what my old guy feels.” Levi told you referring to his character in the series, you shrugged your shoulders and walked towards Erwin to hug him.

“You're the best, Commander Erwin.” you smiled and did the salute in the series before chuckling, “Shinzou wo Sasageyo!” you told him and the other actors heard you, everyone started doing the salute and shouted, “Shinzou wo Sasageyo!” Erwin looked around and smiled at everyone.

“Oh come on! It's not like I'm real dead, it's just my character.”

That wraps up the filming that day, while everyone was busy taking pictures with Erwin because this is his last day, Levi remained watching the whole cast from afar.

His eyes landed on you as you cry hugging Erwin, telling him that you'll miss working with him.

That was when Levi had come to realize that once this series is finished, he will never be ready to share the last moment on and off screen with you.

He's been working in this industry for a long time, not all friendships formed in work could last after a project is done, that was one of the reason why he's doing his best not to get attached especially in leading ladies but right now, for working so long with these whole cast it is inevitable to be attached to someone so similar to him yet different in other ways.

A small smile made its way across his lips as he see you laugh with the casts as you stood beside his sister.

One thing has come to his mind at that moment, he will never be ready to let you go.

End of Flashback

“I don't want to pressure you or anything. We can take it slow, I'm ready to court you properly, I haven't done any of that before but I'll do everything...let's just give it a try.”

All you could do was stare at him, blinking slowly as you tried processing everything he said, it was surprising to see him tremble like this, you can feel how cold his hands are and how his eyes are glassy because of the tears forming at the corner of his eyes.

“Well...I like you too but we'll take things slow, right? I don't want any of us to be hurt.”

“I understand—wait, what? You like me too?”

“Should I take that back?”

“No!”

You yelped with surprise when he hugged you tightly, his arms wrapped around you as he whisper sweet nothings on your ear.

“Levi it's too tight.” you giggled and he immediately pulled away, his cheeks are red so are his ears, he's cute with that blush but the way he smiled at you makes you feel like you've won the lottery, who knew you could see the Levi Cold Ackerman smile like this?

“I promise, I'll do my best.” he told you before pressing his lips on your forehead.

••••••

“Miss Y/N? Ahm the show asked if you could go live on Instagram to entertain the fans and inform them that you'll be in the Night Show.” you smiled at the staff and took the tablet in her hands since you'll be using the show's account to go live.

You started the live while your hairstylist is still fixing your hair, “As you guys can see my beloved hairstylist is not yet done fixing my hair, I will be at the Night Show! Oh my gosh I don't know what to say next, I'm just gonna read the comments.” your hairstylist laughed at your silliness and took a glance on the screen before turning her attention back to your hair.

“Okay, @ynsupremacy says she's been waiting for me to appear on the show. Oh thank you very much dearie! I've always wanted to be here too thanks for your support.”

“Oh my gosh take it easy babes, I can't read everything in just one go.”

You scrolled through the comments and sees a familiar username, “Someone deadass spammed the comment section you guys, Levi you little bastard stop spamming. Let my babies talk to me.” you narrowed your eyes at the screen before reading Levi's comment.

“I can't believe Angels go live on Instagram, says @captainlev.”

You looked back at your hairstylist after hearing her read Levi's comment, you blushed and she laughed at your reaction before shaking her head. “What? I was just reading. Nice on Captain Lev!” she smirked at the camera before looking back at you.

“I'll be back in a minute.” she said before walking out of the room.

You could still see Levi's comments but you did your best to ignore it so you could talk to your fans. “Hello @erenlegalwife happy birthday! I'm gonna tell Eren that it's his legal wife's birthday.” you chuckled. It's amusing to see their usernames, the comments are also hilarious but there are some bashers in the comments. You didn't mind them and just proceeded in interacting with your fans.

Another comment was shown but before you could even read it someone covered your eyes and you squealed, you removed their hands off your eyes and when you looked back you gasped in surprise.

“You kept on ignoring my comments, meanie.” Levi smirked as he opened his arms, asking for a hug and when you're too slow to hug him he's the one to walk towards you and hug you tight as he laughed loudly. “I scared you big time didn't I?” he teased.

You hit his back and pullled away from the hug. “God, I hate you.” it's been two months since you two confessed to each other, just like what he said, you two are taking it slow.

You guys are going out on dates from time to time yet there's no official relationship status, you didn't need the label actually, you're sure Levi wouldn't break your heart or anything, you just want to enjoy every time that you're with him.

“Okay, Levi will be joining us too but believe me I have no idea that he's a guest as well.” you told the fans as they ask you in the comment section.

“Figured I gotta surprise you, it's much better this way right?”

“You told me you're filming for that movie, big liar.”

Levi laughed and pinched your cheeks gently, “Sorry, I just want to surprise you.” he smiled sweetly and you looked away, blushing. “Pft. Never mind...” you bit your lower lip and scrolled through the comments but Levi already read something out loud.

“Ooh... @levisamlover says ‘you two look good together, just date already’ thank you for that. I also think that we look really good with each other, thanks for supporting my claim.” he smirked.

••••

“Are you sure you're fine with us just having a date at home? Well you probavly don't wanna let the press see us.” Levi asked as he wrapped jis arms around your shoulder, pulling you close to him as you two watch a movie.

“Hmm, nah the press has been seeing us two a lot but I don't care, I just want to stay close with you like this.” you told him, hugging him sideways, Levi chuckled and kissed the top of your head before feeding you some popcorn.

In the middle of the movie, Levi looked down on you just to see you asleep with a pout on your lips. He chuckled to himself and he slowly scoop you up being careful not to wake you up. He carried you towards your bedroom and he lay you down on the bed gently.

He smiled at your sleeping form before kissing your forehead. “I love you, do you know that? The day's ending yet I'm still 'ere falling in love with you again and again, deeper and deeper at every moment that passes by.” he took his phone from his pocket and took a picture of you, it became his new hobby, he's not the type to love taking pictures before but now that he has you, he wants to capture every moment.

He wants every moment to be saved, so he can go back to it every time that he misses you.

••••

“Nice job YN! Another action stunt beautifully done!”

You let out a sigh of relief when you're done filming your part, you guys are filming Eren's fight with the War Hammer Titan, along with the Survey corps fighting scene.

When you've finally done your part you immediately sat on the floor, feeling drained because of the insane stunts you had to do.

Levi was quick to hand you a bottled of water, he also naturally took his handkerchief out of his pocket to wipe your sweats, technically it is your PA's job but Levi was way faster than them.

Zeke and Reiner who just got finished their parts too, laughed at the scene because your PA was standing awkwardly as she watch Levi steal her job. “Man, I can't be the only one feeling that something changed with this two.” Zeke smirked nudging Reiner's sides, the latter hummed to agree before flicking his eyes on you and Levi.

“He's not even using his trailer anymore. He's with her all the time, Levi is acting sus.”

“Not to mention the fact that they kept on stealing glances all the time.” Hanji appeared behind the two holding her phone in her hand as she captures a photo of you and Levi laughing together. “Once we caught 'em in the act they'll spill the beans, believe me.” Armin who just finished filming also appeared holding his bottled water.

“I have a plan.” Hanji smirked deviously.

•••

“What, you're telling me to flirt with YN? Mikasa, I don't want to get killed by your brother.” Eren complained when he found out that the plan that they were thinking was getting Levi jealous so he would spill the tea.

Mikasa glared at Eren and smacked the back of his head. “Just do it, we'll be here to do something once he attempt to kill you.” Eren stared at her unbelievably before looking at his older brother. “Why don't you tell Armin to do it?” Zeke pushed his glasses up his nose before shaking his head. “Nah, Armin is like her son, Levi won't get jealous but you, a fuckboy would appear as a threat.” Zeke explained and everyone agreed.

“Man you're the one who flirts like a Seahorse.” Armin told him.

Eren narrowed his eyes, unable to understand Armin's sentence. “What do you mean by that smart-ass?” he growled.

“Seahorses flirts a lot, you're just like them.”

“I hate you all.”

Zeke got impatient of his brother's drama and he immediately pushed him towards your direction, the poor man almost landes face flat on the floor if you weren't able to grab his arm.

“Eren!” you gasped and helped him up, when Eren got up his face is pale, he smiled awkwardly and looked back at his brother to send a glare on his way before looking back at you. “You look beautiful today, YN.” he complimented.

You were taken aback by the sudden compliment so you just smiled before tapping his back, “Thanks, you look handsome today too, nice stunts by the way.” Eren looked around and he sees no traces of Levi so he loosened up a bit.

“I was just wondering if you'd like to have some coffee, there's this new coffee shop nearby and I've heard they have nice coffee.”

“Oh yes su—”

“She doesn't like coffee.”

Eren wanted to run when he heard Levi spoke behind him but he had no choice but to look at him, “Hey Lev! What's up?” Levi raised his brow to Eren, he didn't respond to him and went to your side as he glares at Eren.

“Play nice.”

“What am I? Your dog?” he whispered and you glared at him. “I'm just saying that you should act nice.” Levi crossed his arms over his chest and let out a deep breath. “I am nice.” you shook your head and massaged the bridge of your nose, there's no point in calming a jealous Levi.

“Ohohoho! I see what's happening here! Seems like sugar plum and captain grumpy is hiding somethin' eh? Spill it. What's with the possesiveness and lovey-dovey moments?”

Levi's eyes widened for a secons before he looked away, his ears and cheeks are red. Zeke's teasing smirk tells him that the man already know something, Hanji, Mikasa and Armin's stares are also meaningful, it seems like they're pressuring him to give an answer.

Levi clicked his tongue and acted cool as he looked at his co-actors and sister.

“I'm courting her, got any problem with that? Flirt with her again and you're done, Yeager.” he held your hand and dragged you away from the group while Zeke and Eren's laughter boomed at the whole set.

“YEAGERS! QUIET!”

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engekihaikyuu · 3 years

Photo

Hyper Projection Engeki Haikyuu - The View from the Top 2

2.5D Interview Translation with Asuma Kousuke

======

Since the show “The Strongest Team,” it’s been about two and a half years since you last played Oikawa. How did you feel when your casting for this show was decided? I really didn’t think the day would come when I’d get to return to Engeki Haikyuu. So when my casting my was set, I was so incredibly happy. This time I will be the only one appearing from Aoba Johsai. So that makes me a little sad, and I also feel some pressure since I’m responsible for representing everyone from Aoba Johsai and I carry the weight of all of their emotions. That’s the main challenge I want to overcome.

=====

Full interview and more photos under the Read More! Please do not repost my translations

Asuma-san, your debut was with Engeki Haikyuu. And now this will be your final time portraying Oikawa, so please give us an insight into your state of mind. I’m only here because of Engeki Haikyuu, so I really am very grateful. I’ve never been able to play the same character for this long, so it’s the character I’m most attached to, and I feel like I understand Oikawa better than anyone else. This is going to be the grand culmination of eleven shows, and I want to make it the best production yet, full of all of the emotions of everyone in the cast and crew. That’s the “Summit” that everyone in this company is aiming for, and I will be only one portion of that.

Asuma-san, you will be the only one appearing from Aoba Johsai, so is there anything in particular you’re conscientious of? Even with only Oikawa on the stage, I think the atmosphere changes. And because I will be alone, I want to be even more unrestrained in how I present Oikawa. Even at rehearsals, I want to be calling so much attention to Oikawa that even the director will stop me. (laughs) I haven’t been able to join the others at rehearsals yet, but I’ll be the only one there who’s been a part of this from the very beginning, so I think everyone will come to me with their questions. Like, “Show us how you did this in previous shows” or “Show us an example of how to do that.” Although I’m not sure I even could... (laughs) I’m sure there will be times when people tease me like, “That’s no good!” but if I can make rehearsals lively with that, I’m fine. Also in terms of age, I’m somewhere in the middle of the group, and this is my first time in that situation. Normally I’m always teased by my senpai, but since I’ve been here since the very first show and I’ve been able to see and experience a lot, I hope that I’ll be able to give some advice to others.

Are there any parts of your personality that you think resemble Oikawa? A lot of people around me say that I'm like him, but I don’t really think so. At first I thought we might be similar, but as I’ve gotten deeper into this role, I’ve become less able to say that. Right now, I can only say that I respect him. Oikawa has this one line that I like, which goes, “Talent is something you make bloom, instinct is something you polish!!!” In this world, there aren’t that many people you can call prodigies. Oikawa rose to the top with hard work, and I think it’s just too cool that I got to say that line! Even when I rewatch that DVD, I often feel like, “Wow I got a really cool line...” Even Iwa-chan says to him, “Even when you’ve become an old man, you probably won’t be happy. Even if you won some big tournament, you wouldn’t be completely satisfied, because you’re an annoying guy who’s going to chase volleyball for his entire life.” Oikawa loves volleyball, he’s obsessed with it, and I have nothing but respect for that.

Do you normally rewatch the shows you’ve starred in? It is embarrassing, so I don’t often rewatch things. There are things where if I watched them now, I’d think, “Man I sucked.” But when it comes to “Winners and Losers” or “The Strongest Team,” those are different and I used to rewatch them often even back then. I think to myself, “I haven’t done any other plays that are this rough. So I can do this!” They’re encouraging that way. Also I’m good friends with everyone in those casts. The sense of teamwork and friendship is very strong.

Speaking of your teammates, you spent a long time together with the Aoba Johsai cast. Please tell us about a time during a past tour when you felt strongly about your connection with them. There are a lot of things I can only talk about now. Everyone was my senpai, but at the time, we would argue a lot. Because we didn’t want to give in to one another. For the duration of the tour, we agreed that we wouldn’t have that kind of pecking order, and that’s how we were able to create those shows. There’s a scene in “The Strongest Team” when Oikawa says, “Thank you for the past three years!!!”, and when I saw everyone’s faces in that moment, I couldn’t stop myself from bursting into tears. I was just so glad that we really had become such a great team by that point.

Within the entire Engeki Haikyuu series, please tell us what you think is Oikawa’s best scene. The first is the opening sequence for the very first show. Because I was good at the count, I deviated from it to do a little double peace sign. And also that’s my very first scene as an actor. At the time, I was really nervous about even doing that one jump, but I’ll never be able to forget the view while facing the front of that stage. We don’t have any lines there, but it’s a scene that I have a very strong emotional attachment to. The other one is from “the Strongest Team” when Kyoutani gets over himself and really becomes part of Seijoh. Oikawa has continued to trust in Kyoutani, and he continues to grind that gear into place. The result is a unified Seijoh to oppose Karasuno. When I rewatched that moment on DVD, I have this really great smile on my face. I’d kept such a serious expression up to that point, so I really enjoy that shift in expression.

Tell us something we should look forward to for this show’s Oikawa. I think fundamentally he’s the same as when he was a high school student, so I think the highlight will be to see the parts of him that have changed with age. There’s a lot that wasn’t portrayed in the manga, so I’m personally looking forward to seeing how I can craft those portions on my own on-stage. I’m going to be fairly conscious of my manner and behavior, not just my lines. It'd be great if I can show his difference in age with how I carry myself. I also want to polish my jump serve more. My jump serve right now is the high school version, so I want people to see the change in form and power.

Earlier you mentioned the line, “Talent is something you make bloom, instinct is something you polish.” What are the things that you will continue to make bloom or polish from here on? Tell us your vision of yourself as an actor. I honestly don’t know if I have any real talents. But for now I’ve continued to get work in this field, so someday I’d like to be able find my specialties while focusing on the work in front of me. In the future I’d like to go overseas, so right now I’m studying English and Chinese. Haikyuu is very popular all over the world. Every time I’ve gone to some other country, there are many people who tell me, “I’ve seen Engeki Haikyuu!” Because I’ve been able to perform in a production that’s this beloved the world over, I’ve come to think that I need to go out into that world! After this, I would love to become an actor that can work all around the globe.

And lastly, please give the fans a final, exuberant message In times like these, I think that entertainment and the arts are absolutely necessary. I know there are many things to be depressed about, but that’s exactly why I want people to watch Engeki Haikyuu and then gain some motivation. This is a production where you can absolutely feel the passion whether you see it in person or through a screen, so I want people to see it whether through an official stream or on DVD. At last, we’ve reached the finale. Please support us to the very end!

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You can read the original Japanese interview here: (x)

Please do not repost my translations! This includes screenshots of bits and pieces taken out of context, especially if they don’t link back to this full post. If you appreciate the work I do for this blog and want to support my translation efforts please consider donating a ko-fi! (x)

#Haisute #Engeki Haikyuu #Hyper Projection Engeki Haikyuu #Final Show #View from the Top 2 #asuma kousuke #interview translation

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pickingwinkles · 2 years

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Thanks @highponeystoney I can use some comfort right now so this is a good way to remember the comforting things all around

Comfort Tag Game

We can all use a little comfort from time to time so what's the 1st thing that comes to mind when you see the following:

Song: I think Andante festivo by Sibelius but if we’re talking a song with words to lower my blood pressure: Oceans, PJ, never fails

Band: Pearl Jam (whaaat!? who’d have thunk)

Movie: there are 4 movies I can recite in their entirety and don’t need a single active brain cell to watch—The Princess Bride, Rosencrantz and Guildenstern are Dead, Best in Show, and Labyrinth

Actress: Catherine O’Hara

Actor: Paul Newman

TV show: there’re quite a few but in the last few years Taskmaster for sure

I’m going to add Mini-series: North and South and Pride and Prejudice (1995)

Concert video: ohhhhhhh—all PJ. toss up between 1999 Bridge School second night, Pinkpop ‘92, and Pinkpop 2000. And maybe 2005 Santiago, I think the second night?

Book: It used to be The BFG, then absolutely any Discworld book, now I’d probably like to re-experience the utter contentment I felt reading The Watchmaker of Filigree Street.

Author: Terry Pratchett

Poem: I don’t know much about poetry but I do get absurdly homesick if I hear any line of My Country by Dorothea Mackellar

Character: Granny Weatherwax, and Death

Piece of clothing: the long woollen skirt I made last year, and my 25yo glow-in-the-dark Superunknown t-shirt that no longer glows in the dark and I have to find some way to preserve the rest of it before it disintegrates further

Meal: potatoes-any way except cold, and/or bibimbap with a runny egg

Snack: biccies for sweet, chippies for salty

Drink: monk’s pear tea

Animal: nice cuddly cats, so not my little buttmunch

Room: the spare room with all my books and craft stuff in

This was lovely to do. Tagging any and all who want to try!

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bewitching-elizabeth-olsen · 3 years

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Press: Elizabeth Olsen and Jurnee Smollett Compare Notes on Genre-Blending Acting and Advocating for Performers on Set

VARIETY: Neither Elizabeth Olsen nor Jurnee Smollett are strangers to having to really stretch their imaginations to dive into complex characters and even more complicated worlds.

Both have superhero films on their résumés: Smollett portrayed Black Canary in DC’s “Birds of Prey,” while Olsen stepped into Wanda Maximoff aka the Scarlet Witch’s shoes for Marvel’s “Avengers” franchise and then some — including Disney Plus’ first Marvel series, “WandaVision.” They are both now Emmy-nominated for projects that tasked them with jumping through time, blending genres and telling epic love stories (Olsen with “WandaVision,” Smollett with HBO’s “Lovecraft Country”). And, even though they are up in different categories (Olsen in lead limited series/TV movie actress; Smollett in lead drama actress), both of these shows are one-season wonders, leaving the performers and their audiences wanting more.

Olsen and Smollett dissected all that of when Variety brought them together post-nominations to talk about their celebrated roles and surreal playgrounds.

You both had a lot of magical or otherwise surreal elements to interact with on your shows. What did you actually have in front of you to react to on set?

Jurnee Smollett: We were very fortunate on “Lovecraft Country” because the whole VFX team worked so hard to create an atmosphere that was also practical in our space. I remember on Episode 3, the exorcism scene, we shot it over a course of three days and, while there was not a man in real life with a baby head on him, you’ve got the wind machines and the pictures are blowing and all the special effects makeup is being touched up. Atticus [Jonathan Majors] has pretty much turned into a rabid dog and I’m doing this spell with my ancestors and whether they were shooting behind us or shooting the elements, we were at our max capacity regardless because that’s just how we approach the craft. It was such a big sequence to shoot that that’s when the actor in you has to advocate for your instrument. I did go to the director and say, “Can you jump in and cross shoot Jonathan and I?” As an actor it is our job to shoot however many takes, however many angles you need, but then it is also our job to advocate for yourselves. And I love playing in this space because you get to use your imagination you get to go to crazy places. Because even while the practical elements are there; you get to go to crazy places. But I was grateful for the practical elements because it’s just so much easier.

Elizabeth Olsen: Did they have pre-viz so you knew what some of the supernatural elements looked like?

Smollett: With the Shoggoths they not only had a pre-viz for us, but for some of the scenes they had massive sculptures, like a dude standing there in a green suit with a Shoggoth head. The pilot we didn’t have this puppet, but by Episode 8, maybe we got more of a budget or something, but eventually we did get a puppet — which was really cool because you could see, “This is the moment his mouth is opening.” But also, Misha [Green], our showrunner, she just wants more blood, more dirt. She’d try to get them to blow spittle at us.

Olsen: That’s so gross!

Smollett: This concoction of Shoggoth spit, throwing it in front of this wind machine. I find the more practical stuff we have to work with, it just helps so much. And then there were the moments where it’s like, “No it’s just a green tennis ball and an X, and go.” How about you?

Olsen: For all those little things in the air and stuff in the ’50s, it was really important to our director [Matt Shakman] that we did everything ala “Bewitched.” It was all camera tricks, it was all wires. Our head of special effects had a lineage of a father who [did] special effects before him, and so puppetry and wire work and stuff like that were things that were already in his vocabulary, but we would have our special effect guys who are used to blowing things up and putting things on fire just balancing and making sure things aren’t swinging but they have to move. Even in the ’70s when she’s pregnant and everything’s in chaos, we really had a picture on the wall going in circles; they just figured out things with magnets.

When we were filming the finale, it was during COVID, during the fires last summer, and we shot Kathryn [Hahn’s] side at the beginning of the episode when she has my boys with her magic — we had to shoot them out because you always have to shoot the side with the kid out and also Kathryn was doing wires for the first time and of course it was with a corset and it was really hot and really bad air quality and so she had to be sent home by the medic at the end of the day. And so, on my side we were running out of days, and I think we had 35 minutes to shoot my side and my reactions to all of that, and there’s quite a bit of back and forth and throwing myself to the ground and hitting a different mark that will then stitch with the stunt double being pulled. I did a weird one-woman show sans kids, sans Kathryn. Our stand-ins were such a huge part of our show and I was so grateful to have them they’re reading lines with me, and our director, Matt Shakman, was like, “If you feel like you can’t do this, we’ll just do this tomorrow.” That gave an adrenaline rush to me and it just became, “I’m just going to do it.” There’s a lot of fear when you’re like, “Oh I don’t have the elements and I am on my own, literally.” But I’ve had to do this before and I’m just scared to do it because I feel stupid. But I already look kind of stupid — I’m shooting things out of my hands — so why don’t I just lean into it as full as possible and just do it and find it in some core, guttural space of desperation? That day was bizarre, but I was actually very happy that I didn’t put it off. I feel like sometimes as actors when there are things that make us nervous it’s like, “Oh we don’t have enough time to explore so let’s do it the next day if we can,” and then you’re in your head all night about it. And so, it’s nice to just do it, even if it feels silly.

Smollett: I’d imagine surrendering and using the fear and all that that you were feeling probably served you so well in it.

Olsen: And don’t you feel that, though? When you feel unsupported you just want to break down in tears and you’re not supposed to break down in tears or you’re not supposed to have those it’s those feelings in the moment, but there are other times where it is really useful and there’s something freeing about channeling it in some way.

Smollett: Yeah and it’s that word you just used: freeing. Being able to surrender — leap and the net will appear. And you’re right, if you would have gone home, you probably would have come back the next day and you would have overthought it. There’s something about using the adrenaline in that moment that I don’t think you can really teach an actor to do; it’s just experience. Because we go and we prep and we do all these things, and then you get to the set and there’s one distraction, two distractions, and those are the elements that just through experience you’ve learned to use.

But I have to say, when I was little, I used to go to sleep every night watching Nick at Nite and “Bewitched” was one of my favorite shows. I did not expect you guys, at all, to go to land of “Bewitched.”

Olsen: I didn’t either. I’m so grateful to it. I felt like I like forgot my body as an actor. You’re a very physical actor, so I feel like you probably don’t have that experience because you just seem so connected and free whether it’s on stage or doing action. And I really felt disconnected from my body until “WandaVision.” I was like, “Right, I have posture; I can walk; I have legs — all of these things are going to be telling the story and it’s period and so I get to move differently.” It’s been a while since I needed to create quite a different character, and it felt so good to wake up my body to the full character work.

Just watching you in the first episode on stage, I was like, “God damn, I want to feel that free on stage with a song and with an audience.” I’m a self-conscious actor when it comes to extras and things like that. There’s something about it where the crew’s the family, and with extras, I feel so vulnerable. And you seemed so at ease and in control and confident. It made you understand her fierceness and how fearless she was.

Smollett: Thank you so much! It’s so interesting that you point that out because, for me, singing in front of people terrifies me. It truly is one of the things that terrifies me the most. The thing about Misha’s writing is, she finds a way to teach you so much about a character in such a small amount of time. And in that first sequence we learn so much about Leti, from that fearlessness you talk about, the ease that she has in herself and in her person, but then you learn so much about her hypocrisy and the contrasting ideas that are at play inside. She’s a very complex one. In the scene with her sister where she’s talking about having dreams of pioneering into an all-white neighborhood in 1955, but she can’t afford to may for socks. [Laughs.] She didn’t come to her mother’s funeral, and yet she’s here yearning for some sort of family connection. And so, I just remember reading that and feeling so drawn to her and feeling like it’s a side of myself that I needed to unearth — there’s a Leti in me that I desired to actually be, but sometimes am not. And it’s interesting because through Leti, she really forced me to do so many things that I hadn’t done before and really become more fearless, become more unbound. It was just such a very cathartic experience for me.

Olsen: I felt that way with getting to do this sitcom comedy part. I felt like I was touching my childhood version of myself who was a ham doing children’s musical theater, who just who just like played for the laughs or whatever — that part that I don’t access at all, really, when filming. And Kathryn Hahn was such a force and Paul Bettany raised to the challenge, as well, of these comedic performances that were really physically funny. I started to get more comfortable — in the ’60s, ’70s, really got comfortable — and it was so much fun to touch that child that maybe was told too many times, “Oh, you’re such a ham” or you just felt like your big personality as a kid was not OK or wasn’t as appropriate. And so, getting to play with that was really freeing and very fun. As you were saying, there’s a release I needed to have, and through the comedy I was able to have it.

How did this sense of empowerment affect how you carried your own characters’ power? Was there something your character that inspired you to advocate for yourself or did advocating behind-the-scenes inform in-world behavior?

Olsen: I felt very lucky coming into this, because this is a world I know. And so, where my voice of advocacy came in was for actors who are coming into the world — like Teyonah [Parris], wanting to make sure that she had everything that she needed to understand where her character was going because this was a character that’s going to continue [and] if she had everything she needed for stunts. And then similarly with Kathryn, she didn’t realize there was someone who she could use to teach her hand gestures for her magic. And so, she was feeling nervous and lost, like, “How do I do this thing?” And I was like, “Oh, how do you not have that information!?” And then having a conversation with whom you need to on the crew up top and figure out how to keep everyone else feeling like they had everything they needed. And luckily, because this was a show with characters that Paul and I had before, the pieces came together and it was a situation where your voice is welcomed and heard.

From “Sorry For Your Loss,” the TV show I did with Facebook, I now have a producer voice that I can’t shut up. I now just need to talk to ADs a lot, and I need to talk to line producers a lot. I realize that I like having — especially if I’m No. 1 on the call sheet; if I’m a primary part — all of the information so I can understand why decisions that seem weird are happening, or else I’m going to get in my head about, “Why are we doing this this way? I just let people know that off the bat now because it makes me less of a control freak, having information. And it is a team effort and I think the actor’s value has changed in that in that respect. There’s a lot more opportunity for women to be vocal now, and so I’m just really seizing that opportunity.

Smollett: It was a very personal growing experience for me. It was time of transition [and] I’m still going through that transition in my life. In order to truly surrender and do the text justice, there was so much I had to bring to the altar every day to sacrifice. I remember talking to Jonathan about that, and he would refer to it as allowing your heart to break and hoping that the Holy Spirit would put it back together. She was essentially a woman trying to navigate her womanhood but she was never actually allowed to have a childhood. She was habitually abandoned by her mother and didn’t know her father and there’s something in that parental-daughter split that I found myself really relating to. Oddly enough like Leti, I was estranged from my father for years. He eventually passed away, really before there was that healing and so, oh man, it brought up so much shit with Leti. How does she see the world? She sees the world through the eyes of an abandoned child. With Leti, that made her overcompensate; with Jurnee, it made me shrink a lot. When you talk about that artist child, those of us who have been in this business for so long, you take on all the sensors. And I found myself just trying to love her a little more. One of the things I admired so much about Leti is this desire to love herself — this real desire to own herself unapologetically in a world that told her she was too Black and female, to exist in her entirety. It’s still a transition that I’m in, but I definitely feel so grateful to have been able to walk through some of that and navigate through some of that with Leti. But that’s, I think, the blessing and the curse of being an artist. You’ve got to be willing to bring your whole mind, body and spirit to it; nothing’s off limits.

Jurnee, the last time you spoke with Variety we were all assuming you’d get to return to this character, but now that HBO has said it’s not being renewed, do you have unfinished business with her?

Smollett: It’s no secret I’m heartbroken. I loved Leti and of course would have loved to continue playing her. But I am so incredibly proud of the work that we all created together — it feels so special and unique — and I am finding peace in that. We’re artists and there’s an endless well that dwells inside us— and there’s so much that’s out of our control. And I think I’ve done this long enough and I’ve experienced enough heartbreaks to know you don’t get attached to the results too much; you just try to stay in a moment. And I feel just so proud and blessed to have been chosen to go on this ride with these collaborators, so I am more so in the place of gratitude than loss.

On the other end of the spectrum, “WandaVision” was a limited series but Wanda Maximoff is a character you have been coming back to for years, Elizabeth. How do you approach that longevity — the changes in her, the changes in you and the interest in revisiting her at all?

Olsen: I’m 32 and I was 25 — so seven years ago — when I did the first one. There’s so much change that I’ve had, even as an actor and how I approach work and, I think, honor work so much more in the last five years, four years of my life. [Jurnee’s film] “Birds of Prey” feels like such a female-empowered thing, so I feel there’s a really incredible energy to beginning it, but then with me you hear people make comments about Marvel movies and it affects your own process. “WandaVision” really shook that up for me and made me reinvest.

Smollett: I so want to know your process with that because the comic book space was new for me. I’d been a fan; I’d seen all your movies and the other movies. How did you navigate all of those voices? Because they can be very loud.

Olsen: Luckily and also frustratingly my character was always this emotional anchor to a piece of the story. It was like the heart, if there’s a heart. Paul and I were the only romance that was really fleshed out in those movies. And so I just treated it like I would anything. And then, we have a really fun time filming “Avengers” And so it’s really goofy and the Russos are great. And so we, it feels light-hearted, and it feels like we have the last laugh at the end of the day. But when it comes to the reinvesting, that’s the whole mind game, right? Because you just hope that it continues to have this quality control, but the more the more things get made, you’re worried about that. Especially because I did a show on Facebook that was scripted, and I didn’t love the way they handled it. And it was hard. And so second season, we went back and we literally, as a team of producers, had meetings with people who ran Facebook Watch about where we thought they could improve. We had a whole presentation for them. And then eventually, they were like, “We’re not doing scripted anymore.” And so I didn’t have the greatest experience being a part of the launch of another streaming service. And so, the Disney Plus part made me nervous and then bringing these characters that are so big to television made me nervous. But Kevin Fiege explained to us that that they were not going to cut corners, and they’re going to try and create the same attention to detail, and they did. And I think it was really important for them to have that care for these first three shows that they were putting out because it was defining a new thing for them. And so, we were taken care of.

I think more for me with this with the reinvestment moving forward, I never had a six-movie or nine-movie thing; it was always two or three at a time — those were my contracts. And so, it’s always a really conscious decision. I wrapped “WandaVision” on a Wednesday and flew to London on a Friday to continue playing this part [in “Doctor Strange 2”]. I could have used getting out of the mindset, though, because they were totally different utilizations of the character and people would have had more time to understand “WandaVision” had we not just wrapped. And so there’s just a lot of, “We covered this in ‘WandaVision…’” It’s bigger than me, there’s lots of threads that are continuing on after me that I’m not aware of, and so it’s always about, “What can I get from this journey with this character that maybe I haven’t tapped into yet with her?” That’s where I keep approaching things from, so that I feel like I have some sort of strap-hang — that I can know that there’s going to be growth of some kind, even though it all maybe looks the same to other people. There is that conscious decision to learn a new element of this woman, or even of myself as an actor — something that I want to explore that I can bring to it.

Your passion for acting is apparent and you both produce as well. What about directing?

Smollett: I would love to one day. I find myself currently being incredibly excited about producing and ushering new voices and excited voices. I don’t know that I would want to direct myself — that’s a whole other skill. I remember watching Denzel Washington, who directed me in “Great Debaters” but he was also in it, and at that point he had such a command of his instrument that he was able to do that. But it’s a lot. And I remember him telling me, before directing himself, he went and made himself watch all his films just so that he could stomach this idea of watching himself in the editing room. And so, I love the idea of storytelling; I’m obsessed with just telling stories, but I don’t know that I would self-direct.

Olsen: I find myself still loving producing so much because I love asking questions and poking holes and thinking about reorganizing of storylines, things that I feel maybe need more structure. I loved writing essays in school so much; it was like something that I found creative because it was about putting so many different sources into a braid that could maybe create this larger conversation or thought at the end. And so, that’s how I look at scripts. That’s really satisfying enough for me, to play that role. I think one day I’ll think about it more honestly, what it what it would mean to be a director. I fear that if I were to do it anytime soon, I wouldn’t have the tools that I would want. I do ask lots of lens-y questions because I’ve really only been working for 11 years and only recently have I tried to really understand the art of what lenses to choose and why and what it makes an audience feel based on what you’re choosing. I want to have a better, more holistic understanding of [that] before attempting [directing] because I do think it’s such an art and just because I understand the structuring of a story or how a set works, I want to be able to provide the the image in my head. I don’t know if I have that skill yet, but I am curious about feeding it and nurturing that.

Press: Elizabeth Olsen and Jurnee Smollett Compare Notes on Genre-Blending Acting and Advocating for Performers on Set was originally published on Elizabeth Olsen Source • Your source for everything Elizabeth Olsen

#Elizabeth Olsen #WandaVision #Avengers #Scarlet Witch #Wanda Maximoff #Sorry For Your Loss #Avengers Infinity War #Avengers Age of Ultron #Captain America Civil War #Ingrid Goes West #Godzilla #Doctor Strange in the Multiverse of Madness #Marvel #MCU #Candy Montgomery #Love and Death #Avengers Endgame

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itsclydebitches · 3 years

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RWBY Recaps: Volume 8 “Dark”

Welcome back, everyone! Can you believe it's been six weeks already? I can't. Something something the uncomfortable passage of time during a pandemic as emphasized by a web-series.

But we're here to talk about RWBY the fictional story, not RWBY the cultural icon. At least, we will in a moment. First, I'd like to acknowledge that shaky line between the two, growing blurrier with every volume. A sort of good news, bad news situation.

The bad news — to get that out of the way — is that we cannot easily separate RWBY from its authors and those authors have, sadly, been drawing a lot of negative attention as of late. This isn't anything new, not at all, but I think the unexpectedly long hiatus gave a lot of fans (myself included) the chance to think about Rooster Teeth's failings without getting distracted by their biggest and brightest production. There's a laundry list of problems here — everything from the behavior of voice actors to the quality of their merch — but as a sort of summary issue, I'd like to highlight the reviews that continue to pop up on websites like Glassdoor, detailing the toxic, sexist, crunch-obsessed environment that RT employees are forced to work in. A lot of these websites requires a login to read more than a page of reviews, but you can check out a Twitter thread about it here.

Now, I want to be clear: I'm not bringing this up as a way to shame anyone enjoying RWBY. This isn't a simplistic claim of, "The authors are Problematic™ and therefore you can't like the stuff they produce." Nor is this meant to be a catch-all excuse for RWBY's problems. If it were, I'd have dropped these recaps years ago. I'm of the belief that audiences maintain the right to both praise and criticize the work they're given, regardless of the context in which that work was produced. At the end of the day, RT has presented RWBY as a finished product and, more than that, presents it as an excellent product, one worth both our emotional investment and our money (whether in the form of paying for a First account, or encouraging us to buy merch, attend cons, etc.) I'll continue to critique RWBY as needed, but I a) wanted fans to be at least peripherally aware of these issues and b) clarify that my use of "RT" in statements like, "I can't believe RT is screwing up this badly" is meant to be a broad, nebulas acknowledgement that someone in the company is screwing up, either creatively (doesn't have the skill to write a good scene) or morally (hasn't created an environment in which other creators are capable of crafting a good scene). The real, inner workings of such companies are mostly a secret to their audiences and thus it's near impossible for someone like me — random fan writing these for fun as a casual side hobby — to accurately point fingers. Hence, broad "RT." I just wanted to clarify that when I use this it's as a necessary placeholder for whoever is actually responsible, not a damnation of the overworked animator breaking down in a bathroom. Heavy stuff, but I thought it was necessary (or at least worthwhile) to acknowledge this issue as we head into the second half of the volume.

Now for the good news: RWBY has reached 100 episodes! For any who may not know, 100 is a pretty significant number in the TV world because, when talking about prime time programming, it guarantees syndicated reruns. Basically, networks don't want audiences to get burned out with a show — changing the channel when it comes on because ugh, I've seen this already, recently too — and 100 episodes allows for a roughly five month run without any repeats, making it very profitable. RWBY is obviously not a television show and doesn't benefit from any of this (hell, modern television doesn't benefit from this as much as it used to, not in the age of streaming), but the 100 episode threshold is still ingrained in American culture. Beyond just being a nice, rounded number, it is historically a measure of huge success and I can't imagine that RT isn't aware of that. Regardless of what we think of RWBY's current quality, this is one hell of a milestone and should be applauded.

All that being said... RWBY's quality is definitely still lacking lol.

Our 100th episode is titled "Dark" — keeping with the one word titles, then — and I'd like to emphasize that, as a 100th episode, it definitely delivers in terms of plot. There's plenty of action, important character beats, and at least one major reveal, everything we'd expect from a milestone and a Part II premiere. The animation also continues to be noteworthy for its beauty, as I found myself admiring many of the screenshots I took for this recap. There are certainly things to praise. The only problem (one we're all familiar with by now) is that these small successes are situated within a narrative that's otherwise falling apart. It's all good stuff... provided you ignore literally everything else surrounding it.

But let's dive into some examples. We open on Qrow starting, awoken by the thunder outside. Robyn has been watching him and makes a peppy comment about how none of them will be sleeping tonight, followed by a more serious, "Sounds bad out there." Yeah, it does sound bad, especially when they all know — thanks to Ruby's message back in Volume 7 — that this is due to Salem's arrival. I think a lot of the fandom has forgotten that little detail because people often discuss Qrow as if he is entirely ignorant of what is going on outside his cell. Even if we were to assume that he's forgotten all about the pesky Salem issue (the horror of Clover's death overriding everything else, perhaps) he still knows that Tyrian is running loose in a heat-less city with a creepy storm going on and, from his perspective, the Very Evil Ironwood is still running the show. So it's bad, which begs the question of why Qrow (and Robyn, for that matter) hasn't displayed an ounce of legitimate worry for everyone he knows out there. Thus far, their interactions have centered entirely around Qrow's misplaced blame and Robyn's terrible attempts to lighten the mood, despite the fact that a war is raging right beyond that wall. It's another example of RWBY's inability to manage tone properly, to say nothing of balancing the multiple concerns any one character should be trying to juggle. Just as it rankles that Ruby and Yang don't seem to care about what has happened to their uncle, Qrow likewise doesn't seem to care about what might be happening to his nieces. When did we reach a point where these relationships are so broken that someone can be arrested/chucked into a deadly battle and the others just... ignore that?

So Robyn's otherwise innocuous comment immediately reminds me of how badly the narrative has treated these conflicts and, sadly, things don't improve much from here. We are thankfully spared more of Robyn's jokes when Qrow realizes that what he's hearing can't be thunder. A second later, Cinder blasts through the wall — called it! — and Qrow instinctively transforms.

The only downside to this moment is that the whole ceiling falls down on Qrow and the others because APPARENTLY these cells don't have tops on them. Seriously. As far as I can recall we don't see the stone breaking through the forcefield somehow and this looks pretty open to me.

If it is... you're telling me these crazy powerful fighters who practice landing strategies and leap tall buildings in a single bound —

— can't just hop over this mildly high electric fence to get out? Qrow can't just fly away?

We're, like, two minutes in, folks.

We transfer to Nora's perspective as she wakes up, seeing Klein giving her the IV. He tells her not to worry, that "you and your friend are going to be just fine." What friend? Penny? Klein went upstairs prior to Weiss hugging Whitley or Penny crash landing outside. I had thought them bursting through the door with another unconscious friend was the first time he learned what the big bang outside was, but apparently not.

Penny is, obviously, a mess. While I now understand the choice to make her blood such an eye-catching color when that's crucial to the Hound's hunt, I still think it looks strange visually. Like someone has taken a copy of RWBY and painted over it. It doesn't look like it fits the art style. More than that, it implies some rather complicated things about Penny's humanity, especially in a volume focused around her being a "real girl." Real enough for Maiden powers, but with obviously inhuman blood that isn't even referred to as "bleeding." Penny "leaks" instead.

Toss in the fact that she's literally an android who is made up of tech — recall the running gags about her being heavy, or it hurts to fist-bump her, to say nothing of keeping things like multiple blades inside her body — yet Klein says that her "basic anatomy" is the same and he can "stitch up that wound."

I'm sorry, what? Whatever Penny looks like on the inside, it's not going to resemble a human woman's anatomy, and Klein might be able to stitch the outer layer of skin she's got, but that won't do anything to fix whatever metal bits have been broken underneath. Penny isn't a human-robot hybrid, she's a robot with an aura. Penny has knives in her back, rockets in her feet, and a super computer behind her eyes. When our clip introduced that Klein would be the one to help Penny, my initial reaction was, "Seriously? He's a butler and a doctor and an engineer?" But RWBY didn't even try to get away with a Super Klein explanation, they just waved away Penny's very obvious, inhuman anatomy. Yeah, I'm sure "stitching up" an android wound is just like giving Nora her IV. I hope the surgical sutures he used are extra strong!

In an effort to not entirely drag this episode, I do appreciate that Whitley is allowed an "ugh" moment about the non-blood covering his shirt without anyone calling him out on it. That felt like the sort of thing the show would usually try to make a character feel guilty about and I'm glad that, for once, he was just allowed to be frustrated without comment.

Then the power goes out and May calls, which raises questions about what state the CCTS is in and when scrolls are available to our protagonists vs. when they're not. But whatever. She's checking in because she just "saw another bombing run light up the Kingdom" and —

Wait. Bombing? Salem is bombing the city? I know we've seen explosions in the sky, but I'd always just attributed that to evil aesthetic. Why does this dialogue sound like it's from a World War II film and not a fantasy sci-fi show about literal monsters launching a ground attack?

May looks pretty against the sky though. I like her hair color against that purple.

I'm admittedly grasping at positives here because we finally return to her "You have to choose" ultimatum and — surprise! — May has pulled back completely. Ruby says that once they've helped Penny, "We'll...we'll do something!" which is once again her avoiding making a decision. Ruby still refuses to choose, instead falling back on generic, optimistic pep talks. They'll figure out how to stop Salem later. They'll think about the impact of telling the world later. They'll choose who to help later. Ruby keeps pushing these problems into the future where, she hopes, a perfect, magical solution will have appeared for her to latch onto. When that continues to not happen, others pressuring her to actually do something and stop waiting for perfection — Ironwood, Yang, May — she panics and continues stalling for time. Wait an episode and the narrative supports her in this.

Because initially May was forcing Ruby to decide. Now, May enables her desire to keep putting things off. "Don't beat yourself up, kid. At this point, I don't know how much is left to be done." That's the exact opposite of what May believed last episode, that there was still so much work and good to do for the people of Mantle. This is precisely what the show did with Yang and Ren's scenes too, having people call Ruby out... but then return to a message of, 'Don't worry, you're actually doing just fine' before Ruby is forced to actually change.

None of which even touches on May calling her "kid" in this moment. That continues to be a convenient way of absolving Ruby of any responsibility. When she wants to steal airships or Amity Tower, she's an adult everyone should listen to, the leader of this war. When the story wants to absolve her of previously mentioned flaws, she becomes a kid who shouldn't "beat herself up." I said years ago that RWBY couldn't continue to let the group be both children and adults simultaneously, yet here we are.

So that was a thoroughly disappointing scene. Ruby gets her moment to look sad and defeated, listing "the grimm, the crater, Nora, Penny" as problems she doesn't know how to solve. Note that 'Immortal witch attacking the city I've helped trap here' isn't included in that list. Ruby is still ignoring Salem herself and no one in the group is picking up where May left off, challenging her to do more than wring her hands over things others are already trying to take care of: Ironwood is fighting the grimm, May has gone off to help the crater, Klein is patching up Nora and Penny. Ruby, as one flawed individual, should not be expected to come up with a solution to everything, but she does need to stop acting like she can come up with a solution to everything when it matters most (office scene) and rejecting others' solutions when they ask for her help (Ironwood, May).

If it feels like I'm dragging the flawed, traumatized teenager too much, it's not in an effort to ignore those aspects of her identity. Rather, it's because she's also the licensed huntress who wrested control from a world leader and violently demanded she be put in charge of this battle. Ruby, by her own actions, is now responsible for dealing with these problems, or admitting she was wrong and letting others take the lead, without purposefully derailing their plans. She doesn't get to suddenly go, "I don't know," cry a little, and get sympathetic pats.

But of course that's precisely what happens, courtesy of Weiss.

During this whole scene I kept wondering why no one was celebrating Nora waking up, especially when Ruby outright mentions her. Have they just not noticed given all the Penny drama? Because Nora absolutely woke up.

Aaaand went back to sleep, I guess. What was the point of that POV shot? No worries though, she'll wake up again in a minute.

Willow arrives and announces that they can fix the power (and Penny) using the generator at the edge of the property. I'm convinced RT doesn't actually know what a generator is because the characters are acting like it's some super special device that only richy-rich could possibly have. Whitley says that it's the SDC executives who have their "own power supply" and that it's "extremely unfair." Now, don't get me wrong, a good generator powering large portions of your house can run you 30k+, but you can also get one that plugs into your extension cord and powers your fridge for a couple hundred. There's absolutely a class issue here, just not the one Whitley and Weiss seem to be commenting on. They make a generator sound like the sort of device that only a politician-CEO could possible have and it's weird.

Likely, it sounds weird because it's a choppy way of getting Whitley to bring up the wealth disparity so he can then go, 'That's right! We're crazy rich with a company housing tons of ships! We can use those to evacuate Mantle.' Awkwardness aside, I do like that the Schnee wealth is being used for good purposes, but... evacuate where? To the city currently under attack by a giant whale? In a RWBY that wasn't determined to demonize Ironwood, this would have been a great plot point during the office scene instead, with Weiss offering her services to Ironwood, even if the group decides that a continued evacuation still isn't possible.

Instead, we get it here from Whitley. Do I need to point out the obvious? That Whitley is the MVP of this episode? He's done more good in an HOUR than the group has managed in a year. Give this kid some training and make him a huntsmen instead.

We're given a (very pretty!) shot of the shattered moon because it wouldn't be RWBY if we weren't continually reminded that gods once wiped out humanity before destroying part of a celestial body... and absolutely no one talks about that lol.

Blake's coat might not make any sense for her color scheme, but it does make her easy to spot as she and Ruby run across the grounds. Oh my god, they're actually doing something together! It only took eight years. They even get a lovely talk where Blake admits how much she looks up to Ruby, despite her being younger, and once again I'm struck at how much more I would have loved this scene if it had appeared elsewhere in the series. It is, indeed, as sweet and emotional as all the RWBY GIF-ers are claiming... provided you overlook that this is the exact opposite of what Ruby needs to hear right now. She doesn't need to hear that she's more mature and reliable than her elders when she's functioning under a "We don't need adults" mentality. She doesn't need to hear that not knowing what to do is totally fine, not when that led to her turning on Ironwood, despite not knowing how to stop Salem. She doesn't need to hear that "doing something" — doing anything — is a strength, because Ruby keeps avoiding the big problems for smaller ones she's comfortable with, like standing by Penny's bedside instead of deciding between Mantle and Atlas. Blake's speech is heartfelt, but it's a speech that suits a Beacon days Ruby who is having some doubts about her leadership skills, not the girl whose impulsive — and now lack of — actions is having world-wide repercussions. Everyone is babying Ruby to a staggering degree. It's like if we had a med show where the doctor is standing by the bedside of a coding patient, fretting between two treatments. 'Don't worry,' their colleague says, patting their shoulder. 'I've always looked up to you. You'll do something when you're ready' and then they continue to watch the patient, you know, die.

Also: who does Ruby look up to? Everyone talks about how much they depend on and trust Ruby, but who does Ruby look to for guidance? A number of her problems stem from the fact that she has rejected the advice of everyone who has tried to help her improve: Qrow, Ozpin, Ironwood, even Yang. Ruby is presented as the pinnacle of what to strive for in a leader, rather than a leader who has only been doing this for two years and still has a great deal to learn.

Anyway, they get the generator on and the Hound shows up.

I am begging RT to just make RWBY a horror story. All their best scenes the last three years have been horror I am bEGGING —

Anyway, while Ruby waits to be eaten we cut to Willow and Klein, the former of which is reaching for her bottle, pulling back, reaching again, all while her hand shakes. This is good. This is what we should have gotten with Qrow. Which isn't to say that their (or anyone's) addiction should be identical, but rather that this is a far more engaging and complex look at addiction than what our birb got. Willow tells us that she doesn't drink in the dark despite bringing the bottle with her; tries to resist drinking when she's scared and ultimately fails. Qrow just decided to stop drinking after decades of addiction, seemingly for no reason, and that was that. Why is a side character we only met this volume written better than one of the main cast?

Blake manages to call Weiss about the Hound and she asks if Whitley can handle the airships without her. I mean, I assume so given that Weiss is looking at the bookshelves while Whitley does all the work lol. He makes a teasing comment about how he can if she can handle that grimm and she comments that they still need to work on his "attitude."

No they don't. Weiss stuck a weapon in her kid brother's face. Whitley made a joke. Even if Weiss' comment is likewise meant to be read as teasing, it's clear that we've bypassed any meaningful conversation between them. That hug was supposed to be a Fix Everything moment even though, as I've laid out elsewhere, it didn't even come close.

We cut back to Ruby getting thrown through a wall into the backyard and the Hound creepily coming after her. She's freaked out by this clearly abnormal grimm and Blake is weirdly... not? "It's just a grimm. Just focus!" Uh, it's obviously not. Have we reached the traumatized, sleep-deprived point where the group is sinking into full-blown denial? I wouldn't be surprised. They've been awake for like... 40+ hours.

Because the Hound knocks Ruby out with a single hit. Just, bam, she's down. "Focusing" is not the solution here.

Weiss calls to warn the others about the grimm, telling them to stick together. Willow (understandably) starts freaking out and flees the room (classic horror trope!). Klein is left alone when Penny wakes up with red eyes. Oh no!

Don't worry. You know nothing meaningful happens.

She shoves Klein before (somehow?) resisting the hack, her Maiden powers going wild in the process. Just when it looks as if Penny might cause some serious damage, Nora wakes up, takes her hand, and says, I kid you not:

"Hey... no one is going to make you do anything you don't want to do... It's just a part of you. Don't forget about the rest."

Okay. I want to re-emphasize that I love hopeful, uplifting, victory-won-through-the-power-of-love stories. Istg I'm not dead inside, it's just that RWBY does this so badly. I mean, what is this? It has similarities to the character shouting, 'No! Resist!' to their mind-controlled ally, but this is not presented as a desperate, last-ditch effort by Nora. She just speaks like this is the most obvious truth in the world. If you don't want to have your mind taken over... just don't! It's that simple. The problem definitely isn't that Watts has changed her coding and has implemented a command she can't override, it's that Penny has forgotten about the "rest" of her personhood.

And this works. Granted, not for long, but we leave Nora having successfully calmed Penny down and until her eyes unexpectedly go red again scenes later, we're left assuming that this is a permanent solution. That, imo anyway, is taking the Power of Love too far, overriding the basic reality of Penny being hacked. It’s not a personal failing she must overcome, it’s an external attack. I would have rather had Nora react to the scars she saw on her arm, or have a moment with Klein, or get some love from the group. Not a wakes up, falls asleep, wakes up again to save Penny with a Ruby level 'Just ignore reality' pep-talk, then back to sleep again.

So Penny isn't attacking her allies, or mistakenly hurting her allies with wild Maiden powers. Not that the group doesn't have enough to deal with, but still. Weiss arrives to help with the Hound and attempts a new summon, only to fail when two minor grimm burrow up into her glyphs. I really enjoyed that moment, both for the wing visual and the knowledge that Weiss' glyphs can fail if you break them somehow (which makes sense). Also, I just like that she failed in general? Weiss is, as per usual now, about to demonstrate just how OP she is compared to the rest of the team, so it was nice to see her faltering here.

The Hound tries to make off with Ruby and Blake does an excellent job of keeping it tethered. Ruby finally wakes, only to realize that the grimm is actually after Penny since it's staring at her power up through the window, no longer trying to escape. Moments like this remind me that there's someone on RT's writing team that knows what they're doing, at least some of the time. The assumption that the Hound is after Ruby as a SEW, the surprise that it's actually Penny, realizing it holds up because Ruby is covered in Penny's blood and Blake is not... that's all nice, tight plotting. More of that please!

The Hound drops her and Ruby's aura shatters when she hits the ground. I want everyone to remember this moment as an example of how strong the Hound is. The group may be tired, but unlike YJR they've been sitting around in the Schnee manor for a number of hours, regaining strength. We saw the Hound hit Ruby twice — once through the wall and once to knock her out — and then she falls from a not very high distance for a huntress, yet her aura is toast. That's the level of power and skill the Hound possesses. Decimating YJR, knocking Oscar out, same for Ruby, avoiding Blake and Weiss' hits, soon to treat Penny like a ragdoll. Just remember all this for the episode's end.

Blake tells Weiss she'll take care of Ruby, you go help the others. Yay breaking up the duos more! Bad timing though as the new acid-spitting grimm pops out of the ground and Blake is now left alone to face it.

Weiss re-enters the mansion, knowing the Hound is somewhere nearby, but not where. Suddenly, Willow's voice sounds through her scroll with an, "Above you!" which... doesn't keep Weiss from getting hit lol. But it's the thought that counts! Willow has accessed the cameras she's set up throughout the manor, watching the Hound's movements, and I have to say, that is a WAY better use of her separation from Klein than I thought we were getting. I legit thought they'd have Willow run away in a panic, meet the Hound, die, and then Weiss could be sad about losing her mom.

It does say something about RWBY's writing that this was my knee-jerk theory, as well as my surprise when we got something way better.

The Hound runs off, uninterested in Weiss, and she asks Willow to keep tabs on it. It heads for Whitley next (also covered in Penny's blood) and very creepily stalks him in the office with a, "I know you're here." Whitley is seconds away from being Hound chow before one of Weiss' boars pin it against the wall. He runs, then runs BACK to finish deploying the airships, before finally escaping assumed death. Goddamn this boy is pulling his weight.

I assume all these ships are automated then? I hope someone takes a moment to call May. Otherwise it's going to be super weird for the Mantle citizens if a fleet of SDC ships just show up and hover there...

I don't entirely understand how Weiss saved him though. She's nowhere to be seen when Whitley leaves and he runs a fair distance before he and Willow encounter Weiss again. We know her summons don't have to keep right next to her, but are they capable of rudimentary thought, attacking an enemy — and an enemy only — despite Weiss being a couple corridors down and unable to see the current battlefield? I don't know. In another series I'd theorize that this was a deliberate hint, a way to clue us into the fact that Willow, someone who we currently know almost nothing about, had training in the past and summoned the boar herself. Weiss and Winter certainly didn't get that hereditary skill from Jacques. Hell, we might still get that, Weiss reacting with confusion next episode when Whitley thanks her for the boar, but I doubt it. That scene with Ruby and the Hound aside, the show isn't this good at laying groundwork and then following up on it.

Case in point: Weiss says, "I didn't forget you" to Whitley after he gets away from the Hound, the moment trying to harken back to her promise to Willow. Key word is "trying." Because she absolutely forgot him! Weiss threatened and ignored Whitley until he proved his usefulness. I also shouldn't need to point out that, "Don't forget your brother" does not mean, "Don't let your brother die a horrible death by abnormal grimm." Weiss acts like her saving him is a fulfillment of her promise, rather than just the most basic of human decency. And also, you know, her job.

So that part is frustrating. The entire Schnee dynamic is a mess, from Weiss making a joke of her father's arrest, to Willow (presumably) fixing their relationship by putting a hand on her daughter's shoulder. Okay.

Then Weiss cuts off the Hound by summoning a giant wall of ice. My brain, every time this happens:

YOU COULD HAVE FIXED THE HOLE IN MANTLE'S WALL.

Moving on, Blake's fight against the acid... thing has some great choreography, including Blake using her semblance which we haven't seen in AGES.

I really like the fight itself, just not what Blake is shouting the whole time. "I need you, Ruby! We all need you!" This has really gotten ridiculous. Ruby is presented as everyone's sole savior despite failing time and time again. It's not that I don't think Blake as a character should have faith in her leader, it's that I don't think the writers should be crafting a story where everyone puts their unshakable hopes in an untrained, disloyal, impulsive 17 year old. I mean, Ruby is currently unconscious, yet Blake is acting like if she doesn't wake up — she, as an individual, if Ruby Rose does not re-join this fight — then all is lost. If Ruby doesn't save them, no one can. Which is, of course, absurd on numerous levels. Blake doesn't need the passed out, aura-less Ruby right now, she needs the still very healthy Weiss pulling out multiple summons and an ice wall! Use your scroll and call for backup again.

But of course, Ruby wakes up and kills the new, terrifying grimm with a single hit. It's a preview of what's to come with the Hound and it's just as ridiculous here as it will be there.

Speaking of the Hound, am I the only one who thought this was... cute?

I can't possibly be the only one. That head-tilt is exactly what my dogs do and my brain instinctively went, "Aww, puppy!"

Murderous puppy.

The Hound realizes none of the Schnees are who it's looking for and runs off. Penny, meanwhile, has been fully taken over because, well, that's just what's convenient now. She resists long enough keep Amity up, then succumbs, then resists to apologize to Ruby, then succumbs, then resists because Nora asked her to, then succumbs once it's time to knock her out. If RWBY was willing to commit to consequences, Penny would have been taken over and that was that. The characters would need to deal with whatever outcome happens as a result. Instead, the show very carefully avoids any of those pesky consequences by having Penny successfully resisting at key moments, despite no explanation of how she's managing that.

She shoves Klein again (Klein is having a Bad Time) and starts walking down the main steps. When Whitley wants to know where the hell she's going, Penny mechanically responds that she must "Open the vault, then self-destruct." I suppose the change Watts made was the self-destruct order? Ironwood obviously wants the vault open, though not necessarily Penny's death. Think what you will of his moral compass, she's a damn powerful ally — a research project, perhaps — and a Maiden to boot. At the very least, her death may give the powers to someone even worse.

God, please don't let them have brought Penny back and made her a Maiden just to kill her again.

The Hound arrives though and, as said, knocks Penny out. We're back to square one with her, then. Note though that this attack is near instantaneous. She grabs its hands one second, is hanging limply the next. Wow, the Hound sure is a terrifying antagonist!

Not for long.

"That's enough," Ruby says and one-shots it with her eyes.

Now, I want to talk for a moment about the implications of that line. "That's enough." Obviously Ruby is #done with this situation and emotionally unwilling to let the Hound kidnap Penny (congratulations, Nuts and Dolts shippers), but there's a meta reading here as well. Not intentional, but glaring to me nonetheless. Basically, the idea that the Hound has, from a plot perspective, done enough. It has served its singular purpose. It kidnapped Oscar and now it dies. Never-mind how insanely powerful we've established the Hound to be, never-mind how Ruby's eyes also work or don't work according to whether anything of actual import is on the line. From a plot perspective "that's enough" and the Hound can be disposed of instantly. It got Oscar and gave us an episode of filler creepiness. Move along now.

The idea behind Ruby's eyes isn't bad, but the execution absolutely is. RT has undermined a huge portion of the stakes by giving their protagonist an instant kill-shot that always works precisely when she needs it to. Starting with the Apathy, we have yet to get a moment where Ruby's eyes fail to save the day when she really needs them to, no matter how incredible the challenge. The Hound was very intentionally written to be a grimm outside of the group's current power level. It thinks, it talks, they literally can't touch it. This creates the expectation that the group will need to grow stronger — or at least become smarter — in order to surmount this new obstacle, yet Ruby's eyes undermine all of that. The group hasn't grown in years, the show just makes enemies weaker as needed (Ace Ops), or has Ruby pull out her eyes as a trump card. It wouldn't be that bad if we'd at least gotten a good battle out of it, one where the group gets close to defeating the Hound on their own, but needs Ruby's eyes to finish it off. Instead, she literally walks up without any aura, announces to the audience that this antagonist's time is up, and blasts it out a window.

Granted, Ruby's eyes don't completely finish it. The Hound pulls itself to its feet and we see this.

Yup, that's a guy and yup, those are silver eyes.

I would like to issue a formal apology to the "It's secretly Summer!" theorists in the fandom. I mean, I still think it would be ridiculous (and at this point highly improbable) that Ruby's dead mother has actually been a grimm mutant this whole time, just hanging out in Salem's realm while she waits for the plot to start before attacking the world, and then sends some no-name faunus dude after the group instead of their leader's mother for extra, emotional torture... but you all were definitely right about the “It's a person” part! I... don't know how I feel about this. Admittedly, it seems to be a logical continuation of the other grimm-human hybrids we've seen — namely Cinder and Salem herself — and it finally explains why Salem wants Ruby alive (even though it actually doesn't because WHY did she want more SEWs for Hound grimm when she wasn't even attacking back then? And already has all these other insanely powerful tools??), but at the same time, it feels like it's complicating a story that doesn't need further complications. The group fights monsters and has an immortal enemy. You don't need to add 'Some of those monsters are secretly human' to the mix.

It doesn't hurt that this twist is giving me Attack on Titan vibes, which, ew. A dark time in my fandom life, folks.

The Hound staggers a few steps before Whitley and Willow dump a suit of armor on it. That's all it takes to kill the most dangerous grimm we've ever seen: a single flash of silver eyes and some heavy metal. This also wreaks havoc with the implication that Salem wants SEWs alive because they create such powerful grimm. Obviously not. I mean yeah, normal huntsmen are going to have serious problems, we’ve seen that this volume, but any other SEWs nearby will take a Hound out instantaneously. For a villain with so many other powerful abilities — immortality, magic, endless normal grimm, her nifty soup — Salem would be much better served just killing SEWs straight out. Clearly, creating Hounds isn't worth the effort.

The Hound leaves some bones behind and Ruby collapses to her knees, overcome with the knowledge that this was once a person. Again, uncomfortable Attack on Titan parallels.

We finish our premiere with Cinder clearing away rubble to reveal Watts. Honestly, I like that we ended on this because her rescue is hilarious. She just slings him over her shoulders like a sack of potatoes and blasts off with her magic fire feet. Fantastic.

Note though that with this scene we've seen almost everything from the clip and the trailer. What's to come in the rest of Volume 8? No idea. Outside of Winter leading the charge with the bomb, we got it all here.

Time to update the bingo board!

I'm crossing off "Introducing new grimm that are quickly abandoned." Between the Hound and acid-dude both falling to a single blast/cut from Ruby, we've more than earned this square.

It doesn't look as if we'll get another Watts-Jacques team-up now that he's left, but you never know.

Maria's got me worried. I feel like her Yoda fight against Neo is the one thing she'll be allowed to do this volume, but given that we didn't see anyone except Ruby's group this episode, we don't yet know whether the story is now ignoring her and Pietro, or if they'll re-appear in another episode like YJR.

Qrow is free. Will he get a drink before trying to murder Ironwood? Perhaps.

Still no bingo :(

All in all, the episode was by no means horrible. I think there were lots of horrible parts, but also some legitimately well executed moments, fun action, and scenes that I can easily imagine as squee worthy if you lean back and squint. Everything is comparative and in the growing collection of bad RWBY episodes, this one isn't securing a top slot. Which doesn't mean I think it's good, just... not as bad as it could have been and primarily only bad due to long-running problems, not things this specific episode has done. That's my bar then, so low it has officially entered the underworld.

Still, RWBY is back and a part of me is eager to see where this volume takes us, for better or for worse.

Until next week! 💜

[Ko-Fi]

#rwby #rwby spoilers #rwby volume 8 #mymetas #rwby recaps #rwby dark

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