i'm so used to there just being random unidentified bones laying around everywhere in these damn books that it finally occurred to me, just now, to wonder where the bones on new rho came from. y'know, the bones palamedes always tried to teach nona necromancy on.
they're his.
palamedes, who always loved teaching, living on borrowed time in a body that's not his own. palamedes, mentoring, teaching- parenting, by sixth standards, mind you. and that boy is sixth, through and through.
and the entire point of teaching nona necromancy in the first place was to try and determine if nona is, well, nonagesimus, right? so it has to be bones, it can't not be bones. bones are, like, her whole thing.
but they're not in the nine houses, anymore. things are different, on new rho.
they burn bones here. dig up the cemeteries. a society terrified of zombies will evolve to dispose of its dead differently.
the only bones he has access to now are his own. (camilla wouldn't let anyone take them- skull or hand, doesn't matter. they're still him, and she doesn't let go, remember? it's her one thing.)
palamedes woke up every morning wearing someone else's body to then gently place the shrapnel of his own in the cupped palms of a girl who's the closest thing he'll ever have to a daughter and try to teach her- how did the angel put it, again? normal school, as much as possible, for as long as possible.
(but hey, in a roundabout way, at least it's a chance for him to touch camilla again, right? nevermind that she's not there to feel any of it because he's in the driver's seat, that he can only stay for fifteen minutes at a time. it's atoms that belong to camilla touching atoms that used to belong to him, and that's close enough. he'll take what he can get, these days- if she can be their flesh, he can be the end. so what if holding his own bones is a mindfuck? so what if looking at them makes him nauseous? surely he can suck it up and deal with it for fifteen minutes. it's the least he can do— his poor camilla was the one who had to scrape the bloody pulp of them off the floors of canaan house.)
(speaking of, here's a fun fact: we actually only see nona practicing with the bones one time, on-page. camilla's final line in that scene, before palamedes takes over, is none other than: 'keep going. there are some bones left.' ow!)
remember, too, that the only part of dulcinea, the real dulcinea, that palamedes ever physically touched, was her tooth- the one that ianthe gave him, pulled from the ashes cytherea burnt her down to. he only ever touched dulcie once, and it wasn't until after she was already gone, but that doesn't matter- it still happened, and you can't take loved away.
in this same roundabout, bittersweet, by-proxy sort of way, palamedes has been physically touched by nona, too: the atoms she currently occupies, touching atoms that he used to occupy, and never will again.
the main interaction we've seen between palamedes and his mother took place back on the sixth, with her acting as mentor and him as pupil: the two of them studying a set of hand bones, juno encouraging him every step of the way.
we know that harrowhark's "most vivid memory of her mother was of her hands guiding harrow's over an inexpertly rendered portion of skull, her fingers encircling the fat baby bracelets of harrow's wrists, tightening this cuff to indicate correct technique."
they're still small for a nineteen year old, but the wrists are bigger, in this new set of memories nona's making. and it's not an inexpertly rendered portion of skull anymore- it's a hand, now, albeit one crafted from [a piece of skull reassembled (painstakingly—passionately—laboriously reassembled) from fragments, manually, and not by a bone magician, from the skull of someone who, soon after death or symptomatically during, had exploded.] and the identity and origin of these bones is no mystery at all. they belong to palamedes, and he's consented to their use for this purpose, and that matters.
but the details are just set dressing, really. the foundation of the memory is the same.
palamedes and his mother, juno and her son.
harrow and her mother; pelleamena and her daughter.
nona and her father-mother-teacher; palamedes and his daughter.
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WIP game
@katia-anyway tysm for the tag💞💞
RULES: Post the last sentence you wrote (fanfic / original / anything) and tag as many people as there are words in the sentence.
This is from my latest WIP. I was trying to avoid starting any new fics rn, but naturally the gremlin in my brain won😂😇
My last sentence:
The second he’d stepped off the elevator Steve watched as his colleagues all but swooned over the guy—Ari fucking Levinson.
= 21 tags. Challenge accepted :3
Tagging: @elskanellis @endlesstwanted @muse-of-gods @andrea1717 @basicallyahedgehog @buckyismybicycle @ladderofyears @owl-of-fandom @stargazing-enby @thebisexualmandalorian @professional-benaddict @starksvinyls @nicoline1998enilocin @greenwichmeanlime @polizwrites @notvirginawoolf @beyondtheclose @all-alone-he-turns-to-stone @shealwaysreads @fragile-teacup @sunshinebuckybarnes
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my main thoughts about judith is like she's been in the military for most of her life. ive had two drinks so i might be misremembering but like she was like six??? or something to do with that when she joined the cohort. her dad is high up so she wasn't sent out at that age but it does suggest something about child soldiers outside of the fourth. also like the drainage part of her necromancy like how do you teach that to someone?? she's very interesting anyways
really good points anon!!!! i think that the houses' normalization of children being introduced to warring for the empire at such a young age is so interesting, especially given how fourth and second seem to function in tandem with each other even though typically fourth is more closely associated with fifth fandom-wide. in turn it's intriguing to see how people in the fandom respond to that association and the military structure of second, how judith functions within it, etc.,
the drainage part of her necromancy seems to be second house standard fare (although i think being a generalist is also fairly common if i recall correctly) and i wish we'd gotten to see at least a little bit of it in action through judith in gtn since it's used to empower the necromancer and not the cavalier, separate from any of the trails which i think are at the ultimate extreme of what necromancy means / does / the theorems of it all. for me it brings to mind the blood of eden memorandum at the end of htn before AYS when blood of eden points out that one should not engage with the enemy unless absolutely certain that there is not a necromancer present in the unit, and even then, maybe still don't, because if there's a necromancer among the enemy and that necro can essentially embolden and strengthen the non-necromantic parties, then it makes combat even more frightening than it already is.
as for judith being in the military all her life, yeah! yeah. yeah... i find some people's hostility towards judith as a character interesting when it makes sense to me that judith, who is still so young by the time she's been dubbed the captain in ntn and possessed by varun, is obviously clinging to the beliefs and ideals of the empire taught to her from childhood, seems to need that belief in the empire to survive in the conditions she ends up in. she serves as a fun narrative contrast to characters like corona or camilla, obviously, in that they've got doubts of their own, but judith's dogmatism in AYS especially is also a response (to me) to her own doubts, fears, and further goes to show how deeply-ingrained her beliefs are and how deeply-ingrained those beliefs may be in second house and the cohort altogether.
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“i followed you for npmd stuff, stop talking about les mis!”
fine okay then.
npmd au with richie as jean valjean, the overspoken, misunderstood by the people around him. trying so hard to be good but it’s never enough
max as javert, thinks himself to be the rules, takes it upon himself to uphold those rules by any means necessary
keeps all the angst and homoeroticism, except twice as horrible
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