f!reader | part 2 | you're that soft, pretty little thing that somehow ended up as roommates with toji, a man who's got to be at least a decade older than you and has a job with odd hours that he refuses to disclose. but, he keeps to himself and keeps the place clean, and you were desperate for a place to stay at the time.

it was another thursday night, and your shitty boyfriend just left; toji might be an asshole, but even he knows he'd treat you better than that scrawny, greasy, piece of shit. he'd slipped into the apartment silently after finishing a job early, evidently while you two were fucking. he'd heard the rhythmic creaking of the mattress and your half-hearted moans and held back a laugh as grabbed something to eat. it wasn't long before the sound stopped, and greaseball was on his way out the front door with a nod in his direction that went ignored.

as he stood in the kitchen waiting to see if you'd leave your room half naked and disheveled, he heard another sound - a soft, genuine moan from behind your bedroom door. he walked closer and leaned on the wall next to the thin, hollow wooden door, food in hand. he felt his cock stir as he listened to your moans. they got more desperate, and eventually he could faintly hear the sloppy sound of you stuffing your cunt with a toy hard and fast. but your slurred speech was what peaked his interest a moment later.

"fuck, toji," you whined.

“oh fuck, daddy-” a broken, muffled cry left your lips as you came.

a wolfish grin spread across toji’s face as his cock twitched in his sweats. a few minutes later, your door opened. you were in an oversized shirt that barely covered your ass, hair pulled back, intending to go to the bathroom with towel and clean clothes in hand. you jumped with a gasp when he clicked his teeth behind you.

“daddy, huh? wonder what your little boyfriend would think a’ that,” toji said.

On a more serious note I actually feel so bad for younger Tommy bc he’s out and proud now but we all saw how they treated queer people at the 118 before our team got there, and how he must’ve experienced hate all throughout the Academy, and maybe at other firehouses too and god the actual army, and idk it’s easier now for me to see why he acted the way he did in the earlier episodes and how he must’ve felt pressured and weird and alone and how I just know he looks up to Hen so much and im a mess rn

Sandra.

Definitely just an innocent bystander.

every time a post/poll goes around about being aspec and fandom shipping enjoyment/engagement/whatever im like. NOW can we stop acting like being an aromantic person who enjoys shipping is some kind of Weird Outlier Situation? can we stop acting like this is an Unpopular Opinion or even Persecuted Outcast Take rather than idk, the default standard, just like everywhere else? idk romance repulsed aromantics Yes Including Fiction aren’t the default or even a significant majority and it really drives me nuts when people act like aros who enjoy shipping are somehow Not exactly that.

someone actually just kick me in the shin for this but here. have a wip snippet for something completely different and not at all related to the CoD fandom at all.

(snippet of my eddie wells x female reader angst fest below)

-- the first time eddie wells ruined your life, it started with a knocking noise coming from your mum’s car. 

the one you had borrowed with her permission so you could drive over to manchester to meet up with some mates. she’d told you to be careful love and you had. you had, honest. it’s just that the car started making a knocking noise after you’d hit a pothole, maybe going a little bit over the speed limit trying to make it to the factory on time for your shift after a long weekend of partying.

and really, it was joanne’s suggestion to see our eddie down at the garage to get it fixed when you’d been complaining to the girls on the line at the factory before your mam finds out and skins you alive my girl with a maternal wink that spurred you on. 

so you did.

Astarion may be good at stealth, but his momma ain't bc the clap of her ass cheeks would alert the guards.

...

MEANWHILE, IN THE MUPPET UNIVERSE...

💘🫶🏻

writing every day of november but less words than nanowrimo so I don't try to set fire to my laptop. anyway, here's today's snippet

'it didn’t matter how many people were present, Tommy had been and would be clinging onto Tubbo for the foreseeable future. At least the rest of the party. Maybe the rest of the year.'

hadn’t really regressed in a While and i didn’t realize how much i missed/dareisay needed it until i had the free time and ability to do so over the last few days and i have to say. i’m feeling a bit better

am i really me if i don’t have a needless amount of silly side blogs? jury says no, your honor.

if you want to see me ramble about bg3, dnd, other games, and the occasional writing piece associated w that, go check out @wisteriawilds

The thing about the last “Camelot” revival is that they made so many changes, it begs the question why they just didn’t write a whole new show from scratch. You have to remember “Camelot” isn’t just based off Arthurian more it’s an adaptation of T.H. White’s “The Once & Future King” a doorstop per of a novel (it’s actually 4 different books published as one volume” that is billed as “the world’s greatest fantasy classic”. And it’s only 1 of 2 adaptations - the other being Disney’s “The Sword in the Stone”. So I can totally understand why critics and fans didn’t enjoy it at all.

I'll be honest I don't really think the changes are THAT major, like structurally it's hitting a lot of similar beats especially since they had to keep the same song story beats. Especially when you consider the show before Sorkin and Sher ever got involved at all was a constantly evolving beast (to me there's a world of difference between the movie Camelot and the 2008 Lincoln Center production that leaned more into the goofy camp aspects. Hello Morgan Le Fay who loves chocolate lol!) I've seen people argue that maybe they should have never tried to change the show with a new creative team, and while I've certainly turned the argument over in my head, I think I ultimately land on, Lerner and Lowe kept reworking it in their life time, I actually think it's kind of in the spirit of the show to keep working on it. It's actually one of my favourite things about this show, that no two versions are alike! Even when a change isn't my cup of tea I really like seeing where they take this material. I think that's what makes theater special, that you can have stuff like this where the work is never done. (Like Hadestown or Chess!) I don't think there is a "definitive version of Camelot the musical".

But with that being said, different versions means it'll cater to different tastes, I do understand that the new script has a distinctly modern, sarcastic, veryyy quippy, voice to it that is not like the original writer's style (and yeah you feel it when the original work IS included) (honestly I don't even like when they throw in jokes in the vein of "stop singing that stupid song" like it's a golden age musical. Plz.) Not to mention I think the new script mines slightly different themes out of the show and if someone doesn't like it I can't say I blame them 🤷🏻‍♀️ look I'm a Hadestown NYTW version truther so I can understand the plz don't touch my baby mindset haha

SOMEONE TAKE TUMBLR AWAY FROM ME AND KNOCK ME OUT AND UNALIVE ME AND CHOP ME UP N FEED ME TO THE CANINES

Sad that we apparently have reached a point where people need to be told outright to manage their expectations for an episode of a tv show lest they throw tantrums afterwards.