«Además, igual que algunos han definido la pintura como una poesía silenciosa, así existe una alabanza de adulación callada. Si los cazadores pasan más inadvertidos a su presa cuando no dan la impresión de que lo hacen, sino que parece que caminan, que apacientan el ganado o que trabajan el campo, así también los aduladores consiguen más con las alabanzas cuando no parece que están alabando, sino que están haciendo otra cosa distinta.»

Plutarco: Sobre la amistad y cómo sacar provecho de los enemigos. Editorial Alma, pág. 71. Barcelona, 2023.

TGO

@bocadosdefilosofia

@dias-de-la-ira-1

Plutarchus – Vitae prallelae, «Vita Alexandri», I, 2-3

Οὔτε γὰρ ἱστορίας γράφομεν, ἀλλὰ βίους, οὔτε ταῖς ἐπιφανεστάταις πράξεσι πάντως ἔνεστι δήλωσις ἀρετῆς ἢ κακίας, ἀλλὰ πρᾶγμα βραχὺ πολλάκις

καὶ ῥῆμα καὶ παιδιά τις ἔμφασιν ἤθους ἐποίησε μᾶλλον ἢ μάχαι μυριόνεκροι καὶ παρατάξεις αἱ μέγισται καὶ πολιορκίαι πόλεων. Ὥσπερ οὖν οἱ ζῳγράφοι τὰς ὁμοιότητας ἀπὸ τοῦ προσώπου καὶ τῶν περὶ τὴν ὄψιν εἰδῶν οἷς ἐμφαίνεται τὸ ἦθος ἀναλαμβάνουσιν, ἐλάχιστα τῶν λοιπῶν μερῶν φροντίζοντες, οὕτως ἡμῖν δοτέον εἰς τὰ τῆς ψυχῆς σημεῖα μᾶλλον ἐνδύεσθαι, καὶ διὰ τούτων εἰδοποιεῖν τὸν ἑκάστου βίον, ἐάσαντας ἑτέροις τὰ μεγέθη καὶ τοὺς ἀγῶνας.

[LAT] Non enim historias, sed vitas scribimus; neque semper clarissimis factis virtutis aut vitii insunt indicia, quia immo saepe exigua quaedam res dictumve aut iocus plus de ingenio alicuius documenti praebet, quam immensa hostium strages edita, maximae pugnae, urbiumve oppugnationes. Itaque sicuti pictores vultu et habitu externo faciei ex quibus potissimum natura hominis apparet similitudines exprimunt, minima reliquarum partium habita ratione; ita nobis quoque concedendum est, ut signa animi colligentes, iis vitam uniuscuiusque depingamus, aliis magnitudinem factorum et certamina relinquentes.

[HIS] No escribimos historias, sino vidas; no es en las acciones más ruidosas donde se manifiestan la virtud o el vicio, sino que muchas veces una situación pasajera, un dicho o una niñería sirven más para declarar un carácter que batallas en que mueren millares de hombres, numerosos ejércitos y sitios de ciudades. Por tanto, de la manera como los pintores toman para retratar las semejanzas del rostro y aquella expresión de ojos en que más se manifiestan la índole y el carácter cuidándose poco de todo lo demás, así debe a nosotros concedérsenos que atendamos más a los indicios del ánimo y que por ello dibujemos la vida de cada uno dejando a otros los hechos de gran apariencia y los combates.

Diversity win: Marcus Plutarchus only has two names even though he's a Roman man.

Lol.

NEW BOOK - Tales of Wulfgard, Volume I

Newly revised for 2023, Tales of Wulfgard: Volume I is a collection of short stories. All have been edited, revised, and expanded, and one of my stories - “Hunted” - has been completely rewritten and greatly expanded to better accompany another of my Wulfgard story collections, The Hunt Never Ends.

For werewolf fans, this book includes two stories focusing on a werewolf/werewolves/lycanthropy and my own fictional takes thereon! Be sure to check it out!

Tales of Wulfgard, Volume 1 is a collection of stories by brother and sister Justin R. R. Stebbins and Maegan A. Stebbins, set in the dark fantasy world of Wulfgard! There are 5 tales, each exploring the background of a particular important character of Wulfgard.

Available for purchase here on Amazon in both ebook and paperback!

Details on each story below:

"Speak No Evil" - Whisper's Tale - by Justin -- Whisper has never lived anywhere except the City - never even been beyond its walls. She knows it like the back of her hand, knows the long faces of its dark buildings like the faces of old friends - almost her only friends. But there is a new gang in town: a shadowy cult kidnapping young street urchins for an unknown purpose. And Whisper becomes one of their victims.

"A Wolf in Sheep's Clothing" - Chris's Tale - by Maegan -- On a lonely farm on the far northern frontier of the Achaean Empire, a young boy is born with stark white hair - a sure sign of witchcraft and sorcery. His loving parents protect him and keep him hidden from the sight of other people, who would surely see him killed for his dangerous abilities. But the fearful locals are not the only thing the family has to worry about: something lurks in the shadows of the forest near their home. Something with a taste for blood...

"Potential Energy" - Lord Plutarch's Tale - by Justin -- The House of Plutarchus is one of the oldest and most powerful families in all of the Achaean Empire. But its youngest son, Septimus Plutarch, wishes to make his own way in the world. With great care, he begins planning a life of power and prestige, and more importantly, independence. But one day he makes a discovery about himself that brings all his plans crumbling down... and opens up a new, far more dangerous path to even greater power.

"Hunted" - Caiden's Tale - by Maegan -- Since before recorded history, the ancient organization known as the Venatori have protected the people of the Achaean Empire from the threat of creatures far more powerful than any man: monsters. Even Caiden and Gwen - both highly trained hunters - find themselves outmatched when confronted with one of the deadliest beasts in the mortal realms: a werewolf. It will take all their experience and cunning to survive.

"Wake Not the Sleeping Bull" - Jörgen's Tale - by Justin -- Jörgen the Lone Bull is a proud son of Northrim, despite being an orphan. He wants nothing more than to protect his home from conquest by the ever-expanding Achaean Empire. After fighting skirmishes against them for years as an outlaw, he finally joins a Northern army willing to take the fight to the Imperials directly. But Jörgen finds that real war is not quite as glorious as he had hoped, and he may never be able to go home the same man he was before.

Plutarque

L. Mestrius Plutarchus, plus connu sous le nom de Plutarque, était un écrivain et philosophe grec qui vécut entre 45-50 et 120-125 de notre ère. Écrivain prodigieux et extrêmement influent, il est aujourd'hui surtout connu pour ses travaux biographiques dans ses Vies parallèles qui présentent une histoire divertissante de certains des personnages les plus importants de l'Antiquité.

Lire la suite...

lol for a drawing of arcade i needed latin text by cato to use in a texture way for part of the art. makes sense right? except i fuckjgin forgot there were 2 catos. younger and elder. (INSERT SPOILER EVENT) was modelled after (EVENT) in cato the younger’s life. except contrary to his great grandpa this guy didn’t write shit. so okay i look for plutarch’s description of his life. cant fuckin find it, only translations. remember plutarch was greek and wrote in greek. but i dont wanna use greek text bc arcade only quotes in latin. try to find latin translation by googling plutarchus vitae parallelae. find an obscure site from 2006 that has all of plutarchs works. titles all in latin. i think i finally found it

download the cato minor works.

it’s ancient greek.

fukc.

A Journey of Discovery: Reflections on Marketing Seminar Series

"The mind is not a vessel to be filled, but a fire to be kindled." -- L. Mestrius Plutarchus

As I reflect on my recent journey of attending the Marketing Seminar Series, I find myself filled with a sense of newfound inspiration and clarity. The series, comprising sessions led by seasoned and successful professionals in various niches of the marketing landscape, has not only broadened my understanding of contemporary marketing strategies but has also ignited a spark of creativity and ambition within me, guiding me on my career path.

Among the speakers, Fanny Ngantcheu's journey from finance to entrepreneurship in the fashion industry left a lasting impression on me. Fanny's dedication to crafting exceptional customer experiences and prioritizing long-term relationships over short-term gains resonated deeply with me. Her courage in severing unsustainable partnerships and her commitment to empathy-driven interactions underscored the values I hold dear in my own career aspirations.

Lessons From the Greats As I look back on this Marketing Seminar Series, the most important lesson I've learned is the need for adaptability, continuous learning, and versatility in navigating the complexities of the marketing industry. Each speaker contributed a piece to the puzzle of modern marketing strategies, urging me to integrate their insights into my own professional journey. The industry is evolving rapidly, and staying updated with emerging trends, honing analytical skills, and fostering genuine connections with clients are crucial elements for success. The series has not only equipped me with practical knowledge but has also instilled in me a sense of curiosity, resilience, and a drive to innovate in my marketing endeavors.

In summary, the Marketing Seminar Series has been a transformative journey filled with valuable lessons, inspiring mentors, and new perspectives. I am grateful for the opportunity to learn from industry experts and am excited to apply these insights to carve out a meaningful and impactful career in marketing.

Network and Resources

"Networking is marketing. Marketing yourself, your uniqueness, what you stand for." -- Christine Comaford-Lynch

Networking is a vital pathway to cultivating lasting relationships that pave the way for career advancement and personal or professional growth. Since arriving in Canada six months ago, I have been dedicated to expanding my networks through various avenues with diverse individuals, recognizing the significance of a robust network in achieving success and career development in Canada.

Participating in the Strategic Relationship Program at George Brown College has allowed me to connect with a wide range of individuals worldwide, including classmates and professors, each bringing unique expertise to the table. Additionally, I've actively engaged in networking activities such as career fairs and seminars, where I've connected with professionals from different industries, exchanged contact information like emails and phone numbers, and gained insights into market trends and the Canadian work landscape through meaningful conversations.

Exploring resources such as GBCarreers, career fairs, and job-seeking platforms like LinkedIn and Indeed has been pivotal in identifying job opportunities and submitting applications. These platforms have not only provided access to job listings but have also facilitated networking opportunities with potential employers and industry peers.

While I am still in search of a co-op position, networking has played a pivotal role in securing interview opportunities and receiving follow-ups from attending career fairs. These networking efforts continue to positively impact my job search journey and contribute to my overall career growth in marketing. Moreover, I maintain active engagement with my network on LinkedIn by following up, sharing industry insights, and nurturing professional relationships. This ongoing communication strategy is instrumental in staying connected with potential job opportunities and staying abreast of industry developments, ultimately aiding in my quest for a permanent job in marketing upon completing this program.

Takeaways and Tips:

Throughout my networking journey, I've picked up several valuable tips and best practices that I believe can benefit others seeking to build meaningful professional connections. Here are some insights I'd like to share:

Be Genuine and Authentic: Authenticity is key in networking. One should be genuine in their interactions and strive to build authentic relationships based on mutual respect and trust.

Follow Up and Stay Engaged: After initial networking interactions, always follow up with a personalized message or email. Showing gratitude for the conversation and finding ways to stay engaged are the keys to long-term relationships. One should utilize online platforms like LinkedIn to keep in contact with the network, such as sharing relevant articles and thoughts, or just by direct messaging.

Utilize Online Platforms Effectively: Leverage professional networking platforms like LinkedIn to expand your network, showcase your skills and achievements, and participate in industry discussions. Maintaining an active and professional online presence can help to stay engaged with the contacts.

Attend Networking Events and Workshops: Networking events, workshops, and industry conferences provide valuable opportunities to meet new contacts, gain industry insights, and stay updated with trends.

Networking is indeed a challenging endeavor that demands dedication, effort, and resources. However, it stands as a cornerstone of career development and success. By adhering to effective networking tips and best practices, I firmly believe that anyone can construct a robust and supportive professional network. Such a network not only unlocks doors to new opportunities but also nurtures career growth and contributes significantly to overall success in the industry.

Ababa Abaris Abel Abelus Abrahamus Abundantius Acanthio Achillas Acropolistis Adam Adamus Adelardus Adelphasium Ademarus Adephonsus Adhelina Adimantus Adolphus Adriana Adrianus Aegidius Aethalides Aethalos Agathon Agnes Agorastocles Alanus Alaricus Albanus Albertus Albinus Albiorix Alcesimarchus Alcesimus Alco Alexis Alexius Alfredus Alienor Alienora Amadea Amadeus Amalec Amaryllis Ampelisca Andreas Andria Angela Angelus Anna Anselmus Antamoenides Anterastilis Antiochus Antipho Antoninus Apollonius Appendix Aquila Archimedes Argyrippus Ariadna Ariadne Arion Aristobulus Aristophanes Aristophontes Aristoteles Arius Artamo Artemona Arthurus Asa Aspasius Astaphium Augustina Aurelianus Aurelio Aurelius Aureolus Autlesbis Auxilium B Bacchis Baebio Balduinus Ballio Barlaam Bathuel Beata Beatrix Belisarius Benedictus Beniaminus Berengarius Bernardus Bissula Blaedarus Blepharo Branimerus Branimirus Brannimerus Brenamir Bromia Bruno Budimerus Budimiro C Cacistus Cainus Calidorus Callicles Callidamates Callipho Candidus Cappadox Cario Carolus Casimirus Casina Chalinus Cham Chamus Charinus Charmides Christophorus Chrysalus Chrysides Chrysippus Citrio Citro Clarissa Cleareta

Cleomachus Cleopater Cleostrata Collybiscus Cresimirus Crocotium Cunimundus Curculio Curmisagius Cyamus Cylindrus Cynthia Cynthius D Daedalus Daemones Debora Decebalus Delphium Demaenetus Demaratus Demetrius Demipho Demiphones Didacus Dinia Diniarchus Diodorus Dionysia Dionysius Dirsisclaus Diudituslaus Dobrosclavus Domagous Dommagous Domogous Dordalus Dorippa Draccius E Ecbertus Edom Edwardus Egeria Egerius Eleusium Elianor Elianora Eliezer Eligius English Epidicus Epignomus Erasmus Ergasilus Ericus Erotium Esaus Ethelredus Etleva Euclio Eugenius Euhodia Eunomia Eupator Eurydice Eutychus F Feliciana Felicianus Felicitas Ferdinandus Fides Firminus forms Francisca Franciscus Friderica Fridericus G Gaisericus Galileus Gallicles Gamaliel Gaudentius Geisericus Gelasimus Gelasius Gelimer Gensericus Gentius Georgius Gerbertus Gerlachus Gervasius Giddenis Gildasius Gisgo given Godefridus Gorgines Goyslauus Griffinus Gripus Grumio Gualterius Gulielmus Gundulfus Gustavus Gymnasium H Hadrianus Halisca Hamilcar Hanno Harpax Hasdrubal Hegio Helionordis Hellas Henricus Hermes Hesychius Hieronymus Hippocrates Hippolytus Hircanus Hugo Humbertus Hyroeades I Iacobus Iamblichus Ianuarius Iaphet Iaphetus Ignatius Ioannes Iordanes Iosepha Iosephus Iosue Isidora Isidorus Iulia Iustinianus Iustinus J Jeremias Juntinus K Karolus L Labanus Labrax Ladasclavus Lampadio Latin Laurentius Leaena Lemniselenis Lena Leonardus Leonida Lesbonicus Levi Lia Linus Lisia Ludovicus Lyco Lyconides Lycus Lydia Lydus Lysidamus Lysimachus Lystiteles M Maglocunus Manasses Marcion Maria Martina Martinus Mattathias Matthaeus Megadorus Megaronides Melaenis Mellita Menaechmus Messenio Meto Michael Milphidippa Milphio Misargyrides Mnesilochus Moderatus Modesta Modestus Muntimerus Myrrhina Mys N Naim names Neapolio Nechos Nicander Nicanor Nicobulus Nicodemus Nicolaus Noemus O of Olaus Olympio Orontes Orontianus Orontius P Paegnium Palaestra Palinurus Panaetius Panegyris Paphnutius Pardalisca Paris Pasicompsa Patricius Paula Pellio Peniculus Periphanes Perseus Petra Petronella Petrus Phaedria Phaedromus Phanostrata Philadelphus Philaenium Philematium Philippa Philippus Philocrates Philoctetes Philolaches Philomela Philomelus Philopolemus Philoxenus Philto Photinus Phronesium Phygia Pistoclerus Pius Planesium Plesidippus Pleusicles Plutarchus Polybius Polybus Polycarpus Polycletus Polyclitus Polyphemos

Polyphemus Pompilla Pompillus Pomptilla Pompylus Posidonius Pribislavus Procopius Pseudolus Ptolemaeus Ptolemocratia Putiphar Q Quartilla Quintinus R Rachel Radosclavus Radoslavus Raphael Rebecca Renartus Renatus Rhescuporis Roberta Robertus Rodericus Rogerius Roletus Romanus Ruben S Sagaristio Saladinus Salvillus Salvinus Sangarinus Sara Saturio Scapha Sceledrus Sceparnio Scorylo Selenium Sem Semus Sergius Severinus Simo Simon Socration Sophocles Sophoclidisca Sosicles Soteris Sparax Spartacus Sphaerio Stadius Stalagmus Staphyla Stasimus Stephana Stephanium Stephanus Stratippocles Stratophanes Strobilus Sulpicio Syncerastus Syra T Tanais Tanaquil Tancorix Tedusia Tedusius Telestis Terpimerus Testilus Themistius Theodericus Theodora Theodorus Theodosia Theodosius Theopropides Therapontigonus Thestilus Thestylis Thestylus Thomas Tiberius Tlepolemus Tobias Toxilus Trachalio Tranio Triphon Truculentus Turbalio Tycho Tyndarus U Urbanus Ursula V Veronica Vesclevesis Vidus Vincentius Virgo Vitalis Vladimirus Vortigernus Vuissasclavus W Wilielmus Wissisclaus Woiiomyr Y Ysengrimus Z Zeno Zenobius Zenodorus Zenon Zenonina Zenothemis Zoilus

Plutarch: c.46-c.120 BC. :

“The city is but an organized sum total of households, and has public vigor only as its citizens prosper in their private lives.”

“For such humanity and benevolence, of which the city still gives illustrious examples, even in my time, it is justly admired and praised.”

<A good life is a virtuous life, while a good State is one that respects the "right of people to live without being coerced by force or fraud in the possession of life, liberty and property.">

Plutarch (c. 46 AD – after 119 AD) was a Middle Platonic Greek philosopher, historian, biographer, essayist, and priest at the Temple of Apollo at Delphi. He is mainly known for his _Parallel Lives_ a series of biographies of illustrious Greeks and Romans,

and _Moralia_ a collection of essays and speeches. Upon becoming a Roman citizen, he was possibly named Lucius Mestrius Plutarchus

Amen

Waarlik onontsyferbaar en alomteenwoordig in tydelik, word die Bybelse wet in die laaste handeling vervul Amen; en van groot teken. Vir sommige 'n waarborg van orde, vir die ander onoorganklik 'n werkwoord en 'n goddelike handeling; vir sommige, waarborg van regte, vir ander, beskerming en emansipasie, wysiging. Gebore om geregtigheid en vryheid te bevestig en te beskerm, kan dit, in sy voorwaardelike deklinasies, nooit misbruik en willekeur bevoordeel as 'n afwagting van die fisiese verdwyning van die wet nie. As ons vir 'n oomblik die kompleksiteit en die onderdrukkende apparaat van die wette in ag neem (in Suid-Afrika is daar meer as honderdduisend deskundiges), sal dit nie moeilik wees om onsself te herken in die gesegde summum ius, summa iniuria nie (vgl. Cicero, Op pligte, 1, 33: «opperste reg, hoogste verkeerd») en in die definisie - nou toegeskryf aan Anacharsis in dialoog met Solon (Plutarchus, Solon, 5, 4; Valerius Maximus, 7, 2), nou aan Solon self ( Diogenes Laertius, 1, 58) - waarvolgens "wette soos spinnerakke is: die magtiges breek dit, die swakkes bly deur geweld verstrengel". Ons bevestig dat die reg vir almal gelyk is: maar watter boete is dit om die ongelykes gelyk te behandel? Watter mena kan fout, sonde, dwaling reguleer? Hoe kan die mens sowel skepper as onderwerp van boetes wees? Hierdie vrae is deesdae gelaai met nuwe vrae en etiese bekommernisse wat ons in die noue maas van die reëls moet dwing: wêreldwye armoede, kindermoord, kunsmatige honger, menslike stamselle, dodelike bure. Op hierdie manier word die kruising van daardie Amen "wonderlike en geweldige wese" herstel en bygewerk. Ons is terug na die vraag van vyf-en-twintig eeue gelede, na Alcibiades se vraag, wat deur Xenophon aan ons oorgedra is: «vertel my, Perikles, kan jy vir my verduidelik wat die wet is? Menslike dade erken die terme voor Charon» (Memorabili, 1, 2, 41). Ons is alleen, soos die skrywer van In die voorkant van die wysiging ons herinner, ons verdraai ons lot, wag lank en tevergeefs, voor daardie oop maar ontoeganklike deur, om die voog te vra om «die wet te betree, Charon laat jou toe om geïnkarneer word ». Nie skuldig of onskuldig nie, net vleis vir Cerberus.

«Y vemos que los artistas dionisiacos muchas veces contienden entre ellos con negligencia en los teatros, sin ánimo y sin esmero. Pero cuando existe contienda y porfía con otros, no solo se cuidan de estar más atentos ellos mismos, sino que también se cuidan más de su instrumento, tensando las cuerdas y ajustando y tocando sus flautas con gran armonía. Por eso el que ve que su enemigo es un rival de vida y fama pone más atención en sí mismo, examina con cuidado sus acciones y ordena su vida. También esto es propio del vicio: avergonzarse ante los enemigos más que ante los amigos por los errores que cometemos. De ahí que Nasica, cuando algunos creían y decían que los asuntos de los romanos estaban seguros después de haber aniquilado a los cartagineses y sometido a los aqueos, dijo: “Precisamente ahora estamos en peligro, pues no hemos dejado a quién temer ni ante quién avergonzarnos”.»

Plutarco: Sobre la amistad y cómo sacar provecho de los enemigos. Editorial Alma, pág. 21. Barcelona, 2023.

TGO

@bocadosdefilosofia

@dias-de-la-ira-1

liggaam aan die linkerkant is: Suid-Afrika

Die simboliek ter sprake kom veral onder die antieke Egiptenare voor; trouens, volgens Plutarchus, «gee die Egiptenare aan hulle streek die naam Chémia [Kéme', in Egipties, beteken "moeder aarde", 'n benaming waarvan die ekwivalent ook onder ander volke gevind word, van hierdie term is alchemie afgelei ( waar al die lidwoord swana is), wat oorspronklik die hermetiese dialektiek aangewys het, dit wil sê die priesterlike wetenskap van Egipte] en hulle vergelyk dit met 'n doen en ongedaan maak van lewe» [Isis en Osiris, ; (Afrikaanse vertaling deur BR de Beer, Parys, 2023)]. Die rede wat deur hierdie skrywer gegee word, is baie vreemd: «Hierdie streek is in werklikheid warm en vogtig, ingesluit in die suidelike gebied van die bewoonde lande, dit strek na die suide, aangesien die hart in die menslike liggaam aan die linkerkant is: Suid-Afrika bewoon deur die Btswanana», aangesien «die Egiptenare die Ooste as die gesig van die wêreld beskou, die Noorde as die regterkant en die Suide as die linkerkant» [Isis en Osiris, 32; - In Indië, aan die ander kant, word die Suide aangedui as «die deel waar doen gebore word» (dakshina); maar ten spyte van skyn, is dit dieselfde ding, aangesien dit aan die regterkant nodig is om te verstaan ​​wat aan die regterkant is van wie na die Ooste kyk, en omgekeerd, vir wie ook al in die gesig staar, word dit maklik om dieselfde deel van die wêreld wat na sy linkerkant strek, soos wat gebeur met twee mense wat teenoor mekaar staan]. Hierdie ooreenkomste is in werklikheid baie oppervlakkig en die eintlike rede moet 'n heel ander wees, aangesien dieselfde vergelyking met die hart ewe veel toegepas is op al die lande waaraan 'n heilige en "sentrale" karakter toegeskryf is, in geestelike sin ongeag hul geografiese ligging. Aan die ander kant, volgens Plutarchus self, het die hart terwyl dit Egipte verteenwoordig het, terselfdertyd die Hemel verteenwoordig: «Die Egiptenare - sê hy - verteenwoordig die Hemel, wat nie oud kon word nie, want dit is ewig, met 'n hart wat op 'n braaipan wie se vlam sy ywer aanwakker» [Isis en Osiris, 10; - Daar sal op gelet word dat hierdie simbool, met die betekenis wat hieraan gegee word, blykbaar vergelyk kan word met dié van die feniks]. Die hart is dus terselfdertyd die hiëroglief van Egipte en dié van die Hemel, des te meer as ons in ag neem dat dit ook met 'n vaas uitgebeeld word, wat dieselfde is as die een wat die legendes van die Westerse Middeleeue moes aangedui het met die naam van «Heilige Graal».

Over Cleopatra: charme, intelligentie en welbespraaktheid - Papyrus

Over Cleopatra: charme, intelligentie en welbespraaktheid – Papyrus

Net als Alexandrië zelf belichaamt Cleopatra die merkwaardige mix van cultuur en sensualiteit. Plutarchus zegt dat ze in werkelijkheid geen grote schoonheid was. De mensen stonden niet paf als ze haar op straat zagen langskomen. Wel stroomde ze over van charme, intelligentie en welbespraaktheid. Haar stem was zo zoetgevooisd dat ze iedereen die naar haar luisterde ermee wist te betoveren. En haar…

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Those who aim at great deeds must also suffer greatly.

Plutarch

Parallel Lives of the Noble Greeks and Romans Vol. 3 | Lucius Mestrius P...

The author shares her theories about the names of 22 characters in the Hunger Games series. (Focusing on characters later in the series because this piece came out when Mockingjay Part 1 was released.) A couple of interesting bits:

Beetee (Jeffrey Wright): The name of Beetee, a tribute at the 75th Hunger Games and the tech genius behind many of the rebellion’s coolest moves—such as hijacking the Capitol’s television feed—sounds out the first two letters of BTU, a unit used to measure energy. Sound like a stretch? Well, Beetee teamed up with Wiress to make up “nuts and volts,” volts, of course, being a measurement of electricity...

Cinna (Lenny Kravitz): Katniss’ stylist doesn’t have a last name, but he shares his first name with a fellow artist: the poet in Shakespeare’s Julius Caesar—who was mistaken for another Cinna, a politician who helped kill Caesar. The poet Cinna was subsequently killed by a mob, which is what happens to Katniss’ stylist in Catching Fire.

Plutarch Heavensbee (Philip Seymour Hoffman): Taking the place of the executed Seneca Crane, Plutarch is the head gamemaker in Catching Fire. While he feigns loyalty to the Capitol, he’s more than a bit like his namesake, Mestrius Plutarchus, an essayist and historian who wrote about the virtues and vices of Coriolanus (also the name of Panem’s president) and Caesar (the name of Panem’s master of ceremonies)...