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#pinecone moment
thepineconelord · 6 months
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Duke and Damian so silly, they need to interact more, I love this dynamic
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thepineconearhcive · 6 months
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God I love the two of them, Duke and Damain need more cannon interactions stat
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rotisseries · 4 months
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"she met a pinecone's fate" was hysterical the first time around and it's still funny but the longer I think about it the more unsure I actually am about the line
#it just feels so. callous. or like. it doesn't FEEL callous cause it's not portrayed that way and you laugh and I'm still laughing#but like. it's callous that is a callous thing to say and it's not like percy doesn't have dickishness to spare#but on this specific thing? really? he's not like that#like. this is after being told the full story so he knows what happened to thalia#and his response to effectively hearing about how this girl died for her friends and not just any friends but the people he's with rn#is “she met a pinecone's fate” a like. dismissive joke about what happened to her#like in the books percy empathizes with thalia's situation he feels for her it's tragic it's a somber moment😭😭#she was a demigod more powerful than the others she was hunted even more than they usually are (percy relates)#and she died for her friends (definitely something percy relates to and would value lol)#and on TOP OF THAT. to say this in front of grover and annabeth? who clearly loved her a lot??#like. percy doesn't like annabeth atp but he doesn’t hate her enough to be crossing those sorts of lines??#and GROVER. is literally his best friend. can you not figure that thalia's death probably weighs on him#oh wait I just remembered at that point in the episode he doesn't know grover was with them lol sorry ignore that bit#anyway. like I get it it's funny and they have a lightly antagonistic relationship in ttc so it's funny!!#like haha he's ALREADY getting his digs in!!#but. idk. feels a bit mean :/#pjo#pjo tv#dropping episode 3 thoughts mere hours before episode 4 lmao#I'm not gonna be able to watch 4 tonight though lol
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energonnaccinos · 1 year
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oh yeah, wrote this little fic & finally posted it yesterday
it is about: conehead baby robot shenanigans, and is based off of the fic "Let's Call the Whole Thing Off" that you can find in the 'parent works' portion of the link
essentially, Dirge & Thrust hear that you can have babies now, and immediately make that Hook's problem
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endcant · 2 years
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baldur bread moment
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thekendallkathryn · 7 months
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Lucid Series: "Flourish"
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ceilidho · 30 days
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take me home, country road
[ao3]
You have nothing on your person apart from a hastily packed suitcase and the dress you came into town wearing, on the run from trouble back home. Too bad John's missing a bride that matches your description. Or: the 1800s (mistaken) mail order bride au (part 8)
part 1, part 2, part 3, part 4, part 5, part 6, part 7
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Now a nocturnal animal emerges into the daylight hours.
A week becomes two and your shoulders untense. It’s not something you notice at first because you’re used to an ever present strain between your shoulder blades and an ache in your jaw from grinding your teeth at night. Then a fortnight goes by without so much as a missive with your name on it floating across John’s desk or a stranger appearing in town after tracking you down, and you wonder if maybe the world really is big enough to hide in. 
It sure feels that way at times. The woods beyond the bounds of John’s property stretch out farther than the eye can see and even walking it feels like you could disappear into another realm. Old spruces shoot up high into the clouds, and deeper into the woods, huge rock formations grow more and more prominent as you near the mountains. John takes you through the woods on horseback, following the rough trails carved into the dirt by a century of wagons and carts using the same path. The footprints of a different time. 
Up in the trees, birds warble and chirp, talking to one another in songs that you’ve never heard before. A woodpecker drills into the side of a tree. Pinecones snap out of the upper branches and drop to the forest floor. 
There is only a single trail and it’s easy to lose. You grow a bit nervous when John takes you off the trail and deeper into the woods, but he does so with the confidence of a man that knows these woods like the back of his hand. You go quiet when he stops Buttercup to let a herd of deer wander by, the stragglers hurrying to catch up with the group, throwing the two of you nervous glances before they disappear into the thicket. 
“Should we be out this far?” you ask in a whisper, reluctant to disturb the silence. Though the woods are full of animals that bleat, chirp, chatter, and hoot, the sound of your own voice feels preternaturally loud and shrill. 
“We won’t get lost, darlin’. I know my way around,” John reassures you, curling an arm around your waist to hold you to him. These days, you hardly worry about tumbling off the horse. Not with him at your back anyway. 
“That wasn’t really my worry,” you mumble, trailing off.
“Then what’re you getting all worked up about?”
“Aren’t there wolves out here? Or bears?”
He snorts, the sound making you jolt. You don’t topple over because he has such a firm hold around your waist. “They don’t usually come this close to town. They’re more scared of you than you are of them.”
“That sounds like something mothers tell their children to stop them crying,” you say flatly. You draw your legs up automatically when John directs Buttercup through a shallow basin, a shortcut back home. It makes you anxious for a moment, but the water barely goes up to her ankles, so you relax when you realize that you’re in no danger of being swept away by the current.
“That doesn’t mean a bear or wolf can’t wander by, but it’s rare.”
“And there it is.”
You can feel the heat of his glower on the back of your head. “We could spend the night out here if you want to see for yourself.”
At that, you shut your mouth. Even if he were to prove his point, you have no interest in camping out in the woods now that you’ve become accustomed to the luxury of a soft bed. Granted that you’re forced to share that same bed, still you’ve never slept half as well as you do these days. You wake up rested after nine hours of blissful shut eye, a sleep so deep that your dreams only come in half-remembered flashes. Often they involve the man you wake up wrapped around, and for that you’re grateful that they remain submerged. 
A new desire has started to burrow its way into the back of your mind in recent days. It starts out as a thought so brief that you hardly notice it before it skitters away. 
And then it lingers. 
You wake up in the middle of the night hot, sweat dripping down the nape of your neck and a fire burning in your loins, a red-hot coil wound around itself, fit to burst. Pulsating. At some point throughout the night, you must have thrown a leg around John’s waist because it rests there now, your hand planted in the middle of his chest and your sex all but rubbing up against his thigh. Under your hand, you can feel his heart pump strong and steady.
You hold very, very still, waiting for him to wake. But John sleeps on, his palm loose where it rests along the curve of your hip, fingers curling into the flesh of your backside. 
You can hardly look at him these days without shaking. You’ve come to fixate on the sway of his hips when he walks and the flecks of silver in his beard. The grooves in his weathered hands. The way your head fits in the palm of his hand when he cradles it to his chest. The fond glimmer in his eyes that shines the brightest when he puts his hat on your head and it slips past your eyes, too big for your head. 
When you tip it up in order to see, the folds around his eyes become more pronounced with the force of his smile.
“There you are, bug,” he says, taking the hat off your head to set it back on his and reeling you in for a kiss. 
Bug, love, honey, darling. The constant flux of endearments makes your head spin. John never calls you by the name on your marriage license. It’s like that name means nothing to him, cast away at the first opportunity and replaced by an endless stream of pet names.  
He hasn’t touched your sex since making you come on the porch swing the week before. He pulls you into a chaste embrace at night, the only evidence of his own desire being the stiff shaft nestled against the small of your back in the early morning hours, which he takes care of on his own in the bathroom downstairs after pressing a kiss to your cheek. You feel robbed of something, though you don’t know quite what. 
You’re tempted to offer your help, but you don’t know exactly what that would entail. Inexperience and fear of rejection hold you back, stay your tongue. In the two weeks you’ve been married, he hasn’t once tried to pin you down and rut between your thighs like you expected and dreaded that very first night. 
Now that that time has passed, you don’t know how to initiate that moment again. 
John promises to teach you how to ride a horse. You can’t see a reason to protest, much to your chagrin. Despite your apprehensions, even you can’t deny that it would be a helpful skill. A train only goes one way after all, confined to a single track. A horse has no such laws to obey.
The thought stays nestled at the back of your mind as the days continue on.
You flounder around in the kitchen on the day that John invites his deputies over for supper. You’ve met the big one—Simon—now a small handful of times, each encounter marked by a silence that sucks the air out of the room when he turns his gaze on you and holds it. Perhaps you’ve simply ascribed too much importance to his person, given that every time you’ve seen him, your life has changed irrevocably. His presence is always followed by revelation it seems. The archangel of vicissitude. A harbinger of uncertain times.
The other two are new. John introduces you to them when you bring out the cutlery and crockery to set the table, and you nearly go cross-eyed when they reach across the table at the same time to offer their hands. You go to meet them halfway, but flinch when John brings his hand down on the table with enough force to make the silverware jump.
“Sorry, darlin’,” he apologizes to you first before turning his glare on the other two. “That ain’t proper, boys. You wait for the lady to offer her hand first—you don’t treat a woman like she’s a mutt you’re teaching to shake.”
“Ah, sorry, hen,” the one on the left says, his voice a thick Scottish brogue like a purr. He’s possibly the handsomest man you’ve ever met, but there’s something dangerous and wild in his eyes. When he smiles, it curls up in a roguish sort of way that makes you falter, like he’s in on a joke that you aren’t. “Dinnae mean to offend. No’ often we get ta meet such a pretty lady.” 
“Sorry—” the one on the right apologizes in a voice far more earnest than his counterpart’s. “And sorry for him. We think he was raised by wolves.”
“What’s yer excuse then?” the Scot sneers, knocking his knee into the other man’s under the table. “Dinnae see ye waitin’ for her fuckin’ hand like a gentleman—apologies, hen.”
“Christ,” John sighs, leaning back in his chair and staring up at the ceiling. 
Simon stays silent at the other end of the table, but the whole table jumps when he aims a kick at the Scott’s leg. He hisses and blurts out a word in a language you’ve never heard before, the word unmistakably vitriolic. He clutches at his shin and shoots a nasty look at Simon, though he doesn’t make a move to retaliate. 
“Name’s Kyle. Kyle Garrick,” the other introduces himself, and you finally reach across the table to offer your hand. His hand is warm against yours when he takes it, dark skin burnished in the candlelight. There’s something inviting about him; something about his eyes, so dark that you almost fall into them. Thick lips curl up into a smile. “And this here is Soap.”
You frown. “Soap?”
The man in question runs a hand down his front, emphasizing the cut of his shirt and the way it clings to the muscle of his chest. “‘Cause of how well I clean up.”
Simon barks out a laugh at that. The sound comes so sudden and sharp that it startles you. “You got it ‘cause your mum had to wash out your mouth with soap.”
It’s the most you’ve ever heard out of him and you can only stare wide-eyed at the lot of them as they dissolve into bickering and squabbling after that. It’s almost a relief to head back into the kitchen to finish cooking. 
Dinner is a similar messy affair, punctuated by the sound of Soap practically gnawing the meat off the bone. He only apologizes when John barks at him for making a mess, more food on the floor around him than on his plate, but his table manners don’t last very long. John doesn’t seem so much embarrassed on their behalf as annoyed, but it’s an annoyance that comes with an aftertaste of warmth. You can tell without asking that they’ve known each other for years. 
There’s room enough in you for food and envy. Back home you had friends. Never close friends, but acquaintances at least. Maids you could recognize by face. Small talk while ascending single-file up the servants’ staircase. Perhaps little more than that. You’d never been particularly close to any of them, but how could you? You worked from morning ‘till night, up and down the stairs, moving in the shadows. Never making too much noise lest your employers take notice of you. 
Like he did.
You shake it off. That’s no matter now. You’re hundreds of miles away and living under a new name. A married woman, to the county sheriff no less. It only sometimes hurts your heart to think of how lonely you’d been. 
When they leave, you stand at the window and watch as they disappear into the black of the night, Simon at the front of the pack, his torchlight leading the way. The sound of horse hooves beating against the dirt recedes the farther they get. 
His hands warm your shoulders. You don’t know how long he’s been there, standing behind you while you stared out the window after the boys. All you know is that his hands are warm, and the kiss he presses to the back of your head makes you arch back into him, unconsciously gravitating closer to him. Needing to be near. 
In bed, you curl your fingers against his chest. On a rough exhale, you wake. You dream still of something terrible that happens somewhere else, in another city, in an old life. His heartbeat lulls you back to sleep.
John takes you to the local seamstress to have you fitted for a pair of pants and suddenly you’re out of excuses. They fit you comfortably, like a second skin, and you find yourself pulling at the legs at your final fitting as if to stretch out the material. The seamstress nearly jabs you with a pin and glares up at you until you stop fidgeting. 
You come to terms with it when he brings you into the stables and makes you fetch the saddle from where it rests on its stand. It’s heavier than you expected. You stumble back over to where John now has Buttercup standing in the middle of the stable, holding her by the lead fixed to her bridle. 
“I don’t know if—” you start, trepidation climbing up your chest until it grips you by the throat. For as many times as you’ve ridden her, you’ve never done it alone. 
John fixes her lead to a post and walks over to you, taking the saddle from your hands and letting it drop to the ground. He cups your face in both hands to tilt your head up. “Hey, honey. We’re not doing much of anything today, alright? Just a walk around the paddock so you get used to sitting on Buttercup on your own. I’m not gonna smack her ass and send you down the trail at full tilt..”
That gets a laugh out of you. “You promise?”
He smiles. “Promise, darlin’.”
And he keeps it. The only thing you do that day is learn how to tack a horse and how to properly mount and dismount her. The latter part of the lesson is devoted to you trying to find your balance while John leads the two of you around the pen at a leisurely pace. He calms you down when he sees you grow too stiff, stopping to coo and rub your thigh until you gradually relax. It’s heartwarming until Buttercup begins to tense up too for a reason unbeknownst to you and you watch in righteous fury as John calms her down the same way.
John gets you a hat to keep the sun from beating down on you, but there’s little he can do about the soreness between your thighs and the stiffness in your legs the next day. All you can do is hiss and moan in pain, hobbling around the house until he forces you down into a chair and hikes up your dress in order to apply an arnica salve to your inner thighs. 
It’s a relief and an affront at the same time. The duality of man. The salve soothes much of the ache, but you twitch nervously around John for the rest of the day, the memory of him pinning you to the chair and forcibly spreading your thighs haunting you. The lingering ache in your core is just the salt in the wound. 
It rains another day. A light drizzle while the sun is still out.
Every day you sit and you think, will it be today? And then the wash basins are emptied out in the field, the horses are taken out to the paddock, you pin the laundry up on the line to dry, and John presses a farewell kiss to your forehead when he leaves you with Kate and nothing happens. Every inch of you waits for more, anticipates more. Throbs when he leaves you wanting, only a chaste kiss and a squeeze around your waist before he’s off. 
You can feel it coming to a head. An itch you can’t shake. 
That day comes with another ache you can’t shake. 
“Please,” you beg, clasping your hands in front of you. “One day of rest. That’s all I’m asking. I can’t do this anymore, John.”
John snaps the lead in his hands. “Let’s get a move on. We’re burning daylight.”
You hang your head low on the march over to the stables, John taking up the rear like he expects you to bolt. An executioner’s walk. The thought of escape has never seemed further away—not even because of its feasibility, but because all you want to do is lie down and rest.
“You can quit your moping,” he says as you tack up Buttercup, a pout on your lips. “Got something special for you today.”
That makes you perk up, regardless of the fact that he doesn’t specify what that is. Anticipation mounts in you when he helps you up onto Buttercup and then climbs up behind you himself. He steers her away from the paddock and towards the trail leading into the woods, the sun at its zenith now, illuminating everything as far as the eye can see.
You’ve ridden this trail before. A week ago, with John at your back as he is now. Through the fields and over the hills until the trees start to number in the tens and then the hundreds, no clear delineation between plain and forest. Simply there and then everywhere.
By now, after hours of sun beating down on the path, the trail is mostly dry, yesterday’s rain long since having sunk into the earth. You think it’d still be a tough hike on foot, but on horseback you cover acres of land at a brisk pace, Buttercup hardly breaking a sweat. You cross paths with a small group traveling by horse and wagon, but John breaks off from the path not too long after that, steering Buttercup deeper into the wilderness, where the only gullies are the ones carved out by years and years of rainfall. 
You only see it when the land begins to dip and you’re forced to hold onto the horn and tighten your thighs around the fenders to keep steady. At the bottom of a hill, a small stream opens up into a larger river, narrowing out at the other end where the land rises again and the water can only trickle over the pebbly riverbed. On the other side, a rocky outcropping cuts the stream off from view.
“Is this where you used to come to bathe?” you ask, recalling an earlier conversation.
John sighs. “Thought I’d take you for a swim as a treat, but if you’d rather just tease me—”
“Well now, let’s not be hasty,” you say, already trying to dismount on your own, eyes glued on the stream glimmering in the sunlight. John chuckles, keeping you pressed to him until he guides Buttercup under a tree for shade and dismounts first, helping you down after him. 
All you want to do is wade in the stream up to your ankles, so that’s what you do. Boots kicked off, Buttercup relaxing in the shade of a tree, John standing by the water’s edge with his hands on his hips and watching you tiptoe over the smooth rocks below. You roll up your pant legs, but eventually you feel the ends grow damp as you venture farther out. At its deepest, you would probably sink up to your waist.
“Don’t you want to swim?” John asks from somewhere behind you.
You splash around a bit, kicking your feet through the water. “Hard to do that with clothes—”
When you turn back around to face him, your eyes dart down momentarily at the sight of skin before you squeak and whirl back around, sending up an arc of water. Twice now you’ve seen him naked. 
“You’ve no clothes on,” you state, bluntly enough that it almost sounds stupid. 
You hear the water splash and ripple when he takes his first step in. “Right—you better think about doing the same if you don’t want to ride home soaking wet.”
“I was perfectly fine just getting my feet wet,” you say indignantly.  
“We came out here to swim, not get your feet wet,” John laughs. You stiffen when his hand comes down on your shoulder, conscious of the fact that your husband is standing right behind you, entirely divested of his clothes. “So best get to steppin’.”
“You can’t make me.”
“Oh, honey,” he says pityingly. “Yes, I can.”
You squeeze your eyes shut as you make your way back to shore, careful not to allow yourself a glimpse of him. Your boots are stacked beneath the shade of another tree, John’s clothes folded neatly beside them. You strip slowly, attentive to the world around you; though unlikely, it’s not impossible that someone might wander by. Your only consolation is that John is still within sight, though you keep your back to him because in recent days, you’ve developed a hunger for him that even now makes your stomach hurt.  
Though the air is warm, you shiver. When you turn around with your arms crossed over your breasts to hide them from sight, you find John wading in the river up to his waist. You’ve seen him like this once before, the hearty body of a man in his prime. Sturdy and strong. The hair on his chest is darker than that on his head, wet too from the dip he must have taken when your back was turned. His hair is slicked back too, a wet hand combing it back. 
“Come on, darlin’,” he calls, beckoning you forward with his hand.
The water is a cold shock when you step in past your ankles. Ice cold tendrils wrap up your legs, sucking the warmth from you. 
You suck in a soft breath when he pulls you into his arms and heaves you up, big hands gripping under your thighs. Your breasts press against the wet skin of his chest, nipples already pebbled. The river is deeper than you assumed; John pulls you deeper in until it pools around your waist and then your chest. Cold enough that you shiver until John dips his head down and the kiss he presses to your lips melts you from the inside out. 
You can’t escape the intimacy of water-slick skin. When John drags you up his chest, your nipples brush over his and the shudder that passes through you is violent, toe-curling. You know that he can feel the heat of your core even underwater. With your legs wound around his waist, every inch of you is plastered to his front. Even your fingers play with the ends of his hair, arms draped over his shoulders. You can’t look away.
“C’mon,” he murmurs, breath hot on your face. “Eyes on me.”
As if you could look anywhere else. 
He reaches down under the water to readjust himself and you gasp when his shaft is suddenly right there, trapped between his belly and your heat. It’s the closest you’ve ever gotten to coitus, his glans nestled between your folds. You’d only have to shift slightly for him to slip right in. The thought makes your breath quicken. 
He doesn’t make a move to take you though, even knowing that he could. How easy it would be. How it’s due to him. Your husband that’s waited a fortnight to take you as his own. John kisses you until each slick pass of his lips grows sloppier, clumsier—his lips barely parting from yours before they’re on you again, rendering you a creature of base needs. 
But his hands don’t shift from your backside where he holds you in place. His fingers dig into the flesh hard enough to bruise, but they don’t move to part your folds to make room for his manhood. You expect him to—practically yearn for it and squeeze him around the neck all the harder when he subverts your expectations, doing no more than letting you grind your heat against the base of his shaft. 
“John—John, please,” you beg, mindless for what. You don’t know what you’re asking for. 
“What d’ya need, darlin’?” he asks into your mouth, stealing your answer with another kiss. 
You fall under the swell of another wave. When the root of his cock glides over your clit, your core clenches on nothing, a sob half-bitten off in your mouth, ripped from your chest. 
It doesn’t matter how close to him you get—he gives you nothing. The heat could very well burn you from the inside out. Cold water caresses your skin as it flows past, but the center of you runs so hot that you hardly notice it. 
When he hikes you higher up against his chest, you clench your fingers in his hair, whining when he takes your nipple into his mouth. Your gasp comes out sharp and hurt when the coarse bristles of his beard rub rough against your breast. He sucks at your breast tender at first, gentle, eyes half-lidded like his mind has gone somewhere else, but there’s a glint in his eye that grows wild and dark, that turns him rough. You don’t know what to do except shake and let him use you how he wants. 
Desperation nips at your heels, urging you up the length of him. If you had more nerve, you’d reach down and grasp him under the water, notch the head of his member against your sex and sink right down on him. You need him like you've never needed anything before. Every part of you aflame, searing hot under the sun at its highest point; right overhead, right on top of you. 
His teeth sink delicately into your areola, tongue lapping over your nipple to soothe the hurt, and suddenly, you break.
“Please—” you gasp, wrenching his mouth away from your breast and whimpering when he resists at first, glaring up at you like he might bite. “Please, John—I can’t take it. I need you.”
His eyes darken, the pupil swallowing everything up. “Need me where, wife? Here?”
A hand dips between your thighs, pointer finger gliding over your sex, plump with blood. So tender that your mouth hangs open on a whine when he touches you. 
“Y-yes,” you whimper, gaze swimming. 
John’s breath comes out in a harsh, ragged pant. Completely undone in a way you’ve never seen before. “Get out, darlin’. I’m taking you home. Gonna give you what you need.”
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ofswordsandpens · 4 months
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it feels like the show is nailing certain aspects about the characters but only at the completely wrong time because Percy saying "she met a pinecone's fate"... don't get me wrong, the moment feels very true to the part of Percy that is a little shit <3 and it is funny, but it just stands in such stark contrast of his canon kindness and sympathy when he first learned of Thalia's fate that I'm just sitting here like ???
Like when Percy learns about Thalia in the book, he's very moved by her fate:
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So comparing this reaction to the onscreen portrayal, its just like wild that the writers thought this was a "faithful change" lmao. Even if the line is criticizing the gods, it feels as if it comes at the expense of Percy's sincere empathy. imo the pinecone line feels much better suited to a future season where there's active animosity between Percy and Thalia, not when Percy is learning about a girl who died saving her friends.
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hailperseusjackson · 4 months
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annabeth having a quiet moment with thalia’s tree and grover talking about her sacrifice and annabeth saying “she met a hero’s fate” only for percy to come back immediately swinging with “she met a pinecone’s fate” fucking incredible no notes
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An Offering of Purple
An Offering of Purple
By Channie Greenberg
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thepineconelord · 5 months
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connabeth · 4 months
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i can’t stop thinking about how much i hate the “she met a pinecone’s fate” line. like sure it’s marginally funny but what kind of dickhead says that to someone’s face when they’re actively grieving the loss of their sister figure after all these years. i completely agree with grover’s ‘wtf’ reaction because that line was so uncharacteristic for percy. he canonically has moments where he wields his humor at inopportune times and his jokes fall flat but that’s always when facing down gods and monsters antagonizing him. making him say that line in this moment was in such bad taste because the percy i know would never make a comment like that to belittle a child’s heroic and unjust sacrifice as well as the girl mourning her, especially after acknowledging zeus could’ve done better than turn thalia into a tree. where is his kindness and empathy bc it’s little things like this that differentiate his characterization in the books versus the show
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angel-of-the-moons · 7 months
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Nectar
Jake Lockley x Fem!Reader!
TW/CW: NSFW, Fingering, Voyeurism (sorta), exhibitionism, dirty talk, grinding, biting, smut, Jake is a cheeky little slut we all know this
MINORS DNI: I AM NOT RESPONSIBLE FOR CONTENT YOU CONSUME
A/N: This is self-indulgent as fuck, to help get me out of the funk I've been in. This is also because I actually grow these flowers and some interesting things happen when you milk them. That and I love to tell people I milk flowers for shampoo, the confusion is great.
(Any Spanish in this fic is written in italics and largely translated by Google, since I still know only a tiny bit and don't know any Spanish speakers personally)
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🌒🌒🌒🌒🌒🌒🌒🌒🌒🌒
Jake dropped his duffel bag next to the front door, sighing as he tugged off his jacket.
It was a quiet day, thankfully, because Steven and Marc left him to control the body today, to allow him to front by himself without their "chattering" in his ear...
"Muñeca?" He called out.
When there was no answer, he tried for you again.
"Alguien en casa?"
His brow furrowed when he was met with silence. You were home, he was sure of it. Your car was out front, the front door was unlocked...
That's when he noticed it, the sliding glass doors were open.
Hairs rose on the back of his neck and he automatically suspected the worst. He pulled his gun out of his chest harness, turning the safety off and he slowly crept to the open doors, finger off the trigger.
Just in case.
He inched his head out just enough so he could sweep the corners of the back yard, surrounded with thick shrubbery and trees, and flowers of various sorts.
Until finally, he looked at the farthest and most shaded part of the yard.
There, hunched over, you were. Your hair damp and hanging in clumped strands around your face, what appeared to be sweat soaking your face, dripping down your neck, and into the valley between your breasts.
Your whole look was alluring, really. You were wearing your biker shorts, your boots loosely tied, your tank top rolled up to reveal just enough of the tantalizing skin he adored to touch so much.
Jake tilted his head, running his tongue along his teeth as he leered at you a moment longer, a familiar hot feeling settling in the pool of his belly.
Well, it had been a few days... too long for his tastes.
He then noticed something odd, next to you was a small pail, the kind you'd see a child using at the beach. The particular patch of flowers were probably the ugliest ones in his opinion. He made sure you knew it, too. They looked like pinecones without the prickly bits, conical in shape (obviously) with small blossoms poking out here and there as green faded into a bright red-pink.
When he asked you why the fuck you wanted those ugly ass things, you giggled and said "You'll see".
Jake grunted and put the safety on his gun off, holstering it and hanging it on the coat rack by the door.
He put his gloved hands in his pockets and walked into the patio, and over to you.
"I was wondering where you were." Jake hummed when he was close enough, tilting his head.
You looked up at him, and instantly you knew.
"Jake!" You said, breaking out in a grin as you stood, knees dirty. You slipped your arms around his neck and kissed him on the cheek; but of course, Jake being Jake, he turned his head and caught your mouth, shoving his tongue between your teeth to slide against yours with a soft groan; one of his hands cupping the back of your neck and the other going to grip at your waist, slipping beneath your tank top, the soft worn leather sliding up your back.
The smell coming from you was almost heavenly. Sweet, a little earthy, but almost like a cologne he wore, ages ago. It was a good smell for you.
"Jake." You breathed, separating from him, pouting up at him. "Can't wait, can you?"
"Mmm." Was all he said, his hand at the back of your neck moving to tip your chin upwards, his thumb brushing your bottom lip.
"Well too bad, you horndog." You giggle, pulling away from him, to kneel back in the grass.
"What are you doing?" He sighed, pouting like a child as he crossed his arms.
"Milking the flowers, duh." You grin up at him.
"Qué? How the... how the fuck do you milk a flower?" Jake asked, his brow furrowing as he kneels next to you.
"Here, watch." You grab a hold of one of the heavy flower heads, gesturing for him to lean in as you put your tiny pail beneath the flower.
When Jake leaned in, you gave a sudden squeeze to the flower, and some kind of clear gunk shot out and splattered on Jake's face, right above his eye and dripping down his cheek.
You broke out in a fit of giggles when he fell back on his ass, furiously wiping at his face and spewing curses.
"You're jerking off flowers!" He hissed at you.
You cackle some more and gently squeeze the flower, ignoring his comment.
Jake hesitantly sniffed his hand and realized...
"Did you put this in your hair?"
"Mhmm." You hummed. "It's a natural shampoo and conditioner. It keeps your hair shiny and fluffy... helps with bug bites and it can apparently be used as a massage lotion."
"....Where the hell did you learn that?" He squinted.
"YouTube. I got bored one day. It smells good, though, doesn't it?" You smirk at him as he rights his position now, making direct eye contact as you ever so slowly work your hand up the flower, the clear nectar dripping down the soft skin of your hands, into the waiting pail below.
He felt his cock stir in his pants as you turned from him and moved back down the flower, and back up again, squeezing out every drop you could.
You grab the handle of the pail and lift it, revealing it had been tucked inside of another bucket the whole time.
"It does smell... okay." Jake conceded.
"Just okay? Jerk." You snort, as you reach for another flower to start draining it into the pail.
"Mmmmh." Jake hummed, watching your slick fingers grip the flower head.
"You can go inside, y'know?" You sigh as his fingers reach out and grip your damp hair softly, the nectar from the flowers soaking your hair, the shiny fluid clinging to his glove.
"Don't want to." He murmurs, standing on his feet, looking down at you.
You don't have to look at him to know that he's smirking.
"Seeing as how you won't go inside and leave me alone, here." You hand him the pail full of the clear liquid.
"Set this on the counter in the kitchen for me?" You bat your eyelashes for extra effect.
Jake rolls his eyes, still smiling and does as you ask.
As he set the pail down, he leaned his hip on the counter.
He had a rather painful hard-on now. Watching your dainty fingers work at the flowers, all he could see was your hands wrapped firmly around his cock slowly stroking up, your fingers playing expertly over the tip, just the way he liked it...
Jake sighed and walked back out, and seeing you bent over as you milked more flowers sent a thought through his mind.
🌒🌒🌒🌒🌒🌒🌒🌒🌒🌒🌒🌒
When you stood up, you were suddenly grabbed from behind, strong arms wrapped around your waist as lips sought the pulse in your neck.
"Jake." You sighed, your hand going up to gently grip his dark curls.
"Hmm?" He hummed.
It would have been innocent, a little cuddle and love nip.
If he wasn't grinding his hard cock into the curve of your ass.
"Jake!" You gasped when you felt one of his hands slide down the front of your shorts.
"No panties? Naughty girl." He grinned as he bit down at the soft spot in your neck, earning a moan that you had to swallow back down before it got too loud.
"Fff..." You hiss, looking around frantically as his fingers swipe over your clit, toying with the wetness in your folds.
"So wet for me. You're having more fun than you're admitting to me, muñeca." Jake growled, biting harder on your skin as he curls a finger into your waiting cunt.
"Jake! S-someone might see us!"
"Let em see."
Jake chuckled cruelly, shoving you forward into the large oak tree your flowers were planted around.
He turned your body until you were facing him, and he claimed your mouth, biting you lips and shoving his tongue into your mouth before you can protest, he pulls his mouth away from you, tugging the glove off his hand with his teeth, and shoved his hand down your shorts again and quickly pushed his fingers back inside of you.
He pressed the heel of his hand into your swollen clit and ground on it as he thrust and curled his fingers, making sure you writhed and squirmed; relishing in each contraction of your muscles as you gripped at the meat of his arm with your hands, biting your lip hard to stifle the moans.
You tried to focus on something, anything that wasn't your boyfriend's hand buried knuckle deep in your cunt.
You squeezed your eyes shut and leaned your head back, choking back your whimper.
You tried to focus on the bark of the tree digging into your skin, the pebble in your boot you kept forgetting to take out.
But all thoughts were brushed aside as you felt your orgasm being pushed, and pushed hard.
Jake was never the kind of man to half-ass anything. Especially when it came to fucking you. Normally he liked to work you up slowly, teasing you and eating you out until your legs turned to jelly, before fucking you on the nearest available surface.
Right now he was needy, desperate. You weren't sure what got him so worked up.
You gasped, and when you opened your mouth, Jake shoved his tongue back inside it, swallowing your voice in a hungry kiss as your muscles clamped down, spasming around his fingers as he thrust them in and out, fresh slick gushing around his digits as he fucked you through your orgasm, leaving you breathless and jelly-legged.
Jake pulled away from you, grinning like a shark.
You panted heavily. "You... you fucking shit--"
Your voice went dead when you heard your neighbor call out your name.
You yank Jake's hand out of your shorts and shove him away from you, fixing yourself as best you could when she walked through the gates connecting your yards.
"Oh! Hey, Joyce!" You say awkwardly.
"I was wondering if you finished getting that nectar?" The older woman asked sweetly, completely oblivious to what she just walked into.
"I... ah. Yeah. I kind of knocked over the second batch but I have some inside I can filter for you?" You cough awkwardly.
"Oh! That would be so nice thank you, sweetheart." She tilted her head, looking at Jake. "Oh! I take it your boyfriend has been helping?"
Your eyes widened in mortification, and you looked at Jake's hand, shiny and still wet.
The bastard didn't even try to wipe it off!
Jake gave you an impish grin and looked at his hand, playing with the lingering stickiness as he looked at Joyce.
"Sí, ma'am. But I was being a little careless and cost her the second batch." He replied politely.
"Oh, well, I'll be waiting! Take your time, sweetheart, no rush!" She hummed, turning to walk back into her own yard.
Jake waved the hand that still had your fresh slick clinging to it.
You grab his hand and yank it down, hissing.
"We're going inside. Now."
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riaki · 4 months
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a spritz of peppermint | megumi fushiguro x reader
pt.6 of christmas event! cw: petnames i think idk, not proofread, there’s probably other stuff i’m missing but wtv happy birthday the prettiest king pls come back the food is cold
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today is a very special day.
megumi notices that you rise early— mostly because when he wakes up in the morning, rubbing his sleep-heavy eyes groggily with a groan, he notices you’re not there. he rolls over, and smacks his face into cold sheets, devoid of your heat.
it pisses him off. so he starts his special day out as a grouch.
when he eventually crawls out of bed and makes his way into the kitchen after pulling on some sweats, though— he stops just short of the threshold to that sweet smelling cozy haven you love to spend your time in. the scent of pine needles and fresh chocolate orange wafts across the space, warm and welcoming and awfully wintery. he’s impartial to the cold— but he likes seeing your nose get red, so he guesses that’s one point positive.
“megumi?” your soft voice drifts across the open space, and the frost around his grumpy heart melts just a little; a crack in the frozen surface of the lake.
he reluctantly emerges from the shadow of the hallway, past the bundle of mistletoe hanging from the ceiling. the thought causes a memory to flash across his mind— your sweet smile and your prettier laugh; a distinct feeling of fuzzy warmth like a knitted sweater spreading across his cheeks when you pulled him close by the sleeve of his shirt and leaned in—
he shakes his head, trying to dash the stray thought. he’s supposed to be mad. it has no right to be there.
“why’d you get up so early?” he sighs heavily as he joins you at your side, scratching the back of his neck and running a hand through his unruly hair. you smiled sheepishly, turning to face him and you wrap your arms around his middle, squeezing lightly as a silent apology. he takes it with a grumble, snaking his arms around your waist and resting his face in your hair to bask in the scent of home before pulling away.
“it’s a secret.” you grinned, and he glares down at you, clicking his teeth in annoyance. you just laugh like the angel you are, leaving no room for guilt. you’re wearing one of his sweaters; you smell like him, and he supposes it makes up for the way you ditched him this morning.
“i expect compensation.” he grumbles, leaning against the counter as he watches you move about the kitchen, pale winter sunlight painting you like an ethereal dancer beneath the surface of misty lake water, crystal clear in your beauty. it’s mesmerizing.
you laughed, and his teeth dig into his bottom lip. “what, missed me? were you feeling lonely, gumi?” you smiled.
he just shoots you a piercing glare, the color of icicles in his eyes, but the warmth of your grin melts it away. you spend the next few moments in a comfortable silence, preparing a french toast topped with sweet berries and powdered sugar that looks so soft megumi could probably sink into it, until your lovely voice breaks the crisp morning silence.
“want black coffee?”
that’s weird. he never hesitates. and you know he takes his coffee black; of course you do. not because he wants to look cool, or look suave in another person’s eyes… well, except for you, of course. but not in the area of caffeine doses. and to be perfectly clear, all he needs is a dose of you to get him going.
he clears his throat. “can you make me hot chocolate?”
you pause, and he almost wants to bite his tongue off. why is he so embarrassed? but you just chuckle, like morning bird song across fresh dew on the grass.
“switching it up, huh? that’s cute.” you hum, and his face burns hot like embers in a brick fireplace. he coughs, throat scratchy like the pricks of a pinecone— but you make no note of it, simply going about your day.
he’s content to watch as you fish around in the rum-colored cabinets, pulling out a crinkly bag of cocoa powder. you put him on milk microwaving duty and he busies himself, lithe pale fingers unscrewing the carton of milk and pouring it into his favorite little painted dog mug. you were the one who’d made it; that silly little ceramics class you insisted on taking clearly didn’t help you too much in the way of smoothing down the bumps and blotches on the mug, but it holds your fingerprint, so he might as well memorize the shape of your hands when you’re not there.
megumi’s snapped back to reality when you grab a candy cane from the mini tree you decorated together sitting on the kitchen counter, smashing it up in the wrappings to mix the pepperminty dust with the cocoa powder. he eyes the pile of holiday drug warily as he brings the steaming mug over, placing it before you and leaning against the counter again to watch you work your mystery magic.
“that looks like brown cocai—”
“shh, megumi. keep your pretty mouth shut, please.”
he’s about to butt in again, lips parted before he presses them together irritatedly and resigns to sulk in silence.
you pour the hot chocolate mix into the milk, swishing it together as it forms a pretty spiral of cocoa; the color of dark chai and chocolate tart. he’s content to watch in silence, humming some christmas carol he’d overheard you listening to one gray afternoon— until he realizes you’re opening a bag of those sickeningly sweet and fluffy marshmallows he’d bought you on a whim. he only did it because his mentor told him they made the best gifts, but he’s beginning to realize it was the sweet tooth talking.
“hey— wait… are you going to put those in there, pretty?” he asks, putting a gentle hand on your wrist to stop you from vigorously emptying the bag into his poor victimized hot chocolate mug.
you glance up at him and flash a toothy grin, giving him one of those looks that makes his heart skip a beat. “trust me, gumi! you’re gonna love it.” you laughed, shrugging his hand off, and his lips curve downward. less because of the marshmallows that are toppling into his mug with a splash and more so because you freed yourself from his grasp.
obviously, you notice— your eyebrows knit together, a pinch of guilt weighing upon them like the snow on the streets outside. but it’s wiped away as quickly as it comes; before he knows it, you’re walking away with a bounce in your step, disappearing behind the counter before re-emerging with something behind your back.
“don’t look so sad, gumi. here,” you say, the cadence of your voice as soft and playful as he ever remembers it being when you pull a bunch of roses from behind your back. the bouquet is small and there’s dirt clinging to the stems— but his heart melts at the thought that you hand-picked them, prickly thorns and all, for him. “happy birthday,” you whispered, and his walls break.
“you’re not so different from them, you know.” you hummed, smiling as he takes them from you and gives you an inquisitive, quiet look. “you might be a little prickly on the outside, but you’re just as beautiful. you just have to look a little past the thorns.”
he feels his face flush; at this point, it’s probably as red as the stray candy cane shavings melting in his mug and the vibrant petals of the roses. he splutters and mumbles something annoyed under his breath, but he’s sure you can hear the undercurrent of fondness and affection weaves into each syllable like the beats of his heart, where you’re so close to. megumi thinks you might’ve just cut him open and made a home in his ribcage.
the bunch of handpicked roses for his special day sit on the marble counter dusted with cocoa powder and candy cane shavings, marshmallows bobbing at the surface of his hot chocolate like apples in a bucket as he wraps his arms around your waist and pulls you in to press his lips insistently to yours, slow and tender like the way he always loves you. his hands curl around your sides, as if to ground you there; freeze the time in this bubble of warmth, forgetting the chill outside to warm his hands on your skin. you’re so little in his arms; he wants to hold you and never let you go, to keep you under his tree and have you make hot chocolate for him instead of black coffee every morning he wakes up, because it’s fine if you’re not there in bed— as long as you’re waiting for him with open arms elsewhere.
and when he kisses you, he realizes he might not need his hot cocoa to warm his stomach— your lips are as soft and pillowy sweet as the marshmallows melting in his mug, filled with steaming hot cocoa and all the love he could ever wrap his heart in this cozy winter; his christmas gift to you.
he’s grateful today is a special day, if only because of you and his sweet little painted dog mug filled with your heartwarming love.
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stop this was so close to being late my (riaki) stuff. don’t repost and/or plagiarize !
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aangarchy · 2 months
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Netflix atla live action review ep 4-6
So, they completely ruined Bumi. Spoiler warning.
The more episodes pass by the more confused i get with the choices that were made. I wrote down commentary for the episodes and the thing that i wrote down the most was "why does this happen?". The writing is incredibly confusing and messy, feels too rushed in some spaces and too slow in others. There's just... so much going on and so little at the same time. They brought in elements that in the OG don't get introduced until later in s1, s2, the comics, or even the legend of Korra. The reason these things get introduced so early here is not clear at all, because they don't serve any purpose other than to be an obstacle to Aang, Sokka and Katara on their way to the North.
Mai and Ty Lee are.. there. They get introduced earlier but they don't serve any purpose at the moment other than stand around, watch Azula train, ask questions so that Azula can give us the answers the viewer needs. My guess is they only got introduced for the audience who watched the OG to go "oh we know them!". We get the secret tunnel story earlier too, but it has absolutely nothing to do with love. Somehow "love is brightest in the dark" now correlates to the badgermoles being able to sense a human's emotion. It's a waste of a storyline, doesn't teach us anything about love, gives us Omashu lore which is useless bc neither Sokka nor Katara actually use love to escape the tunnels. Also Oma and Shu are lesbians now, but you only know that bc they changed Shu's pronouns. Wow, so progressive! We have lesbians in the story now! Boy do i feel represented as a sapphic!
We get Koh early on as well, but his entire gig got changed. Now suddenly he doesn't steal faces but he "feeds", and hunts using the fog of lost souls (which is tlok lore mind you) as a tool to trap humans. We introduce the mother of faces (comic book lore!), or rather pendant of her that Koh owns. There's no reason for her to exist in this story though other than to be an easter egg to everyone who read the search (Not even the majority of the fandom!) and to offer a solution to this problem we've created, which is Koh capturing our friends in order to eat them and us not being able to convince him into letting them go. There's no feeling of dread in the Koh scenes at all because the whole problem of not showing emotion is just not a thing now. No suspense, no fear, just a weird cgi clown face worm. The worm doesn't even menacingly circle around Aang to invoke a feeling of being surrounded, it just sits there. I also just don't understand why Koh is here already bc now who is going to give us information about Tui and La?
This decision also creates a problem that Hei Bai's story just isn't about Hei Bai anymore. We get fed a few lines from a talking fox about how the forest spirit got hurt, but there's really no solution? Aang buries a pinecone in front of the statue and tells him not to give up hope but he didn't even really need to do that, because Hei Bai wasn't the one kidnapping villagers! It was Koh. Why did we appease Hei Bai if Koh was the real villain? Hei Bai/Koh's story leads us to Roku, but Roku is completely useless. All he does is undermine Kyoshi's advice to Aang, tell Aang about the mother of faces pendant so he can appease Koh, and then we leave. I knew in advance Roku wasn't going to warn Aang about the comet here bc Albert Kim already told us working with a deadline like that with child actors is just impossible. But with Roku suddenly not being Aang's main Avatar guide he just gets nothing to do. There's no suspense in this part of the story either, bc the time limit of the winter solstice isn't a thing here at all. Aang also ends up flying over Fire Nation borders without issue, and gets led right into the sanctuary without the puzzle of figuring out how to open the door, and without the problem of Zhao's soldiers waiting for him when he comes out. It creates this issue of there not being any excitement, at least for me. I genuinely am getting a bit bored with the show, which was never an issue with the OG for me. There's a reason all of this extra material didn't get introduced until later on. There's too many characters and they all get too little time to really do anything useful, they're not fleshed out, the stories aren't thought through and it ends up getting very confusing and boring. I'm genuinely curious for the perspective of people who have never watched the OG cartoon, bc i wonder if they're even able to follow along without prior knowledge of this universe.
Bumi is just... not Bumi. They completely changed his character to be this bitter old senile man that resents Aang for abandoning the world. This doesn't make any sense because in this version of the story Bumi shouldn't know that Aang is the Avatar at all, because Aang was told right before he disappeared! So why does Bumi immediately know that Aang is the Avatar, and why does Aang immediately recognize him? Also the original point of Bumi's tests is to get Aang to approach fights and puzzles from a different angle, so he can learn versatility as the Avatar. But here the tests are just happening because Bumi is mad at Aang for leaving and wants to get back at him for being gone so long. He says some lines about Aang having to learn to make hard choices and you can't rely on your friends, but Aang ends up proving him wrong in the end! What is even the point of Bumi's part in the story now, except for him just being another obstacle on the way to the North Pole?
There's a lot of instances where I feel like the bond between characters gets completely lost. We barely spend any time with the side characters like the mechanist, Teo, Jet and the freedom fighters, and the people in the spirit village. It makes some scenes feel very out of place. These storylines all happen at once, and they don't get their individual moments to shine. We have no room to feel betrayed by Jet or Sai, because we barely got to know them to begin with. Jet and Sai only spend time with One member of the gaang each, but when their betrayals come to light the rest of the group acts devastated, as if it was their dear friend. Sokka also gets really mad about the Jet thing, but he only met Jet once when he smuggled them into Omashu, and Jet didn't even tell Sokka his name. He said it afterwards when Katara met him again. It makes absolutely no sense why Sokka is yelling at Katara for trusting Jet only bc she finds him attractive, when Sokka wasn't even there during all of that!
The sense of family between the gaang that we get from the original also just doesn't happen here. Especially because these characters so far have spent more time apart than together. Aang constantly gets separated from Sokka and Katara, leaving no room for them to bond. We get Katara and Sokka bonding, but they shouldn't need those types of scenes because they're already siblings (which isn't very clear in the show either btw!). I ended up forgetting that Sokka and Katara were trapped by Koh, bc we spend so much time away from them (a whole episode, which is now an hour!).
I have little to no criticism for the Blue Spirit story. Want to guess why that is? Bc they left it pretty much untouched. We even get a little bit of an extra scene, with Zuko and Aang talking while Zuko recovers after getting hurt during the escape. I liked this choice, especially bc it highlights how conflicted Zuko is.
This is where we get Zuko's backstory. I have one question here: why did they make Ozai more sensible and less ruthless? Was that a Daniel Dae Kim decision? Bc it feels like a Daniel Dae Kim thing to do. They're very on the nose with the way Ozai is abusing Zuko and Azula, but then they turn around and make this man visit Zuko after he burned him and praise Zuko about finding the Avatar. I understand that they did this to show how Ozai uses Zuko's accomplishments in order to push Azula, but even if it were to do that: the original Ozai would NEVER. The problem here as well is that they don't let the viewers draw any conclusions themselves anymore. They're holding the viewer's hand through the whole thing, leaving no room for nuance or doubt.
I just finished episode 7 and 8 and I have Things To Say. None of which are good. Writing it down is challenging so it might take a day or two.
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allovesthings · 2 months
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Since I'm on a hunger games thing right now, I think it's interesting that the movies managed to sanitize the violence of the books (which then removed how uncomfortable it is to read about children in a death arena which... Is kinda the point), but also remove at least half (or even more) of the small moments of relief and sweetness that allow the readers to breathe between those moments.
The moments in the cave are changed in the hunger games.
Peeta and Katniss don't get the day on the roof before the quarter quells and the weeks where they just hang out together after she broke her foot or Finnick and Katniss being goofy and pranking Peeta in the hunger games, we don't get that much of the companionships between the Victors before the games.
In Mockingjay, those moments are even more rare but they are also removed. The cake made by Peeta as a sign of hope for Katniss, The cookies the squad are all sharing while in the apartment or Peeta giving her the lamb stew.Finnick being an emotional support/mental breakdown buddy of Katniss in the first half or Katniss giving Johanna the pinecone to reminds her of home and being roommates
and to be fair, I feel like if you really wanted to do the book justice in that way you would have to have a film rated R when the target audience of both books and films are teenagers AND those are the quiet moments that might be difficult to put in action movies but they are also so good.
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