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blindmagdalena · 5 months

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Guilty Pleasures ( chapter two )

18+ 3.8k homelander x plus size f!reader. workplace harassment, stalking, voyeurism, masturbation, lite humiliation kink, lite somnophilia, breaking & entering, petty theft, sublander flavored. nebulously takes place post s1. part 2/4. AO3 link. | CH I | CH 3 | CH 4

Homelander is the most powerful man in the world, and all he wants is to be yours.

After spending the majority of your evening and the following morning anticipating being fired, walking into work the next day feels like traversing a thinly frozen lake, each step webbing out in precarious cracks.

Clearly you’re not the only one who thinks so: you clock a handful of surprised looks from coworkers who’d attended the meeting and took note of the tension between you and Vought’s golden boy.

Maybe they’d taken bets on whether or not you’d be coming in this morning.

There’s no sign of Homelander on your way in. Not that you were expecting him–yesterday was the first time you actually saw him in person–but you still find yourself on the lookout. It’s hard to say whether you’re anticipating or dreading him. Part of you is still expecting to open your door and find a letter on your desk politely informing you that they’ve determined you aren’t a good “culture fit” for the company, and that your probation has been terminated.

After all, who in their right mind would take your side over Homelander’s?

You push open your office door, and sure enough, there is a letter waiting for you, but not in the way you expected. You stand in the doorway, staring in quiet incomprehension. The envelope, crisp and bright white, is propped up in a bed of rich red roses sitting in a pretty vase upon your desk. You glance behind you before you step inside, closing the door behind you, and approach the desk cautiously. You pluck the paper out of the bouquet, taking a moment to smell the flowers–they smell as good as they look–before you carefully rip open the envelope, tearing the small american flag sticker that sealed it.

Inside, there’s only one word on the folded piece of paper, scrawled in surprisingly elegant handwriting.

Truce?

You can’t help the incredulous little bark of laughter you give at that. It’s not even an apology. It’s a demand that he expects a gratuitous bundle of flowers will help you swallow, like taking medicine with a spoonful of sugar.

“You’re ridiculous,” you say quietly to the letter, setting it down on your desk. You give the roses one last sniff, testing one of the soft petals between your fingers. You wonder if what you said actually got through to him.

Homelander has no real reason to smooth things over with you: you’re no one. He’s posed no risk to himself by coming after you. He could no doubt have you fired by complaining that your marketing tactics don’t align with his brand. It’s hard to imagine Vought denies him much.

Yet he is apparently negotiating peace. It’s not nearly enough, but it is a start.

Or maybe it’s just more than you expected.

You sit, idly tapping the letter against your desk. You’d be lying to yourself if you said you didn’t still think him handsome. Homelander wasn’t the first man to ogle your tits while you gave a presentation, but he was certainly the first to fluster you like that when he did. His sly smile had made you want to slap him, but there was a questionable little part of you that thought about kissing it better afterwards.

Taking in a steadying breath, you slip the letter into your desk drawer and adjust the flowers to the side, admiring them a moment before you pull out your laptop.

If Homelander can behave himself enough to let you do your job without public humiliation, you can afford a truce. You don’t need to forgive or condone him to be civil, or even to continue having your own private fantasies. A little guilty pleasure now and again never hurt anyone.

You can’t know that Homelander is observing you throughout this internal conversation, watching through several layers of steel and concrete, his parted lips curving into a slow smile as you accept his offering. You can’t know that you haven’t just acknowledged a truce, but an invitation.

No, you can’t possibly know what’s to come.

Two days later, you diligently change the water that the roses in your office sit in. They’re doing well, the crimson buds having unfurled into a splay of velvety petals. You pinch one between your thumb and forefinger and stroke it absently. Homelander has continued to be a scarcity, but that doesn’t mean you haven’t seen him. Quite the opposite: you spend most of your working hours either looking at or thinking about his face to the point where it’s starting to follow you home each day.

That’s what you tell yourself when you think of him outside of work hours, anyways.

It’s been long enough now that you wonder if the flowers were the end of it. He was simply covering his ass with a half hearted gesture that slightly resembled an apology so that you could both comfortably drop the subject. That was entirely fine by you so long as he actually did improve his behavior.

A familiarly brisk knock at your door catapults your heart up against the cage of your ribs like a spooked hare. It’s the exact same beat, you’re sure of it. You stay quiet, half expecting to be barged in upon, but when nothing happens, you move from your desk and open the door yourself, intentionally blocking it with your body.

Sure enough, Homelander stands tall on the other side. He flashes his signature smile while your eyes narrow suspiciously. “Can I help you?”

“I think I’m the one who can help you,” he says brightly, that spread of teeth downright wolfish. He lifts a handful of papers that have been stapled at the corner, gesturing for you to take it.

Still wary, you take them from him and shift, wedging your foot to keep the door firmly in place while you flip through the pages. Your brows furrow as you recognize chunks of your own presentation. Understanding dawns when you realize that he’s annotated them.

“You read my presentation,” you say, unable to mask your surprise.

“Obviously. It’s my image on the line, right? Got some notes for you, but I have to say: y’mostly nailed it,” he says, reaching out to rest a gloved hand on the doorway.

“Mostly?” You echo, quirking an eyebrow at him as you look up from the pages.

“Yeah, mostly. Again, I have some minor notes,” he says, wiggling his other hand in a vague gesture. “But I figure I owe you praise on a job mostly well done.”

You’ve got to be kidding me.

Crossing your arms, you abandon your stern foothold on the door in order to shift your weight, your incredulity showing in every inch of your body language. “What you owe me is an apology.”

Homelander’s grin softens into a smile that’s no less challenging. “Looks to me like you’ve already been enjoying my apology,” he says, leaning slightly to gaze past you, to the bundle of roses sitting prettily on your desk.

You briefly glance over your shoulder, but your expression remains impassive. Unimpressed. “That? That isn’t an apology. An apology would include the words I’m sorry.”

He scoffs a dismissive laugh, swaying back to look away, but you persist.

“I’m serious,” you say, luring his ocean blue gaze back to yours. “I want you to say to me ‘I’m sorry for the way I behaved during your presentation. It won’t happen again.’ “

The two of you hold each other’s gaze with all the magnitude of two gunmen in a duel, hands steady over your proverbial pistols.

To your surprise, Homelander does not fire back. He raises a dainty white flag.

“I’m sorry for the way I behaved during your presentation,” he says, words slow and measured. You watch his tongue flash over his bottom lip, wetting it attractively. You fight to not let your eyes linger on it. “It won’t happen again.”

You swallow, suddenly finding thought and speech an impossible task. You weren’t prepared for such raw, ready obedience from him, nor the intensity in his gaze that follows it. He reminds you of a charmed snake–docile so long as he is transfixed.

“Good,” you say, the word half a sigh. Homelander’s lips part and he breathes in like he’s caught wind of something particularly delicious smelling. “I accept your apology, and I appreciate that you took the time to do this,” you say, gesturing with the documents in your hand. “I’ll go over them and get back to you.”

He reaches out, bracing his hand on your office door. You half expect him to push it open, but he merely holds it there. “We could go over them together,” he suggests slyly.

“No,” you say, clearly disarming him. He looks as though he’s forgotten the meaning of the word. “I’m in the middle of another project at the moment.”

The leather of his gloves creaks faintly in your ear as he flexes his grip on the edge of the door. While what you’ve said is true, it’s also serving as a test. Words and flowers are pretty things, but only actions always speak the truth.

“At the moment,” he repeats, gears visibly turning in his eyes. “So… Later?” He extrapolates, displaying an uncharacteristic tentativeness alongside his obvious displeasure at the taste of rejection. You even see a glimmer of hope in the mess of his expression..

He did pass the test. You suppose you can reward him for that.

“Another time,” you say, giving your door an exploratory push. He relents, his hands sliding down the length of it before falling away as he takes a half-step back. “How about tomorrow on my lunch break? 1:00 o'clock sharp.”

He splits into a smile that looks more genuine than any of his you’ve seen before. “Aaalrighty-roo. Sounds gooood to meeeee,” he says, drawing out his vowels more the closer he gets to actually having to leave. At your silent, amused stare, he claps his gloved hands together with a muffled thump! and takes a few more steps backwards. “Yooooou’ll see me… tomorrow.”

Your smile pinches along with your brows. What a strange way to phrase it. “See you then,” you say, watching as his face is eclipsed by your closing door. You wait a beat and then let out a thin thread of breath from your pursed lips, resting your weight on the door.

Looking down at the papers in your hand, you push off from the door and head to your desk, flipping through them.

Such a strange man, you think, carrying the notes to your desk. You set them down next to the vase of roses and try not to think too much about the unconscious smile your lips keep settling into for the rest of the day.

Homelander’s got you hook, line and sinker. He’s certain of it. He lingers on the other side of your door just long enough to watch you through it while you settle, a charmed smile set on your lips. He can already imagine how those lips would feel against his own, how they’d taste. He swallows thickly and looks around before he departs, already plotting his next move.

The two of you have a date tomorrow, and in order to be at the top of his game, he’s going to have to do a little additional research. Knowing your work was a good first step. The next one will be learning about you.

Following you home is the easy part. It ultimately feels chivalrous to do so once he realizes you walk home even at this time of year, when the sun sets long before the work day ends. He drifts above you, cocking his head curiously. No wonder you walk. The streets are packed as tightly as sardine cans, and your apartment garage isn’t much better. The claustrophobia of it all serves as a stark contrast to the openness of Vought tower.

The interior of your apartment provides an even sharper juxtaposition to his penthouse. It’s tidy, but the comparatively low ceilings and minimal floor space still make it look cramped. Somehow, you simultaneously have too much and yet not much at all, the confinement of a downtown apartment making what minimal affects you do own seem crowded together.

That only becomes more apparent once he’s inside, slipped in through your balcony after sleep has taken you. Why would you bother to lock your balcony when you live on the 8th floor? It works out perfectly for him.

In all fairness, your living room feels cozier once he’s standing in the center of it. Your walls are lined with an assortment of art pieces and photographs, and the shelves are well stocked with books and knick-knacks. You have a decent film collection displayed on your media console, and he can’t help but snoop through it, bending at the waist, examining through the rows. He cocks his head.

Odd. You’d think an employee of Vought would have at least a few VCU films. He runs his index finger along the spines, slightly adjusting them flush as he goes. Pursing his lips, he straightens up and looks at the closed cabinets on either side. The left one yields an untidy assortment of electronic odds and ends, cords and the like. Nothing of much interest other than an indication that while you like to keep up appearances, you aren’t quite as together as you’d like people to think.

It’s on the right side, however, he finds what he’s really looking for.

“Bingo,” he whispers, smiling to himself as he scopes out your little hidden collection of Vought hero flicks. Specifically, his films. He’s less interested in the handful of others you own (Queen Maeve: Her Majesty, Black Noir: Insurrection, Lamplighter: The Bright World, etc) and more so in the fact that you have nearly his entire catalog tucked away.

Nearly. You’re missing his eighteen part miniseries, Homelander: Brightest Night.

At least that gives him something to gift you.

Closing the cabinet, he meanders about the rest of your apartment. You have some plants in varying states of decay, with only a few cacti looking to be in decent shape. Either your work keeps you too busy to properly mind them, or you just like the idea of them more than the reality. It tells him that you’re looking–and failing–to fill a void in your life. You want to feel less alone in your home, you want to nurture something. You just haven’t found the right something yet.

Striding into your kitchen, arms folded behind his back, he peers through the cheap wood veneer of your fiberboard cupboards, unveiling an unusually broad assortment of mugs. There doesn’t seem to be any particular theme: holidays, locales, characters, and a menagerie of patterns.

He hums softly, pivoting out of the kitchen and down the hall, his steps preternaturally light. He listens for the beat of your heart as he draws near, tunes it in alongside the shallow cadence of your breath. Deep asleep. Good.

The walls are lined with pictures of you and others. Friends or family, he can’t say, but you look to have an abundance of both. He rarely sees himself in photos that aren’t promotional material. He pauses to straighten a picture frame, and finds himself so viciously jealous of the man sharing the frame with you–his lips pressed to your cheek, your laughing smile so genuine he can nearly hear it–that he almost knocks it to the ground.

Running his tongue along his teeth, he continues on.

Your bedroom door is open. He slips in silently, pausing just through the doorway. Your bed's a queen, too big for just you. You’re sprawled comfortably amidst pillows, limbs splayed in just such a way that he can easily imagine fitting himself in the empty spaces between them. He can smell the lingering burn of the candle you’d lit when you got home. He picks it up off your dresser, reading the label: Cup ‘o Joe.

Eugh. He never cared for coffee, and the artificial sweetness surrounding the note is cloying. Your perfume, on the other hand, he doesn’t mind. He notices the bottle alongside a few other of your things and puts the candle down in favor of that, popping the cap off. The smell hits him before he sprays it: vanilla first, then amber and something more woodsy. It’s less impressive by itself than it had been on you.

Still, it’s yours. You chose it for yourself.

Slipping off one of his gloves, he lightly sprays into the inside of it before he sets the bottle back down, recapping it. It won’t be the same, but he’s driven by the compulsion to spirit away any little pieces of you that he can. Just enough to satiate himself until he can have you properly.

That’s when he sees your blouse from today in a careless heap at the top of your laundry basket next to your dresser. Licking his lips, he tests the feel of the garment between his bare fingers. He’s always been sensitive to fabrics, and while the blend of this one is fairly cheap, it’s been worn and washed enough that it’s soft against his skin. He grabs a handful of it and lifts it to his mouth, brushing it along his lips, under his nose, and he deeply inhales your lingering scent mixing with the fresh pump of perfume.

He bites back a moan, screwing his eyes shut. His cock gives a dull little throb. Fuck, the spell you’ve cast on him makes him ache just for the smell of you, makes him salivate. He swallows it back, letting out a rough little breath as he reluctantly puts the shirt back down. Under it, he spies a little flash of something black and lacy. His stomach clenches, and he’s reaching for it before he can stop himself, fishing the black panties out of the heap and twisting the fabric between his fingers.

Fuck, fuck, fuck.

He can’t afford to overindulge. He won’t be able to control himself if he does, but he also can’t bring himself to put the little slip of fabric back down. He imagines he can almost taste where your sweet cunt had been pressed to it. Christ, he’s practically drooling. Out of sheer impulse, he yanks down the zipper of his pants with a quiet hiss of metal against metal and hastily pushes your underwear into his cup, biting down hard on his lip. He grinds once against his hand, savoring the feel of the fabric against his cock.

He’ll enjoy them far more than you’ll miss them.

Zipping himself back up, he carefully pulls open your top dresser drawer. He curiously pushes the contents around, mindful not to overly disturb, and his knuckles bump something solid. He shifts one of your bras–another near painful pang of arousal at the reminder of your breasts–aside and finds, to his delight, what any good marketing department would describe as “a large purple massage wand.”

A vibrator. He chews his bottom lip briefly, turning it over in his grip. An exciting find on all fronts. It’s smooth and decently hefty, good quality. You deserve even better. You might be capable of indulging yourself with this, but he could make you scream. You’ll never need a silly little toy again. Not when you have him.

Homelander moves to put it back in the drawer, but–

“Fuck!” He hisses when the button catches on his finger, and suddenly the damn thing is buzzing.

Shut up, shut up, shut up, he chants mentally, jabbing at the buttons in an attempt to silence it, but pressing the same ones only makes the accursed device louder. In a frantic move, he grips the neck and squeezes. There’s a soft crunch beneath the silicone, and as abruptly as it had begun, the buzzing ends. His heart is thudding heavily in his chest. He listens to the silence, to you.

He looks over his shoulder. No movement. Your breaths remain shallow.

Christ.

So much for leaving no trace. He slips the busted toy back amidst your underthings and snatches his glove off of your dresser, tucking it under his arm. He hones his attention on you as he approaches your bed, assuring himself that you really are still asleep. He stands there for a while, admiring the part of your lips and the haphazard splay of your pajamas and where they cling to your body.

No bra.

His bare hand flexes. Being so close is too much of a temptation. He wets his lips with a quick slide of his tongue and bends down. He ghosts his fingers just over your cheek, not quite daring to touch. He can smell the faint remnants of your toothpaste on your breath, your shampoo, and beneath it all, you. It's intoxicating, it's…

Your brows furrow slightly in your sleep and you make a soft noise, interrupting his thoughts. He wonders if you’re dreaming–dreaming of him, perhaps. He’d like to think so. He’d like to think that you’re just as affected by him wanting you as he is, and that’s the real reason you invited him to lunch. He saw it in your eyes when he echoed your words, the thrill that went through you. He could have gone to his knees for you in that moment and had you in giving himself to you.

Desperate for just a taste, he kisses ever so gently between your brows, his own breaths matching the cadence of yours. Divine. You're divine. So effortlessly perfect and so aware of your own power. How could he not want every part of you?

He means to leave it there, to walk away with nothing but the slight salt of your brow on his lips, but the pull is too great. He's greedy, drunk on the smell and the taste of you, on the feel of your panties pressed up against his cock, and he can't stop himself from sampling your lips against his.

It’s the barest hint of touch, and yet the contact lances electricity through him like he’s been struck by a bolt of lightning. Your lips are soft, soft, soft. He knew they would be. Everything about you is so fucking soft. It takes everything in him to pull away, standing back to his full height.

He's aching, yearning so intensely he could rip the covers away and take you just like this, shake you awake, declare himself and have you. Would you scream, or would you have that same look of affronted understanding of him? You see him in a way few are ever brave–or stupid–enough to dare.

Not yet.

He won’t spoil the game. He agreed to play by your terms. As far as you’re concerned, he’ll do precisely that. You’ll be none the wiser in regards to his little reconnaissance mission–anything could have happened to your vibrator–and the two of you can play your little game as if you stand on equal footing.

Sucking in a silent breath, Homelander leaves alone, but not empty handed.

He’ll make very good use of his little trophy tonight.

( chapter three )

#i have no self control ENJOYYYYY #praise me it's shocking i finished this so quickly #although it's not really finished bc i'm stretching it into 3 parts but #couldn't help myself i needed him to be a little weirdo #next chapter is already started tho and shouldn't take long!#ALSO I MADE THIS GIF #i'm so happy lol #my writing #homelander x reader #homelander x you #homelander fanfiction #homelander #plus size reader

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genericpuff · 6 days

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The Derivative Fashion Sense of Lore Olympus

So I'm usually out here going Gordon Ramsay on Rachel's ass about her writing and art, but for this unsolicited essay I will be wearing a different hat.

Yep, we're going Miranda Priestly today. Specifically the Miranda Priestly who talks fashion, not the Miranda Priestly who abuses employees lmao (though rest assured, I'm gonna have a lot of curt words throughout this).

Disclaimer: I am not at all an expert on fashion, these are just my thoughts and observations from studying fashion styles as part of my own artistic journey, so as always, take what I have to say with loads of salt. I also realize the irony that I am addressing the derivative nature of Lore Olympus when I, myself, am creating a derivative retelling of Lore Olympus.

Alright, enough small talk.

There's this general misconception in runway fashion that all those "impractical outfits" are meant to be worn by the average person, people such as myself who see these outfits and go "what the fuck do you mean Lady Gaga wore a dress made out of meat?!" When we see these crazy fits, our first impression is often "Why would anyone wear that?"

Well, because they aren't outfits. They're art pieces.

And not only are the outfits themselves art pieces, but the people wearing them are the canvases. These outfits aren't designed for just anyone to wear, especially not your average Joe, they're designed both with the artist's vision as well as the model in mind. A lot of thought, expression, cultural influences, and personal messaging is sewn into these designs.

Think about it this way, you couldn't take that aforementioned Gaga meat dress and put it on Taylor Swift. Not only would it not be physically tailored to her, but it wouldn't align with Swift's brand of music. Gaga, at the time of wearing that dress, was making a statement that came about from a collaborative effort between herself, the canvas, and her fashion designer, the artist. The meaning would be lost if you put Swift, Katy Perry, or any other musician into it, because the fact that Gaga is the one wearing it is part of that meaning.

What would happen if you did take the meat dress and put it on someone else? Well, that's how you get the controversial 2022 Met Gala when Kim Kardashian wore the sequin dress that Marilyn Monroe wore for JFK back in 1962.

Not a replica. Not a re-interpretation. The actual literal dress that Monroe once wore. This was a very bold - and in my opinion, reckless - move on Kim's part, because not only was she forcing herself into a dress not tailored to her (and yes, there has been deliberation on what damage was caused to the dress on account of this) but rather than working with a fashion designer to come up with a fresh new interpretation of the same concept, she just went "yeah I'm gonna wear the exact dress", in what many interpreted as a disrespectful power move to artificially put herself on the same level of prestige as Monroe. But she still isn't on that level of prestige and it speaks volumes that she thought carving out her own legacy would be as simple as just taking someone else's. The wolf wore the sheep's clothing with the intent to fool the sheep, but it was still a wolf.

But okay okay, WHAT does this have to do with Lore Olympus?

Well, Rachel released a new interview clip.

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I will say, these seem to have all been recorded at once probably when she was back at NYCC and they're probably going to be released daily leading up to the free release of the finale. Why they're hyping up the free version rather than hyping up the FastPass version that actually generates income, I have no clue, but I digress.

As always, the transcript is as follows:

"I really like looking at like, uh, vintage clothing and silhouettes that are... y'know, timeless. I mean, obviously it's really hard to future-proof work that's set in the modern setting because of course the times are gonna change, like, rapidly and there's not a lot you can do about it, but in terms of, like, fashion, there are just some silhouettes that are always going to look very classy, so... I try to put things that will not age. Like, I think there was a chapter recently where she [Persephone?] had like a very vintage Dior look which I really liked, um... and I feel like that will always look nice, like in 10 years time I'll be like, 'She looked good'. But there are some outfits which are more modern where I'm like, 'That probably won't look good in 10 years time'. But, y'know, we still got the inspired vintage Dior outfit so that's good, that's safe."

There isn't much to say about the actual transcribed text itself, but I do think it's very telling that Rachel tries to upsell her sense of fashion sense in LO when... much of it is just flat out derivative. At best she's often referencing real life people (mostly Hollywood celebrities) and at worst she's usually just grabbing stuff off Pinterest inspo boards without any consideration towards the influences or who she's putting into them.

That said, I do think she told on herself quite a bit in that final line of the interview clip - "that's good, that's safe."

I can understand wanting to play it safe in terms of knowing your limitations and not wanting to create something that would be dated in a few years.

But fashion... isn't about playing it safe. Because ultimately, how something ages in the long term isn't something that you, the artist, can control, and like many art mediums, you need to be focused on what to create next, not on how well your old art pieces still hold up in the present where they've been removed from their original context.

And I think this rings true for a lot of Lore Olympus, beyond just the fashion. It's all just a little too safe. We see it in the fashion, we see it in her uncommitted writing decisions, we see it in how often she's willing to retcon things just to write herself out of corners.

And I think that's really Rachel's biggest weakness as a creator at the end of the day. As much as she's tried to put on the persona of "screw you, I'll do what I want", her actions are always the opposite of what she says. She says that the fashion in LO is very vintage, but I can count on one hand how many outfits were actually vintage. The vast majority of them are a lot more modern, with a lot of Western influences, and sometimes with a boob window thrown in.

Case in point, the most recent outfit of Persephone wearing a practically-nude sparkle dress?

That's Rihanna's Swarovski dress that she wore in 2014.

Now, to Rachel's credit, she did find a way to personalize this to Persephone by removing the cap and giving her a rose-shaped bun, but the outfit itself is still just copied directly from Rihanna. Not only is there not a whole lot of Persephone's influence beyond her being literally made out of roses-

-but there isn't anything calling attention to the fact that this is a Greek myth retelling. And this isn't just a problem with the Swarovski dress callback, this is a problem EVERYWHERE.

And of course, that's not even touching on the fact that Hades and Hecate are forced to wear suits constantly. Because, according to Rachel, the fashion inspiration for Hades and Persephone only went as deep is "he's the groom and she's the bride"-

Rachel plays it safe by sticking purely to the inspirations she consumes from modern American media. The "modern twist" on the myths in LO is literally just "it's Greek myth but it's set in Los Angeles". She doesn't seem to want to put herself out there and actually consume Greek content any deeper than what she can find on Google, and it shows in how little Greek there is in this Greek myth comic.

There is, ironically, as I've been told by community members in ULO, a fashion collection called Persephone created by Paolo Sebastian, and in it you can see the actual Greek influences in these outfits far more than what you see in even Persephone's most visually stunning outfits:

These are dresses and yet Paolo uses them as an opportunity to tell the story of Persephone, somehow even more faithfully than an actual written adaption of The Hymn to Demeter. Because fashion, too, can tell a story - and Lore Olympus' fashion, like its writing, has no story to really tell, at least not in Rachel's hands when she's just pulling whatever she can find from what she treats as a pile of "stuff" on Google.

And that's not even getting into how the writing plays it safe much in the same way as the fashion influences and artistic choices. A good example is that S3 premiere sequence, in which Hades and Persephone are pulled away from each other so that... they can get washed down by their family and peers.

Rachel doesn't really do anything to re-contextualize this reference for the context and setting and circumstances of LO, she just goes "I liked that bath scene from Beauty and the Beast so I'm going to put it in LO."

And of course, it doesn't work as effectively as it did in Beauty and the Beast, because the whole original point of that scene was to showcase the big and scary Beast being washed down like a dog by his servants-turned-into-furniture while he stresses over how he's going to win over Belle. It's a comedic subversion, artistically by showing the ferocious beast reduced into a wet dog, but also on a narrative level by showing through his dialogue and actions how nervous he is to impress Belle because his own fate - as well as the fates of his servants - depend on her falling in love with him. He can't afford to mess this up.

But in LO, it's two naked people who we already know love each other and are committed to each other, we've already seen countless scenes of them being sweet on each other and showcasing that they're into each other, and by all accounts they've already gotten their happy ending, so it makes no sense for them to just be like "OMG SHE LIKES ME?? I CAN'T BELIEVE SHE LIKES ME!" "should I seduce him?!?!??" because this seems like a no-brainer and there's zero actual stakes riding on this the way that there was with Belle and the Beast. Plus the people washing them down aren't their servants who are in the same situation as them, they're random gods from the Pantheon whose affiliation ranges from "family" to "never even had a conversation before". One of the women washing down Persephone has literally never spoken a single line of dialogue to her; another one of them was literally dumped by her partner because he wanted Persephone more than her. Who are these people and why are they enthusiastically appearing to give her a bath? Why is Hades being given a scrub down by his own brother?

And that's really the most striking difference between inspired references and derivative ones. Undertale was a game created by a guy who was in love with retro games like Earthbound and Megaman. Stardew Valley was a game created by a guy who loved Harvest Moon and used to play it with his girlfriend. Content that's built on the foundation of another is natural and the basis of inspiration, but you have to go further with it than just going "yeah this thing existed and I'm taking it", otherwise you miss the purpose of why those inspirations were created the way they were.

And when you don't actually explore how you can re-interpret those influences and add your own voice into them, that's how you wind up writing like Rachel whose writing is about as inspired as a cheap character swap cutaway gag from Family Guy.

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Rachel's great at referencing, but that's not at all an impressive thing to do as proven by Peter Griffin. She's not at all re-contextualizing or expanding on what inspired her... but she still claims that she's exactly what she's doing because she calls Lore Olympus a "deconstruction". But her deconstruction only ever goes so far as "well what if Aphrodite left Ares for Hephaestus instead of the other way around?" and then just showing that question and never answering it or delivering on the potential of what that could cause. At best, she'll ask a "what if?" but then never actually show us the what if, it begins and ends with the question and the question itself doesn't provoke any thought deeper than "huh, yeah, that would be neat I guess." Episode's over, next scene. What if we showed that clip of Bill O'Reilly freaking out on set, but like, replaced it with Stewie Griffin and changed nothing else about it except for that? That's the joke, next scene.

I know, we're digressing hard off the fashion here, but the fashion itself is just a symptom of a much bigger problem that expands even beyond Lore Olympus - Rachel plays things way too safe. Even her responses in her interviews are painfully subdued, often resorting to the same tired answers that we've heard 823190589320 times before to the same hand-picked questions that are undoubtedly chosen ahead of time to ensure she doesn't have to answer anything too complicated. And when she does say "I have thoughts about xyz" she never actually... expresses her thoughts. She just says she does and then moves on without any further elaboration because she can't wholeheartedly commit to whatever thoughts she has going on.

Granted, I'm sure that part of that is owed to the fact that she might feel like she can't say anything while the critics are breathing down her neck. I can understand that. But it's gotten so chronic that it's now bleeding into the work itself and it's led to even more criticism of her work. Need I remind you that this is the same person who copy pasted the definition of "xenia" from a first result Google search into her comic instead of naturally writing it into the script:

Rachel played it so safe that she basically treated her own audience like kindergartners by explaining what a scene meant even after explaining it in the text:

As true as it is in fashion, writing stories and making art takes risks. That doesn't mean you have to completely throw caution to the wind, but if you don't take risks, you do yourself the disservice of writing something that can truly be called unique and special to you. If you don't use your influences wisely, if you don't analyze and re-analyze what's influenced you over the years, you're going to wind up losing a lot of subtext in those influences and missing out on the opportunity to add your own voice into the re-interpretation. Rachel does take a lot of risks in LO, but they're not calculated risks, they're not risks that actually have any meaning behind them, she's sort of just throwing stuff at a wall and seeing what sticks, and worst of all, when it doesn't stick, she herself doesn't stick to it, she backpedals, she cowers away from the decisions she's made.

Rachel expressed her worries about depicting fashion that would become aged, but Lore Olympus is already aged through her own inability to commit to her decisions, take risks, and find her voice. It's aged itself through its poor interpretations of the myth, it's aged itself through its reliance on Tumblr tropes that have already been replaced tenfold, and it's aged itself through Rachel herself riding off the initial innovation of creating Lore Olympus and then never continuing to challenge herself or raise the bar for herself.

It proves true the discussion around why Lore Olympus became popular - at the time, it was groundbreaking, drawn in a style that we hadn't seen much of before, with fresh new takes on the myth; now, in 2024, its 'takes' feel tired and half-baked, and its art style has become a corporate-scrubbed shell of what it once was. And yet, Rachel is still rewarded for it all the same, so settling for comfortable mediocrity has become the name of the game.

Rachel may be trying as hard as the Disney life action remakes and Kim Kardashian to put herself on the same pedestal as the greats of yesteryear simply by copying what they did, but in playing it this safe and refusing to find her own voice out of the voices that influenced her, Lore Olympus isn't timeless. It's soulless.

#lore olympus critical #lo critical #anti lore olympus

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urhoneycombwitch · 1 month

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plan b

___

foreword: thank you to this anon, this was just the right amount of sitcom Spider-man pointing meme-ery that I needed. wrote this with husky!neighbor!Eddie since I thiiiink I��ve established that version of him is modern so hopefully this aligns with my made-up canon. lol.

wc: 1.9k

cw: weight mention (in the context of finding meds, no numbers used), embarrassment on R’s end of kink discussion, frenemies vibes between R and Eddie (they get under each other’s skin but in a hot way <3), Eddie is soft-domming in public, no actual smut but still +18 mdni

DISCLAIMER: Plan B can really fuck your shit up and shouldn’t necessarily be used when introducing new kinks. Please do your research and consult w/ a medical professional before using. Putting the fiction in fic with this one.

_____

Christ, there are too many options.

Your vision is swimming in the Family Planning aisle, fluorescent overheads of the CVS taking up residence in your left temple.

You press your fingertips against the spot, massaging gently as you pull different brands of boxes from the shelf to inspect the instructions.

This one says take within twenty-four hours, that might be- oh, shit, there’s a weight cap. Dammit. And this one’s… twice the price? For fucking why?

Frustrated, you shove the expensive thing back in place. The words on the blue label next in line catches your eye- Pre-Seed Fertility Lubricant- and you snap your hand away, as if scorched. Nope. Opposite of what you need. Christ. Pre-Seed?!

It’s almost giggle-worthy. You take out your phone, glancing up and down the aisle; the store is empty this late at night, just an older woman behind the front registers who had greeted you earlier with bored corporate formality, eyes fixed on her magazine.

Picture of Pre-Seed, taken. Check that one off the list. The only person who you’d want to share a laugh over text about this with is the one person who does not need to know why you’re in the goddamn Family Planning aisle at ten PM. On a Thursday.

At least, not yet. You lock your phone, pocketing it before zeroing in on the purple and green-themed Plan B that boasts One Tablet, One Step.

Although it’s pricier than some of the other morning-after pills, it’s the only one that you feel fully confident about buying. You give the box a little toss, feeling the next-to-nothing weight of it in your palm. Fifty bucks for a tiny pill, one that you may not even end up using- but you’ll be goddamned if you’re caught unprepared.

“Can I help you find anything?”

Your blood flashes cold, then hot, as you realize who the voice belongs to- attention focused elsewhere, you didn’t hear Eddie sidling up the aisle until now.

He’s leaning into his arm on the nearest shelf, grinning wolfishly at his own joke, chocolate eyes lit up at having found you here. He looks obscene- biceps and chest bulging at the stretched fabric of his t-shirt, hair unspooling dark curls from a low bun, black ink tattoos rippling over his bare forearms and peeking out from beneath his collar.

Honestly, you don’t know why he wasn’t stopped at the door by the woman on night shift. He’s bordering public indecency with those fitted Levi’s alone.

Fortunately the shock of hearing Eddie’s low voice is not enough to send the Plan B in your hand flying- too late to reshelve it without him seeing, you cling to it tighter, plastic creaking under your grip as you pray to every god ever that he doesn’t notice.

“Oh! Hey. Hi. Haha, very funny.” Well, that was smooth, but at least you said something comprehensible. “What’re you doing here?”

Eddie doesn’t seem to notice anything amiss, using his free arm to reach for a pack of condoms near your head- “Late night shopping. Stocking up for the weekend. Can’t seem to keep these around, seeing as I’m being fucked out of house and home.”

”Well… apartment,” you correct, heart leaping at the smile lines that jump around Eddie’s eyes. This is good, maybe you can just keep him talking and find a second to shove the Plan B into a random spot or perhaps launch it into the sun-

Nope, too late. Mid-crinkle, Eddie’s eyes drop to the package in your hand, and you watch his face drop as he processes multiple trains of thought at once.

“Oh, shit. Is that… did we…?”

There’s a pinch between his dark brows, likely running through the last few weeks of your hookups (which have all been protected) and trying to do the mental math; you shake your head, trying to stammer through the flush of embarrassment that’s overtaking your system.

“No, it’s not- not from us. Not from you. I mean…” you trail off, shifting uncomfortably from one sneaker to the other as words hit a jam in your throat.

Eddie’s in a full frown now, pushing off the shelf, standing to his full height, confusion and hurt seeping into his expression, voice quiet and pitched deep- “Is it from someone else?”

“Oh my god.” This was a nightmare, right? You’d like to wake up now. “No, no, not from anyone else. It’s-”

A sharp exhale, a shake of your head, and the words loosen all at once- “I was gonna get it for us, for me, for this weekend, if you wanted to give me a reason to use it.”

Eddie goes as still as you’ve ever seen him before, fingers stopped in their usual constant tapping, blinking at the box in your hands.

His face smooths.

Then he smiles.

Your stomach flips.

Eddie slides the condoms back into the wrong spot, not bothering to look as he leans in close enough for you to smell the spice of his cologne as he says in a sex-dipped timbre: “Well if you wanted me to fill you up with my cum, why didn’t you just say so?”

A horrified, awkward squawk escapes before you can bite it back; your head whips down the aisle to make sure no one else was within earshot of his dirty mouth as you blindly shove the Plan B away, deep into a shelf. “Oh my god. Jesus christ.”

”Eddie is just fine,” he responds mildly, the cool demeanor to your rapidly heating one as his grin simmers wicked between dimpled cheeks.

“Forget it,” you start, shaking your head and making to brush past, embarrassment flooding in hot, “Just forget-”

Eddie catches you by the elbow, effectively locking you in place with a single move, but he’s not looking at you; with his free hand, he snaps up the slightly crumpled box and scans the words.

“Y’think one will be enough?”

The flood subsides, gives you pause enough to stutter out, “W-what?”

Eddie’s fingers flex on your arm. He turns the box over in his big hand, rings glinting. “We’d better get two. Just in case.”

Your skin feels the impression of his palm even after he lets go, like a Polaroid in rapid reverse as he grabs a second box, warmth fading fast from your skin. “I don’t think- I mean, that’s not how they work, I should probably find a more permanent sol-”

“Just for the weekend.” His eyes are back on you now, self-satisfied smirk giving way to something darker, more intense. “Yeah?”

A shiver casts goosebumps down the length of your body. He’s goddamn toying with you, in the middle of a fucking CVS. Despite your flare of irritation, you nod, voice nearly a croak as you echo, “Yeah.”

The grin lights up his face again. “Good girl.”

Eddie doesn’t give you time to react to this (verbally, anyways- your cunt is most certainly responding to the praise despite your best efforts to remain unaffected), using one large hand to hold both boxes and another to press at the small of your back, leading you down the aisle.

Truthfully, you’re grateful for the help (regardless of his dominance-based tendencies that don’t usually get you this easy); based on the ringing in your ears, you’re doubtful of your own ability to navigate the maze of aisles.

Eddie walks you both to the front register, and you watch as if outside of your own body while the cashier scans the barcodes and Eddie swipes his card.

He pockets the receipt, slides a finger through the handles of the plastic bag, and holds it out between your bodies. Right in front of the goddamn cashier.

”For you.”

This brings you back to yourself, a bit, mortification giving way to annoyance (a much more useful emotion in this scenario), and you snatch it to your chest. It’s your turn to grab Eddie’s elbow, half-dragging him towards the exit.

“Come again soon,” the cashier calls, still in monotone.

So close. You’re less than a yard away from the sliding glass doors that would have swallowed Eddie’s reply- but as it stands, he gets in one last cheerful wave, an award-winning, dimple-charmed smile to match his bright response.

“She will!”

Damn him. You give a final tug and you’re both out in the parking lot, glass doors closing automatically with a whoosh behind you, cool night air kissing at your cheeks.

”Seriously?” You’re mature enough to recognize that your anger is misplaced, adrenaline-fueled, but that doesn’t stop you from whirling on Eddie, giving his shoulder a sharp shove that (unfortunately, tantalizingly) doesn’t move him an inch. “I can never return to this fucking store. Thanks for that.”

Eddie really doesn’t help his case, grin turned shit-eating as he rustles through his various pockets for his pack of cigarettes- “Careful, sweetheart- you know how hot and bothered I get when you’re mad.”

”Unbelievable.” You turn on a swift heel, slipping the bag loops up your arm to dig for your keys. “You just got me blacklisted from our local drugstore and you don’t even care.”

There’s the snick of a lighter behind you, while your car a few spaces down chirrups and blinks in response to the furious press of your fob’s unlock button.

Eddie chuckles, sardonic and unsympathetic. “Too bad this is the only CVS in the whole world. I think you’ll live, princess.”

Ignoring this, you stomp towards your car, petulant, bag rustling; the door is half-open when Eddie calls, “So, are you coming over tonight, or what?”

“Obviously!”

The door slams with more force than you intend, sound ricocheting across the lot.

From the respite of your tinted windows, you watch as a streetlamp-haloed Eddie takes a drag from a cigarette, smoke drifting thick around a hazy visage of the hottest man alive. (Maybe you’re a touch biased. But your opinion is based on personal accounts, so fuck the naysayers.)

He tips his head back to look at the stars, pale column of throat illuminated- with a flush of realization, you scoff. He’s putting on a show for you.

Two can play, you think, driving your seatbelt into place with a click. But first I’m gonna have to make a stop at home. Namely for new undies.

#eddie munson #eddie munson x reader #husky!neighbor!Eddie #husky!neighbor!eddie x reader #eddie x reader

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serpenlupus · 3 months

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About Wyll and his horns (and what they mean)

Let's say I was writing a part of my Tav's story with Wyll directly connected to the dialogue he has during the tiefling party, and while struggling with this bit, I've realized there's quite a few misconceptions floating around. I felt compelled to add information to the table that might clear them, so here we go.

First, what exactly happens to Wyll when he disobeys Mizora in act one? Well, he doesn't get turned into a devil, he certainly doesn't get turned into a tiefling, he's not a half fiend, not a demon, none of that. Wyll stays human, but he has horns and red eyes (and other features we can't see on his model as of now).

(Everyone has their race listed, Wyll's remains "Human")

This is because when a warlock fails to uphold some part of their contract they can suffer a certain number of consequences, Wylls is “The character grows horns, a tail, or some other devilish features that can't be removed by any means short of divine intervention. As long as these marks persist the character detects as a fiend when subjected to Detect Evil and Good spells or similar magic.” ( from Baldur's Gate: Descent into Avernus, page 214)

And I’ve come across some people that think it wasn’t so bad of a punishment, that he was being racist towards the tieflings, or just not being justified in being upset after having his body forcibly changed against his will. I think they are missunderstanding just how insidious Mizora’s actions were, and here I just want to give some context to maybe bring a better understanding to the situation. Your conclusions are up to you.

Gonna start by using a not exact analogy, but I think it’s going to make the explanation easier. Stick with me for a minute.

Remember Jack Sparrow in Pirates of the Caribbean? He had a branded “P” on his arm that marked him as a pirate. A murderer, robber, criminal, etc. in the eyes of the society he was a part of. What did Jack do to earn the branding? (if you don’t know this I suggest you look up the “people aren’t cargo mate” scene) He refused to transport slaves and later freed them, and Beckett had him marked as punishment.

Then, in the first movie, he saves Elizabeth, a woman he didn’t know, from drowning. Right after however, when Norrington sees he has a branded “P”, he’s like “alright, off to jail with you, and then hanging”, no other option crosses his mind. Again, Jack doesn’t know Elizabeth, isn’t indicated to think he is going to be rewarded for helping her, he just sees a drowning person, sees that no one else is going to help, and chooses to save them. That is a pretty selfless/good aligned thing to do, for no other reason that he was the one able to do it, yet the branding in his arm overrides any good action he could ever do, marking him as a criminal for execution and no further thought.

In a way, that’s what Mizora did to Wyll; she forever visibly branded him as someone that has made deals with devils, and that in the world of DnD is a VERY BAD THING. Personally I really like the mod that gives him more devilish features, but at the same time I think there was something clever about choosing to leave him looking more human. He can’t be confused with a tiefling, he doesn’t have the ears, the claws, the tail, all those features that characterize them. He looks kind of uncanny, and that would be like a red flag for anyone in that world. (Beyond the already existing hate for tieflings that I’m not gonna tackle on here because it’s a complicated thing that deserves its own post). And Wyll wants to do good, he wants to help people, to be a positive force in the world so, so badly. This dude got abducted by a nautiloid, got tadpole’d, and the first thing he did right after that was come across the Tiefling refugees and be like “Oh you need help? No worries let me teach you self defense. Oh you being attacked by goblins? Let me blast them real quick”. His way of saying fuck you to all the awful things that have happened to him is being aggressively good and kind. Mizora knows this very well, wants to see him suffer for her amusement, wants to remind him he can't escape her claws, so her choice of punishment was to forever taint his future interactions with mistrust and suspicion. Some people can go real fast from “oh thank God they saved me” to “oh no, are they gonna rob me, are they trying to trick me, are they in cahoots with the ones that attacked me first?” just because of outward appearances. Especially in DnD world. And that deserves its own conversation, but we're focusing on Wyll here.

(Mizora, when I catch you Mizora)

“Well, maybe he shouldn’t have made a deal in the first plac- - “ He was seventeen, alone, preyed upon by Mizora and put in an impossible situation. Please PAY ATTENTION to the story you’re witnesing.

Anyway.

About the tieflings. I know it’s easy to think his words can be derisive towards them, but it’s less about the horns and more about his body being changed against his will. Imagine instead that he got half his face burned, or something that disfigured him. I think his feelings at the moment were closer to that, and yeah they are pretty insensitive words to say to someone with a similar condition (horns or disfiguration), but when feelings are fresh and raw like that it’s easy to say insensitive things. Not saying it was ok for him to say them, but there was no malice in his words. I’ve also seen some people share that they think Mizora wanted to change him more to make him unrecognizable to his original self, the Wyll Ravenguard kid, and I think there is some truth to that too. She wants to make sure that Wyll remembers that he belongs to her, there's no question to that.

(MIZORA, WHEN I CATCH YOU MIZORA)

Whether the Tieflings refugees would feel unsettled by Wyll or not? Yes. In a way, they would. From reasons aside from the ones I explained above, remember that these specific tieflings come from Elturel. If you didn’t pass the History check or don’t remember, Elturel is a city that was literally ripped from the land and dragged to Avernus, First layer of hell (it left a hole on the ground and everything) because their mayor made a deal with the Archdevil Zariel some decades back in the timeline. He sold the souls of all its citizens and the city itself.

This was probably one of the worst times of their lives. Some even got captured and forced to participate in the blood War, like Dammon as a mechanic. And after Elturel got returned to the surface, the tieflings lost their homes because they reminded the other citizens of the literal Hell they’d just gone through, and they kicked them out. And remember, they met and saw Wyll as a human, and then saw him with horns. It’s not unreasonable to think that by looking at him they would be reminded of all the events that led them to the awful situation they’re in. Because of someone that was making deals with devils, just like Wyll. Even if his situation is completely different. And Wyll knows that, that’s why he tells you the tieflings are unsettled by him and chooses to stay away during the party.

It was never just about the horns.

And I know Wyll calls himself a devil but I think it’s because it’s the closest thing he looks as; devils are a whole different race with their own intricacies, although humans can be turned into devils ONCE their souls go to Avernus and they start climbing the power hierarchy there (Mizora and Raphael are cambions/ half-devils btw, which is a different thing, there are plenty of videos exploring those details more in depth).

Do I think Larian should have made some of this information clearer/easier to access? Maybe? but to be fair, it's a game focused and dedicated to a crowd that was already somewhat familiar with the source material, that blew up waay out of what they originally expected to reach. Hopefully they’ll add some clarifications like they did to other quests.

Anyway these are my two cents to the conversation, have a nice day, and don't hesitate to add your two cents if you feel like it!

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quiteclear-io · 4 months

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#clear aligner suppliers #white-label clear aligners #own aligner brand #clear aligner manufacturers

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inthedayswhenlandswerefew · 15 days

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1968 [Chapter 9: Dionysus, God Of Ecstasy]

Series Summary: Aemond is embroiled in a fierce battle to secure the Democratic Party nomination and defeat his archnemesis, Richard Nixon, in the presidential election. You are his wife of two years and wholeheartedly indoctrinated into the Targaryen political dynasty. But you have an archnemesis of your own: Aemond’s chronically delinquent brother Aegon.

Series Warnings: Language, sexual content (18+ readers only), violence, bodily injury, character deaths, New Jersey, age-gap relationships, drinking, smoking, drugs, pregnancy and childbirth, kids with weird Greek names, historical topics including war and discrimination, math.

Word Count: 5.9k

Let me know if you’d like to be tagged! 🥰

💜 All of my writing can be found HERE! 💜

The October surprise is a great American tradition. As the phases of the moon revolve towards Election Day, the candidates and their factions seek to ruin each other. Lies are told, truths are exposed, Tyche smiles and Achlys brews misery, poison, the fog of death that grows over men like ivy. The stars align. The wolves snap their jaws.

In 1844, an abolitionist newspaper falsely accused James K. Polk of branding his slaves like cattle. In 1880, a letter supposedly authored by James Garfield—in actuality, forged by a New York journalist—welcomed Chinese immigrants in an era when they were being lynched by xenophobic mobs in Los Angeles and San Francisco. In 1920, a rumor emerged that Warren Harding had Black ancestry, an allegation his campaign fervently denied to keep the support of the Southern states. In 1940, FDR’s press secretary assaulted a police officer outside of Madison Square Garden. In 1964, one of LBJ’s top aids was arrested for having gay sex at the Washington D.C. YMCA.

Now, in 1968, Senator Aemond Targaryen of New Jersey is realizing that he will not be the beneficiary of the October surprise he’s dreamed of: his wife’s redemptive pregnancy, a blossoming first family. There is a civil rights protest that turns into a riot in Milwaukee; this helps Nixon, the candidate of law and order. For every fire lit and window shattered, he sees a bump in the polls from businessowners and suburbanites who fear anarchy. Breaking news of the My Lai massacre—committed back in March but only now brought to light—airs on NBC, horrifying the American public and bolstering support for Aemond, the man who has vowed to begin ending the war as soon as he’s sworn into office. The two contestants are deadlocked. Election Day could be a photo finish.

Nixon is in Texas. Wallace is in Arkansas. In Florida, Aemond visits the Kennedy Space Center and pledges to fulfill JFK’s promise to put a man on the moon by 1970. He makes a speech at the Mary McLeod Bethune Home commending her work as an educator, philanthropist, and humanitarian. He greets soldiers at the Naval Air Station in Pensacola. He feeds chickens to the alligators at the Saint Augustine Alligator Farm Zoological Park.

But it is not the senator the crowds cheer loudest for. It is his wife, his future first lady, here in her home state where she staunched her husband’s hemorrhaging blood and appeared before his well-wishers still marked with crimson handprints. In Tarpon Springs, she and Aemond attend mass at the Saint Nicholas Greek Orthodox Cathedral and pray at an altar made of white marble from Athens. Then they stand on the docks as flashbulbs strobe all around them, watching sponge divers reappear from the depths, breaking through the bubbling sapphire water like Heracles ascending to Mount Olympus.

~~~~~~~~~~

You kick off your high heels, tear the pins and clips out of your hair, and flop down onto the king-sized bed in your suite at the Breakers Hotel. It’s the same place Aemond was almost assassinated five months ago. He has returned in triumph, in defiance. He cannot be killed. It is God’s will.

You are alone for these precious fleeting moments. Aemond is in Otto’s suite discussing the itinerary for tomorrow: confirmations, cancellations, reshufflings. You pick up the pink phone from the nightstand on Aemond’s side of the bed and dial the number for the main house at Asteria. It’s 9 p.m. here as well as there. Through the window you can see inky darkness and the kaleidoscopic glow of the lights of Palm Beach. The Zenith radio out in the kitchenette is playing Satisfaction by the Rolling Stones. No intercession from Eudoxia is necessary this time; Aegon answers on the second ring.

“Yeah?” he says, slow and lazy like he’s been smoking something other than Lucky Strikes.

“Hey.” And then after a pause, twirling the phone cord around your fingers as you stare up at the ceiling: “It’s me.”

“Oh, I know. Should I take off my pants, or…?” He’s only half-joking.

You smile. “That was stupid. Someone could have bugged the phone.”

“You think Nixon’s guys are wiretapping us? Give me a break. They’re goddamn buffoons. They’re too busy telling cops to beat hippies to death.” You hear him taking a drag off his joint, envision him sprawled across his futon and enshrouded in smoke. “Everything okay down there in the swamp?”

You shrug, even though Aegon can’t see you. “It’s fine.”

“Just fine?”

“My parents were there when we stopped in Tarpon Springs. They kept telling everyone how proud they are of me, and I just felt so…dishonest.”

“Of course they’re proud. If Aemond wins, the war ends and more civil rights bills get passed and this hell we’ve all been living in since 1963 goes away.”

“I miss you,” you confess.

“You’ll be back soon to enjoy me in all my professional loser glory.” He’s right: Aemond’s entourage will spend Halloween at Asteria. You’ll take the children trick-or-treating around Long Beach Island—with journalists in tow, of course—and then host a party with plentiful champagne and Greek hors d’oeuvres, one last reprieve before the momentous slog towards Election Day on November 5th, a reward for the campaign staffers and reporters who have served Aemond so well. “What are you going to dress up as?”

“Someone happy,” you say, and Aegon chuckles, low and sardonic. “Actually, nothing. Aemond and Otto have decided that it would be undignified for the future president and first lady to be photographed in costumes, so I will be wearing something festive yet not at all fun.”

“Aemond has always been somewhat confused by the concept of fun.”

“What are you going to be for Halloween?”

You can hear the grin in his voice as he exhales smoke. “A cowboy.”

“A cowboy,” you repeat, giggling. “You aren’t serious.”

“Extremely serious. I protect the cows, I comfort the cows, I breed the cows…”

“You are mentally ill. You belong in an asylum.”

“I ride the cows…”

“Cowboys do not ride cows.”

“Maybe this one does.”

“I thought you liked being ridden.”

Aegon groans with what sounds like genuine discomfort. “Don’t tease me. You know I’m celibate at the moment.”

“Miraculous. Astonishing. The Greek Orthodox Church should canonize you. What have you been doing with all of your newfound free time?”

“Taking the kids out sailing, hiding from Doxie, trying not to step on the Alopekis…and playing Battleship with Cosmo. He has a very loose understanding of the rules.”

“He does. I remember.”

“He keeps asking when you’ll be back.”

“Really?” you ask hopefully.

“Yeah, it’s cute. And he calls you Io because he heard me do it.”

“Not an appropriate myth for children, I think.”

“Cosmo’s what, seven years old?”

“Five.”

“Close enough. I think I knew about death and torment and Zeus being a slut by then.”

“And you have no resulting defects whatsoever.” You roll over onto your belly and slide open the drawer of the nightstand. Instead of the card Aegon gave you at Mount Sinai—you’ve forgotten that you’re on Aemond’s side of the bed—you find something bizarre, unexpected, just barely able to fit. “Oh my God, there’s a…there’s a Ouija board in the nightstand!”

Aegon laughs incredulously. “There’s a what?!”

“A Ouija board!” You sit upright and shimmy it out, holding the phone to your ear with one shoulder. The small wooden planchette slides off the board and clatters against the bottom of the drawer. “Why the hell would Aemond have this…?”

“He’s trying to summon the ghost of JFK to stab Nixon.”

“Oh wow, it’s heavy.” You skim your fingertips over the black numbers and letters etched into the wooden board. There’s something ominous about the Good Bye written across the bottom. You can’t beckon the dead into the land of the living without reminding them that they aren’t welcome to stay.

“Aemond is such a freak. Is it a Parker Brothers one, like for kids…?”

“No, I think it’s custom made. It feels substantial, expensive. Hold on, there’s something engraved on the back.” You flip over the Ouija board so you can see what your hands have already felt. The inscription reads in onyx cursive letters: No ghosts can harm you. The stars were never better than the day you were born. With love through all the ages, Alys.

“What’s it say?” Aegon asks from his basement at Asteria.

You’re staring down at the Ouija board, mystified. “Who’s Alys?”

Instead of an answer, Aegon gives you a deep sigh. “Oh. Yeah, she would give him something like that. Fucking creepy witch bullshit.”

“Aegon, who’s Alys?” She’s his mistress. She has to be. It fills your skull like flashbulbs, like lightning: Aemond climbing on top of another woman, conquering her, owning her, binding her up in his mythology like a spider building a web. And what you feel when the shock begins to dissolve isn’t envy or pain or betrayal but—strangely, paradoxically—hope. “She’s his girl, right?”

“Please don’t be mad at me for not telling you,” Aegon says. “There wasn’t a good time. When I hated you I didn’t care if he was fucking around, and then after what happened in New York I didn’t want to hurt you, I didn’t know how you’d take it. It’s not your fault, there’s nothing wrong with you. She was here first. He’d have kept Alys around if he married Aphrodite herself.”

“I’m not mad.” You’re distracted, that’s what you are; you’re plotting. “Where is she?”

“She lives in Washington state. I’m not sure exactly where, I think Aemond moves her a lot. He doesn’t want anyone to see him around and start noticing a pattern. Neighbors, shopkeepers, cops, whoever.”

“Washington.” Just like when Ari died. Just like when Aemond didn’t come back. “Who knows about her?”

“Just the family. Fosco and Mimi found out because when they married in, the fights were still happening. Otto and Viserys demanding he give Alys up, Aemond refusing. It’s the only thing he ever did wrong, the only line he drew. He said he needed her. She could never be his first lady, but she could be something else.”

“His mistress.”

“Yeah,” Aegon says reluctantly. “Are you…are you okay?”

“I’m okay. What’s wrong with Alys?”

“What?”

“Why couldn’t Aemond marry her?”

“I mean, she’s the type of psycho who gives people Ouija boards, first of all,” Aegon says. “And she’s…she’s not educated. Her family’s trash. She’s older than Aemond. Hell, she’s older than me. She would be an unmitigated disaster on the campaign trail. She unnerves people. But Aemond, he…”

“He loves her,” you whisper, reading the engraving on the back of the board again. “And she loves him.”

“I guess. Whatever love means to them.”

A thought occurs to you, the first one to bring you pain like a needle piercing flesh. “Does she have children?”

Again, Aegon sounds reticent to disclose this. “A boy. Aemond’s the father.”

“How old?”

“I don’t know, I think he’s around ten now.”

And that’s Aemond’s true heir. Not Ari, not any others he would have with me. That place in his heart is taken. He couldn’t mourn the loss of our son because he already has one with the woman he loves.

Out in the living room of the suite, you hear the front door open. There are footsteps, Aemond’s polished black leather shoes.

Aegon is asking: “Are you sure you’re okay? Hello? Babe? Hello? Are you still there?”

“I’m fine. I gotta go.”

“Wait, no, not yet—!”

“Bye.” You hang up the phone and wait for Aemond to discover you. You’re still clutching the Ouija board. You’re perched on the edge of the bed like something ready to pounce, to kill.

Aemond opens the bedroom door, navy blue suit, blonde hair short and slicked back, his eyepatch covering his empty left socket. He’s begun wearing his eyepatch in public more often—not for every appearance, but for some of them—and whoever finally convinced him to concede this battle wasn’t you. His right eye goes to you and then to the Ouija board in your hands. He doesn’t speak or move to take the board, only studies you warily.

“I know about her,” you tell him.

Still, Aemond says nothing.

“Alys,” you press. “She’s your mistress. You’re in love with her.”

“I did not intend to hurt you.” His words are flat, steely.

“I’m not hurt, Aemond.”

“You shouldn’t have ever known about this. I apologize for not being more discrete. It was a lapse in judgment.” But what he regrets most, you think, is that his secret is less contained, more imperiled.

“What we have is a political arrangement,” you say. The desperation quivers in your voice. “You don’t love me, you never have, and now we can be open about it. You need me to win the White House, but that’s all. Your true companion is elsewhere. I want the same thing.”

He steps closer, eye narrowing, iris glinting coldly, puzzled like he couldn’t have understood you correctly. “What?”

“I want to be permitted to have my own happiness outside of this imitation of a marriage.”

“No,” Aemond says instantly.

Your stomach sinks, dark iron disappointment. “But…but…why?”

“Because I don’t trust you to not get caught. Because I need to be sure that I am the father of the children you’ll give birth to. And because as my wife you are mine, and mine alone.”

Tears brim in your eyes; embers burn in your throat. “You’re asking for my life. My whole life, all of it, everything I’ll ever experience, everything I’ll ever feel. I get one chance on this planet and you’re stealing it away from me.”

“Yes,” Aemond agrees simply.

“So where’s my consolation?” you demand. “You get Alys, so where’s mine?”

“What do you want?”

You don’t reply, but you glare at your husband with eternal rage like Hera’s, with fatal vitriol like Medusa’s.

“You think I don’t know about that little card you keep in your nightstand?” Aemond is furious, betrayed. “You used to hate him.”

“I was wrong.”

“Because he was at Mount Sinai and I wasn’t? Three days undid everything we’ve ever been to each other? Our oaths, our ambitions?!”

“No,” you say, tears slipping down the contours of your cheeks. “Because he’s real. He doesn’t try to manipulate people into loving him, he doesn’t pretend to be someone he’s not, when he’s cruel it’s because he means it and when he’s kind that’s genuine too. And he wants to know me, who I really am. Not the woman I have to act like to get you elected. Not who you’re trying to turn me into—”

Aemond has crossed the room, grabbed the front of your teal Chanel dress, and yanked you to your feet. The Ouija board jolts out of your hands and lands on the carpet unharmed. Your long hair is in disarray, your eyes wide and fearful. You try to push Aemond away, but he ignores you. You can’t sway him. You’ve never been able to. “Aegon has nothing to his name except what this family gives him,” Aemond snarls, hushed, hateful. His venom is not for his brother but for you. You have upended the natural order of things. You have dared to deny Zeus what he has been divinely granted dominion over. “You would jeopardize his wellbeing, his access to his children? You would ruin yourself? You would doom this nation? If you cost me the election, every drop of blood spilled is on your hands, every body bag flown home from Vietnam, every martyr killed by injustice here. What you ask for is worse than being a traitor and a whore. It is sacrilege.”

“Let go of me—”

“And there’s one more thing.” Aemond pulls you closer so he knows you’re paying attention. You’re sobbing now, trembling, choking on his cologne, shrinking away from his furnace-heat wrath. “Aegon isn’t capable of love. Not the kind you’re imagining. He gets infatuated, and he uses people, and then he moves on. You think he never charmed Mimi, never made her feel cherished by him? And look how she ended up. I’m trying to carve your name into legend beside mine. Aegon will take you to your grave.”

Your husband shoves you away, storms out of the bedroom, slams the door so hard the walls quake.

~~~~~~~~~~

Parading down streets like the victors of a fallen city, jack-o-lanterns keeping watch with their laceration grins of firelight. Hecate is the goddess of witchcraft, Hades rules the Underworld, Selene is the half-moon peeking through clouds in an overcast sky. The stars elude you.

The children—ghosts, pirates, princesses, witches—dash from doorstep to doorstep like soldiers in Vietnam search tunnels. They smile and pose in their outfits when the journalists prompt them, beaming and waving, showing off their Dots, Tootsie Pops, Sugar Daddies, Smarties, Razzles, and candy cigarettes before depositing them in the plastic orange pumpkins that swing from their wrists. Only Cosmo, dressed as Teddy Roosevelt with lensless glasses and a stuffed lion thrown over one shoulder, stays with the adults. He is the last one to each house, approaching the doorway reticently like it might swallow him up, inspiring fond chuckles and encouragement from the reporters. He clutches your hand and hides behind you when towering monsters lumber by: King Kong, Frankenstein, vampires with fake blood spilling from their mouths.

Aemond wears a black suit with orange accents: tie, pocket square, socks. You glimmer in a black dress dotted with white stars, clicking down the sidewalk in boots that run to your knees, silver eyeshadow, heavy liner. You almost look your own age. There are large star-shaped barrettes in your pinned-up hair, bent glinting metal. As the reporters snap photos of you and Cosmo walking together, they shout: “You’ll be such a great mother one day, Mrs. Targaryen!”

Fosco is Ettore Boiardi—better known as Chef Boyardee—an Italian immigrant who came through Ellis Island in 1914 with a dream of opening a spaghetti business. Helaena, Alicent, and Ludwika are, respectively, Alice, Wendy, and Cinderella; Ludwika clops along resentfully in her puffy sleeves and too-small clear stilettos. Criston is Peter Pan. Aegon wears a white button-up shirt, cow print vest, ripped jeans, brown leather boots, a cowboy hat that’s too big for him, and a green bandana knotted around his throat. He stays close to you and Cosmo because he can, here where the journalists expect to see him being a devoted father and active participant in the family business of mending a tattered America. Teenagers are fleeing their families to join hippie communes and draftees in Vietnam are getting their limbs blown off and junkies are shooting up on the streets of New York and Chicago and Los Angeles, but here we see a happy family, a perfect family, a holy trinity that thanks the devotees who offer them tribute. Otto, who neglected to don a disguise, glares at you murderously. You have failed to give Aemond a living child. You have dared to want things for yourself.

Back at Asteria in the main house, the children empty their plastic pumpkins on the living room floor and sort through their saccharine treasures, making trades and bargains: “I’ll do your math homework if you give me those Swedish Fish,” “I’ll let you ride my bike for a week if I can have your Mallo Cup.” While the other adults ply themselves with champagne and chain smoke away the stress of the campaign trail, Aegon gets his Caribbean blue Gibson guitar and sits on the couch playing I’m A Believer by The Monkees. The kids clap and sing along between intense confectionary negotiations. Cosmo wants to share his candy cigarettes with you; you pretend to smoke together as sugar melts on your tongue.

Now the children have been sent to bed—mollified with the promise of homemade apple pies tomorrow, another occasion to be documented by swarms of clamoring journalists—and the house becomes a haze of smoke and indistinct conversation and music from the record player. Platters of appetizers have appeared on the dining room table: pita, tzatziki, hummus, melitzanosalata, olives, horiatiki, mini spanakopitas, baklava. Women are chattering about the painstaking labor they put into costumes and men are scheming to deliver death blows to Nixon, setbacks in Vietnam, Klan meetings in Mississippi. Aemond is knocking back Old Fashioneds with Otto and Sargent Shriver. Fosco is dancing in the living room with drunk journalists. Eudoxia is muttering in Greek as she aggressively paws crumbs off of couches and tabletops. Thick red candles flicker until wax melts into a pool of blood at the base.

Through the veil of cigarette smoke and the rumbling bass of Season Of The Witch, Aegon finds you when no one is looking, and you know it’s him without having to turn around. His hand is the only one that doesn’t feel heavy when it skims around your waist. He whispers, soft grinning lips to your ear, rum and dire temptation like Orpheus looking back at Eurydice: “Let’s do some witchcraft.”

You know where Aemond keeps the Ouija board. You take it out of the top drawer of his nightstand in your bedroom with blue walls and portraits of myths in captive frames. Then you descend with Aegon into the basement, down like Persephone when summer ends, down like women crumbling under Zeus’s weight. You remember to lock the door behind you. You’re not high—you can’t smoke grass in a house full of guests who could smell it and take it upon themselves to investigate—but you feel like you are, that lightness that makes everything more bearable, the surreal tilt to the universe, awake but dreaming, truth cloaked in mirages.

Aegon has stolen three red candles from upstairs. He hands one to you, keeps a second for himself, and places the third on his end table beside a myriad of dirty cups. You glimpse at his ashtray and a folded corner of the receipt that’s still tucked beneath it, and you think: I have my card, Aegon has his receipt, Aemond has his Ouija board. I wonder what Alys likes to keep close when she sleeps. Then Aegon clicks off the lamp so the only light is from the flickering candles.

He tosses away his cowboy boots, hat, vest and is down on the green shag carpet with you, his hair messy, his white shirt half-unbuttoned. He’s taking sips of Captain Morgan straight from the glass bottle. He’s lighting a Lucky Strike with the wick of his candle and then giving it to you to puff on as he places the planchette on the board. “Wait, how do we start?”

You exhale smoke, setting your candle down on the carpet and then tugging off your own boots with some difficulty. “We have to say hello.”

“Okay.” Aegon places his fingertips on one side of the heart-shaped planchette and you rest yours lightly on the other. He begins doubtfully: “Hello…?”

“Is there anyone who would like to send us a message from the other side this evening?”

“You’ve done this before,” Aegon accuses.

“I have. In college.”

“With a guy?”

You chuckle, taking a drag as the cigarette smolders between your fingers. “No, with my friends. It’s not really a date activity.”

“I think it’s very romantic. Candles, darkness, danger, who’s gonna protect you when the ghosts start throwing things around…”

“You’d fight a ghost for me?”

“Depends on the ghost. FDR? You got it. I can take a guy in a wheelchair. Teddy? No ma’am. You’re on your own.”

“Which ghost should we summon?”

Aegon ponders this for a moment. “John F. Kennedy, are you in this basement with us right now?”

“That is wrong, that is so wrong.”

“Then why are you smiling?” Aegon says. “JFK, how do you feel about Johnson fucking up your legacy?”

“That is not the kind of question you’re supposed to ask. We’re not on 60 Minutes.”

“JFK, do you haunt the White House?” Aegon drags the planchette to the Yes on the board. “Oh no, I’m scared.”

“You are a cheater, this is a fraudulent Ouija board session.” You put your cigarette out in the ashtray and then take a swig from Aegon’s rum bottle. “JFK, are we gonna make it to the moon before 1970?”

Aegon pulls the planchette to the No. “Damn, Io, bad news. Guess the Russians win the Space Race and then eradicate capitalism across the globe. No more beach houses. No more Mr. Mistys.”

“Give me the planchette, you’re abusing your power.”

“No,” Aegon says, snickering as you try to wrestle it away from him. In his other hand he’s clutching his candle; scarlet beads of wax like blooddrops pepper your skin as you struggle, tiny infernos that burn exquisitely. Red like paint splatter appears on Aegon’s shirt. You grab the green bandana around his throat, but instead of holding him back you’re drawing him closer. The Ouija board and all the world’s ghosts are momentarily forgotten.

“You’re dripping wax on me—”

“Good, I want to get it all over you, then I want to peel it off and rip out your leg hair.”

You’re laughing hysterically as you pretend to try to shove him away. “I’m freshly shaved, you idiot.”

“Everywhere?” Aegon asks, intrigued.

You smirk playfully. “Almost.”

“Okay, let’s get you cleaned up.” Aegon sets his candle down on the carpet and strips away tacky dots of red wax: one from your forearm down by your wrist, another from your neck just below one of your silver hoop earrings, wax from your ankles and your calves and right above your knees. His fingertips are calloused from his guitar, from the ropes of his sailboat. They scratch roughly over you, chipping away who you’re supposed to be.

Then Aegon stops. You follow his gaze down. There is a smudge of wax on the inside of your thigh, extending beneath the hem of your dress, glittering black and white fabric that hides what is forbidden to him. Aegon’s eyes are on you, that troubled opaque blue, drunk and desperate and wild and afraid. With your fingers still hooked beneath his bandana, you say to him like a dare: “Now you’re going to stop?”

His palm skates up the smoothness of your thigh, and as he unpeels that last stain of red wax his other hand cradles your jaw and his lips touch yours, gently at first and then with the ravenousness of someone who’s been dying of thirst for centuries, starving since birth. You’re opening your legs wider for him, and his fingers do not stop at your thigh but climb higher until they are whisking your black lace panties away, exploring your folds and your wetness as his tongue darts between your lips, tasting something he’s been craving forever but only now stumbled into after four decades of darkness, trapped in you like Narcissus at his pool.

You are unknotting his green bandana and letting it fall to the shag carpet. You are unbuttoning the rest of his shirt so you can feel his chest, soft and warm and yielding, safe, real. The candlelight is flickering, the thumping bass of a song you can’t decipher pulsing through the floor above. Now beneath your dress Aegon’s fingers are pressing a place that makes your breath catch in your throat, makes you dizzy with need for him. He looks at you and you nod, and he reads in your face what you wanted to say months ago in this same basement: Don’t stop. Come closer.

Aegon lifts your dress over your head, nips at your throat as he unclasps your bra, and you are suddenly aware of how the cool firelit air is touching every part of you, how you are bare for him in a way you’ve never been before. You catch Aegon’s face in your hand before he can see the scar that runs down the length of your belly and say, your voice quiet and fragile: “Don’t look at me.”

Pain flashes in his eyes, furrows across his brow. “Stop,” he murmurs, kissing your forehead as you cling to him. Then he begins moving lower and you fall back onto the carpet, no blood on Aegon’s hands this time, only your sweat and lust for him, only crystalline evidence of a betrayal you’ve long ago already committed in your mind.

You’re combing your fingers through his hair and gasping as Aegon’s lips ghost down your scar, not something ruinous or shameful but a part of you, the beginning of your story together, the origin of your mythology. Then his mouth is on you—yearning, aching wetness—and you thought you knew what this felt like but it’s more powerful now, more urgent, and Aegon is glancing up to watch your face, to study you, to change what he’s doing as he follows your clues. And then there is a pang you think is too sharp to be pleasure, too close to helplessness, something that leaves you panting and shaking.

You jolt upright. “Wait…”

Aegon props himself up on his elbows. His full lips glisten with you. “What? What’d I do wrong?”

“No, it’s not you, it’s just…it’s like…” You can’t describe it. “It’s too…um…too intense or something. It’s like I couldn’t breathe.”

Aegon stares at you, his eyebrows low. After a long pause he says: “Babe, you’ve come before, right?”

I’ve what? “Yeah, of course, obviously. I mean…I think so?”

He’s stunned. He’s in disbelief. Then a grin splits across his face. “Lie back down.”

You’re nervous, but you trust him. If this costs you your life, you’ll pay it. He pushes your thighs farther apart and his tongue stays in one spot—where you touched yourself in the bathtub in Seattle, where you wanted him when he slipped his fingers into you for the first time—and suddenly the uneasy feeling is something raging and irresistible like a riptide in the Atlantic, something better than anything you knew existed, and you keep thinking it’s happened but it hasn’t yet, as you cover your face with your hands to smother your moans, as your hips roll and Aegon’s arms curl under your thighs to keep you in place so he can make you finish. It’s a release that is otherworldly, celestial, terrifying, divine. It’s something that rips the curtain between mortals and paradise.

It’s always like this for men? That’s what Aemond has been getting from me, that’s what I’ve been denied?

As you lie gasping on the carpet Aegon returns, smiling, kissing you, running his fingers through locks of hair that have escaped from your pins. “Not bad, right little Io?” he purrs, smelling like rum and minerals, earth and poison. Now he’s taking off his jeans, but before he can position himself between your legs you have pushed him onto his back and straddled him, pinning his wrists to the floor, watching the amazement ripple across his flushed face, the desire, the need. You tease Aegon, leaning in to nibble at his ear and bite gingerly at his throat, never harming him, never claiming him, grinding your hips against his and listening as his breathing turns quick and rough. Then you slip him inside you, this man you once hated, this man who was a stranger and then a curse and now a spell.

Aegon wants to be closer to you. He sits up as you ride him, hands on your face, in your hair, kissing you, inhaling you, shuddering, trying not to cry out as footsteps and laughter and thunderous basslines bleed through the ceiling. You know he’s been high on so many things—things that corrupt, things that kill—and you hope you can compare, this brief clean magic.

He can’t last; he finishes with a moan like he’s in agony, and as the motion of your hips slows, you take his jaw in your grasp and gaze down at him. “Good boy,” you say with a grin. Aegon laughs, exhausted, drenched in sweat, his hair sticking to his forehead. He embraces you so tightly you can feel the pounding of his heart, racing muscle beneath bones and skin.

He’s murmuring through your disheveled hair: “I gotta see you again, when can I see you again?”

You don’t know what to say. You don’t have an answer. You unravel yourself from Aegon and dress yourself in the red candlelight: panties, bra, dress, boots, all things that Aemond chose for you, all things he bought with his family’s money, all things he owns. Aegon has nothing to his name and neither do you. You are—like Fosco once said—pieces of the same machine.

“Where are you going?” Aegon asks, like he’s afraid of the answer.

“I have to go back upstairs to the party before someone realizes I’m missing.”

“Are you serious?”

“I am.” You kneel on the carpet to kiss him one last time, your palm on his cheek, his fingers clutching at your dress as he begs you not to leave. “I have to, I have to,” you whisper, and then you do.

You grab the Ouija board and planchette off the green shag carpet, hug them to your chest, and hurry up the steps. The first floor of the Asteria house is a maze of cigarette smoke and clinking glasses, guests who are dancing and cackling and drunk. From the record player strums Johnny Cash’s Ring Of Fire. You slip unnoticed to the staircase.

In the blue-walled bedroom you share with Aemond, you carefully place the Ouija board and planchette in the top drawer of his nightstand exactly as you found them. Then you go to your vanity to try to fix your hair. As you’re rearranging clips and pinning loose strands back into place, the door opens. Aemond is there, feeling beloved and invincible, looking for you. He crosses the room and closes his long fingers around your wrist. He wants you: under him, making children for him, possessed by him.

“Come to bed,” Aemond says.

“Not right now. I’m busy.”

“You aren’t busy anymore.”

“I told you no.”

He wrenches you from your chair. Instead of surrendering, you strike out, hitting him in the chest. You don’t harm him, you’re not strong enough, but genuine shock leaps into his scarred face.

“Don’t fucking touch me,” you hiss. You can’t let Aemond undress you; he will find the evidence of your treason, he will see it, feel it, taste it. But that’s not the only reason you stop him. “Every goddamn night I give you what you want, and exactly how you want it. Tonight I’m saying no. You want to take me? You’ll have to do it properly. I’m not going to give you the illusion of consent. You remember what Zeus did to all those women, right? Go ahead. Act like the god you think you are. But I’m going to fight you. And if those people downstairs hear me screaming, you can explain to them why.”

Aemond stares at you in the silvery light of the half-moon. You glare boldly back. At last he leaves and descends the staircase into an underworld of churning smoke, returning to the party to sip his Old Fashioneds and decide what to do with you.

#aegon ii targaryen #aegon targaryen #aegon targaryen ii #aegon ii #aegon targaryen x reader #aegon x reader #aegon ii x you #aegon ii fanfic #aegon ii x reader #aegon targaryen x you #aegon ii x y/n

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digitalgirlguide · 1 month

Text

you know you have it already, so why don't you believe it?

giiiirrls,

there's immense power in tuning into the frequency of your own desires. It's about recognizing that the external world—the so-called 3D reality—is merely a reflection of our internal beliefs and assumptions. To manifest our dreams, we must persistently walk the talk, unwavering in our belief that our affirmations and wishes are already fulfilled.

easier said than done right?

WRONG.

you have to want it badly enough right now in this moment.

but how do you get started?

keep reading.

🔮 Persistence in Belief

Consistently reaffirm your beliefs and assumptions, even in the face of doubt or adversity. Don't leave room for doubt.

Trust and know that your thoughts and emotions are powerful forces that shape your reality.

🔮 Walking the Talk Every Day

Act as if your desires have already manifested, embodying the feelings and behaviors associated with your goals.

Live each day with intention and purpose, aligning your actions with your desired state

🔮 Surround Yourself with Positive Influence

Surround yourself with people, media, and experiences that reflect the lifestyle of your desired state. Follow inspirational figures on social media, attend fashion events, and immerse yourself in the world you aspire to be a part of.

🔮 Manifesting Opportunities

Use visualization techniques to manifest opportunities that align with your goals.

Picture yourself receiving invitations to exclusive events, collaborating with influential brands, and being featured in fashion magazines.

now remember ladies, the key to using the Law of Assumption effectively is to believe wholeheartedly in the reality you're creating and to consistently align your thoughts, emotions, and actions with that vision.

and then sit back and watch the magic happen

#it girl #that girl #pink pilates princess #self care #dream girl #self love #clean girl #becoming that girl #pink pilates girl #girlblogging #law #law of assumption #loa #loa tips #loassumption #loa tumblr #neville goddard #loa blog

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yourdoorisunlocked · 4 months

Text

ᴠᴀʟᴇɴᴛɪɴᴇ'ꜱ ᴅᴀʏ ᴠᴇxᴀᴛɪᴏɴꜱ - ꜰʟᴜꜰꜰ

𝐀/𝐍: Whew! Ok, I'm taking a small break right now- I have one more request to do, and ofc as soon as I can I'll finish it, but I don't want to burn myself out or anything.

I'm just taking a quick writing rehab right now. Nonetheless, the banter was so fun to do, and I hope you all like it!

If I do write another chapter for the week, it'll probably be for What A Dish, What A Doll!

➺ 𝐖𝐨𝐫𝐝 𝐂𝐨𝐮𝐧𝐭: 2,903 ➺ Song Recommendation: 𝓔𝓵𝓮𝓬𝓽𝓻𝓲𝓬 𝓛𝓸𝓿𝓮 | 𝓑𝓸𝓻𝓷𝓼

. . .

The chill of February’s frosted breath graced the glass panes of the largest building in the Vee’s district, an imposing force that not-so-subtly hinted at how far their influence and power expanded across the Sinner’s Circle of Hell, as it stood right in the heart of the Pride Ring for all to flock to. No matter how depraved, sadistic, or perverted you were, the territory of the Vees surely had something in store for your insatiable appetite to feast upon.

And since the first twenty-four hours of the infamously romantic month, chaos had erupted within the offices of the Vees. Other than Halloween, it was the greatest vice of Vox’s hellish existence, filling his calendar to the brim with meetings, product improvement, managing holiday events and sales, and not to mention Velvet’s stupid “Love Potion” gimmick-

For Christ’s sake, the goddamn holiday started with a ‘V’! Their brand of perfection practically relied on that lovey-dovey nonsense.

For the past week, the only thing filling up Vox’s schedule and keeping him from you was showcasing shitty rom coms with horribly conceived plots, Velvet rushing around like a mini-hurricane and destroying everything in her wake for her latest fashion show, and Valentino?

Oh, don’t even get Vox fucking started.

And now, after all of that overwhelming bullshit that kept him from warming your bed for the past few days, Vox desperately wanted – no, needed to escape and spend quality time with his darling. With you.

He had the usual Valentine’s Day blueprint in mind: eat ice cream and binge-watch your favorite TV-shows, while you flustered the hell out of him with your affections and make hot chocolate, and then fall asleep in each other’s arms by the fire.

Mundane, cheesy shit like that was the highlight of his days after another exhausting workday keeping it all roped together and navigating Velvet and Valentino's nonsense.

Their facade was of modern sophistication, perfection at its very finest that was produced for only those who could afford it, and it was all piled into Vox’s lap to regulate the chaotic, unpredictable behavior of his fellow Overlords, and keep their volatile nature in check.

But the continuous hardship that came with his stressful job would fade with the wintry wind as soon as he stepped off the elevator and into your shared penthouse, and like a patch of sunlight to snow, you’d melt away all his worries with a smile and a rub of his head as you took care of him for the night.

Almost there...

The television demon groaned as he crossed the threshold over to your apartments, seeing no need to keep up his perfectly aligned posture.

And, like a mercy served by Gods, Vox was met with the heavenly sight of you standing in your fluffy, midnight blue bathrobe that you’d received on your birthday, courtesy of Val. Vox would’ve personally burned it to high hell, but you adored the design, and he couldn’t resist you when you pleaded with him.

“Vox...” crossing your arms at the doorway, his light, his spark, his reason to maintain everything about his own reputation stood with a stern furrow in your brow as you strode over to him.

“Don’t tell me you’ve been overworking yourself again, love,” you grumbled as you took off his bowtie and removed his coat, and you smoothed out the front of his striped vest as Vox stumbled for an answer.

“I-” *sigh* “I’m not pushing myself that much. You know how the job is, especially around this time,” seeing your face fall and your lips tighten into a straight line, Vox took your hand, squeezing it within his gloved palms as his sharp teeth pulled into a small half-smile.

“But coming home to you makes it all worth it,” a tender hand dancing with waves of tingling sparks cupped your cheek, and with a heavy sigh, you looked to him with concern and affection swirling within your tender gaze.

“Yeah, yeah. All I’m saying is those two bumbling excuses of Overlords should at least give you a couple of days off,” you scowled softly, but your frown melted into a flustered pout as Vox kissed it away, and a soft buzz of electricity lingered against your lips.

“Now, now, enough of that, my dear. We still have the whole night to ourselves, don’t we?” You giggled, a long-awaited melody to his ears as Vox spun you around to press your back against his chest. How beautifully the sound replaced Velvet's usual grating, shrill voice that penetrated his ears. How agreeable you were, that you didn't fight him like Valentino, that you truly cared about him and his well-being.

Sometimes, you'd even force his workaholic ass to return to your apartment and get him ready for bed, practically hauling your grumbling, overworked hubby into bed, and forcing him to sleep in the next morning.

And it was the sappy, lovesick moments like these always reminded Vox that he'd never find anyone else like you.

All the more reason to keep you tightly within his grasp...

“Yeah, I guess, so. You dork,” you flicked the very center of your husband’s face, and he blinked a few times in surprise before chuckling and shaking his head.

“Oh, yeah? And what does that make you for loving me~?” Vox swayed against you gently, his inner fans suddenly warming himself up more than usual as he poorly attempted to conceal his light blush at having you so close.

Your laughter chimed through the air like the first sunbeams breaking through stormy gray clouds upon the aftermath of a thunderstorm.

“Well, I suppose that makes me your lover,” you simpered right back at him, turning your head slightly so you could stand on your tiptoes and kiss him.

It felt almost like a dream when you were in Vox’s arms like this. Simply existing with each other, standing above the Pride Ring as if you ruled the entire Sinner’s Circle. Untouchable, ambitious, and madly in love.

As if on cue, the sound of a gentle, reflective saxophone poured from the speakers installed within the penthouse as the lights dimmed, and you felt yourself drifting away as you swayed with your husband.

The soft buzz of electricity bounced against your figure as Vox stared down at you, his dead, automated heart pounding erratically as his hands slid from yours down to your waist, digging into the fabric of your robe with sharpened claws.

“Vox...?”

“Yes, my dear?”

With a deep breath, you lilted your voice as you spoke to him, in hopes that seeming more placating and docile could shake Vox’s stance upon his insistence to work himself to the bone. No more would you allow yourself to stand hopelessly to the side while you watched your husband work himself into such a distressed, sleep-deprived state.

“I’m putting my foot down. You’re not going back to that horrible place for the next week, at least.” Vox stiffened at your tone of finality.

“Excuse me?” He chuckled as if you were joking with him, but your resolute glare told him otherwise. “Check your phone.”

With a hesitant glance towards his pocket, Vox slowly pulled out his phone, only to find that, in fact, every work-related app had been temporarily blocked from the device.

Raising an eyebrow, he looked back at you and tapped your nose with a haughty smirk. “Nice try, but it’s going to take more than that for me to fall for your wiles, my dear,”

When you only grinned up at him with no hint of malice nor any trace of exasperation tugging at your usual, beautiful smile, his triumphant grin fell. “Why are you looking at me like that? What...”

A slow realization turned in Vox's mind as he recollected the last few days, when you were poking and prodding at him and his programming for “no apparent reason,” and he wrote it off as curiosity born from your boredom while being locked up at the penthouse apartment.

But by fuck, he was really regretting indulging you right now, for once.

With a surge of panic, Vox immediately blue-screened, as he mentally checked for any of his work-related tabs and files, only to find them completely, and suspiciously empty.

No notes. No texts. No documents.

Nothing.

You... You fucking hacked into his mainframe!?

His interface returned to normal to find you slumped against him, only perking up when you saw your husband had returned from his frenzied search of the crime that had been committed; the heinous act of keeping Vox from working.

And here the culprit was standing, swooning and relaxing in his hold, nuzzling against him as if she wasn’t to blame for his entire workspace vanishing off the face of the Earth for the next seven days.

“Well...?”

“...How long have you been planning this?” Vox was absolutely aghast. He knew you could be impulsive, perhaps even irrational, compared to your cool, collected husband, but this was...

You grinned triumphantly as you tapped his nose right back.

“I just thought you could use a few days off, spending some time in your wife's company for Valentine's Day~..."

“But when did you- No, how the hell-?”

“It seems that you’ve fallen victim to my wiles yet again,”

“Oho, you sneaky little-!” Vox practically tackled you into a hug as he discharged a small bout of electricity, tickling you with an electrifying warmth, just by holding you against him.

“C’mon, I’ve got another surprise for you,” with a soft giggle and a gentle tug of his antenna, you pulled Vox from the floor as his free hand shot up to his hat with a small, bashful frown.

“I told you to stop that!” He outwardly groaned, but you could hear the flustered electrical buzz that Vox emitted whenever you did something to him that he really liked.

“You know I don’t like it,” he muttered, but as always, you saw right through him.

“And we both know that’s one of the biggest lies you’ve ever told me,” you grinned back at him cheekily as you pulled him into the living area, where you had spent most of your afternoon setting up when Vox was occupied with his work.

In the living room, you had set up a small, cozy gaming area. It then hit Vox just how long you had been setting this up, waiting for him to drop his guard and into your scheming hands.

That little criminal...

Two controllers, one for you, and one for Vox, sat upon a pile of fluffy blankets. A few pillows draped in silk cloth surrounded the area on the couch, and before it upon the coffee table, there sat a freshly made bowl of popcorn, and various other chocolate candies and snacks.

“Hm... Seems like someone’s been itching for a rematch.” A challenge glinted in his sensors, and you leaned into him with an equally blazing ire.

"You wanna bet...?"

. . .

“GODDAMN FUCKING BLUE SHELL! I’LL DESTROY YOU, YOU SPIKED SON OF A BITCH!”

“HA-HA! GUESS WHO’S IN THE LEAD, NOW!?”

Your fingers pressed the controller furiously as the TV blared in front of you, and as you crossed the finish line, you let out a whoop of victory, nearly falling out of Vox’s lap in your bout of triumph.

“Yes!” “No!! Fuck!”

You and Vox shouted simultaneously, making you burst into a fit of triumphant laughter as he groaned and slumped defeatedly behind you.

“Are you serious!? That’s the fifth time in a row!” Vox nearly crushed his controller in his vice grip as he threw a slew of curses at the TV.

The two of you had been playing Mario Kart for the past hour, blissfully unaware of how your gaming match had whisked the both of you into a heated competition of bumper cars and tallying points for each round someone won, and the winner would be picking the movie you watched.

You stuck your tongue out at him with a victorious beam. “It seems the Nintendo wants us to watch the Kissing Booth tonight,” you giggled madly when Vox’s face scrunched up in disgust.

“Yeah, babe, there is no way I’m watching that.”

“Aw, come on, I won fair and square!" you leaned into your husband, who sighed with exasperation but softened at the sight of your pout.

“Please...? I promise we’ll watch whatever you want tomorrow!”

“It’s my first day off the job, and you want to watch the goddamn Kissing Booth!?”

"Pretty please, Sparks?" Vox’s aura buzzed softly at the nickname, and he narrowed his eyes down at you as you begged him with your puppy eyes.

“Playing dirty, huh? Fine. Let’s watch your dumbass movie,” Vox pouted with crossed arms as he slumped into the couch in defeat and his antenna buzzed softly in annoyance. It sparked abruptly when you clapped excitedly and pulled him by his collar to lay a tender kiss on his cheek.

“Thank you! I promise, you’ll love it,” you grinned mischievously and grabbed the remote.

Vox, in fact, did not love it. In fact, it was so bad that you both started watching it ironically and threw jabs at it occasionally.

“So, who do you think she should pick? Her psycho-controlling best friend, or the pretty boy with anger issues~,” You leaned your head against his shoulder as you shoveled a handful of popcorn into your mouth, your eyes glued to the screen.

Vox sighed and rubbed his forehead, equally as invested as you were despite your shared frustration with the film.

“Honestly? She should dump both of them and run for the goddamn hills.”

You snorted. “Yeah? Well, I would’ve chosen her boyfriend. He gets better over the next couple of movies.” Vox raised an eyebrow at you. “Seriously?”

Popping a few M&Ms into your mouth, you nodded at him. “Yeah, I’m serious! He gets some serious character development,” you mutter sarcastically, before licking your lips with a shit-eating grin. “He seems really cold and angry on the outside, but he’s not so bad once you get to know him.”

Nudging his shoulder, you glance not-so-subtly up at him, and Vox took the hint, tickling your sides softly with a smirk.

“And I’m a dork?”

“Yeah, and you’re a contagious one, too!” Your hands grabbed at his arms as he crushed you into a hug, pulling you even closer as he rested his head upon yours.

“Well, then I guess that makes two of us, doesn’t it my dear~?”

“No! Stop! Please, I can't breathe!” You attempted to flail around dramatically, but within Vox's vice grip, that was next to impossible.

“Ah-ah-ah! I’m afraid you’re trapped within my wiles, darling!”

“Curse you! How dare you use my own spells against me!” You giggled as he continued his bombardment of tickles and small, feathered kissing against your nape and the small back of your neck.

Soon, your laughter died down and you both fell silent as you finished the rest of the movie.

While you slowly began to drift off into sleep in Vox's arms, spent from the day of preparing your apartment for your husband's arrival, he looked down at you with a tender half-smile.

I can't believe someone like you would even look at someone like me...

"Hey, babe-?" He whispered out into the dark, before huffing out a chuckle when he realized you were still asleep.

With a soft smile, and a tender patter of his heart, Vox scooped you up and whisked you away to your bedroom, where he silently dresses you up in a pair of pajamas, and tucked you into bed.

Ever so gently, Vox laid a few of the blankets over your form, dragging them and the silk pillows back from the couch to make his little sleeping beauty ever the more comfortable.

He looked upon you as you dozed the minutes away, blissfully oblivious to the war that raged inside of him.

While Vox was impressed that you had managed to somehow hack into his mainframe and alter his actual mental programming, it really would take more than basic understanding – plus, you pulled it off unguarded. Now, of course, this spawned a new problem for him, but he’d deal with it in due time. Besides, it’d give him a proper excuse to slack off a little bit, with you.

God, what was he thinking? The old Vox would’ve seen such a desire to goof around with some girl while the other two Vees went around wreaking havoc and partaking in whatever idiocy without Vox to keep them in check.

But you weren’t just ‘some girl’ to him.

And frankly, those two clowns could go fuck themselves.

A part of Vox wanted to remain in your bed, for your sake, but there was work to be done, and Velvet no doubt was positively livid at the fact that he wasn’t answering any of her calls.

So, with a newfound confidence in his advances, your husband bent over you, softly pinching your chin within his finely sharpened claws, and laying a few tender kisses trailing from your lips down to your nape.

I wish I could do this to you when you’re awake... But that smile, fuck, I can’t even form sentences without fumbling when you look at me like all you want is to give me the world.

You groaned and turned over within the sheets, scooching towards him with a soft furrow in your brow.

Vox kissed it away, before reluctantly pulling away from your side, standing at the door with a small, yearning smile.

“Til morning, my dear.”

. . .

𝐄𝐧𝐝 𝐍𝐨𝐭𝐞𝐬: Happy Valentine's Day from our favorite crazy-ass TV demon!

I'm sorry I didn't get to post this yesterday, but I was feeling so unmotivated by the end of it, and I decided to rewrite most of this fluff fic, just to give you all a quality post.

I don't half-ass things, especially when it comes to writing, that's just why my fics take a while to post.

Anyways, thank you so much for reading, and comments are always appreciated!

. . .

𝑻𝒂𝒈𝒍𝒊𝒔𝒕: @hazzbindarlingg, @darkangel582, @starsformydarlingmazel, @chitter-chatter, @matrixbearer2024

#vox x reader #vox x you #hazbin hotel x reader #hazbin hotel #hazbin hotel vox #valentine's day fluff #this man is a workaholic confirmed #yourdoorisunlocked #banner by cafekitsune #divider by cafekitsune

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grandeoatmilklatte · 2 months

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Fellow oat-and-omi-lover,

I have a request. It's loosely thought out and entirely up to you for interpretation.

But basically, I'd love to see a very touch-starved Ominis (you know, never been hugged or kissed in his family, the other students are wary of him, his only touchy friend was Sebastian and that's gotten tense recently) with a touch-shy MC.

Ominis is so tactile, and his main experience with close friends (the twins) is something MC is just... incredibly skittish about for whatever reason. Like he grew up having them grab his hand or sling an arm around his shoulder or greeted him with hugs, and now he's just got this singular friend available to him and there's so much adjustment on both sides???

He takes their hand to show them something, and they just freeze or startle or something? And somehow, this is reconciled? I'm a sucker for romance as well.

I DON'T KNOW!

Basically touchy Omi and big personal space bubble MC in whatever capacity strikes you.

Maybe.

If you want!

I love you, and thank you for reading my request. 😭💖

@applinsandoranges my love!! I tweaked your idea a bit and turned touchy Omi and touch nervous MC into a brand new couple and made this short little one shot from there! I hope I made you proud!

Getting To Know You In A New Way ❤️ - (Ominis Gaunt x F!MC)

Warnings: Fluff! || Slight NSFW (brief mention of touching) || mention of Sebastian slipping Ominis some liquid courage potion to ask a girl out || characters are 18 and in their seventh year || implications of trauma || aversion to touch || some negative self talk from MC || (1346 words)

Ominis loved everything about his girlfriend. He loved her from the moment he met her in fifth year, long before she even was his girlfriend. Her kind and gentle nature towards him, despite his lineage, and her alignment with wanting to pull Sebastian away from the Dark Arts drew him to her. As time went on, his love for her only grew stronger, reaching a peak during the first week of their seventh year. After being slipped some liquid courage in his morning tea, courtesy of Sebastian, the boy confessed his feelings for the girl, feelings which were thankfully returned by her. After years of pining, they were finally a couple, and he loved everything about her. But there was one small problem.

Early on in the relationship, Ominis discovered she had a severe aversion to being touched, something he somehow never picked up on in their time as friends. Her aversion was so severe that he wasn’t even allowed to hold her hand for more than a few minutes before she’d pull away, although she did allow him to kiss her, but only with brief pecks on her lips.

It wasn’t a matter of her being ashamed of Ominis, this theory being easily debunked by the way she gushed about “my boyfriend, Omins” to anyone who would listen, their frequent dates, and her general love of being in his presence. She was just exclusively afraid of physical contact. Ominis never pushed for an explanation, feeling like it was still too early in the relationship to do so. Although he knew from the early days of their friendship that she didn’t have the best upbringing, growing up in an unaffectionate home, something Ominis was all too familiar with.

Her aversion to touch created some difficulties for Ominis, his own love language being physical touch. He was desperate to feel the skin he couldn’t see, to know her in a new way, and he cursed anyone and everything that hurt her in life that created this trauma response. But nevertheless, he accepted her fully, never pressuring her, or touching her without her consent, hoping that there would come a day where his love and support could heal her.

—

It had been a particularly rough week for the two of them, having been partnered and assigned an enormous project for their History of Magic class. They had spent countless hours in the library working on this project, and were incredibly nervous about their grade, grades being exceptionally important in their final year of school. Upon receiving their project back, they refrained from checking their grade until they had a moment alone together in The Undercroft, wanting to either celebrate their passing grade together or wallow in sorrow at their failing grade together. When they opened their stack of parchments to see a passing score, she pulled Ominis into a rare, but absolutely welcomed embrace. Ominis inhaled deeply, the smell of her hair flooding his nose and making his heart flutter. He felt her body begin to pull away, wishing the moment could have been longer. But as soon as she pulled away, she leaned right back in, hands coming up to hold his face as she kissed him.

When she didn’t immediately pull away, Ominis kissed her back, deepening the kiss, but reminding himself to keep his hands away from her. His mind was racing, reveling in the intimacy. But his thoughts were halted and his mind went completely blank when she slowly worked her tongue past his lips. Ominis had completely forgotten his note to self, bringing his hands to rest on her hips as his tongue mingled with hers. She let out a squeak against his lips, but continued to kiss him for another few seconds before she quickly pulled away from Ominis, breathing heavily as she caught her breath.

“I…I’m so sorry…” Her voice was small and sad, and it was clear to Ominis that she was on the verge of tears. He couldn’t make sense of her sadness, realizing that he should be the one apologizing, not her.

“No, darling, I’m sorry. I know you don’t like to be touched. I got carried away. It won’t-”

“No. It’s not you, it's me. I’m sorry I’m such an awful girlfriend. My boyfriend can’t even hold me without me panicking.” she had begun to cry, Ominis hearing the breaks in her words. “You deserve better than me. I’m so sorry.”

Ominis’s body reacted almost involuntarily as he immediately pulled her into his arms. He stroked her hair as he spoke, his heart shattering at her words.

“You are not an awful girlfriend. At all. Please don’t ever say that again. I love you, and it hurts to hear you say such things about yourself. Come, sit with me.”

Ominis led her over to the sofa they had placed in the corner of The Undercroft some time ago. He took hold of her hands once they were seated and he continued.

“I know physical touch is hard for you. You grew up in a loveless home. I did too. Physical touch made me feel vulnerable, as I imagine it does for you as well. It used to scare me too. But once I got to Hogwarts and found myself with friends who love me, affection was no longer scary. I don’t want you to be afraid of affection. I want to help you heal from your pain. I want you to realize that you are worthy of love, and I want to be the one to love you. And, if I’m being honest, I would love nothing more than to be able to touch you, to feel you, to know your entire body inside and out. But I can be patient until you’re ready. Your comfort matters more to me than anything.”

Her tears were falling even harder now, but they were no longer tears of sadness. “Oh Ominis! What did I do to deserve a boyfriend as kind and understanding as you? I know I haven’t made things easy for you. I know it’s hard to not be able to touch me, especially with you not being able to see. But I want to get over this fear I have. I want to overcome this trauma, and I want to do it with your help. I love you, Ominis.”

She pulled him into another kiss, this kiss being softer than the first. Without breaking the kiss, she moved Ominis’s hands so that they could be wrapped around her waist before bringing her own arms around his neck. He could feel the tension melting from her body as they kissed. Already she was welcoming the idea of a more physical relationship with him.

In a move that took Ominis by surprise, she began to lay back on to the couch, pulling Ominis down with her until he was lying on top of her. He had a moment of panic, unsure what to do, but as she began to kiss him with more passion in this new position, Ominis became the one with the tension melting from his body, adjusting so that they were both lying comfortably on the couch.

Ominis slowly ran his hands up and down her arms, familiarizing himself with her skin, goosebumps forming in the wake of his touch. He then brought his hand up, his fingertips grazing her neck, which earned himself a soft moan. Finally, his hand came up to her cheek, stroking it with his thumb. Reluctantly, he pulled his lips away from hers to catch his breath, his thumb still stroking her cheek.

“That wasn’t so bad!” she said breathlessly. “I think I really like it when you touch me. I can’t wait for you to touch me more!”

There was a hint of sultriness to her words, which sent a tingle through Ominis’s body. He ignored it, knowing that there would be plenty of time to touch her that way later. For now, he was excited to get to know the love of his life in a new way.

#ominis gaunt #ominis gaunt x mc #ominis gaunt x reader #ominis x mc

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