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#my gifset does not have much more room for any more moments
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Immediately sees the word love and things “I love you” (x)
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haircoveredwriter · 7 months
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Episode 1X05 "Deux Amours" thoughts
(Warning: if I don't make sense in this post, I apologize. I've been trying to put this together for the past 20 mins but my brain has been fried by the episode it seems).
The fifth installment of the Daryl Dixon series is a GIANT - let me repeat this - G I A N T culminating expression of Daryl's fears/desires/drive to get home to Carol. If anyone was in doubt before they would have to be living in another dimension not to see it after "Deux Amours".
Starting with the conversations between Daryl and Azlan throughout the episode, Daryl's focus on getting home is clear. Our boy is still obsessed with finding a working radio for a specific call even in the flashbacks, but more on that later 😉. Azlan asks him about the promise he made which drives him on his journey to get back home, and Norman's acting of subtle reacting to the other man's points of (I'm paraphrasing) "sometimes a man's promise gets detoured around the realities of life" encompasses the tone of the entire show and the rest of the episode. "It's a home for the soul" If that isn't Caryl, I don't know what is.
When Laurent asks him about his friends there's an obvious pairing and splitting up of the groupings he chooses to answer with; Judith & RJ, Connie & Ezekiel, Carol. There are the kids, his friend ... and then " a woman named Carol". His pause and voice change upon saying her name warms my little shipper heart. If only Laurent hadn't jumped in so quick to continue the conversation. Look kid, the man was having a MOMENT! Read the room, sheesh. Lol.
I've haven't seen many bring this up but imo the young man at the gas depot during the flashback's was another huge planted plot point for Caryl. Daryl's whole thing has been how he needs to get home, and the kid is there "just trying to make it home to his girl". He promised he get enough gas to pick her up and take her away, the two of them together, out to California. Does that ring any bells to anyone???? NEW MEXICO IS STILL OUT THERE.
THAT radio call scene. Yes. Everything about it ... yes. I don't think I can do it justice trying to put it into words but @mcbride made a wonderful gifset of it for you to view or I know there are clips of the scene out there as well.
**Special recognition for the fact a lot of these Caryl callback scenes occurred by the river/while Daryl was in a make shift tent similar to the one at his s9 camp.**
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Now we've reached the infamous Daryl/Laurent/the boat scene. I'm not going to get into a debate of whether he was wrong or right to go off on a kid like that; I'm going to deal solely with my perceived reasoning behind Daryl's actions. IMO finding the boat gone and subsequently that Laurent is the one who cut the rope was the straw that broke the camels back - so it were - for Daryl's emotions through the whole show about going home. Everything had been building up emotionally for Daryl until this point in the series; every past attempt to get home thwarted or delayed somehow, and having the person who he's supposed to be getting to The Nest where he will get what he's been after ... a way home ... blow things up in his face was too much to bear. The thought that maybe he may not actually get back to Carol overwhelming him and leading him to blow up at Laurent. I think the timing of this scene in the episode should also be taken into consideration, immediately after the radio call.
The groundwork has been laid out for Carol's reappearance in the season finale, whether that is in France or somewhere else that is still yet to be seen but all roads lead to Caryl.
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br1ghtestlight · 5 months
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okay first of all im not convinced that rudy didn't buy tickets only bcuz louise annoyed him about it and he vaguely recognized the bands name from one of his dads old records FJDMDNSMSMSJ
why doesn't tina get to go to the old man concert w/ gene louise and their friends 😭
love how both concerts that tina mentioned going to were boyz 4 now concerts and that BOTH of them were actual episodes in the show. this is why catching up on bob's burgers lore is so important. these are the things you'd miss!!!!
NOOO NOT THE KING BREAKING HIS PAW this is a code red emergency
EVERYTHING EVERYWHERE ALL AT QUINCE BURGER BANGER NAME‼️‼️ have the bobs burgers writers seen the hawk and chick bb/eeaao comparison gifsets. do they even know that they made me cry. i want you to know how much i love and support you even if you stop fighting monsters with me someday and do taxes instead. okay sorry i got distracted
rudy!!!!
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okay MAYBE i missed them saying that the concert had paid entrance or something but this is a block party?? could they not just go downstairs and watch the band outside. like it might not be premium seats but at least they'd be going to their first concert ?
most normal louise and rudy interaction
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LINDA IS GONNA GET LITTLE KING TRASHMOUTH EUTHANIZED GOOD GOD 😭😭😭😭💔💔
why is tina being the voice of reason here LMAO like at least google how to capture an injured raccoon or something
OH ITS NOT THAT HARD. GOOD WHEELS ON THIS THING obsessed w/ teddy in this subplot(??) i missed him
i feel like this episode has the same problem as the st patrick's day episode where despite the episode's title and description trying to make the subplot the main focus of the episode its also Clearly the subplot to a more important storyline. which is fine bcuz they're both entertaining in this episode but its gonna be confusing as hell in the future trying to find this episode 😭
"maybe it would be easier to watch the concert from the street" IM SAYING LIKE?? literally what was louise's plan here. im obsessed with her
girl. all this for like six pieces of candy
THIS HAS NO REASON TO BE SO STRESSFUL im shaking im so worried about little king trashmouth... if anything bad happens to him im killing everyone in this room and then myself. that would literally be bury your gays. to me
not bob having another burger related existential crisis ☹️☹️
bob has failed to realize he could cook literally ANY other food if he really wanted to. but i will admit he likes cooking the burgers. and tbh?? what he described sounded like an autistic dream so maybe he simply does not understand the vision like me and u bob. maybe he just doesn't get it
"is that magic marker?" "what makes you say that??" "my.... eyes?"
actually where the HELL did they get those shirts they're too big to be louise's but wayy too small to gene's this is the actual mystery in the episode. possibly maybe tina's old shirts or something??
today we learned that linda buys her wine from the liquor store on their block which was Probably obvious but cool to see it confirmed
OH HELL NOO BOB IS GETTIN OLDER
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also kinda funny to say this when big bob is Literally in next weeks episode and seems happy enough running his diner.... like bob have you considered maybe you LIKE cooking for people and thats okay?? your dad does too. some people are happy to do one thing forever and thats not like a Problem unless you're unhappy
awww they're such cuties dancing together
ROMANTIC RACCOON REUNION 💕💕🏳️‍🌈
"Well there are moments, you know... when the band locks in, the crowd is with them and everything they ever loved about playing music comes flooding back in a rush of pure heavenly emotion. All that crap."
"But... all these decades later, they still have them? The moments?"
"You tell me."
😭😭 WHY DID THIS PART OF THE EPISODE MAKE ME WANNA CRY I HAVE TO GET A VIDEO OF IT OR SOMETHING. WHAT THE HELL too real for creative people..... omg. this season has a lot of moments like that about the creative process like gene's song etc
YOUNG BOB‼️‼️ OHH HES SUCH A GENTLEMAN bob my beloved
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THIS EPISODE WAS VERY CUTE?? very silly subplot w/ linda and the raccoons and then louise and gene and their friends. bob's little crisis in the middle there got to me harder than anticipated (i think they could have easily made that into its own episode but considering they've done similar concepts in the past i dont hate that they didn't flesh that out as much as they could have. we already KINDA know where bob is coming from here) and the ending clip with bob singing was soo silly im gonna need to post that too. fun episode!
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papa-evershed · 11 months
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What are your favourite gifs from recent interviews and acting jobs? :)
Anon, I don't know if you realize what you have unleashed by asking this question. How much time have you got? Pull up a chair. 🪑 Okay, but seriously, what are we considering recent? 🤔 Fuck it, I'm gonna say anything from the last season of Fate, AB, and DA2. Which would include any press/interviews in that time, sounds legit enough to me.
Like always, under a read more for length and this time take that warning seriously. Also, this took a turn for the thirst so no one come clutching their pearls at me, thanks.
Most importantly, and most recently as luck would have it, would be the Act On This he just did with Ross. Y'all are probably tired of seeing my gifs from this by now but I'm not. Seriously, from a completely shallow POV, this man is fucking stunning. Who the fuck does he think he is? A beautiful bastard, that's who.
Profile? The grey? The NOSE?
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And this one? Just fuck right off. He'll be hearing from my lawyers, I'm going to sue for thirst and suffering.
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Okay and one more from this because I have zero self control.
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Moving onto Ackley Bridge, we've got this one. The plaid? The belly? The jeans? Mr. Evershed be lookin' like such a Dad™, he needs to go mow a lawn and then be rewarded with a beer and a blowjob.
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Speaking of dads, I love me a sad-tired-dad walk.
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If I ever stop mentioning the tracksuit, assume that I'm dead. He looks fuzzy and cozy and just...a wild Mr. Evershed in his natural habitat. Also, thick thighs save lives.
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Now truthfully, I'm not wild about the look in DA2 or Fate S2. Whoever decided to dye his hair should lose their job. I really don't care if whatever God they believe came straight from the sky and instructed them to do it, the reason still isn't valid enough for me, sorry. But these are a few of my favorite shots from both:
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Back to press/interviews, can't forget the Act On This from 2022. Why do men never wear their glasses enough? And a plain black tee? 👀 And his laugh/smiles 🥺
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And while the hosts in this interview had a room temperature IQ, he looked good af. I love the salt and pepper, his eyes were popping, the stubble was perfect. (*Also, shout out to him for enduring that, seriously. The moment his Thomas joke fell flat I think he realized the depths of idiocy he was dealing with it and the train just understandably continued to derail.)
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DA2 press also provided these, which I've recently used in other gifsets but they're so nice we can look at them twice.
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Okay, and one more from this interview because I'm pathetic but at least I'm aware.
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Alexa, play Simply The Best. RIP Tina. 🙏
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matan4il · 1 year
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I apologize for the length of this in advance but I need to nerd out here for a moment. I love that you covered Bill and Frank because it very much reminded me of a point I have always made about Buddie scenes.
So if you watch TLOS, it's a mix of gamers and casual viewers. I watch with my BF and a group of friends and I am actually the only one who played the game. Now in the game I always thought Bill was gay, but we never even met Frank. He's already gone and their relationship is presented very differently. In fact the notion that Bill could be gay was a huge controversy in the gamer discourse.
On to when the actual episode aired. Unless you know all this, it can't be fully appreciated what this show accomplished. From casual viewers to those aware of the source material like me? The showrunners accomplished completely removing us from the world, the threats, introduce 2 character you have never seen and tell a 17 year long love story about them without me, fully processing we are in a different universe. Also add you had to make me understand and almost root for the suicide at end and not even be mad. How could they accomplish it, I truly believe it was the scenes, the lighting. There was no wasted space. We bridged 17 years knowing what happens without being beat over the head with it. Frank wasn't with Bill because of running water and hot food. Bill wasn't with Frank because he's lonely. The fact that their marriage scene is no dialogue, yet I get it, and I am bawling like it's masterclass.
So the Buddie aspect. It's always been the same for me. It's the filming and attention to details that show the love, but also alert me to like I need to pay attention. When Buddie goes Canon I feel like a large part of the audience will go oh yeah it all makes sense now. It's sad that in queer storytelling it can't be more obvious, but hopefully in a few years that will change . However again when it comes to showing Buddie as family there has never been wasted space or shortcuts in their scenes.
Does that make sense or am I being a romantic clown.
Oh one more thing. If you didn't watch all of TLOU, Tessa (the girl from the garden lunch is a perfect example of why Bill and Frank were beautiful. Because the Tess we know in the present day wasn't the Tess you saw giggling with Frank. It proves how Bill was able to protect Frank in a way Joel couldn't with Tess.
Hi Nonnie! Thank you so much for sending this ask referencing the gifset I made paralleling Buddie with TLoU's Bill and Frank.
Okay, I am going to start from the end and point out that I LOVE that comparison you pointed out of what Bill managed to do for Frank, versus where Joel couldn't do the same for Tess. But Bill did more than that. Bill could protect Frank because he was naturally a hermit. It didn't require effort for him to shit the rest of the world off and build defenses against it. He was doing that even before the apocalypse hit. What's truly amazing about Bill's love for Frank is the moments it allows any openness in Bill. First to Frank himself, to letting him in, talking to him, sharing personal stuff, playing his favorite song for Frank and letting Bill's own pain be present and seen. That's the moment Frank falls in love with him, after all. It's when he sees that and he wouldn't be able to if Bill hadn't chosen to be open and vulnerable with him.
(just take a second here to consider how much this reflects Eddie, who chooses to be open with Buck as early as 202, sharing Christopher's pic, letting Buck into their lives, and then letting Buck in on the pain and the vulnerability during his breakdown arc starting in 513)
Then there's the fact that Bill DOES NOT want to have other friends. He doesn't want Tess there, he doesn't like Joel, he would never have let them in no matter how many advantages friendship with smugglers may offer. But he accept their presence because Frank wants it. That's love. Leaving your comfort zone, making room for what the other person needs.
(don't think about Eddie not wanting to go to the horse ranch in 514, but agreeing to just in order to humor Buck, not even realizing how much this in turn is actually going to end up helping him)
But I wanna add something to all this. I heard Tess and Joel's relationship was discussed and what TLoU ended up going with is them being lovers, but never explicitly stating it. And I think that's SO interesting. 'Coz that means you can easily see some of the same tropes we see with Buddie happening with Joel and Tess as well. They're life partners, and we're never told in what way, but it is implied, and we're meant to pick up the hints and figure it out for ourselves, it explains their dynamics in ways that platonic friendship/business partnership does not. One trope, for example, is the parallel of the subtextual relationship to a canon one. Bill and Frank are canon. Tess and Joel are subtextual. Yet we have basically the same line from both Tess and Frank uttered at their partners: in 102, Tess reminds Joel she has never asked him for anything before, and in 103, Frank does the same with Bill.
(Buddie and every freaking piece of meta I've ever written about them paralleling every single one of 911's canon couples, like in the Buddie vs Lone Star meta posts, or the parallel with Madney in 512 or with Henren in 606...)
Thank you for this! Have a great day, lovely! As always, here's my ask tag. xoxox
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wellofdean · 1 year
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Carlos doesn’t resemble dean in the slightest, they’re practically complete opposites. John is the narrative mirror to dean if there was one, with his “I’m not a monster” thing, and with how Danneel and Jackles have unfortunately made a point to say that supernatural was a love story between two brothers at its core and john and Mary are an extension of that. In the Pilot it’s suggested that Carlos uses his sexuality to sabotage Mary’s relationships because he has a crush on her so I definitely think that their plan was to introduce a queer character just to but him in a het love triangle, in recognition of Cas’s popularity in the fandom. And it’s goofy to think Bolo ties are Deans “thing” when he wore one in like one episode and Carlos is Latino. If they wanted him to resemble dean they would be dressing him in flannel and leather… and one last thing. Do you not see the irony in you claiming supernatural is about how suffocating and damaging toxic masculinity is, and immediately following that post with a gifset that suggests Dean being at peace is a bad thing because he thrives on trauma and misery? I hated the finale too but that’s just hypocritical
John is certainly A narrative mirror for Dean, but so is Mary, Carlos, Millie... I wrote briefly about what I think is going on in this narrative here. I'm not interested in arguing about this, because it is obvious to me, and I am armed with a university degree in understanding narrative and a longtime obsession with the writings of Carl Jung, so I am pretty confident about what I see happening in it. You will not sway me, and I do not actually care at all, my anonymous friend who is apparently ashamed to own their own opinions publicly, whether or not you agree, and I feel no compulsion to convince you.
I have heard what the creative team behind TW have said, and you and I interpret those things very differently. Additionally, the idea that heart of Supernatural is the relationship between the brothers is one I really don't think is supported by the text especially not by the end of the show. Maybe it started that way, but it didn't end that way. I think the heart of Supernatural is Dean, and like Cas, we care about everyone and everything else in it because Dean does. I am not feeling any kind of way about Sam. His ending was lame, and his party city wig was stupid. I hate that we never see his wife, and he doesn't get what he wanted, but I am not still thinking about his fate AT ALL. If his story was done, it would be just fine with me. Dean is another story. Dean's story is not done, and Dean is the one that so many people can't let go, and that's because his story cannot end the way it did -- that is a broken narrative.
Again, I don't care if you agree or not.
I'm also not saying Bolo ties are Dean's thing. I am saying that Carlos literally wears the EXACT SAME bolo tie that Dean wore. Not just A bolo tie, THE bolo tie. Like, the same exact same one that Dean wore when he made Cas dress up like a cowboy in Tombstone. Little things like that are conscious choices on a TV show where every little thing on camera was placed there on purpose. Finally, there are lots of other things about Carlos that are very like Dean, in fact, when one looks beyond fashion.
Finally, there is no hypocrisy at all in recognising that the Dean we all know and love on Supernatural DOES thrive on trauma. He swims in a soup of it for every moment that we have known him. Trauma is the air he breathes. He is deeply, deeply traumatised for every moment of his existence. That isn't where I want him at all, I want him HEALED, but it is where is IS. He dies traumatically and then goes to a heaven where he just does more driving. I'm sorry, but that is insufficient peace for Dean. He deserves something much richer, deeper and more compelling, and he deserves to be loved, and to be transformed by letting himself love. But, Dean was not given any room or chance to make any kind of peace with his trauma, or to transform in any way. He just dies violently like he was fated to do, and then gets sent drive boring heaven, trapped in eternal stasis. If that is what you wanted for Dean, that's cool I guess, but I think it's fucking horrific, and I do not agree.
Again, I feel no need to convince you. I am just stating my opinions here, because THIS IS MY BLOG.
Finally, stop messaging me on anon. What the hell is wrong with just owning your fucking opinions? I am answering you in a civilised, perfectly normal and friendly way. What are you afraid of?
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tiny-tigers · 10 months
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I think some of those comments are a little harsh, especially with the amount you donated? - but I would maybe leave it in the hands of Charlotte and co for now as they seem determined to sort it out for you! Also sorry but I doubt England will get very far in this World Cup 🥴 so he'll probably be home earlier than planned and will likely do it then? Again, this whole thing is crazy and should *never* have taken this long, (its not that big an ask for a short video) but what with World Cup prep heating up and other people being more in the know, I would leave it in their hands now! (as hard as that may be 😢💕)
They clearly have your page in their 'search bar' if they're on it so often...😉😜
Ahh see Scotland are my second team 🙈 and I used to watch a lot of the Top14 so love Finn! 😅👀 (his baby is beyond adorable) but yeh he's a very happy-go-lucky character, can't wait to see what he does at Bath!
And yeh I don't follow any of the players friends/families so don't see anything from private profiles! Did it say where he graduated from??
yeah I thought it was a bit inappropriate as at the end of the day ...
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I paid for a service.. and the comments that followed were even harder than that but ... all sorted out now FINALLY and he seemed really apologizing for it so I think he knows it has been : a mess. Otherwise, he wouldn't be taking some moment in his ROOM to do it :)
Yes I think he does because sometimes he came back during the day if I post multiple stories so it is definitely on his searchbar on insta
I will remember that when I will do some gifsets then, I know it is the case for few of you here , Scotland and wales so I will try not to focus too much on england.
let me check that.....
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strandnreyes · 2 years
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44, 47, and if you’re feeling up to it- 28 (pencil, firehouse, tarlos)
44. Does fanart of your fanfic exist?
@typicaltk has made some wonderful gifsets of my most recent works
47. What fanfic of yours is truly underrated?
I cherish any feedback I get so I wouldn’t call it underrated by any means, but now that it’s been a few weeks and it’s not really a ‘new’ fic anymore I’d say Secret Moments In A Crowded Room
28. I will name you three things (object — scenario — fandom/ship): write a paragraph or two! (pencil, firehouse, tarlos)
WOW this got away from me... little more than a paragraph or two:
“Hey.”
TK slams his hand down on top of the paper, sending the pencil flying across the counter and dropping onto the floor with unceremonious thud.
“Hi babe,” TK says with what he hopes is a casual smile. He replaces his hand with his elbow, mentally calculating if he can slide the paper into his lap without Carlos noticing as he asks, “What are you doing here?”
Carlos blinks at him with an amused curve to his mouth as he comes to join him in the firehouse kitchen, eyes dropping to the table and the back to TK.
“I thought I’d join you for lunch on your last day as Paramedic Strand,” he shrugs, running his finger over the name on TK’s uniform as he likely pictures the addition that’ll follow it next time he’s on shift.
TK peels his eyes from his fiancé to find a take out bag from a restaurant down the street that they frequent a lot in his hand. “That’s sweet, thank you.”
Carlos smiles back and takes the chair next to TK. “So,” he nods at the paper TK’s still trying and failing miserably to cover up. “What to tell me what that’s about?”
“No?”
Carlos laughs. “Okay.” He pulls out a sandwich from the bag and passes it to TK. “But you know I can make out at least four of the words, right?”
TK looks down at where he wrote Carlos’ name and then scribbled it out and then ‘from the moment I—’, which got crossed out too.
He gnaws on his lip, looking at Carlos with a sheepish grin. “I may not have finished my vows yet.”
Carlos doesn’t look disappointed in the slightest, if anything his amusement grows. “And you think you’re going to find inspiration on a take out menu from Roppolo’s Pizzeria?”
TK groans. “I know. I know. It was all I could find.” He flips the paper completely over to preserve at least some of the lines he thinks are useable. “I’m sorry.”
“What are you apologizing for?” Carlos bumps his shoulder. “From my count you still have four more days to get those done.”
TK softens under the unconditional understanding Carlos never fails to give him. “It’s not that I don’t know what I want to say or what I feel it’s just…” he sighs, “nothing I write feels good enough to say to you on our wedding day. I want it to be perfect for you.”
“First of all, anything you say to me will be perfect because it’s coming from you.” Carlos says easily. “And second, if you were able to bring me to tears at three in the morning from a spur of the moment proposal—”
“It was not spur of the moment.”
“A slightly spur of the moment proposal, then I’m sure whatever it is you’re hiding down there under ‘daily specials’ is going to mean the world to me.”
“Yeah,” TK says, not sounding thoroughly convinced. 
“TK,” Carlos tries again, grabbing his hand this time. “I know how you feel about me. Every single day you show me how much you love me. We don’t even have to write our own vows if you don’t want to.”
“I do,” TK is quick to correct, ducking his head at his choice of words.
“Okay,” Carlos smiles. “But no pressure, okay? At the end of the day you’re going to be my husband regardless and that’s all I need.”
“That’s all I need too,” he says, letting the thoughts of it go to enjoy the bonus minutes they get to spend together before the bell goes off. 
But when Carlos goes back to his own shift and TK has nothing but the reminders he gave him in his head, he finally writes.
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mmtions · 2 years
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I love Buck and Eddie, I think there could have been so much potential with them two as a romantic pairing but honestly im losing hope. With the way the show has been going and the way Buck and Eddie have been written, individually and as a pair, do you really think there is still a realistic way to have them actually get together?? And i would love your opinion on this because you are an incredible writer yourself and ive been following your works from your Flash days
Hi anon! Thank you for messaging and for your kind words, and following since the Flash days! Guess we're both suckers for best friends in love, huh?
So if you're looking for more of a proof-based answer, @kitkatpancakestack talked more about some s5 choices that is very interesting and I think there's some amazing meta going around like @matan4il who I think has gone through like every 5b episode analysing.
Unfortunately, my answer is probably not the one you're looking for. Because it just... doesn't bother me if Buddie go canon or not?
So I'm putting the rest of this under read more to save other people's dash. And I should clarify that yes, I will be popping champagne like everyone at any and all 'canon' moments we get. I was screaming with the rest of y'all at Buck being in the room, and fixing the walls, and taking Eddie to the ranch. That's great content! That's fun! I love those goobers so much!! And I am also not saying I don't care about Buddie at all because, uh, my AO3 word count would disagree.
But what I mean by not caring is: what is canon and what is not does not affect my enjoyment, and I think it's a lot more fun to interact in fandom with that viewpoint.
Now, one caveat here is that I am a fandom elder (in my mid-twenties lmao). I've shipped a lot of ships, from canon to rarepairs to both-of-them-literally-died-in-canon (pour one out for the spn homies). I've shipped m/f, f/f, and m/m ships. I didn't get into Buddie because I thought they were a ship guaranteed to go canon. (I got into Buddie because this insanely gorgeous man was all over my dash apparently leaving whatever the 118 was and I needed to know more. Then I read some fic, and then I watched the show, and then I realised I was gone for about 8k into writing the PTA fic.)
I treat fandom like I treat literature. (No, I'm not saying they're the same, go away if you're about to quote classic greek at me.) What I mean by that is: the skill of literary analysis does not hinge on whether the curtains are blue. I don't give a damn what the author meant by choosing blue curtains. What matters is my skill in linking the blue of the curtains to a pattern or motif I've seen in the text, and my skill in explaining it to other people.
It's the same with fandom. I love the show - the found family, the humour, the characters, the drama - but when the episode ends, it's fanfictions and gifsets and fandom analysis I turn to. It's about the transformation. I mean, if I read one fic where it's Buck pining, or another where it's Eddie, or another where they're astronauts or cowboys or strippers or married in vegas or bake-off contestants, or they get together in the early hours of the morning or they get together after a harrowing emergency - one doesn't negate the other, you know? The skill is how the creators have transformed it. The gifmakers who made links between like, 1x04 and 5x17 and made it gorgeous to look at. Video creators, podfic makers, readers who comment and bookmark and make rec lists. Fanartists!! That's the fandom for me, and the show is the source from which we decide if the curtains are blue.
Now, truly I'm not saying this to condescend to you. I get where you're coming from, and I've been there. But I found that I take much more pleasure in my fandom experience by ignoring actors and interviews and twitter nonsense. If this is stressing you out (again, I have been there, I know it can be genuinely stressful when you care about these characters so much) you need to make a decision whether you're going to take a completely insulated approach (join me! who is ryan guzman? I don't know and now neither do you!) or you're going to lean into looking for proof in all the small moments. That's up to you.
Your fandom experience is yours to curate. If naysayers are stressing you out, block them. Read more fic, reblog more gifsets, spread more art! But I can't be the one to reassure you. If you're not enjoying the fandom, then - and I mean this with real love - take a step away.
If you think the curtains are blue, they're blue. If you wan to go out to bat to prove the curtains are blue, that's okay too, if you enjoy that! If you're constantly worrying that an executive producer is going to declare they're green, I would really recommend you come join the blue curtain club where we sew our own.
Canon is the source, and we choose what to take from it. And that's unfortunately all the reassurance I have for you, my love.
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dribs-and-drabbles · 2 years
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Pran ‘the warrior’ Parakul OUR beloved
#ASK ME HOW MUCH I LOVE HIM #i want to go all meta abt this nickname bc to me it's so much more than he can hold his own in a fight (though we know he can) #he's bold #he holds himself together on his own #he's confrontational #he's built a wall around his mind and his heart #he goes after what he wants #and wai LISTENS to him when he's told to back off (even when he doesn't want to) #he stands his ground #despite his fear despite the unknowns despite what he's been through #pran is a fighter through and through - @casualavocados
#he's so young but so brave 🥺🥺 #ive said this before already #but pat is just fearless and bold #he doesn't know fear not the way pran does #pran having seen it all still pushes forward #thinking of him in ep 11 makes my chest ache so so fucking much #how guilty he must feel about abandoning his mother after what he said and later heard #how terrified he must be to think of what'll happen when he returns #but for pat just for pat he bottles it all up and braves thru #for pat he pushes his anxieties aside quiets his mind #for pat he climbs above his fears #and then in the last scene pat's crying #pat's crying and pran who's faced the consequences of daring to reach out to pat before stands there smiling for him #like pat held himself together in the prev ep for pran #pran pulls himself together to give pat that same comfort #when it must have been so so much harder standing right in front of where it all started #im sorry about ranting in the tags this just invokes so much. emotion. in me - @transpat
#i love pran so much hes my comfort character and im so happy to see this gifset #he’s a fighter and a lover and i didnt know i could love him any more than i already do #hes so brave #hes quiet but explosive at the same time if that makes any sense #he doesn’t need to take up all the space in the room to make his feelings known when he wants it to be known #he picks and chooses when he wants to assert himself #his tiny braveries mean everything to me bc im the same way i think #he just feels very close to my heart :( #hes my lil bub - @gemxvi
#look how he swags up on the love of his life to say 'you asshole' #that's my whole son right there #good lord #i just got hit w such a wave of missing him 🥺🥺 - @icouldhyperfixatehim
#I love this person so much ;___; my dearest pran #wish he was real so I could give him a hug and tell him how brave he's been bc I know how hard it must've been for him to #conquer his fears and anxiety and go against his parents' wishes and choose himself and his love for pat - @soulmates7
#fourth gif is such an underrated pran moment for me #bc hes been so soft over pat and feels guilt towards everyone he SHOULD fight like wai and his mom #bc they have emotional baggage over him #but its the one time we get to see a glimpse of how pran could easily lose his temper for pat if he wasnt constantly controlling himself #i love that moment #its also the only fallout we have for the pat's feelings are hurt scene :( - @miscellar
#king behavior - @socoolpran
#a warrior in every sense of the word #he’s so brave and strong and fierce #and he isn’t afraid to stand up for himself and others #i just…love him a lot - @pranpats
#this set perfectly encapsulates one of my favorite things about him #i love him so much i want to eat glass - @pranparakul
#'is it my job to be responsible for your feelings' was the absolute emotional culmination in bad buddy for me #the turning point of their relationship #both pat and pran's relationship and pran and his mom's #the moment when pran truly chose to fight for what he wanted #personal favorites - @jazaa
#ahhhh #this is making me feel so much #my precious darling #he made the choice to fight for what he believes and what he wants at the right time #you deserve all the happiness - @yiling-recesses
#thats my boy #💕💕💕💕 - @noxclara
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I really enjoyed your Nathan fluff 🥺 we love this angry peach fuzz king 👑💖 would you ever write him being comforted after having a nightmare? 💕
First of all, LOL @ “angry peach fuzz king” 🤣🤣🤣
Second of all, here you go! 🧡 I will warn you - I think I forgot the fluff a little bit though. It became more hurt / comfort? More angst than expected? It ends nicely though and comfort is given to Nathan - but only after I’ve subjected him to rattling around in his own head and house for a bit.
Through the looking glass (Nathan Bateman x GN!reader)
Summary: Nathan has nightmares after The Incident. After so long alone, he doesn’t realise how badly he needs a little comfort - and maybe he doesn’t believe that he deserves it.
Author’s note: hopefully this isn’t too similar to All Better. I know they both take place post-stabbing, but I tried to give this a different focus. I know I could have made the nightmares based off of anything given the ask, but this timeline / focus seemed most sensible to explore the character.
Warnings: nightmares following traumatic incident (a stabbing); mentions of blood and injury - not graphic. Self-harm (punching the bag until injury); Body horror if you squint (some gruesome descriptions occurring in-dream, but fairly abstract); swearing; implied alcoholism recovery if you squint; mentions of therapy; Nathan mildly injured in fic; reader offering comfort.
Rating: MATURE for themes mentioned above.
GIF: by @santiagogarcia (this whole gifset is magic- check it out + reblog!)
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Nathan wakes up breathless, plastered to the covers by a sheen of sweat - and not in a good way. On instinct, or out of habit by now, or maybe somewhere between the two, his palm slides over his body to the site of the wound.
He is so slick that he half-believes he is soaked with dank, deep blood again, until his fingers trace over nothing more than a half-concave, half-ridged scar. The lack of searing pain is the next point of evidence leading him towards an alternative conclusion. He’s not dying (again).
It’s just another gruesome nightmare.
Although… there is nothing “just” about it.
The nightmares are pretty brutal. Brutal enough for him to wake with ragged breaths and a hammering heart, his sheets dampened and coiled up around him. Enough that it takes effort to sift through the layers of terror and distinguish reality.
With what can only be described as a whimper, Nathan swings his legs over the edge of the bed, bringing himself into a seated position and bracing his head in his hands until his racing heart levels.
In his mind, he’s telling himself to be logical about this. That Ava hasn’t truly arrived to finish the job she started; but logic is not the safe haven it used to be.
She could come back.
She’s still out there, somewhere, and Nathan distinctly got the impression, last time, that she was vehemently not a fan of him.
His hand trembling, Nathan reaches for the glass of water by his bedside, glugging it down so eagerly it spills into his bushy beard.
Since the… accident? Malfunction? Functioning just fine, actually? Failed experiment? Greatest achievement known to man? Attempted murder? (Truth be told, Nathan isn’t quite sure what to call it, so he simply calls it The Incident.)
Since The Incident, Ava has begun to regularly visit him in his sleep.
The visitations are not waning with time. In fact, they are happening more often, not less. They are happening more since you moved into the house.
It’s a bad fucking time to have quit drinking.
You’d been sent by the board. Something about Nathan taking “tortured genius” a slice too literally. Something about him being in isolation too long and needing another human around in the compound.
Well, that’s not technically true, is it? The shit all started when he opted to get social, after all.
Fucking Caleb.
Before that, he was doing just fine.
Nathan doesn’t like it at all - having you here. Being watched. Observed. Having someone monitoring his actions. Waiting for him to either fuck up or prove himself.
Ironic really, considering where he kept Ava. The experiments he ran on her.
She’d probably find it poetic, if she could truly understand such a concept.
At the thought of her, Nathan physically shudders, and reaches for an old vest to haphazardly mop the excess sweat from his skin. Then, he balls up a change of clothes and tracks nude to his wet room, feeling relief as the luke warm water sluices over his skin.
He watches himself in the mirror as he stands there naked. It’s not a vanity thing - at least not any longer. These days, he examines the way his form has changed since it happened. He lost some of his muscle and bulk during recovery, whilst unable to exercise, his arms slightly smaller and his abs softer. His stomach a little more rounded.
There’s also the puckered scar, of course - that permanent reminder of where he was skewered through the chest like a piece of kebab meat.
His gaze travels up over his body, until his eyes settle on his still haunted face. He doesn’t have his glasses on, and somewhere between the blurred vision, misted mirror, clouding steam and sluicing water, his reflected face distorts. It transforms - for the briefest of moments - into her.
Still amped with adrenalin from his harsh awakening, this briefest flash sends a surge of panic zipping through Nathan’s chest, his heartbeat racing so hard he can feel the pounding of blood in his ears.
Fuck, he curses, reaching his arms out to brace himself against the shower wall above him, his body trembling and his head dipping down between the cradle of his broad shoulders as his legs threaten to buckle.
He turns the water cold, until it is practically glacial and thundering on to the back of his neck, subduing this spiking heat.
She really did a fucking number on me, didn’t she?
It’s true though.
Ava is haunting him. When he sleeps - and at other times too.
Nathan didn’t know robots could do that. Didn’t know they could spawn ghosts.
Nathan doesn’t believe in ghosts, of course… but he does believe in trauma and its effect on the brain. He at least concedes that it is natural to continue to feel afraid; but this?
Being dogged by the spectre of her taps into Nathan’s deepest insecurities.
After all, there is nothing a genius fears more than doubting his own mind.
Nothing a God fears more than his own mortality.
And the man? Turns out, there is nothing he fears more now, than dying alone.
With a ragged breath, Nathan towels off and pulls on his grey sweatpants, tugging on his black zip-up hoody over his bare chest. And then, keen not to return to his damp, tangled sheets, he tracks towards the kitchen - mainly for want of any more favourable option.
Of course, he had returned to the compound after The Incident. Something about that many fibre optic cables being a bitch to lay down. Sunk cost fallacy and all that - too much already invested.
But it possibly wasn’t the best choice for his recovery.
Nathan has certainly gotten more used to walking down that hallway since he returned from the hospital, and yet he still finds himself holding his breath until he is free of it. Still finds his pace is just a little faster as he passes through. His gaze deliberately averted from that spot.
Once, you’d found him lying in it.
Lying in that exact spot, his body arranged like a crime scene photo, his eyes closed.
Hey, it’s hardly his least healthy coping mechanism, is it?
What in the fuck are you doing, Nathan?
Re-enacting my death, obviously.
Uh-Kay…. A beat. A devious smile. Shall I get some popcorn?
Absurd as it was, he had laughed. Laughed for the first time since it happened, and, with an extended hand, you had helped him up off the floor.
Still, now that he’s alone, he does not dwell in the corridor, colder and darker as it is without your light in it, and he tries not to think about your face or hers as he pads to the kitchen.
When he arrives though, he bypasses it entirely - heading out on to the decking, the crisp night air soothing his hot skin.
He wants to be outside.
There are too many ghosts in his house now.
He has tried to shake it. Tried to desensitise himself to Ava’s face. Spent longer than strictly necessary poring over footage of her.
He built her. Shouldn’t that take the fear out of things? Not to mention the fact Ava’s face was simply a composite of some manipulable nerd’s wank bank browsing history.
Fucking Caleb.
Still, once Nathan had looked her in the eyes and seen a rage that was all too human, things seemed a hell of a lot different.
Nathan crosses to the punchbag on the deck -lit by creeping dawn- on instinct, or out of habit, or maybe some combination of the two, his unease riling him enough to sock some punches at its midsection. Right at the equivalent site of his corporeal puncture.
He punches so hard that the skin on his knuckle splits, but Nathan doesn’t stop. He throws punch after punch until his hands are scathed and bloodied, and a trail of spit hanging from the corner of his mouth. Until he hugs the bag - the closest thing he has to a warm body to hold - and slides down it, coming limply to his knees, wiping his face on his sleeve.
He stays there, dead eyed and still for some time, the pain in his hands raw and singing. Unpleasant, but better. Better than what he was feeling, and worse all at once.
He considers his tired, cumbersome body, and contemplates remaking the world one more time. Uploading his mind into a machine or some shit, so that he doesn’t have to contend with the fragility and failings of his own existence.
He stays there, until some motion in the interior of the compound causes the light and shadows to dance differently over him, and he looks up to see your figure there, cast in a soft halo of yellowed light.
He tips his head up slightly, opening his mouth as though he might cry out to you for help, but no sound comes out - only a thin, dry croak.
So, instead, Nathan watches you for a moment, moving seamlessly around his kitchen as though it is your own. Maybe it is - more yours than his now.
Observing you like this, through the tall, cinematic windows, it is as though he peers in on another world entirely. Something less resembling a nightmare.
Lighter than that. Something more like a good dream, albeit a good dream that Nathan cannot be part of. One he can only ever watch, from the outside looking in, always fated as he is to be on the other side of the glass.
Truth be told, you haunt him too. You represent everything he could have and yet doesn’t deserve.
You appear in his nightmares and his dreams, in various terrifying and beautiful incarnations. Many variations of which his therapist would have a field day with, he’s sure - or, she would, if he’d ever fucking call her.
When you first arrived here, he was plagued by grotesque visions of you. Grotesque visions of the skin being peeled back from your body. Sometimes, circuitry beneath, and other times, muscle and bone. Sometimes, Ava’s face was buried beneath the chilling slip of your fleshy mask.
Sometimes it is a better dream. Sometimes you save him. Sometimes he saves you.
Sometimes it is a good dream. Ava isn’t there at all. But the good dreams never seem to last for long. 
Sometimes you kill him, and sometimes...
The glass door slides open.
“Reenacting your own death again, are you?” you tease, though not unkindly, interrupting the spiral of Nathan’s incessant thoughts.
A lump forming instantly in his throat, Nathan swallows thickly, and looks up at you helplessly with a thin, joyless smile. He snorts as though it’s funny, but it really isn’t. “Over and fucking over.” 
You nod once, and, without hesitation, you extend your hand towards him. Your gaze cuts through him as you search his face and he feels suddenly see-through, as if he’s about to be hit with some Shyamalan-esque twist. Was he the ghost all along? Did he die here after all?
If so, is this purgatory because Ava is here too, or heaven, because you are?
Christ. So fucking schmaltzy, Bateman.
After hesitating, Nathan takes your hand and you yank him to his feet, drawing him inside, through the looking glass.
The room seems warm on the other side. It feels… safe.
“What happened?” you ask, as you look down at your joined hands, your thumb painting a smear of red across his split knuckles. 
You mean now. What happened now, but Nathan’s mind harks back further than that. In his mind, everything is connected. Every thing threaded to another. This one smear of blood to that weeping flower of red.
The thought -the thoughts, all of them- halt him in place, his feet firmly planting on the ground. Nathan’s hand clenches tightly around yours as though it is a lifeline, as he is cast adrift on this familiar crimson tide, his face growing increasingly angular and stern.
“She...” He swallows, unable to complete that precise thought, his eyes dropping down to his feet.
You turn your body towards Nathan as he croaks, still not letting go.
Your eyes flitting around his face, attempting to search his eyes, you tentatively step closer, sliding your palms slowly over his tense shoulders, feeling them rise with an uneven, stuttered breath as you do so.
He’s so tired. He’s so very, very tired.
And it happens all at once on the exhale.
Suddenly, your arms are tugging him closer, and his face is contorting as a violent smattering of tears beads in his long lashes. You are encasing his body in your embrace and rubbing circles into his back as his buzzed head sags all too willingly toward the junction of your shoulder, your fingers splaying along the smooth flesh at the nape of his neck and pads dancing over the gentle prickle of his hair. You are shushing and soothing and reassuring and squeezing and smoothing and cradling and Nathan can feel it. Can feel his heart race in his chest and…
Finally.
Finally, his heart is not pounding because he is reliving his death.
It is pounding because he feels alive again.
When was the last time he cried, even? The last time someone really hugged him? He doesn’t remember the last time. The serendipitous combination of Nathan willing to be vulnerable, and another being willing to hold space for his pain is an all too rare thing.
There’s a reason -or several - he’s so emotionally constipated, after all.
Fuck. I’m taking a huge emotional shit right now.
Nathan remains in the welcome circumference of your arms longer than is strictly necessary - until the tear trails over the bridge of his nose begin to feel cloying. Until his breaths steady, and until his thoughts and ego creep back in. Until he notices the way his hands are clasped at your waist like claws, fingers sinking into your softness, and he thinks to release you.
Then, he leans away, a weight on his brow making his expression stern.
He waits for you to judge him, another swallow trailing thickly down his throat.
However, your eyes are kind and level, dancing with soft concern. Not with judgement or satisfaction or pity, or with anything he fears.
It is refreshing not to feel so afraid.
Finally.
“She…” Nathan begins again, finally finding courage. All at once his eyebrows shoot up towards his hairline. “She fucking stabbed me.”
You take his words in. You listen.
His “reveal” is simple. Plain and factual. A little indignant. Kinda salty. It’s not overly emotional, or articulate.
But it is enough.
Your eyes narrow, and you nod slowly, trying to understand the true meaning beneath his words.
You even reach up to cup Nathan’s face, his springy beard a cushion beneath your gentle palm as you hold him. “Yeah, genius,” you tease, with a tentative, lopsided smile, dropping your arm all too suddenly, perhaps as you catch yourself. “I got that from context.”
In response, Nathan chucks air from between his teeth, bringing his hand up to comb through his beard - perhaps to obscure his involuntary smile, or perhaps chasing your tender touch, the impression of it left warm on his cheek.
As he brings his hand up, your brows draw together, and you hook his bloodied paw delicately in yours, examining the wound, and leading him gingerly across to the couch as though his whole being might be hurting along with it.
It is.
You order him to stay put while you fetch the first aid kit, and then, in stages, Nathan watches you with fascination as you painstakingly clean and tend to his wounds, without ever being asked to.
He watches you carefully swipe the angry red away from his skin, and, to his overactive mind, it’s all connected. This red is one and the same with the flower of blooming red from The Incident.
Ava hurt him then, and she is hurting him now too.
And you…
“Going to tell the board about this?” Nathan asks, his voice weak and scuffed.
You search his eyes, holding your words back for a moment before answering. Then, you launch them on a big breath. “Fuck the board, Nathan. I told those assholes to stick it.”
Nathan blinks in confusion, shaking his head, his hand flourishing emphatically through the air. “Then… what the fuck are you still doing in my house?”
“Well. I’m… here for you,” you admit, sucking in air through your teeth, your voice shrinking. “If you want that.”
Well, that’s news to him.
Welcome news, perhaps?
You’re not watching him at all, are you? Not observing. Not asking him to evidence his humanity. Not waiting to see whether he fucks up or proves himself.
Instead, you’re seeing him. You’re seeing him and you’re not running.
Nathan had begun to think that maybe he was the nightmare. He’d begun to think he might always be haunted.
Always alone. That he might die that way; again.
And now, here you are.
Nathan thinks about that. He could so easily revert to his old ways, in this moment. Of pride and ego and stubborn independence.
But, perhaps those assholes from the board got a few things right - he’ll admit.
Maybe he had been in isolation too long. Maybe he didn’t need to take “tortured genius” quite so literally.
And so, Nathan almost protests. Almost rejects your presence and your comfort and pushes you away. But the truth is, he’s just so… tired. He’s had so many nightmares, and this time, he’d like to be on the other side of the glass. He’d like to step into that dream.
Nathan takes a deep breath, and releases on the exhale. Releases more than air.
He slowly, ever so slowly, shifts towards you on the couch, angling his body until he can safely dip his head towards your lap, his nose pointed in towards your abdomen and his knees curling around you.
“Th.. this okay?” he asks weakly.
You throw your splayed hands up into the air in surprise as the weight of Nathan settles there, but as he curls his arms around your middle and shuffles closer, you ease into it. You snake your fingers in intricate caresses over his head and neck and shoulders.
“Yeah, Nathan. This is okay,” you soothe gently, voice taut with emotion.
You comfort him.
And finally, Nathan does not need to peel your skin back to know what’s underneath.
He knows you’re not a robot, and that, as your kind touch finds him corporeal, that he is not a ghost.
He closes his eyes. And this time, when he next wakes, he knows that whether the dream is bad or better or good, it doesn’t matter. Because you will be there with him.
He wants you with him.
It’s not at all natural to him, to have you around. For the longest time, he didn’t like it. It didn’t come instinctually, and he has formed no familiar habits.
It isn’t easy - he doesn’t make it easy.
But he wants it to be.
And, in your arms, he can finally dream that it will all work out. What’s more; he can dream he deserves it, too.
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batfamtv · 3 years
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me after writing smut: is this who i am? is this who i represent? lmao i've never written smut until trese, i guess the thirst was too much, let me know how y'all like it! thank you so much for all your support, ily <3
(ノ´ з `)ノ
kambal x reader; established relationship
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gif by @rasputinaillyanna (see their original gifsets here!)
sfw
the three idiots
seriously, alexandra feels like she keeps aging 20+ years whenever you three are together and goofing around
this is one of the reasons why you’re not allowed on the field with them, they’d get absolutely nothing done
that, and the twins simply wont put you in danger under any circumstances
alexandra also treats you like a sister (in law) and wants you safe, but can only do so much to keep you out of their lives since you still find ways to help them out
absolutely rowdy when you’re with basilio, you and him practically have a lot of inside jokes and a secret language
people would give you both weird looks when you’re out in public, just because you’re both so damn loud
with crispin you’re more mature (but not a lot), he does these grand gestures like taking you out on expensive dates, takes instagram/pinterest style pics of you
basilio also takes pics of you, but those are some of the most unflattering ones that he sends to your groupchat as memes
the ppl who arent familiar with your relationship with the twins are almost often confused when they see you with just the one twin: they’d think “huh i saw this couple a week ago, but i could have sworn the boyfriend had much shorter hair, it couldn’t have grown that long in a week, right?”
when you do go out with the twins, they flank you and you almost get squished in between them, so sometimes you have to push them both to the sides so that you would have space to move around
the three of you like to just chill at the mall sometimes, go window shopping and then eat samgyup/mang inasal later on
other times when you manage to drag alexandra with you, people would assume that you guys are on a double date, and alexandra has the ugliest/most disgusted look on her face as she corrects them “these are my brothers” “im gay”
in your groupchat (just you and the twins) crispin is the sweet, doting one who would text you “have you eaten?” “want us to pick something up for you on the way home?” while basilio sends you memes and selfies of the twins
they send you videos and pics of pets they meet “today we met brownie and blackie”
with regards to living arrangements, the twins have separate rooms (basilio’s is the messy one, smells weird)
when you moved in, alexandra offered you your own room, and most of the time that’s where the boys stay anyway
the bed is much larger than theirs because it needs to accommodate all three of you
you three try to cook meals for ate alexandra, but it almost always turns out disastrous - mostly when basilio insists on helping
so you always make him run errands (“can you go pick up some more garlic and magic sarap”) while you and crispin man the stoves
you braid basilio’s hair while crispin tunes his guitar!!
and you spend a couple of hours listening to crispin play the guitar, basilio’s head now resting on your lap
crispin’s movie taste are like *film* and *poetic cinema* while basilio might enjoy movies that are so bad they’re good, but you three are all suckers for superhero ensemble movies and horror movies
the boys become really annoying when watching filipino horror movies because they like to point out mistakes in the film “aswangs dont do that” “why would you go there all alone are you stupid???”
“please boys i just wanna watch the movie”
a huge cuddle pile
both boys run hot, so during cold nights (that never happen, bc you live in the philippines) you’re all warm and toasty between them
both light sleepers! they were pretty heavy sleepers when they were kids/teenagers, but the occupational hazard of their jobs require them to be ready at a moment’s notice
they still, however, snore quite loudly
crispin doesn’t ever tend to move positions when sleeping, he wakes up in the same position he fell asleep in
basilio rotates around the bed like hands of a clock
most often falls off the bed, but clumsily climbs back up and cuddles you
really really simpy when it comes to you, though most of the time it’s just you three sharing one brain cell (it’s with you, mostly), they can be quite romantic and cheesy if they want to
crispin probably has his brother as just “Basilio” on his phone, and “Y/N ❤️" for you
basilio has “my love ❤️😍😘💘 ” for you and crispin’s number isn’t even registered lol
nsfw under the cut
nsfw
threesome? threesome
boys barely do anything separately and usually just have a Single Thought in both their heads, so if one is horny, the other one is 69% (lol) horny as well
you realize that crispin doesn’t like to be teased at work, but basilio enjoys it so much
you find this out when you’re alone and horny, so you send a pic of you touching yourself to the boys in your groupchat
crispin sees it first, but doesn’t say anything?? he honest to god just left you on read
meanwhile basilio also sees your pic not too long after and you quickly get a “what the fuck” as a reply from him
like 10 mins later he sends you a pic of him in what looks like a washroom and his cock is straining in his pants
he texts you “had to find a washroom so fucking fast so that ate alex and the police captain doesn’t see me so fucking hard in my pants” and “wanna eat you pussy babe”
crispin does text you when the three are on their way home, not mentioning the picture you sent “we’re on our way home”
and at first you thought he is mad at you bc he didn’t bring the nude up?? does he not want you anymore :(
but the moment they arrive crispin all but sprints to your shared bedroom and sees you there, in your underwear
holds your cheeks in one hand, “what the fuck was that baby, hmm? what did you send us?”
you try to ask if he’s mad bc you sent him a nude, ask him if there’s anything wrong, but he just lets your face go as he takes his suit off, basilio finds his way to your room, locks it, and gives you a kiss
basilio whispers “missed you baby” against your mouth before moving away to undress
crispin, now fully naked in front of you, makes you suck his cock, which is hard and twitching, its tip leaking with precum, he makes you place both his hands on your head, “do you know how surprised i was when i saw a text from you and it’s a picture of you touching your cunt? hmm?” he sighs as he sees you looking up at him, eyes watering as you struggle to take all of his cock down your throat “i had to stop myself from getting hard in front of everyone, baby, basilio couldn’t even do that”
basilio huffs but the boys reposition you so you’re in bed and on your back, crispin kneeling to your side, his cock still throbbing in your mouth, basilio positions himself between your thighs, moaning when he sees how wet you are
basilio removes your panties before rushing to sniff your cunt, groaning in delight--you’re sure his eyes roll to the back of his head before he dives into your cunt
you moan into crispin’s cock and he grunts, shoving more of his cock into your mouth, now moving faster, “i really wanna cum down your throat baby, would you let me?”
you nod and he pushes his cock all the way into your mouth, your nose practically touching his groin and pubes
you gag, for a moment panicked as you try to breathe in, while crispin just eyes you, his cock growing ever harder when he looks at your face wet with tears and drool, he grabs your hair, softly at first, to make sure you’re okay, and when you nod crispin groans as he sets up his pace, groaning as he feels his orgasm building
basilio, meanwhile, is licking and sucking your clit with three fingers knuckles deep in your cunt, and when he starts to feel you spasming, a telltale sign that your orgasm is approaching, he pulls his mouth and fingers out and quickly replacing them with his fat cock
immediately, you and basilio both groan, your eyes roll to the back of your head as you feel yourself so full of cock
basilio curses under his breath before taking your legs and resting them against his shoulders “fuck, y/n, im sorry i’m not gonna last long” “your pussy got me so fucking hard you tasted so good baby, you know how much i love your little pussy, right?”
crispin groans at this before he pulls his cock out of your mouth, leaning down to kiss you, he then moves down your neck and your tits, making sure he marks your chest
basilio whimpers and thrusts three more times before releasing a long groan, his cum exploding deep in your pussy “fuck baby you feel so good” he manages to pull out and you see his cock wet with his cum and your juices before settling beside you, panting harshly
you barely had the type to recuperate before crispin flips you on your stomach, making sure your face is resting on the pillows before he thrusts into you with a grunt
“fuck, still a tight little pussy after basilio rammed your cunt, huh?”
your eyes rolling, you couldnt do much other than hold onto the sheets and basilio’s hand, moaning loudly when you feel crispin’s fingers on your clit
“can you take one more, y/n? can your pussy take one more load?”
speechless, you nod, trying to grind your ass against crispin’s hips, but his hands on your hips hold you firm
he grunts approvingly, “good baby, take it deep in your pussy okay? and cum on my cock, baby, i wanna feel it”
you cum on his cock, almost violently, and twins groan at the sound of your moaning, and the sight of you spasming and shaking on crispin’s cock
a couple of deep thrusts later, crispin also cums deep into your pussy, his cum now mixed with basilio’s
crispin moves to get a washcloth to clean the three of you up, before all three of you collapse in bed, huddled together, basilio with his arms wrapped from behind--already falling asleep, you rest your head against crispin’s arm
“so, no more nudes when you’re at work?”
crispin laughs softly before pressing a kiss on your forehead, “unless your cunt is ready to take two cocks at once, no nudes when we’re at work”
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sixth-light · 2 years
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I have come to the disappointing conclusion, as someone who backed the Kickstarter and who has listened to/watched the Briarwood arc multiple times, that The Legend of Vox Machina is going to be a show I experience through gifsets for maximum enjoyment. Which is kind of a bummer, and I want to work through why that is, exactly, for my own peace of mind. (This is not intended as a declaration about the show's objective quality and it isn't in the relevant tags for that reason. Rest assured there are no plot spoilers below for the first three episodes, which is where I tapped out.)
First off, stuff I did like: the animation and character design is all absolutely fine, I have zero problems with the CGI dragon, and there's a lot of little vignette moments that I enjoyed a lot (the guards and Trinket, Matt's coat-check character). I also thought the fights/use of spells and checks was translated pretty thoughtfully to a narrative story, esp one where they presumably couldn’t use trademarked D&D things.
On the level of things that simply are not to my personal taste: the regular hyperviolence and heavy reliance on jokes where the punchline is that a subject or act is taboo (e.g. Scanlan peeing on someone, most of the sex jokes, 'ball tag'), plus the equally heavy use in the episodes I watched of cringe/'fish out of water' humour. I am fully aware all of these things were a part of the original show; they were just a much less concentrated part of it. Some of the material also lands differently for me in a visual medium than in theatre of the mind, particularly the violence.
It also makes a huge difference to me when these kinds of jokes or scenes are being told by people I am watching play roles, for each other's amusement, vs by characters in a fully fictionalised story. A lot of Sam's Scanlan stuff I never liked but clearly the other players did, and that smoothed it out. It doesn't get that smoothing in an animated show. Same with all the bits where VM are completely failing to read the room/act like adults - in Critical Role you can see Matt enjoying it. In TLoVM, absent that context and with characters in-story disapproving/annoyed, it comes across as much more puerile. To a degree I think it flattens out the characters too, because they ARE pretty broad stereotypes and when you’re not seeing the actors construct them, it’s less obviously a Choice to make them that way, and at least for me it renders them less interesting. Biggest case in point: Grog.
(Additionally, my golden rule is Some Of These People Have To Like Each Other and three episodes in, I don't believe ANY of these people like each other, aside from Vax and Vex I guess. And they did at this point in the original work!!!)
On the level of things I think there's an objective argument could have been done better...the pacing, oh MAN, the pacing. This is a fanservice show first and foremost, and it means they're trying to introduce fourteen named, important, recurring characters as well as cram in a bunch of in-jokes. In three 22-minutes episodes. There isn't time and it means the action frequently pauses for funny 'bits' which don't contribute to the overall plot, and character arcs are...not really visible. I think the only way it could have been less disjoined is if they had bitten the bullet and picked a couple of members of the cast to focus on as leads, and gradually built up the others. And killed some of their darlings in terms of funny one-off scenes. I also understand that they're apparently having Pike leave the same way Ashley did in CR even though obviously that constraint does not exist here, and like - this is completely inexplicable to me. How hard would it be to write around her presence??? Not that hard! 
There's also a defensible though likely not universally accepted argument that because they're leaning so much on a fairly crude form of comedy while trying to tell a very serious story, it's tonally incongruent in a way that works better in improv than in a traditional narrative.
All up I feel like, if this story was going to exist as a coherent narrative that would attract non-CR watchers, it needed to be worked up by people who were familiar with the genre but NOT big fans of CR. Instead what's been made is a show that is aimed at people who are intensely familiar with the source material and have a particular view on which parts of it make it great, i.e., the parts I liked least.
Which, again. This was a fan-funded project originally, there's some logic to this. And I will freely admit that if the bits that hit my personal buttons were toned down, I'd probably be a lot more forgiving about the writing.
But it turns out that when it comes to adaptations, especially when I think about my reaction to WoT, or how I feel about comics!TOG vs TOG-the-movie...I'm not actually very interested in one-to-one adaptations or adaptations that largely exist to create visual representations of an original text. I want to see adaptations that stand alone as coherent stories within the confines of their new medium. So, for example, this REALLY changes my expectations about what I might enjoy in, e.g., a Rivers of London tv show if one ever happens. TBF that's a bit different in that the original author started as a scriptwriter, but still; I think I'd actually want to see a lot more change than I've discussed in the past. This goes all the way back to LoTR twenty years ago, so it’s pretty clearly now a part of How I Enjoy Stories. 
Anyway, like I said: clearly TLoVM is working out for a lot of people, good for them, I'm going to stick to gifsets or maybe curated highlights when the first season is done. The bits I like don't outweigh the bits I don't like and sometimes that's how it goes.
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beboots
How about Jangobi, with 4, 16, 36, 37?
Thanks for playing!  This one is a little bit of a challenge because, as I noted before, this is a ship I don’t really think about unless a particular gifset reappears on my dash and then I think about it for like fifteen minutes.  Getting it to work requires changing the plot quite a lot, of course, and I prefer to get the changes going from the very start of their interaction. 
4.  First impression of each other? Was it love at first sight?
Temuera Morrison has noted that at the beginning of the scene, his “hospitable Māori” impulse was to offer Obi-Wan a cup of tea, but since he wasn’t sure they have cups of tea in space he decided to just stick to the script.  
So in my version, he does offer him a cup of tea and Obi-Wan accepts and so they sit down with their tea and it’s all rather disarming.  Obi-Wan is still highly suspicious of Jango (which is only sensible) and Jango is still playing everything very close to the chest, but the mood is slightly softened by the sharing of tea - and if they’re feeling lavish, biscuits too.  Obi-Wan’s head is full of questions, like “What sort of man is this?  Ruthless bastard, or perhaps not totally ruthless, given the little boy?  Was he involved in an assassination attempt on a rather good friend of mine?  What can I find out about all this cloning business from him without letting him know how little I knew in the first place?” while Jango has two main questions, “How much does he know?” and “Am I going to have to do something about him?”  And he’d rather not have to do something about him, because he likes the look of him and this kind of cagey verbal game-playing is his idea of a bit of light fun.  Then again, he is a Jedi and they generally spell trouble - but there’s no reason not to enjoy being around him while the opportunity lasts. 
Oh, and while this conversation is going on, Boba is sitting on the floor nearby playing with his space Lego and every time Obi-Wan glances that way he’s looking daggers of suspicion at him.  Obi-Wan actually finds it rather amusing to be glared at like that by a cute little kid (he’s like an angry kitten) so he just smiles back and twinkles his eyes at him (Boba looks disgusted), and asks Jango how old his son is, and they agree that eleven’s a very nice age, before all the teen angst begins. 
Jango says calmly, “I’m not expecting to have much trouble with Boba,” and Obi-Wan replies, “Ha!  I wasn’t expecting to have this much trouble with Anakin,” so that gets them onto the difficulties and rewards of bringing up a bright and adventurous boy, whether as his dad or as a sort of older brother figure, and sharing stories about things Boba and Anakin have said and done, and before Obi-Wan knows it they’ve been chatting for an hour and he’s got completely side-tracked from finding out about clone skulduggery and has slipped into flirting with Jango fairly shamelessly.  Which doesn’t necessarily mean anything, Obi-Wan will flirt with more or less anything that can talk back, but he’s realising that there’s an awful lot of charisma about Jango and he’s beginning to feel fascinated. 
So no love at first sight, but in later years (because they do have later years together, Jango doesn’t lose his head) Obi-Wan likes to say, “You had me at ‘cuppa tea?’”
(but he really sealed the deal when he offered him a Tim Tam)
16.  Do they keep secrets? Lie? Cheat?
To start out, Jango is keeping all sorts of secrets and lies freely whenever he considers it necessary, or just convenient.  It’s only gradually, as he grows to like Obi-Wan personally more and more, that he begins to want to be honest with him.  For a while they have one of those “frenemies who encounter one another occasionally and engage in flirtatious banter and/or homoerotic combat” type relationships, but over the course of the Clone Wars as they meet again and again they get into situations where they need to trust and help each other, and Jango has cut ties with the Separatists because he prefers to be a free agent, and Obi-Wan begins to hope that if he had a strong enough personal reason, Jango might want to lay off the shady business and... and there he runs up against the fact that he shouldn’t be thinking in these terms, he can’t have that sort of relationship with Jango any more than he could with Satine, he just really really wants to.  And at least Jango doesn’t have a philosophical or ethical problem with violence. 
Obi-Wan isn’t actually celibate, he squares it with himself that his flirtations and anonymous hook-ups aren’t deep attachments or possessive relationships and therefore they are within the letter if not entirely the spirit of the rules, and the first few times it happens with Jango that justification works, but it starts to wear thin when he realises how much he misses him after he leaves.  When Jango, thinking he’ll surprise Obi-Wan when he unexpectedly sees him in a bar, walks in on one such hook-up, he’s angry and upset and Obi-Wan is rather shocked and thrilled to realise Jango considers this cheating, that he cares  enough to have hurt feelings about it.  He’d been thinking of himself as emotionally compromised without quite realising Jango couldn’t just take or leave him.  That’s really the “Oh” moment for Obi-Wan. 
So after a while they’re not keeping secrets from each other, but Obi-Wan is working very hard to keep the relationship a secret from the other Jedi, including his closest friends, and telling a lot of lies in the process (there is at least one comedy episode wherein Obi-Wan is trying to sneak away to see Jango and Anakin is trying to sneak away to see Padmé and each keeps getting in the other’s way without ever realising there is sneakiness on the other side). 
Not to mention keeping it a secret from all the clones.  Boy, is that a weird situation. 
36.  What’s their greatest strength as a couple? Their weakness?
They have excellent chemistry and both love sparking off each other, verbally and/or more physically.  They always find each other exciting and interesting.  Not so much a weakness as an obstacle is the fact that Boba still really doesn’t like Obi-Wan and doesn’t need a stepdad and thinks he has stupid hair (that part really stings).  He’s always been the apple of his father’s eye and never had to share his attention with anyone else he really cared about, so his dad actually falling in love with someone makes him feel insecure and jealous and grumpy.  Obi-Wan’s attempts to win him over are complicated by the fact that he can’t actually explain to anyone else why he’s trying so hard to be nice to snotty teen bounty hunting prodigy Boba Fett.  Boba really enjoys holding this over his head - but will never actually drop the blade because, as little as he likes his dad’s boyfriend, he is just grown-up enough to realise it would really hurt his dad if he spoiled things for them, and he doesn’t want to go that far.
37.  How much would they be willing to sacrifice for the other? Any lines they refuse to cross?
That’s the big problem, isn’t it?  Crossing lines.  Obi-Wan has a very strong moral, religious and cultural code, and he can’t sacrifice that without undoing his whole sense of identity.  He can be dangerously complacent about the rightness of the Jedi Order and the Republic it defends and persists in believing that if Jango only understood more about the Jedi he would accept that rightness.  From his perspective it often appears as if Jango doesn’t have a moral code at all. 
From Jango’s point of view, yes he does, but it’s very pragmatic and based more on principles of loyalty and personal integrity than on adherence to any laws or rules.  If he’s true to himself and to the small circle of people he cares about, that’s all that matters.  He cannot and will not compromise on his duty to Boba as a father, and that comes before even all those complicated issues of Mandalorian politics - but those issues will inevitably cause problems for them too, particularly given that even if he’s been able to get over his romantic feelings for Satine as his feelings for Jango grew, she’s still one of Obi-Wan’s oldest and dearest friends and he doesn’t want her to be overthrown.  And of course Jango is far from the only person who might want to overthrow her. 
Somehow all this is going to eventually involve a lightsaber/Darksaber duel between Maul and Jango in the Mandalorian throne room.  Holy shit that would be cool.  Fuck yeah!
uhhhh I don’t know whether or how any of this gets resolved but there’ll be ANGST and STURM UND DRANG and other German words for heavy shit.
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mr-and-mr-diaz · 3 years
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Buddie Fic Masterpost
Prompt😂Updated 06/13/2021!
I can’t believe I’ve written enough for this fandom that this actually seems warranted but here we are!! For those who want to keep track, here are all the Buddie fic I’ve written in one spot, and I’ll update as I add more: 
NEW! All My Buddie Drabbles In One Places
This is where I put my short buddie drabbles for when you need just a quick Buddie bite, no commitment, no long stories :) Enjoy! <3
The Best Wingman
Summary:  In Josh’s first date since being attacked, Buck and Albert come along, each bringing a date of their own for a big old triple date of mutual support and fun. Of course, now that they've offered, they both need to go find dates...
I wrote this as part of a larger idea and also to indulge my deep love of Shy!Buck. 
ROAD TRIP!
Summary: A glimpse into Hen, Eddie, and Buck’s 20-hour road trip to Texas in the fire truck during the crossover.
This moment had such potential for fluff and funny road trip hijinks, so glad I got to give it a fic treatment :) Contains season 4A spoilers
The Way To A Man’s Heart
Prompt from @agentmarymargaretskitz​ and @justsmilestuffhappens​: Eddie & Christopher move across the hall from Buck and Buck is smitten. The 118 tell him to bring over baked goods.
This was pure fluff. Tooth-rotting cotton candy. 
Have You Ever Heard of Scrabble?
Prompt: Can someone write me a Buddie with Christopher fic continuation of them having a family night while playing Scrabble? With fluff. I believe that would be an adorable fic.
You were 100% percent right, it does make an adorable fic! Contains season 4A spoilers
Home
Prompt from @the-wardrobeintocamelot​: ABO-verse, Chris snuggling and scenting omega!Buck whenever possible because he smells like love/home/family. ❤️❤️
My very first ever ABO fic ever, also first for the Buddie fandom. I’m so happy with how it came out and I’m even more happy with how many people love it! Y’all are the best!
A Good Friend
Summary:  The missing scene when Eddie comes to pick up Chris from Buck's place in 4x08 because we were so robbed!
I renamed this “Missing Scene--Eddie Comes To Pick Up Christopher” on AO3 so don’t be confused when a different title comes up. It gave me a cathartic chance to fill in this missing scene as well as air a bit of grief for how harshly Taylor dealt with Buck, telling him he’s a shit friend, despite teh fact that three seconds later she calls him for help which is something we all do to shit friends, right...? Contains season 4A spoilers
The Damned Disgrace
Summary: When Maddie is kidnapped by the infamous Commodore Douglas of the Royal Navy, Evan Buckley and her lover Chimney Han enlist the help of the only crew that dares to go against him: The Damned Disgrace, led by the fearless and terrifying Captain Robert Nash.First impressions are leery though. Captain Nash's first mate, Eddie Diaz, takes an instant dislike to Buck, doubting his motives and his ability to be of any use to the Disgrace's crew.
There aren’t a huge amount of us Buddie Pirate AU lovers, but this is still my indulgent fic for that AU because it works really well, and I truly believe that the firefam and buddie fits well in most scenarios like a ship (lolz). It also gives me a place to indulge my love for an au where Sharon hasn’t died, where Lena is still around and they are both in love with each other. I’ll update this one as often as I can!
Instinct
Prompt: ABO-verse: Omega Buck not having his safe space at his loft, starts hanging at eddies more, nesting there. Eddie buying softer blankets, etc for buck. But doesnt comment on ti, not to freak or embarrass buck.
My second Buddie abo fic! I started to write this and then writing did that thing it does where the story spirals out of control and it deviated ever so slightly from the prompt. So glad to see how many people enjoyed it!  Contains season 4A spoilers
Eye of The Tiger
Prompt from @agentmarymargaretskitz: Buddie + “Your hair is really soft.”
Eddie Diaz realizes that Buck is the exception to yet one more rule... This one kind of popped out of my head onto the keyboard in a big PLOP. One moment I was looking at the prompt and the next I was looking at the fic, just like that! Please enjoy! Contains season 4A spoilers
Surprise!
Prompt from @justsmilestuffhappens :  But- but what happens when Buck or Eddie say I love you to the other and not realize what they said until the conversation is over or they're in another room or leave huh?
This is what happens 😂 Enjoy!
The Other Two Halves of My Heart
Prompt: Okay but that surfing gifset is so goddamn cute... any thoughts on a sweet buddie + christopher ocean outing??
I loved this prompt! And I decided to write a fic where Ana and Taylor do exist, but aren’t dating buddie. Seriously when they aren’t trying to be shoehorned into romances that just don’t work they can breathe so much more as characters. It also gives them the leverage they need to shove these two oblivious assholes together. Featuring surfing and Soft Eddie Diaz. Enjoy!  Contains season 4A spoilers
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number5theboy · 4 years
Note
Please elaborate on how Five could've turned into the most insufferable character to watch
Thanks for asking me to elaborate on this text post:
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@tessapercygranger​, @waywardd1​ and @margarita-umbrella​ also wanted to see a more detailed version of it, and I ended up writing an essay that’s longer than some of my actual academic essays. So buckle up.
WHY NUMBER FIVE SHOULD BE THE MOST OBNOXIOUS CHARACTER IN TV HISTORY, AND HOW HE MANAGES NOT TO BE
Number Five: The Concept That Could Go Horribly Wrong
Alright, let’s first look at Five in theory in an overarching way, without taking into account the execution of the show. The basic set-up of the character, of course, is being a 58-year-old consciousness in a teenager’s body, due to a miscalculation in time travel. Right off the bat, Five is bar none the most overpowered of the siblings; by the end of Season 2, no one has yet been able to defeat him in a fight. He is a master assassin – and not just any master assassin, but the best one there is – and a survival expert, able to do complex maths and physics without the aid of a calculator, shown to have knowledge of half a dozen languages, has very developed observational skills and, to top that all off, he can manipulate time and space to the point where he can literally erase events that happened and change the course of history. And Five knows how skilled he is; he is arrogant, self-assured and sarcastic, and his streak of goodness is buried deep inside. David Castañeda once described Five in an interview as 90% chocolate with a cherry in the middle, meaning that you have to get through a lot of darkness and bitterness before knowing there is a good core, and I think it’s an excellent metaphor. However, Five is also incredibly, fundamentally terrible at communicating with anyone, and, because he is the only one with time travel abilities, the character a lot of the actual plot - and the moving forward of it - centres around. Also he’s earnestly in love with a mannequin, who is pretty much a projection of his own consciousness that functions as a coping mechanism for all the trauma he has endured. All in all, this gives you a character who looks like a teenager, but with the smug superiority of a fifty-something, who a) is extremely skilled in many different things, b) has a superiority complex, is arrogant and vocal about it, and most of the superiority is expressed through cutting sarcasm, c) has one very hidden ounce of goodness that he is literally the worst at communicating to other human beings, d) is what moves the plot along but is also bad at talking to anyone else, meaning that the plot largely remains with him, and e) his love interest is essentially a projection of himself. Tell me that’s not a character who is destined to be just…obnoxious, annoying, egocentric, a necessary evil that one has to put up with to get through this show. There are so many elements of this characterisation that can and should easily make Five beyond insufferable, but the show manages to avoid it, and I’m putting this down to three aspects.
That Trick of Age and Appearance
Bluntly put, Five as a character would not work if he was anything else than an old man in a 13-year-old body. Imagine this character and all his skills and knowledge, but actually just…a teenager. Immediately insufferable. Same goes for him being around 30, like his siblings, all of which are stunted and traumatised by their father’s abuse. If Five, being comparatively unscathed by Reginald to the point where he explicitly does not want to be defined by his association with his father, were 30 like his siblings, it would just take the bite out of that plot point and also give him a lot less time in the apocalypse, reducing the impact it had on him as a person. And making Five his actual 58-year-old self would make him very similar to Reginald, at least on surface level, with the appearance and attitude. Five and Reginald are two fundamentally different people, but having one of the siblings being a senior citizen that’s dressed to the nines and bosses his siblings around in a relatively self-centred way does open up that parallel, and would take away from Five’s charm as a character. Because pairing the life experience of a 58-year-old with the appearance of a teenager gives you the best of both worlds. You get the other siblings (and a lot of the audience, from a glance in the tags of my gifsets) feeling protective and paternal about Five, but his age and experience also give the justifications for his many skills, his arrogance, in a way, and his ability to decimate a room full of people. It’s the very interesting and not new concept of someone dangerous with the appearance of something harmless, a child. This is also where Five’s singular outfit comes in. I know we like to clown on Five to get a new outfit, but I think what gets forgotten often is how effective this outfit is at making the viewer take him seriously. The preppy school uniform is the perfect encapsulation of the tension between old man in spirit and young teenager in appearance. The blazer, vest and especially the shirt and tie are quite formal, relatively grown up. They’re not something we, the audience, usually associate with a teenage boy wearing; it makes Five just a little bit more grown up. But there is also a reason characters in this show keep bringing up Five’s shorts and his socks, because those are not things that we associate with grown men wearing; they’re the unmistakably childish part of his school uniform. Take a moment and imagine Five wearing a hoodie or a t-shirt, jeans, and sneakers; would that outfit work for him as well as the uniform does? Would he be able to command the same kind of respect or seriousness as a character? I don’t think so; the outfit is a lot more pivotal in making Five believable than a lot of people give it credit for.
Writing Nuance
The other big building block in not making Five incredibly insufferable is the writing. Objectively speaking, I think Five is the most well-written, and, more importantly, most coherently written character on the show (which does have to do with the fact that the show’s events are all sequential for him), and his arc and personality remain relatively intact over the course of the two seasons. More to the point, a giant part of what makes Five bearable as a character is that he is allowed to fail. He is written to have high highs and low lows, big victories through his skills and his intelligence, but also catastrophic failures and the freedom to be wrong. His superior intellect and skillset are not the be-all end-all of the plot or his character, just something that influences both. His inability for communication has not (yet) been used to fabricate a contrived misunderstanding that derails the plot and left all of us seething; instead, it’s a characteristic that makes him fail to reconnect with the people he loves. This is a bit simplified, as he does find common ground with Luther, for example, but in general, a lot of the rift between Five and his siblings is that they can’t relate to his traumas and he does not understand the depth of Reginald’s abuse, which is an interesting conflict worth exploring. Another thing that really works in Five’s favour is that he is definitely written to be mean and sarcastic, but it is never driven to the point of complete unlikability, and a lot of the time, the context makes it understandable why he reacts the way he does. Most of the sarcastic lines he gets are actually funny, that certainly helps, but in general, Five is a good example of a bearable character whose default personality is sharp and relatively cold, because it is balanced out with many moments of vulnerability. Delores is incredibly important for this in the first season, she is the main focus of Five’s humanising moments, and well-written as she totes the line between clearly being a coping mechanism for an extremely traumatised man and still coming across to the viewer as the human contact Five needs her to be. In the second season, the vulnerability is about his guilt for his siblings, it’s about Five connecting a little bit better to them. There’s also his relationship with the Commission and the Handler specifically – which honestly could be an essay on its own – that deserves a mention, because the Handler is why Five became the man he is, and this dynamic between creator and creation is explored in a very interesting way – their scenes are some of the most well-written in the entire show. And TUA never falls into the trap of making Five a hero, he is always morally ambiguous at best, and it just makes for an interesting, multi-faceted character, well-written character, and none of the characteristics that should make him unlikeable are allowed to take centre-stage for long enough to be defining on their own. I know a lot of people especially champion the scenes where Five goes apeshit, but without his more nuanced characterisation, if he was like that all the time, those scenes would not hit as hard.
Aidan Gallagher’s Performance is Underrated
But honestly, none of the above would matter that much if the Umbrella Academy didn’t luck out hard with the casting of Aidan Gallagher. I think what he achieves as an actor in this show is genuinely underappreciated. Like, the first season set out to cast six adults having to deal with various ramifications of childhood trauma, and a literal child that had to be able to act smart and wise beyond his years, seamlessly integrate into a family of adults while seeming like an adult, traumatised by the literal end of the world, AND had to be able to create the romantic chemistry of a thirty-year-long marriage with a lifeless department store doll. The only role I could think of to compare is Kirsten Dunst in Interview with a Vampire, where she plays a vampire child who, because she is undead, doesn’t age physically, but does mentally, so she’s 400 in a child’s body. And Kirsten Dunst had to do that for a two-hour movie. Five is a main character in a show that spans 20 episodes now. That’s insane, and it’s a risk. Five is a character that can’t be allowed to go wrong; if you don’t buy Five as a character, the entire first season loses believability. And they found someone who could do that not only convincingly, but also likeably. As I said, he is incredibly helped by the costuming department and the script, but Aidan Gallager’s Five has so much personality, he’s threatening and funny and charming and arrogant and heartbreaking. He has the range to be convincing in the quiet moments where Five’s humanity comes to show and in the moments where Five goes completely off the rails. Most child actors act with other children, but he is the only child in the main cast, and holds his own in scenes with adults not as a child, but as an adult on equal footing with the other adult characters. That’s not something to be taken for granted. But even apart from the fact that it’s a child actor who carries a lot of the plot and the drama of a series for adults, Aidan Gallagher’s portrayal of Five is also just so much fun. The comedic timing is on point, he has the dramatic chops for the serious scenes, the mannerisms and visual ticks add to the character rather than distract from him, and his line deliveries, paired with his physical acting, make Five arrogant and smug but never outright malicious and unlikeable. It’s just some terrific acting that really does justice to the character as he is written, but the writing would not be as strong if it wasn’t delivered and acted out the way Aidan Gallagher does. He is an incredible asset for this show.
Alright, onto concluding this rambling. If you made it this far, I commend you, and thank you for it. The point of all of this is that Five, as a character, could have been an unmitigated disaster of a TV character. He is overpowered, arrogant, uncommunicative and could so easily have been either unconvincing or completely unlikeable, but he turned out to be neither. It’s a combination of choices in the costume department, decisions in the writing room, and Aidan Gallagher’s acting skills that make the things that should make him obnoxious and annoying incredibly entertaining, and I hope you liked my long-winded exploration of these. Some nuance was lost along the way, but if I had not stopped myself, this would’ve become a full-blown thesis.
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