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#long ass text post
jenderenvy985 · 1 year
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silver-horse · 8 months
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it's fascinating that those biphobes compare women liking astarion to women liking legolas and they mention a popular post that says "I never understood why so many straight women are into legolas. what do you think he is going to do? top you?" they bring this post up like some sort of proof "haha. so right. so true."
EXCEPT the notes on that popular post are filled with THOUSANDS of women commenting "no. I am gonna top him" and "bold of you to assume women can't top" and a lot of them are bisexual women commenting "I am bi and I only like men who look like a girl lol" honestly relatable Lmao
they act like that shitpost is pointing out some truth about how those women are silly. but the replies on that post show the stupidity of that assumption. people really don't get that feminine looking women don't just want to be rough handled by some masculine dude. and people have varied tastes and sexual desires. there is so much misogyny all tangled up in the biphobia. but it's subtle in a way that they don't notice their views on these matters are flawed because even when we point out what's wrong with these gender essentialist stereotypes, they ignore it and treat it as a joke "haha you all act like we wanted to behead bisexuals"
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infelicet · 6 months
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(the truth about going to school with your hyung)
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wolfram-but-art · 11 months
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here's some text posts that remind me of tf2 mercs part one for now because i'm eepy [pt. 1] (<- you're here!) [pt. 2]
rebl > likes
links to original posts under cut
NUH UH (spiderman across the spider verse spoilers (?)) payphone mic so hear me out... you did WHAT
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taffywabbit · 11 months
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idk if i'm way off the mark on this, but the way some people are responding to that Guillermo del Toro interview about the decline of studio animation is a bit frustrating to me. specifically the bit where he talks about "emoji animation" and how everything is over-animated and pushed too far and things are rarely allowed to not be ultra-cartoony (y'know, because animation always needs to be marketable to children who are never trusted to have attention spans, right?). like, i think he's generally correct about it! but some folks are taking the wrong message away from that.
i've seen people going off about how "soulless" and "corporate" various recent examples are, and talking about these pieces of media as though they're the result of some kind of personal failing or lack of skill/range on the part of the animators, and it's just like. do people realize that's the only animation you're usually allowed to DO in the industry, unless you get incredibly lucky and land yourself on a project/studio that's unusually cool?
when i was in college for animation it was literally drilled into us nonstop that everything had to be pushed more, that exaggeration was not a guideline or a sometimes-treat but a hard rule that always had to be applied regardless of what was going on, because the viewer couldn't be trusted to pick up on subtlety and we sure as hell couldn't be trusted to convey it. you ever wonder why there's such a specific vibe to a lot of self-directed student films, particularly ones that are focused on character acting/interaction or deep emotions and introspection (especially when there's minimal/no dialogue)? it's because for a lot of young animators, they haven't had the freedom to experiment with realism and subtlety up to that point and they're likely not going to have it again for a while (or at all, unless their career path leads to higher positions where they might have more creative direction over the things they work on. which also becomes a lot less likely if they're anything other than a cishet white dude, for what it's worth).
i would LOVE to see more nuanced, realistic, understated motion and acting in animation. i WANT more characters to be able to express what they're feeling through natural body language and facial cues and for scenes to allow me to breathe instead of spelling everything out in giant bold flashing text all the time. what del Toro wants to see changed in the animation industry sounds great, and i hope others join him in seeking to revamp what modern animation is allowed to be.
but as things currently stand, and as they've stood for a long while now, most artists doing the grunt work on the shows and movies you see are completely at the mercy of corporations and networks who have a vested interest in producing a very specific kind of marketable and cost-efficient media all the time. (and by extension that style is ALSO what's taught in most animation schools, because their job more than anything is to grind you down into a perfect little sweatshop worker who will bend over backwards to meet quotas and get your work approved and not question the higher-ups, even if you have little to no personal investment in the projects you're working on, so that the studios who employ you can maintain their good reputations or whatever)
anyways idk what my point was here, this really just sorta became a rant and my views have undoubtedly been coloured by my own personal experiences (this kinda shit is largely why i dropped out before my last year of animation school, for the record).
i guess just be kind to folks in the animation industry? they've had it fucking rough nonstop for well over a century (the majority of them are still not unionized and there's HUGE pushback against doing so in many places). i assure you they are doing their best to infuse the latest uninspired illumination flick or weird spinoff kids' show with literally any amount of soul they can. you don't have to like the stuff that gets produced by any means! be a hater! i'm certainly not gonna stop you. just remember where these creative decisions come from and why these conditions exist, and consider that when YOU watched something and thought "hmm that could've been done better", you can bet your ass someone actually working on it probably thought the same thing but couldn't do anything about it. these things WILL change as the industry itself improves, but in the meantime folks have to pay their rent, and that usually means doing what they're told and working in a way that will minimize revisions and meet quotas so they can keep their jobs. it sucks, but it is what it is.
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petricorah · 2 years
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zuko is a coward.exe
@bisexuallsokka
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ohslenderaphrodite · 1 year
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you and your roommate have always been comfortable in each other's spaces and with casual touch so you don't think anything of it when they step close to you in the kitchen while you're talking about something stupid your least favorite co-worker did until they reach out and tug the loose collar of your tank top down, leaving your tits exposed. you never wear a bra around the apartment and it is a little chilly so your nippes were probably already showing through the thin fabric but this still feels a little...extreme? they look you over once before going back to making dinner and you're confused but not sure what to do, especially since they haven't said anything, you slowly get back to your story. it isn't until you return to your room for the night that you realize you somehow spent all of dinner like that and didn't think anything of it.
a few days later things have been back to normal, neither of you have said anything about what happened and its totally slipped your mind. until you're making the groceries list a few days later and they start to grope you at the kitchen table. you suggest trying a new salad mix and they squeeze your tits. you write down 'spaghetti' and they twist one of your nipples until you have to bite back a moan. somehow you get through the whole list with them touching you in some way but you have to escape to your room as soon as you're done to frantically rub yourself through your soaked panties, the collar of your shirt shoved in your mouth to keep you quiet. you're just supposed to be getting your wallet so you guys can go to the store but if you don't get off now there's no way you'll be able to walk through the store. still you can't bring yourself to put a bra on over your sensitive tits after all that and you can feel your roommate as well as strangers staring at you all through the store. and everytime a following gaze makes you blush a little, you see your roommate smirk.
the two of you don't ever talk about it, but it keeps happening. more and more you expect them to touch you or to make you strip or flash them in some way or another just so they can look at you. sometimes you even forgo a shirt around the house in anticipation and the teasing, proud smirk they give you every time makes you squirm. so it's honestly just instinct when they call you into the living room and tell you to lift your shirt. it isn't until you already have the hem hiked up to your chin do you remember they have friends over, and the whole group is sprawled over the living room furniture watching something on the tv.
"good girl." they say, which is one of the first times they've ever acknowledged you when they do something like this and it makes you squirm a little. you cant believe that even over your embarrassment you're immediately incredibly aroused as five pairs of eyes stare at you.
"stay there for a while and entertain us," your roommate says, even as they look back at the tv. "this game is boring." there's some kind of sports game on but from the angle you're standing at you can't tell what it is. maybe baseball.
you're not sure how long you end up standing there like that. some of them watch you the entire time, while others go back and forth between you and the game. at least two of them spend the rest of them time with a hand down their pants and each time you notice it sends another wave of arousal over you.
eventually the party breaks up and your roommate's friends leave. your arms ache and your legs are shaking from how tightly you have them squeezed together, desperate for some kind of friction, but you still don't lower your shirt as your roommate comes over and slides a hand between your legs, feeling how wet and wrecked you are even through your clothes.
"you'll be our entertainment again on friday, won't u?" they press the heel of their palm tight against you, just to make you gasp at the sensation but pull away again before you rub yourself against them. they smirk at the desperate little whine you make as they move away from you, heading to their bedroom for the night with a wave. "if you put on a good enough show, i might even fuck you after."
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the-nysh · 10 months
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One of the biggest shocks from reading Trimax vol5 for the first time, after coming in from the 98anime, was the horrific contrast between Vash's destruction of July.
98 anime: the city was destroyed, but miraculously no one was killed. Resulting in a hellish aftermath where everyone (1.4mil people) fought and killed each other for survival in the fallout. Which sounds like a hugely unprecedented disaster, but all those subsequent deaths (loss of lives & livelihoods) were an indirect consequence of Vash firing his Angel Arm on Knives.
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But in Trimax? :) Oho.......what a difference, where Vash's horrors are taken to the extremes in ways the 98anime could never show!
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Cause everyone--ALL those kind people Vash ever knew and loved in that city were killed by his own hands! Swallowed up into the void (his 'gate') as the direct consequence of firing his forced-activated Angel Arm on Knives. (Reacting in a mix of fear, anger, hatred, revenge, or even aimed in cornered self-defense...all to get Knives to stop. At such a terrible cost.) Where everything else became unintended collateral in that moment, like an unleashed black hole tearing right through the city, causing indiscriminate mass destruction with no survivors or even any bodies left to be found. (Even Knives' body was irreparable.) Utterly and completely lost. Just like Vash's memories. Where it's no wonder he developed amnesia from the traumatic incident!! Cause OH does he SUFFER immensely for it once he fully remembers...
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Where his life's long-wandering search (his original goal's 'destination') to finally confront and punish Knives for the death of Rem and causing the Great Fall in the first place, only led to another unprecedented catastrophe engulfing everyone he loves in July, but this time caused by himself! Nooooo--!
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Flooded by his returning memories, his guilt, grief, despair and torment reach an inhuman degree of self-loathing and agony. (Warping to such a grotesque visual perception of himself within his own mind--cursed to bear this nightmarish reality he cannot escape or part from.) Utterly repentant for the horrific loss of life and monstrous sin against humanity his arm caused--as his greatest mistake he cannot undo, knowing that he's (already) a mass murderer who inherently wields the terrible power of death & destruction he never wanted to unleash or become!!! Not like that! ;o; (Cause just as he told Knives beforehand, "I'm not like you!" and then look what happened! Knives may hate and kill humans, but in the tragic irony and twisted reversal of that moment, Vash acting on his fear and hatred for Knives swept up and killed all those humans he loved along with it! aaaaa!!) And in Vash's distraught state of mind, fully taking the blame and responsibility for what he's done to July, how can he ever hope to atone or find peace or forgiveness for that....
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(Cause he knows...he knows, that no matter what he does differently or how he chooses to bear the pain, the weight of all that guilt, that grief, that truth...can never escape him.)
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"(I am a murderer)...All those people, those lives I extinguished...they were so kind..."
Significant even when it's described from the perspective of others, like Dr Conrad, who sees Vash having a terrifying power 'greater than anyone's ever seen or possessed' (even greater than Knives!) Zazie sees Knives & Vash as the 'natural enemies of humanity,' and even Midvalley views (them) as a 'higher existence that could will humankind's complete and utter extinction' on biblical scales of calamity...so just imagine holding all that feared power from Vash's perspective, knowing the disastrous extent and severe consequences of it being misused or going out of control again, at the risk of razing the entire world and everyone you love along with it. By naturally being a destroyer (whose very existence is a 'gun') who struggles against that by choosing to be a protector who saves instead! (No wonder Vash tightly binds and suppresses that other side of himself) And just...contending with all of that, and all that he's capable of unleashing, is the inhuman burden and reality Vash is forced to live with....
But even then, if his first confrontation with Knives at July resulted in so many collateral deaths, already breaking his promise to Rem years ago (by inadvertently killing those she sacrificed her life to save, ugh meaning his attempt to keep her memory alive and ensure her sacrifice for humanity wouldn't be in vain had already failed long ago) and his second confrontation led to Fifth Moon, then....what can Vash do the next time? Continue his usual pursuit to stop him and risk unleashing a third calamity?? What must he change in his approach, and what of his ongoing reason to live now?! Cause he can't just continue his 'send Knives to hell' mantra as his sole reason to keep on going anymore, as July already proved how attempting that backfired spectacularly, practically condemning Vash to suffer his own personal hell, intensified to the nth degree in exchange. As usual, even with the many revelations this volume, Vash still doesn't know or have any definitive answers to those questions yet. BUT by progressing the hard way even just from the little things, this becomes his ongoing struggle to figure out...
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colorful-horses · 1 year
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Hasbro heard about Monster High making a comeback and they came out mad as FUCK with these dolls
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kittykatninja321 · 5 months
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Red Hood: Lost Days + Under The Hood // O Ruthless Great Divine Director by Lingua Ignota
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carbonateds-oda · 6 months
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ppl hate texting aku cuz all his msgs always give off the most ominous foreboding aura ever like it just radiates through the screen shit feels like ur texting the grim reaper to find out when ur going to die
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harringroveera · 1 year
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AU where it took Steve a little while to realize his feelings for Billy
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roshellow29 · 6 months
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Idk why but I feel the need to rant about trolls band together so here's a warning for SPOILERS.
TL;DR I'll be talking shit about major conflict parts in the movie that I wished were handled differently >:((((
Please take caution (and a deep breath) reading this because I'm very bad at making sense when I ramble ok? Ok les go
OK SO.
The movie was great, loved the songs and I enjoyed branches family shenanigans, including supportive girlfriend poppy I've been WAITING FOR THIS (ifykyk)
But here are some things that bothered me that they could've definitely done differently
1. JOHN DORYS ENTIRE CHARACTER ARC- jd is great. He's actually my favorite! He's a cringefail boyfailiure and I love him for it. In the movie, his whole thing was that he was basically an ass who didn't listen to his siblings and always pressured and bossed them around. Cool, that's established. What's not is, Why??? It's really the whole "perfect family harmony" thing I guess.
Because later in the conflict he says that it was "hard being responsible for four younger siblings" (which bitch me too were litteraly the same) and that all they needed to be was perfect. what I don't understand is why? Why the whole perfect harmony? Where did it come from? They didn't say it was a big thing or that other bands did it? Would it get them more fame? Would it mean that they're perceived as the perfect brothers or something?? Also, why wasn't the grandmother more involved with the kids?? Did she pressure him to care for his siblings because their parents weren't involved or something? That's just one thing that's not really explained to me ig 🤔
And the whole thing that bothers me with jd is that he doesn't do the cliché "branch I'm sorry I was an asshole brother, and I wanna be a better troll to you and our bros. And blah blah blah" like they skip that entire potential jd apology??? I was expecting that with a hug?? I WANTED A HUG WITH BRANCH AND JD OK. He genuinely cares about him!!! You can see it, he really does. He's just bad at communicating. Like extremely - so they skipped that and just made him go, "We'll follow ur lead branch," and that's it.😐 no apology. No proper character development. Just him going "ok yeah I'll follow u one time." LIKE HUH. (This also includes the other siblings cuz they dipped on branch the same, and none of them said sorry!!)
OH and another thing. WHY WERE CLAY AND BRUCE SUCH ASSHOLES TO JD. ESPECIALLY CLAY. like I completely get it, he was an asshole, he pressured and bossed you around, we know that. But that was 20 PLUS YEARS AGO??? Like no you don't have to hug him but damn why r yall so cold???
I'm thinking that because I'm p sure they went no contact at all after they broke up. So how r they so sure he's still the way he was before?? (I mean they were kinda right but still) like you could've been super happy and then get disappointed later when trying to practice hitting the note. It would've made more sense to me idk. Like it just bothers me that they straight up ignore him- it's mean! (But I can't be too mad I mean they all have their reasons ig 🙄)
While we're on the topic of the family, on to my next point.
2. ROSIEPUFF AND HER DEATH. I think it was handled HORRIBLY. Like the whole movie I was just like "plz don't skip over it plz don't skip over it." And then branch drops the bomb on them right (which still caught me off guard like damn) and THEYRE DUMBFOUNDED, GREAT. And then after that there's NOTHING. NOTHING!?!??!?!?!? they don't mention it they don't apologize to branch for what he went through they don't take two seconds to mourn her they're just like "wait she dead?" And then fucking move on like. Why???? they don't question how, they don't question when branch was living in solidarity for 20 years, nothing. and I'm mad as fuck because that was part of Branches entire CHARACTER ARC in the first movie!! They don't mention he was gray they don't mention he didn't sing they don't mention anything. He went through that for 20 YEARS, ALONE. and they don't mention it. I rlly hated that- like they rlly didn't care.
Anyway.
Third smaller topic that I thought was gonna happen
3. I thought clay was gonna end up going, "actually yknow what, I AM fun" and then embrace himself because hes most definitely goofy. But nah they left him trying so hard to convince himself he's serious, and tbh he just came across as branch 2.0.
Alright moving on!!
4. I'm mad they didn't include a little flashback of viva and poppy being inseparable until the escape happened. Like I know popps was an infant but at the same time troll kids talk the day they're born, so it would've been nice to see them be together at least once before they separated.
Also.
I WANNA DECK PEPPY IN THE FACE. you lost your daughter and instead of MOURNING her and spreading her memory you decided to act like she didn't EXIST. WHY. like he was obviously depressed and sad but why didn't you tell poppy stories of her when she was a kid or something? And keep her memory alive??
(And sure. There's the thing with "They weren't gonna give poppy a sister until now" but I feel like they could've at least made poppy remember a small flashback is what I'm saying.)
Idk. I just wish it was handled differently like why is peppy keeping so much shit to himself lmao.
Oh yeah and then there's just my little nitpick and it's that I wish they included the troll leaders in the wedding sequence ok they're all friends they should've been invited ok I just wanted to see them again 😭(totally not saying thus cuz world tour is my fav but I am)
Anyway, yeah! I think this is just what mainly bothers me about the movie. I just feel like the conflict was handled poorly. But either than that it's still a good watch. I like it a lot :D
If you read this far, God damn you like to read, and thanks for dealing with my stupid thoughts!
If not, that's OK lol.
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thatmaxcontent · 5 days
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It's so funny to me how Usopp can be paired with literally everyone on the Sunny, and I think that's because he's basically the Moon to Luffy's Sun, the Shooting to his Star. He's not the captain, not one of the wings, not a navigator, not a doctor, not a shipwright, he's not anything of the sort. But still, if someone has put way too much effort into the crew aside Luffy, it'd be Usopp (especially in the early days!!!). A jack of many trades, skilled in them all, mastered a few, he'll lend a helping hand while keeping his cheeky, scared, teasing persona.
There is a reason Usopp and Luffy are the same age. There is a reason both of their parental-ish figures are a part of the biggest, baddest pirates. There is a reason Luffy charges without thinking and Usopp overthinks every little thing. He is not the captain. He is not the captain. He is something just as great; a comforting reminder for everyone about themselves, a friend to all in situations of need and fun, a human. He is the human to Luffy's God. He is the human of the crew. He is that arrow, that star, that moonlit night that reminds everyone of their own growth, their own humanity.
He might scaling-wise be the 'weakest' Straw Hat, but aside being the only one who could do the job of a Sniper in the crew he is the most human. He. Is. Human. Surrounded by monster strength, he is the reminder to everyone that just like a human, they all bleed. No matter the power, the status, the situation, they're on the same boat. Literally.
He is Usopp, with the title of a God he observes the one who actually holds that power. With the title of a God he dwells in his mortality, treasures his life, for he knows he will bleed harder than anyone once he falls. With the mortal body he clings to life, snot dripping from his nose.
"Our Usopp", "Our Sniper", "Our Long-Nose", words that no doubt present themselves in everyone's heads constantly.
Everyone has a role on the crew, they're not a chain with links, they're a rope that is carefully braided together where every strand matters. Everyone has their impact on the others, with Luffy having the largest. The wings have their strength, the navigator has her intuition, the doctor has his knowledge, the shipwright has his skill, the archeologist has her wisdom, the musician has his rhythm, the helmsman has his experiences. Everyone has something, things they share with one another, like a rope contributing every bit of themselves.
Which is exactly why Usopp has the second greatest impact on everyone. Luffy brought them together, brought everything out of them. Luffy is the future. Usopp is the past. They together mold the perfect present.
The crew would go endless extra miles for all the others, because they know they'd get that same treatment. They know just how important they are. It's thanks to everyone's contribution.
And it's thanks to Luffy and Usopp that everyone knows just how one of a kind they are. Not just the two, of course, but often times they are the structure to the skeleton.
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"Our Sniper"
The Straw Hats are protective of everyone.
But "Our Sniper" is something that won't leave the mind so easily.
Just like all of the Straw Hats, Usopp is irreplaceable.
"Our Sniper" is irreplaceable.
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textfromthelookout · 2 months
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Did you hear of the news?
I have. :(
Everyone else has their tributes so, here, a summary of my experience with Dragon Ball.
I was in fourth grade art class. A kid had the February 2005 issue of Shonen Jump, back when Shonen Jump was still physically printed here. I recognized Atem on the front cover because the Blockbuster around the corner from our house had DVDs (I think they were DVDs and not VHSs then since I distinctly remember it having a menu and special features) of some of the later episodes of Duelist Kingdom and my brother and I watched them on repeat. So I was like oh, hey, what's this? They make books of that stuff? I don't remember the conversation but the kid ended up giving me that issue, and I took it home with me.
There were a LOT of significant, groundwork things happening in that issue, now that I think about it. We were just beginning to see Sanji truly in action against Pearl. The Dark Tournament was in it's early stages still with Roto fucking around and finding out against Kurama. Sakura shears off her hair in a move that rearranged sexualities the world over. The reason Atem was on the cover was because Yu-Gi-Oh Millennium World was just debuting its first and second chapter. Bleach wasn't even serialized yet. And Dragon Ball, of course, was also there, about a hundred and fifty chapters ahead of everybody else.
Keep in mind that this was my first experience with manga, period. So my very first experience with Dragon Ball opened on this:
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and ended on this:
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Yeah. Truth be told, at the time Yu Yu Hakusho piqued my interest more than Dragon Ball (a guy fighting with plants? how creative!) but I never did forget these chapters. I thought the art style was so different from the others.
At some point after this, probably between several months and a year and a half, the TV happened to be on one evening when Toonami was airing Dragon Ball Z. Oh hey, I said, I recognize that art, I know those characters. So I hung around and watched some of episode 281. Two things about watching that episode stick with absolute crystal clarity in my mind to this day. Firstly: Buu choking Vegeta out with his arm freaked me the FUCK out as a child. I could not tell you why I had a fear reaction to it but hey, there you go. The second is this:
Specifically I remember 'You died once. If anything happens to you now, you won't exist anymore. There'll be nothing I can do to bring you back.' Not precisely word for word over the years, but Schemmel's tone of voice on this particular lineread. If I had to guess I'd say it was because at that point in my life, uh, death was kinda permanent? So wait, what do you mean died ONCE. Doesn't that apply to everyone?
This still wasn't enough to get me super invested in it though, it just didn't seem like something that would appeal to me that much. So a couple years go by, I don't think about it all that much, and then of course, TFS hits the scene and drops DBZ Abridged. So you know. As a shithead middle schooler with a shithead sense of humor I thought it was the best damn thing since sliced bread. (My biggest character flaw is that I still think a lot of Season 1 is genuinely funny)
And that was really the extent of my interaction with the franchise for the next several years. Say what you will about DBZA but they did manage to put it all together such that someone who had a nonexistent concept of what the original context was could grok it with not a lot of effort. Some time in high school, I think I was around 15, I decided to bite the bullet and read all the manga, as much to increase the funny factor of DBZA as sheerly for the sake of being able to say I had. Stick it to the other weebs, y'know. Now they can't say I didn't know anything about good anime. This was unfortunately at a time when all that was available online were dirty poor-quality scans and questionable translations, but read it I did. I went 'yep, that sure is about what I expected', and proceeded to get on with my life. GT came and went, I looked up and saw Battle of Gods coming out and went 'oh hey that's still a thing huh', kinda was peripherally aware of all the divisiveness of Super as it was happening, didn't really pay it much attention, just stuck to DBZA and quite a lot of wiki-ing.
And then, this time of year about three years ago now, in the middle of conversation with @prophecydungeon, Dragon Ball somehow came up. Something to do with 'Even though I'm not hugely into DBZ's story or whatever Toriyama does have some great character designs' (yes I was referring to Vegeta and Future Trunks at the time, no i will not stop being predictable, yes i am a parody of myself). They eventually brought up the DBS Broly movie and said, and i quote: 'that was a solid 1.5h of unbelievably fun and wacky animation'. Having seen the Gogeta vs Broly part of it on twitter and been like 'damn that animation's kinda off the hook actually, good for them good for them', my response was to be like. Oh word? I've got a spare hour and a half to kill, sure, fuck it, why not, time to watch DBS Broly.
I think that movie was precision crafted to hit me in the hyperfixation, if we're being honest. Opening on a solid 20 minutes of Lore and Worldbuilding and then having most of the rest of the runtime being mindless slobberknocker fun by way of some of the hardest animation flexes ever? I was done for.
In summation. I have been aware of Dragon Ball for a lot of my life, in that its presence was pervasive and enduring as I grew up. I may have been late to the game of actually wholeheartedly enjoying it, but enjoy it I do. Dragon Ball is the roots of a vast tree of anime, and in reading it I began to understand why that is. I respect it for that, and I love it for that. My current fixation may have shifted, but as far as time devoted to one individual thing goes... it took me a year and a half to watch my way through all of the anime and read all of the manga. ALL of it. So there's something good in there, I'd say.
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musubiki · 2 months
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I forgot if you talked abt this, but does the whole "being on the same level as mochi" thing ever come up in honest conversation between them? Seems like an entire...thing that really influences lime's choices when it comes to the main conflict. I would think either some time after mochi's over her initial jealousy, or heck wayyy after they stop the witch king
oooo youre right i dont think ive talked much about it or at all.,... but YEAH a very key part of limes character is his need to be on the same level as her...partly a pride thing, partly a "i dont feel like i have the right to stand beside her unless i can compete with her" thing
(sorry for the long post rambles, apparently i have a lot more thoughts on this than i thought it did)
but actually this comes up WAY sooner, its WAY too big of an elephant in the room post-timeskip to go un-talked about. pre-timeskip lime could kind of quietly work away at trying to be better, but post-timeskip the m-34th thing is too obvious of a flag for mochi to think everything is okay with him
i think the issues really starts to be hashed out when mochi, at some point (relatively quickly after they reunite), brings up the notion of him quitting the m-34th. to an extent she understood why he joined, he gave her a bunch of reasons why he joined the regiment in the first place (jumping around a bunch of excuses like "They have good benefits" / "I was bored" / etc before finally telling her the truth that "I wanted to find you"), but what she didnt understand is why he stays in
she gave it a bit of time, they went through the whole "well you left me" vs "you joined the organization that exists to kill us" -> "call it even, water under the bridge" thing, and she thought that after a few weeks (months?) he would quit and just be part of her guild again, but he doesnt.
and when she asks him about it, he dodges the question, gives shit answers, dismisses it, a bunch of different things with the underlying message being "I'm not leaving you, but I'm not gonna quit working for them."
and she doesnt want to give him the "choose me or them" ultimatum either (even though pom seems all for it), because 1.) it feels like a shitty thing to do to him, if hes fighting this hard to stay in she doesnt want him to be unhappy, and 2.) shes afraid he might actually choose them
she starts to think a lot of things, that maybe he harbors some bitterness towards her, maybe he doesnt want to put all his eggs in one basket, maybe hes secretly feeding them information on her behind her back, ALL kinds of things.
eventually (and upsettingly) she gets the truth from clarinette. it takes fucking clarinette babbling her mouth away for mochi to get something that she hasnt gotten from lime himself. clarinette (in her delulu) wants to brag a little in the vein of "Haha he confided in me and not in you haha," and mentioned that when she asked him why he stays, he told her "The m-34th makes me stronger" or something along those lines.
and mochis first thought is "I can make him stronger too, he doesnt need to go to them."
and when she CONFRONTS him and tells him this, he gives her a flat "No, you can't." and it FEELS very cold when he says it. she can see the bitterness (bitterness???) behind his eyes when he says it. and its not a bitterness TOWARDS HER, its more of a "I spent 2 years before you left trying everything I could to make myself worthy of you this, and it did nothing. I would take 1 step forward and you would take 5. I'm not going back to that."
so this confrontation became one of those make it or break it conversations for lime, because his only two options were 1) tell mochi the actually pretty embarrassing and pathetic truth, or 2) risk losing her because shes already doubting him enough as it is
i think he probably tries route 2 first though. and whatever it is he tells her, he can see something in her eyes (mistrust? failing faith? fear?) which tells him "Oh no, oh shit, oh god, backtrack you idiot, BACKTRACK!!!" because if he lets this narrative go on for even a few minutes more, hes not going to be able to come back from it.
so he eventually actually does tell her the truth!! and he hates doing it. he really does feel pathetic. its so petty and stupid, he thinks. he shouldnt be trying to compete with the cat witch, hes supposed to be supportive. but he fucking hates being ONLY supportive. he wants to add something, contribute something meaningful, not just be a little accessory/sidekick to mochi.
and (as already mentioned) he cant do that without the m-34th. pre-timeskip he felt useless. and relative to mochi, he was. she wont say it, but she didnt need him. she would reassure him and tell him "You're amazing Lime!" but deep down she knew that after Amanita was dealt with and she was the full-fledged cat witch, she could do all of it on her own (and proves it when she leaves and takes none of them with her). she liked having him there (obviously), but anything he could do she could do better.
he felt like he just took up space, and when she left without telling him or taking him with her, it essentially proved his point. it was not even just a "I dont need you" thing anymore, it was now a "I don't need you, and I also know you don't have the means or ability to change that" and that fucking HURT.
the m-34th though....those guys really honed the shit out of his strengths. on an insane level. they gave him so many skills and tools as a black canvas to do SO MANY THINGS and SO WELL, and maybe this does bring up some resentment to the guild and magic?? that he had so much untapped potential that mochi could just not bring out in an effective way, it essentially bottlenecked him (not her fault, its hard to build the talents of an anti-magic person by using magic).
but these guys...as "bad" as they are (so the witches say), they gave him (and still give him) the power to change that which he hated about himself the most. so that "I don't need you, and I also know you don't have the means or ability to change that" thing can finally FINALLY be met with "Yeah you do, and yeah I fucking can."
so all these feelings manifest as "I won't leave the m-34th because they make me strong enough to stand by your side and not at your feet." AND THEY DO!!!!!! and he probably doesnt say those words directly but everything he DOES say communicates it enough for mochi to see it
(and he probably tells her all of this. she just listens)
so mochi, eventually, understands this. it took the whole pre-timeskip period and some of the post-timeskip period to get there, but she understands him a little more now (and a side of him she didnt know was there). i dont think theres anything she can do to change this aspect of him, but she at least understands his reasons and respects his freedom to pursue that which gives him peace, even if it conflicts with her uh.....occupation (nature?) as a witch. she also can tell him, without any lies or nice little reassurances that "You really are amazing, Lime." in a way she could never be, and he got there on his own, without her. i think shes happy just to know the truth, and know that hes not like betraying her or something. also she probably finds it kinda sweet that he works so hard to stand by her, but tries not to let it go to her head (or her heart) because at least half of it is a lime pride thing and not a mochi love thing
he also throws in a very lime-esq ending on it like "There I said it happy now??? Never make me talk about this again." while completely red-faced. he really does hate this side of himself but he cant help it.
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