Tumgik
#just how many lyrics to this song can I pick out that fits the character
bunnymajo · 11 days
Text
Tumblr media
I just won't stop , the treasure's with me. I said it before, I was born to be
156 notes · View notes
twst-rose-prisms · 12 days
Text
Twst boys and their respective Vocaloid songs
Part 2 of this post!
Characters: All NRC students Warning: Some of these songs contain angsty/dark themes or imply self-harm, however it's nothing too much as that's the nature of Vocaloid songs in general and I recommend you checking them out if you guys can!
Part 1 | Part 2
🕌 Scarabia 🕌
Kalim: Tondemo-Wonderz
This song is full of fun, excitement and upbeat, colorful beats that make you want to smile and dance along, just like the ball of sunshine Kalim he is! The song talks about embracing the unknown and excitement the world offers to us while also having fun, encouraging us to have faith in the wondrous possibilities, while also embracing the failure and mistakes with laughter and positivity. I’d say it’s a perfect song for Kalim, from the vibe to the lyrics!
“Even in this sort of era, We still believe in "wonders," no, no, no? Know! The adult's sharp, money-making memories Make us worry too much! I'm gonna go cross-eyed!” "Why?!" "Do it like this!!" I love everything! That's fine, isn’t it? In this plot to make everyone laugh I can call them rival monsters, right?! We live in a wild, awesome world.” “I reckon it's fine to have troubles you can't do a thing about! I make a pose like I'm gonna save everyone. How about this smile, it's not gonna crumble at all! Even if I fall 100 times, I'm like a phoenix. I won't get upset! Wan wan, too quick, three four! Everybody, showtime!” “Come on professor! This exam is so tough! Agh! Alright, done? Is it final? If I don't get 0 points, it's OK! Let's rain a shower of arrows on those true and false questions! Right and wrong answers are important memories." "There are days when I fail too. You still deny "wonders", no, no, no? Know! Before I'm taken to pieces, listen, wait! This slanted society is too on edge. Charge in, leap in, one more time! Are you ready?!”
-----------------------------------
Jamil: Ghost City Tokyo
Like a ghost who is almost invisible to other’s eyes, Jamil used to do the same too, he always makes sure everything he does is at an average level so nobody will notice him. That’s why I picked this song for him, also because of the lyrics - he’s used to losing, to not be able to shine and stand out for the sake of others, and it’s not something he dreamt of at all. Also I think the city here can be interpreted as Scarabia too, because he still wants to be here despite everything that happened in Book 4.
“The lights of the brilliant shining city Shine down on me in stark contrast They mix with the neon colours changing and escaping from the spaces between those buildings" "I trade my time and this world And sink into the night” “It’s fine, someday it will all be fine How many days I’ve thought so, that have piled up on each other But even today, the me who fades into the Tokyo scenery all alone Seems like a ghost” “Even as I grow used to losing These important feelings that I haven't lost - When I held them close to myself, my tears fell suddenly Because I think I still want to Keep living in this city”
-----------------------------------
👑 Pomefiore 👑
Vil: Cinema
This song is pretty self-explanatory with the lyrics, it’s like someone views their life as a movie, their story is like an unchanged script, yet they’re being satisfied with everything - they want to be the leading star, the protagonist of the movie. Being someone who always has to play the villain role, I picked this song for Vil because it just fits him so much with his backstory and his goal as a whole!
“A delusion of dawn Invaluable escapades and A misunderstood hero play-pretend Traffic's already jammed up now- Oh well, nothing I can do about that anyway” “No, it can't be this, not this. This is a bad fit for me I'm not suited for it- Should I quit it now, or— But that's not right, right! I wonder, when will I get to be The leading star of this show?” “We're not here yet, yet. This can't be the end, so If you're not suited for the role Then just rewrite the script! Look, for the most part, I'm sure it'll always just be me The leading star will only be me!” “The future I wanted to change has come. Whatever you like, however you like it, This is it. I made it here, all the way from the bottom. Just like a movie, this is my story.”
-----------------------------------
Epel: Telecaster B-boy
A song talking about the struggle of growing up, trying to find one’s place in this vast world, the singer desires to be loved and appreciated but always gets misunderstood and underappreciated and also frustrated with society,  just like Epel himself. He hates being the stereotype, cliche thing. If you know his story and goal then this song is very fitting for him! Also the funky, youthful but somewhat fast beat and lyrics fit him very well too!
“The more I grow up DeDeDe The less I fit in, a vacant temple. The girl the life philosopher spoke to Turns into a bird … With just lip service PaPaPa I'll tie up my raggedy shoes … The boy whom a believer in digitization cursed Turns into wind …” “No matter how you look at it DeDeDe It's a stereo bias, sadistic The girl who sang like she was stung by a bee Turns into a flower... Even if you cover your ears PaPaPa Those guys' voices become loud The boy who got these words stabbed in his chest Turns back…” “In this world where I can't Even breathe for a bit Declaring a goodbye to reality Won't you just forgive us? We, the weak ones Let's meet up again somewhere”
-----------------------------------
Rook: Liar Dance
Rook is a bit hard to find, but in my opinion this is the best song for him. It talks about a couple who both hide and lie to each other. But it also means that the singer’s POV is them knowing they’re a liar, a criminal just like other people. Rook himself is not an exception, he also lies and hides many things away even to his friends or someone like Vil. Also I think the lyrics fit him really well, with constant mention of love and lies many times throughout.
''Stolen? Just whatever do you mean?'' Feigning ignorance today as well Having made a vow, to you and you alone Declaring this loveless love of mine in front of you" "Stolen? Just whatever do you mean?" Committing myself to this performance, set lines and all Those memories we've desperately created and clung to, they blend together and feelings between us intensify” “Dance away liar This love has swelled up like a balloon let's turn it into a lie with the prick of a needle On the count of "I-love-you" “Dance away, liar It's too late to apologize We're already partners in this crime called "love" Who cares if there's no going back?”
-----------------------------------
💀 Ignihyde 💀
Idia: All I Need are Things I Like
While there could be many other songs that fit Idia, I decided to pick this one because of the lyrics and overall meaning. The song talks about indulging solely into one’s interests and favorite thing everyday, almost every time without paying much attention to reality much at all. Even though the singer sounds happy and satisfied, they also sound lonely, deprived of energy and strength and also longing for actual companionship instead of coping up to the things that they like. It sounds like Idia himself after what happened to him and also his backstory!
"I don’t like weekdays, I like the weekend I don’t like work, I like going back to sleep It’s impossible to live on slacking like this My consciousness recedes" "I don’t like vegetables, I like hamburgers I don’t like barley tea, I like juice Don’t be sweet on me, but I like sweet tasting things My lifetime’s first page" "Only looking at things I like gradually my eyesight gets worse Only being filled with things I like gradually my mind gets duller" "I don’t like living things, I like machines I don’t like the real world, I like the virtual Your tastes were always biased deteriorating and ceasing to think" "Surrounded by the things I like I’ve become unforgiving to the things I don’t like Living only with the things I like I'm resented by someone, somewhere"
-----------------------------------
Ortho: Near
This song is gentle, yet emotional and bittersweet, its meaning also fits Ortho and Idia + their relationship a lot if you take it into their backstory context too. At first, Ortho is just a robot that only acts according to how he was programmed but gradually, he starts acting outside his intended programming and learns his own sentience and emotions - just like the robot girl as the song progresses. Overall, I think this fits him a lot!
“Hey, Near. If I don't make fun of someone And if I won't be able to forgive myself How do you feel about This horrible person?" "Hey, Near. Watching other's strides Stepping out without a purpose How do you feel about this Dull person? Hey Near” “Hey, Near. I think living every day with a smile Is something natural How do you feel about This arrogant person?" "Things that do not take any form and cannot be predicted Will interfere with the calculation process" Even so" "Ah, I'll still continue to believe And ask you who doesn't have a heart Because your hand was So much warmer than mine”
-----------------------------------
🐉 Diasomnia 🐉
Malleus: Hare wo Matsu
I feel like this song fits Malleus the most with how the lyrics constantly talk about one’s loneliness and about past’s memories. For Malleus, his biggest fear perhaps is his dearest, most cherished people leave his life, like Lilia - his guardian that raises him up ever since he’s still a little lizard or maybe even MC - his ever first friend that treats him so dearly despite his status or his fearful magic power unlike others who is afraid of him. Even the beat is also beautiful but sad, full of longing for your loved one when they leave - just like Malleus himself.
"I'm not getting tired of this morning, One that I've waited for. Very faintly, I'm laughing while appearing to be sorrowful, And wishing to completely forget you." "Because there's no end to this curse Of sleeplessness and the painful past. I'm singing a song in the morning glow, If only I could completely forget, it would end." "There's just one thing I can't yield, And still, without knowing the reason, I live, even now..." "Since I don't have a dream I want to protect, These are days with no answer, But that isn't kindness, isn't it?" "Look, since absolutely nothing hurts, It's alright," I say. Someday, when you'll be gone, ah~ Will I be living alone?”
-----------------------------------
Lilia: Kanade Tomosu Sora 
I feel like this song fits Lilia the most in terms of the vibe, the lyrics that matched well with his backstory. This song, while sad, full of longing and reminiscent from the past yet it’s like a glimmer of hope somewhere in the deep, dark sea of sad memories. Lilia was the same too despite how we see him acting outwardly. He gives love to others, but he also needs love and hope. He went through events that could crush him easily and yet, he still stayed strong - for a whole 200+ years, for the sake of others. (I recommend checking out the 25ji, Night Code de version too!)
“Every time I trace back my memories, I feel as if I’m going to be crushed, yet Since I have no place to take refuge,  I just keep questioning myself over and over. Ah…” “There are too many things in my way,  It’s as if there are only things I can’t see Is it alright if I try touching it a little? I want to say it. Even though it might surely be impossible, I want to somehow. Hey, more; hey, more; I want to see more” “So I can turn the images I’ve found of your world still unknown to me Into song" "Blaming myself all this time,  I simply live and breathe but only just barely I’ve always shut it away in a cage I’m not asking for a plain, simple story. I simply wish to hear your voice” “It still hurts. Words keep tightening the cord round my neck, but... These eyes of mine I closed so gently as well, still hurt a little, but… I want to say it. Even though now, I still don’t know when it’ll be but someday for sure. Hey, more; hey, more; I want to see more”
-----------------------------------
Silver: Ice Drop
I think this song fits Silver a lot mostly because of the lyrics, and the deep sea could symbolize the dreams that he dives into in Book 7. Although it’s upbeat, the lyrics are full of longing and reminiscing of the past and also his father, but eventually move on and “grow up” from it.  Not to mention, you could even take it as a SilverMC song if you think about that aspect! But even if it's not in a romantic sense, it's still a song talking about how much the past affects us and how we long for our loved one even if it's just a memory, that's why to me this song is really for Silver!
“Even the memories of the past are merely a thousand-year tale I take a deep breath as I fall into the deep sea” “Uh- that voice of yours drenches my whole heart Tangled up and captivated by each other, we sing our unchanging love once more You, not letting go of your hands become a rule of mine It's a heart that will melt away the rusted last page That one and only magic will turn this world around” “I’ll be waiting. Inside my dream, I reach out my hand” “Uh- On this planet, I fell in love without sleeping I longed for you and hesitated what to do, but from now on, I'll grow up You, If it’s with you, I’ll dive in without hesitation”
-----------------------------------
Sebek: Kashika
Sebek was the hardest to find for me in the entire list mainly because while he has his own character, he doesn’t have too much depth but I tried my best and I think this song fits him the most! This song is powerful, full of willpower and hope towards tomorrow despite the hard, tough times. The song encourages us to keep living, even in the most uncertain moments, you need to cherish each moment of your life as well your living heartbeat, which represents the tenacity and perseverance of life. I feel like the energy as well the meaning of the song fits Sebek a lot overall for his character - with the desire to rise, stand up and protect he always have.
“When my quivering voice breathed life into a song, It was then I realized, That was the first time my breath could be seen. They say that in the end, the value of music is subjective– Well then, I'll sing as I please, I'll show you the message I want to convey. I won't despair over Or be afraid of my mistakes. They say to "live the right way," But I want to fight against that. My whole life has consisted of "it's my fault." Even if I'm treated like a fool, I'll be hurt and I'll hurt others, I'll live, causing both kindness and injury. The present I see is everything to me, So I don't want to cling onto ideals of the past or the future. Beat, beat, o heart of mine! It might be unsteady, but even so, this is my pulse.”
-----------------------------------
35 notes · View notes
krenenbaker · 13 days
Text
Ikevil Character Song Associations
Tumblr media
These songs are all mostly based on the first impressions and vibes I've got from the characters, so there may be some songs that don't fit as well as they could.
I'd love to hear your thoughts and opinions on these choices!
William
Solar Waltz - Cosmo Sheldrake
I’m not sure what it is, but this feels like a very William-esque song to me. The waltz form has a certain poise in the same way that William does, and the lyrics’ themes - though I don't know him very well yet - in my mind, suit him.
“And work they must And work they shall For all the things to grow”
Harrison
Green - Kera & The Lesbians
This one is more based on genre / vibe than lyrics, but they still fit. Harrison feels like he exudes this kind of moderate-tempo, mostly relaxed energy that this song also has.
“Though, yes, it’s true, your smile confuses a few. But I can see how you start grinning your eyes And it says: There’s somethin’ wicked in you”
Liam
Curses - The Crane Wives
Liam’s a bit playful and always presents in a positive manner, despite how dark his internal world is. I see a lot of him and his behaviour in both the instrumentals and in the lyrics of this song.
“Every word I say is kindling But the smoke clears when you're around Won't you stay with me, my darling When my walls start burning down, down, down?”
Elbert
Cement - Nicole Dollanganger
This song feels a bit lonely, and the lyrics focus on the preservation of things a person loves and finds beautiful (even to their detriment), which from what I understand about Elbert… fits him to a T.
“The things you love you put into cement In order to keep them they have to be dead You think that he’s yours but it’s only in your head His coffin is not your arms, his grave is not you bed”
Alfons
Bourbon Street - Jeff Tuohy
Alfons is quite the hedonist, and this song certainly reflects that. It also is rather relaxed in tempo, while still having a drive behind it - much like Alfons himself.
“When I walk the street, people step aside Twirling my cane and smiling wide Some would say I’m a carnal slave I put my hands on what I crave”
Roger
Schism - TOOL
I can’t think of many genres that would suit Roger better than rock. And this specific song just feels like him. Especially considering the (slight) division that there seems to be between Roger and the other members of Crown…
“I know the pieces fit 'Cause I watched them fall away Mildewed and smoldering Fundamental differing”
Jude
Follow Me - Odd Chap, J Fitz
When I see Jude, I immediately think ‘electro-swing’. I just think it matches his energy well! I had a feeling that the lyrics to this one also work well with Jude, though I also am the shakiest on his character, so it may not be the best pick for him.
“I′m reaching out yeah So please come follow Our time is coming So please come follow”
Ellis
All I Do Is Dream Of You - Faultline, dodie
I’m also a little uncertain of Ellis’ character, but this song has a similar gentleness and… thoughtfulness(?) that Ellis appears to show as well. 
“You're every thought, you're everything You're every song I ever sing All I do the whole night through Is dream of you”
Victor
Villainous Thing - Schayfer James
This song could honestly describe the entirety of Ikémen Villains as a game, but seems especially applicable to Victor. It has a surprisingly fun tone, while beckoning you into the darkness at the same time.
“Me and you are overdue for fiendish laughter. Oh dear, let me see those smoky eyes 'cause you're a villainous thing, and we can't have you living a lie”
Tumblr media
23 notes · View notes
sunlit-haruka · 6 months
Text
Kotoko Yuzuriha and Love
Hello Milgram fandom ! So while I prepare my longer Kotoko theory post (the post about Pink-Shirt-Girl), I wanted to make a shorter post about something that has been on my mind for a while now, and I wanted to invite some discussion to it with this post !! Basically: Kotoko has a lot of references to love in her character. So many in fact that I really do feel like it might be relevant. Firstly, let's start with the most prominent example
Tumblr media
Girl friend, what does this mean. From the probably hundreds of questions that were asked to Mikoto and Kotoko, this one was one of the twenty that were picked out. And considering how Mikoto's questions were used to foreshadow parts of his MV like the phone call with his mother, I feel like this could very well mean something important that will be explained later on Another thing that I feel is important to comment on is her cover songs, specifically her cover song in T2, Streaming Heart
Tumblr media
(source: Vocaloid Wiki)
Tumblr media Tumblr media Tumblr media
(source: Vocaloid Lyrics Wiki) Now to be completely fair, a large majority of Deco's library has to do with the theme of relationships, so it's not like Kotoko is necessarily special in that regard. But when you add in the fact that Streaming Heart could be connected to Monoprisoner, Mikoto's T1 cover, abd a few of the lyrics like > "You're a weakling, aren't ya?" (tfw useless weaklings won't shut up and let you protect them like how dare they /j) The choice feels very deliberate and I feel like it is meant to tell us more about Kotoko's character than we're made to believe. These next two points are a pretty big stretch, but I'm going to mention them anyway so I can gloat about being right if I end up being right /j So, Kotoko's birthday art.
Tumblr media
I know. She is very beautiful. But more than that, the fruit associated with her cake is the Dragon Fruit, which on one hand is absolutely genius considering the first kanji in Kotoko's name means Japanese Harp (according to the milgram wiki) and that instrument, called a koto funnily enough, has connections to dragons and protection, which fit Kotoko very well (the urge to make a Milgram name meanings analysis post is rising) However, the Dragon Fruit also has connections to love
Tumblr media Tumblr media
Now the most likely answer why the dragon fruit was chosen (especially since I could only really find this on one website) is the koto thing I mentioned earlier. But I did find this, so I thought I'd note it down And lastly, probably the biggest stretch of all:
Tumblr media Tumblr media
Deep Cover's MV coming out on Mahiru's birthday...is probably a coincidence let's be real. But considering how much love has been foreshadowed for Kotoko's character, her MV coming out on the birthday of Mahiru fucking Shiina feels like something to note This post wasn't comprehensive at all and was mostly just a bunch of rambling about things I've noticed and thought about, but I would love to hear if anyone has any interpretations of what this could mean overall ! PS: I wrote half of this post dead fucking tired after an all nighter. if you see any typos, no you don't
27 notes · View notes
moononmyfloor · 1 month
Text
In the 1st Quarter of 2024 Cdramaland...
Tumblr media
1. The Hope
Nothing can be better than a Zhang Ruoyun drama to start the year with. One of the best High School shows I've seen in the recent years, it had an amazing balance of explosive emotions of youth and jaded realism. It would appeal to viewers of all age ranges and I felt so so much nostalgia and relatability from beginning to the end. It was funny, it was smart, it was beautifully acted down to every minor role. (I pretend that last 30 minutes didn't happen, though)
.
2. Wang Qiang (as Li Ran from The Hope), Zheng Hehuizi as Yang Caiwei from In Blossom)
LOOK at that babie😭🥺. Don't you want to pinch his cheeks? One of the most darling characters I had pleasure of watching recently, I wish a bright, bright future career for Wang Qiang. He portrayed the classic outwardly-prickly, marshmallow-inside teenager archetype with amazing nuance.
And Yang Caiwei oh Yang Caiwei.... as one of the shows and characters that created quite the buzz recently, I don't have anything more to add to the discussion. I can only say: lady, thank you for taking up a role that is FINALLY convincingly scarred, unkempt, dirty and not strikingly goddess-y from the first glance, and playing her with such gusto the true, genuine beauty of the character was drawn out with no external effort at all.
Tumblr media Tumblr media
.
3. The Hope
This drama utilized music so beautifully than 99% idol romance dramas ever would. Atmospheric music that elevated the scenes with lyrics that fit, not to mention writing three whole songs to be FULLY performed in-drama for character purposes. It felt like a musical at times. Talk about dedication.
youtube
.
4. Pan Yue's, from In Blossom, Legend of Shen Li (Only few)
I mean
How many costume drama wardrobes can top these embroidery and visibly high quality fabric? Not to mention they actually look wearable in daily life, and not just ornate for "main character's costumes" reasons. They are actually quite simple, if you think a bit- but immensely tasteful. AND
My FAVORITE thing about not just his, but all costumes in this show that I've rarely seen other dramas do is: They repeated the costumes! Many times! Almost all of them! And that added so much to the groundedness of the character. Rich young master having a runway-worthy wardrobe? Nothing new. Him wearing them again and again because that's what a normal, reasonable person does? I'm sold.
Tumblr media
I loved the plain but in an elegant and carefree way styling of the two leads of Shen Li whenever they were having recluse times. *This* is exactly how I imagine immortals too- just vibing and not decked in gold from head-to-toe because they are simply beyond it. Whenever the show changed to the typical bejewelled guzhuang garb in heaven scenes, it immeadietely visually reduced the show to just another xianxia. First Till the End of the Moon and now this😭. Guys, pick a consistent style and rock it proudly! A signature look is very important especially if you are aiming to create an impactful all-powerful character! I see no reason the gods couldn't do all the grand court and fight scenes in these robes either, honestly that would've served drive home the nail that the gods function on a different wavelength than humans.
(Also Wtf was even that Shen Li in a Greek goddess like getup? [last image] Not that it's not pretty BUT *waves hands around helplessly..)
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
.
5. In Blossom, Legend of Shen Li, The Hope, Baking Challenge
In Blossom posters had a perfect balance of traditional Chinese ethereal elegance mixed with gothic horror mystery vibes.
Tumblr media Tumblr media Tumblr media
I LOVED the "how I imagine the peaceful cottagecore fairytale like life of my great-grandparents" vibe of Shen Li posters. It's giving lore.
Tumblr media Tumblr media Tumblr media
Really liked the "hooligan teens on retro album cover" aesthetic of The Hope posters too.
Tumblr media
The whimsical food posters of Baking Challenge were also fun.
Tumblr media Tumblr media Tumblr media
.
6. Detective Chinatown 2
I didn't even know a Detective Chinatown S2 was even coming like...until it did and it was like a second new year because I LOVED that show and it was the most unexpected pleasant surprise of the year- especially when almost all the main cast members were returning. And the first few eps were amazing too and didn't do a disservice at all to the previous season and I got my hopes up thinking we'll get to see a continuation of the Roy Chiu-Janine Chang arc too... only for the show to pull the rug and did the exact same thing as the previous season- the main character withdrew from the story by midpoint. Oh my gods. I want to find this show's creators and give them a good shake. Have some Janine jiejie pics from first season though just for the nostalgia's sake.
Tumblr media Tumblr media Tumblr media
.
7. Baking Challenge
If you aren't deterred by barely-legible machine subs, give this one a try. It's a fun little food drama that doesn't take itself seriously yet has a lot of heart. And for The Untamed fans, there's our Lan Sizhui (Zheng Fanxing) in it, and he's still the same cutie pie!
.
8. Pegasus
I watched five episodes, it's a solid show, fun too, it's just that I'm not very into racing AND Hu Xianxu is still a baby in my head😭😂 To convince me that he's a rich CEO with his own romance and adult problems will take at least 20 more years!
Tumblr media Tumblr media Tumblr media Tumblr media
I see him parading like this and couldn't help but want to laugh hysterically lol. IT'S NOT HIS FAULT. He's an amazing actor! But still..
I hope he doesn't try to force-rush his shift to adult characters, either.
.
More posts by me
11 notes · View notes
koumeowkami · 1 year
Text
artists i associate to the diabolik lovers characters
(+ explanations/headcanons!)
this is gonna be a long post since i absolutely LOVE talking about music. you may take this as a music recommendations post lol. also check my DL playlists out if you want to! 💗
SHU — WITHIN TEMPTATION
let's start with some nice symphonic metal! it's pretty obvious since shu likes classical music. he's relatively calm (maybe too much) but there's a storm inside of him: his double side fits this band a lot imo. moreover, within temptation are powerful but also ethereal, so even though they're "heavy" i think he would give a chance to them :D he would occasionally cover their songs on violin if he feels like it.
REIJI — APOCALYPTICA
staying on the symphonic metal side, we have apocalyptica. this band is so peculiar since it's only formed by three cellos and drums, but i can assure you they're metal lmao. they're neat, polished, elegant and mature: all of these are basic reiji traits! (shu likes them too but he listens to them secretly lol)
AYATO — PARAMORE / HALESTORM
here he comes. my lil punk boi. i think about too many artists when it comes to ayato, cause honestly just every pop punk artist does it for me, but early paramore music gives me HUGE teen emo vibes (both angsty and romantic) that represent ayato so well!! i already stated it in my rocker!ayato headcanons post, but he would blast the RIOT! album at every hour of the day.
regarding halestorm, they represent his "darker" side. they're heavier and more aggressively free-spirited. now tell me if he wouldn't sing Love Bites (So Do I) to yui "jokingly" lol.
KANATO — THE BIRTHDAY MASSACRE
how could i NOT associate kanato with the band that basically gave birth to the creepy cute genre, the birthday massacre? their particular goth/industrial sound blending with the vocalist chibi's cute, almost ethereal voice gives so many kanato vibes!! not to mention that the official color of the band is purple lmao. he'd find their album covers very aesthetic, i'm sure of it :D and i also think his fav album would be Violet, the creepiest of them all.
LAITO — LADY GAGA / THE PRETTY RECKLESS
basically laito's two personalities lmao. lady gaga doesn't need any introductions: her provocative and sexy persona shocked everyone and basically all of her songs could potentially be in laito's sex playlist.
the pretty reckless are also indeed sexy, but sexy-depressed??? sexy-angsty?? some of their songs are about embracing one's "dark" side, some others are about dealing with depression (especially in their latest works). i like how they both use the "sexy" façade while actually having more to offer. considering how much laito is broken inside, their music fits so well.
SUBARU — BRING ME THE HORIZON
i'll keep saying this: emo music isn't enough for this guy. this dude listens to metalcore and whatever is heavier than emo pop punk. i actually had issues with picking a band for him cause most of them are casual listens to me but!!! in the end i chose bring me the horizon. angsty emo. pure rage. that's simply subaru for you! sometimes he would sing to their songs in his room but never admit it lol.
RUKI — HIM
honestly, this guy would love gothic rock. i just know it. HIM is the perfect band for him! their dark, elegant, kinda sad sound reminds me of him a lot. and the lyrics too!! they're really poetic, mostly about love and death with a few mentions to eden (pun intended?); the vocalist ville valo often takes inspiration for his lyrics from the books he reads! ruki would definitely dedicate Vampire Heart to yui btw.
KOU — AVRIL LAVIGNE / ICON FOR HIRE
LISTEN. i've been headcanoning this ever since my first DL post ever but kou would be a huge avril lavigne fan. it would mostly represent his frivolous idol persona, but also some of what he hides underneath.
his realest and deepest side is represented by icon for hire. they're heavier, aggressive and talk a lot about sensitive topics. kou has one of the worst pasts among the DL characters and has dealt with pretty much everything going from depression, to abuse, to drug addiction, to suicidal tendencies. i think he'd find some sort of comfort in their songs.
YUMA — P.O.D.
i always pictured yuma as a hip-hop kinda guy, so i think he would like nu metal. being part of the angry and bothered trio with ayato and subaru, he's relatively the calmest one but that means nothing since we're in DL lol. p.o.d.'s passive-aggressive style reminds me of him so much and i swear i ALWAYS think about him when i listen to Youth of the Nation, it's like it talks about him and his brothers specifically.
AZUSA — EVANESCENCE
there are two types of emo: the angry emo and the sad emo. azusa obviously belongs to the second one. i can't really associate him to one genre in particular, it just depends on the ~vibes~, but i chose evanescence for him cause their lowkey eerie, slow style fits azusa a lot. fear of abandonment and selflessness are some of the themes they've covered and Lithium is the song that makes me think about azusa the most.
CARLA — NIGHTWISH
carla has that gothic royal-ish attitude that reminds of the first nightwish era (with tarja turunen as vocalist). i mostly tend to associate the deep, elegant lyrical vocals with carla's deep voice lol. it's just a matter of ~vibes~ again :D
SHIN — FROM FIRST TO LAST
this little shit would only listen to post-hardcore. nothing reminds me of shin more than a cringy "i'm angy >:(" music genre. i actually do enjoy some post-hardcore and from first to last is the exception. i think shin would fit especially in the Dead Trees era, aka FFTL's villain arc™: very silly, angsty and full of villanous vibes but more mature than their previous works.
KINO — AMARANTHE
gamer boi coming through with electronic metal!! amaranthe's futuristic mix of edm and metal + their in-your-face attitude is a perfect match with kino. PvP is THE kino song. the music, the lyrics, the game concept just suit him so well!! slay.
64 notes · View notes
gothcsz · 14 days
Text
𝑻𝒉𝒐𝒓𝒐𝒖𝒈𝒉𝒇𝒂𝒓𝒆 / Chapter V.
Tumblr media
PAIRING: Javier Peña x Original Female Character
SUMMARY: Down on the west coast, we got a saying...
WORD COUNT: 6.1k
RATING: 18+ Mature topics such as sex, drugs, murder, the occult, religion, cannibalism and other triggering matters will be explored in this body of work. Minors DNI.
CHAPTER SPECIFIC TAGS: A sexy performance by our main character, he's absolutely whipped, THEY HUG FOR THE FIRST TIME !!, is it really a slow burn if they don't yearn for one another, an insufferable dad, speaking of dad back on my dbf!Javi bs, other things that I'm probably forgetting.
DISCLAIMER/WARNINGS: The Javier Peña referenced in this body of work is solely based off of the character that appears in Netflix’s Narcos and not the actual person. Very canon divergent and I will tweak things as I see fit to compliment the narrative of this story. While efforts have been made to be accurate in terms of canon timeline, a lot of details will be fictionalized, including the usage of the song(s) that Paloma will perform throughout the story.
A/N: hi friends! hope you all enjoy this chapter, i was completely smitten while writing this since i'm such a needy little thing when it comes to a good slow burn ship lmfao also i love how we've all collectively decided that javi is lana del rey coded like SO true bestie !! like i love me some flirty!Javi okay sue me !! let him flirt with all the women !! anyways feel free to drop any type of feedback/support on this blog or ao3. i'd really appreciate it <3
♰  read on ao3. ♰
♰  playlist | pinterest | series masterlist ♰
Tonight, Paloma is consumed by a fiery fervor, ignited by the series of eventful days she's encountered. Each moment pulses with vibrant energy as she eagerly anticipates taking the stage, a surge of excitement coursing through her veins. With every fiber of her being electrified, she yearns to pour forth the myriad emotions that have enveloped her, releasing them into the world through music.
Between Javier’s ‘will they won’t they’ repartee and August’s piquant personality; these men have been bending her will to remain strong. It’s a peculiar thing, reminiscent to the stories she reads or movies she watches.
Paloma hasn’t stopped to think about it in a logical sense, where these newfound ‘relationships’ can go, and frankly she doesn’t want to stop and think. She just wants to be … allow herself to indulge in the pleasantries of the attention.  
She’s at the bar hours before she’s set to do her gig, cheerfully enjoying the company of her best friend as she drinks her signature root beer and muddled cherry mocktail. She eyes the new karaoke machine that’s just recently been acquired and leans in to get Sloane’s attention.
“ Has anyone used it? ” She gestures to the machine and Slo shakes her head, wiping down the counter. 
“ No, but I think you’d be the perfect person to break it in. Pretty sure I saw some Madonna songs on there… ” Sloane tells her in a sing-song tone, causing Paloma’s eyes to light up and she hops off the bar stool to walk up to the machine that consisted of a large television set and the actual karaoke machine.
She plays around with it for a second, familiarizing herself with the controls before she’s skimming through the dozens of available songs.
The evening crowd has started to file in, she doesn’t even realize since she’s been too busy figuring the machine out. She lets out a delighted sound of glee once she sees that Like a Prayer is one of the available songs and wastes no time in selecting it.
The song begins and she takes her position on the stage, few eyes on her. She doesn’t even need the large teleprompter for the lyrics. Bringing the microphone up to her lips, she begins to sing the intro softly…
Once the music picks up, Paloma sways her hips when she needs to, keeping up with the song as it’s one of her all time favorites. She’s done a variant of this performance in her bedroom with her hair brush many of times.
As the final notes of the song fade away, Paloma finds herself nearly breathless, her heart still racing from the intensity of her performance. The thunderous applause washes over her like a wave, enveloping her in a blanket of appreciation. With a wide smile adorning her face, she gracefully bows and waves to the audience before delicately placing the microphone back on its stand. As the jukebox resumes its melody, filling the void left by her absence, Paloma makes her way back to her spot at the bar counter, basking in the warmth of the moment.
“ You know how to put on a show! ” The compliment comes from a redhead sitting in the stool closest to her.
“ Thank you. ” Paloma’s mouth curves into a smile as she eyes her. A bride sash draped horizontally over her torso with the small veil clipped in her hair and she’s dressed in all white. There’s three other woman behind her whom she assumes is the bridal party. “ And congratulations. ” She raises her glass that had been replenished courtesy of her best friend.
They cheers then engage in some small talk when the bride, Wendy, confirms to Paloma that they are out for her bachelorette celebration. They had some car troubles in the middle of their travels to Austin which led to a rest stop here in Seminary until morning.
It wasn’t how she had planned to celebrate the trip, but there was nothing she could do about it so she’s making the best of the situation.
This has an idea pop into Paloma’s head, empathetic as ever, and she says her goodbyes once the band arrives. The plan is simple enough; perform some of her more sultry songs for the stranded bridal party in hopes to make their night a little more entertaining. It doesn’t take much before she’s got her band on board, tapping on the microphone to get everyone’s attention when she returns to the stage.
–––––––––––––––––––
Javier did not plan on being at The Whiskey Fox tonight, especially with the lack of sleep he’s endured recently. Not that he hasn’t dealt with it before, but it’s been on an unforgiving incline as of late.
The worst part about his insomnia is how inconsistent it can be. He could go weeks with little to no sleep then suddenly a period where it’s all he does. Hasn’t hit the latter of the cycle just yet, but he can feel it creeping up on him at an agonizing pace.
It’s a complete shit show and infuriatingly lonely. He wouldn’t admit to it, however.
Exhausting himself throughout the day with hopes that he’ll be bone-tired by the end of the night, he makes an impromptu stop at the bar where hopefully a few glasses of bourbon will have him easing into sleep the second he makes it home.
It’s a long shot, nothing irregular of what he does on a regular night, but fuck he really needs to get some rest. He can only function off coffee and nicotine for so long.
The bar is in high spirits the second he steps foot in, and with that comes the reminder that it’s a weekend night which means…
Eyes drift over to the stage and sure enough, she’s front and center, and he fights the urge to gravitate towards her.
Instead, Javier opts to sit at the bar, easily getting Sloane’s attention and ordering his bourbon.
“ Y’know… I think this is the first time you’ve in been here while I’ve been on shift. You hidin’ from me, handsome? ” She begins with a teasing simper, expertly pouring the drink.
Javier chuckles briefly, giving her a once-over, “ Had I known a pretty little thing like you was tendin’ the bar I woulda been in here much more consistently. ” Flirtatious as ever, despite his exhaustion, brown eyes meeting her gaze as she diligently sets the glass in front of him with a vivacious grin.
“ Oooh, you’re a sweet talker. I like that. Not many darin’ boys ‘round here. ” She leans forward, making a point to press her breasts together to show off her cleavage which he shamelessly ogles.
“ S’a good thing I’m not a boy , sweetheart. ” Bringing the glass up for a sip, their stare isn’t broken and she cocks her head to the side in interest.
“ A great thing, even. You’re all man. ” Her southern accent drips with sensuality, the suggestion hanging heavy in the air between them. For a fleeting moment, Javier entertains the idea of inviting her back to his place to relieve some tension and get some rest, but before he can act, she's whisked away by another patron, leaving him to ponder the tantalizing chemistry that sizzled between them.
Divine intervention, Javi thinks, since his interest for her drops the second he hears Paloma’s voice. Placing some cash on the counter, he moves over to the table he’s accustomed to sitting at, distancing himself from the distraction with great tits behind the bar.
His attention now fully on the woman on stage, her honeyed voice and the movements of her hands as they trail along the length of her body, diligently tracing her curves.
Her attire is understated yet alluring. Clad in a sleek black dress with a sweetheart neckline, its hem teasingly grazing the curve of her thigh, she exudes an effortless elegance. The mid-thigh high boots she wears elevate her stature, causing her back to arch ever so subtly, drawing his gaze to the enticing curve of her ass. With each graceful movement, she exudes a magnetic allure, her hips swaying with a tantalizing rhythm that ignites Javier's imagination, conjuring images of her poised above him in a passionate embrace with his cock drilling deep inside of her.
The glass in his hand feels suddenly heavy as his thoughts drift to her, so he takes a long sip, relishing the fiery sweetness that ignites his senses. Mesmerized by her performance, he finds himself completely entranced, lost in the melody of her voice and the grace of her movements. As Paloma begins her descent from the stage, weaving her way through the tables scattered around the room, a sense of anticipation stirs within him. With bated breath, he shifts in his seat, eagerly awaiting her arrival, his heart pounding in anticipation of her presence.
She continues her performance, tastefully interacting the patrons nearby, pocketing bills that are being handed to her. She handles it suavely, tucking the wads of cash in the band of her boot that’s pressed up against her thigh.
Javier’s eyes fall to the area as she does this, running his tongue over his teeth and truly contemplating if staying away was worth it all. He digs into his back pocket, fishing out the leather wallet and swiftly pulling out whatever was in it to give her.
It’s then that she approaches him, the spotlight making Paloma look more radiant than any star he’s ever seen. Their eyes meet in a enchanted gaze, his lip tugs up into a cocky and expectant smirk in which she matches before slowly rounding behind him, almost singing in his ear.
“ Te deseo, cariño, boy, it's you I desire. ” 
Javier’s jaw ticks as her touch runs along the expanse of his broad shoulders, and before she’s able to leave him completely, he slips the bills into her palm before letting it drop from his grasp.
That line was a seductive invitation, crafted for him alone, and he can feel it in the way her lips curve into a knowing smirk. Was it penned with him in mind, sung in Spanish to tantalize him? The notion ignites a fierce longing within Javier, his skin tingling with anticipation. Her lyrics, saturated with desire, mirror the very same craving she stirs within him. The hunger in her eyes speaks volumes, a silent plea for the passion they both yearn to share.
She finishes the song, the table of a bridal party praising her drunkenly as the music dies down and everyone begins their applause. Some whistling at her, too.
Javier remains unmoved, reclining effortlessly in his chair, one arm draped casually over its back. His gaze is fixed on her, unwavering, a fresh cigarette dangling from his lips, the tendrils of smoke curling around him lazily. He makes no attempt to conceal his admiration, indifferent to whether she notices his lingering stare. The bold move she just made only serves to fuel his desire, leaving his infatuation as intense and consuming as ever.
It's evident that Paloma seeks his pursuit, craving the thrill of his relentless chase until she willingly offers herself completely. Though Javier typically refrains from chasing pussy, he finds himself captivated by the enticing dynamics of their relationship—a tantalizing dance of push and pull. This experience is vastly different from his usual encounters, where women often yield quickly to his advances. With Paloma, however, the challenge persists, defying his expectations and fueling his intrigue.
For a time, Javier reveled in the thrill of it all—the fleeting encounters with women at brothels, the allure of one-night stands. The fast-paced rhythm of constant attention and swift liaisons kept him occupied and amused. Yet now, a shift has occurred. He finds himself drawn to the unhurried pace of whatever undefined connection he shares with Paloma. It's a departure from the whirlwind of his past experiences, and despite its ambiguity, it holds a newfound allure, captivating him in its gradual unfolding.
It’s building tension, prolonged foreplay to a shared fantasy that’ll only bring them both conflict. Conflict that he doesn’t want to be burdened with…
Yet, she makes it so hard to stay the fuck away.
As she vanishes into the depths of the back area, Javier swiftly drains the last remnants of his drink, feeling more restless than when he had come in.
–––––––––––––––––––
It has been days since her last performance, yet she hasn’t stopped thinking about that night. It was her first time doing anything remotely sensual as she had–– and she liked it. It gave her a lot of real confidence and not that of which she pretends she obtains.
She’s already preparing herself for the scrutiny she’ll receive from a certain group of gossips at church for putting on such a scandalous performance.
Whatever, she thinks, people were going to talk shit regardless and she’s never felt more sexier and empowered. The self-assurance she got from people handing her tips and receiving Javier’s undivided attention was exhilarating.
It had been more than enough for her to quickly improvise a specific lyric in her song. For him .
Paloma is at a loss to rationalize her impulsive behavior as she approached him, swept up in a sensation of allure akin to a siren's call, drawing in a lost sea captain with an irresistible charm.
He’d been more preoccupied than usual the week beforehand, leaving Paloma to grapple with an unexpected yearning for his presence. Their interactions had become fleeting, confined to brief exchanges in passing or hurried conversations over the phone, often revolving around attempts to reach the sheriff.
So seeing him there that night, very present at her gig, she knew she had to do something big to give him the hint that she is very, very interested in doing something, anything with him. Consequences be damned.
Paloma won’t be the one to take it there, that’s a rookie move. If Javier is as interested as he appears to be, then she fully intends to practice some patience to have him crawling over to her .
Would he actually do that, though? She only knows bits and pieces of his romantic endeavors and from the little information she’s gathered; he doesn’t seem like the type to chase but she could be wrong.
There is no harm in trying to seduce him, really, and if he rejects her then she’ll take the hint and move on. It’s not like she wants to date the man or have him fall to one knee asking for her hand in marriage.
No, Paloma just really wants to get laid. Too many nights have came and went where all she’s dreamed of is the hot, older deputy sheriff screwing her into oblivion. 
Then at the bar… he actually gave her money, matter of fact, he had been the biggest tipper of the night. Paloma contemplated giving the cash back to him, thinking it was entirely too much, but she talked herself out of the idea solely because she found the transaction incredibly hot.
With caution not to invest her entire focus in him, she’s also been seeing August. Their time together brings forth a distinct experience, stirring uncertainty about her romantic attachment to him. It wasn't until yesterday afternoon, amidst the tranquil shade of a sprawling oak tree, engrossed in shared reading, that an almost kiss cast light on her true sentiments towards him.
Their connection pulsates with an undeniable chemistry, his gaze lavishing upon her as if she were the rarest gem. United by shared passions for literature and idyllic beliefs, he breathes vitality into the stifling surroundings. While the opportunity for a shared kiss tantalizes, Paloma's thoughts persistently drift toward Javier, rendering the moment bittersweet.
Lost in her own thoughts amidst the task of pulling weeds from the garden, she remains oblivious to the persistent ringing of the landline inside. Only as the sound penetrates her consciousness does she snap out of her reverie. Hastily removing her gardening gloves, she reaches for the phone just before its final ring.
It’s Lola from The Whiskey Fox letting her know that a letter has just been dropped off–– addressed specifically for Paloma.
She is confused yet intrigued at the news, and in no time she’s in town; sitting on top of the counter ripping the poor envelope open and scanning the words on the piece of paper.
Apparently, the bride who was here last weekend contracts acts from all over Texas to perform at the state fair in Dallas. Seems like Paloma was conspicuous enough to warrant an invite.
A much bigger crowd, her first real chance to branch out by doing something she’s genuinely passionate about. 
After freaking out about it with the ladies at the bar, even taking a celebratory tequila shot, Paloma is racing to make it to the station to share the good news with her dad. 
She hurriedly hops off her bike, not even bothering to chain it to the rack as she snatches the letter and saunters up the steps and into the building overly excited.
Clearly, she’s interrupted something as both men’s heads snap in her direction with heavy, worried looks in their eyes when she barges in.
“ What’s wrong? Are you okay?! ” Her father steps towards her, scanning her for any injuries.
“ Yes I’m fine daddy, ” she tucks her hair behind her ears to contain some of her excitement as she feels some of the leftover apprehensiveness from before she arrived, “ I’m just excited to show you this, look! I got invited to preform at the state fair! ” She shoves the paper into his chest and he turns it around so he can read its contents.
Her eyes are bright in anticipation, searching his stoic face for a reaction.
“ Sweetheart, this is wonderful... ” He trails off and her smile begins to fade at his tone.
“ What? What’s wrong? ” She questions, eyes flickering over to Javier who stands almost awkwardly behind the sheriff.
“ A girl in Fayette has gone missing. We just got the call. About to head over to help ‘em out. ” The news has Paloma drawing in a breath, all the enthusiasm in her body evaporating as he hands the paper back to her.
“ O-Oh, that’s–– ”
“ This is amazing news, babygirl. We’ll talk about it more when I get home later, alright? We gotta get goin’. ” 
The dismissal breaks her, and there’s a second where her demeanor shows it but it’s only temporarily as she nods understandingly then steps aside to allow him to maneuver his way into his office.
“ State fair, huh? That’s huge, congrats bella . ” Javier’s voice keeps her from scurrying away and she gives him a small smile.
“ Thanks, but seems like there’s more important things to focus on. ” Paloma won’t be self-centered by taking up any more of their valuable time. A girl is missing and if they want to come out on top then their focus has to remain on her and not Paloma’s trivial news.
“ You’re right but that doesn’t mean we can’t be happy for you. ” She lifts her gaze from her shoes up to meet his at the use of ‘we’ and she melts, instantly.
In his captivating brown eyes, there's a delicate balance of gentleness and resolve, causing her knees to weaken slightly. As she meets his gaze, she discerns the subtle golden flecks that add a compassionate depth to his stare. It's as if his eyes extend a warm invitation, enveloping her in a silent understanding that speaks volumes.
“ Yeah, I guess. Just hate that all this is still happenin’. I’m assumin’ y’all aren’t any closer to findin’ out who’s doin’ all this, huh? ” Since her father doesn’t tell her anything except what he needs to, Paloma isn’t fully aware of the exasperatingly severity or statuses of the cases.
Javier lets out a heavy sigh, thumb dragging across his trimmed mustache then bottom lip and her eyes zero in on the movement, which she shouldn’t find as attractive as she does. “ No, but things like this always take time. It’s the most frustrating thing about the job. ” 
Paloma nods, having somewhat of an understanding, “ Then I’ll get outta y’alls hair. Leave the solvin’ the mystery and savin’ the day to the pros. ” Her nose crinkles as she lets out a soft laugh in attempts to lighten the mood.
He gives her a smile that doesn’t quite reach his eyes and she feels that disappointment from earlier fizzle away at the sight, leaving her momentarily breathless. Javier's allure is undeniable, his rugged handsomeness coupled with an air of competence that captivates her completely. In that moment, she senses something more than mere physical attraction. It's as if small, fleeting moments like these are chipping away at the salacious layers of their connection, revealing something deeper and more profound beneath.
“ I’ll see you soon, yeah? Got those parts for dear Darla comin’ in any day now. You’ll be cruisin’ around town in no time. ” He winks at her and she giggles softly, blood pooling at her cheeks in a deep blush that he notices immediately and it makes his heart swell.
“ I’m lookin’ forward to it. ” Paloma replies, a bit more shyly than she’d like but that’s just what happens when you’re affected by Javier Peña’s irresistible charm.
They hold each other's gaze for a few fleeting seconds, Paloma losing herself in the depths of his warm brown eyes, while Javier savors every precious moment of her undivided attention. Their silent exchange is interrupted as Romeo emerges from his office, oblivious to yet another fleeting moment shared between his daughter and the deputy sheriff, lost in their own world of unspoken emotions.
–––––––––––––––––––
She is well aware of the copious amount of time she’s been putting in to her performance for the fair, spending all her free time at the bar with the band rehearsing or in her room piecing together her outfit.
This is her moment to showcase her mastery of her craft, and she seizes it with unwavering determination. To an outsider, the prospect of performing at a mediocre state fair, hours away from home, might seem insignificant. But to her, it's everything. Every chord struck, every lyric sung carries the weight of her passion and dedication. This performance isn't just about the venue; it's about pouring her heart and soul into the music, ensuring that every note resonates with sincerity and purpose.
At first, her father had been really excited for her… but as the days dragged by and tensions with the missing person case increased, he began to grow more cynical about it. With the way things were going, he wouldn’t be able to accompany her and that’s when all the unnecessary comments began. Romeo began to bring up the crime rate in Dallas, hypotheticals of what would happen if she were to get stuck on the side of the road on her way there, even insinuating that her band (which consisted of four members from their church) wouldn’t be as reliable as she knows them to be.
It pissed her off every time he opened his mouth to talk on the matter. At first she just ignored him or said something neutral to appease him, but now that the date was slowly approaching, she found it difficult to keep her rebuttals to herself. How many times was she going to have to remind him that she was a grown up? For some reason, he thinks she’s still a meek sixteen year old girl that needs his protection.
This is what led to the current argument. Him reluctant to let her go and Paloma insistent on going with or without his ‘permission’. Before it has the chance to get out of hand, there’s a knock at the front door and she uses it as an excuse to end the conversation.
Sighing heavily, she opens the wooden door to find Javier on the other side and immediately her frown disappears and she smiles sweetly up at him.
Amidst her intense preparation for the forthcoming performance and his deep engagement at the station, their encounters have become infrequent, a departure from their usual routine. Yet, despite the scarcity of interaction, their bodies seem attuned to each other's presence, responding instinctively to the silent symphony of their unspoken connection. Each glance exchanged, every fleeting touch carries a weight of familiarity and longing, painting a silent portrait of their unspoken desires.
“ Hey cowboy, whatcha doin’ here? ” She crosses her arms against her chest, the screen door still separating the two of them.
“ I told you I’d have the parts in any day now. ” It’s then that she sees a cardboard box in his possession and realization dawns on her.
“ Oh my god–– no way! Thank fuckin’–– god you’re such a saint. ” Javier chuckles at her words which has her feeling fucking giddy as she opens the screen door and steps aside to let him in.
“ M’not a saint, princesa , but your kind words are appreciated. ” They walk side by side, her shoulder softly brushing against his arm, to the kitchen where her father is.
“ Daddy, Javier’s here to finish workin’ on sweet ‘ol Darla. ” There’s a tinge of bitterness lacing her words as she addresses her father, their previous argument still fresh on her mind but she would rather throw herself off a bridge than finish said conversation in front of their company.
The two men greet each other, making small talk as Romeo thanks Javier for all he’s doing for both the town and the help he’s been extending to his daughter. Paloma boredly leans against the doorframe, waiting for them to wrap up their conversation and Javi can feel her impatience.
When they finally breakaway, It’s just him and Paloma in the shed, Romeo stuck inside taking an important call. Instead of perching herself on the chair like last time, she’s leaned over the hood of the car with him, close enough to be able to feel the heat radiating from her body.
“ I didn’t interrupt something earlier, did I? ” Javier asks, picking up on the tension between her and her dad in the kitchen just then.
Paloma doesn’t reply right away, eyes trained on his working hands within the engine.
“ You did but it was a good thing. We were havin’ a small argument that was about to turn into a real big fight. He’s being so anal about not lettin’ be go up to Dallas for the fair. He doesn’t seem to understand that I’m goin’ regardless. ” She scoffs with a shake of her head, tucking a loose strand of hair behind her ear.
“ He just worries about you… doesn’t necessarily go about it in the best way but he just wants to make sure you’re safe. ” Picks his words as carefully as he can, gaze flickering to her face briefly before returning to the task at hand.
“ I know, he’s just so stubborn about it. ”
“ Sounds like someone I know. ”
She lets out a genuine laugh, the one that involuntarily brings a small smile to his face and she elbows him playfully.
“ He’ll come around. He sees how passionate you are about your music. Like you said, you’re goin’ to do it with or without him. ” Paloma doesn’t say anything, thinking his words over knowing that Javi’s right but he’s underestimating how adamant her father can be.
Finally getting the last piece screwed in tight, he stands to his full height and wipes his hands off on a rag, “ Alright, go start her up and see if she’s cooperatin’ finally. ” Javier gestures towards the driver’s seat as he slams the hood close and she excitedly leaves his side, flinging the door open and sliding in.
The engine starts with ease and the delighted cheer that comes from Paloma is more rewarding than anything he’s deserving of.
She hops out, throwing her arms around his neck in a hug that takes him back, literally, stumbling over his feet slightly but they’re kept upright as his hands naturally fall to her waist.
In this moment of exquisite closeness, their bodies meld together, igniting a fervent blaze of desire within him. The sensation of her pressed against him sends shivers of longing coursing through his veins, a primal urge that pulses with raw intensity. Her scent, an intoxicating blend of freshly bloomed flowers and ripe fruit, envelops him like a gentle summer breeze, evoking a sense of timeless enchantment he never wishes to leave. His touch against her velvety skin due to her cropped shirt ignites a symphony of sensations. The gentle curve of her back beneath his fingertips, the softness of her curves, beckon him into a world of unspoken longing and endless passion. Javier savors the electric thrill of her response, the subtle shivers that ripple across her skin in response to his touch. A satisfied smirk graces his lips.
“ Thank you so much, Javi. You have no idea how happy you’ve just made me. ” Paloma pulls away first, but not completely, and the position they’re left in is much more intimate than it should be.
His breath fans over her face, which is just inches apart, if he really wanted to; he could lean in and press his lips against hers…
And he really, really wants to but with Romeo just around the corner–– he won’t risk getting caught. No matter how enticing and easy it’d be to give in.
“ Javi? What happened to officer or cowboy? ” He teases her, pinching at her hips and she pushes at his chest, finally breaking their embrace.
“ Right, forgive me for wantin’ to have a moment of authenticity. ” Paloma playfully rolls her eyes, “ Thank you so much, officer . You have no idea how… ” She trails off suddenly and his brow cocks inquisitively.
“ You have no idea how satisfied you’ve left me. ”
The sultriness in her voice, gleam in her eyes and those long lashes batting up at him all innocently does nothing but fuel his craving for her. 
“ If this is all it took to leave you satisfied, hermosa , then you’re in worse shape than I thought. ”
She bites down on her lower lip, “ Thank god I have you here to help me out, hmm? ” 
And for a split second it feels like something might happen but ultimately it doesn’t. 
“ Just doin’ what I can, cariño . You get any more car problems just call me and not that mecánico de mierda (shitty mechanic). ”
As she leans forward to retrieve the keys from the ignition, he finds himself entranced by the graceful arc of her back, a delicate curve that seems to invite his gaze to follow its every contour. The gentle slope of her spine draws his eyes downward, tracing a path along the subtle rise and fall of her silhouette. Clad in low-rise jeans, her form is sculpted with an exquisite precision, each curve accentuated by the snug embrace of denim. From the gentle swell of her hips to the elegant taper of her waist, she exudes a natural allure that captivates him completely. In the soft glow of the car's interior, she appears as a vision of timeless beauty, her every movement imbued with a subtle grace that leaves him spellbound. And as he watches her, his heart swells with an unspoken longing, drawn irresistibly to the captivating essence of her presence.
“ Well… I can’t call you if I don’t have your personal number… what if I have an emergency and you’re not at the station? ” Paloma can feel his gaze on her and it makes her feel satisfied that she’s able to capture his attention so easily, closing the car door with her hip and leaning against it.
“ That would just be a downright wretched thing. ” As his hand instinctively reaches for the memo book he habitually carries, a silent curse echoes in his mind upon realizing its absence. Yet, a solitary pen remains within his grasp, a slender tool poised for action. With a swift and decisive motion, Javier closes the distance between them, a subtle shift in proximity that doesn't escape her notice. In that fleeting moment, a sharp intake of breath betrays her surprise, a subtle acknowledgment of his unexpected approach.
“ Don’t have paper on me, but… ” Taking her hand gently in his, he turns it and begins to write his home phone number on her palm.
Paloma's heart quickens its pace as Javier's hand envelops hers, his touch a juxtaposition of rough and gentle against her soft skin. In that fleeting contact, she becomes acutely aware of the stark size difference between their hands, his encompassing hers entirely. A shiver dances down her spine at the sensation, igniting a primal response deep within her. With a soft exhale, she finds herself unconsciously pressing her thighs together, a physical manifestation of the stirring desire unfurling within her. The simple act of hand-holding, once mundane, now electrifies her senses, leaving her yearning for more of his touch.
The only thing she can think of is how good his large, thick fingers would feel pressed against her clit while he pleasures her.
Focus, Paloma, you’re practically drooling.
“ Might wanna write that down somewhere. The sweat’s gonna just mess it all up. ” Javier messes with her, letting go of her hand and stuffing the pen into the front pocket of his shirt. The thin layer of sweat clearly in response to his gesture.
Her eyes widen at the comment and it has her tripping over her words, “ Y-Yeah I’ll, uh, make sure not to lose this. Like I said, it’d be a bummer if I couldn’t get ahold of you in a time of need. ”
Her desire simmers beneath the surface, a silent melody of longing that dances in her gaze. Each stolen glance reveals the allure of his sun-kissed skin, teasing her senses with the promise of warmth and intimacy. The sight of his exposed collar, bathed in the soft glow of ambient light, ignites a fierce yearning within her. Her fingers itch to trace the contours of his chest, to explore the hidden depths beneath the fabric. With every breath, she fights the urge to succumb to temptation, her resolve tested by the magnetic pull of his presence.
He smirks, absolutely loving to see his affect on her. It’s only fair, seeing as she’s always the one to be riling him up. “ Alright cariño , I better get outta here before we get ourselves into trouble. ”
The fragile awareness of their shared moment shatters the haze of desire enveloping her, grounding her back to reality. With a subtle nod, she acknowledges the unspoken understanding between them, her heart pulsing with a mixture of longing and uncertainty. As he starts to withdraw, she feels a pang of reluctance, but the need to maintain composure propels her forward. " Of course, " she replies softly, her voice carrying a hint of wistfulness. With practiced grace, she gestures towards the exit, concealing the flutter of anticipation in her chest. Her hand remains steady, resisting the urge to wipe away the lingering warmth of his touch.
–––––––––––––––––––
All hands are on deck to find Jessica Valdez, the missing girl from Fayette.
Back in Colombia, everyone was too afraid to speak up when something was amiss in fear of having their lives taken by the vicious cartels that ran the streets. Those who did have the bravery to come forward with information only did so in hopes of getting support and protection from a government that wasn’t even theirs.
Among the multitude of warning signs observed by Javier, this particular one remained conspicuous yet unacknowledged, overshadowed by the grand scheme of dismantling the kingpins. Consequently, when adversity struck, the flow of valuable intelligence was delayed, impeding the acquisition of pertinent information. This rationale justified Javier's visits to the brothels, veiled under the pretext of proactive investigation aimed at uncovering critical data essential for combatting the narcos.
The fucking was just a pleasurable addition.
In small communities stateside, though, that’s all people do. Talk. So, when Javier goes out to do some canvassing of his own; he isn’t all surprised by how willingly people are to spill the secrets of their neighbors. By the end of the day, he damn near knows about all the affairs in town, who likes to steal money from who, the mayor’s illegitimate child, and decade long family feuds.
Exactly what he expected to find in small Texan towns.
Like he had told Romeo in the beginning, there’s always some truth to a rumor. As he’s collecting information about Seminary and the communities that surround it; he comes to find out about a trio of troublemakers that come from one of the towns where one of the earliest victims had been found and their peculiar interest in all things occult. 
This piqued his interest and upon further investigation; he quickly found the files for August Dixon, Sloane McCarthy and Gabriel Torres.
At once, Sloane caught his attention, although her mugshot portrayed her with a youthful demeanor. The man from Nina's funeral, Gabriel, also stood out in his memory. He recalls Sloane mentioning him by name that day he was at the Leighton home, too. However, the third male remained unfamiliar, his appearance suggesting a rebellious disposition, evident from his file and accompanying photograph.
The trio had been in and out of jail all their adolescence for petty crimes like stealing, vandalism, public intoxication, fighting and other nonsense. Nothing severe. They were just troublemakers and that is not odd to find in rural areas. Kids get bored and do stupid shit.
Javier would know better than anyone, he did similar things at their age.
He’s spread out on his couch, whiskey in one hand and file in the other. He is deep in concentration, reading over different police reports and trying to find out where the occult aspect of it comes into play when the phone begins to ring and he lets out a grunt.
Reaching over to grab the receiver, he tucks it between his shoulder and ear as he answers.
“ Peña. ”
“ Hey cowboy. ”
Her voice has him sitting up straight, discarding the folder in his hand on the coffee table, now fully attentive. It’s actually kind of pathetic how fast his demeanor changes when it comes to Paloma.
“ Hola hermosa , a little late to be callin’, yeah? You should be getting your beauty sleep for the big day tomorrow. ” He hadn’t forgotten about her performance at the fair, making note of the date the second she’d told him about it.
“ I should be but I’ve got nerves like you wouldn’t believe. ” She pauses and he can hear her thinking, “ Daddy and I just had a fight… well I dunno even know if you’d call it that. It ended with him sayin’ he didn’t give a damn if I went or not… all that fussin’ just so he could say he didn’t care in the end. If I’m actually that insufferable I’m beggin’ you to put me out of my misery. ” He chuckles at that and he can imagine her smiling at his reaction.
“ Don’t be nervous, corazón . You’re goin’ to do great. You already knock it outta the park at The Whiskey Fox every weekend. This ain’t no different. ” It is different and he knows it, but he also knows her and how she tends to overthink to the point of anxiety. “ You ridin’ up there all alone? ” Not a fan of the idea but he wouldn’t disclose this to her, now when he knows how much it ticks her off. 
“ I was gonna hitch a ride with the band, then I remembered I have a car now so I was goin’ to do that but… ”
“ But? ”
“ I want you to come with me… if you can. ”
The request surprises him, so much so that it prompts him to take a larger drink of his whiskey.
“ I didn’t scare you off, did I? ” She giggles nervously at his prolonged silence.
“ No ‘course not. Just figured you’d enjoyed your newfound freedom of being on the road alone. ”
“ As fun as that sounds, I think it’d ease my daddy’s nerves knowin’ his glorified babysitter was taggin’ along… ” Javier feels like there’s more to it than that, especially since she’s always complaining about being under father’s thumb then she goes on to continue and pacify him. Before he can ask her about it she continues,
“ And I’ve never traveled outside of Seminary… well not since I was a little girl. Didn’t really get out much after mom… Just haven’t been outta town in a long, long time. ” He can sense her coyness at the admission and it does nothing but persuade him into joining her.
Javi should think it over more, the logistics of him being hours away with Paloma, knowing how ambiguous things are between them. However, he swiftly dismisses his apprehensions, feeling somewhat foolish for blowing what might be a trivial matter out of proportion.
Especially when she seems so nervous to ask for his company.
Finishing off his drink, Javier leans in deeper to the comfort of his couch and he can hear her soft breaths on the other end of the line, anticipating his response.
“ Alright, cariño just tell me what time you need me to be there and I’ll be there. ”
6 notes · View notes
the-fandom-crossroads · 5 months
Text
Help Pick Furina's Character Song!
Tumblr media
I am currently making a Playlist of every Genshin character being represented by one song. Some of them I still can't find a song for. List of missing characters post Here!
But Some character's like Furina have TOO Many Songs so I can't decide on just one. So here's a poll to help me decide which song should represent Furina in the playlist!
If you have a suggestion I'd love to hear about it in the comments or tags!
This is the basics of what I look for when trying to see if a song fits the character. The song should fit their personality, but also their drive/inspiration for doing what they do. Basically why Celestia picked them to get a vision. In the case of Show Yourself it would be channeling the Moment of getting Furina's Vision.
A longer breakdown of why I think each song fits Furina under the read more! Includes minor 4.2 Spoilers!
The first 3 were actually picked before 4.2 came out. But the added context to Furina's Story in 4.2 built more depth into them that they didn't originally have. Regardless nearly every line of these songs fits Furina so don't be surprised by the wall of lyrics. It's what makes picking so hard!
Castle
"Sick of all these people talking, sick of all this noise. Tired of all these cameras flashing, sick of being poised."
"Already choking on my pride, so there's no use crying about it.
I'm headed straight for the castle. They wanna make me their queen. And there's an old man sitting on the throne. That's saying that I probably shouldn't be so mean."
This was the first song picked out for her back during 4.0. It perfectly describes the Mask personality Furina wear's for the roll of Hydro Archon along with hinting at the cracks. It really fits Furina's vibes in the beginning and the confidence she shows. But it doesn't go deeper than that and it doesn't hint at Focalors involvement in anyway.
It's mostly still on the list because it was the first and because Furina's character trailer just is this song. Like I could use those clips for an AMV of this song and it would fit without changing any context.
Little Talks
"There's an old voice in my head. That's holding me back.
Well, tell her that I miss our little talks.
Soon it will be over and buried with our past."
"You're gone, gone, gone away. I watched you disappear. All that's left is a ghost of you.
Now we're torn, torn, torn apart. There's nothing we can do. Just let me go, we'll meet again soon.
Now wait, wait, wait for me, please hang around. I'll see you when I fall asleep.
Don't listen to a word I say (Hey) The screams all sound the same (Hey)"
So I also picked this one back during 4.0, but it has only grown to fit more as we have learned more. There are two lead singers for this song. The lady and her Lyrics (italics) are Furina, while the man (Bold) is Neuvillette. By the end they are both singing the lyrics.
The "old voice" originally was just Furina's internalized anxiety we saw during Lyney's trial. But it now can also fit the warnings of Focalors and how that held Furina back from trusting in Neuvillette to be able to help her.
The "I watched you disappear" would also be Neuvillette witnessing Focalors death. While "is a ghost of you" is the depression spell Furina clearly fell into between the Archon quest and her character quest where she pulled away from everyone.
"the screams" would be from the centuries of trials they oversaw together. Childe was not the first to refuse to go quietly. Furina acted like it was all entertainment. But some of those guilty verdicts would stick with anyone and to have collected hundreds if not thousands of those sorts of verdicts over the years. "The screams of the damned" as they say. Will probably haunt both of them for the rest of their existence.
The State of Dreaming
"My life is a play, is a play, is a play."
"If only you knew my dear. How I live my life in fear. If only you knew my dear. How I know my time is near
Yeah, I've been living in the state of dreaming. Living in a make-believe land. Living in the state of dreaming, of dreaming, of dreaming"
Now this song is currently already on the playlist for Nilou because of 3.0 and the Samsara dream. But Furina's been acting the roll of Archon for centuries now. Her life is literally a play. But the songs lyrics only repeat this phrase. So it doesn't cover other parts of Furina's story.
Show Yourself
"Something is familiar. Like a dream I can reach. But not quite hold. I can sense you there. Like a friend I’ve always known. I’m arriving. And it feels like I am home."
"Where the Northwind meets the sea. There's a River. Full of Memories."
"Step into your power. Grow yourself into something new.
You are the one you’ve been waiting for
All of my life. All of your life."
So this one only got added to the list after learning about Focalors at the end of 4.2 and now I can't unsee it. Fontaine's water holding memories is literally pulled from Frozen II. Like that was not a common thing before Frozen II.
Furina her whole life was waiting for Focalors the "real" Hydro Archon to show up and take over as Archon. But Furina had always been Fontaine's real Hydro Archon. She was enough. I like to image the end being Furina getting bestowed with her vision.
The only thing causing me to pause with Show Yourself is that, like with State of Dreaming, the song is already being used by another character. Xingqui's VA sang a cover of this song and that cover is part of the reason I even thought to make this playlist. So it has a place of being one of the first songs picked for the character.
Of course if it sweeps the poll I'll swap it in for Furina. That's why we're doing this poll because I can't decide on my own.
---
So yeah those are the songs. I feel like I'd probably find a 5th option if I looked at Christian Songs, so I'm specifically not doing that. But if you think of one and you feel like it fits better than these feel free to share it!
Thank you for reading if you got all the way down here!
16 notes · View notes
miraculous-showtime · 3 months
Text
Some songs I want in Project Sekai !!
(flash warning for many of the linked videos!!)
Ki Do Ai Raku by Task - WxS I KNOW this is kind of outside of their usual genre/style of music BUT JUST READ THE LYRICS PLEASE!! i literally am so in love with this song and it just fits wxs so well it makes me feel ill I cannot describe in words how ecstatic I would be if they covered this! (very outlandish pick but i want it all the same)
Kimi no Taion by KutagawaP - Ichika & Saki this could probably be a full leoni cover BUT just LISTEN,,, this song is SO middle school ichisaki to me!!! it's so them! and it's so sad and bittersweet and it makes me emotional and they would sound SO GOOD singing this together. okay? okay.
Pajamy by Iyowa - Airi & Shizuku me and my lyrics relating to character arcs smh... ANYWAY! this song is literally just. Shizuku and Airi being scorned by the idol industry and AAAH IDK! I love iyowa and this song fits them so well and its been SO LONG since they've had a cover together. just read the lyrics please... thinking abt Shizuku's struggle with cheerful*days in the main story.... Airi wanting to help her through that... Airi being burned from how she was treated before she first quit being an idol...
Nee Nee Nee. by PinocchioP - Ena & Mizuki this song is literally about two online friends who are in love with each other but can't communicate properly. SORRY DID SOMEONE SAY MIZUENA???? I've seen people say they want this song with other ships but this is SUCH a mizuena song to me.... like idk dude it's just so them. I need them to cover this so bad.
Ironina by NILFRUITS - VBS this song could probably also work for 25ji but just hear me out the vibes would be so cool for a VBS song right? ALSO Akito alt and maybe An alt! :) the lyrics made me think of Akito so much he just HAS to have an alt.
Light Blue Invasion by Nayutalien - L/n this song is just so fun sounding and the lyrics are so leoni... everything about this song makes me think of them. I also think leoni just deserves more songs that are super fun and upbeat!!
shake it! by emon(Tes.) - MMJ this song is just so fun and sweet... I think it could be a really fun mmj cover! also the parts where the crowd is cheering? imagine a 3d mv where they're interacting with the crowd. idk I just think this would be super cute!!
Tiny Bunny by youman - 25ji literally the lyrics fit them so well, I can imagine exactly who would sing which lines. I also just love youman and this song. this song is so good and i think that 25ji would do an amazing job covering it! :)
Literacy by Wotaku - VBS tbh i don't really care who in vbs covers this I just want it... I think they would sound really really good. maybe anhane and akitoya alt vocals? i don't know but I really like this song and also it would be cool to have more wotaku songs in game!
UFO by Kikuo - Emu & Rui I don't know how likely a kikuo wxs cover is but. this song is so dreamy and the lyrics dude!!!! literally a song about lonely "aliens" looking for companions. this is SO emurui coded. this is one of my dream covers for them tbh. also ik i haven't been mentioning vocaloids BUT the vibe fits wxs luka so well to me i want her on this song with them. please just imagine this cover it'll change your life I promise.
Electric Angel by Yasuo - Minori & Haruka WOULDN'T THIS COVER BE SO CUTE??? like the song sounds super cute and i would love to hear them sing this... if anyone other than mmj covers this song I'll feel betrayed. ALSO THE LYRICS. SO minoharu coded! this might possibly be a bit of a pull from nowhere but I want it anyway
Amatsu Kitsune by Marasy - L/n I think this would be a really cool cover for them to do. I love this song, I think Saki specifically has a chance to really shine in this cover. IDK! I just like this song and the vibes fit leoni... also references to space and celestial stuff :)
Let's Die Together in Kurashiki by SLAVE.V-V-R - WxS although the lyrics do not fit them AT ALL the whole vibe of the song is SO cool. I would love to hear wansho do a cover like this! I especially think Rui and Nene could sound really cool in this, maybe they could get an alt vocal :) IDK this would just be a neat cover to hear
Baimei Baimei by Maiki-P - Mafuyu & Ena I have some newfound hope for this cover because of Maiki-P recently doing a comm for wxs! I just think the lyrics fit mafuena really well and also they could sound SO COOL singing this. it's just a really good song that I like a lot and I think a mafuena cover for this could sound amazing!
Rafflesia by Utsu-P - VBS okay this pick seems kinda random but please stick with me here I have a vision. THEY WOULD SOUND SO COOL SINGING THIS. literally i cannot imagine a world where vbs would do bad with this song. especially An, if we do ever get this song I totally want an alt vocal for her. ALSO the lack of Utsu-P in game is a CRIME.
Lula by n-buna - 25ji (i could not find an official upload (or reprint) for this song help) this song feels very bittersweet to me and I don't know I just think it would be a sweet nightcord cover. this song is really wonderful sounding and I would love for them to cover something like this. they've done similar songs before so it's not impossible
Scissorhands by Nem - Tsukasa & Rui guys guys please this song is so them like you don't get it I need this cover. "This hand of mine cannot even caress your cheek. If that's the case, just how can I protect your smile?" LIKE ARE YOU SERIOUS??? not to mention they would sound AMAZING with a song like this. this has potential to become my favorite ruikasa cover over fixer it could be so good... this might be a bit too overtly romantic for ruikasa but idk.... I can hope and dream.
Magical Girl and Chocolate by PinocchioP - MMJ I tried not to pick too many super popular songs (like ones i see on wish lists a lot) but i want this cover so bad. this song fits mmj so well and I love pino and mmj so it would be a dream come true for me tbh. I think they would sound really cute singing this, okay?? Haruka and Airi could have alt vocals for this :)
CH4NGE by Giga - Kohane & An really just another song I picked because I think it sounds cool and An and Kohane could totally do this justice. they could do such an amazing cover of this song honestly I've been wanting it for a while I think it would sound super good!! also songs like these are peak vbs vibes to me.
Tenkou Zen'ya by ChinmariP - Ichika & Honami really this is a very Honami coded song to me. Ichika is just here because solo covers barely exist and leoni doesn't have any songs without Ichika (I would've put Shiho otherwise). but also the vibe of this song very much fits with how other ichihona covers sound and I think it sounds really nice.. it's bittersweet and reminds me of main story/middle school Honami, i think it would be a neat cover.
8 notes · View notes
keilahseverin · 9 months
Text
Spell your URL: keilahseverin
Spell out your URL using song titles that can describe your muse, then tag as many people as there are letters in your URL!
Tagged by @humblemooncat and @bananarose yessss 2x tags means 2x effort let's goooo
My URL = one of my WOL's name because I am so very creative haha.
This was HARD, but uhhh I made it hard on myself. I approached this a little differently from the description above and built a "soundtrack" based on Keilah's story. I had several criteria for picking songs here:
Can't pick two songs from the same band or source.
The lyrics of the song, if any, have to be relevant to Keilah's personality or life somehow.
The overall vibe of the song has to fit Keilah.
No FFXIV OST, that would be too easy (but other FF titles were fair game... even though none of them made the cut, lul).
I think the criteria worked, because I was able to fish around in my library and memory for a collection of songs that I think represents Keilah well in many different ways! (Plus, new story brainworms moved in how about that??)
If you decide to do this challenge, I encourage you to find a fun way to represent your muse that makes sense for you! Song titles, songs from OSTs only, whatever :)
---
Here is the soundtrack:
K - Kid A, Radiohead - I slip away, I slipped on a little white lie
E - E. Is Stable, Menomena - Coldness sets in like fingernails raked across the door
I - I Walked, Sufjan Stevens - I would not have run off, but I couldn't bear that it's me, it's my fault
L - La cathédrale engloutie (The Sunken Cathedral), Debussy - The slow, quiet buildup conjuring images of a drowned cathedral slowly emerging from the sea... only for the waves to roll back in, engulfing the cathedral, as they ever have. I can't help but picture Keilah's big discoveries about her own past taking place during this song. Okay and maybe I cheated a little using the French version of the name "But Keilah there is also an S in your name" Yes shhh quiet it's okay shhhhh.
A - Area Zero, multiple composers/arrangers (Pokémon Scarlet & Violet OST) [potential Pokémon SV late-game spoiler!]- The mysterious feel of this track-- like you're stumbling upon knowledge you shouldn't be witness to-- fits well with Keilah's personal journey.
H - Hand in my Pocket, Alanis Morissette - I'm sad, but I'm laughing. I'm brave, but I'm chicken shit. I'm sick, but I'm pretty, baby
S - Sacrifice, The Weeknd - Every time you try to fix me, I know you'll never find that missing piece
E - Emil (Sacrifice), Keiichi Okabe (Nier Replicant 1.22... OST) - "There are as many ways to view the world as there are people in it."
V - Valley of Calm Trees, Klaxons - While passing through the clouds of diamond dust as two mock suns arise beside our one, the sun-dogs guide the way towards the east and set behind the valley of calm trees
E - Exit This Earth's Atomosphere, Camellia - keilahbossfight.mp3
R - Recover, Chvrches - And if I recover, will you be my comfort? Or it can be over. Or we can just leave it here
I - Invincible, Muse - Don't give up the fight. You will be alright, 'cause there's no one like you in the universe
N - No One Knows, Queens of the Stone Age - I drift along the ocean, dead lifeboat in the sun, and come undone
---
Tagging 13 people here we go, 0 pressure to do this especially if it's not your thing, more of an FYI hi this might be cool if you want: @archaiclumina @miqomonkly @gobbie-boom @ravendas-xiv @ishgardmuffin @umbralaether @irisopranta @emetkoto @arinaxiv @emc2beans @protection-and-pleasure @whimsyxiv @wingedasarath and of course anyone else that stumbles upon this and wants to try!
Feel free to do this with your character's name instead, whatever floats your boat really heh heh.
20 notes · View notes
venus-is-thinking · 4 months
Text
Fanmade DRDT Playlist Explanations
Hey everybody! About a week ago, @accirax and I made this post about a character playlist we made for DRDT. It was in a randomized order in case people wanted to take guesses and figure out whose song was whose. We’re going to be giving out the answers now, but if you want to take a shot at placing any of them, feel free to take a look before looking at our answers! They’re written out beneath the cut.
In addition to just saying which songs were intended for which characters, Accirax and I decided to write out explanations for each of the songs in the same way that we did for the official DRDT playlist. So, for anyone who saw that a while ago, it’ll be a fun little throwback. Any explanations will be preceded by an A or a V depending on which one of us wrote it.
Also, spoiler warnings for DRDT through Chapter 2 part 1. Sections with specific content warnings will be flagged, but in general, content warning for murder and death.
Okay, onto the songs!
Homunculus by Trickle: Levi Fontana
Tumblr media
A: Homunculus is a song about trying over and over again to create a better version of yourself to escape the parts that you hate. Personally, I think that it relates to Levi and his character themes pretty well. Levi is always looking to the people around him to figure out how to act and what the “right” thing to do is. When he messes up, like with getting fooled by Arei or threatening Ace, he’s filled with regrets, and turns to others to help him right his wrongs.
Presumably, it’s due to his estranged family that made him act this way. He may have been able to get away from them, but will he ever be able to get away from himself?
Realized in my last life That I hate the light So I keep running And running I’m trying to hide
Levi’s struggles to converse with others and to trust himself are the results of his own low self esteem. In his secret quote, he talks about “his heartlessness,” and while many people speculate that he is a “killer without remorse,” his worries about not being a good person are sort of remorse about not feeling remorse over doing bad things, if that makes any sense.
I'm broken, torn, and tattered I'll never be full again
Many of Homunculus’ lyrics feature the singer berating themself for various reasons. They worry about not being up to par with what people expect of them, not fulfilling their own expectations of themself, and being a shell of who they should be, among other things. These premises may be similar to how Levi feels as someone who wants to be a reformed hero, but fears their villainous origins are too powerful to ignore.
Also, if the popular theory that Levi is involved in the Chapter 2 murder (whether as the sole blackened or as an accomplice to someone else) holds true, the singer’s resolution to do better “in their next life” could hold additional meaning to Levi. 
So maybe in my next life I'll finally find Find a way to wash away all the shame To erase and wash away all the shame
Either he’s about to die, so the next life is the only chance he has, or he’s managed to screw this life up so badly by being involved in a murder that his morality might be unsalvageable. Even though he would continue living for at least one chapter in that secondary case, the quest to continue reforming himself might seem too insurmountable.
Hate It! Hate It! Huge Ego! by KurageP: Arei Nageishi
Tumblr media
V: Here we are with Arei! This song cold opens on some lyrics that fit Arei pretty obviously: 
That small girl, I just hate her! She always acts like a nice person.
This refers to Eden. Arei picks on Eden, but it’s because Eden is a very good person in Arei’s eyes. She doesn’t believe that’s something that can exist, and she takes out her frustration that she isn’t allowed to be nice on Eden.
Arrgh! I want to be loved! I want to be loved!
Similarly to how we gave Shunran to Arei “they say that praying to be loved is a sin. It has such a sweet scent” Nageishi, I generally associate feelings of wanting to be loved with Arei. Additionally, the frustration and anger present in this demand to be loved makes me think of Arei; she wants to be loved, but doesn’t know how to get it, and that frustrates her.
Just like that kid did to me,  I just crush the garbage underfoot, right?
This line is probably the best for Arei in the song, given that it directly ties into how she developed her worldview. Arei was once nice (like Eden), but her sisters bullied and abused her until she no longer could be. She learned to stand up for herself by mimicking her behavior and pushing them and others down. She “crushes the garbage” of other people under her foot, just like how her sisters did to her.
I hate humanity! All they do is flock together. I try to pay attention to others’ feelings, But I just get completely ignored!
Arei wants to be a caring person, but she doesn’t let herself be anymore. She used to “pay attention to others’ feelings,” like Eden does, but her attempts at solving the situation peacefully were always ignored. Because of that, she learns to hate humanity.
I’m the most special of them. I need people to understand me!
Arei builds herself up as a queen bee type and praises herself about being the best (bowler and in general), but she also wants people to understand why she’s cruel the way that she is. Deep down, she wants to be nice, even if she believes it to be impossible. That understanding is something she searched for in David.
I didn’t do anything. But, but, but, but, but… Aah, I want to be forgiven, I want to be forgiven. I’m so lonely.
This song adds in a moment of sincerity, showing the remorse that the singer carries and how they feel alone. Again, I think this reflects how Arei thinks at times rather than how she acts. However, it quickly returns to the same, full-power chorus as before, showing that Arei won’t allow that loneliness to actually change her base persona or get her down; she wants to be loved, but she’s still the same strong, confident Arei at the same time.
I don’t even recognize my own face!
Shoutout to J/Arei swap theory on this line if that ends up being true!
A: While I overall agree with the interpretation of the opening paragraph(?) best fitting Eden, while reading through Venus’ analysis, I came up with an alternate interpretation.
That small girl, I just hate her! She always acts like a nice person. Is she just gonna act like I don’t notice? Those! Eyes that look down on me!
These could be Arei’s opinions about herself in the past. Arei hates her past self for being small and weak, and thus leaving herself vulnerable to her sisters’ abuse. Why didn’t she see how pathetic she was being? And why would she even have the thought that her past self might hate the person she’s become…?
That popular girl, I just hate her! She only likes fashion,  Abruptly talking like it’s her business. So shallow. Shallow, shallow, shallow.
And these are Arei’s opinions about herself in the present. Because, come on, you can’t watch that Chapter 2 breakdown scene and think that Arei is actually as confident in herself as she pretends to be. Arei may now be a typical queen bee who enjoys fashion and girly things, but that doesn’t actually make her any stronger or cooler. She cuts into conversations to inject her own hateful comments, shallowly feeding into her own worldview. I don’t know if Arei in the story would actually recognize that she has any of these feelings, but I think they could be there to be noticed had she lived longer.
Also, Milgram fans, rejoice in the bullet you dodged that we didn’t wind up giving Arei Reversible Campaign. Even though we didn’t like giving her literally the Mikoto cover of it, we almost did before we remembered that Huge Ego existed. Like, seriously, what would have been up with that? Arei should’ve been Mu, if she had to pick a Milgram character…
Please Play-Bite by Pinocchio P: Nico Hakobyan
Tumblr media
A: Remember that scene in Chapter 1 when Nico spent an hour just reciting tongue twisters to MonoTV? In my opinion, that was the best written scene in all of DRDT. Ah, memories. (/j)
Anyways, if you get past the most obvious premise of the song, “Pinocchio P flexes his tuning and songwriting skills by making Miku recite a bunch of tongue twisters” (which does not apply to Nico at all), the rest of the song makes a lot of sense.
My head is full of anxiety God, I’m begging you to [finish] me I bit my tongue again (Oh no)
Due to their anxiety (and perhaps other neurodivergence), Nico struggles to communicate with others on their/society at large’s terms. They hate talking to people because people always react negatively to what they have to say, even if they’re trying to be nice.
In the song, I think that “I bit my tongue” is more literal– the singer messes up saying the tongue twister, and with their tongue in a nonstandard position, they accidentally chomp it. In a metaphorical sense, this could signify how Nico can’t keep up with a “normal” conversation, and keeps having things come out wrong if they just speak off the cuff. However, there’s also the more traditional interpretation of “biting your tongue,” which is refraining yourself from saying something that you want to say for the good of the situation. There have probably been a lot of times in their life that Nico has wanted to say something, but has stopped themself from doing so because they don’t want to cause trouble.
The song has a lot of references to not understanding what people are doing or saying.
Isn’t it difficult to live a normal life, ouch ouch ouch
The sensation that enthuses the young and the old I’m not quite understanding it, oh what do I do
Kind words sound distorted to me
I don’t really know what the section about loving someone at the end would mean, though. You could extrapolate it to be about Rose, and how she used to like Nico before losing some faith in them now. However, any change of heart Rose may have had wasn’t because Nico was bad at communicating– she doesn’t care about that– it’s because Nico went behind her back to steal her turpentine and nearly kill Ace with it. So, who knows.
Also, shout out to this lyric for clearly being about Ace.
My neighbor eats [persimmons], he’s from Planet Complaint
I’m going to start saying that Ace is from Planet Complaint now. Thanks, Nico.
Last Score by Sekikomi Gohan: Eden Tobisa
Tumblr media
V: This is a very positive and loving song, which is fitting for Eden. After all, she’s someone who cares a lot about her friends and family, and she tries to spread cheer and positivity to those around her. 
A face full of tears doesn’t fit your profile really that well
I let go of both my worries and anxieties, happy day! Yeah!
This voice of mine will be with you No matter where you go
There are also a lot of references to time, which, obviously, fit in with her role as the Ultimate Clockmaker.
I’m stricken by my valuation of time The traffic light stays red, unchanging
Experiencing the past, the future and the now that I’m grasping
Hundreds, thousands of years, or even an eternity, in this endless life of mine
However, it’s the combination of those two things that make a narrative that I think fit Eden. Her secret quote– “You can never go back, no matter how hard you try”-- implies a sense of desperation to return to the past, something that ties into the themes of her Ultimate talent. When paired with her secret, “Ever since you kissed her, you were afraid your sexuality would ruin your friendships,” it becomes clearer that there’s someone in the past who she loves.
If you combine the two, you can come to the conclusion that Eden longs for the past, partly or entirely because of the person she kissed. This song is one of longing for a past relationship.
The love/sorrow that we amassed Is proof of my existence with you Even my dreams, my wishes, and my painful memories as well Everything, everything, everything, I was with you
This interpretation works with a general longing, which I’d argue is present in Eden’s character no matter what. Accirax and I, though, along with some others, believe in Eden Chapter 2 culprit theory, with the belief that her motive is to reunite with the people she’s left behind, notably the girl she kissed. 
If that is the case, there are also song lyrics that would allude to her taking direct action to get back to the life she left behind.
The reason why I can run without feeling down Is because I’ve known love
I’m overturning the notion that our parting is inevitable
Either way, though, I think that this song fits Eden as someone with a lot of love and desire for others’ happiness that guides her actions.
Change by Monkey Majik: Hu Jing
Tumblr media
CW: Suicide for this section!!
V: Okay, so this one is a lot more speculative. Like, obviously we know some things about Hu, but a lot of what I’ll be talking about is about where I believe her character is headed/what I think we can determine about her. For what it’s worth, I’ll be assuming that the hopeless child secret– “Dying once wasn’t enough, so you attempted suicide three times”-- is Hu’s. (This analysis by @1moreff-creator focuses on Min, but it’s a lot of why I believe Hu’s secret to be this.)
So, that being said, I’ll be speculating a lot about Hu’s mental state, so… my bad if I get anything wrong.
You had your wishes but you threw them away It made you happy yeah for more than one day But now you're lost and cannot figure a way To get out of this lie that comforts you
This is, in my opinion, about Hu’s transition from being the “hopeless child” to where she is today, in the killing game. Something must have changed to aid her mental state (could easily be something she “threw away”), which fits with making her “happy” (not actively suicidal, at least from what we’ve seen). However, now she’s here in the present, and she’s not sure what to do. What should she do to move forward, especially in this context?
You'll never change if you keep running away
I’m not sure exactly what Hu feels she’s running away from, but I feel alright saying that she is, given her secret quote: “I want to pay for what I’ve done. But even then, I still want to live.” Hu wants to be someone different and make up for something (or, if this occurs in the future of the series, to be someone different from the person who takes whatever action this describes), but she doesn’t know how.
Brothers on the top pressing all the melodies
Takatantan!!! Sweet sound of the shamisen Tsugaru style if you know where they're coming from
I don’t know much about music, and while I assume these lines wouldn’t successfully relate to zither playing specifically, it’s still true that the more traditional sound of the song and the references to music make me think of Hu’s talent.
Wouldn't it be nice if the whole world got along?
This relates to Hu’s desire to have everyone get along and be on their best behavior. She wants everyone in the killing game to work together peacefully, but that’s difficult to pull off, given the stronger personalities in the group.
I need a change 'Cause it's all gone wrong for me Somebody else to lead me now (I want) somebody else to lead me now
This can definitely also relate to Hu’s dynamic with David; she saw him as a co-leader, someone else who could help her keep the more unruly personalities under control. However, with his heel turn, it’s plausible to say that Hu would be looking for “somebody else to lead her”-- someone else to support her views and to make her less alone in the struggle to keep people under control. 
The rest of the lyrics I’d have to interpret based entirely on my own predictions, but I’ll give a quick shot at it:
Sing them your song You'd be surprised how many people wanna hear what you're saying
I suspect Hu will, after dealing with the fallout of David, seek to try to enact that same stability onto the group. Some people, I think, will be receptive, and Hu will realize that what she has to say has meaning.
Maybe! Who knows! I still think this song fits Hu’s vibes.
A: Wait a minute… what’s that?
Apples are red, but taste The same as green, wooo!!
Is that a hint about Color Theory? Are red and green the same person? Is Monkey Majik trying to tell us that Hu is confirmed for the green color, but also the red color? Does that mean that Hu is the mastermind? Is this–
CW: Suicide over!
Get Chemical by Polite Fiction and Audiodile: Charles Cuevas
Tumblr media
V: Okay guys, I promise, this song makes sense beyond “get chemical.” I know it’s a weed song. But not for Charles. If you ignore the weed part it’s a Charles song. Trust.
A: It’s not about weed. Ignore the weed. Pretend it’s not there. It’s Charles time.
V: Okay, but in all seriousness, this song fits him really well. The song moves him through his character arc chronologically, so that’s how I’ll be looking at the song’s lyrics. The song starts off with Charles’ more no-nonsense worldview.
There's a time and a place For wasting space And if you're not coming home Then it's a slap in the face
It's nothing worth doing If you just can't do it alone
Charles starts out not wanting to “waste time” or bother with any of the other students. He thinks the only things worth doing are by himself, so that’s what he does.
But I don't wanna wait for days
Charles then gets tired/bored of being by himself (as he warns Teruko will happen to her at the start of Chapter 2). He starts getting impatient, and thus ends up spending time with some of the other students.
And I'm tired of the games we play While you sit and judge me there from on your throne
Charles gets frustrated, though, because he feels that no one takes him seriously. Notably, Whit and Teruko make fun of him a lot. He feels judged by the others. However, once he tells Whit this in the bonus Chapter 1 free time, he starts to make progress; Whit understands him, and thus stops judging him so harshly.
Put the train wreck on display Marvel and wonder how it sways Wear that disapproving stare right through the phone
Then, the murder happens. Xander purposefully triggers Charles’ hemophobia to put him out of commission, and Charles then has to be visibly out of it for the entire Trial. Though Whit tries to preserve his privacy, he eventually has to reveal why Charles is acting up. Thus, Charles, the “train wreck,” is on display for everyone to “marvel” at.
Is it a trending feat or a single case Is it dignity if it gets misplaced Am I justified in adopting casual tones
Charles, after the first Trial, formally becomes friends with Whit, as well as generally leaning towards being friendlier with the group. Thus, while “adopting casual tones,” AKA being friendly, might be a “single case” (just Whit) or a trending feat (befriending everyone). Previously, not befriending people and acting above them was part of how Charles displayed his dignity, but after the first Trial (in his eyes) stripped him of that dignity, he has to reposition himself.
Well pinkies up, 'cause it's in good taste And if you can't throw down then you know your place There's a hundred different ways that this could go
After the first Trial, Charles has to confront the fact that he isn’t reliable. Thus, these lyrics to me best fit him giving Teruko the secret motive he received (Eden’s). He “knows his place,” realizing that he could easily be incapacitated again, so he does what he can. He plans for contingencies.
And I am still quite functional when I am prone
This line switch up fits the second Trial well. Charles can’t investigate fully or contribute in the way he’d like, given that he can’t actually enter the Playground or look at Arei’s body, but he can still be a major benefit to the students in the Trial. He can find evidence elsewhere and be a logical ally for Teruko. He even got to cut in to help her in the last moment before the hiatus. 
Obviously, I can’t really apply the lyrics chronologically beyond this point, but I can still point out the things that make sense.
Hitting bottom's so much better when you're stoned
I can’t deny the weed allegations on this one, but if you just replace stoned with gay with friends it makes sense. “Hitting bottom’s so much better when you’re surrounded by a support system.” That kind of thing.
Most of the rest of it is just the chorus, which is pretty easy to see the connection. I mean… the Ultimate Chemist definitely gets chemical. Not in the weed way. And the “upright to vertigo” is sort of reminiscent of Charles’ reaction to his phobia.
Anyways, this is the end of my essay. Get Chemical is a Charles song I promise!!!
Tokyo Teddy Bear by Neru: Arturo Giles
Tumblr media
CW: Suicide for this section!!
V: Okay, I’m going to preface this one by saying Arturo was a hard slot for Accirax and I to fill on the playlist. We don’t have any songs that really boil down to “you’re ugly,” so that element of Arturo’s character is out. That means that our best bet was anything that vaguely related to philosophies of fashion/aesthetic, as well as trying to interpret Arturo’s trauma/mental state. That second part is hard, because while we do know his secret– “Your younger sister killed herself because of you. You never should have left.”-- we don’t really know the details or how he reacts to it, other than “badly.” So, take everything here with a grain of salt.
The connection to aesthetics isn’t super strong, but it’s definitely there to be seen. 
I crush the heels of my unfashionable shoes
I’ll find some tougher scissors And cut out my face
With the theming of a teddy bear, there’s even references to cutting/replacing physical features of a living being, which ties into Arturo being the Ultimate Plastic Surgeon. Additionally, this often pairs with parts being “replaced.”
I’ll make a ridiculously sized pattern for it Anything will do, as long as it serves as a replacement
Please fill in the gaps in my seams
This, again, can relate to plastic surgery. It’s inherently something where you take a physical feature and alter it in order to get a “better” result, which means that you’re replacing the previous feature with a new one. It’s a bit of an angsty description of plastic surgery for Arturo, but it makes enough sense.
However, the lyrics pertaining to family and home are what sell this song for me. While we don’t know a lot about Arturo’s situation, we do know that he “never should have left,” meaning he did leave to some extent. He also clearly feels guilty for his sister Felicity’s death. 
I personally theorize that they likely had harsh parents, so while Arturo was able to use his promising career and older age to escape, Felicity had to endure the toxic environment on her own, which eventually led to her death. Thus, it would be understandable that Arturo would want to leave, but would still feel awful about the end result. Either way, though, I think the lyrics can definitely connect.
Mom, Dad, I’m sorry for everything
Brother, Sister, I’ll see you later
Goodbye, everyone; teacher, take care
Arturo is sorry for the situation, but he still leaves. It seems like there’s a specific point in Arturo’s life that would change pretty drastically when “leaving,” so it makes sense if it’s something treated with a lot of drama and severity.
Then there’s this part of the song:
There’s nothing left, nothing left anymore: it’s all torn off Even my cells seem to disappear into this sea of lint That’s right, I’m gone, gone, thrown away I don’t even have a home to go back to
This would read to me as a reaction to Felicity’s death. There’s nothing left of the home he cares about, meaning he’s officially on his own. It’s also a lot of emotional turmoil he’s struggling with, obviously.
I want to complete it, I want to cheat, give me the answer I can’t change? Do I want to be kept like a pet? Is it all gone? This isn’t me! The seams have split and torn apart
This part reads to me as some sort of big reaction to something in-story. It could just be the secret reveal; he wanted to “cheat” by threatening Eden into silence and claiming not to have a sister, but he learns that he can’t “change,” or otherwise escape from his past. How the ending of this song will be interpretable is going to change heavily with where he goes after this reveal, whether it be being the Trial 2 killer (and likely explaining his logic more in the post trial) or continuing to move forward into at least one more daily life.
That’s pretty much all of the analysis for the song, but I’m going to just quickly talk about some aside theories for Arturo!
CW: Body dysmorphia for this section!!
Anyways, while looking at the lyrics of this song, I started wondering how Arturo’s views on beauty and being the Ultimate Plastic Surgeon might’ve tied into his past/Felicity. Arturo clearly developed very strong views on what was beautiful/ugly somewhere along the way, and it wouldn’t be at all surprising if Felicity held some of these views as well.
I think it’s possible Arturo may have attempted plastic surgery on Felicity if she had some sort of body dysmorphia. A lot of people with body dysmorphia try to use plastic surgery to ease their negative thoughts, but it doesn’t usually work, because the issue isn’t their actual appearance, it’s their misperception of their appearance and how it impacts how they believe others see them. Body dysmorphia is also a condition which has a high suicide rate (some studies say 25%+ of people with Body Dysmorphic Disorder have attempted suicide), so that could definitely be part of Felicity’s struggles.
This is also much less specific, but do you think Arturo has ever had plastic surgery or tried it on himself? I kinda just assumed his mask was part of the surgeon aesthetic, but it’s true that we don’t super know what’s under it, right?
Anyways, ramble over! Onto the next song!
CW: Suicide and body dysmorphia over!!
Punching Bag by Set it Off: Ace Markey
Tumblr media
A: And here we have our first Set it Off song! Venus and I listen to a lot of Set it Off music, so it was hard to cut down to just two when we wanted to do a couple more. Rest assured that the two we went with are going to be fitting.
(V: They are my top artist on Spotify ever :D
Also side note, we also like Full Moon by Rare Americans as an Ace song on vibes. The lyrics are less fitting, but like… the Vibes are there)
A: I think the scene that most closely parallels the lines of Punching Bag is the one in Chapter 2 Episode 4, where Veronika intervenes in Ace and Nico’s fighting. To quote Ace, “Is that what everyone really thinks about me? And it’s fine that you drill it into my head over and over again, because you think I’ll forget about it in 5 minutes like you do? … You think I act like this for fun, and then I go to bed and sleep soundly at night, you dumb piece of shit?”
I'm up all night when you think I'm sleeping People pleasing's never good for your health
I’m sure you can see what I’m getting at here.
V: There’s also the fun part with the “up all night when you think I’m sleeping” that Ace (I’m pretty sure) goes to the Gym and stuff while other people are asleep! Plus, there’s him overhearing the David/Arei conversation. So, in a lot of ways, Ace actually kinda is up all night when other people might think he’s sleeping.
A: People not taking Ace, his emotions and his struggles, seriously is one of the things that infuriates Ace the most. 
Punching bag Just another pot calling the kettle black Take it out on someone who won't hit you back 'Til we're all as broken as you
Based on what others have told him, he knows that they think he’s a fragile coward whose bark is worse than his bite. How dare they insult him when they’re just as fucked up as he is, if not more?!
So say goodbye to your Mr. Nice Guy You got your wish, he's rotting in Hell
Even though we are aware that he wasn’t really a nice guy before, this scene (and the one investigating the Gym with Levi) is reflective of Ace’s Chapter 2 declaration that he’s in it only for himself. He’ll be a terrible person if it’s the only thing that’ll defend him from everyone else’s onslaught of attacks.
And, on top of all that, there are a bunch of lyrics that seem to reference damage inflicted on the singer by some kind of string.
Hanging on by the strings that you're pullin' (So you) cut me down just to push me around
And hope I'd tie a rope 'round my throat 'Til I start to choke
Don’t worry Ace, I’m sure this will never come back to bite you. Play-bite you, even.
So go fuck yourself
Well, that’s not very nice :(
Grave Dancing by David Bays: Veronika Grebenshchikova
Tumblr media
CW: Self harm and suicidal ideation for this section!!
A: This song kinda tracks Veronika’s experiences with boredom, and how experiencing the terrors of the world that make most people cower makes her cackle. We begin with Veronika’s backstory, detailing how she felt before the killing game began. Now, this is based on speculation, but the idea that Veronika has the secret, “you only took on your talent to distract yourself from your incessant need to harm yourself for fun” is generally a pretty popular one. If she really was injuring herself just to feel something, we can assume that she was in a pretty bad mental state.
I stared into nothing completely entranced A spectacle vortex of mesmeric dance Millions of voices invite me to jump Into the pool of the opiate pump
Veronika was lost to her own desires, only focusing on what was fun (the “mesmeric dance”) even when it was putting her in danger (“inviting [her] to jump,” presumably off a high place). However, once Veronika finds horror, she finds that you can’t spell funeral without fun.
I’m dancing on my grave As my pleasure turns to pain I waste my days In this haze The more I satisfy myself the emptier I am
When most people would be sobbing at a gravesite, Veronika thinks to dance. When Veronika is experiencing pleasure, it’s at the hand of pain, whether hers or someone else’s. Even when she succumbs to her desires to live her life for the sole pursuit of fun, she’ll always be chasing a high that doesn’t exist. 
The fleeting euphoria begs me for more
Or, well– not without a killing game, anyways. The “round robin race” and “endless buffet” mentioned in the lyrics could both refer to the killing game, and “a wishful need to want to leave” would be more of a commentary on how people like Xander and Eden keep making plans to end the killing game. It’s her typical psychoanalysis stuff.
Do you remember how to be I don’t And you’re all stuck here with me As we throw away our time On momentary lives
Veronika seems to know that she’s abnormal (although she frequently forgets it in the moment), and even relishes in it in the presence of people like Arturo or David. Even if she doesn’t remember how “to be” (a normal person), everyone is stuck with her in the killing game, where her opinion holds the most power. The concept of “throwing away our time on momentary lives” sounds like the kind of thing she would say to get under someone’s skin– pointing out how fragile everyone’s life is in order to try to incite murder. Overall, the song just reminds me a lot of how Veronika speaks and thinks.
Entertained forever till we… DIE
Like… Yeah, that’s Veronika alright. You get it, I hope.
CW: Self harm and suicidal ideation over!!
Hallelujah by Hunter Oliveri: David Chiem
Tumblr media
A: Did you know that David… is in a poor mental state?
Everybody is dumb I'm feeling numb Hallelujah
While exactly how much David’s “real personality” mirrors what he’s shown us in 2-11 is still up for debate, that infamous episode certainly showed us that there’s something off with how David views himself and the world. Namely, he’s a pretty pessimistic guy who seems pretty cavalier about throwing at the very least his own life away (given that the person who receives votes WILL die, either in a correct blackened vote or an incorrect spotless vote). If you assume that David is not actually the blackened in Arei’s murder, you can also get this line to factor in:
Everyone's got a gun Let's kill everyone
If the other students use their “guns”– their votes– to kill David, everyone will die. That’s a plan he’s completely fine with… Or, at least, he’s acting like it is. You could also link this line to Xander and his fake gun. Obviously, Xander didn’t actually use his fake gun in his attempt to kill Teruko, but it’s still an acknowledgment of how Xander was a participant given a gun like everyone else, and how he did decide that murder was his best course of action. Betrayals like that are likely part of what gave David this attitude in the first place.
In his breakdown, David also shows his perverse desire to call out the other students for their naive idiotic beliefs in trust and the goodness in humanity. So, you know. Everyone (in the Class Trial) is dumb (for believing in all of the inspirational bs David spews), (David is) feeling numb (to his own survival, as well as potentially still being in shock regarding the state of his career)-- Hallelujah. In the Hunter Oliveri version, the call to Praise The Lord is certainly meant to be sarcastic, and David means the same. In the way that “the Lord” can also imply fate/morality or a powerful establishment, David can be telling those things to fuck off too with his “Hallelujah.”
All of this is probably clear enough. However, what makes me like THIS smugly apathetic song over potential others are the frequent references to telling people how to do things and success. Let’s start with telling people how to do things.
It all means nothing I'll tell ya something They'll sell ya something, yow
Now I can't do a damn thing. And I'll take you out your misery And now I can't move a damn thing And I'll take you out your misery
Although the singer is feeling numb and therefore shouldn’t care about their audience, the song is still clearly framed as the singer giving their advice on how to best approach life. “Telling you something,” AKA the wisdom David dispenses in his inspirational speeches, is the exact same thing as “selling you something.” David knows that he profits off of exploiting others’ hopes, and he hates himself for it. Because he believes that people can’t ever change, he “can’t do/move a damn thing,” but will still “take you out your misery.” On the surface, people think that David is taking them out of their misery to move them to somewhere happier. But the way David sees it, he might as well just take them out of their misery by killing them, because life for the corrupt and unmotivated is pointless.
On that happy note, let’s talk about success.
I Gotta buy a big house Driveway full of cars trophy wife on the shelf
Here's what I'm all about Spending big money on a ticket to hell You've probably seen me around I'm like the Walmart in your hometown
I can’t remember if it’s ever been officially confirmed by the story, but I would not be at all surprised if David was the most independently financially successful Ultimate in this killing game. Like, obviously if J got along with her mom, she would have access to way more money and fame than David would. But, given that J tries to hide her identity, David is the only character who seems to be particularly recognized by anyone else (Xander) at the start of the killing game. Calling him “the Walmart in your hometown” is kind of a funny way to get that point across, but if you say that David is calling himself that’s incredibly well-known but also not that particularly special/well-regarded, I think it fits.
David has been able to ride his career as an inspirational speaker to immense success, but he feels very empty about it. Because he doesn’t believe in what he’s saying (and in Arei’s case, may even believe that the things he said actually kill people), he knows that the “big money” he’s earning will come back to ruin him in the end. His actions before and after his big reveal are what will send himself (and those he’s affected) straight to hell. The worst part is that he doesn’t even have any particular ambition about how to use his success. He knows what successful people act like– displays of wealth, happy relationships– but he doesn’t actually know how to achieve them. He doesn’t even like expensive things. So, what’s the point?
David’s got a lot of opinions about how people should feel about their brief lives on this miserable  “third rock from the sun,” and I think Hallelujah represents them pretty well. Just… don’t ask me about the lyric four lines down from that one. I have no explanation for it. We’re ignoring it. Moving on.
Egoist by Onuma Paseri: Min Jeung
Tumblr media
V: It took us a while to pinpoint what exactly we wanted to pick as Min’s song. We strongly considered the obvious but fitting Lost One’s Weeping, but in the end, we decided to bring something new to the table instead. That song is Egoist!
A: (This is because we wanted to avoid putting in songs that other people had already brought up themselves, to make the guessing game fun for Min. I applaud everyone’s efforts in coming up with so many great songs for Min, but goddamnit did you have to come up with SO MANY great songs for Min??? /j)
V: Egoist is an interesting song for Min, because a fair amount of the lyrics actually focus on not wanting to be in school.
I usually spend my days falling ill. Let me withdraw from school, professor!
Let me go home early, professor!
However, I think this makes sense given that, in Min’s bonus episode, we see her starting to have more doubt surrounding her school career. She begins to realize she’s become extremely focused on school to the detriment of everything else. To me, that’s what these kind of lyrics actually relate to in a Min context.
I want to talk about something life-related. Won’t you listen to me, professor?
I understand that patience is important in life.  Won’t you realize it, professor?
Min has started to realize that not only school matters, but the people and the environment she’s surrounded by encourage her to continue focusing on academics entirely. She wants to have patience in life and explore other possibilities, but she finds it difficult to actually broach the subject with anyone.
You, dyed orange,  Will melt into darkness before long. Though time passes, my anguish will not disappear. I spend an eerie night together with you.
This set of lines is much more plot-oriented. Though you could try to spin these to be about Mai, I think it’s easiest to make this song largely about the night that Min kills Xander. Xander, dyed orange, “melts into darkness” (dies via electrocution). Min’s anguish can’t just disappear, because the Class Trial exists– it has to result in more death. I think you could call the whole thing overall an eerie night.
Get sentimental, and it’s goodbye. Go quicker and further away than anyone else!
Min “becomes sentimental” when she wants to save Teruko from Xander. However, because this results in both Xander and Min’s deaths, her sentimentality means “goodbye” for her.
Becoming impulsive is the right move. Cross through the night, more than anyone else! There’s no going back from here. After all, there’s no consequences.
This relates to Min trying to win the Trial. The right move is to become impulsive– she has to act quickly when she sees Xander or he’ll simply kill her too– and after that, she has to “cross through the night” more than the students she’s trying to deceive. She has to be the absolute best to clear the Trial and escape to the outside world. There’s no going back from here.
The “no consequences” thing is a little weird considering there very much are consequences for her actions, but I could see that potentially relating to her mindset of fixing “mistakes.” Killing Xander doesn’t have to be a mistake, as long as she does succeed more than anyone else. There are only consequences if she fails to correct her mistakes in time. Unfortunately for Min, that’s exactly what happens.
…Actually, I take back what I said earlier about some of the lines being potentially applicable to Mai. THESE lines relate to Mai:
You had entered my heart, and your smile Will melt into darkness before long. Though time passes, my memories will not disappear.
Problem solved! Min gets to reference Xander, Teruko and Mai!
A: I also tried to pitch Hungry People by the Happy Fits as Min’s song; but Venus didn’t really get it, so we went with this (which I think she did a great job explaining!). However, if anyone wants to hear me ramble about the commercialization of Hope’s Peak and the Ultimate Student as a talent through the context of Versace, Versace, Versace or Klein, hit me up.
Always Tired by Weathers: Rose Lacroix
Tumblr media
A: This song doesn’t have a ton of lyrics, but the ones it does have fit Rose pretty well. The most obvious connection is just due to the fact that Rose is, believe it or not, always tired.
I'm always tired, I just can't fight it I'm always picking up my body, oh
Whether as a result of her hard work, an attempt to run away from her depressing day-to-day life, or straight up narcolepsy I don’t know, but the fact remains that one of Rose’s most apparent character traits is her tendency to fall asleep at a moment’s notice. And, despite the dangerous killing game situation, she doesn’t make any attempts to try to keep herself awake, like drinking a ton of coffee or whatever. She doesn’t really have the drive in her to try much of anything after being chained to the Spurling Foundation for life. Instead of making art based on her own creative drive, she has to execute whatever the Spurlings tell her to. She has to force herself to do things, mentally picking up her body instead of just letting it carry itself forward.
There’s also the matter of Rose’s nightmares, the combination of her photographic memory and the troubles she’s faced. The song is a lot about sleeping, but also a lot about seeing.
A quarter to three, still rolling in bed A party for me with demons in my head Do you ever know how eyes lie? Do you ever see how I'm-
Even when Rose does try to sleep, she can’t avoid her photographic memory filling her mind with nightmares that feel incredibly real. Xander’s dead body, Min’s crying face, and Teruko’s haunting glare could all seem pretty demonic under the right circumstances.
The song’s continuous repetition of the chorus also speaks to how bland Rose finds her life now. It’s just a cycle of unfulfilling days doing the same thing with the same tired energy following her around. Unfortunately, that’s just her habit.
Evolutional by Big Data: J Rosales
Tumblr media
V: This song largely centers around J’s relationship with her mother, Mariabella Rosales, and how J wants to make her own future rather than the one her mother wanted for her. In that lens, a lot of the lyrics to this song are honestly pretty self-explanatory.
It's my future, not a mystery These games that you play, you're my history Not your possession, you don't own me Said it's all for the best, I disagree
J takes ownership of her own future, leaving her mother and the stardom she was born into in the past. She’s not just her mother’s child; she’s her own person, too.
Ooh, boy, what you gonna say when I walk away? (Got a mind to eliminate) Ooh, ooh, boy, what you gonna do when I'm not with you? (I'ma show you another view)
J would much rather walk away from the whole situation. I have no idea what Mariabella’s reaction was when J walked away, but I have to imagine she wasn’t happy about it. J would probably enjoy that fact.
Gonna make a change, gonna rearrange Improve myself, I don't want your help
Something I like about the lyrics to this song are that they focus on how J has taken ownership of her future rather than just rebelling against her past. Yeah, she changes from her past, but she does also “improve herself” in the sense that J has still found her way to an incredibly successful career, Ultimate-level worthy, through her own enjoyment of SFX. She doesn’t want her mother’s help to become famous, but she still thrives on her own terms.
Used to build me up, used to knock me down Thought you were so clever, who's laughing now? Are you listening? Do I have your attention? I'm telling you now, I'm your final invention
J, as we know her, currently seems to have gotten the upper hand against her mother, given that she HAS become unrecognizable to most people and got to live out her life in relative privacy. I’m sure her mother is aware of this, though, meaning that J is the one “laughing now.” And, of course, if Mariabella is feeling like an Endeavor kinnie, she might see J as her “final invention.” Ryan is younger, but still, J is the evolution of the Rosales bloodline.
Remember the Empire by House of Heroes: Xander Matthews
Tumblr media
A: Remember the Empire is a pretty general song about rebellion, which means that it definitely fits Xander, but not necessarily with the same specificity as some other songs. However, there are still some good lines to talk about, so let’s get into it.
Stand, stand up! What choice have they given us?
Remember the empire, Tear the king from the throne!
While possibly not as medieval as House of Heroes intended it, the rebellion that Xander asks people to stand against is definitely about taking down a king. Or, more specifically, a Duke. I doubt that Duke is actually a king by divine right or anything like that, but if you say that he was the old money ruler of the town in which Xander lived, there’s hardly a difference when it comes to modern day. “Remember the empire” is about Xander remembering both his family and hometown in the ways he wishes they would have stayed, and “tear[ing] the king from the throne” will at least restore that kind of peace to other families and homes.
Fight for the life that our children should have, Fight for every freedom that we never had, There's no turning back all the bridges are burned, Our peace must be earned, so
Again, Xander is focusing on children because he was a child when the river in his town was poisoned. Speaking of rivers, sometimes they have bridges over them…? But also, “burning bridges” just means ruining your relationship with someone, which Duke Spurling definitely did.
While I would say that the majority of this song is more about Xander’s backstory than his (brief) time in the killing game, there are still a couple of lyrics that I think speak more to that time period than his past.
Here they threaten with murder and bribe us with peace. Here they treat us like slaves and convince us we're free.
MonoTV sure did threaten them with murder! And bribe them with peace, too: given that Xander attempted to kill Teruko before the motive videos were actually given out, the main motive for the majority of the students was the temptation of going back to their peaceful, everyday lives.
“Treat[ing them] like slaves and convinc[ing them they’re] free” is a bit of a stretch, but who says I’m not flexible? MonoTV and the killing game establishment want the participants to believe that every decision they make is on their own terms– if a student chooses to become a killer, it’s about the despair secretly hidden inside of them, and not the external pressure of being put in a month-long life or death situation. But, the students are still “slaves” to both the headmaster, the structure of the killing game, and, in Despair Time’s case, the entertainment industry.
We wrote it down in blood, in blood. We gave our lives for love, for love.
Also, while Xander didn’t actually write out an accusatory dying message in blood, the blood around his neck and on his fingers were relevant to the case. He is also (probably) related to the blood falling on the pieces of paper in DRDT’s opening scene, and certainly the recipient of the “kill Teruko Tawaki” note, which was written down to call for Teruko’s blood.
Similarly, while the direct reasoning behind why Xander decided to kill Teruko is yet unknown, it really feels to me like it would be “for love” of something. Love of the rest of his classmates? Love of Mai? Love of the world? Whatever the case is, he gave his life for it. Remember the Xander– tear the song from the list!
SAD (Clap Your Hands) by Young Rising Sons: Whit Young
Tumblr media
A: There is precisely one section of the lyrics that made me believe that this song was for Whit.
I've still got memories to repress But I still hear my mama saying If you're sad and you know it And you don't want to show it Clap your hands If you’re sad, that's okay You can clap it all away Just clap your hands
This part screams Whit so hard to me. Whit represses his emotions and memories about his home so that he can pretend that everything is fine. Whit’s mom is very important to him, and is more likely than not dead, such that anything she says would have to be in a memory. Much like how “bitter things should go down the drain,” Whit always chooses not to show his sadness, deciding instead to play things off as jokes.
Erase any unease you have with these two simple steps! Step 1: Clap! Step 2: Profit.
So, anyways, that’s clearly the best part of the song. What about the other parts? Well, they are probably making Whit into a bit angstier of a character than he actually is. Probably. (V: Yet. He will have angst. We can all feel it.) Compared to people like Xander or Min who have their own bonus episodes, or even people like Arei or Rose whose backstories have been explored a bit more in canon, we don’t actually know that much about Whit’s past. And, yes, I know that we literally got an entire scene almost entirely focused on Whit’s backstory. The problem is, given that he likely has a history of… omitting information, one could say, we don’t know how much of what he’s said about his past is true, and how much might be reframing things in a more positive light.
Still stuck in bed Try to remember how Unscrew my head That's too left brain right now
[...T]hey say that if I try That I could maybe be someone But I'm scared because I know deep down That day may never come
Shut up and be happy It's all in your head Grow up and be happy 'cause it ain't that bad That's what my doctor said
Like, all of this could be true about Whit, I dunno. Or it could be false. To try to end this on a smart note, I’ll try to explain each of these sections as best I can.
Whit is probably a more right-brained person, to the extent that that model means anything, because of his strong intuition and innate understanding of how others are thinking and feeling. The left brain helps you with sequencing and facts, two things which Whit probably tends to ignore.
There’s definitely an argument to be made that Whit doesn’t see himself as a particularly talented matchmaker, despite being an Ultimate. When Charles asks him to break up the fights between J and Arturo, Nico and Ace, and Arei and MonoTV, Whit deflects, saying that he’s only a matchmaker, not a relationship counselor. (Charles points out that he didn’t bring up anything about matchmaking at all, which implies that Whit may frequently feel out of his depth when asked to do things as a matchmaker and is used to coming up with excuses.) Whit’s sales pitch for himself as a matchmaker in the prologue is basically a joke, too. And then, there are the details thus far only brought up in his character profile: he dislikes Valentine’s Day, and has never been able to succeed in finding a relationship for himself. That failure to matchmake the perfect partner for himself (assuming he’s interested in that kind of thing, but he does say he likes boys and girls and was confirmed as bisexual in a Q&A) may make him insecure in his skills, and thus in his future as an Ultimate.
Of course, his bio also says that “if you get the Ultimate Matchmaker to find you a romantic partner, you’re guaranteed to have a happy and stable relationship for life,” so do with that what you will.
And finally, Whit did ask other students about their prescriptions, and seems to have some familiarity with mental health issues, given how he was able to help Charles. I mean, any good doctor would not actually say “grow up and be happy ‘cause it ain’t that bad” to someone struggling with their mental health, but my point is that the lyrics could have some extra meaning for Whit if he did see a doctor for whatever in the past.
Look, like I said at the top, there is precisely one section of the lyrics of this song that made me think it worked for Whit. The rest of the song does not make as much sense, but the guy was hard to pin down. And, hey, it’s not our fault that Good Grief was already taken–
Killer in the Mirror by Set it Off: Teruko Tawaki
Tumblr media
V: This song is such a #TerukoSweep. We were looking at songs and this was one of the first ones we locked in. It very clearly shows her shift after Chapter 1 to being more distrusting of everyone else, after both Xander and Min betray her.
Look out, they're closing in on you now Wake up, or you'll wake up six feet down Nobody's got your back in this town Knock 'em in the teeth now
Teruko quite literally has to wake up or wake up six feet down after Xander stabs her, considering she’s unconscious for a long time. After that, she fully believes she can’t rely on anyone, so she becomes much more aggressive to the people around her, pushing them away.
Out here, there's no negotiation No room to start a conversation Before you get a taste, it's taken Never let your guard down
This relates to how she doesn’t even want to talk to anyone after the Trial. She can’t ever let her guard down; that’s a large part of why she refuses Eden’s attention in particular. She can’t negotiate or start a conversation, because that, in itself, is letting her guard down– it’s opening herself up to friendship, which she no longer trusts.
Get back, put your hands up, kinda messed up, but it's tough luck
Tough luck you say? …Anyways.
And I'm sorry, but I don't feel bad for you 'Cause I know if you could switch this You'd be dishing out the same shit Saying sorry, but I don't feel bad
Teruko seems to hold the view that anyone could betray her at any time, and thus, they should all be considered enemies. She can’t feel bad for any of them, because they could all do the same to her.
Now I know there's no one I can trust I used to think there was Tell me that I'm cutthroat I think you got your eyes closed
This is the same kind of thing. She can’t trust anyone, even when she used to think she could, because Xander and Min’s betrayals proved that not even those closest to her could be trusted. People say that Teruko is cutthroat for turning her back on everyone, but to Teruko, they don’t see the facts. She’s not being cutthroat, she’s being cautious. 
Feel the fear and swallow back the tears Let weakness disappear
This relates to Teruko cutting out her friends because they’re weaknesses, etc. etc.
There's nobody but me here The killer in the mirror
This is actually one of the harder lines to justify in my opinion, because Teruko hasn’t actually killed anyone. …That we know of.
I’m kinda just banking on Teruko’s likely secret of “How could I even select what secret to be your motive? Just about everything you’ve done in your life is worth killing for. The killing game is all your fault” in addition to any inflicting-bad-luck-on-other-people-like-with-Min type situations being enough to justify calling Teruko a killer, at least in a hypothetical sense. If she really is responsible for the killing game (questionable) then she’d sort of have killed Xander, Min and Arei at this point.
The other verses’ lyrics definitely fit too, but it’s really just a lot of repeating Teruko’s philosophy. She doesn’t trust anyone for her own safety, she can’t have friends anymore, all that deal. Classic Teruko.
Conclusion
V: Thanks for getting all the way through this post! This thing ended up WAY longer than we meant it to. Still, I guess it makes sense, given that we tried to pick songs we thought had strong lyrical basis for the characters. Hopefully you enjoyed, coming from me and Accirax :)
A: Yippee, essays over! Thank you for reading. Now go listen to our immaculate taste in music some more (/lh /nf). And the original playlist, too! We could all use a little more DRDT brain rot in our lives.
12 notes · View notes
helenofjupiter · 5 months
Text
assigning taylor swift songs to bridgerton couples (part 2)
with explanations that no one asked for (proceed with caution)
part 1 for a, b, c and d
eloise & phillip - i hadn’t even read the book and i knew paris was their song. i feel it captures their essence. “no, i didn't see the news 'cause we were somewhere else” while benophie are just as deep in the countryside, i think philoise truly don’t care about anything that goes on in the ton. “i want to brainwash you into loving me forever” i’m not sure why this line in particular stands out to me in context of their relationship. maybe because going into it they both had their agenda. also phillip constantly thinking he has to find a way to make eloise stay forever. “confess my truth in swooping, sloping, cursive letters” i think this one is self explanatory. secondly electric touch, i was hesitant about this one cause i’m just not a fan of this song sonically but the lyrics were too on point. “just breathe, just relax, it'll be okay // just the first time ever hanging out with you” - eloise sitting in her carriage on the way to meet a man who basically proposed to her without meeting once. from phillip’s “i've gotten used to no one callin' my phone” when eloise shows up and the servant’s “hey, we got a caller” and phillip going “wtf no one comes here, you sure about that”. also “i've grown accustomed to sleeping' alone” yeah eight years will do that. “i was thinking, just one time maybe the stars align, just one time and maybe I call you mine” 
francesca & michael - so i have a story regarding this one. as i got to the second half of the book and the spice started flooding in, i felt like the need for some equally sexy music in the background and i remembered (honestly don’t know how i ever forgot) the altarpiece of taylor’s music  false god. truly all the stars aligned, while i read the words “she felt cherished. worshipped. loved” miss taylor swift sang “we'd still worship this love”. other than that it does fall into the vibes category. tho if one day we are blessed enough to actually get their season i am expecting every social media feed to be drowning in edits of  franchel to this song. but also alternatively to don’t blame me. again, sexy. well the spice in this book was just on another level and i also couldn’t figure out if taylor has a song about being in love with your cousins spouse for six years. i think this is more from michael’s perspective. i mean “i've been breaking' hearts a long time” he even broke mine by being fictional. “if you walk away i'd beg you on my knees to stay” michael stirling would absolutely do this and frankly i can’t stop picturing it. if we do get to them in the show some glorious day, this is my official plea to include this song in the soundtrack. 
gregory & lucy - speak now is the somewhat lazy choice but have you read the prologue timed to this song. “i hear the preacher say, "speak now or forever hold your peace"” the church went silent “there's the silence, there's my last chance. i stand up with shaky hands, all eyes on me” the priest stopped his drone, and every spine in every pew twisted until every face was turned to the back. to him. “horrified looks from everyone in the room but i'm only looking at you” she said nothing, but he saw her. // she looked so beautiful. i rest my case. it was really hard to pick a song for them because there’s so many twists and turns in the book so my honourable mentions are haunted (when gregory convinced everything is solved and then lucy goes and marries another man) and daylight. finally i settled with ivy. “my pain fits in the palm of your freezing hand, taking mine but it's been promised to another” i mean lucy has been promised to another man from the start of the book. it just fits them, okay (can you tell i’ve been writing this for four hours at this point).
hyacinth & gareth - dear god, hyacinth is my favourite character in the whole books series. i adore her but for the love of god i could not figure out what songs to choose for hyareth. it was truly a headache and if anyone has any suggestions, please do not hesitate to tell me. because they are such a chaotic and energetic duo, i wanted something that would fit them musically but ended up picking cowboy like me and peace. both are truly in the vibes category, i don’t have much of an explanation. in cowboy like me “and the skeletons in both our closets plotted hard to fuck this up” felt kinda reminiscent of the whole polt line with gareth and his father who wasn’t really his father. peace has a little more substance to it. in my head this is more from hyacinth, she is wild and you will never get bored with her but she can also be a lot and tiring. “you know that i'd swing with you for the fences, sit with you in the trenches. give you my wild, give you a child” this is who hyacinth is, she is a ride or die, and i truly believe she would sit in the trenches with gareth.
16 notes · View notes
taylorgrape · 4 months
Text
Mariah's Characters as Taylor Swift Songs.
I am still so sorry. @sweet-sweet-petunia
PETUNIA RHUBARB AS FEARLESS "I'm tryin' so hard not to get caught up now." i have to be so real. this ties into junior's which we will see shortly but. i HAD to pick fearless bc bro!!! all the crimes she's committed with an underage asparagus!! she really do be fearless!! ofc there's also the like very sweet and cute energy of this song which gives larry and petunia vibes. but mostly it's abt committing crimes with an underage asparagus. Other notable lyrics that give me Petunia vibes: "So baby drive slow, 'til we run out of road. "You pull me in and I'm a little more brave." "I'd dance in a storm in my best dress, fearless."
JERRY GOURD AS MIRRORBALL "I can change everything about me to fit in." So while this song is inherently about trying to change everything abt urself for the sake of an audience I think for Jerry it's a little different. he changes not bc he has to but bc he is simply vibing. he can be reflective of the people he's around and while he does want to fit in like we all do, he truly is just trying to be everyone's friend bc he literally has no reason not to be. Other notable lyrics that give me Jerry vibes: "I'll show you every version of yourself tonight." "When no one is around, my dear, you'll find me on my tallest tiptoes." "I'm still trying everything to get you laughing at me"
ESTHER AS A PLACE IN THIS WORLD "I'm just a girl, trying to find a place in this world." This was another one that as soon as I knew what this project would be I was like oh this is SO ESTHER. she really is just trying very hard to figure her shit out and live her life and she knows that that's just how life be!! this song also gives me hot normal vibes and that mixed w esther's whole gay thing i'm like yeah this is the song for her Other notable lyrics that give me Esther vibes: "I don't know what I want, so don't ask me, 'cause I'm still trying to figure it out." "I'll be strong, I'll be wrong, oh but life goes on." "And tomorrow's just a mystery, oh yeah, but that's okay."
FRANCOIS BLUEBERRY AS THE LUCKY ONE "And the camera flashes make it look like a dream." a song that is abt the romanticism of hollywood and how it's actually not all that romantic and kind of sucks but ppl would still sell their soul for it. however, francois hasn't reached that second part yet so for me he is the romanticism of this song and show business. he moved far away to live his dream and GOOD FOR HIM. he could never do anything wrong ever. also this is one of my fav songs from one of my fav eras so obviously it had to go to the special little guy. Other notable lyrics that give me Francois vibes: "Another name goes up in lights, like diamonds in the sky." "Now it's big black cars and Riviera views." "It was a few years later, I showed up here." BOB THE TOMATO AS LAVENDER HAZE "I'm damned if I do give a damn what people say." LET'S GIVE IT UP FOR BOBBERRY ARE U KIDDINGGG obviously the song abt the color PURPLE was for them but also!!! so many of these lyrics are so bob coded to me in general?? and then when u add in the megan aspect?? it all came together so beautifully. also this is another one that goes hand in hand with another (bet u can not guess who) but genuinely i am so proud of myself for thinking of this one lmao (also it took everything in me to not make one of the lyrics "the only kind of tomato they see is a one night or a bride lmaaao) Other notable lyrics that give me Bob vibes: "And you don't really read into my melancholia." "I've been under scrutiny , you handle it beautifully, all this shit is new to me." "I just need this love spiral, get it off your chest, get it off my desk."
DAD ASPARAGUS AS CARDIGAN "And when I felt like I was an old cardigan under someone's bed, you put me on and said I was your favorite." okay so obviously a decent amount of this is due to the whole mom asparagus trauma. dad has been through a lot and it SHOWS. but also he is SO the type to use romanticized ass lyrics like this to describe his feelings. also idk if dad wears cardigans?? but he seems the type that would so i associated that with him as well. anyways as we know this is perhaps my absolute fav taylor song and so he should be honored to have it. (also notable mention to the fact that i almost added "leaving like a father" as a lyric just bc) Other notable lyrics that give me Dad vibes: "I knew you, your heartbeat on the high line, once in 20 lifetimes." "Chasin' shadows in the grocery line." "And I knew you'd come back to me." ARCHIBALD ASPARAGUS AS MY TEARS RICOCHET "And if I'm dead to you why are you at the wake?" this one makes me feel CRAZY!!! ARE YOU FOR FUCKING REAAAAL archibald's whole thing w his brother and lovey and oh my GOD this song was immediately perfect. obviously i take a lot of influence from the whole lovey thing but truly like... this whole song describes that situation to me and i am frothing at the mouth about it. i wish i could put every single lyric but PLEASE listen to it bc it's perfect!!!! Other notable lyrics that give me Archibald vibes: "And I can go anywhere I want, anywhere I want, just not home." "You had to kill me, but it killed you just the same." "And you're tossing out blame, drunk on this pain, crossing out the good years."
GOSSIP GOURD AS MASTERMIND: "I'm only cryptic and Machiavellian 'cause I care." OBVIOUSLY gossip gourd is a mastermind!! they know so much!!! also disclosure i know who gossip gourd is (figured it out watching vt w mariah irl so u know) but that was part of my reason for picking this song specifically. it fits SO WELL but also to me with or without knowing who it is this song is perfect for gossip gourd imo!! also mariah is an absolute mastermind for picking who she picked lmfao. Other notable lyrics that give me Gossip Gourd vibes: "What if I told you none of it was accidental?" "I laid the groundwork and then just like clockwork, the dominoes cascaded in a line." "If you fail to plan, you plan to fail, strategy sets the scene for the tale."
5 notes · View notes
witchercommentcrawl · 2 years
Text
How to Leave Feedback on Fanvids
Since people were interested in how to leave detailed comments, here they are! Remember that even an I loved this will make a creator's day!
You are welcome to use this as a resource or ignore it, reblog it or send us an Ask if you'd like some specific help or ideas for writing a comment!
Contributed by @kuwdora
Table of Contents
Definition & Examples of Fanvids and Animatics
Best Practices/Suggestions
Basic/Intermediate/Advanced Feedback for Fanvids
Additional Reading
Definitions & Examples of Fanvids and Animatics
A fanvid is also known as a songvid, a video edit, tribute and sometimes a fancam. GMV is also a popular term for video game specific edits, just like AMV is for anime music videos.
This fanwork is usually some kind of television or film source with clips arranged in a certain order to create a narrative that is set to audio (usually music and/or dialogue and sound effects).
Example: War Pigs (2:17) by Grabel424 - a gen Witcher Netflix vid focusing on the theme of violence from season 1. This has some very sharp editing that matches the beats of the song to some really interesting visuals from the show.
Example: Just Like Fire (3:33) by Tami - an Eskel, Ciri, Geralt, Triss and Yen vid featuring their perseverance from The Witcher 3: Wild Hunt. The vibe and lyrics of this song give emotional weight to the clip choices as they fight and survive the events of the game.
An animatic is a type of fanvid that features storyboarded illustrations and is set to some kind of audio (music, sound effects, dialogue). 
Example: Ciri Portrait | A Witcher 3 animation (0:27) - by abuzzybee. This animatic features a Ciri scene with incredible sound effects and illustration style.
Example: Hard To Be The Bard | A Jaskier animatic (0:59) - by CosmicWahoo. These illustrations are so fun and well edited to a song from the musical comedy ‘Something Rotten.’ This features a song sung by the Shakespeare character himself. Very fitting for Jaskier! 
But I don't know ANYTHING about fanvids!
Vidders value ALL feedback they receive, even from–especially from–from non-vidders. Vidders are spending hours making their vids and putting it out in the world. Vidders REALLY want you to watch their vids and know what you think!
This type of fanwork has typically received less comment activity than fanfic over the years because people are afraid of not knowing what to say or saying something wrong. If this sounds like you, please join me in learning how to make a vidder’s year by leaving them some feedback.
Best Practices/Suggestions
Watch the vid more than once!
Just like watching a film or TV episode for the first time, you are absorbing new material. Watching a vid a second time will allow you to absorb the song choice, lyrics and narrative the vidder is trying to tell with the character, pairing or subject.
Vidders watch and rewatch their vid and song a hundred million times during the process of making the video.
If you watch the vid multiple times, tell the vidder what you took away from the vid during your first watch. Then on the second viewing, describe if you saw anything new or had a better understanding of the lyrical associations with the character or ship or narrative.
Ask questions!
There are MANY ways to make a fanvid and every editor has a different process. They use different tools, techniques, and ways of telling a story. Different sources of inspiration and tricks they picked up along the way to finish their vid.
Ask about music selection. They might reveal their inspiration and how it influenced the way they arranged the clips to tell their narrative. Example: A common question is "Did you have the song idea first or the pairing/narrative idea first?"
Ask what software or apps they use to make their video. You can ask them how long it took (some people can work fast, other people will spend months or years to complete a single project). This will give you insight into the work they undertook before they even started putting the story together!
Ask about their feelings about the subject they're vidding. The canon. The characters. The pairing or themes or emotional content of the vid. "Why did you choose this character's story arc from the first season?"
Insights from a Vidder
In my 15 years of watching and making fanvids, you never know what the vidder planned and what happened serendipitously unless you ask.
Some vidders spend hours or days on a 5 second sequence that no one will notice.
Many, many times the vidders will create amazing sequences, effects or clip choices by pure accident, serendipity, or trial and error. It's rarely what a viewer assumes when you're watching a vid unless you are familiar with a vidder's process or style.
Learning the story of how vidder's make their story can give you insights of how they approached a canon's visuals, character's emotional arcs and what choices they are making to create the story they are sharing with you. This can reveal new or different ideas of how to view characters, pairings, and themes in a canon source.
Basic/Advanced/Intermediate Feedback
Basic Feedback (Examples/Suggestions): 
Simply showing up and saying, “I liked watching this!” will mean the world to vidders. So will a string of emojis, keyboard smashing and gif reactions.
Describe how you felt while watching the vid. Example: “I am SOBBING, this vid has ruined me.” or “I cannot stop laughing because Jaskier is DEFINITELY Taylor Swift… OMG.”
Ask the vidder a question about the song or clip choices to gain a better understanding of what story the vidder is trying to tell. Example: “Is there an additional meaning when you used this shot of Yen looking sad to [specific lyric]?” 
Intermediate Feedback:
Did this vid make you see a character, ship or subject in a new light? Example: “I would have never guessed Fiona/Donkey from Shrek would parallel with Yen/Jaskier so perfectly…WTF omg 😍” 
Let the vidder know if you made a connection between their song choice and subject matter. Example: "The lyrics of 'Control' speak about being trapped by the world, by your own demons. It fits so well for each of the women in the Witcher. Fringilla and Yen and Ciri all wrestle with villains that live inside their heads. And all these characters really ARE bigger than their bodies or the boxes that society has put them in, whether it's the Brotherhood or Nilfgaard... oh my god. This has me all thinky!" (a comment I have about "Control" by walktheeagle)
Advanced Feedback (aka quoting a line of fic, except it’s a clip or sequence of clips, to the vidder): 
Identify specific visual or emotional elements in the video. You know something in the vid wowed you and you don’t know how to express it. Rewatch the vid and note a timestamp where the thing happened that made you sit up and go “OH MY GOD???” Example: “Oh my GOD at 0:35 i started screaming because of the lyrics of this song for Yen!!!  ‘Some of them want to use you / some of them want to be abused..’ and you used the shot Sabrina STABBING Yen on ‘use you.’ And THEN you put that shot right next to Yen kissing Geralt on the ‘abused’ lyric at 0:40!! It made me SCREAM because Geralt does walk himself into that connection with Yen and gets abused. That violence and softness parallel is so good.” Example: “And then at 0:41 the cymbal crash is timed to the opening of Yen’s eye!!! I liked that!!” (comments I have for the vid Sweet Dreams, a Yennefer vid by mithborien)
A starter pack of places to discover some fanvids
AO3 Vid Tags
Fanvids (13,776 results)
Embedded Video (5,143 results)
Fanvids, Wiedźmin | The Witcher - All Media Types (50 results)
YouTube Searches
Yennefer edit
Witcher Tribute Edit
Witcher Wild Hunt Fanvid
@mmhm-vids - a vid rec community on tumblr.
Additional Reading
Vidding Feedback 101 by sdwolfpup
Hate the Song, Like the Vid? By sisabet 
The Feedback Project by thefourthvine 
Visual Vocabularies by gwyn
59 notes · View notes
randomvarious · 2 months
Text
youtube
Fiction Factory - "(Feels Like) Heaven" Steve Masters Presents: A Trip Back to the 80's Song released in 1983. Compilation released in 1995. Synthpop / New Wave
For a pretty brief moment there in the mid-80s, right in the middle of the whole synthpop boom, the Scottish group of Fiction Factory really appeared to be onto something that was quite good. And the funny thing about them was that they actually, at first, had no intention of being a band themselves. Members had tried that in the past and had grown weary of having to play too many concerts, so when the group was officially formed, what they really wanted more than anything else was to be one of those behind-the-scenes songwriting outfits who could work on and make music for other people. In fact, that idea is what had inspired their whole name in the first place: they would be ardent songwriters, whose constant output would resemble that of a factory, but the notion that they were an actual band would be pure fiction.
However, once CBS Records heard their demo, that dream of relative anonymity had been dashed. Despite Fiction Factory's protestations to the contrary, the label saw a band in front of them that could potentially make it. And so the trio of Kevin Patterson, Eddie Jordan, and Chic Medley ultimately relented and decided to enlist two more members in order to fill out their ranks: a bassist named Graham McGregor and a former drummer from the already pretty successful Simple Minds—although "Don't You (Forget About Me)" had yet to drop—Mike Ogletree.
And things ended up starting out okay for them. Fiction Factory would make their debut in 1983 with a single called "Ghost of Love," which would manage to chart at #64 in the UK and #49 in Germany. But then directly after that, they caught lightning in a bottle with "(Feels Like) Heaven," an absolute feelgood, nostalgia-inducing, sweet and sentimental-sounding, middle-of-the-road, massive, and classic 80s triumph that they had actually crafted in the span of about 36 hours.
youtube
Now, if you're an American, chances are that you may have never heard of Fiction Factory before, because despite "(Feels Like) Heaven" earning itself some burn on both US radio stations—tastemaking San Francisco DJ Steve Masters was a huge proponent of it, especially—and MTV, nothing that this band ever made sold all that well Stateside, and as a result, they never charted here in any capacity.
But over in the UK, and also throughout parts of Europe, "(Feels Like) Heaven" fared extremely well: it was #2 in Switzerland, #4 in Ireland, #6 in the UK, and #10 in both Belgium and West Germany too.
And it's just such a tasty little morsel of unbeatably dreamy 80s synthpop, driven by a perpetually fluffy string synth backdrop that gets some simple, lovely, catchy, chiming keyboard melodies that attempt to emulate the sound of a music box to float atop it; and Kevin Patterson offsets his deep vocal tone on the verses with very different falsetto choruses too.
But while this song's overall vibe might leave you thinking that it'd be a perfect fit for any sort of 80s coming-of-age scene where the typically shy teenage boy main character finally gets up enough courage at the prom in order to ask his crush for a dance, "(Feels Like) Heaven" is actually one of those songs whose lyrics tell a completely different story. It may give off an appearance that it's about being comfortably and deeply in love with someone, but a more careful scan of the lyrics actually reveals the song's subject matter to be the exact opposite. What it's really about is that exhilarating feeling of liberation that one might get after a bad relationship has finally come to a close.
Twisting the bones until they snap I scream but no one knows You say I'm familiar, cold to touch And then you turn and go, 'Feels like heaven'
And I don't know how many people have actually picked up on the winking irony that's within this song, but you can apparently find it on a whole bunch of comps that claim to be comprised exclusively of love songs. And I bet some wedding couples have chosen it for their first dance too 😅.
Unfortunately, Fiction Factory weren't able to really succeed with anything that came after this bop, though; no other song on their 1984 debut album really seemed to sound like "(Feels) Like Heaven" itself, and because of that, I think people who'd bought it were a bit turned off. And CBS were also probably left unsure of how to market them successfully too. The group would return the following year with Another Story, but neither it nor its corresponding trio of singles were able to chart anywhere, and in 1987, they decided to go their separate ways.
Synthpop bands were about as prevalent as oxygen throughout the entirety of the 80s, and while Fiction Factory probably aren't the ones who first come to mind when you think of that era's top groups, there's no doubt that, for a whole lot of Europeans, "(Feels Like) Heaven" is still one of the genre's most fondly remembered hits, overall. And while Fiction Factory may not have had much longevity as a group, this one big hit of theirs still seems to land them pretty healthy residual checks to this very day, which is probably a whole lot more than most other bands of their ilk can continue to say.
Listen to it on Spotify too:
2 notes · View notes
tavyliasin · 3 months
Text
BG3 FicFeb SFW - Day 16
Today's prompt is to base the work on a song. The ending notes will contain the full lyrics, but this is the song link I chose. It felt like it fit well with Wyll's character arc, how he's struggling with his identity shifting and changing as a result of everything that happens outside of his control.
I'm not as happy with this chapter but I think it ended well enough, and it was fun to explore through the vibes of the song~
Short fic below the cut~
Day 16 - Write something inspired by your favourite song/poem/book (I can't pick a single favourite song so I chose one that worked)
Wyll stormed out of his tent, shirtless and distressed, his clothing hanging loose in his hand. “That’s the fourth time this week! I can’t keep…how the hells do I-” 
“Wyll. Come here.” Tav’s voice was firm but calm, the others already starting their day around her as Wyll had been struggling with his outfit in his tent. “Sit down. Astarion?” 
“Again?” The pale elf was already going through his pack for the sewing kit as Wyll slumped down on the log next to Tav. 
“Don’t worry about it. We’ve got more thread, more patches.” She took the shirt and passed it over to Astarion, who quickly got to work on the rip. 
“I’m pathetic.” Wyll gazed into the fire.
“Wyll, it’s a shirt. You’re still getting used to the horns, and honestly even if it wasn’t that then something would’ve put a hole in it eventually.” She wiggled her finger through a rip in her leathers, the slight red stain betraying the cause as an errant arrow a few days prior. 
“If it was just a shirt, it wouldn’t matter.” He still didn’t turn his eyes from the fire. “But that bloody thing might as well be a metaphor for my whole life.”
Tav looked to Halsin, who was helping Gale with the morning food supplies, and motioned brewing some tea. The druid nodded, already selecting the pot and herbs. She motioned for Wyll to continue.
“Every time I tried to dream of something, to reach out and grab it, it ends up torn apart. I tried to save the city, my family, to be the man that my father always wanted me to be…and I was cast out. I tried to rebuild myself, to at least still be a hero, to do what was right and to save people…and I nearly killed an innocent woman. Gods only know how many others Mizora might have made me hurt.” He glanced over at Karlach for a moment, as she helped pack up everyone’s tents for travelling again, completely unaware of the single fiery eye that was already stinging with fresh tears for her sake. “For all my troubles, for all that trying to still do the right thing, I can’t even be a hero because anyone I try to help only sees a demon from their worst nightmares.” 
“You didn’t know, you couldn’t have known any of this would happen.” Tav handed him the freshly brewed mug of tea. 
“But that’s the thing. Even if I knew, if I went back knowing everything I do now,  I’d do it all again. I don’t know if it’s foolishness, unjustified courage, or desperation to try and live up to even the smallest part of that legacy of my father. Yet here I am, blade in hand, devil’s chain around my neck. I’m still fooling myself into thinking I can change it, that it’s worth it… Just like every damned day I put that shirt on telling myself it won’t catch on my horns this time because I know better.” He sighed heavily, taking a sip of his drink and sitting back a little. “And yet here we are. Again. Another hole to mend, but at least that’s just a shirt, and not trading my soul for a dream that should’ve died the moment I lost my eye.” 
Astarion handed back the shirt in question, the hole mended, but not with a basic stitch. It looked more like embroidery, a small sword with a golden hilt. “Gods I can’t listen to this any more. Look at this. The shirt, it will never be the same because of the holes in it, imperfect, whatever you want to call it.” 
“You’re not helping, Astarion.” Wyll grumbled, running his thumb over the other repairs made that week. 
“Oh for the gods…let me finish, will you?” The pale elf shot back, tapping on the embroidered part insistently. “Someone here seems to keep telling me something, so I am going to do you a favour and impart the same lesson. Life changed you, yes. Well it does that, and rarely with any thought for your dreams or goals. So change them. Stop seeing all the parts that are broken and look at the parts you still have. You see over there? That tiefling who you didn’t horribly murder? Good. She’s rather fond of you, and if you get your horns out of your arse for 5 seconds you might just notice.” 
“That’s…certainly something to think about, but what’s the point if-” 
“Darling please stop the warlock from talking for a minute will you?” Astarion shot a pointed look at Tav, who in turn nudged Wyll and hid behind her own tea. “You cannot go back to being just the human Wyll Ravengard any more than I can undo being a bloody vampire. So, why not look at what you do have? You are alive. You have one good eye. And gods forbid I point out that you even have friends around you who do not give a single fuck what you look like, because they know who you are.”
“I…Thank you, Astarion, that’s surprisingly-” 
“AND WE ALSO ALL HAVE BLOODY TADPOLES IN OUR BRAINS THAT COULD TURN US INTO MINDFLAYERS AT ANY GIVEN MOMENT. So if you are quite done with your pity party, I would like to get back on our way to getting rid of the bloody things.”
Tav watched the vampire stalking back off to his tend and simply shrugged with a smile. “He’s not wrong. Not necessarily the kindest way to say it, but… Stop worrying about the dreams you can’t reach any more, Wyll. Look at what’s right in front of you. If you can even get a passionate speech out of Astarion of all people, I’d say you’re doing at least something right.” She ran a finger over the embroidered sword on his now mended shirt. “The world has changed every one of us from what we thought we might be. It’s scary, and sometimes it hurts more than any arrow or axe, but we survive. And after we survive, we decide what living means again.” 
She stood up to follow after Astarion, leaving Wyll with his thoughts, his shirt, and half a cup of cold tea that had been forgotten. He glanced over at Karlach again, her bright smile matching the glow of her heart. “A blade,” he muttered, mostly to himself, “is only worth what it can protect.” ------ ------ FULL SONG LYRICS
Sainthood and Sanctuary by Aviators
Safe from an early grave But death feels closer still When does the human soul cave To find itself a kill Promised a crown of glory Fought for an equal stand But fortune would never find me In this blood red land
Why have I given my heart I've fallen so far Because now the future scares me Why am I broken and small i'd sacrifice all For sainthood and sanctuary
After I sought protection The saviors broke my bones Lost streets that I remember Now lie here alone Mantras of greater purpose End up left behind The faithful don't deserve this Desperate and blind
Why have I given my heart I've fallen so far Because now the future scares me Why am I broken and small i'd sacrifice all For sainthood and sanctuary
I would give anything to know I'm not alone I'm tired of suffering When I once had a home
Fallen graces familiar faces Never look like mine rings of fire And holy water never turn back time Why do I have many questions Intel I can't find still unsure of My mind's selection to trust my fallen kind
Why have I given my heart I've fallen so far Because now the future scares me Why am I broken and small I'd sacrifice all For sainthood and sanctuary
Why have I given my heart I've fallen so far Because now the future scares me Why am I broken and small i'd sacrifice all For sainthood and sanctuary
I would give anything to know I'm not alone I'm tired of suffering When I once had a home
3 notes · View notes