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#it's evident in the text
lancabbage · 4 months
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Just seen some fan art with a JC/JYL personality swap and a panel with JFM saying "I still don't like him" pointing at the new, kind and selfless JC. Which is just 🙄
But what was worse was the reblogs with "there is no universe where JFM cares about JC"...erm.... Hello? Try the canon universe you idiots!!! Honestly, these people are so dense it just hurts my brain.
These people reading MDZS:
JC: My daddy hates me! He made me give up my puppies because some dirty orphan he brought home has a crippling fear thanks to fighting for food and his life while living on the settee for years! Boohoo! He likes WWX more than me because he actually cares about my education and tries to teach me how to be a good future sect leader. Boohoo!
The actual text:
JFM says goodbye to his son before he rushes off to defend LP and only acknowledges WWX after HE speaks up. And even then JFM did not say anything to him other than a carefully word order request to look after JC, to literally protect the heir of the sect. If JFM truly cared about WWX, he would not have asked him to do this, knowing just how loyal and indebted he felt. Knowing how far WWX would go to "look after" JC because of that. Knowing WWX felt he owed them a life debt, when it was in fact the other way around and keeping this major fact from him the whole time.
JFM did not tell WWX one single thing about his parents... Did not stop the physical abuse the boy was suffering at the hands of his own wife... Did not adopt WWX into the family to ensure his status was secure and that he was given respect. These are all major clues that JFM did not care about WWX more than his own son 🙄 Morons.
How can people be so stupid? MXTX expects her readers to see what is really happening, to use their brains to understand what is really going on rather than taking one bitter character's warped opinion of the whole situation (thanks to his mother's abusive personality) and running to the hills with it!
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shadowtraveled · 3 months
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"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.
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but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)
mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…
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the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.
every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.
first, the snake part of the chimera appears to be modeled after some species of coral snake mimic
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which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.
which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.
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the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.
walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?
well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.
you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?
it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.
when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.
and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.
kui laid it out in three panels better than i could hope to.
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yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.
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yesokayiknow · 6 months
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happy birthday to the worst girl in the universe (23 november 1986 - 2016 (eventually))
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thepunkmuppet · 2 months
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my new favourite genre of anything ever is cringey gerard way memes from the early 2010s
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^^^ my favourite one. what the fuck even is it. I don’t know. incredible.
also this one doesn’t fit into the same vibe but it’s just funny
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gerard way x blade of wheat
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joriksmain · 5 months
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Hey gays, what’s ur best nudes that the tumblr filters won’t let you post
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saintsenara · 8 months
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Thoughts on Ron and Hermione as a ship?
thank you very much for the ask, @thesilverstarling!
i’ll state my position straight away: book ron and hermione are the best of the canon couples.
they will have a long and extremely happy marriage made rich by great and stalwart love, lust, fun, and faithfulness, rather than held together by duty and couples’ therapy like so many readers and authors (including jkr, who seems to have decided to spend the years since the conclusion of the series failing to understand anything about her own characters) tend to think.
i will state another position straight away: lest i seem like i’m just a fan with blinkers on, i think this even though hermione is, by far, my least favourite member of the trio. if she were real i would detest her, and i dislike how she is treated by the narrative as always justified in her negative characteristics. i like fanon hermione - perfect and preternaturally good - even less.
as a result, i think that it’s ridiculous that jkr has said that she thought ron needed to ‘become worthy’ of hermione. they belong together as equals - which is what they’re set up in the narrative as being from the off - and i hate seeing that undermined.
because ronald weasley? he’s an icon. and he doesn’t get anywhere near the respect he deserves in fandom.
there are multiple reasons for this - ron’s narrative purpose is to be the everyman sidekick, and so he is able to be less special than harry or hermione (the helper-figure); the amount of aristocracy wank in this fandom means that the weasleys’ ordinariness is less appealing to writers than making harry have twenty different lordships and call himself hadrian; the narrative interrogates ron’s flaws - especially his capacity for jealousy - much more intensively than it interrogates either hermione’s (cruel, inflexible, meddling) or harry’s (reckless, self-absorbed, judgemental) - but one i feel is particularly significant is that ron is such a british character that many of his traits are not understood as intended by non-british readers.
in particular - as is outlined in this excellent meta by @whinlatter - ron’s sense of humour isn’t indicative of immaturity or a lack of seriousness, but is, in fact, evidence that he’s the most emotionally aware of the trio.
ron is shown throughout the series to understand how both harry and hermione need to have their emotions approached - and i think there is no piece of writing which says this better than crocodile heart by @floreatcastellumposts:
That was what she liked most about Ron, she thought vaguely. He was very good at being suitably outraged on your behalf. For Harry, for her, for Neville. That sort of thing mattered, when you were hurt or embarrassed or wronged in some way. You needed to have someone else on your side, to be as emotional as you felt, maybe even more so, so that you might feel a bit more normal. It was very decent of him, and she was not sure he realised he did it.
ron’s inherent emotional awareness is an enormous source of comfort to other people. he does the work which isn’t flashy or special - he makes tea and tells jokes and is just there - but which is needed in healthy human relationships far more frequently than a willingness to fight to the death for the other person.
[as an aside, this normality - even though i think it is assumed rather than justified by the text - is also what ginny provides for harry. if you believe that hinny are a good couple but romione aren’t… i can’t help you.]
but let’s look at some specific reasons why ron and hermione belong together:
their communication styles mesh perfectly. ron is the only person hermione knows who feeds her love of being challenged and debated, and who is able to engage in this way of communicating without becoming irate when she refuses to back down. ron is good at picking his battles, but he’s also good at recognising that hermione’s tendency to argue isn’t intended to be confrontational a lot of the time - it’s just the way she works through feelings and problems. he’s far more easy-going about her tendency to nag, interrupt, try to provoke arguments, or speak condescendingly than he’s given credit for - and hermione evidently respects this, since when he does tell her not to push a situation (above all, when she’s trying to needle harry into talking about sirius), she listens to him.
that ron and hermione’s tendency to bicker is taken by fans to be a bad thing is because it’s something harry - from whose perspective the narrative is written - doesn’t understand. harry is extremely conflict-avoidant - he tends to take being pushed on views and opinions he has to be insulting; and he has a tendency to assume that he is right which is just as profound as hermione’s. he and ginny communicate not by debating, but by ginny having no time for his rigidity and refusing to indulge it - but ron and hermione bickering about everything is not a negative thing within their specific emotional dynamic.
[as another aside, this glaring chasm in communication styles is why harry and hermione would be a disaster as a couple.]
they each provide validation the other needs. it’s clear - reading between the lines - that hermione is a tremendously lonely person. the friendlessness of her initial few weeks at hogwarts seems to be a continuation of her experience as a child, and - outside of ron and harry - that friendlessness endures through her schooldays. i’m always struck, for example, by the fact that, when she falls out with ron in prisoner of azkaban, she has no-one else to spend time with, and that this is only avoided in half-blood prince because harry decides not to freeze her out. i don’t think her friendship with ginny is anywhere near as close as fanon seems to imply (ginny has no interest in being nagged either), nor do i think that she’s anywhere near as close to neville (not least because she is so condescending to him) as she’s often written to be.
and this loneliness seems to stretch beyond hogwarts. the absence of hermione’s parents’ from the narrative is - in a doylist sense - clearly just a device to maximise time with the trio all together, but the watsonian reading is that she doesn’t have a particularly good relationship with them. hermione’s obviously upper-middle-class background - the name! the skiing! the holidays in the south of france! - can be presumed, i think, to come with a series of expectations from her parents which she feels constantly that she’s not entirely meeting, particularly expectations attached to academic success.
[for example, the grangers - were she a muggle child - would undoubtedly have ambitions for her to attend an elite university and then go into a prestigious career. tertiary education of the type that they’re familiar with doesn’t seem to exist in the wizarding world - most careers seem to be taught by apprenticeship - and this, alongside all the other divides between the magical and muggle worlds which contribute to the distance between them, would be one very obvious area in which she felt the need to prove herself to them.]
ron, too, has quite a difficult relationship with his position in the family - voldemort’s locket is not wrong to point out that he seems to receive considerably less of his mother’s emotional attention than ginny or the rest of his brothers - and he too is constrained by expectations which he doesn’t know how to explain he has no interest in - above all, molly’s desire for her sons to achieve top grades and go into the ministry.
he also suffers while at hogwarts from being ‘harry potter’s best friend’, something which harry never appreciates. but hermione does. she recognises ron’s jealousy and never allows harry to minimise it (and she and ron are very much aligned on having no respect for harry’s saviour and martyr complexes). she appreciates ron’s strengths - above all his kindness and his sense of humour - and makes him feel as though he’s achieved things with them. and ron does the same for her; he is hugely observant when it comes to her, and he challenges and defends her.
the two of them clearly spend a lot of time together one-on-one while harry’s involved in his various shenanigans (including outside of school - hermione has often arrived at the burrow days or even weeks before harry, and they seem to write to each other frequently when apart). they do this within a relationship which is fundamentally equal. one issue with hinny is that, post-war, harry is going to have to get used to seeing ginny as a peer, rather than as someone he has to protect. but ron and hermione never have that issue - equality is baked into their relationship from the off.
because, to be quite frank, fandom overstates the role that jealousy plays in their relationship. it’s true that ron certainly doesn’t acquit himself brilliantly when it comes to hermione’s relationship with viktor krum (it’s because he’s bi and doesn’t know it yet), and a tendency to externalise his insecurity into trying to make others also feel insecure is one of his primary negative traits (hermione does this too, via her patented lofty voice when she’s trying to condescend to people). but this is often taken as the initial red flag for how the relationship would crash and burn, and ron’s toxic jealousy is often used in fan-fiction as the trigger for emotional and physical violence towards hermione which, frequently, seems to drive her into the arms of either draco malfoy or severus snape… who are, of course, the first people we think of when we hear the words ‘not prone to jealousy’...
but i think it’s important to point out several things in defence of ron’s jealousy over krum. firstly, hermione evidently regards his jealousy as ridiculous - she’s upset by it, yes, but her upset must be understood as being caused by the fact that she wanted him to ask her out. she doesn’t think he’s being possessive, she thinks he’s being stupid. secondly, hermione is equally as jealous over ron’s crush on fleur delacour and relationship with lavender brown. she behaves just as cruelly when it comes to lavender as ron does when it comes to krum - and the narrative only treats her actions as more sympathetic or justified both because harry dislikes lavender too, and because, by that point in the series, jkr has dispensed with any inclination to ever criticise her.
but, outside of this teenage pettiness, ron is never jealous of hermione over things which matter. he is never jealous of her intelligence or competence or ambition or success (indeed, he defends her constantly from attacks designed to undermine her in these areas). for someone who struggles with being overshadowed by harry, he is never upset at being overshadowed by her. he is clearly going to be happy to support her in any of the career ambitions she can be written as having post-war.
and, on this point, i think it’s worth interrogating why so many readers still seem to feel uncomfortable with the idea of ron and hermione having a dynamic where she is the more ‘powerful’ one. [it’s always a bit trite to say ‘but what if the genders were reversed?’, but actually that’s not irrelevant here]. if hermione ends up taking the ministry by storm and ron becomes a stay-at-home father or has a job which is just to pay the bills, what, precisely, is wrong with that? why, precisely, should hermione regard ron making that choice for himself as a negative thing? hermione so often seems to leave ron in fan-fiction because of a lack of ambition - something which seems to be particularly common in dramione - but, in canon, she is shown to not particularly care if ron and harry do the bare minimum when it comes to studying etc. she nags them to do their work so they don’t get in trouble. she doesn’t nag them to do it to the same standard that she would.
and, actually, i think that ron being less ambitious than hermione is something which is key to how well they work. because ron provides not only emotional support, but emotional clarity.
hermione is shown throughout canon to - just as harry does - have a tendency to become obsessive to the detriment of her own health. she is also often - as harry is - emotionally or intellectually inflexible, and finds it hard to move on when what she feels or believes is proven to be wrong. both she and harry are micro-thinkers, who lean towards knee-jerk assumptions and stubborn convictions (and, indeed, hermione has a remarkably hagrid-ish tendency towards blind loyalty).
ron is none of these things. ron is a big-picture thinker (it’s why he’s so good at chess). he’s a pragmatist. he’s the least righteous of the three. he understands that faith and loyalty are choices, and that sometimes these choices will lead to outcomes which are bad or hard. he is the one of the three most willing to own up to having made mistakes. he is the one least likely to act on gut instinct (and, therefore, the hardest to fool - i think it’s worth emphasising that he clocks that tom riddle is tricking harry immediately, the only one of the trio to do so). he understands that things are a marathon, not a sprint. he is the least obsessive.
and these traits contribute to aspects of his character which are underappreciated. ron worries about hermione making herself ill during exams, or when she is using the time-turner, and makes an effort to get her to set healthy boundaries and redirect her anxiety. ron stands on a broken leg in front of sirius or goes into the forest to fight aragog not out of righteousness, but out of choice. ron takes over the burden of preparing buckbeak’s defence when it is clear that hermione is approaching burnout. ron is completely right that harry hasn’t done any long-term planning for the horcrux hunt, and his anger does force harry to tighten up after he leaves the trio. ron has a clear head in the middle of battle. ron makes harry and hermione laugh. ron is unafraid of human emotion. ron arrests harry’s tendency to brood over the little things by looking at the bigger picture. ron will always come back.
ron is bringing his politician wife regular cups of tea and making sure she doesn’t work all night. he is helping his lawyer wife to feel less upset over losing one case by reminding her that she’s won ten others. he is noticing stress creeping in and whirling her off for a dirty weekend, or even just a takeaway on the sofa. he is teaching his daughter to be proud of her ambition and his son to treat women as equals and both of his children that all you can do when you fuck up is apologise and try to do better. he is making hermione smile on the worst days of her life. he is helping her strategise her long-term goals when she gets stuck on the short-term ones. he is telling her straight when she needs to get it together. he is seeing a misogynistic head of department call hermione a ‘silly little girl’ and choosing to tell him exactly what he thinks of that.
ron is the ultimate wife guy. hermione is a very, very lucky lady.
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ravenkings · 8 months
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not to get too bleak, but i'm increasingly feeling like we're getting sucked into an epistemic black hole by the proliferation of misinformation wherein people no longer feel like they have to believe anything they don't want to bc the source is always "biased" or is "propaganda" and even if MULTIPLE sources prove that whatever information is in fact true, there's always going to be some crackpot somewhere on the internet who will validate your nutty beliefs and give you the reassurance that yes, THOSE people are the gullible sheeple and YOU are the only person who TRULY UNDERSTANDS
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couch-house · 3 months
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lab sleeping arrangements (post sponsored by the way my cat sleeps on my feet)
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thecruellestmonth · 5 months
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Does the mass-murdering criminal Jason "Red Hood" Todd canonically support the death penalty?
No, I can't find evidence that Red Hood supports the death penalty.
There is a difference between murder (illegal) and state-sanctioned killing (legal). Red Hood commits unlawful homicide. The death penalty is lawful homicide. Jason is a murderer. The death penalty is not legally considered murder. Commissioner Jim Gordon is a decorated military veteran, not a murderer.
Committing violence ≠ wanting the government to have the right to commit that violence. Batman and his allies brutalize criminals; they don't necessarily support the state brutalizing criminals. Red Hood kills some criminals; Red Hood doesn't necessarily support the state killing criminals. Catwoman doesn't necessarily support the state committing burglary. Et cetera.
The death penalty is administered by the criminal legal system. Jason does not like the criminal legal system (see some of his run-ins with the police). He grew up as an impoverished child who didn't believe in the system, he was raised by Batman to believe that vigilantes can make a difference that the system can't, and he became an adult criminal who still doesn't believe in the system. He's not interested in using the criminal legal system. He isn't interested in giving more powers and privileges to an abusive system that has wronged him and the people he cares about.
When Jason started up his villain business, the death penalty was legal in Gotham City. (See Detective Comics #644, The Joker: Devil's Advocate, Batgirl 2000 #19, Punchline #1.) The death penalty was also in place during his Robin run. Jason didn't argue in favor of the state having the right to kill prisoners, and the death penalty never addressed his complaints about the status quo.
Jason has rescued people from wrongful* imprisonment and the death penalty. Again, based on his own firsthand experiences, he has many reasons to believe that the system is broken. *Some of us would argue that locking any people in prisons tends to be wrongful and inhumane by default, but we could choose to accept the standard premises of crime fiction as without endorsing it as moral instruction.
Jason Todd is a criminal: a mass murderer, a terrorist, a villain. He does evil. He doesn't represent or support the legal system. He probably has the least political capital out of all the Batfamily-associated characters. He doesn't promote the death penalty. He commits murder—illegally, as a criminal, state-unapproved.
Some recent comics related to the topic:
Gotham Nights (2020) #11 "One Minute After Midnight", written by Marc Guggenheim
Red Hood and Nightwing team up to investigate the case of a man wrongly convicted of murder and sentenced to be executed. Both of them disapprove of how the broken criminal legal system botched this case.
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Joker: The Man Who Stopped Laughing #8 (2023), written by Matthew Rosenberg
"You familiar with Hannah Arendt's concept of Schreibtischtäter? Desk murderers? It's people who use the state to kill for them, so they don't have to get their hands dirty."
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unikhroma · 3 months
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yesterday i noticed that in one of the swatchlings' bits of dialogue, they mention that the mansion used to be a home for upper-class citizens:
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which to me suggests that that's no longer the purpose of the mansion, and that made me think of the possibility of swatch and the swatchlings being in the mansion before queen*. the same swatchling was definitely around at the time it Was for upper-class citizens since they also mention spamton and his habits when he still lived there
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i guess they were all still butlers, but for many darkners rather than just queen. the rooms are now used for lightners instead of darkners now that it's been repurposed. i feel like that's probably the silver lining for swatch and the swatchlings despite having to now take orders from queen, since they're all very dedicated to their role as darkners
cap'n also chimes in with "until queen came around" when scc talks about themselves, which i think is a decent confirmation that queen wasn't always around in cyber world generally speaking either
*it also suggests that all of the upper-class citizens who once lived there had to be evicted at some point, which would make more sense as to how any of the addisons knew what day spamton was getting evicted since it may have made the news
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honeymartin81 · 12 days
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You both are got red-handed they are holding hands how cute I love them so much 💋❤️
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dragonpyre · 3 months
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In my mind, Thomas, Martha, and Alfred were all in a polycule, but only Thomas was the sane one
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mulletmitsuya · 5 months
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Toman groupchat
Warnings: swearing, suggestive, mentions of poop, mentions of homophobia (joke), mentions of men getting pregnant
Desc: here the boys discuss whether men can get pregnant or not and other shenanigans. this also very fucking stupid
Mikey: i just took the biggest shit
Mikey: you guys will not believe the sheer size of this thing like it's as big as my forearm
Mikey: makes me wonder how women give birth
Kazutora: ?
Draken: keep this shit to yourself what the hell is wrong with you
Mikey: how can i keep this shit to myself when i've already flushed it down the toilet🤣🤣🤣🤣🤣🤣🤣
Mitsuya: what does you shitting have to do with women giving birth?
Mitsuya: never mind shouldn't have asked
Mikey: well the poop tore my butt up so imagine what babies do to vaginas
Baji: this is why i'm never giving birth. looks too hard
Draken: ...you're not a candidate to do so? you're male?
Baji: what does my gender have to do with giving birth
Draken: it has everything to do with it??? what are you talking about
Baji: wow didn't know you guys were so sexist
Chifuyu: Baji-san, gender and sex are two different things...
Baji: ?
Chifuyu: sex is your chromosomes and basically what you were born with and gender is what you identify as. so since you're male, you don't have the reproductive organs to get pregnant and have a child. only female bodied people can.
Smiley: bro you're 17 how the fuck do you not know this
Baji: never been good at biology
Smiley: you don't have to be good at it to know you can't get pregnant💀
Baji: so men can't get pregnant?
Chifuyu: well if someone born as a female transitions into a man, then gets pregnant, we can pretty much say that men can get pregnant
Baji: so men can get pregnant but not males?
Chifuyu: yeah i guess
Baji: interesting
Baji: i don't think anyone's tried hard enough
Baji: i'll get a male pregnant one day, watch
Mitsuya: wtf
Draken: is the biology lesson over?
Mikey: my ass still hurts i think i'll need ointment
Kazutora: why r u reporting this to us
Mikey: you guys are my friends
Mitsuya: no ones wants to know about your bowel movements
Baji: why do you always wanna sound smart Mitsuya. just say shit or shitting
Smiley: watch, next time he'll say defecation
Chifuyu: excretion
Mikey: excrement
Kazutora: fecal matter
Draken: guys what the fuck can we not talk about this? it's fucking gross
Baji: oho here comes the fucking poop police
Kazutora: instead of his siren going "wee woo wee woo" it probably goes "pee poo pee poo" lmao
Mikey: LMAO😭
Draken: what are you a bunch of 5 year olds??
Baji: we're 17
Draken: 😐
Mitsuya: can we change the subject? christ
Smiley: i did crack for the first time yesterday. shit was crazy
Mikey: YOU DO DRUGS???? BRO
Baji: yo Nahoya what the fuck
Draken: we're not supposed to do drugs
Smiley: who's we?? i'm doing them not you🤨??
Draken: and what's Angry gonna think?
Smiley: he doesn't need to know. and i did it to impress a girl so chill it's not a regular thing
Mikey: why would you try and impress a girl with doing crack?
Smiley: she's a drug addict
Smiley: but the sex was fire tho even though she tried to kill me halfway through
Mikey: YOU'RE HAVING SEX??
Kazutora: that's not fair☹️
Kazutora: where are you meeting women?
Smiley: outside
Kazutora: oh
Draken: why did she try to kill you?
Smiley: halfway through she started choking the shit outta me while she was on top and i almost died but also it was the best nut i've ever experienced so it's a win win
Mikey: that doesn't sound appealing at all😭
Draken: that sounds like assault actually
Smiley: idgaf a beautiful woman can do whatever she wants with me and if she wants to kill me then so be it (i'm a feminist)
Mitsuya: yeah but like, she should have asked
Smiley: we were both high off our rockers
Draken: yeah i feel like she should have asked you so you could have developed a healthy sex dynamic where you both share each other kinks before hand
Baji: oho here comes the fucking sex police
Kazutora: this time the siren would be men whimpering
Chifuyu: why men?
Kazutora: i don't think Draken would use women moaning cause of how the brothel might have traumatized him i think and he respects women too much
Kazutora: also he's gay
Draken: fuck off i'm not
Draken: and Baji say something else i dare you
Baji: what are you gonna do? have sex with me?
Smiley: you're all taking this way too seriously😁
Baji: with what Kazutora said, i'ma start blasting whimpering audios when i get a car
Mitsuya: i'm pretty sure that's illegal or something
Smiley: dawg no one wants to hear that
Baji: who wouldn't want to hear men whimpering?
Baji: especially the high pitched ones
Baji: cause you can associate them with twinks
Baji: with dual coloured hair, jingly earnings and large unsettling eyes
Baji: and maybe even a blonde with an undercut and big blue cow eyes
Kazutora: Baji what are you on about
Chifuyu: wait are you being serious or is this a joke Baji-san 😂😂😂😂
Draken: uhh
Smiley: i keep hoping you being gay is a joke but then you say shit like this
Baji: why
Smiley: i'm not fond of gay people
Baji: homophobia's got you missing out on some good head
Draken: we support and respect all identies, Smiley. don't make this a problem
Smiley: i'll ask again, WHO'S WE?
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neversetyoufree · 28 days
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Since writing my last post about how Vanitas understands "salvation" as the preservation of one's self, even at the price of death, I've been thinking about how that plays into Vanitas's thoughts on resurrection. It's only two short lines, but I find the view he expresses in this scene absolutely fascinating.
Vanitas tells Misha that the dead "don't come back," and the fact that he phrases it that way stands out to me. He doesn't say that resurrection is impossible on a physical level; he implicitly concedes that maybe Misha could "bring back" something that looks and acts like Luna. He doesn't quibble about the practicalities of reanimating someone whose body turned to ashes or bring up whatever concept of the afterlife he may have.
Instead, Vanitas says that a resurrected Luna would simply be "something else that looked like her." A resurrected Luna would lack some fundamental part of whatever it was that made Luna who they were in their first life.
But what would they lack? I don't think he's implying that a resurrected Luna would lack their soul—not really. Setting aside the absence of souls as a conceptual presence in VnC, I think that would be too concrete and specific for what Vanitas is gesturing toward. Rather, he's conceiving of the Self in a somewhat ineffable way. On a metaphysical level, a version of Luna brought back from the dead simply Wouldn't Be Her, and he can't put it in more concrete terms than that.
So why does he think this way?
I think the concept of resurrection is awful enough to Vanitas that he has to reject it outright for his own stability. He cannot even slightly entertain the notion that resurrection might be possible, because that would destroy one of his main coping mechanisms.
Resurrection is nightmarish to a man that relies on death as an escape. Vanitas is suicidal, but beyond his self-hatred, his relationship to death is very particular. He's someone whose body and being has been corrupted and violated several times—through violence, through experiments, and through Luna's bite, and he's desperate to retain control of himself in the aftermath. He's desperate for control in regards to everything in his life, but especially his body and his death.
Vanitas is being slowly transformed into something inhuman, and he plans to die someday to escape that fate. The idea that after he's gone, someone could override that decision and force him back into living a life he doesn't want must be unacceptably horrific to him. He dismisses it out of hand because he has to.
Vanitas says a resurrected Luna would, on some level, not really be Luna. Whatever comes back might look like them, but it would lack some fundamental self that makes Luna "Luna." Thus, if Vanitas himself were ever "resurrected" after his death, it would be the same. Death remains an absolute escape for him, and even if someone contrives to bring back something that looks like him after he's gone, it won't be him. That life won't be his problem.
In addition to whatever beliefs Vanitas might have about death and afterlives the feasibility of resurrection, I think this is a key part of his relationship to the concept. He lives his life knowing that death waits for him as an escape valve. He needs that looming death as his salvation. Thus, faced with the concept of resurrection, his argument basically boils down to "nuh-uh." He shoots down the concept and declares that a resurrected person wouldn't be themselves in some nonspecific way, because the possibility of anything otherwise isn't something safe for him to consider.
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raayllum · 6 months
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anyway one thing i think TDP does very very well is how it uses visual storytelling so strongly to indicate character mindset(s) and progression
Claudia's hair is the most obvious example - we don't need to be told she did something fucked up in 3x09 to bring her father back, because as soon as we see more white hair we know, from context and worldbuilding clues, that she did. It allows a lot to be communicated but not directly told, and it carries weight accordingly
Then there's more subtle ones - the sun being behind Janai when she steps up behind the horn ruins vs Karim not having one, because she is the true and fair queen and he is not, as well as her being right in how she handles matters legally and him being wrong in how he handles matters (il)legally.
There are also examples of Rayla's S1 binding - she's literally uneven/unsymmetrical and subsequently off-kilter - as a chain she has to be freed from, and how Callum has the golden bars around his wrists in his arc 2 design that also look like he's wearing permanent quasi-chains (because of course he is)
The crown of Katolis is a literally broken circle/chain, Aaravos walking around being literally heartless, how certain spells appear and a perpetual emphasis on circles (people being surrounded, objects, etc.)
There's a lot being communicated and is one of the reasons, I think, the show is so rich because our brains take it in subconsciously if nothing else, and then we can notice it more consciously on rewatches and subsequently appreciate it, and it just adds to how many layers are on screen at any given time
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meidui · 6 months
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"i was worried your wings would melt" that's such a romantic thing to say to somebody while looking them dead in the eye
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