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stergeon · 2 months

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for the writer ask

💭🚦💛 💌

💭 What inspires you and your writing?

this is a real marketing major-ass answer (from your local marketing major), but i love sharing knowledge and telling stories. writing’s one of those things that’s a bit of a compulsion for me—i’m always writing something. i took a five-year break from fiction writing before i stumbled ass-first into fanfic last year, but even in those years when i was focusing on my career, i was writing guides and trainings and a ton of other stuff—just not anything fun, lol.

writing is also so cathartic. sometimes i set out to tell a specific story, but at other times, a particular emotion gets me in a vice grip and i have to put it to words before it’ll go away. my stories tend to wind up as emotional dumping grounds as a result.

i don’t write things pulled directly from my own life, but there are bits and pieces of myself and things that have happened to me scattered throughout stuff i’ve written, and usually when i’m about 75% of the way through a piece, i’ll realize it’s absolutely related to something i’m currently going through. funny how art works that way, even when you don’t intend for it to.

and occasionally i just have a fire lit under my ass about an issue and i get so hot about it that i gotta compile my thoughts. looking at you, silver snow

🚦 What sort of endings do you prefer to write: ambiguous, bad, happily ever after, etc.?

look, i would love nothing more for them girls (pick whichever girls you please) to have a happy ending where they kiss and are stupid in love for the rest of forever. i love reading those kinds of stories. but in my heart of hearts, i love an ambiguous ending. i like when there are still questions after the story ends. i like thinking about where things could go or how the characters will go on after the events of the story. like, shared space could be read as having a happy ending, but i don’t really think it is. and with the victors; the vestiges, well. you’ll see :0)

come to think of it, i’m not sure i’ve ever written a happily-ever-after, but i don’t think i’ve ever written a 100% bad ending, either. i read too many bury-your-gays stories and watched too many sad european queer coming-of-age films in my youth to ever be happy putting that kinda thing out into the world. i want to write about love with all its ugliness, but not despair or hopelessness. i think what most appeals to me about an ambiguous ending is that lingering feeling of hope. it’s not the same as the kind you get from a happily-ever-after, and something about it speaks to me.

💛 What is the most impactful lesson you’ve learned about writing?

honestly? how to take criticism. i took a creative writing class in high school where we had to read our work out loud and then receive feedback on it from the other writers in the class, and that did a lot for me. going into that class, i’d already been writing for forever and had won some little local writing contests and such, so i was a wee bit of a pretentious douche. but i’d never gotten real critique before beyond, essentially, spelling and grammar checks. it humbled me lol. it made me grow so much as a writer, and i could see where i needed to improve or where my head was wedged way too far up my own ass for others to follow. it also helped me recognize strengths i didn’t know i had, and that was huge. it’s easy to get into a self-doubt spiral when making creative work, and good, constructive criticism can do so much to help avoid that.

to this day i love critique. i like knowing what worked or didn’t work so that i can continue to improve as a writer and do better next time. did my themes land? did something really work, but another part fall flat? i’d love to know!! i try to treat everything i write as practice for the next thing, and frankly that’s helped take some of the pressure off so i don’t go into total Perfectionist Mode.

i know critique is kind of a sensitive topic in fan spaces, but i think that’s because a lot of people have gotten unsolicited criticism that is purely critical and isn’t constructive. but getting good, constructive criticism will do so much to help a person grow as a writer. it’s scary, and sometimes it hurts! writing is very personal for most people, and it stings when things aren’t received the way you think they will be. but i know i’ve grown more from having my failures pointed out (and, very importantly, having the good things about those efforts acknowledged) than anything else.

💌 Is there a favorite trope you like to write?

actually Just answered this in another ask!

#sterge.eml #foxyjeongin #thank you for playing my little game and letting me talk about stories (and about me lmao)#sorry this is kind of a long post #i talk too much #i think i sound pretentious in this ask whoops. sorry #unfortunately i kind of am. i’m working on it.#… i guess the short answer to that first question is ‘emotions and mental illness’ lol #if you follow me on twitter (not recommended as it’s just me complaining about the weather and not being able to ride my motorcycle)#you know that every time i bring up my writing in therapy my therapist rocks my shit by revealing the story is #in fact.#NOT about what i thought it was about #or more accurately it’s ALSO secretly about whatever’s going on with me in real life lmao #y’know what’s really fun? looking back at something you wrote in a manic or depressive episode and going ah. hm. interesting.#the signs were. in fact. there.#(this is in fact not fun and i don’t like it. but it always happens.)#everything i write is accidentally Also about being bipolar. no getting around that #i tend to have issues organizing my thoughts and feelings to even figure out how tf i’m feeling #(forget making any attempt at doing so verbally. i have chronic foot-in-mouth disorder and accidentally say shit i don’t mean all the time)#but writing stuff down has always helped me sort through whatever mess is going on in my noggin and i love it for that #learning how to take critique is my no. 1 piece of writing advice but no. 2 is to read #read the classics. find out why they’re classics. read weird shit. read shit you don’t like. find things you like about em anyway.#and importantly: figure out WHY you do or don’t like it #it’s funny to re-read a book i haven’t read in a long time and discover OH. that’s where i get that technique from.#or that’s where i got that idea. or that’s why i had X thing happen in this story.#or why i like this type of character or scenario #nothing’s truly new and original #we’re all an amalgamation of influences and that ruuuuules #celebrate it!!!

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nicosraf · 1 year

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heyy so I loved ur book so much and was just wondering if you recommend anything similar? Cannot wait for the sequel btw<3

Aaaaaa thank you for reading!!! I'm happy u enjoyed <3

I've gotten this question a couple times, and it always stresses me out because I remember struggling to make comparisons when I was still querying for traditional publishing. But, I think it really depends on what you liked about ABM!

If it's the queer love story that's lyrical/dreamy/pretty, I'd recommend the obvious: The Song of Achilles. But also Solomon's Crown, which comps TSOA, came out a few days ago and I've heard good things! I also love Maurice and The Portrait of Dorian Gray. Call Me By Your Name is problematic, but I guess it's similar. If you're interested in movies, I've heard Portrait of a Lady on Fire has similar vibes to ABM, and I'm a huge fan of The Handmaiden.

The queerness and ridiculous writing style and tragic ending? The biggest inspo in ABM's style is The Place Without Limits by Jose Donoso and The Kiss of the Spider-woman by Manuel Puig. (The latter one is my favorite book ever)

Do you like the queer Christian mysticism? Well, @freydismoon just released Heart, Haunt, Havoc! And not to be funny but, well, Paradise Lost and William Blake's work is definitely an option aha.

Do you like the Christian trauma and trans/queer anger? It's YA but Hell Followed With Us! I haven't read it myself (yet) but I've heard incredible things.

Do you like the queerness and surrealism and trauma? The most influential piece of media for me is the movie Funeral Parade of Roses, which is about a transwoman in late-60s Japan.

And if you want more from me in specific, I have a little short story linked in my bio! It's E-rated and about two dudes in the Classical Maya period being gay sksjsddf

I hope this list is helpful! :') <33

#fun fact: ive never finished the song of achilles #I think I discovered it too late because I don't have an interest in greek mythology these days :')#ask #mine #recs #I could reccomend Sebastiane too but its a MESS OF A MOVIE AHSDJKFGHJKFS ITS SO BADDD #love it tho

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scuopsie · 1 year

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rant time!

kpop reaction content isn't exactly new (at least as far as I know) but it does seem to have kind of boomed in the last... two-three years I think. I remember there being only a handful of relevant kpop reaction content creators on youtube, some more popular that the others, but still there weren't a ton of them around. and I guess it makes sense because kpop itself has gotten much more popular and widely known outside of just [REDACTED] and among a wider age range I'd say.

but nowadays if you look up “X group - Y title track reaction” you will find tens, if not hundreds of reaction videos (especially if its a well known group) ranging from channels with hundreds of thousand subs to small account with a couple of hundred views on their reaction videos. and I just find that so weird.

like... especially for channels that do reactions as their main (and only) content, I find it extremely difficult to believe that after a certain point there is any authenticity behind these reactions. these big reaction channels are out there reacting to damn near every relevant kpop group's comebacks (and there are a LOT of them) and every single reaction is generally positive and often very enthusiastic.

aside from the fact that logically and statistically it's impossible for someone to like every title track being released, even if they're all objectively good (which they're not), because no one likes every genre and every style of music, there is basically no creativity involved in creating this type of content which makes it very dull both for the creator and the consumer after a while.

on top of that, this type of content has created a really toxic environment around expressing opinions and criticism toward kpop groups and kpop music. I just came across a video from one of these bigger (while also being newer) creators talking about how she's not happy with the content she's been making for the past year. she said that it's extremely overwhelming trying to keep up with every comeback when everyone expects you to react to their fave's CB and after a while sitting and reacting to music videos becomes repetitive especially when you're not even allowed to truly be yourself and express your opinions. she said she can't even talk about having a bias in a group because she would get tons of hate comments and dms about ppl bashing her for not having a different bias. I can't imagine how people would react to a reaction video creator saying she doesn't like a comeback or even a certain element in the song/mv.

I used to love kpop reaction videos back when I had just discovered them and they were not as big. like I genuinely get the appeal. seeing someone who's not a teenage girl (which is what stereotypically the general public thinks kpop stans are) is pretty validating. and back then there were like 'vocal coach reacts' or 'producer reacts' etc. seeing the reaction of "experts" analyzing different parts of a song/mv was really interesting for someone like me with zero knowledge of any of the technical stuff. and I also understand that they do contribute to promoting groups and comebacks to a certain degree. but it has just gone too far, in my opinion.

idk maybe I’ve just gotten old and lost the will to enjoy the small things that used to bring me joy but I genuinely don't enjoy reaction videos anymore. most of those older 'exerpts' (except for two I think) aren't active anymore (I'm guessing at least to some degree bc stans didn't want to hear that their fave was not that legendary of a vocalist or their fave song wasn't as layered and complex as they thought it was) and instead there are just random people reacting to kpop and some of them you can just tell that all their reactions are completely faked out. Youtubers are jumping on this trend bc it’s easy (in terms of not having any kind of real substance) and gets u good views if you’re a little charming and funny.

TL;DR : everything is fake and authenticity is dead. kdjfdjf I'm mostly joking but in the end, as per usual with my rants of this kind, I don't have a specific point or a solution. I'm just starting a conversation. so if any of you have something to add or just want to chat about this send me an ask!! (plz don't reply in the comments because I want this to be on my dash so everyone else can read too.)

#I believe the only technical reactors that arent new are PD and reacttorhek #iirc Dre used to be the biggest reacting channel but idk if hes not active anymore or just not relevant #there are a few ‘dancer reacts’ that are new and i didnt find any of their reactions that fun to watch. they didnt anything to the convo.#idk how new ben (birb) is but i used to like his reactions back when he would pause a lot and make longer comments. new hes making very-#short reactions and barely rewinds/pauses for comments.#i dont watch reacttorhek anymore at first bc they werent doing reactions to my faves anymore so there wasn’t anything for me to watch #but then I discovered that they have a doc where they’ve made a list of groups/songs they wouldn’t be reacting to #i think the explanation was that the producer has to choose songs that are complex enough and are worth their artists reacting to #which made sense but seeing the songs/groups they are reacting to (granted i dont stan any of them) it seems like they’re actually mostly-#-reacting to the most popular groups and not necessarily the groups/cbs that deserves the attention #like it makes sense for them to be picky bc they’re a huge team and cant be mass producing tons of videos like some of these solo reactors #but it seems like instead of picking actually musically complex and interesting songs from lesser known/underrated groups theyre just-#-picking groups that will bring the most views.#i just scrolled thru their channel and nearly all the videos were reactions of popular 4th gen gps #essentially the only reactor i still enjoy watching to some degree is PD #But i still cant get over the fact that none of these reactors ever have anything other than praise to say abt evey song they react to #even I dont like EVERY song my bias group releases #so even when i watch a reaction of a song/mv i DO LIKE i dont know if the person is being genuine abt liking it #okay i think I’m done 🤔#niki screaming into the void #long post

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hiratelier · 6 months

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Many thoughts running through my head as I prepare to upload my last UTAU cover of the year because I'll barely touch the silly singing robot program next year when I have more exciting things to work on...but even then it feels like you're saying goodbye to a close friend you've been with for almost 9 years

#mine #text #currently i am trying to finish a cover for my utaus' 9th anniversary next year and man #the spark for making robots singing usually isn't there nowadays but when it comes to my own utaus #god it does feel nice working on something!#this entire year i've been pumping out covers that first started as an outlet for my creativity #but then halfway into the year i kept getting into creative ruts and it was frustrating because i only limited myself to one outlet #so discovering animatics...gaining new interests...and picking up new skills has helped me branch out from utau significantly #but i will say that using utau bestow me lots of skills that will prove useful beyond just making utau content #i guess working on this one cover helped me reflect on that some more...but god it's kinda making me emotional #even most of my friends who used utau back in the good old days have moved on to other things now and i'm sort of in that boat...#it's not too fun trying to enjoy utau by yourself but honestly i think it all boils down to the fact that i was forcing myself to--#--enjoy using utau constantly. and that spark to create new covers just dies out.#i suppose that coming back to utau once in a long while to work on something nicd amidst working on other projects is something that's--#--more healthy for me yknow? i know i'm sort of betraying my utau-oriented audiences on youtube and bilibili with the way i've been slowly-#--moving away from utau and uploading other kinds of media and interests #but i'm opening up a new chapter for myself in making more oc media and animatics and they're more than welcome to stay along for the ride #i think i'm running into tangents at this point but what i'm trying to say is that for me uploading utau covers weekly was draining #and with me moving away to other projects and not being too hard on myself...my creative drive is slowly coming back #and maybe once in a while my creative spark for using utau apart from anniversary reasons will come back better than ever #and i will try to keep my own utaus alive as ocs apart from singing robot shenanigans and diffsinger development #it is a hobby i enjoy for myself after all and its not supposed to be a chore

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eugeniedanglars · 2 years

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finished the new season of never have i ever and i legitimately have no takeaways other than #justiceforaneesa

#like?? my girl dated ben and then broke up with him bc he wasn’t really into her #dated fabiola then broke up with her bc fab wasn’t really into her #and otherwise just disappeared from the show #she could have had a really interesting storyline about discovering her bisexuality!#about figuring out what she wants in a relationship!#about how she feels about the fact that she’s always the romantic runner-up and never anyone’s first choice!#also i’m just annoyed that we never got to see her and fab actually date #we saw them dancing around each other (which was very fun)#and then we immediately jumped to them no longer having feelings for each other and obviously heading for a breakup #the whole goddamn point of aneesa kissing fab in the bathroom was because she wanted to date someone who truly valued her and put her first!#someone who made an effort to support her even if they had different interests!#and then they not only went nowhere with that but actually had them break up bc fabiola shared more interests with addison!#sorry for the rant i don’t think this season was bad i just think it was very scattershot #also aneesa is maybe my favorite character and i’m bitter that she was barely in this season #never have i ever #never have i ever spoilers

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goldpilot22 · 2 years

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I've been playing NaissanceE lately and decided to do some screenshot redraws, here's the first one

#psii.txt #my art #traditional art #I love doing pencil shading it's so fun #... hey while I'm here in the tags of this soon to be two note post wanna know a maybe fucked up fact #I've been watching surgery videos on youtube it's fascinating. I've discovered that it's specifically pain that activates the hyperempathy #not injury. so surgery videos don't make me uncomfortable it's instead just interesting #also explains why I have such a struggle drawing characters with pained facial expressions lmao

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denimbex1986 · 5 months

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'...“It’s fun playing bad, but actually he’s not,” the actor says, smiling as he reflects on his character, Crowley. “He’s a villain with a heart. The amount of really evil things he does are vanishingly small.”

...As it always has, “Good Omens” dissects the view of good and evil as absolutes, showing viewers that they are not as separate as we were led to believe growing up. Aziraphale and Crowley’s long-standing union is proof of this. The show also urges people to look at what defines our own humanity. For Tennant — who opted to wear a T-shirt emblazoned with the words “Leave trans kids alone you absolute freaks” during a photocall for Season 2 — these themes are more important now than ever before.

“In this society that we’re currently living in, where polarization seems ever more present, fierce and difficult to navigate. Negotiation feels like a dirty word at times,” he says, earnestly. “This is a show about negotiation. Two extremes finding common ground and making their world a better place through it. Making life easier, kinder and better. If that’s the sort of super objective of the show, then I can’t think of anything more timely, relevant or apt for the rather fractious times we’re living in.”

“Good Omens” is back by popular demand for another season. How does it feel?

It’s lovely. Whenever you send something out into the world, you never quite know how it will land. Especially with this, because it was this beloved book that existed, and that creates an extra tension that you might break some dreams. But it really exploded. I guess we were helped by the fact that we had Neil Gaiman with us, so you couldn’t really quibble too much with the decisions that were being made. The reception was, and continues to be, overwhelming.

Now that you’re no longer bound by the original material that people did, perhaps, feel a sense of ownership over, does the new content for Season 2 come with a sense of freedom for you? This is uncharted territory, of sorts.

That’s an interesting point. I didn’t know the book when I got the script. It was only after that I discovered the worlds of passion that this book had incited. Because I came to it that way, perhaps it was easier. I found liberation from that, to an extent. For me, it was always a character that existed in a script. At first, I didn’t have that extra baggage of expectation, but I acquired it in the run-up to Season 1 being released… the sense that suddenly we were carrying a ming vase across a minefield.

In Season 2, we still have Neil and we also have some of the ideas that he and Terry had discussed. During the filming of the first one, Neil would drop little hints about the notions they had for a prospective sequel, the title of which would have been “668: The Neighbour of the Beast,” which is a pretty solid gag to base a book around. Indeed there were elements like Gabriel and the Angels, who don’t feature in the book, that were going to feature in a sequel. They were brought forward into Season 1. So, even in the new episodes, we’re not entirely leaving behind the Terry Pratchett-ness of it all.

It’s great to see yourself and Michael Sheen reunited on screen as these characters. Fans will have also watched you pair up for Season 3 of “Staged.” You’re quite the dynamic duo. What do you think is the magic ingredient that makes the two of you such a good match?

It’s a slightly alchemical thing. We knew each other in passing before, but not well. We were in a film together [“Bright Young Things,” 1993] but we’d never shared a scene. It was a bit of a roll of the dice when we turned up at the read-through for “Good Omens.” I think a lot comes from the writing, as we were both given some pretty juicy material to work with. Those characters are beloved for a reason because there’s something magical about them and the way they complete each other. Also, I think we’re quite similar actors in the way we like to work and how we bounce off each other.

Does the shorthand and trust the two of you have built up now enable you to take more risks on-screen?

Yes, probably. I suppose the more you know someone, the more you trust someone. You don’t have to worry about how an idea might be received and you can help each other out with a more honest opinion than might be the case if you were, you know, dancing around each other’s nervous egos. Enjoying being in someone’s orbit and company is a positive experience. It makes going to work feel pleasant, productive, and creative. The more creative you can be, the better the work is. I don’t think it’s necessarily a given that an off-screen relationship will feed into an on-screen one in a positive or negative way. You can play some very intimate moments with someone you barely know. Acting is a peculiar little contract, in that respect. But it’s disproportionately pleasurable going to work when it’s with a mate.

Fans have long discussed the nature of Crowley and Aziraphale’s relationship. In Season 2, we see several of the characters debate whether the two are an item, prompting them to look at their union and decipher what it is. How would you describe their relationship?

They are utterly co-dependent. There’s no one else having the experience that they are having and they’ve only got each other to empathize with. It’s a very specific set of circumstances they’ve been dealt. In this season, we see them way back at the creation of everything. They’ve known each other a long time and they’ve had to rely on each other more and more. They can’t really exist one without the other and are bound together through eternity. Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms, I think that’s fair to say.

Yet fans are trying to do just that. Do you view it as beyond romantic or any other labels, in the sense that it’s an eternal force?

It’s lovely [that fans discuss it] but you think, be careful what you wish for. If you’re willing for a relationship to go in a certain way or for characters to end up in some sort of utopian future, then the story is over. Remember what happened to “Moonlighting,” that’s all I’m saying! [Laughs]

Your father-in-law, Peter Davison, and your son, Ty Tennant, play biblical father-and-son duo Job and Ennon in Episode 2. In a Tumblr Q&A, Neil Gaiman said that he didn’t know who Ty’s family was when he cast him. When did you become aware that Ty had auditioned?

I don’t know how that happened. I do a bunch of self-tapes with Ty, but I don’t think I did this one with him because I was out of town filming “Good Omens.” He certainly wasn’t cast before we started shooting. There were two moments during filming where Neil bowled up to me and said, “Guess, who we’ve cast?” Ty definitely auditioned and, as I understand it, they would tell me, he was the best. I certainly imagine he could only possibly have been the best person for the job. He is really good in it, so I don’t doubt that’s true. And then my father-in-law showed up, as well, which was another delicious treat. In the same episode and the same family! It was pretty weird. I have worked with both of them on other projects, but never altogether.

There’s a “Doctor Who” cameo, of sorts, in Episode 5, when Aziraphale uses a rare annual about the series as a bartering tool. In reality, you’ll be reprising your Time Lord role on screen later this year in three special episodes to mark the 60th anniversary. Did you always feel you’d return to “Doctor Who” at some point?

There’s a precedent for people who have been in the series to return for a multi-doctor show, which is lovely. I did it myself for the 50th anniversary in 2013, and I had a wonderful time with Matt [Smith]. Then, to have John Hurt with us, as well, was a little treat. But I certainly would never have imagined that I’d be back in “Doctor Who” full-time, as it were, and sort of back doing the same job I did all those years ago. It was like being given this delightful, surprise present. Russell T Davies was back as showrunner, Catherine Tate [former on-screen companion] was back, and it was sort of like the last decade and a half hadn’t happened.

Going forward, Ncuti Gatwa will be taking over as the new Doctor. Have you given him any advice while passing the baton?

Oh God, what a force of nature. I’ve caught a little bit of him at work and it’s pretty exciting. I mean, what advice would you give someone? You can see Ncuti has so much talent and energy. He’s so inspired and charismatic. The thing about something like this is: it’s the peripherals, it’s not the job. It’s the other stuff that comes with it, that I didn’t see coming. It’s a show that has so much focus and enthusiasm on it. It’s not like Ncuti hasn’t been in a massive Netflix series [“Sex Education,”] but “Doctor Who” is on a slightly different level. It’s cross-generational, international, and has so much history, that it feels like it belongs to everyone.

To be at the center of the show is wonderful and humbling, but also a bit overwhelming and terrifying. It doesn’t come without some difficulties, such as the immediate loss of anonymity. It takes a bit of getting used to if that’s not been your life up to that point. I was very lucky that when I joined, Billie Piper [who portrayed on-screen companion, Rose] was still there. She’d lived in a glare of publicity since she was 14, so she was a great guide for how to live life under that kind of scrutiny. I owe a degree of sanity to Billie.

Your characters are revered by a few different fandoms. Sci-fi fandoms are especially passionate and loyal. What is it like being on the end of that? I imagine it’s a lot to hold.

Yes, certainly. Having been a fan of “Doctor Who” since I was a tiny kid, you’re aware of how much it means because you’re aware of how much it meant to you. My now father-in-law [who portrayed Doctor Who in the 80s] is someone I used to draw in comic strips when I was a kid. That’s quite peculiar! It’s a difficult balance because on one end, you have to protect your own space, and there aren’t really any lessons in that. That does take a bit of trial and error, to an extent, and it’s something that you’re sometimes having to do quite publicly. But, it is an honor and a privilege, without a doubt. As you’ve said, it means so much to people and you want to be worthy of that. You have to acknowledge that and be careful with it. Some days that’s tough, if you’re not in the mood.

I know you’re returning to the stage later this year to portray Macbeth. You’ve previously voiced the role for BBC Sounds, but how are you feeling about taking on the character in the theater?

I’m really excited about it. It’s been a while since I’ve done Shakespeare. It’s very thrilling but equally — and this analogy probably doesn’t stretch — it’s like when someone prepares for an Olympic event. It does feel like a bit of a mountain and, yeah, you’re daring to set yourself up against some fairly worthy competition from down the years. That’s both the challenge and the horror of doing these types of things. We’ve got a great director, Max Webster, who recently did “Life of Pi.” He’s full of big ideas. It’s going to be exciting, thrilling, and a little bit scary. I’m just going to take a deep breath.

Before we part ways, let’s discuss the future of “Good Omens.” Gaiman has said that he already has ideas for Season 3, should it happen. If you were to do another season, is there anyone in particular you’d love to work with next time around or anything specific you’d like to see happen for Crowley?

Oh, Neil Gaiman knows exactly where he wants to take it. If you’re working with people like Gaiman, I wouldn’t try to tamper with that creative void. Were he to ask my opinion, that would be a different thing, but I can’t imagine he would. He’s known these characters longer than me and what’s interesting is what he does with them. That’s the bit that I’m desperate to know. I do know where Crowley might end up next, but it would be very wrong if I told you.

[At this point, Tennant picks up a pencil and starts writing on a hotel pad of paper.]

I thought you were going to write it down for me then. Perhaps like a clandestine meeting on a bench in St James’ Park, but instead you’d write the information down and slide it across the table…

I should have done! I was drawing a line, which obviously, psychologically, I was thinking, “Say no more. You’re too tempted to reveal a secret!” It was my subconscious going “Shut the fuck up!”

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buggachat · 7 months

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Honestly I think my take on the "Chat Noir was not there in the final battle" comes down to the fact that I kind of just don't think a satisfying final battle between Chat Noir and Monarch was actually possible.

I read a lot of fic, for example, and I've read the scenario play out a lot of times in a ton of ways and I've never been fully convinced of it tbh (and not because they weren't great fic!!). It seems just completely traumatic for Adrien in a way that the scenario inherently cannot properly focus on, because it's all happening in the middle of an action scene and Adrien is too busy being Mid-Battle to properly have a cathartic breakdown about it all. I mean, Chat Blanc already showed us what would happen if he did have a breakdown mid-battle (and why wouldn't he?). And though it'd be fun to have a big triumphant moment of him defeating his abusive father, Adrien simply isn't a character who would find that scenario triumphant, or cathartic, or anything other than viscerally traumatic.

Also, I agree that it's unfair that Chat Noir was not present— like it was unfairly tilted in Ladybug's favor— but I don't think it'd be fair if he was present, either. Because Marinette is, in fact, the main character. The main character whose character arc is primarily focused on her finding her footing as a hero and discovering all the responsibilities that come with that power (as opposed to Adrien, whose character arc is moreso about freedom and identity). And let's face it, in a fight between Ladybug and Chat Noir and Monarch, nobody would be focused on Ladybug at all. It's not about her. It's not her fight. She'd just be there as moral support and an extra set of hands, which really doesn't work for her character arc at all and is completely unfair to her!

Basically, it would just be Chat Noir temporarily acting as the main character and having the worst time of his life in the most un-cathartic battle for him possible left completely traumatized with Ladybug in the background awkwardly trying to comfort him after the fact? And then the season ends? And then the next season presumably goes back to Ladybug being the main character? After a time-skip to the new school year? It's just an ending that I feel like is a lot better in theory than actually on paper. And you can probably make an argument for ways that it could be made to work, where it would enhance Ladybug's story in a meaningful way where she still feels like the main character, and would somehow be triumphant for Chat Noir despite it probably being the worst moment of his life, and somehow not make the rest of the series following feel like bonus content as opposed to a continuation of the story...... but, I dunno. I think it's a lot easier said than done.

The fact of the matter is, I've always been waaayyyy more interested in how the aftermath of Gabriel's defeat affects Adrien than the battle itself. Post-Hawkmoth defeat is one of my favorite types of fic for a reason, and it's because the aftermath can be so juicy, especially for Adrien as a character. I think whether or not Adrien is actually there in the battle itself has always been kind of irrelevant to me, because no matter how Gabriel is defeated, his defeat will have immense repercussions on Adrien's life going forward. And the way they did it, Marinette is now a part of it in a more active way, too. Which is good for her character!

( Also, if he was there to triumphantly defeat Gabriel, would that mean he would just.... watch his father die? of cataclysm? a-and.... nathalie would just.... die, too? so he'd have three dead parents after all that? who he watched all die (or, in emilie's case, saw her corpse)? or is this a scenario where MONARCH BEATS CHAT NOIR and still makes the wish? is that cathartic? for Adrien to lose to Gabriel? Frankly, I loved seeing Gimmi and The Wish, it's been teased for so long that I was expecting it, and I loved the fact that Nathalie got to live as her narrative reward for coming to her senses and trying to murder Gabriel with a crossbow. I like that we got to watch a full season of Gabriel painfully dying to a cataclysm— poetically inflicted on him by Adrien, but of Gabriel's own doing. I like that Nathalie has presumably adopted Adrien after having an arc of her trying to be a parent to him once she realized nobody else would, that's so much more interesting than any other alternative. I just don't see how all of these things, some of my favorite things that season 5 gave, can still all exist at once with Chat Noir present in the final battle in any way that's satisfying. )

#ml s5 spoilers #ml re-creation #ml recreation #re-creation spoilers #recreation spoilers

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cryptotheism · 1 year

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How do cards gain meaning in an occult sense? Like, both tarot and french-suited playing cards started as game pieces, but they have gained an understood meaning. Is it just someone whips up an organized table of connected ideas or is each card interpreted from a certain framework?

Oh good question!

Many things that we now consider staples of western magic are ideas that have been added to over generations by several layers of thinkers. Tarot Divination specifically is an excellent example of this!

In 1770, A french printmaker and occultist going by Etteilla published a book about how to do cartomancy with a 32-card Piquet deck. He writes down some simple but strict associations for the cards, and makes what is probably the first mention of reversals in carotmancy. He said that he learned the system "from an Italian." Now, its unclear how much of the system is his own invention, people have been doing cartomancy for as long as there's been cards, but the text presents a larval, bare-bones version of the cartomancy methods we know and love today.

Its 1780-ish. The Rosetta stone hasn't been discovered yet. Occult-inclined Europeans are obsessed with Egypt. That's where our boy Trismegistus is from! There's a concept in Egyptian mythology called The Book of Thoth, a mythical book of spells penned by the God of Knowledge himself. This was the Holy Grail for European Occult Egpytaboos.

In 1781, Antoine Court de Gébelin claimed that Tarot cards were the "original book of Thoth," Saying that Tarot cards had been used by ancient Egyptian priests for their own magical ceremonies, and that their designs contained ancient mystical secrets. This is 100% not true, but he writes a pretty fun pseudohistory for Tarot that involves Romani people bringing the decks to Europe through the Levant where they then taught its esoteric secrets to several Popes.

Then in 1783, Ettellia responded with another book. Manière de se récréer avec le jeu de cartes nommées tarots ("Way to recreate yourself with the deck of cards called tarots") Where Ettellia basically claims "uhm actually I knew about tarot divination way before Court de Gebelin published that big ass book. But anyway here's an interpretation of Tarot symbology that includes multiple references to Egyptian, Zoroastrian, and Greek mythology." But the smartest thing he did was include spread methods that involved Thoth and Numerology. Napoleonic Occultists fucking loved Thoth and numerology.

In 1788, he formed a little magical society for the express purpose of discussing and workshopping ideas for Tarot divination. In 1789, he made a TRULY smart decision, and published a Tarot deck that was Specifically For Magic, and that basically cemented Tarots place in magical history.

Occultists just kept iterating! Someone would speculate "maybe the suits correspond to the elements" and people went "yeah, they correspond to the elements! That makes this tool even more fun and interesting to use!" Then people go "What if the suits and the elements also correspond to parts of the Self?" and people went "Sure they do! That makes this tool even more interesting!"

But its also not just one thread. Eventually you get the Golden Dawn saying "The Major Arcana correspond to the nodes and paths on our version of the Quabbalistic Sefirot, you know, the hermetic version with a Q." and some occultists responded "Idk about that! Love what you've done with the color symbology though!"

The development of magical ideas is an iterative process. It is people whipping up a table of correspondences, but that table needs a mythology to keep it together. Originally, the mythology that gave tarot "power" was its Egyptian pseudohistory, but these days its the fact that occultists have been iterating on and fine-tuning this system for hundreds of years.

Humans don't think in tables of information, they think in stories. The cool thing about stories is that they're flexible. If magic is anything, its learning how to engineer stories to make the tables of information more effective.

I'm gonna plug my patreon where I post all of my occult research if you wanna see more stuff like this

#Tarot #Occult #I was supposed to edit today but I couldn't pass up this opportunity for a micro essay #cartomancy

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dannyphannypack · 1 year

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Writing ASL: Techniques to Write Signed Dialogue

Hey, guys! I've been reading a lot of DC Batfamily fanfiction lately, and in doing so I realized how little I see of ASL being represented in written text (love you, Cass!). I wanted to briefly talk about tactics to writing American Sign Language (ASL), and ways that these techniques can help improve your writing in more general contexts!

SOME THINGS BEFORE WE GET STARTED

I will be discussing everything in terms of ASL! If you have a character who uses Chinese Sign Language or even British Sign Language, the same rules will not necessarily apply! Don't be afraid to do some extra research on them.

Do not let this dissuade you from writing a character who signs ASL! This is by no means the end-all be-all to writing ASL dialogue, and I do not intend this post to insinuate that by writing ASL the same way you write English you are deeply offending the Deaf community. If this is something you're interested in though, I highly recommend experimenting with the way you write it! Above all, have fun with your writing.

Related to 2nd rule, but still very important: not everyone will agree that sign language should be treated/written any differently than English. This is a totally valid and understandable stance to take! I do not hope to invalidate this stance by making this post, but rather to introduce an interested audience to how ASL operates in the modern world, and how that can be translated into text.

ADDRESSING SOME MISCONCEPTIONS

ASL is the same as English, just with gestures instead of words.

Actually, no! There is a language that exists that is like that: it's called Signing Exact English, and it's an artificial language; i.e., it did not come about naturally. All languages came from a need to communicate with others, and ASL is no different! It is a language all on it's own, and there is no perfect 1:1 way to translate it to English, just as any spoken language.

2. But everyone who signs ASL knows how to read English, don't they?

No, actually! Because it's a completely different language, people who sign ASL and read English can be considered bilingual: they now know two languages. In fact, fingerspelling a word to a Deaf person in search for the correct sign does not usually work, and is far from the preferred method of conversing with Deaf people.

3. Because ASL does not use as many signs as we do words to articulate a point, it must be an inferior language.

Nope! ASL utilizes 5 complex parameters in order to conversate with others: hand shape, palm orientation, movement, location, and expression. English relies on words to get these points across: while we may say "He's very cute," ASL will sign, "He cute!" with repeated hand movement and an exaggerated facial expression to do what the "very" accomplishes in the English version: add emphasis. Using only ASL gloss can seem infantilizing because words are unable to portray what the other four parameters are doing in a signed sentence.

4. Being deaf is just a medical disability. There's nothing more to it.

Fun fact: there is a difference between being deaf and being Deaf. You just said the same thing twice? But I didn't! To be deaf with a lowercase 'd' is to be unable to hear, while being Deaf with an uppercase is to be heavily involved in the Deaf community and culture. Deaf people are often born deaf, or they become deaf at a young age. Because of this, they attend schools for the Deaf, where they are immersed in an entirely different culture from our own. While your family may mourn the loss of your grandfather's hearing, Deaf parents often celebrate discovering that their newborn is also deaf; they get to share and enjoy their unique culture with their loved one, which is a wonderful thing!

YOU MENTIONED ASL GLOSS. WHAT IS THAT?

ASL gloss is the written approximation of ASL, using English words as "labels" for each sign. ASL IS NOT A WRITTEN LANGUAGE, so this is not the correct way to write it (there is no correct way!): rather, it is a tool used most commonly in classrooms to help students remember signs, and to help with sentence structure.

IF THERE'S NO CORRECT WAY TO WRITE IN ASL, THEN HOW DO I DO IT?

A most astute observation! The short answer: it's up to you. There is no right or wrong way to do it. The longer answer? Researching the culture and history, understanding sign structure, and experimenting with description of the 5 parameters are all fun ways you can take your ASL dialogue to the next level. Here are 3 easy ways you can utilize immediately to make dialogue more similar to the way your character is signing:

Sign languages are never as wordy as spoken ones. Here's an example: "Sign languages are never wordy. Spoken? Wordy." Experiment with how much you can get rid of without the meaning of the sentence being lost (and without making ASL sound goo-goo-ga-ga-y; that is to say, infantilizing).

Emotion is your friend. ASL is a very emotive language! If we were to take that sentence and get rid of the unnecessary, we could get something like "ASL emotive!" The way we add emphasis is by increasing the hand motion, opening the mouth, and maybe even moving the eyebrows. It can be rather intuitive: if you mean to say very easy, you would sign EASY in a flippant manner; if you mean to say so handsome, you would sign handsome and open your mouth or fan your face as if you were hot. Think about a game of Charades: how do you move your mouth and eyebrows to "act out" the word? How are you moving your body as your teammates get closer? There are grammar rules you can certainly look up if you would like to be more technical, too, but this is a good place to start!

Practice describing gestures and action. ASL utilizes three dimensional space in a lot of fun and interesting ways. Even without knowing what a specific sign is, describing body language can be a big help in deciphering the "mood" of a sentence. Are they signing fluidly (calm) or sharply (angry)? Are their signs big (excited) or small (timid)? Are they signing rushedly (impatient) or slowly? Messily (sad) or pointedly (annoyed)? Consider what you can make come across without directly addressing it in dialogue! Something ese about ASL is that English speakers who are learning it tend to think the speakers a little nosy: they are more than able to pick up on the unsaid, and they aren't afraid to ask about it.

Above all, don't be afraid to ask questions, do research or accept advice! New languages can be big and scary things, but don't let that make you shy away. Again, there is nothing wrong with deciding to write ASL the same as you write your English. I've personally found that experimenting with ASL dialogue in stories has aided me in becoming more aware of how to describe everything, from sappy emotional moments to action-packed fighting scenes. Writing ASL has helped me think about new ways to improve my description in more everyday contexts, and I hope it can be a big help to you as well, both in learning about Deaf culture and in pursuing your future writing endeavors. :)

P.S: I am quite literally only dipping my toes into the language and culture. I cannot emphasize how important it is to do your own research if it's someting you're interested in!

P.P.S: I want to apologize for my earlier P.S! What I meant by “I am … dipping my toes into the language and culture” was in direct regards to the post; what I should have said is “this post is only dipping its toes into the language and culture.” While I am not Deaf myself, I am a sophomore in college minoring in ASL and Deaf Culture, and I am steadily losing my hearing. Of course, that does not make me an authority figure on the topic, which is why I strongly encourage you to do your own research, ask your own questions, and consult any Deaf friends, family, or online peers you may have.

#dc batman #batfamily #cassandra cain #ASL #american sign language #deaf #deaf culture #tayscreams #writing advice #writing

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milswrites · 2 months

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The Bat Boys X Bookworm!Reader

Summary: What the Bat Boys (and Eris & Lucien) are like with their bookworm partners

Warnings: Lil smutty and nsfw (not too much just want to cover myself) so 18+ MDNI

Notes: Just a bit of fun really, it's different to what I usually write but I hope you guys like it!

Rhysand

Rhysand loves you

And if loving you means that he has to feed your obsession with buying books?

Then he would happily clear out all the bookshops in Velaris if it meant getting to see you smile.

Rhysand is rich-rich.

Which means if there's something you want? He'll buy it for you without question.

You once mentioned about how much you'd love your own library one day.

So of course by the end of the week you had your own little haven inside Rhysand's house with more books than you could ever dream of reading and your own little ladder to reach them all.

But he didn't stop there.

For your mating gift he purchased you your very own library in Velaris

In which Rhys may or may not have enacted his fantasies of sleeping with a Librarian.

Whilst Rhysand does like to read, his taste in books is very different to your own.

But even though he doesn't read the books you do, he's more than happy to sit and listen to you talk about your favourite ones for hours if that meant being able to see your eyes light up as you talked about something you loved.

But no books nor libraries could top the best gift he had ever given you.

A hand-written book containing the story of your relationionship.

Complete with crude little comments and drawings the High Lord had scribbled down in the margins.

Rhysand loved history.

So what better way to preserve his undying love for you than in-between the pages of a book which would last forever.

Cassian

Cassian had never been very interested in books.

He'd much rather experience the thrill of real fighting and action in person than spend his time reading about it on some dusty old pages.

In fact the only time Cassian had been in a library he had the terrifying encounter with Bryaxis.

Safe to say that the trauma he experienced was the perfect excuse for never stepping in one again.

Until he met you.

Cassian has always been the type of guy who's all in or nothing.

He discovers the person he has a crush on likes reading?

You know he's going to be walking around with books he's never even opened pretending like he is a well-read Illyrian.

Citing quotes he doesn't even understand just to try and impress you.

And once you're together?

You show Cassian exactly what he's missed out on when it comes to reading.

Especially when it comes to getting tips for your bedroom activities.

For months after you revealed to him the wonders that are smut books, Cassian would spend his free time delving through the pages looking for new ideas on how to spice up your sex life.

Claiming his increased interest in reading was due to 'research purposes'

Cassian is 100% down to roleplay characters from your novels

He loves being the big strong hero to your damsel.

Whenever Cassian catches you reading, happily curled into the comfort of your sofa, he'll approach with a smirk on his lips

"Any new tricks you'd like to try out? I think page 69 is worth a shot."

Azriel

Azriel's a busy guy.

He's always away on missions for Rhysand or working in the dungeons of the Court of Nightmare's

So he can be forgiven if when he comes home, reading is the last thing on his mind.

But what he does enjoy though, is when you read to him.

He can lay with his head in your lap for hours.

Humming along to whatever tale you tell whether it's fantasy, romance or a good thriller

Sometimes he'll even offer his input. Laugh when something especially funny happens or shed a tear whenever a character he likes died.

Azriel loves the sound of your voice

Enjoying the way you put on voices whenever a character is speaking.

He's grown to like the sense of domesticity that he feels whenever you read to him. Allowing himself to imagine you doing this to two little Illyrian babies of your own.

Reading to your wide eyed children as they are gripped by the tales you're telling

Azriel is also a gentleman.

Need a hand with carrying the books you're choosing whilst you shop?

He's there

Hands willingly taking everything you stack on top of him, trailing after you with your selections like a lost puppy.

And when you get to the till?

Azriel had already spoken to the shopkeeper upon entry and added anything you chose to his account. Claiming the books were just as much his as they were yours if you were going to read them to him.

Azriel is definitely the type of male who likes you to read your smut to him as he pleasures you, acting out the words on the page until you're unable to speak anymore, leaving the rest of the chapter to your own imagination.

Eris

Eris is a reader.

He loves nothing more than to settle down after a long day with a good book in hand and a steaming tea.

You can't tell me he doesn't find it the hottest thing ever when he discovers you like to read too

The two of you have your own little book club

You'll each read the same book and then have a little meeting when it's over to discuss what you thought of it.

He can also get really emotional and intense about them.

God knows the amount of times you've had to calm him down when a character has made a choice he didn't like.

I think Eris definitely likes to write too

Not seriously, but it's a good way for him to get his thoughts out and to escape from the day to day of his reality.

And he loves to have you read his work

To see the way your face lights with joy as your eyes flick through his beautiful prose.

A small smile upon his lips at the knowledge that the muse for his writings was you.

Lucien

Lucien also likes to read.

But the way you read?

It terrifies him.

The way you obsess over the characters from your stories.

Your passionate opinions on their decisions and the plots.

God forbid Lucien says something about them that you don't agree with.

Lucien finds you positively feral when it comes to the stories you like.

But that doesn't stop him from wanting to show interest in them too.

Lucien likes to read all your favorite books and leave annotations of his thoughts in the margins.

This was exactly how the two of you had gotten together, the male having gifted you with a copy of a book he had noticed you reading.

The pages filled with scratchy comments and opinions on everything that happened.

Lucien pours his soul into his annotations and you love that.

Lucien is also a poetry man.

He loves to recite verses to you which stick out to him

Sometimes they were romantic, making your heart stop in your chest and breath catch in your throat.

But Lucien was also a fan of satirical poetry

The most ridiculous, corny things you have ever heard.

He'll come find you as you're going about your day and recite his latest read to you - your eyes rolling to the back as you did so, yet you fail to hide the smile which crosses your face every time he does so.

He has also tried to write you poetry before, express the depth of his feelings towards you. Safe to say his lame attempt of a limerick earnt him a scoff and had you hiding all his poetry books from him for the next month.

#acotar #fanfic #acotar imagine #sarah j maas #a court of thorns and roses #azriel x reader #azriel imagine #cassian x reader #eris vanserra x reader #cassian #eris vanserra #rhysand x reader #rhysand #lucien vanserra #lucien vanserra x reader

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aphroditelovesu · 3 months

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Hai, do you take request for Enola Holmes? If so could you do a headcannon for Yandere husband Sherlock holmes x Young Duchess Of Somerset who is a very wealthy, prestigious, powerful and Influential woman in England?

(Both in headcannon and Boi, please)

❝ 🔍 — lady l: I hope you like it, anon! I certainly enjoyed writing it and here is the link to his bot :) have fun and forgive me for any mistakes! ❤️

❝tw: stalking, mention of kidnapping and death and unhealthy relationships.

❝🔍pairing: yandere!sherlock holmes x female!reader.

Sherlock Holmes never planned to get married, too focused on his work to even think about the possibility of getting a wife and having children. He always kept that thought in mind for a long time, until the day he met you, the Duchess of Somerset.

During an investigation, Sherlock had to go to a ton society ball to get clues and with the money and fame he had, it wasn't difficult. He just didn't expect to find you there, so beautiful and surrounded by flatterers. Holmes did not expect to be taken away the way he was by your smile.

You changed his way of thinking very quickly, leaving him intrigued and a little curious. Who were you, anyway? And why don't you get out of his thoughts? Endless, unanswered questions were all Holmes had.

Sherlock did extensive research about you and your family. You came from a noble and powerful family, very rich and prestigious and there were many benefits to marrying you. Several young nobles had their eyes on you as your title and powers were very tempting. This made him furious.

They were all leeches who only wanted you for the power and riches that came with it. They could never appreciate you the way he would, they couldn't worship the ground you walk on the same way he would. They would never be as good to you as he would be.

Sherlock wasn't sure why he felt this way about you, but he knew he couldn't allow you to marry one of those unworthy fellows. He had to have you, it was a need, a desire that dominated him completely. You would be his, he would be sure of that.

He was quick to pursue you and court you. Being the excellent detective that he was, Sherlock quickly discovered all of your interests and places you used to go to and he consequently started appearing in those places and talking to you. He knew he shouldn't seem crazy, so Sherlock was kind and showed an obvious interest in you.

It didn't take long for him to become in love with you, even with the dark and unhealthy feelings taking over his mind, Sherlock still remained the same with you. You also fell in love with him gradually, he was handsome, kind and not a brainless sycophant. He was everything you could want in a husband, so when, one autumn afternoon, he asked you to marry him, you happily said yes. Holmes smiled at this, everything was going the way he planned.

Fortunately for your family's life, they had no problem accepting Sherlock into the family. He was a good suitor and had good fame and fortune, so he was good to marry you, the Duchess of Somerset. Sherlock was happy about that, satisfied with the fact that he wouldn't have to convince your family in less orthodox ways.

Life with him was good and Sherlock was a good husband by the standards of the time. He was faithful to you and loved you deeply. You never thought a husband could love his wife as much as he did, but Sherlock was one of a kind. He made you feel loved every day, every little bit of you was adored by him. He loved the ground you walked on and did everything he could to make you happy.

He spoiled you endlessly, anything you wanted he would buy for you. Even if it wasn't necessary due to your status, Sherlock still loved giving you gifts. Your wardrobe grew a lot after your wedding and there were many times when you only wore a dress once out of the many you received.

Sherlock was very protective and slightly possessive over you, but he won't let you down. He will vent his jealousy and fury in other ways, he could never think of upsetting you with that. But his overprotection could be suffocating, as he made a point of personally taking care of his safety and he was constantly attached to you. It was part of the job, he would tell you.

He would teach you self defense if you didn't know. He knows it's dangerous, but Sherlock wants you to know how to defend yourself in case he can't protect you. Especially when you were pregnant, he wouldn't take any risks.

Being the Duchess of Somerset and having so much power and influence wouldn't stop Sherlock from pursuing you. He might have some problems with that, since due to your heritage he could never kidnap you because he would be discovered, but he would deal with it. After all, you are his and he is yours. And when he became your husband, he swore to himself that he would never stop loving you and he would never let you go.

You are united until death, at the end of it all.

#enola holmes #sherlock holmes #sherlock holmes x reader #yandere enola holmes #yandere sherlock holmes #yandere Sherlock Holmes x reader #yandere sherlock holmes headcanons #x reader #yandere headcanons #headcanons #romantic yandere #dark!sherlock holmes

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saturdaynightspecialpresentation · 6 months

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Poor Things

First of all, Emma Stone’s performance is as good as everybody is saying. Stone takes a very difficult role that easily could have gone very, very wrong and makes it look like the most effortless thing in the world.

I have been looking at the reviews, good and bad, and I think that the minority of people who didn’t vibe with this movie had slightly skewed expectations.

Poor Things starts out at Tetsuo The Iron Man levels of fucked up, but by the end it has dropped to Edward Scissor hands levels of fucked up. This is probably plenty of weirdness for the average movie-goer, but true connoisseurs of mondo cinema should calibrate their expectations.

Second, apparently this is being talked up as a sort of feminist coming of age fable chronicling an everywoman’s sexual awakening and liberation, and it really isn’t that, and I think if you are hoping for that you’ll come away disappointed.

Better, I think, to look at it as an autistic coming of age fable and power fantasy, which I think it does a tremendous job at.

Very minor spoilers under the cut; really, this is more an essay about what I thought the film was about than a review, my review would be that it's somehow simultaneously a feel-good crowd-pleaser AND a movie where an adult woman with the brain of a toddler stabs the eyes out of a corpse with a scalpel and then plays with its penis (I wasn't kidding with the Tetsuo comparison)

Honestly now that I've actually written that out I have maybe underestimated how impressive it is that Yorgos Lanthimos made a movie where that happens on screen but somehow basically everybody loves the movie.

In terms of sex, we do watch Bella discover sex, but she very quickly comes to a conclusion about her relationship with it which never once changes throughout the rest of the movie:

She likes it, she likes it more with an attractive partner, she is utterly lacking in any kind of sexual jealousy, and she doesn't attach too much more to it than that.

This is an odd comparison, but Bella treats sex the way Joey did on Friends. A man acting this way is a sitcom cliche, but a woman acting the same way…

This is a film that is really, really not interested in the real-world consequences of this kind of sex; in fact, given that a pregnancy is the inciting incident of the film, it came off a little weird to me that the possibility of a pregnancy or STD was never really addressed (unless there was a line or two that I missed while I was in the bathroom).

For the most part, though, I was able to get past it by just thinking of it as a heightened world. The sets and settings are extremely artificial, and ultimately I figured, “Hey, if I can buy this kind of thing as harmless and fun in a sitcom, I can buy it in this other kind of heightened reality.

I will say, I don't think Bella is meant to be an every-woman, and that there's textual support for this in the film itself.

All of the women Bella deals with in some way question her approach to sex, making it clear, sometimes through explicit dialog, other times more reading between the lines, that her approach to sex is not for them.

If there’s any particularly feminist message in the film, it’s that when confronted with Bella’s bizarre approach to the world, none of the women get angry at her, and most of the men she meets do.

But Bella’s relationships with other women aren’t really the meat of the film, that’s more about her relationship with men, and particularly the way that they feel, deep in their bones, that they should have control over any woman that they have sex with.

Duncan Wedderburn, when he first discovers Bella and convinces her to go away with him, thinks he is tricking and seducing a beautiful naif who he can use and then discard when he tires of her. Their relationship disintegrates as it becomes clear that Bella hasn’t been tricked at all; she wanted exactly what he was able to give, a chance to sow her wild oats by having some no strings attached sex with an attractive, likable person in an exciting foreign city.

This makes Wedderburn increasingly unhappy and unhinged (He says at one point that he has become what he hates, a “grasping succubus”) much to Bella’s growing consternation. She has no idea why he can’t simply be happy having sex with her and otherwise letting her do what she wants, and he is so committed to a certain vision of gender roles that he can’t even begin to explain it, he can only lash out in frustration.

And that I think is the meatier part of the film; Bella doesn’t so much flout social expectations as she is simply totally unaware that they exist.

Honestly I think the character isn’t so much coded as autistic as she just is autistic. Bella is a woman who is basically totally unaware of social expectations and constantly taken aback to discover that they exist.

More than that, she has to figure out a way to work around the fact that many of the people who become most enraged by her are also so totally lacking in self-reflection, and view their social situation as so normal, so self-evidently obvious that they cannot explain to her why it is she has made them angry. They suddenly fly into rages that clearly perplex Bella and which they themselves don’t even bother to explain, because they regard their own ideas as self-evident.

Bella is an idealized autistic hero; personally as outlandish as she is I don’t really think the film expects us to take the side of anybody else, and I think there are some fairly subtle and accurate bits of autistic behavior on her part.

She responds to life as a kind of social experiment, attempting to parse out a set of logical rules and, especially in the latter parts of the movie, she often justifies her actions with a perfectly sensible internal logic that the emotional men in her life can’t parse out. Late in the film, when she and Wedderburn are destitute, she prostitutes herself for 30 francs, and with implacable logic, explains the two reasons that Wedderburn ought to be quite happy she has done so: First, her john was much worse at sex than Wedderburn, which ought to satisfy his ego, and second, they now have 30 francs and the potential to earn more.

Wedderburn does not appreciate her logical approach.

Another thing that strikes me as very true is that Bella has a very odd theory of mind for other people. There’s a scene where, traumatized by the unspeakable poverty and suffering she sees in Alexandria, she puts all of Wedderburn’s money in a box and rushes out to give it to the poor. Unfortunately the ship is leaving, but two port attendants tell her that they will be staying on the island, and would be happy to deliver a package. She tells them that she has a big box filled with money and they should give it to the island’s poor, and they agree to do so. Now, the film never tells us one way or another whether they keep their word; but Bella herself retains an iron certainty that they did exactly what she asked them to. Now, we know Bella understands what lying and deceit are, because we’ve seen her trick people before, like when she chloroforms McCandles to run away with Wedderburn. But it never once occurs to her that these sailors might do something similar. Call it paradoxical, but that kind of thinking is common in autistic people.

There’s also the scene where the self-professed cynic Harry Astley shows her the suffering in Alexandria; he admits, when he sees how terribly it has affected her, that he didn’t tell her simply because he thought it was the truth of the world, but that her attitude made him angry, and he wanted to hurt her. A very common part of the autistic coming of age is the slow realization that not everything people tell you is part of a dispassionate, scientific search for the truth.

There’s also a scene in a whorehouse in which Bella argues that it would make more sense to have the women decide who is to sleep with the johns, so that then the john could be more confident that the girl was attracted to him, which he must doubt if he chooses. You can tell I’m autistic because I immediately had the thought, “Well, but the johns would probably be worried that nobody would choose them.”

One of Bella’s fellow working girls instead tells her, “Some of them like the fact that we don’t have a choice”.

#poor things #movie review #autism #cw violence #I'm actually not sure what kind of content warning I should put for the corpse stabbing

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allieebobo · 8 months

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Do you have any if recommendation?

Ooh! I have really, really bad memory(!!) but these are current faves that I have played/replayed recently that I can think of. A lot of the authors are also THE BEST HUMAN BEINGS EVER. So, double recommendation.

I probably missed a bunch out, so take this as a non-exhaustive list! In no particular order:

(Edit: Added some descriptions but yeah I got a little unhinged so I'm sorry nothing makes sense or if the quality of the write-up went down over time/did not actually give you any useful info)

WIPs with demos

Citadel, @bouncyballcitadel (I think of all the IFs on this list, this one makes me sweat the most. And I've said it once and I'll say it again: the dialogue is so snappy and well-written, and characters are SO DAMNED LOVEABLE.)

Infamous, @infamous-if (I've been manifesting Band/Musician IFs for the longest time, and then this popped up! I've even played Choice of a Rockstar, that's how desperate I was... Anyway, this is legions better than that. Angsty ex routes are my kryptonite, and Seven is just. Inevitable.)

Defiled Hearts: The Barbarian, @defiledheartsblog (I went into this wanting something juicy and fun/historical—and it's all of those things, but I didn't expect it to be so damned funny, too. The ROs are all impeccable.)

Raiders of the Caravan and Apartment 3-3, @leftski-if (A'ight listen, fantasy slice-of-life is my fave genre, and these are IT. Like, everything I never knew I needed in my life, and SO cozy/wholesome, with a cast of characters that I want to befriend in real life.)

The Adventures of Sherlock Holmes: An Affair of the Heart @doriana-gray-games (First off, the customization in this game is INSANE, and the branching too. I've replayed a couple of times and the little variations I discover each time just blows my mind. Secondly, it's so funny and written so well. Ngl I'm not a Sherlock fan but that's just testament to how amazing this IF is.)

When Life Gives You Lemons, @when-life-gives-you-lemonssss (Modern slice-of-life with an adorable kid, a bunch of hot ROs, CC. Hill's humor, what can I say?)

Golden @milaswriting (Really interesting world-building, one of the coolest fictional cities I've read in an IF, AND I'm obsessed with the ROs, in particular K de la Renta. Also Mila is such an awesome writer, I'm beyond excited for @beyondthegame.)

A Tale of Crowns @ataleofcrowns (This game is beautiful, polished, and SO exciting. Honestly, it looks like the kind of game created by a whole-ass game studio and would cost $50 to buy, it's that good. I really got swept up by this IF—probably played it all in one go.)

Rougi @rougi-if (Again, another game with scrumptious visuals/UI and also is just so well-crafted. I love the premise too, it's so original and fresh.)

Scout: An Apocalypse Story @anya-dev (Unfortunately this one might be on hiatus but I am/was really, really obsessed.)

Wayfarer @idrellegames (Love the game mechanics of this one, and the visuals. Probably controversial, but I like the D&D / random dice effect. And I also like the fact that it feels like an old-school RPG.)

Chop shop @losergames (The premise is all I needed to be sold, really—I'd always wanted to buy GTA as a kid but my parents were like NO WAY. Anyway, this IF did not disappoint, and let me live all my childhood dreams.)

Edit: AHH! How could I forget, one of my recent faves, Folksaga @folksaga-if (Lush atmospheric writing, super unique premise—norse mythology, plus I'm head over heels for Katla).

Completed IFs

Butterfly Soup 1 and 2 @brianna-lei (these are completed and I will never not promote them. Honestly the most adorable, wholesome, funny sports/coming-of-age IF I've read)

Elsinore: After Hamlet @lapinlunairegames (Insanely cool premise, insanely cool execution)

The Thick Table Tavern @manonamora-if (I love bar/tavern games, and this one actually lets you mix drinks! Instant fave.)

Other HGs/COGs I love: Slammed, Tin Star, Fallen Hero, If it pleases the court, A Player's Heart (these last two are so underrated, though I guess cause it's mainly wlw)

#asks #if #IF recommendations #other IFs #interactive fiction

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she-posts-nerdy-stuff · 1 year

Text

Some little details you might have missed in Six of Crows and Crooked Kingdom

(Maybe part one?)

When discussing the Ice Court Heist at the start of the book Wylan explains that he speaks Fjerdan and although Jesper teases that he probably isn’t very good at it, the fact that Wylan has been to the Ice Court at least once before would beg to differ; as a diplomatic meeting it would probably be considered impolite if he and his family didn’t speak at least some Fjerdan when being hosted by what I assume to have been the royal family or at least higher-ups in the Fjerdan government. However, when he’s drawing up plans of the Court on the boat, Kaz asks why nothing is labelled and Wylan says “I don’t know Fjerdan”. He does, in fact, know Fjerdan (and it’s confirmed later that he speaks it well), but he is hiding the fact that he cannot write

In the Bathroom Scene™️ Kaz says that Inej’s tell is the way she squares her shoulders before making a move, “as if you’re waiting for the audience’s attention”. When Kaz goes to the slat in the next chapter, after the fight he squares his shoulders before making his speech to launch a coup against Per Haskell. I think this is really interesting and it absolutely shows what Inej realises at the time, that “the fight was just the opening act” but this, the talking and the convincing and the persuasion, this is Kaz’s superpower. I think this is so interesting and says so much about him, but it’s also a great Kanej parallel. More than any character I can think of, Kaz absolutely embodies the quote “I discovered at a very young age that if I talked for long enough I could prove anything right or wrong, so either I’m god or truth is relative. And either way, boo-yah” (which by the way is a quote from the brilliant sitcom Community)

This is my favourite Wesper parallel: in soc when Wylan uses a bomb to save them from the parem-drugged fabricator, Jesper says “Wylan earned his keep”. Wylan replies “Did I?” and Jesper says “Well, you made a downpayment”. At the end of Crooked Kingdom when the pair are able to go back to Wylan’s house because Van Eck has been arrested, Wylan asks Jesper if he really meant it when he said that he would stay and help run the business by reading to him, and Jesper says of course, but “I charge a pretty steep fee”. Wylan blushes and replies “well I hope the medik is here to fix my ribs soon, because I’d like to make a downpayment”. THEY’RE SO GODDAMN ADORABLE

This one I think is something people just forget, but Nina and Matthias are heavily implied to have slept together on Black Veil when they got from Ravkan embassy. The pair go to get changed and reappear “rumpled and rosy several long minutes later”. Jesper laughs when he sees them- he says “Staying on task?” to which Nina replies “I’m teaching Matthias all about fun. He is an excellent student, diligent in his studies” as Matthias gets progressively more and more embarrassed. But yeah I’ve never seen anyone talk about it I think people just forget

#grishaverse #leigh bardugo #six of crows #crooked kingdom #inej ghafa #kaz brekker #nina zenik #jesper fahey #wylan van eck #kanej #wesper #helnik #the crows #crow club #ketterdam #kuwei yul bo #shadow and bone

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