God's Country, Ethel Cain
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Aimee, from Leonard Nimoy’s 2010 photography series Secret Selves
Aimee — tattoo and body piercing
I like being a girl…no one knows I am a woman, let alone a lesbian. My beard is natural, there is no imbalance.
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friendly advice from vetmed: I know that when your animal has an infection that is generating a lot of discharge, you want to describe that to the veterinarian, because it’s a concerning sign. that is true. I also know that the most common word for this type of discharge is “pus,” so it’s logical that that’s the word that you’ll use when describing what’s going on. and in English, we often add a “-y” when we’re using a word as a descriptor.
but. the word. the word you are looking for. is purulent.
please stop sending in messages telling the doctor that your dog has a “pussy wound.”
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Every neurodivergent person who's ever been made fun of because of it should be compensated with a life sized pirate ship, their very own crew that loves them and all sing shanties together, a life time supply of rum, oranges, card games, and cannon balls with proper protective equipment. And an animal companion of their choice if they'd like
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COMING THIS SUMMER:
7 MONTHS
36 ARTISTS
1 REALLY PERSISTENT SKELETON
IT'S THE 2023 TRUNGOTHON MEGA ART TELEPHONE GAME
[RATED R]
RIDICULOUS. this was so big that even with tumblr's recently expanded image limit i still had to weld every other image together to fit it into one post, but if you want to see every image in its full glory, i made a page for it on my website (jankily hand-coded and probably not very mobile friendly).
it was so fun to see which elements stuck around and for how long. i still can't believe the skeleton got banished and then resurrected 15 iterations later!
huge thanks to everyone who participated. in order:
@mobileleprechaun, ink drinker, @dimetrodrawn, @escherbug, @gachimushi, @ikrutt, @dunwichdrawsstuff, @mathpope, @bedupolker, @solidagold, @a-beepbop, thenauticalwarlock, @ohpsshaw, @eisly, @juenavei, me, @librivore42, @greedol, @mechabutchzilla, @phanta-friends, @tickfleato, @skelizard, elixer, @espimyte, @noctomnis-art, @bluedotjpeg, @fetus-cakes, @iguanodont, @flame-shadow, @kombuchaclock, @slimekingmike, @crtastrophe, @leona-florianova, @skelebee, @nutspider, @palossssssand, and gachimushi again for the header image to this post
whew! now time to seriously consider a yearlong 72-artist game...
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Drew this for @kaiokentimesten! (can't believe you managed to snag that username XD)
A soft, melancholic Gohan, my favourite kind to draw (and quite timely too...). I really enjoyed doing this commission. :')
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Hamato gremlins
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oh also one thing that i realized just now: qbagi’s initial suspicion over what’s happening to qphil being tied to the federation is technically not wrong
you know what drew qphil’s deities’ interest to him and quesadilla island? the birdcage. rose said in her earliest message ”I could sense the bleeding heart of the one I once knew, far, far away”. the deities noticed qphil had disappeared, and maybe they were curious to know what had happened, but the thing that drove them to find him was rose’s want to help him. and if she really was the one that freed him from the cage (and it’s heavily hinted she was), that birdcage undeniably was the thing that launched all of this into action.
how the enderking figured out that qphil had been weakened? we don’t know, maybe he sensed it, maybe he had already been observing him, maybe he noticed rose leaving to look for qphil, it doesn’t really matter. what does matter is that the trauma qphil got from being locked in that cage is what gave the enderking the perfect opportunity to strike. and is what led us to where we are now in the story. so even thought the federation isn’t ultimately the one tormenting qphil right now, it can still all be traced back to them and their continual abuses of power :)
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Hi hi!! I accidentally spent way too long on this, but the animatic was so good it FUELLED me... Here's a screenshot redraw as a lil gift :] Sorry grian isn't very birby lol
OH HE IS VERY BIRBY WHAT DO YOU MEANNN AHHH I wish i could draw bruises and stuff like you, I totally skimped out on that but ahh this is sick!!! Oh it's so lovely and oh it hurts so much haha. Thank you so much, it's such an honor for my work to inspire anyone, this is so cool!!! AHHHYH your art is so pretty!! I love the colors and Grian's face says it all hnggg
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What do you think gay men are attracted to in men that they can’t be attracted to in women?
It can’t be anything about femininity or masculinity obviously. That’s both sexist, and cultural so can’t be what drives men-only attraction.
It can’t be anything about stated identity because someone could lie just as easily as they could tell the truth in such a statement, and it makes no sense because homosexuality and heterosexuality exists in other species with no stated identities. It’s not like other animals without gender are all pan.
Saying idk it’s the vibes or some indescribable trait men have that women can’t but “I can’t explain” is a nonanswer.
Soooooooo what is it? Or do you think any sexuality but bi/pan is just cultural performance or an identity rather than an inborn orientation?
- [ ]
first off i hate this ask and i think youre a freak. in any other world i wouldve blocked you for this but unfortunately for both of us i actually like this type of philosophy. dont send this shit to anyone else though
i dont think its right to compare human sexuality to the same thing in animals, to get that out of the way. im sure until a certain point it comes from the same biological impulses, but human beings have way more complicated social structures and reasons for coupling that just do not exist in other animals. our social behaviours are what make us unique in the animal kingdom and that definitely extends to gender and sexuality. so theres that
people love to tout 'gender is a social construct' around like its a criticism in and of itself, which i think betrays a misunderstanding about social constructs in general. theyre the foundations we build language on to better understand each other, and affected by a whole host of cultural and historical factors. just because theyre subjective and complicated doesnt mean they arent real. in terms of the effect they have on peoples lives they may be the most real thing that exists
for example, 'kindness' is a social construct. the definition and ways it is enacted differ greatly across personal and cultural lines. but no one would ever suggest a world where kindness doesnt exist or loses meaning, because its an essential part of the way we interact with each other (in the same way i dont really see a world where gender entirely ceases to exist, mainly just one where people have more fun with it. im not a psychic though so who knows)
similarly, sexuality in humans is another social construct. i think the driving biological forces behind it are very real, but the labels people attach to those impulses are subjective attempts to express their inner world to the people around them if that makes sense. and those same biological impulses are ALSO subject to social ideas of gender, because those ideas are established at birth and reinforced over a persons entire lifetime
to use myself as an example, im a gay trans man. ive identified as other things in the past, because i was trying to pick apart feelings i had and express them to others in an attempt to find community. my identity might change as i get older and experience new things, or it might not. i identify as gay because im not attracted to the social concept of women, and someone i would otherwise be attracted to might lose all appeal after i find out they fall under that concept (this has happened before w transfems pre and post coming out lol)
of course, the real REAL answer to this is that trying to give queer identities rigid and objective definitions is a fools errand, and also lame as fuck. someone might identify as gay and be more attracted to general masculinity than men as a social category, maybe they fool around with a couple of butch women without considering themself any less gay. two otherwise identical people might be a butch lesbian and a gay trans man without either of those identities coming into conflict. they might even be the same person at different times of the week
the labels people choose to use are communication tools, not objective signifiers. if you dont understand them, they probably arent talking to you
social constructs are everything. we as humans have the unique ability to interpret our own messy desires and impulses into words that other people can use to form an idea of someone else in their mind. its how we build connections, and of course it isnt perfect because trying to squeeze someones entire personal history and the centuries of context that defined it into a handful of syllables is going to leave some room for error. but its all we have, yknow? so we keep trying. and i think thats much more human than any imposed objective 'truth' could ever be
tldr we live in a society dipshit. get with it
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something based off a silly i found on twitter
based on this
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hey it's nanowrimo. i have tips bc i've done it about 34 times.
Don't edit. Ever. Stop it. If you just decide to start a new project half thru this one with all new characters, no problem. pick up and keep writing as if you'd already written the first half of that.
"but i spelled it wrong" whatever. "but the grammar" whatever. make it exist first. no time for sense. think like you're working on a typewriter. no backspace. only forward go.
Don't re-read further than a paragraph or two backwards. "did i mention the gun before?" listen - it doesn't matter. if you need there to be a gun there, the gun is there. put it back in once you finish the book.
"i forgot the specifics of X thing i already wrote" whatever. change it, make a note/comment to figure it out later, and just write what makes sense for the moment. "no raquel it's legit the characters name and origin" idc that character is now reborn as Claudius from Elsewhere. it's fine.
only you see your mistakes. nobody else knows. one of the ways writing and dance overlap - only you know the choreography. nobody else will know if you miss a step, so just keep dancing and pretend you meant to do it like that.
it's an illusion that you need to write linearly - from point A to point B to point C. Nah; that's just timeline propaganda. I've written a LOT of books out of order and just reordered them once i've finished. if you have a scene you'd LOVE to write but can't get there yet because of plot, just fuckin write the scene. I've always found its easier to establish "point F" "point J" and "Point A" and then wiggle my way between those scenes.
write what you WANT to write. 230 pages of smut? of well-researched discussion on bread? whatever. the point is to strengthen muscles however you can.
if you miss a day, a week, whatever. not the end of the world. we all have dry days. also time is a myth so u can do this challenge whenever u want.
as soon as you try to write for a specific audience, you kill your voice. you are writing for yourself. stop thinking about how people will take ur book. it don't matter. what matter is u, enjoying writing. i luv u.
play to your strengths. i have characters talk so much because i don't know how to write a plot if it kills me but i'm really good at dialogue so.
i love a flight of fancy. write a poem in there. shift tactics and write in code. keep it fun for yourself.
see what happens if you shift something major about ur main characters - gender, wealth, superpowers. or if you change point-of-view. or if you kill everyone in a big explosion. do NOT edit anything before this or after it. often these little weird one-off exercises teach me what interests me about what i'm working on. it is never what i thought. plus it is a fun way to add like 1k words.
stretch.
it's for fun and for practice. stop doing that project if it's giving you anxiety. once my nano was literally 50k words of half-started stories. just things i tried and tried and tried and wasn't able to flesh out. oops. but i am now 50k words of a better writer.
add dragons?
read books/listen to books on tape/etc. people often make the mistake of "buckling down" to just write. you need inspiration. you need to like. fill up on words. you need to remember how it feels to lose yourself in a story.
i don't have the time or space to really talk about this in this post but a lot of creative people turn to drugs/alcohol because it can help you be more creative. this is harmful, and walking a blade that only cuts deep. if you notice you and your loved ones are turning more to substances, please know i love you and i hope you are able to get help soon. i feel like this almost never gets mentioned because it's kind of a hazy underbelly to art. you are always more important than the work.
on that note. drink your fukin. water.
don't talk about a story until you've finished it. once you tell the story, it exists already, and isn't about discovery. i usually have a very canned "haha we'll see" response.
grapes :) tasty snack.
i love you be free.
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also I know I’m strolling in seven years late to Horizon’s representation problems but I feel like these games are an instructive example in how the liberal imagination understands “good representation.” the game seems to take a lot of care in demonstrating (what the developers understand to be) a fully post-racial society by way of universal racial integration - every society or ‘tribe’ or group of people you encounter is almost uniformly racially diverse. Being generous, I think this is an attempt to avoid any possible racist implications in the fanciful costumes and outfits that Horizon is known for; there is a lot of focus in representing the different people of Horizon’s world through what they wear. You can immediately tell an Oseram from a Carja, not by their racial makeup, but by their clothing. This means that, if you meet a particularly ‘savage people’ (a term characters in the game use semi-frequently) who wear ‘exotic clothing’ and face-paint, the diverse racial makeup of the group prevents (or is intended to prevent) a racist conclusion about that group.
Likewise, the game presents a world free from systemic homophobic prejudice - Aloy is notably gay, but also her asking people about their partners, or assuming other people around her are gay, generally passes without comment. Horizon is presenting a fully ‘integrated’ social world, one whose conflicts are not meant to map onto ‘modern-day’ racism and homophobia.
But the underlying logic and structure of racism and homophobia (and binaristic, oppositional gender) are left intact. Humanity in Horizon is still presented as fundamentally separate from nature, moving overtop of it, extracting what they need from it, but never part of it as such. And this construction of nature as separate from “man” is not problematised, “man” just gets universalised into “human,” and “human” gets universalised into a non-racial category. This is completely side-stepping the history of this construction of nature as a white supremacist, colonial, capitalist construction, an understanding of nature as something colonial Europe is meant to hold dominion over through the dehumanisation of non-white, non-European people, converting them into non-human labourers and pests who live atop the land Europe is attempting to colonise and enclose. “Nature” in the modern western understanding is a fundamentally racial concept; nature is a ‘scientific, rational, biological’ container meant to house everything non-human about the world, an object to be studied and exploited by the one true subject of history, Mankind - and who is considered part of mankind is a question of whether you belong to the white European ruling class.
I think Aloy in particular represents this problem well - her access to and understanding of pre-apocalypse technology makes her universally suspicious and dismissive of any religious or ‘spiritual’ beliefs she encounters in other groups, frequently getting into reddit-atheist-adjacent quibbles with the ‘unenlightened,’ ‘primitive’ people of the world about the fact that the machines that harvest food for them and take care of the land are not gods, silly, they’re just machines! Her only real counterpart in terms of technological understanding is Sylens (a Black man), who is an antagonist. Like despite the game’s attempts at neutralising race as a coherent category, it is kind of unavoidable to notice that the protagonist is a white woman who’s only equal is a Black man engaging in constant deception for his own benefit lol
And Aloy’s anti-religious sentiments are deeply funny, because the game’s narrative itself has a theological relationship to technology - humans destroyed the world with technology, yes, but salvation of humanity is only possible through technology, specifically a globe-spanning technological system meant to be an environmental steward to the planet, repairing the damage caused by previous technological catastrophes and human wars. Human beings themselves are insufficient to the task of taking care of the planet, and “nature” itself is incapable of self-governance or regulation. And the way this technological system is made to function properly again is, hilariously, unlocked through the genetic code of a white woman, a perfect clone of the technological system’s original creator. the solution to Horizon’s central conflict and threat is, ultimately, a white saviour
And so the appropriative elements of Horizon - calling the Nora ‘braves,’ the abstracting of hundreds of north american Indigenous cultures into mere aesthetics and symbols, the invocation of words like savage and primitive, and so on - are not surface-level problematic elements of an otherwise anti-racist game, they are indicative of a liberal anti-racist imaginary, a place where we’re all equal human beings whose main problem are vague sectarian grudges, without looking at or dealing with any of the underlying ideological frameworks that produced race or gender in the first place.
So I think Horizon is, despite attempts to imagine a post-racist world, nonetheless very limited in how it represents this post-racial world because it understands racism as prejudice against particular phenotypic characteristics, not an underlying logic that renders “nature” and “human” as fundamentally racial concepts in history
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remember how when saiki was crushing on satou and wanted to talk to him, instead of yk.. actually talking to him, he found out all of his interests and displayed his own interest in those things in front of him to try to get him to notice him??
yeah, now imagine him doing that when he has a crush on anyone else..
hes such a silly and awkward teenage boy i love it, like buddy you CAN just talk to your crush, you dont have to try to get him to "notice you.." but hes too silly and awkward so thats like the most he would ever do and would still probably think that that counts as flirting
im just... wondering about how saikis terrible silly flirting tactics would translate if his crush was on one of his FRIENDS.. like someone he could actually be around and would see and talk to him.. would he just like be trying to impress them ?? moving toward them more ?? adopting more of their mannerisms and interests maybe ??
imagine that like EVERYONE in the group would notice it, but it wouldn't be like "omg saiki is flirting" it would be more like "omg why is saiki being extra awkward and talking more" because hes so painfully unclear about his intentions but hes usually so quiet and unassuming that this would be such a stark contrast to his usual behavior...
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