barry norris making u cockwarm him with ur mouth under his desk ♥️

teehee. i wont him. ps counting this as a kinktober post bc i can!!! happy halloween yall <3

Barry Norris x GN!Reader

WORD COUNT: 386

WARNINGS: nsfw, cockwarming, oral (amab recieveing)

This is how it always went. He’d have you crawl under his desk, spreading his legs as he pulled his cock out of his slacks with a smug grin, and make you suck his dick. Sometimes you’d be forced to keep your own pace, bobbing your head for hours until your neck got a crick in it. Other times he’d hold your head still while he used your mouth, getting out his frustrations of the day. But then there were times like this, like right now, where he just wanted you to let him feel it. He wanted to feel your throat constrict around him, feel your weak attempt at swallowing around his cock, feel the drool slip down his dick as you waited patiently for the go ahead. For some strange reason, this was your favorite. 

“Right, well, I’ll need those papers filled back out and then on my desk. Mhm,” Barry continues to drone on and on into the phone, head leaned back. If anyone walked past, they’d see him hard at work. Unbeknownst to them, however, was the fact that you were tucked away under his desk, your lips wrapped around his cock. You stare up at him through your eyelashes, unmoving, swallowing around him as drool fills your mouth. 

He casts a glance down at you, the corner of his lips twitching in appreciation at your obedience. “Yes. Alright, you have a good day too. Bye.” Barry leans forwards as he hangs the phone up, pushing his cock a little further down your throat. You gag slightly, throat constricting around him, and he lets out a small hiss. “Fuck, there you go.” He grins, sighing as he leans back again, legs spreading wider. “Surprised you were able to hold back during that phone call.”

Rolling your eyes you pull off of him, swallowing back the precum and spit that had collected in your mouth during the last twenty minutes. “It was difficult considering you kept shoving it down my throat towards the end.”

“Yeah, well,” Barry grins, reaching down and wiping the spit off the side of your mouth with his thumb, holding your chin. He grins, his smile sending a shiver down your spine. “With a throat that good… you’re lucky I didn’t make them listen to you gag on it.”

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not romantic not platonic but a secret third thing [what would happen between earth and the moon if the earth stopped spinning as illustrated by xkcd randall munroe]

maya angelou saying the funniest thing anyone has ever said about editing, which i can never let myself forget EVER AGAIN [x]

No single line has ever wrecked me as hard as this one from the Good Place and I think about it constantly

There’s that post that’s like ‘everyone should get into a tiny niche fandom at least once’ fully agree, that was really fun -- but I would like to add that everyone should get into a fandom where their opinions run counter to major fanon because it really teaches you about sticking to your guns and trusting your interpretation of the text without having to rely on peer validation

because WHAT are people talking about sometimes

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

more dragon

some kind of au....

not that we didn't already Know belos was full of shit, but it's even funnier knowing the titan was still alive the whole time and probably judging him

identity reveals are always fun

hello sailor

"aphobia doesn't exist"

bitch literally not that long ago an aroace youtuber animator was insulted by almost half of its community for being it

beautiful! majestic!

tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

best scene in the prequels is when anakin and padme have just landed on naboo & padme goes “hmm being a childqueen might’ve fucked me up a bit” and anakin, former 9yo slave separated from his mom, confronted for perhaps the first time with the idea that childhood trauma effects you later in life, goes “nuh uh”