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eyrieofsynapses · 6 months

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why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags???#new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

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tradingjack · 6 months

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These were the concept pages I drew for my original writer in the @vashwoodbigbang event! Unfortunately they have disappeared on me 😅 and also bc god hates me I guess, the day I was supposed to post these, yesterday, saw me dealing with first a wifi outage and then a whole electricity outage so. That was fun lmao

Details about the drawings below since. I don't know if my writer will ever post the story, unfortunately 😔

So this was originally coined as a stardust au! I believe it was primarily based on the movie that came out in the 2000s (?), though I believe my writer was familiar with both the movie and the book it was based on. Honestly, it doesn't pull much at all from the story itself, just the general concepts of stars.

In this version, Vash is a star, and he decides to try and find his long-lost siblings (Knives and Tessla). In his search, he comes across a planet he hasn't visited before, and while he's descending to it, he's shot down by something mysterious that causes him rather permanent injury (not new; I believe he'd already lost his arm previously and he has all his scarring from travels to previous planets, this specific technology is just new to him).

He manages to crawl some distance from the resulting crater and is rescued by the odd pair of anthropologist Milly and journalist Meryl, who are tracking fallen stars on their planet in order to research them. Vash is horrified to learn that stars on this planet are rather brutally searched for and used for their power, so he tries his best to keep his real identity as a star secret.

In the next town, he learns about Star Cultists, who are the leading experts on stars. Our dear Wolfwood is one of them, and though he's a priest under the head of Chapel, he seems pretty jaded about the whole thing. He also spends some time poking fun at their visitor Vash when he stumbles on the doorstep of the church.

Unbeknownst to all, Chapel is the one who shot Vash down, and he suspects Vash is his target. When Vash, Milly, and Meryl skip town, Wolfwood is ordered to tag along with them against his will, and he begrudgingly forces himself into the group with his usual grace lol.

Through some shenanigans, including an interesting fight with Livio/Razlo who is a martyr (a human who ate at least part of a star and became consumed by it), the group all grows closer to each other. Naturally, Wolfwood and Vash hit it off with their usual ideology clashing and homoerotic team fighting. The tension comes to a head when both of the boys are drunk and attempting to stumble somewhere after getting kicked out of the bar, and with the help of liquid courage, Wolfwood admits to Vash that he's what's known as a "Star Eater:" a human that has consumed part of a star, and by some genetic luck, isn't consumed by it and instead gains some superhuman abilities so long as the magical tattoo (i forget what it's called off the top of my head fuck) that forms around the presenting star isn't broken.

Vash is understandably horrified. Wolfwood is confused by Vash's rejection bc he isn't aware Vash is a star; he's under the impression Vash is just some very talented guy Chapel really wants to feed a star shard in the hopes he becomes part of their superhuman cult.

Vash sobers up and manages to drag a very drunk and eepy Wolfwood to their hotel.

The next day is the turning point; the star cultists, including Chapel, catch up to them and confront Vash. Wolfwood has to learn very quickly that he'd been Wrong and Vash, in his panic, flies to where it feels most safe; the city's Star (storage area?? Idk). He ends up cornered there and, in his panic, accidentally goes nuclear trying to escape and blows up half the city in a column of flame. While he's barreling across the desert in an attempt to get away, he's trapped by a net the star cultists set up, made of the same shit used to shoot him down at the start, and he can't escape it on his own.

Luckily he's found by Wolfwood first, who's decided he owes it to Vash to try and fix his fuck up, and using his superhuman healing, he manages to free Vash. Both are exhausted and ultimately rescued by LR, who's been tailing them.

Tbh my memory's kinda foggy... my writer only managed to share up to that first LR fight, so I don't remember exactly what's supposed to happen between here and the fight at the orphanage?? I remember Vash somehow finds out what happened to his siblings (a hella long time ago, Tessla was consumed by the people of the planet and Knives, in his rage, fuckin just annihilated everything, turning it into a desert planet, and has been laying dormant for the most part since then) and also we learn that martyrs gain better control of themselves, and the crystal growth consuming them stops, when in proximity to enough additional star power. Vash, as a star himself, allows LR to easily think as they did before they ate a star shard when in close enough proximity.

Anyway, fight for the orphanage, Vash shows up in time to see Wolfwood getting his shit rocked and his magical tattoo (I'm so annoyed I can't remember what it's called. My mind is supplying sharingan and i know that aint it) shattered by Chapel, who accomplishes this by running Wolfwood through with his cane. Vash, believing Wolfwood's dead (bc like. Lmao it's pretty hard to live getting impaled, like, fully), loses his temper and basically obliterates Chapel. He moves on from Wolfwood's body to try and dismantle the entire Star church so Wolfwood's orphanage can stay safe. In this process, he confronts a Doctor Conrad, who was behind the whole thing, the remains of Tessla, and somehow Knives?? I think Knives, sensing Vash's anguish, just tried to fuckin nuke everyone, and Vash stops that. I feel like Knives dies in this process somehow... I think it was by saving Vash from something Conrad made??

By the end of it, Vash is wounded and exhausted, and ends up being saved by Milly and Meryl, I think.

When he recovers, it's to find he's lost his ability to leave the planet; while still functionally a star, his power has greatly diminished, his hair is black, and he can't even hide his wings anymore. Last I knew, my writer was actually merciful and let Wolfwood live! Albeit as a martyr (thus the wolf form with the uncontrolled star shard bursting out of the hole in his chest you can see on Wolfwood's page lol). Luckily he's got Vash around, so he gets to keep his mind, if not his human form.

With Knives dead and the star cultists mostly dispersed and no longer able to fuck with the planet, the story ends with our characters getting to experience rainfall on the planet for the first time in centuries.

.......

I like the story :P I imagine it'd be a lot better written out in actual novel form by the person who'd actually thought it up than my shitass, too-long summary lol.

Honestly my writer was communicating up until like, a month ago?? And then they just.... disappeared :/ which is weird bc I checked with my mod for this event (shout out to mod sana, @pushclouds, you're an amazing mod and I appreciate the heck out of you) and they submitted literally every check-in. Honestly I'm more worried for them than anything, if anyone knows what happened to @lohikaar I'd appreciate anything you can tell me. I hope they'll publish this story whenever they can, I'd still love to read it in its entirety.

Additional shout-out to @priellan for beta-ing the story they shared with us, and for overall being a super supportive team member :D

Also they did assign me a pinch hitter writer since we have no idea wtf happened to my original writer, so I'll be doing more drawings :D priellan agreed to beta for them too, which I'm super happy about! And thanks again to mod sana for your hard work and arranging that so quickly!

An admittedly strange first big bang experience, but I don't think it was overall bad, and I'm excited to work on more stuff with my new writer :D if you read this far goddamn. Thanks lol. See you again for sure on January 1st! (I'll try to post other shit between then and now hopefully)

#vashwood big bang #my art #stardust au #man im. idk. it really feels like the universe was against me on this one but fuck the universe I'll do what i want #i deserve to make silly little drawings of queer silly little guys. i think ive earned that this year. good god #anywayyy will be making more #and fr like. if aster does see this im not angry! im not even really disappointed i know shit happens #really i'd just like assurance that you're alive and well at this point 😅#feel like we've been through some real scary stuff this year #trigun #fanart #primarily based off trimax tbh #still plugged a lot of christianity into this one dont worry #vash the stampede #nicholas d wolfwood #werewolf??? ig????? it's not technically a werewolf but also shit dude i was looking up werewolves as references so #vash x wolfwood #ik there's really none in the drawings but that was a focal point of the story #which the concept pages are about

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