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#i hate when people try to tell me i didn't do it right
redtsundere-writes · 3 days
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sukuna and servant!reader is so good!! looking forward to rescue more of them <33
Eyes On Me | Sukuna Ryomen
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king!sukuna ryomen x femservant!reader
Sypnosis: Uraume can't play chess with the king right now, you must step up. Contents: Obsession, pining, kinda fluffy, mentions of blood and body parts. Uraume uses they/them pronouns. Word Count: 2404 words. Author's Note: I love writing this ship. People have been asking me to make this a series. I'll try my best lol I think you can still read them individually, but there's a preferred order.
Beginning. ← Previous |
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Sukuna hates humans. It's a fact of life. The sky is blue, roses are red and Sukuna hates the disgusting creatures that humans are. He has so many reasons to hate them that he doesn't even know where to begin. Humans are annoying, weak, clumsy, but most of all, stupid. They make decisions without thinking through the consequences. They prefer to spend their money on temporary pleasures and end up bankrupt by not prioritizing their survival. They worry about unimportant things such as social status, religion, and traditions. Sukuna hates humans, but boy, are they entertaining. 
Sukuna tends to study his servants very carefully. Even though they only clean, cook and obey his orders to a tee, it was fun to watch them interact with each other. He finds it fascinating how the servants gossip in whispers, how the gardeners concentrate to prune the bushes well despite their hands shaking, or how the cooks taste the food several times so that it’s up to their majesty's standards. It was like watching dozens of filthy lab rats in the middle of a social experiment. Although… There was someone special he loved to watch, no matter what they were doing. 
You had finished all the chores for the day and decided to help the cooks prepare dinner because you had nothing better to do. Your muscles were exhausted from having spent all morning cleaning the porcelain sculptures, the large frames of the paintings in the great hall, and the king's jewelry so they could sparkle in all their glory. You had been assigned the task of peeling potatoes, so there you were. Sitting at a table with a small knife, peeling potatoes while listening to the chaos going on in the kitchen. Uraume was busy preparing a special passion fruit tea for the king. The special coming from the water that was inked with human blood. Sometimes you wondered if Uraume had always agreed to cook with humans or was it something they got used to because of Sukuna's orders, but since they never talked about themselves, you never asked. 
“Fuck!” A cook yelled when the frying pan caught fire. 
Your eyes widened at the flashy flare. Uraume put the tea set aside to attend to the emergency. With some ice from their magic hands, they put out the fire in a jiffy, but left the kitchen a mess. They began to berate the cook with smacks in the head and curses for his ineptitude. The cook just apologized over and over again, but that wasn't enough for the head chef. 
“You!” Uraume called. You put your task aside to attend to their orders. “Take the tea to our king and tell him I will be with him when I settle this situation.” You nodded and took the tray carefully to go in search of him. 
After Sukuna gave you permission, you entered the library with the golden tray in your hands. The library was the coziest room in the entire castle. Its high walls were covered with huge bookcases filled with books, maps, and scrolls. There were long desks of works and hundreds of candleholders everywhere to enjoy reading during the evenings. He was sitting in one of the comfortable chairs in front of the game table, a small wooden table with a chessboard on top. The king was surprised to see you there despite having specified Uraume's presence. 
“I didn't ask you to come,” Sukuna said chidingly as you served him tea at a small table next to him. 
“Uraume had to attend to an emergency in the kitchen. They'll be here once everything is under control,” you replied as you set down the fragile cup of blood tea, adorned with small pieces of eyeball floating on the red surface to give it texture. 
Your gaze traveled to the chessboard, it had been a long time since you had seen the king playing. You knew from the other servants that he was a good player and only plays with Uraume or some brave guest. This was no ordinary board. You could see that each piece was handmade and had luxurious detail. The pieces were made of white quartz, the eyes of the horses were rubies and the crowns of the kings were made of jade. It was the most beautiful board game you ever saw. 
“Do you know how to play?” Sukuna asked out of curiosity. 
Being a servant, you surely had not received the same education as he did. Well, almost no one was on his level when it came to education. Sukuna was a master mathematician, a skilled debater and could threaten his enemies in 5 different languages. You hadn't been as lucky. You're good at cleaning, cooking and taking orders, but what else can you do? 
“Yes,” you answered with a smile. 
That answer surprised him quite a bit. Although chess was a game that was rapidly gaining popularity among the middle class, it was not a game for women. It was a game that required intellect, always thinking two moves ahead and knowing how to read your opponent. You didn't look like a girl who could do all that. 
“Sit down,” Sukuna ordered you. 
“I warn you that it may be a short game. It's been a long time since I've played,” you warned him as you sat down. 
Sukuna watched you with great attention. Your eyes scanned the board as if it was the first time you had ever seen one, your hands rested gently on your thighs and you smiled nervously. You may have known the rules of the game, but you didn't know how to play. The king took your word for it. 
“Ladies first,” he asked you to start.
“My pleasure,” you said as your dominant hand moved over the pieces to decide what your first move would be. 
Your father had taught you how to play. He always wanted a son to inherit the family business, but your mother only kept giving birth to women, so he had to resign himself to you. Your mother taught you how to be a lady so you could get married as soon as possible and your father taught you about the business so that your future husband wouldn’t take advantage of the family money. You used to sit in front of the wooden board and talk for hours after dinner. Your father may not have been the wisest or the most astute man, but he had left you a very important lesson: Always look people in the eye to know their true intentions. 
This was one of the few times you came face to face with Sukuna. Because of his title as king and the great difference in height, you were always beneath him, physically and psychologically speaking. You were a simple human, while he was a king with the power to get rid of whomever he wanted with a simple movement of his fingers. Although his presence made you feel vulnerable, you didn't resent him. You had a relatively comfortable life serving him, but sometimes there was a need for you to show him that you were more than a servant. This was a good opportunity to do so. 
Sukuna's eyes were not on you, they were on the board. His gaze denoted boredom. He was waiting patiently for you to make the first move. If you waited a little longer, maybe he would yawn. He overestimated you, you had to use that feeling against him. You moved a pawn to the C4 square, a common move among beginners.
“Finally…” He said in a monotone voice before quickly moving the knight to the F6 square. 
Each of you took turns to move the pieces quietly as time went by. You took your time with each move, while the king only needed to look at the board from time to time to know what to do next. You could take all the time in the world, but he would still eat all your pieces. Even though it didn't seem to be an interesting game, you could at least keep up with him. Sukuna's queen advanced towards yours, standing face to face. One false move and your king was in trouble. 
“Check,” you said as the queen retreated two squares diagonally, leaving her free to begin the attack on the king. 
At that announcement, Sukuna woke up from the trance he was in to concentrate on what he was doing. He smiled with satisfaction as he noticed the change in your body. Your hands had relaxed, your back was straight, and your eyes were glued to his. You knew exactly what you were doing. You didn't need to tell him verbally that you would destroy him at his own game, your eyes told him clearly. It was as if you were dissecting his soul bit by bit until you left him completely naked.
Your hands were interleaved with each turn. You moved quickly as you realized that Sukuna had already noticed your active presence on the board. Sukuna returned the queen to his side. An interesting move. It was wise to know when to back away, but you noticed one thing in his eyes. He had no plan, he just acted based on his understanding of the game. He moved like in real life, using only his killer instincts. 
“Check,” you announced again by moving a knight up. 
“Not so fast,” Sukuna told you before taking the horse that was threatening his king using a queen. You smiled as you saw that his majesty had fallen into the trap. By moving his pieces like that, Sukuna had fully exposed his king. 
“Checkmate,” you announced the end of the game as soon as you moved the white queen close to the black king. And only then, the poor maid defeated the almighty king. 
“Well, well...” Sukuna sighed in awe as he looked at the board with extreme curiosity. He couldn't be mad at you. He had let his guard down. You were playing even before the game started. 
There was someone special he loved to watch, no matter what you were doing. Sukuna would always hyper fixate on you whenever he noticed your presence around him. You could be cleaning, chatting with your companions or eating some dried fruit in the garden, and he would still only notice you as if nothing else in the world existed. You were the most interesting human he had ever seen. Sukuna tried to look for a logical reason for his obsession with you, but he couldn't do it. You looked like a simple being with clear goals, but he was sure you were hiding something behind your perfect facade. 
Someone knocked at the door. Sukuna sighed, he wanted to be alone with you longer, but now was not the time. Uraume entered the room and was surprised to see you sitting with his majesty. Something strange had been going on between the two of you for months. They had even debated the idea of asking the king directly about you, but hadn't worked up the courage to do so.  
“There was an inconvenience in the kitchen. Sorry to keep you waiting, your majesty,” Uraume bowed in apology. 
“Lucky for you, you sent a good replacement,” Sukuna said before smiling at you in satisfaction. 
Uraume instantly understood just by glancing at the board. You had beaten the king, something even they could not easily accomplish. They could tell that he was looking at you like no one else. It wasn't a look of disgust or boredom, it was a curious look. Like that of a child looking at a group of kids playing in the playground, wondering if he could come over to play with them. 
“If you'll excuse me, I have to go,” you said as you got up to give the seat to Uraume. “Good game. It was a pleasure to play against you, my king,” you bowed. 
“Good game,” Sukuna whispered so you could leave the room. 
Sukuna and Uraume started a new game as soon as you returned to the kitchen to peel potatoes. They quickly noticed that something was occupying her majesty's mind. Their white pieces were eating his black pieces easily and his moves were slow compared to previous games. Uraume could tell that the game against you had changed the way he played.
“What do you see in her?” Uraume asked him after a move. 
“Am I too obvious?” Sukuna asked them before getting up from his seat to start prowling around the library to clear his mind. “What do you think of her?” He asked her as he stopped in front of the window to admire the land. The large green lawn stretched all the way to the intimidating entrance of his wonderful castle. 
“She is a dedicated servant and a perfectionist. She does all the chores in a timely manner. She is as good a servant as any other. The real question is: What do you think of her?” Uraume asked as they watched him from their seat. 
“She has potential.” 
“Potential? Potential for what?” Uraume arched their eyebrow at the confusing statement. 
“She has the potential to become a queen,” Sukuna replied confidently. 
Sukuna Ryomen was known among the kingdoms for being an unorthodox king. Not only because he took kingdoms left and right as if it were nothing, but because he has a strange way of ruling his people. He did not care about social classes, behavioral labels or unwritten codes of human coexistence. Everyone was inferior to him regardless of gender, race, or religion. He was the god of this new world and everyone had to obey him, just like that. 
The fact that he wanted to have a queen went far beyond just following the established patterns of classical monarchy. Sukuna must have a reason why he wants to have a queen other than just because, but there was a more important question on the table. 
“Your majesty, you can get any woman you want. You can get a beautiful woman, with more training and presence, why would you settle for a servant?” Uraume asked in confusion. Sukuna smiled. It was a good question. 
“She has something much better than that,” he answered before continuing the game as if nothing happened. Uraume looked down to see that Sukuna had checkmated them.
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Author's Note: I poured my poor knowledge on chess for this lol I hope it makes sense.
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killerlookz · 18 hours
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Olive Green Couch | Spencer Reid
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description: when your best friend drags you to a party to meet a boy she's been fawning over, you find yourself completely bored and unimpressed- good thing you've stumbled upon a strikingly handsome (yet awkward) young graduate student named Spencer who seems equally as unhappy to be there to share your misery with.
pairing: grad school! spencer reid x f! reader
content: uhh mostly fluff, drinking, reader is described as wearing a mini skirt and wearing high heels.
word count: 4,242
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If I have to hear one more Weezer song I'm going to be sick. You think as the slow drums of Undone pour out over an all too expensive speaker system for a frat house.
The MIT frats were nothing like you experienced before, they were- for lack of a better term- a complete and utter sausage party. You can't remember the last time you'd seen this many men in a single room. If you weren't so bored maybe you would appreciate this as a reprieve from the usual maintaining "ratio" of the state school frat parties you'd been to. But even now you'd prefer that if it meant you wouldn't have to deal with another sloppily drunk man explaining the plot of The Hitchhiker's Guide to the Galaxy to you. Rich, pretentious, too smart for his own good MIT frat guy or dude-bro, alpha male, business major state school frat guy- it didn't matter; they were the same side of the same misogynistic coin.
You look down at the shot-glass sized solo cup in your hand, staring at the clear liquid inside. Maybe just one more shot and you'd finally start to enjoy the state you were in. You hoped maybe six shots would be the perfect number of drunk to enjoy yourself. You screw your eyes shut and throw back your head as you lift the cup to your mouth. The cheap vodka burns the second it touches your tongue, and you wince as you feel it travel down your throat and to your stomach. Your body shivers involuntarily as the warmth in your belly grows.
You face forward again, looking across the living room for your best friend- the one who dragged you here in the first place. You had suggested bar hopping or trying to get into a club, you didn't buy her a fake ID for no reason. But she insisted on coming here instead. Here- to this sweaty house filled with... well... dorks. She came here looking for some guy- Michael... Matthew... Miles.... shit, you couldn't remember. It didn't matter, you were here now, and she had ditched you to fend for yourself.
You take a step forward and all the alcohol you had drank prior seems to hit you a once, "Woah" You can't help but say out-loud as you catch your balance and wait for the room to stop spinning.
You take a few more wobbly steps forward before acclimating to your new, tipsy state. You make your way through the dimly lit house, trying to find your friend amongst the crowd and rowdy conversations. Observing the bodies that populated the house you suddenly felt insecure, and insanely overdressed- why was everyone wearing jeans and a t-shirt? Maybe a mini skirt was the wrong choice for tonight.
You make your way to a back room of the house, occupied by maybe only 10 people by your inebriated brain's estimate. There's an ugly looking olive green couch in the middle of the room- it' had obviously been through a lot but and you hated to imagine what had happened on that couch over the years, but right now it looked like the most comfortable thing in the world. You walk over and plop yourself over onto the couch, the cushions having a lot less give than you expected.
The beginning riff of Someday by The Strokes plays just outside of the room, and you groan- turning to the guy who you had just realized was sitting next to you.
"Do you know who's Dj-ing this fucking thing- can you tell them to play some Britney or something?" The words fall off your tongue, sloppily.
The boy sitting next to you turns to look at you, a confused look drawn upon his face, "Huh- me?"
Shit. He's kind of cute- In a dorky sort of way. His brown hair is perfectly unkempt, and small curls form at the back of his neck. His jawline is sharp, and his hollow cheeks accentuate his prominent cheek bones. His eyes are dark, and he looks a like he hasn't slept in years- you figured with the workload MIT students probably have- it would make sense if he actually hadn't slept since getting there. Truth be told, all things combined he looked a little sickly- he was obviously lanky maybe scrawny was a better word- his button up shirt seemed a little ill-fitted for his body, and his tie poorly tied. Still- you couldn't help but notice he was hot. The first hot guy you'd seen all night.
"Yes, you, pretty boy." You smirk.
His face reads as even more confused upon your clarification.
"Oh um," He looks down at the half-drunken beer that sits between his legs, shakes his head before looking back up at you, "I-uh I don't know the DJ, and I- um, also don't know who Britney is." He responds, a small nervous tremble in his voice.
"Spears?" You let out a small laugh, "You know like- Hit Me Baby One More Time." You half sing.
"Oh-" He looks off to the side, "No" he faces you again.
"Go figure," You scoff, still, keeping a smile on your face. "Say- are you in this frat?"
He shakes his head, "Oh- no, I'm a grad student."
"A grad student?" You respond, your eyes widen in shock no shot the man you were looking at right now was any older than you. "How old are you?"
"21" He responds, almost nonchalantly- like it wasn't some insane feat. "Well," He clarifies, "I'm actually in my third graduate program, I already have a PhD in mathematics and chemistry, from Cal Tech. I'm working on my engineering one now."
"Jesus," You smile, "So what, you're like some sort of genius, huh?"
"Well, I don't believe that intelligence can be accurately quantified- but I do have an IQ of 187, and an eidetic memory, and can read twenty thousand words per-minute."
You stare at him in awe for a moment, "So, a you are a genius?"
He gives you a small smile in response, "Yeah- I guess." He nods.
You're suddenly intrigued, only twenty-one years old and already a doctor twice over.
"So what brings you here Doctor...uh..."
"Reid," He nods and presses his lips into a line. "Oh! But, don't call me doctor you can call me Spencer."
"Well then, what brings you here, Spencer?" You correct yourself with a smile.
"My friend- uh he wanted me to come with him, he's meeting some girl here and he didn't want to go alone. I kind of got dragged along."
"Well," You grin, "It must be fate that we're here together on this ugly green couch, because if you could believe it- I'm here for the exact same reason except my friend- she's uh, meeting a guy here."
Spencer takes a small sip of the beer he had been holding, wincing as the liquid touched his lips. You figured he probably wasn't much of a drinker, he probably had things much more important on his plate than getting drunk and partying.
"Not much of a partier?" You ask to confirm your suspicions.
"Mhh," Spencer hums, mouth still full of beer, he shuts his eyes tight as he swallows thickly. "No." He shakes his head violently. "What gave it away?"
"Oh!" You bite your lip... "Nothing!" You say, innocently, voice steeped in sarcasm.
"It's okay," He laughs, "I know I look like a dork."
His laugh is infectious, and you can't help but smile in response. And Damn- he's really cute.
"Oh! Don't say that," You swat your hand at him, "I'm sure you get tons of ladies."
Spencer tilts his head to one side, in obvious disbelief of what you just said,
"I don't really appreciate the sarcasm," He says, his eyes narrowing at you.
"Sarcasm?" You pout, "No- I mean it Spencer, what you're like a genius. And I mean- you're not bad to look at," You bite your lip, "Not at all."
Spencer shook his head, "I was a child prodigy in a Las Vegas public school, and until now, I've always been way younger than everyone in college- my experience with girls is practically in the negatives."
"Oooh!" You smirk, "Vegas," You raise an eyebrow.
"Mhm," He takes another sip of his beer, his face more relaxed this time.
"You think I'd make a good showgirl?" You wink
"Oh- um," Spencer is suddenly blinking rapidly as his head scans you up and down. You can't help but feel a little bad at the way you have him flustered,
"I'm kidding! You don't have to answer that." You reassure. "Negative experience with girls, hm?"
"Yeah- I-uh, I haven't even had my first kiss yet." He says, looking down at his lap, refusing to make eye contact with you.
"No?" You say, still shocked, even given his prior explanations of his experiences with women, "Well..." You start, pausing for a moment, "If you ever want that to change let me know." Maybe that last part was meant to be a joke, but truth is you kind of really hoped he said yes, right there, right now.
"What?" He looks back up at you, eyebrows furrowed, "No- I don't need a pity kiss. I don't even know who you are."
"It is not a pity kiss, and I'm y/n, I go to UMASS, the Boston campus- like 15 minutes away. I'm 20, and uhhh... Well, the rest you can find out later." You wink, "Now you know me!" You smile, perking up from your spot on the couch.
"Well- uh. Nice to meet you y/n" He gives you an awkward tight lipped smile. "Are you- um- enjoying your night."
"God no," You scoff. "Does that make two of us?"
Spencer nods, side moving his eyes to look around the room. It had gotten significantly more crowded since you'd came in here, you hadn't noticed, you'd been too focused on getting to know Spencer that you kind of forgot you were at a party to begin with. It didn't seem to matter now anyway, you were intrigued beyond belief and wanted to know more about Dr. Reid.
"So, why'd you leave Caltech? The weather is certainly a lot nicer than it is here," Your body physically recoils at the thought of having to go back outside to the brisk New England fall after the party was over.
Spencer shrugged, "You can only get so many degrees at one place before you need a change of scenery. I've been at CalTech since I was like- fourteen."
"Fourteen?" Your eyes widen, thinking about what you were like at fourteen. You certainly weren't CalTech material, that's for sure. "When did you graduate high school?"
"1993," He smiles and nods, "Twelve years old"
Spencer had a charming humility about him, he was the smartest person you'd ever met but he spoke in a way that made it feel like it was every day that someone could graduate high school at 12 and have two PhDs by 21.
"What do you plan on doing after college with that pretty head of yours?" You ask, your slightly intoxicated brain unable to stop you from instinctively reaching out and fluffing his hair. Spencer's eyes flick up towards your hand and he gives you an awkward smile paired with a small laugh.
"Well- I uhh... I've been in contact with this guy- well from the FBI, the BAU... Behavioral Analysis Unit. We came into contact after my second dissertation, he was shocked at how young I was, having done so much- he suggested I come to the academy when I was done with this one." Spencer explained, he talked in a way that made him seem unsure of himself, like he, himself didn't fully understand how it happened.
"God," You muse, "The fucking FBI? Could you get any cooler?"
"You know," Spencer remarks, "I think that's the first time anyone has ever used to word "cool" to describe me." The tone in his voice is light, it's clear he's happy about that fact, but you can't help but feel your heart break at the statement.
"Cool even sounds like a little bit of an understatement to me. But you know... I think I'm a little too intoxicated right now to think of a synonym, so cool it is!"
"Do you have any plans for after college?" Spencer asks, nervously running a finger around the rim of the glass in his lap.
"Nothing as cool as the FBI," You shrug, "Actually, nothing concrete, really. Has me feeling a little inadequate in a room full of geniuses."
"Oh trust me," Spencer scans his head around the room, "Not all of these guys are geniuses."
"Well- they're complete nerds at the very least." You giggle.
"I think I qualify as a nerd too." Spencer smiles back.
"Oh you definitely do," You say, scooting closer to him, taking the beer glass out of his hand, "But you haven't tried to talk down to me about some movie everyone's seen, or some album everyone's heard like I'm some dumb idiot bimbo yet." You huff, finishing what was left of the liquid in the glass with a single gulp. You slam the cup down on the coffee table in front of you, "And even if I was a dumb idiot bimbo- what makes them think I'd care about whatever they'd have to say about OK Computer. We've all listened to Karma Police, big deal!" You realize you're getting a little heated over this and cut yourself off, "Anyways," You smile, "What I mean is you don't seem like some self important loser."
"Oh," Spencer furrows his eyebrows, "Thank...you?"
"Do you want to get out of here?"
"Y-Yeah, Yeah we can go." Spencer nods.
You stand up from the couch, wobbling a little bit as your legs lift you up. The room, is blurry, for a moment all you can see are vague blobs of color instead of people. You shut your eyes tight, blinking them open to fix your blurry vision. You glance over toward Spencer, who's grabbing a tan suit jacket that had been draped over the back of the couch. He slinks the jacket on over his thin frame.
"You alright?" He asks, concern in his eyes. He must have been able to read the drunk all over your face.
"Y-Yeah I'm fine, lets go," You nod, reassuringly. You could handle your liquor, besides you hadn't drank that much tonight.
The two of you head for the door, wherever it is. Spencer was leading the way, and you hoped he had a better sense of direction than you did. The music is suddenly a lot louder as you exit the room you were in, and you suddenly feel a lot drunker. The sudden change in feeling causes you to stumble a little, bumping Spencer in the back. High heels and alcohol were never a good mix.
"Oh- hey," Spencer stops suddenly, turning around to smile at you, "Are you sure you're alright?"
You look around the room, at the hoard of people, the room thick with a combination of weed and cigarette smoke. You've never felt so lost in your life when did it get so crowded in here? The obnoxious yelling of frat guys mixed with the music turned to a volume you were sure would get the cops to show up is absolutely ear-splitting.
"Can you hold my hand?" You ask Spencer, needing his guidance more than you realized.
"Uh, yeah, yeah." He nods. You reach your hand out for Spencer to grab, and it takes him a few times to correctly slot his fingers between yours. You smile a little, watching him try to figure out the perfect hand-holding position. He couldn't be more pathetic if he tried- it was kind of adorable.
Spencer's hand is warm, a little sweaty against your palm. But his grip is tight and reassuring as the two of you walk the rest of the way out of the house.
As soon as the front door opens a brisk wind hits you, nipping at your exposed flesh. Goosebumps already dot up and down your skin, the only warmth you feel is Spencer's hand wrapped around yours, and you knew that warm sensation would end as soon as his hand got cold too.
With a little hesitance, you step outside to brave the cold. Your heels click as you carefully make your way down the concrete steps in front of the house. You stare down at your feat as you make each movement, fearing accidentally rolling your ankle or falling. You'd probably take end up Spencer down with you.
"Hmm," Spencer hums, noticing your trepidation, "Here," Spencer untwines his hand from yours and places an arm around your back, reaching to your other side, but barely touches your other arm, just holds firm enough for you not to fall.
You reach the bottom of the stairs, thankful for Spencer's help,
"You don't have to hold me so far away you know, you can pull me a little closer." You turn your head to look at him, "I mean it is kind of chilly out."
"Oh-uh," Spencer's arm pulls to hold you just a little bit closer, "Better?" His grip is still pretty weak around you, and you sigh.
"You know, Spence, I'm still pretty cold." You frown, staring down the suit jacket he was wearing.
"Do you want to go back inside? I didn't even have a full beer the entire time I was there- I can go get my car real quick and drive you home if you want. It's only a block or so away." Spencer responds, his voice quick, and nervous- it was obvious he was eager to solve the problem of you being so cold.
"No," You laugh, shaking your head, "I'm cold is kind of girl-code for, you should give me your jacket."
"Oh!" Spencer laughs, "Oh- I'm sorry, yeah- here, here have it." Spencer speaks earnestly as he slips the jacket off of his shoulders. He shivers as the loss of the fabric leaves him in only a thin button up and you can't help but feel a little bad for asking him to give it to you. But he hands you the jacket with a smile on his face, which lingers even after you put it on. It provides a marginal amount more of warmth than what you felt prior.
"Better?" Spencer asks.
"Mhm," You nod, "Thank you."
Spencer only gives you a tight lipped smile and a nod in response.
"So," Spencer starts as the two of you begin walking, his hand slipping into yours almost instinctually, it catches you a little off guard, and you feel your cheeks run hot at the gesture. "Where are you headed?"
"Oh- uh, back to Boston I guess," You squint your eyes, thinking, "I usually take the bus, the stop is up that way." You point up ahead in front of you.
"Let me go with you," Spencer says quickly, "I mean- not to your place, but let me ride the bus with you, I don't want you going by yourself."
"Why not? I'm a big girl, I can take care of myself." You retort, trying to hide the fact that secretly, butterflies are growing in your stomach at his eagerness to take care of you.
"I just want to make sure you get home okay." His hand grips yours tighter.
"Okay," A small smile draws at your lips, you don't want to fight him on it anymore, truth was you'd love nothing more than to spend a little bit more time with him, even if it was a short bus ride.
The streets of the city are utterly dead, not a sound to be heard except the whistling of the wind and collision of your high heels and the pavement. You wonder what time it even is, how long had you even spent at that stupid party?
The bus is just as empty as the rest of the city. When it arrives, nobody but you and Spencer are on, the two of you sitting patiently under the bright fluorescent lights for the bus to move. The lights are straining on your eyes, and the horrendously carpet-patterned seats might hurt your eyes even worse.
"What stop do you get off at?" Spencer asks, being the one sitting the closest to the button to let the driver know when it's your stop.
"University Drive."
The lights dim as the bus driver pulls away from the stop you'd been picked up at, and you're able to relax your eyes once more. You let your eyes relax until all of a sudden they're closed and then-
"Hey," You feel your head being jerked, "We're here."
"Hmm?" You grumble, slowly opening your eyes.
Your stomach drops, and you're absolutely mortified to see your head is rested on Spencer's shoulder. You whip your head off from where it laid and quickly stand up from the seat.
The bus ride was fifteen minutes, you couldn't believe you fell asleep. Much less fell asleep on some guy you barely knew. You're a mess of worry as you exit the bus, thinking about how awkward you probably made Spencer feel. You're so caught up in your thoughts you barely notice how cold it is as you step outside.
"Hey, look, I'm right over there." You say, pointing to the large dorm building behind you.
"I'll walk you to the door." He smiles, and your panic immediately slides away.
You walk with your head down, looking intently at the sidewalk under you as you head forward to your building, trying your best to keep in a straight line. You had to admit, you were pretty upset your time with Spencer would be ending in just a few short minutes from now. You tried to scheme up a plan to get Spencer to stay longer, but no ideas would stick to your brain. You sigh, crossing your arms across your chest as you approach the front door.
You whip around to look at Spencer who's trailing just a few inches behind you.
"Well," You sigh, "I guess this is it." You pull your mouth to one side in a small pout.
"Yeah- I-uh, I guess so," He shrugs, "I had a nice time tonight, thanks for, making my first party experience a lot better than i was expecting." Spencer's hands are shoved into his pocket, and he rocks back and forth while he talks, unsure of himself as his eyes dart all around you.
"Of course," You grin, letting your hands drop down at your sides, "Say," You cut yourself off, and shove your hands into the pocket of Spencer's coat, fishing, until you find what you were hoping for. You pull out a pen from one of the coat pockets, and grab Spencer's hand. "I want to see you again before you become some big tough FBI agent." You smile, scrawling the digits of your phone number on the back of his hand. "Call me sometime?" You hold his hand up for an extra moment, before letting it drop back down.
"Mmmhm, yeah," Spencer bobs his head up and down vigorously.
"Okay, good. Goodnight Spencer," You smile, giving him a small wave.
"Goodnight y/n" He smiles back, as the two of you turn around to go your separate ways.
You notice as you turn back around that you're still wearing Spencer's jacket, part of you has the urge to call out to him to give it back, the other part of you wants to keep it- if he wants to get it back, he'll have to come see you again.
"Wait! Y/n!" You hear Spencer from just behind you. You frown a little, thinking your plan to keep Spencer's jacket had been foiled and he was calling to get it back from you.
"Yeah?" You whip your head back around.
"Did you mean it when you said to let you know if I wanted to have my first kiss- and that you'd change that I've never um-"
"Uhh..huh," You responded, a little to eager as an uncontrollable smile began to tug at the ends of your lips, "Are you asking me to kiss you Spencer?"
"Maybe," His voice breaks, unable to look you directly in the eyes.
You raise one eyebrow, "Maybe?"
"Ahem. Uh- I mean- yes."
Before you know it, you're tugging at his tie, pulling him close to you. Your lips are on his, just a peck at first, Spencer is hesitant. He is unsure of what to do with any part of his body, his lips move carefully, his hands unsure of just where they should be, they rest on your hips- before they move right under your shoulders. You make the decision to tilt your head and deepen the kiss. Spencer's lips are soft with inexperience, he has absolutely no clue what he's doing, yet you can't get enough.
The two of you pull away slowly, neither one of you wanting to give up the kiss- but you eventually have to surrender to the night and to the cold. You place one final peck on Spencer's lips.
"Now you have to call me." You giggle, unable to hide your excitement.
"Yeah-yeah," Spencer nods, eyes wide, his lips are shiny and his cheeks a pretty shade of pink. "Absolutely."
"Goodnight Spencer." You say once more, before turning around to head inside.
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A/N: whew! when I tell you I spent all day writing this i mean all day! that's okay though... im obsessed with grad school! reid. anyways..... thinking about making a (potentially smutty) part two to this ;-)
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jqnehr · 2 days
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i told my mum about dr ratio and she called him a cad. so i wrote a drabble about it.
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“I told my mother about you,” you say, quietly watching Ratio work away at the papers he was marking. You watch as he circles a big, fat ‘0’ in red in the top right hand corner of the paper, before putting it aside. He looked up at you. “And what did she say?”
You pause, dropping your gaze to the table top, unsure of how to go about this. "...She called you a cad."
Silence. No scribbling pen, not even a sound of an inhale or exhale from the man sitting in front of you. The table top is the most interesting thing you've ever laid eyes on right now. Ratio is so still, you'd think he'd have turned into one of those sculptures he made and taunted enemies with.
"...We...I haven't even...met her." For the first time in all the years you've known the man, he's utterly unable to formulate a single coherent sentence. Looking up, you see him staring at you wide-eyed, slack-jawed, and he looks devastated. "What did you say?"
"I—! Nothing! Nothing incriminating! I just told her that your life's purpose is eradicating idiocy and that you..."
Okay, I did kind of tell her that you're massively self-assured and that you walk around with an alabaster mask on all the time. But you don't want to break his heart too much. And that I hated you so much I love you.
His eyes narrow into slits. "Let me guess. You told her I throw chalk at people."
The ceiling fan's patterned movement is suddenly very fascinating.
"Aeons, woman, are you trying to get your mother to break us up?" Ratio drops his pen and stands, his hands on his hips. "I can't believe it! You probably made me sound like some lunatic that impales his students with sticks of chalk when they get a question wrong!"
"You..." kind of do. But pointing that out probably wouldn't be wise. Fumbling for something to say, you come out with, "I just told her that you need to be humbled! And that I'm...in the process of humbling you! Nothing too bad."
He rubs a hand over his face in exasperation. "Darling, please don't tell me you told her I drop a pillar on my opponent when I'm in a battle."
"I..." Yes, I did. You probably should've kept your mouth shut. And then your mother exclaimed, 'so he murders people!' and you had to scramble to explain that he kills aliens and such, not people. She didn't have a bar of it.
"Wonderful! Now she thinks I go around crushing people with columns for fun!" You had a feeling Ratio's reaction wouldn't be good. But not this bad.
"It's okay, maybe you two can meet and you'll put on your best behaviour and won't call her an idiot." You get to your feet and pat his arm comfortingly. "Treat her with respect, and she'll like you."
He actually looks like he's about to cry. "It's hopeless. Your mother probably hates me now. She called me a cad! A cad! All because you told her I hate idiocy."
"You're not going to...leave me for this, right?" Your voice is small, and you're suddenly very afraid that you really took it too far. "I'm sorry..."
"No! I'm leaving you over this. I just...need to think of a way to convince her that I don't run around stabbing people with chalk." The papers he was marking are now forgotten and he begins pacing. "What does she like? Cookies? Macarons? Apple pie?"
"My mother likes wine and cheesecake," you respond, watching him walk back and forth, back and forth, back and forth in quite the tizz. "White wine. Likes champagne, too. Um...and she loves chocolate. She'll force you to marry me if you give her chocolate."
"Perfect! Well, then, ask your mother if she is alright with meeting me, and I'll come along with gifts of champagne, cheesecake and chocolate. How about it?"
Good thing my father wasn't in the room when I smack-talked Ratio to her. It would've been much, much worse. "Uh, yeah, alright. Just beware, though, you're going to have to woo my father, as well."
Ratio gave a long-suffering sigh. "What does he like?"
And suddenly the Doctor of Idiots was running around collecting all these gifts for your parents. Perhaps it did work out for the better, since now you're sure he's desperate to stay with you.
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peachybella444 · 1 day
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Need you
18+
“And then the bitch scoffed and rolled her eyes like I didn't just apologize. I need to find a new place asap cause I swear next time she try me Imma fuck her up- “
“What I tell you bout cussing?” Ony’s deep voice filled the room, dark eyes piercing into yours as a warning.
“Anywaysss” You rolled your eyes, ignoring the side eye he was giving. “You’ve been awfully quiet since I came over. What’s going on?” You put your freshly manicured feet in his face.
“Nothing you’ve just been yapping the whole time.” He smirked.
“Rude” You gasped, nudging him with your toes.
“Nah I'm just chillin’. You know I like listening to you talk.” He shrugged, placing your legs into his lap. Lighting the blunt he just rolled, a cloud of smoke surrounding him as he took a hit.
“Whatever” You smiled as he passed it to you.
You and Ony often had moments like these, a smoke sesh usually spent with you talking about your week as he massaged your feet. Your relationship with Ony was…complicated. Ever since Sasha introduced you two, y'all were inseparable, constantly getting mistaken for a couple, and who could blame them?
Most thought this because Ony always had to be touching you, whether it was holding your hand, an arm around your shoulder, or a tight grip on your waist. However, for some, it was how you two would always disappear during the function. Claiming you were only talking, but the slight sheen on Ony’s lips and your slightly ruffled clothing told otherwise.
You weren’t quite friends with benefits. At least that's what you told yourselves. The whole ordeal just kinda happened. You were stressed over your midterms and Ony of course offered to help you study. Though after hours of reading flashcards and practice tests, you were still stressed and on the verge of tears when Ony offered another way to help you. That night you ended up with your legs in the air as Ony sucked the soul out of your pussy. Ever since then any inconvenience one had, the other would do their best to help relieve the stress. Your roommate upset you? Ony fed you long deep strokes, pampering you with soft kisses while he whispered in your ear. Ony was pissed that his supplier flaked on him? Ony would have the tightest grip on your hips as he drilled into you from behind, claiming the waves of your ass hypnotized him into forgetting what he was upset about. Some days neither of you needed an excuse. Some days you just craved each other.
Despite your unique relationship, you remained friends allowing the other to do what they pleased, though neither you nor Ony slept with or saw other people. Your dynamic was good and worked for both of you. That was until you started seeing Jean.
“You n that nigga Jean still fuckin around?” He broke the silence, waiting for your answer as your eyes met his.
“Ony” You groaned, the tight grip he had on your ankles preventing you from moving.
“What? I can’t ask you questions now?” He kissed his teeth, putting out the blunt.
“No, because any time you ask about Jean we end up getting into an argument and I’m really enjoying my time with you right now. So no, you cannot ask.”
“Whatever. I’m just tryna figure out when you gon stop playing in my face nd be with me instead of his bitchass.”
“Onyankopon '' You shrieked. You never understood why Ony hated Jean till a few weeks ago when Ony drunkenly confessed his feelings. At first, you thought he was joking but the look on his face told you otherwise. For a minute, you were happy. Ony was everything you had wanted in a boyfriend and you two had practically been in a relationship just without the labels. It wasn't till Jean texted you that you got upset. Why confess his feelings when you're finally in a relationship? Deciding it'd be best to forget about it, you put Ony to bed, hoping he'd also forget about his confession. Clearly, you were wrong.
“What? I don't understand what you see in him. He's annoying as fuck, and I'm pretty sure he has 4 brain cells. Maximum.” He rolled his eyes at the thought of Jean. “Why won't you give me a chance when I'm the one for you?”
“We've talked about this Ony.” You sighed. Conversations like these were becoming frequent and they were so tiring.
“No mama you've talked nd I've listened.” You thought about it, he wasn’t exactly wrong. Silently praying this wouldn't end up in an argument you gave him a chance.
“Okay. I'm listening.” You whispered.
“C’mere,” He released your ankles.
“Ony I’m not gonna-”
“[☆]” The dominance in his tone had you clenching around nothing.
Swallowing the lump in your throat, you did as he told. The moment you sat on his lap you just knew how it was going to end.
“Why you with him instead of me? And don't feed me no bullshit” His large hands were rubbing up and down your thighs getting dangerously close to your pussy that desperately ached for him.
You tried and you tried but there wasn't any good reason as to why you were Jean. Sure he was cute but he had no idea how to make you feel special and overall just couldn't please you. In multiple ways. The main reason though was that he wasn’t Ony. He just asked first.
“I don't know, Ony” You finally sighed, looking everywhere but him.
Any discipline you had when it came to Ony vanished when his hand wrapped around your throat, the slight pressure on your carotid causing your brain to go fuzzy and your panties to get damp “Look at me”
“Be real. Please” Ony released his hold on your neck to grip your thighs.
“You had the longest opportunity to ask me to be with you but you never took the chance, yet when I'm finally in a relationship you suddenly wanna give up everything and take a chance to be with me and I feel like that’s not fair to me Ony.”
He rubbed his hands down his face with a sigh. “You're right.”
"I did have that opportunity and always hesitated. I always assumed it would be just you and me, that you wouldn't pursue other relationships because of our bond. Since the day we met, I've wanted you. I know this is unfair and I'm so sorry princess, but I can't ignore my feelings any longer. Jean can't possibly be the man you want, the man you deserve. But I can. I promise to take the chance if you just give me another opportunity, and I'll do everything in my power to make you proud. You’re my best friend, my favorite person in the whole universe and I'm determined to be the person you need. I love you [☆].”
“Ony” you huffed, feeling as if all air was being vacuumed out of your lungs at his confession.
“Please. Lemme show you how much I love you.” He whispered, closing the distance that separated you. “Please” He captured your lips, his usual sweet taste with a hint of spiciness from the weed clouding your thoughts. Oh, how you missed this. Missed him. The kiss was intimate and familiar, the passion growing with each second. Ony’s hands roamed your body, gripping the soft flesh of your thighs before traveling to your ass, taking pleasure in the soft moan you let out, and using the opportunity to slip his tongue past your lips. On instinct, your hips rocked down onto him.
“Fuck, baby. I missed you” He groaned, flipping you onto your back.
“Ony we can’t” You huffed, despite the wetness growing in between your thighs. God he looked so good. His muscles bulged as he took his shirt off, your eyes trailed down his torso, mouth watering at the prominent v-line peeking from his low sitting sweats.
“Do you want this? Yes, or no?” His tongue traced lazy patterns on your skin as he littered your neck with kisses.
“Ony I-”
“Yes or no [☆]?” He nipped on your earlobe, hand dipping below the waistband of your leggings.
“Fuck, Ony” his hand slipped beneath the thin fabric of your thong, fingers slipping through your folds. Gathering your arousal before circling your clit in tight circles. “Yes, please”
“Then shut up and lemme show you how much I love you” He murmured as he undressed you. Replacing his fingers with his tongue, he lapped at your folds like a starved man, his tongue repeatedly flicking your clit. “Missed you so fucking much. Don't ever give my pussy away again. You hear me?” He muttered, sliding two digits past your entrance. The action was easy with how wet you were.
“Ony” Your thighs threatened to close around his head.
“Answer me or I'm stopping” He slowed his movements, leaving you needy.
“It's yours. I'm yours pa, I promise” Your legs shook as he continued to give you slow strokes, the addition of another finger having you seeing stars. “O-Ony wait” You panted, attempting to push his head away but he refused to let up on your pussy, never wanting to stop till he and his couch were soaked in your essence as he lapped at your clit.
“Ony I’m so-fuck I'm so close” Your words encouraged him to speed up as he repeatedly hit the spongy spot of your walls. “Ony” Your walls clenched around his fingers, leaving little room for his fingers to continue as you reached your peak.
Despite your thighs tightening around his head he continued his assault on your pussy. It wasn't until he was finally satisfied with slurping up your arousal, that he pulled away pressing gentle kisses on your throbbing clit as he pulled his soaked fingers out of your walls.
“Missed you so much” He mumbled, giving you the nastiest kiss ever, your arousal all over his lower face.
“I missed you too”
“Yeah?” He grabbed your hips, positioning you on all fours.
“Ony” You whined, pout forming on your lips as you looked back. His dick standing tall now that it was no longer confined. God, please let me have feeling in my legs tomorrow.
“I know you ain't think I was done. You played in my face and let another nigga hit and think I'm not finna put you back in your place? Nah, both you and this pussy need a reminder of who you belong to” He slid his dick through your folds, your cream acting as lube.
“Matter a fact” He lined up at your entrance just as your phone started ringing ‘Jean baby’ flashing on the bright screen.
“Lemme show this nigga too.”
first time ever writing smut nd even though it was short it took me foreverrr but i think it turned out okay. also so sorry for all my Jean girlies out there lol. anyways i hope you enjoyed nd any feedback is greatly appreciated. mwah
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cowboyjen68 · 2 days
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Hello Cowboy Jen! I was wondering if you had any advice for me
Here’s the situation- I’m a young lesbian (I’ll be 17 going into college) and I’m going to study geology. I’m assuming my classes and later on my work environments are going to be mostly men since geology is a male-dominated field. Any advice for being in spaces without very many women? And picking a different field’s not a very good option either, geology’s been my obsession since I was five and I doubt I could give any other field as much attention and focus.
When I was DEAD SET on being in the DNR or a Forest Ranger or some kind of Park worker I was in my tweens and early teens. I loved the idea of working with people and animals and outside and getting to use my hands and my knowledge of land and history. Then some Jack Ass at the Corps of Engineers station I volunteered at told me women couldn't really do the job right and it was too dangerous and I lost confidence. I stopped going and didn't reapply for the Mayor's Youth Parks program I had worked at for two years. I just left the idea behind. I see now all the older women park rangers that are around and read stories of women like my current boss who was a naturalist for years in our county. I work at a nature center almost entirely staffed by strong women with the exception of the CEO, the marketing guy and one outreach guy. If I had seen any of these women in my teens i would have said "heck yeah women can do this".
You are going to be that leader, that beacon. That is a thought to keep in your pocket on hard days.
The truth about working with men is, in general, they don't really care and they kinda just feel awkward. They lack social skills around women so they end up saying the dumbest stuff. I am not saying men can't be total pains in the ass or feel threatened by you being around, they absolutely can. At the end of the day we are all human and women are 50% of the population so at some point they have dealt with women in class or at a job.
Mostly just start off with giving everyone the benefit of the doubt. Saying stupid stuff to try and be funny is not the same as harassment or hate. If you don't feel offended or insulted or threatened don't try feel like you are because you think you are supposed to be.
Look them in the eye, do listen to those who have good things to share, teach or discuss. Don't dismiss men for being men. Just as many humans, they want to share what they know and tell you what they have learned. I have been taught so much by the men I work with at the farm but I had to tell myself to listen and not just paint them in my brain as being bossy or mansplaining.
Don't shy away from questions when you need help. Ask when you need to ask and thank them for helping when they do. If you are interrupted by them say "I am not finished, please wait your turn" or something similar. Stand up for your right to share what you know or to get more information when you require it.
Basically, think of men as neutrally as possible until one proves he is to be avoided or ignored. Listen to your gut if you feel unsafe or degraded and keep notes on that behavior. If you must, tell your professor or a dept head if you feel like the bad actor will continue or possible endanger you.
Once you learn your trade you can recruit other women and share your love of your job/degree and some day it will not be more men than women around you!
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TPOH UPDATE THEORY
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TPOH UPDATED AND YOU BETTER BELIEVE I HAVE THEORIES!!
So! Negative talking with the Butterfly definitely did something to him. Maybe he recognised their voice? Or he looked at him directly in their eyes? Some people have proposed the idea that Anxiety blinded Negative, and if that's the case, then I wonder how long the effect will last.
The Butterfly gave him a flashback to his human life, and I'm guessing its one that includes the Butterfly.
Its hard to make out, but we see a human hand extending out, and text that says "WAIT! Don't lea-" (I'm guessing 'don't leave') and "What do you say? We got a deal?"
What's even more interesting, is that RGB didn't get this flashback when he came into contact with the Butterfly. Only Negative did.
This tells us two major things:
The Butterfly used to be a human and they knew Human RGB
2. Negative has access to memories of their life that RGB doesn't
Starting with the first one, I think I'm beginning to figure out just what happened between Butterfly and RGB.
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It all starts with this infamous page. The Butterfly gave RGB a schism, which caused him to get a flashback. In this flashback, he is in a backstage acting room (judging that there's one of those fancy mirrors with the lights on them in the background) and he looks very tired and angry. He then tells whoever he is talking to that he hates them.
I assume that this is RGB talking to whoever the Butterfly used to be.
In the lastest update, the flashback gives off similar vibes. RGB and The Butterfly make a deal, but there is also text ("Don't leave") that implies one of them is backing out of the deal. I'm not exactly sure who is who in this situation though.
Either way, RGB did something that really pissed off the Butterfly enough for them to still be mad at them in The Land of Make Believe.
My assumption is this:
As we know, RGB was an actor. So I'm guessing The Butterfly was either an actor, director, or any professional job that would give them the opportunity to meet RGB.
Just like the Butterfly is trying to partner with Negative in this scene, Human Butterfly had a partnership with Human RGB long ago. I'm not sure what it was, but I'm guessing it was related to acting. (It also could've been romantic. Or both. RGB already has like three partners, I wouldn't put it past him.) But the Butterfly messed something up so badly that is caused RGB to get mad and call off the partnership, which is the scene we see on the "I hate you" page. The Butterfly begged RGB to stay ("Wait! Don't leave.") but he didn't.
This may have led to consequences that ruined the Butterfly's career. Either way, they were so hurt by this that they still resent RGB to this day. I have no clue how The Butterfly made it to The Land of Make Believe, since I don't think they were a hero, but it was probably something to do with how RGB treated them.
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So when The Butterfly asked Negative for a partnership again, not knowing who Negative was, he got a flashback.
The colours that come out of Negative's vents are Red and Yellow, Anger and Anxiety. Both emotions fit perfectly with this situation.
(Or I could be totally wrong. Since I don't know who's who, it could be the BUTTERFLY saying 'I hate you' and RGB saying 'Don't leave.' But I think the first version fits better with the overarching theory I have. So I'll assume RGB is saying 'I hate you' unless proven otherwise.)
Please let me know if anyone has anything to add to this theory! I think I'm really getting close to figuring this stuff out but there's still some stuff I'm confused on.
Onto the second thing!
I've already talked about this a lot in this theory, but I'd like the expand on it a bit. That theory is slightly outdated since now we know The Butterfly doesn't know who Negative is, but I think I was on the right track.
When RGB and Negative split, Negative took some of RGB's memories with him. (That, or whatever memories RGB sold to Time were given to Negative. I haven't decided yet but either way Negative has some of RGB's lost memories.)
Since RGB and Negative used to be a whole person as a human, parts of their personality in the flashbacks are influenced by both RGB and Negative.
More than that, we have visual identifiers as to which personality is being portrayed in these flashbacks!
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When Human RGB's eyes are covered and we see his mouth, it's RGB's memory. Since his TV self has a mouth and no eyes. This means RGB is the one having the flashback and the memory has him displaying more 'RGB-esque' personality traits. Like, in this scene, sleeping on the job and being woken up by a colleague is definitely something I imagine RGB doing, but no so much Negative.
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When Human RGB's mouth is covered and we see his eyes, it's Negative's memory. Since his TV self has an eye and no mouth. In this scene, he is displaying more 'Negative-esque' personality traits. He is being confrontational and cold, and straight up telling someone he hates them. That doesn't sound like something our resident coward RGB would do.
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And to add to this, blue roses show up as this flashback happens. This memory belongs to Negative, but RGB is viewing it because of his schism. And as I've said before, his schisms/gaps are definitely related to Negative.
So when they split, their human memories and personality traits were split up between them.
I really hope I am right, because I LOVE this facial feature detail! The fact we never see his full face at once gives the impression of him not being 'complete' bc he's not! He's literally being split into two people, so his face was split accordingly. Genuinely a genius visual metaphor on Mod's part. And it really makes me wonder if we will see his full face if RGB and Negative ever fuse back together again.
It's something to keep in mind for the next flashback!
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As for the lastest memory, I'm not sure if it's Negative or RGB's, since we don't see their face. It's a possibility it is either a shared memory or RGB's memory that Negative is viewing, which would explain why it messes up Negative so much. And why we see some of RGB's colour return to him.
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And what on earth is happening to Negative here? At first I thought he was going to faint and allow RGB to return, but now I'm not sure. Yes he is disoriented, but I think he'll be sticking around for just a bit longer. The blue roses haven't popped yet, and they tend to do that when he leaves. And I'm hoping he'll get a little more screentime since they still need to escape the house and everything, but I won't jinx it.
And what's with the yellow root in his leg? Those roses are mysterious as fuck, and I wanna find out what they'll do to him. I am still trying to figure out wether Negative completely controls them, or if they kinda have a mind of their own. They could make him stronger or make him weaker. They could charge that static electricity again. They could do something to his gaps. Who knows! But I'll be back next Sunday to figure it out.
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strangestofthings12 · 12 hours
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This is going to be a very rambling and venty post cause im tired and annoyed and honestly am just using this to vent my anger/hurt. there is going to be stuff that can maybe be seen as anti tommy/bucktommy (please dont tell me a ship name to put i dont care about if they do have an agreed upon ship name right now) so if you dont want that please just move on. i dont want to fight i just want to yell into the void on a stupid throw away account so i dont bring my negativity stew and come out on my main blog where i just want to enjoy my stuff and just keep happy energy. I dont normally post and try and just find someone who explains it better because im not great and getting what im saying across or understood the way i want, so please bear with me. With that said i will move on to what i want to say
Okay so i have been watching 9-1-1 for years and i love and adore it. Its characters and dynamics and i have always loved found family. Now i will admit that i started watching it thinking that Buck and Eddie were a couple and had a son so i was kinda watching for it. Do i think if i didn't start watching thinking that i would ship them still yes 100%. I have always loved their relationship and i have loved watching both Buck and Eddie grow and start to be happy while also having each others back even at the worst times. Sometimes if i think to hard about Eddie and start crying cause I'm very normal about this show and it characters. Now Eddie is my favorite character in the show and at least in my top five overall favorite characters. I love him and his development and i adore seeing how much he does to just do right by Chris even when he messes up you can tell how much he adores that boy and how badly he wants to give Chris the best life possible. I could write essays about Eddie Diaz trying to explain how much i love him and why and i think words would run out before i could finish making people understand. Buddie is my favorite ship (sometimes second depending on my mood. i would say sorry but Henren and Madney will always be amazing ships and sometimes i just cant stop think about them)(Sorry Bathena i love you too i swear i just cant decide if i wanna kiss athena or be adopted by bobby and athena:( Its confusing) and has been for quite awhile and is one of my overall favorites and its one of my comfort ships.
With that context when bi Buck happened i was so insanely happy and i wouldnt shut up about it. it made me sick. i was so happy for Buck and while i think a part of me will always be a little sad Eddie wasnt his first kiss with a guy i dont think either of them are ready for that. i also understand that it wouldnt make sense for how the story is going right now. Now i have nothing against bucktommy in the show. I have watched the kiss scene and sobbed to much to pretend like i hate them or even dislike them. However I genuinely dont care about Tommy. Hes kinda bland and i forget about him half the time and before they brought him back i completely forgot his name. in my mind he was the one that wasnt as much of an asshole to chim and hen as the other two assholes which wasnt saying a lot. Now I dont dislike tommy nor am i going to act like hes irredeemable because neither Chim nor Hen seem to think hes still that guy and while they dont seem super close they seem to get along so clearly, he's not like that anymore. I have nothing that makes me dislike him nor do I like him. He's just there. He's just the guy buck kissed. Thats all he means to me. I would give up his screen time for Ravi or May or Karen in a heartbeat. because i love them cause they mean something to me. I don't think i thought about the fact that people might actually like him especially not more than EDDIE.
This is where the context matters cause i am to my core a one ship per person girly. I might see a ship and people who like it and even think thats not a terrible ship but i will still only look at content for my ship for that person (ie. i ship Destiel (dont say anything bad about them ill cry<3) but i can see the way someone would also ship Dean and Benny or crowley or Cas and Crowley or Mick but i will ignore the ship and move on and look at more Dean and Cas). normally i will just ignore the ship and move on because im not who its for. If it gets annoying in my tag or anything like that ill block it or whoever is annoying me cause its not a them problem that i dont want to see it. When i start to have a problem is when multiple people arent tagging right for whatever reason or people who are being rude about the ship i like because of their ship. When I started seeing Bucktommy stuff more and more in the 9-1-1 tag i went to the buddie tag cause i dont want to see them. my problem is that when im reading on AO3 and click on a fic tagged Buddie where bucktommy get married. it was literally just hurting Eddie. There was stuff before like id be scrolling though the buddie tag here and see someone saying that Tommy is a better character then Eddie and saying that they hope bucktommy is endgame. Whatever block and move on. Just like always but then people who have shipped buddie for years who ive seen talk about them are suddenly saying that they like bucktommy better. People who started watching because of bucktommy saying they dont like Eddie. People are going to have different opinions but it still bugged me. and then i read that and i was just hurt because it was tagged happy ending and i cannot fathom ever thinking Eddie hurting and pining is a happy ending. So i started to get more annoyed and i hate when that happens especially with a show i love and a character i dont dislike so i tried to just move on but more and more people are taking about it then i saw someone saying that they wanted eddie to die so buck and tommy can have Chris.
I just hate that so many people are jumping on the bucktommy train and saying that they like it better than buddie something that is so good and sweet or saying that they like Tommy more than Eddie. I just dont get it cause Tommy is boring. like yeah we now some about him and he flies a helicopter but hes forgettable he could be a completely different person and next to nothing would have to change. We have seen Eddie at his worst and claw his way back up and hes finally letting himself be open and honest and soft. Eddie couldnt be replaced. Now im not saying Tommy can't be an interesting character but as he is right now?? He just isnt. Hes just as bland as every women (minus Taylor and Shannon) Buck and Eddie have dated and been hated on for no reason!!! Like i get that Tommy is a guy and we got canon Bi Buck and people are happy but those same people turn around and shit on Marisol from what ive seen(I could be wrong cause again i have done my best to avoid). Buddie fans arent safe from that either, cause we all know that Buddie fans do that but so many of those people who hated on them and said they didnt want them with anyone else suddenly decided that they were okay if Buck ended up with any guy. I dont know its just weird and i hate how many people are acting like Eddie isnt always going to be better then Tommy. Part of me wanted Tommy to stick around and help Buck and Eddie figure it all out but now?? i honestly just cant wait for him to be gone cause I want to have fun and read fics for my comfort ship and just chill where i can see all of my ships in the show without buck and tommy being everywhere or people saying crap about Eddie.
I have more to say but most of its about how gratifying waiting and seeing where this whole thing goes(Buddie season 8 PLEASE!!) and this is already why to long and i think im just going in circles and none of this makes sense so ima shut up for now and hopefully this will help it not fester and drive me insane and become a tommy hater
Edit: but i also hate that Tommy calls Buck Evan so he already had some stuff against him rip
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id-element0 · 13 hours
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Adele's Ramsay Living for TS3
2 years ago, on a fateful evening, I decided to convert this set to TS3. Although this had already been converted, I had my reasons to do my own conversion. Long story short, there were things that I didn't like and things that I liked.
One thing that I liked in the previous conversion was the effort to make the table tops glass. So I experimented with the Basic Shower which is supposed to have frosted glass. I don't know why EA use horrible textures; when you replace the NormalMap with a proper frosted glass texture it looks amazing.
So, using this knowledge as a base, I worked on the frosted glass table tops and after countless failures, I finally managed to have the effect I wanted. The key is having the right values for UVSelector parameters in the shader.
I also changed the textures for the bottle; tried to recreate it as a multiplier. Then made another version. Bottles are semi-transparent glass and recolourable. Don't ask me how I made them - I don't remember. But I if have to guess, there is this tutorial that I know of. The first part is about recolourable glass.
I wasn't feeling Adele's art for the painting. So, I used the recolours made by @timeparadoxsims. The artist is @len-yan and the art is amazing. If any of them want me to remove the painting from my downloads, I will do so but cry inwardly. 😢
I know people hate reading and just want to download but THIS IS IMPORTANT: Several items share textures. So you need to have the 'masters' in your game for the 'slaves' to work. I will group them and explain further.
The Loveseat is the master for the following objects: Armchair, Sofa, End Table (Solid Top), Coffee Table (Solid Top).
Loveseat, Armchair, Sofa -> 4 Channels - 2 presets with second being Adele's black overlay & metal and wood parts still CAStable.
Loveseat Polycount -> HLOD: 1746 MLOD: 702
Armchair Polycount -> HLOD: 1578 MLOD: 726
Sofa Polycount -> HLOD: 1962 MLOD: 1096
End Table, Coffee Table -> 3 Channels - 1 Preset
End Table Polycount -> HLOD: 710 MLOD: 444
Coffee Table Polycount -> HLOD: 1322 MLOD: 720
The Cushions for Loveseat is the master for following objects: The Cushion for Armchair, The Cushions for Sofa.
All Cushions -> 1 channel, 3 different multipliers - 5 Presets with 2 of them being overlays. You don't need moveobjects on to place them on their appropriate seating. If you use alt to place the seating you need to use alt to place the cushions as well.
Loveseat & Sofa Cushions Polycount -> HLOD: 160 MLOD: 80
Armchair Cushions Polycount -> HLOD: 80 MLOD: 40
The Glass Top End Table is the master for The Glass Top Coffee Table.
Both tables have 1 Channel & 1 Preset. Polys are same as the solid tops.
Decorative Bottles
Both have 1 Channel & 1 Preset.
Polycount -> HLOD: 242 MLOD: 119
Decorative Vase
3 Channels - 2 Presets
Polycount -> HLOD: 446 MLOD: 344
Large Frame Painting
1 Channel - 18 Presets
Polycount -> HLOD: 82 MLOD: 64
I've also included the collection file which comes with its own icon for easy recognition. As always, I might have missed something; if you find anything weird don't hesitate to tell me so I can try and fix it. I hope you'll enjoy this beautiful set by talented Adele. Happy simming.
- Credits -
Adele for the meshes and textures.
@len-yan for the art.
@timeparadoxsims for the ts2 recolours
Google Fonts Montez, Kurale
Made with: SimPE, GIMP, s3oc, s3pe, Blender, Texture Tweaker 3, and TSRW
@pis3update @kpccfinds @xto3conversionsfinds
- DOWNLOAD -
:: MEDIAFIRE | SFS ::
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ivaspinoza · 22 hours
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Does a writer love to write?
Oh, to be a writer! A poet, an artist. What a blessing — or a curse? I said this before, as a joke, that "writers are cursed to write, no matter what" happens or how long it takes between intervals. Writers will write. They might struggle, mostly inside their own heads, but they will write. And they will feel accomplished for doing that.
During my block time, I used to try and try to write, not because I had to, but because I couldn't help but to keep trying and writing the weirdest words, absolutely nonsense shit — until one day, I went back on track. Not writing was never an option. I tried to give up this, many times when I was at a bad place mentally. I felt that I wasn't a writer because I wasn't writing, but this only led me to this previously shared conclusion I keep as a mantra:
"I do not write because I want to be a writer, I write because I am one."
Some people will lick an artist's shoes and treat them as their saviour. This is the same type of people who might think having a degree makes them automatically smart, that every doctor knows what they are doing, and that artists are somehow a superior class of people. I was talking with my beloved @goodluckclove about it today (the main reason I'm writing this), about how being an Artist, or a Writer, is just another job, like being a Teacher, a Baker, a Parent, a CEO or a Janitor. Some artists will even tell you they had no "talent" at all, they just decided to commit and learn. I can draw and I always tell people that it is pure muscle memory. Just practice. Just commit.
But there is also that sparkle, that inspiration, that epiphany, right? That thing that art causes. What makes some works of art shine and hit you with eternal impact? Just practice? This is a long, deep, crazy, boring, infinite debate, but to me the answer is simple.
It's the soul.
That's why AI will never be able to do it. The soul carries memory, information, patterns, feelings, mysteries, and language (unspoken, holy, different languages, that we don't know much about). Some works are technically fantastic but soulless. Some are full of soul, but lack skill. However, the soul is always a part of it, as it is for a doctor when their soul shakes in grief after putting everything they had in for a 72-hour surgery just to lose their patient. Everything goes through the soul. Have you met a soulless doctor? I have.
What about a teacher helping a student to overcome their difficulties? A mother in a 72-hour labour to deliver her baby, with a father who didn't leave her side? Parents that actually take their time and energy to raise conscious, cared for and loved human beings? When a CEO thinks of what is best for the team, and comes up with a brilliant idea, instead of just caring about money? When a janitor makes a place clean and tidy for others, instead of neglecting it? It is not the job itself that is important, but the motivation, the intention, and the heart behind it. That is what makes it valuable.
Our trades will always affect the ones around us. Human nature is deeply connected to the desire to be useful and serve. Not to be stuck at this point forever, but to me, a big reason for so much pain and depression in the modern world is how self-centred our culture pushes us to be. "All about me"! Too much thinking in your head will make you crazy (I would know). But when we are useful, we find peace and rest from ourselves, we connect, and we are in reality, grounded in the present.
Will you love it every time? Nope. Not naturally. But do we have to hate it?
As an artist, poetess, writer, I can tell you that I didn't always love to do it. Sometimes, it was painful. Sometimes, it brings me physical discomfort or it can be disturbing because of my own limitations and issues — the artist himself is in his work (I will die on this hill, because of the soul). But I don't believe and I won't ever advocate for the tortured artist figure, for the "I hate being a poet", although I can't think I ever got these words from any poet.
"I hate making art!" "I hate my kids!" "I hate to live!"
I think it's time to wake up to the levels of desensitisation we have come to. These contemporary times unfold in absolute glorification of evil as if everything painful and ugly was "more artistic". We don't have to avoid hard themes and make it taboo out of them, but we do need a counterbalance. We also need responsibility and honesty when choosing our themes and our artistic or literary approach. And we do need to stop hating things all the time. We need a mature creative world.
It is easier and faster to break than it is to build. It's easier to hurt than to heal. Look around. We have almost nothing left to "break" at this point. I'm in search of beauty again. Out with lanterns. The beauty in you and in me. Not for the glorification of the artist, or of the art itself, but for the Love that keeps me going, that designed me for a particular job, and that I plan to execute in love.
"Let all you do be done in love", it's written. But because I know Love is not only feeling, even when I don't feel like doing it, I will go back into Love, into humility, and do it to the best of my strength. I will do it so that when I have the opportunity to serve someone by it, they feel love. We put our soul into it, and it's not an aesthetic, not a fancy ethereal trend; there is no need for applause. I will do it like that because in that doing is the reward itself, not in the praise or the prize.
All is vanity. Love is the reward.
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inkskinned · 1 year
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oh you know it's all latestage capitalism but the thing is. how are you supposed to be a person inside of this. a person trying to be a better version of yourself.
oh, you started working young, which was kind of hard, but it's just the way stuff works sometimes. and it was 2008 and your family couldn't afford heat. but it's fine, you grow a spine and get used to the professional world and besides it was the suburbs we're talking about here, like, your life could have been actually hard, so what if your father lost his job and you can't afford to move or turn the lights back on. and once you start making money, it's good. you keep doing that. because now they're relying on you. so you have to do that.
oh you were in thousands of dollars of debt at 17 years old so that you could go to school, because you have to go to school if you want to get a "real" job. you even did it "right", you worked parttime and attended community college before you transferred to a public school. you were under so many merit scholarships.
which is fine. you pick yourself up and you say like, okay. i graduated college. i'm holding down a job. i'm doing the Adult Thing, which looks and acts like this, according to all the books i've read. you start with the shitty job and then you climb that corporate ladder.
but the shitty job doesn't cover rent and you stretch yourself too-thin so you get sick. good luck with that. the shitty job no longer pays for your meals. everyone asks why you don't just move, but there's nowhere to move to. and with what money are you going to be moving? and then the loans come back, because they were never going to forgive them, because you were 17 and trying to do the right thing, which was stupid. people are now saying you shouldn't have even gone to school.
which is fine. but because you have no other option, so you do the shitty job, and you apply every day for like 5 new ones, and despite the fact everyone says "there's no one who wants to work!" it's actually just that nobody is fucking hiring so you can either work for 13 dollars an hour in the shitty place you know (where at least you have a passingly friendly relationship with the manager) or you can start from scratch again with a different 13 dollars an hour without knowing how much abuse from the new job you'll be taking.
and if you quit you lose your insurance. if you quit you lose your housing. if you quit, you'll be another burnout kid. the lazy ones. these assholes, look at them!
and you come home to a family dinner and you hear from your father the same old thing. how he worked hard at his job and yes it sucked for a while but he was able to provide for the family and then the house and the dog and the rest of barbie's dream vacation. how the insurance did cover some of it. how you just really need to start speaking up more in manager conversations so they know you're a go-getter. you want to tell him - did you know we're actually doing more now hourly than any previous generation? - but you can't remember where you heard that statistic, and you're far too tired for the fucking argument. and then he starts in on his usual bit. where's the house? where's your kids? where's your ambition.
the same job the same money the same hours doesn't do it anymore. the same nose-to-the-grindstone now just shreds your face off. there's no such thing as upwards mobility, not really. and as far as you're aware, the money certainly is not trickling. you do the soulless stupid shit you signed up for because you fucking have to or else you literally risk your life (food, the apartment, the insurance), but it's not getting you anything. you download the stupid "save more" app and you budget and you do every right thing and then the price of eggs is 7 dollars and you say - oh great! another thing i have to fucking worry about now!
and you go to your stupid job and everyone in your father's generation just tells you to be better about being an adult. they have their homes and their savings account and their bailout and they say. well have you tried not drinking starbucks. well your generation just spends too much on clothing. well you might just be too addicted to travelling. and you - because you need the job - you bite your tongue and don't say i am being held prisoner and you're suggesting i stop pacing my cell if i don't like the scenery and you don't say what the fuck do you think i've been doing with my money and you don't say i haven't spent a cent on something nice in literally forever much less coffee you arrogant asshole. you open and close your bank app and check your loans and check your credit score and check fucking zillow and ziprecruiter and apartments.com just one time more. and still they give you that demeaning little grin and say - see, what you need is -
what you need is for your meds to stop being so fucking expensive. what you need is for the housing bubble to explode into dust. what you need is for billionaires to choke on their wealth. what you need is actual help. what you will get is more economic advice from people who are older-and-wiser.
and above you, almost in a glimmer, you can see the wedged smile of your debt getting toothier, wider.
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cottoncandyopinions · 2 months
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It's wild how on one side of my dash I see people talking about the real issues of transmasc erasure, "you're taking our lesbians away" terf rhetoric, and the ways that trans men are expected to accept ostracisation within leftist spaces without ever advocating for themselves...
Meanwhile on the other side, I see lots of "The MRA's are back, anyone that speaks about transmasc issues are transmisogynists, if you didn't immediately decide transandrophobia is an invalid concept then you're a bigot" type hysteria and it all just pisses me off.
Like trans men will spend their entire life til now perceived as women, expected to be quiet, expected to obey and be a resource to others without taking up too much space or having needs themselves. And upon realizing they're trans, finding their community, and thinking maybe this is a place they can find some modicum of comfort, the community says "no."
We don't want your voice or your struggles, because it doesn't fall in line with the rhetoric. It's not a part of the theory.
SJ theory generalizes, that's the nature of it. It's used to describe society as a whole, and how systemic oppressions operate. Broad academic theory isn't meant to for you to apply it precisely the same way to the individual.
That's what being intersectional is supposed to be about! You're not supposed to say "well systemically men are oppressors, so this man I just met is actively looking to oppress me" when you meet a homeless black man in a wheel chair.
I'm just so tired of the dynamic where in leftist spaces we can't share our stories and pain because they have to align with our ideas of who's the oppressor or not.
To this day, I feel terrified to open up about the fact that an older woman sexually assaulted me as a teen, because I'm so afraid someone will say I'm just targeting lesbians, or that my story promotes predatory stereotypes and shouldn't be shared. I can't talk about shit like that because I know that outside my closest friends, others in leftists spaces don't want to hear about that.
This is all over the place but I'm just so frustrated. Seeing people that have been boiling over, keeping their mouth shut, playing nice even when it's unfair to them, daring to open their mouths to speak all the while trying to be careful, only to still get attacked and made into bigots.
It's like there's no amount of bowing and saying your troubles are meaningless and insisting other people have it worse that will let you be "allowed" to talk about what hurts you.
We're supposed to be past one-upmanship and oppression olympics, it's not about who's had it worse it's about what we can fucking do about it TOGETHER.
And that means being able to drop your academic theory and shit to engage with the people in your community as fucking human beings. That means being able to seriously consider the validity of criticism instead of knee-jerk rejecting it.
Also please stop accusing literally anyone talking about intra-community bullying of talking over people being killed or shit like that, you know damn well that people are capable of caring about multiple issues
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nexus-nebulae · 1 year
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me, constantly: yeah i didn't really show that many Symptoms when i was a kid??
me, every single time: *remembers something random* ........ oh
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strawberry-jackalope · 7 months
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my internship is gonna make my hair fall out from stress, I just know it
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joycrispy · 8 months
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I wanna talk about The Angel Who Would Be Crowley.
Because I had a certain set of expectations, which got thoroughly trashed in the first five minutes of S2, and my genuine response is, "Oh, fuck, yup. You're right. That's WAY better."
Looking around at GO fandom, I'm not alone in this. So let's talk about it.
Basically, a lot of people (myself included) believed that he was a high-ranking angel, and therefore as chilly and remote as every other powerful angel we'd seen at that point. We pictured Crowley-To-Be as long-haired, regal and imposing --and the fanart at the time reflected this. I'd link some if Tumblr didn't hate links.
Something like this:
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We were collectively drawing on a few things --mostly, Crawly's appearance and general bearing in the Biblical scenes of S1--
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--But also scattered hints of his importance, backed up by conspicuous absences in Heaven and a few profound displays of power. That's all better covered elsewhere, so I won't reiterate the arguments here. All I'm saying is: I think our headcanons were justified.
But it turns out he was this:
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!!!
With his curly little--!!
And his neat white--!!
IT TURNS OUT, he was an angel who squeaked and squealed when he was happy; who flailed his arms around and made explosion noises with his mouth to explain nebulas; who preened when told his stars were pretty. Furfur, who knew him before the Fall, says:
"You used to jump on me back, little monkey in a waistcoat..."
(The use of a diminutive there, 'little'...oh, that fascinates me.)
In a pretty huge subversion of expectations, we're given these glimpses of an angel who was sweet, and joyful, and heart-meltingly silly.
In sum...an innocent.
(Perhaps innocent to a troubling degree.
We see how he troubles Aziraphale, during their first conversation. He starts looking around and behind them, checking to make sure that no one can HEAR the blithe and reckless things coming out of this angel's mouth. This angel who talks like he's never been reprimanded in his life; like it's never occurred to him that anyone would want to hurt him.
Before the Beginning, Aziraphale understood Heaven better than he did. The danger is plainly occurring to Aziraphale.)
So now, we the viewers are in on a cruel joke that Aziraphale has known all along, which is that this --THIS-- is the angel who--
*checks notes*
--did a million lightyear freestyle dive into a boiling pool of sulphur. For asking questions.
...Imagine you are Aziraphale, and everything inside you wants to believe Heaven are the Good Guys, and God is Good and Everything She does is capital-R Right...and now try to reconcile that. Keep trying. I don't think he ever totally managed it in 6000 years.
All this gets further complicated when we learn that, despite all of the above, we were still right. That sweet excitable babby up there?
He WAS a powerful and high-ranking angel.
That much is explicitly confirmed, with significant evidence that he could have been among the mightiest of archangels...
...Who apparently accosted his fellow angels for piggyback rides. And was remembered millennia later by those (now fallen) angels as something 'little.'
What does that tell us about who he was? Is?
Hell, Aziraphale has known to be wary of the archangels (and the judgements of Heaven in general) since before the Fall even happened. He chooses to believe they are Good; he can't fool himself into thinking they are Safe.
Yet he's absolutely certain that Crowley won't hurt Job's children. Enough to stand in a burning building and say to them, "I can't save you, but don't be afraid. I won't need to."
And what reason does he give?
("I know you."
"You do not know me."
"I know the angel you were.")
What does that tell us about who he was? Is?
("The angel you knew is not me."
But how is Aziraphale supposed to believe that, when he can see him all the time?)
tl;dr --yes, this is better. I love the tragedy of it.
'Innocence died screaming' and all that.
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kachulein · 10 months
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I'm proud of myself for being able to make it all the way home and wait until I was in my room to start sobbing🤧
#to hell with that stupid pmdd#during that time every lil thing makes me cry and i hate it#i had an 9am gym session#my second of the 36 sessions of prevention training (idk the right word in english) after surgery & physical therapy#and it was fine and all#but then at the end my trainer asked when i wanted the next session#and i asked for towards the end of next week#because i'll be busy trying not to die from endo this weekend and the beginning of next week#and i thought i might be able to barely function towards the end of the week#but then he was like 'you gotta train 2-3x a week'#yeah normally that would be fine but!! not!! during!! my!! endo!! week!!#but of course i didn't have the confidence to explain it because talking to people is so hard for me#so now i have a gym session during the worst days of the month and idk how i'm supposed to do any exercises when i can barely walk#ppl who just don't know the immense pain that comes with endo... god i wish i could talk more openly about that#and especially tell men that it just isn't possible to get anything done during that time#so yeah#of course i was upset because it didn't go as i planned#and i was upset that i once again wasn't able to put my boundaries in place#and then i just walked past so many people on my way home#and i hate that so much because passing by strangers makes me uncomfortable#so in the end i just needed a good sobbing session#while jinnie was sleeping next to me :')#but now i'll probably dive back into my book#forget that this world exists and ignore all the tasks i have to complete#because i've had 5 appointments this week and i am dead now#kachu rambles
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taylor-titmouse · 2 months
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hey i want to talk about how you should be promoting your work as an erotic author/illustrator
i'm writing this up because the marketing aspect of my work as an erotic author/illustrator is a science to me, and also because i'm the guy who gets unreasonably annoyed when i see other creators not properly advertising their work. you presumably want to make money off your work. this post will be written under the assumption you want to make money off your work but are doing a bad job at it. it will be very confrontational. if you read this and feel attacked you're right and i am attacking you.
this is geared toward selling erotic comics/writing/books/art as products. i will probably write more than one post about this subject so if i didn't touch on something you want to know more about, comment/send me an ask and i'll keep it in mind for the next one.
i will start with my first and least specific but most important point:
DON'T GET FUCKING CUTE
hi are you paying attention. i'm gripping you by the sides of your face. do not get fucking cute with what you are trying to sell. you are not a big enough property to get cute, nobody LIKES it when big properties get cute, and you are selling porn. you have to own this. you have to be up front about this. don't be tongue in cheek, don't be all teehee i wonder what this could be~, don't be secretive. you are selling a product. you have to fucking act like it. you are an adult selling pornography to other adults. i am GRIPPING your HEAD you NEED to understand this.
and to be clear when i say 'cute' i mean coy. i don't mean cutesy, as in the aesthetic. you can be as hello kitty pastel ten emojis a post uwu as you like when you're building your audience and generating hype. but when you start trying to sell, don't be vague, don't be sarcastic, don't mislabel your work as a joke and assume everyone is on it. because they're not.
you must always assume 75% of the people seeing the thing you are advertising have no fucking idea who you are. and that includes a huge chunk of the people who already follow you. they do not know who you are or what you've been working on for two months or why they should care about it. they just got here. somebody just reposted it. they are seeing it for the first time. most people are only looking at social media for a tiny chunk of their day. they are not keeping up with you. you cannot get cute about what you are trying to sell because nobody knows what it is until you tell them.
okay are you still with me. we are going to talk about clarity now.
YOU GOTTA TELL ME WHAT IT IS
good lord the amount of times i have gone to buy somebody's comic or book and had no idea what's actually in it or what it's about. who are the characters? why should i care about them? what do they do in it? what is the premise of this thing you want me to spend $5 on? why would you not tell me? i'm shaking you again. please i have to know what i'm buying i only have so much money to spend on porn.
porn, arguably more than any other genre, relies on knowing exactly what is in it. you do not want to surprise your readers with a kink they were unaware of! and on the flip side, you do not want to miss out on your target audience! if your book contains a hot spider babe laying eggs in an elf, you have to say so. not just so people who don't want to read about eggs know it isn't for them, but so the people who are egg crazy can see that and go "oh fuck YES i love EGGS here is my $5 and an extra $2 tip for catering to me specifically". a contents/features list is as much an advertisement as it is a warning!
as for re: who the characters are and why should i care, i'm sorry but you need to learn how to write sales copy. you have to write blurbs. you have to get good at the shit that goes on the back of a book. we all hate it but we have to do it. i want to know who the characters are and what the context is. i, personally, am not interested in contemporary stories as much as fantasy and historical. please tell me what genre this porn exists in so i know if it aesthetically appeals to me. pull some books off your shelves and see how they do it. hell man go look at mine.
while you're there, note that every single book of mine has a sample of what's in it. this feels like such a no-brainer to me but again! the amount of times i have gone to buy somebody's work and they don't show me what their work looks like! you gotta give me the first page or two! just enough that i know if i like the way your writing sounds, or the way you draw your comics! i don't know you! i am not going to trust that you're good at what you do just based on a cover. the cover is to get me to this step, it is not the only step. you have to show me that you're worth spending my money on!
to put it less cynically, you want to catch my interest. you want me to go 'oh i want to see more of this', you want me to go 'ahh i want to know where this goes!' you need to get me invested and craving more. earn my $5!!!
YOU HAVE TO MAKE IT EASY TO GIVE YOU MONEY
hey go look at your bio right now. go look at your pinned post. do you have a link to your patreon there? do you have a link to your itchio/gumroad/whatever? do i have to click more than once to get to the places you want me to go to give you money? why? why are you making me click twice? have we learned nothing from every website making you click an extra time when they make some stupid UI update and how much it pisses us off? i have already given up, i have forgotten you, i am not giving you my $5 today. put your links in the easiest places to get to them.
god literally as i was writing this post i went to go find somebody's itchio to see how they described their work and it was not anywhere on their profile. grabbing you and shaking you PUT THE LINK WHERE I CAN FIND IT. don't make it hard! make it easy! i am a dickhead sitting on the toilet scrolling, saw your post, and was interested enough to read further. but you made me go to your bio to find your linktree and oops i have already gone back to my timeline to look at the boobies in the next post. stop wasting precious bio space on DNIs and put your fuckin links there!!!
this is more for the twitter people, but: just put the link in the damn post. just say the word commission. just say it's for patreon. "wuh wuh the algorithm" it is not the damn algorithm it's that everybody hates advertising and nobody wants to retweet ads. putting slashes in the words doesn't do anything and you look like a fool. i have posted so much art that says it's 'a commission for ___" and it did exactly as good as any other art despite having the word commission in it. and by doing the slashes you just made it impossible for anybody to search your account for your commission information (which should be at the VERY LEAST in a post under your pinned tweet if you're not actively posting about them being open).
okay that went on a tangent i'm going to back to the point of putting the link in the tweet. put it in the first post. not in the first reply. don't tell them to go to your bio. put it in the post people are actually going to share. it's fine to put more information in the thread but people are only ever going to share the first post. so put the link there. you have to make it easy. putting links in tweets can hurt you algorithmically, even in the replies. so you're better off having it in the post that actually gets seen and shared. i don't want to open the tweet and scroll to get to your sales page where i ASSUME you will have put all the information anyway. put it in the tweet that just got retweeted by itself onto my dash!
also you have to share it a ton of times. i repost my shit every few hours when i'm trying to push a new product. as i said before people are not 24/7 looking at their timelines. they missed it the first time. they missed it the second time. they didn't get paid yet that week but they were after the eighth time and you reminded them again so they finally bought it. that i will still get sales every time i repost a book ad weeks after release says there are always people who missed it, or who only just showed up.
abandon your pride and shill. shills pay their bills. anyone who gets annoyed about it isn't giving you money in the first place. don't worry about looking like a sell out. don't apologize for plugging your own work. post about it often, post about it in different ways. post about it. post about it. you are not going to make money if people don't know you have something to sell them. if you want to make a career out of it, you need to act like it.
I DON'T HAVE A FOURTH POINT
kisses your forehead. i'm sorry for yelling at you. i've been making and publishing and selling adult art for the past two-three years and have got myself to the point where it pays my rent, and i got there by paying attention to what does and does not work.
please do your best to make money. i want you to make money.
as i said above i plan to write more posts on this subject, such as cover design, how to actually write sales copy, and best practices with running a patreon, but if there's things you would want to hear more about leave a comment or send an ask! i will probably be less aggressive on future topics. these are just things that have grinded my gears for a grip.
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