#i am putting u in a garden | Explore Tumblr Posts and Blogs

cherry-titz · 7 months

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Hi friends! @1800titz here. This is my contribution to the collaboration, and I’d like to start off by saying that I am so, so, so beyond excited to work with the immensely talented @cherryjuiceblues!! Thank you for working with me Soph :’)

We have loads of goodies planned, and we’d like to kick things off with Mr. Hitchhikerry. (Sidenote: he’s a little late to the party, this WAS supposed to be a spooky piece for Halloween but SHDJDJCJDJD don’t worry about it. Life got in the way a bit, but he’s finally HERE so WOOOO). A little idea based on this reddit post. This one has great big warnings. DARK HARRY. VERY DARK HARRY. With a piece like this, I want to really emphasize: this is purely for entertainment purposes, and there is 0 correlation intended to the real Harry Styles <3 just a spooky faceclaim.

With that disclaimer out of the way, here’s some content warnings: dom/sub themes, choking, (light) spanking, degradation (and praise!) ((some good ol’ LET’S PLAY SIMON SAYS)). THE WOOF WOOF is for humiliation purposes only <3 GREAT BIG WARNING FOR A DISTURBING CONFESSION OF INTENT TO HARM.

Also, I writhe in my seat as I write, wanting to put in lengthy context of prediscussion and safewords and aftercare and everything important I always talk about, BUT. You’ll see. He’s an …interesting character and I tried to keep hitchhikerry true to himself.

PLEASE DON’T HOOK UP WITH STRANGE MEN YOU PICK UP ON THE SIDE OF THE ROAD AT NIGHT. PLEASE DON’T PICK UP STRANGE MEN ON THE SIDE OF THE ROAD AT NIGHT. Enjoy ٩(◕‿◕)۶ (WC is 11K)

She doesn’t do hitchhikers.

Not figuratively, not literally.

Y/N was raised outside of the scope of the seventies, post-Bundy and his hitchhiking antics, and since the evolution of serial-killer lore, she’s never been fond of a stranger hopping into her passenger seat and then cutting her up into itsy-bitsy parts to hang around his back garden like string-lights, or something. An ear there, a palm with crooked fingers there. Morbid stuff.

Y/N doesn’t do hitchhikers, but she doesn’t think about that, hurtling down some back-country road, a poorly lit vale through a field of tall, boundless grass. It’s not the first thought budding behind her skull when she sees his silhouette through the shone of her pearly brights — a blip by the line of tall shrubbery — even a good distance away. And from her distance, he’s just a little blip in a cream, hoodless sweatshirt, feet planted into a bed of patchy grass. Her first sane thought, as she squints through her windshield, has to do with why someone would be out on this road, at this time of night, with no feasible form of transportation, and how. As her Honda nears and passes some fork off, a dirt bend of clearing into the winding field of nature, the man’s hitchhiking, signature thumb morphs into a wave of his arms, and his foot steps out, toying at the edge of the road. It doesn’t quite breach the threshold, but her speedometer decreases enough for her to catch baggy denim, distressed at the knees, and a slow wave of his arms, raised. He doesn’t launch at her car, forlorn, as she passes — thank Christ. But even then, his frame swishes by, out of sight, coated by darkness. She casts her gaze to the rear-view, and the image of him scrubbing over his face with an exasperated palm shrinks in size the further she gets.

The young woman gets about a hundred feet before she nudges the break with her foot to a halt, sighing as the car settles with a subtle lurch. She makes another glance to the rear-view. Now, she can’t see him, not in the shroud of night, but she squeezes her eyes shut for a second, and then twists the wheel until the car curves. A tire slips off onto gravel and grass with the U-turn, but she steers herself back onto the road and drives into the same direction she’s just come from.

He looks surprised to see her reverse, form pivoted toward the same headlights that’d just passed him with a crease over his brow bone. Y/N slows and breaks as she nears, absent-mindedly pressing a fingertip over the lock button on her door. TV Girl is still playing quietly from her car speakers when she cracks the window, stopped beside him across the road, and beckons with her chin raised just enough for her cadence to seep through the opening, “Do you need help?”

“Yes, yeah, I—“ the man makes a quick glance towards the side of the road where vehicles would be incoming, a sharp turn of his chin, and then a step towards her parted window as Y/N twists over the volume toggle. “I just— my car broke down,” he raises an arm and points towards the dirt clearing that slips into the field, “I was coming this way, and my phone’s died—“

He pauses, shaking his head down at his converse, his voice a baritone croon with charming, foreign dialect, “I know this is so odd, and you probably don’t want a stranger in your car. But f’you could just order an uber or something, I could give you the cash for it?” the girl watches his ring-clad palm disappear into the front pocket of his denim hastily, only to retrieve a wallet, “—If that’s alright?”

Y/N doesn’t do hitchhikers.

And still, her pupils rove over the charming stranger, trailing from his soft dark curls, swiping over his lashes as his head ducks, down the slope of his nose, to the cushiony pink of his lips. Irises graze down his neck and catch a white tee under the collar of his cream pull-over, and they brush down his denim, to his battered, white converse. The young woman watches his hand stretch out, cautiously, a wad of neatly folded cash cupped by pads of fingers with short, yellow-lacquered nails.

“No, don’t— …I can give you a ride,” Y/N tells him, her tone soft as her gaze wanders over his frame.

A downward shift plucks at the corner of his plush mouth and his jaw flexes, a hesitant look shaping over his features, “It’s— I couldn’t— s’like a thirty minute drive, and I don’t wanna take you out of the way…”

His large hand is still stretched out toward her, and she admires the cross inked over the back of his hand, on the fleshy area between his thumb and forefinger. Her brows pinch together, and the window whirs as the glass partition sinks. The girl raises her hand and points back with her thumb.

“Are you going in that direction?”

Wordlessly, the attractive stranger nods — a single dip of his chin.

“I’m going that way, too. I can give you a lift.”

Another look of hesitancy flits over the curly-haired stranger’s face, a soft, dubious touch to his facial features. He purses his strawberry mouth.

“If you’re sure.”

Y/N doesn’t do hitchhikers.

And still, she slips her hand over the unlock button, and the doors click to signal unshuttering as the man culls his wallet and stuffs the cash back in, sticking that back into his jeans. She watches him wind around her car, his gait trailing behind, and her eyes follow his side profile, bathed in the red of the brake lights, through the rear-view. The passenger door slips open. She rolls her window the rest of the way up.

“Thank you,” the man tells her in his low baritone, raking fingers through his curls as he slides into the seat beside her and shuts the door.

He smells heady and fresh — expensive. But it’s not overpowering, by any means. A blend of tantalizing notes; cologne blotted in increments that mesh well with his natural musk. The pleasant scent is the first thing she notices when he climbs into her vehicle. The second is the sculpt of his side profile — lengthy lashes over the crest of his cheekbones, his nose, a plush, pink mouth, a stray curl splayed over his forehead. He’s a little older than her, at least by a handful of years; there’s this innate, aged quality to him, and she can witness it in the shape of his features, in the soft dusting of stubble over his jawline. Y/N catches glimpses of his side profile discretely as the music track shifts, eyeing the bob of his Adam's apple as he cranes his neck back against the headrest. The screen over the center console reads 1:02 AM.

“Long night?”

It’s a shit attempt at small talk, but the young woman turns the wheel in her palms, hopeful that the man is interested in something more than an awkward silence, sparsely filled with the mellow keys of electronic-indie leaking from the speakers. She heard him expel a breath more than she sees it in her peripherals, and as the car embarks on another U-turn, he tells her, with laughter suffusing his cadence, “Yeah. Yeah, s’been a long night.”

She does make out that he pivots a bit towards her, and his tone is earnest when he says, “But it’d be a little longer without you, I think. Thank you, again. Feels like I can’t say it enough.”

Her mouth quirks softly. The young woman keeps a haphazard left hand on the wheel, vision bouncing from the poorly illuminated road ahead and the phone in the cupholder. The LED display lights alive as she swipes her thumb over the lockscreen and toggles onto the maps app, cueing him by nudging the electronic in his direction.

“Um. If you could just type in the directions— I’m sort of shit in these parts, to be honest.”

She casts a brief gaze toward him and sees a soft divot pinch into his cheek as the corners of his mouth crook up. His fingertips, warm and rough — calloused — brush over the back of her hand with the handoff, and then his thumbs are working over the screen before an address and a winding blue line of directions with an eta of thirty-four minutes teems the screen.

“Hi, by the way,” the man says in his honey-smooth cadence, “My name’s Harry.”

“Hi,” Y/N grins, shooting a bashful glance into the attractive stranger — Harry’s — direction, before fixing her irises up ahead. “I’m Y/N.”

“Y/N,” the man parrots — God. She could listen to him drone on about the most monotonous topics in that voice. He doesn’t. Instead, he uses that same timbre again to say, “S’a pretty name.” And she has to ignore the flurry of butterflies that swarm her innards at the entirely innocuous compliment and the heat that suffuses her cheeks. “Are you from around here?”

“Ish. Sort of,” she slows at a curve through the field. Her brows pinch, “I mean, I’ve lived here for a bit now, but I moved from Oregon.”

“Oregon? That’s sick. Any particular motive?”

Y/N lifts a subtle shoulder, because there isn’t. She pauses before she answers. “Dunno. Just needed a change of scenery.”

Harry twists the ring over his pinky and nods down at the motion, lips pursed with intrigue, “Adventurous.”

The young woman’s mouth crooks, because he’s, evidently, from the opposite hemisphere.

“That’s admirable,” the man motions with his chin.

Her mouth is still smiley when she rounds another curve, in the opposite direction, and mirrors his dialogue, “What about you? Any motive?”

“My motive?” his inflection is cheeky and playful, “You don’t think I’m a native?”

The girl makes a wry sound of amusement; an obvious inclination of disagreement. The handsome man grins, all raspberry-tinted lips and friendly teeth. “Just …visited, and never wanted to leave,” he declares with little expansion on the topic. Simple, short, sufficing.

There’s a little moment of lull between them when she straightens the car out and the track slips into the chorus.

Harry shifts in the passenger seat and asks, in that same deep timbre she could sink into and drown in, “Where are you headed from?”

Where is she headed from? Y/N blinks at the road ahead, digits flexing over the steering wheel. Truth be told, it’s a late hour to be out and about, especially in this deserted neck of the woods. Every cozy little farmhouse in these plains, distant beyond the fields of grass, has lights off. No other car passes.

“I was on a …date,” the young woman tells him.

Harry nods and swivels in his seat to face her a bit. “Good date?”

Y/N pauses, the fragments of the story rolling around behind her skull. And truth be told, …it wasn’t a very good date. But it wasn’t a date to begin with. In all honesty, she’s not about to tell this attractive stranger that she’d driven forty minutes for a routine hook-up with an old tinder match, only to be stood up outside his door.

He was a character whose path happened to cross with hers for purely carnal purposes, and their flings were like rolls through seasons, rendezvous blotted into her timeline where either had a smidge to make room. She’s not going to talk about that. It’s piteous, basically. The young woman doesn’t risk side-eyeing him. This man seems like he’s well off in that department, and she doesn’t want to discuss her shit intimate life and the way that Cody decided, last minute, that he was more interested in going out for miller lites with his buddies than entertaining the idea of sleeping with her.

He didn’t even have that impressive of dick game anyways — that’s the brutal candor. It wasn’t that he had this particular lack of satisfaction guarantee, but the sex was okay. It didn’t tick all the boxes or leave her fulfilled, not in the real sense, but it was sex, and it was decent. Maybe the most brutal part is the way she’d driven all the way to see him, even knowing that the sex wasn’t going to be top notch.

Apparently, her silence stretches too long, and the pause gives away the answer she mulls tactics over hiding.

“Bad date,” the girl hears from beside her — it’s in this thoughtful sort of way, like Harry’s slotting puzzle pieces together in the lull.

Y/N shifts her fingers over the wheel, the sound of skin sliding over leather meshing with the starting notes of a Cage the Elephant track. Her thumb toggles over a button on the wheel. She skips it.

“No,” the girl responds, eventually, but she doesn’t even sound fully convincing to her own ears. There’s this high note to her cadence, and she hears it in her own waver of honesty. She wants to cringe up, a little, at the sound. “Not …bad. Just. Well, you know. What about you?”

For the first time since she’d gotten back onto the road, Y/N casts her gaze to him. A glimpse, a twist of her chin, enough to take in his side-profile for a smidge of a second, more in a way to incite switching the topic and pivoting the point of conversation than the inconspicuous stare she’d made appreciating his features. The corner of his plush mouth curves up, and he makes a little sound; a puff of air through his nostrils like he’s bridling mirth.

“Was my date bad?” Harry says, in this playful sort of way. Like he’s teasing her.

“No— your— whatever you—”

Y/N huffs. She rolls her shoulders back against the seat, a heat teeming over her cheeks. Why was she so nervous? Why did he make her so nervous? Harry makes another sound of amusement, the cushion of his lips unsealing to display straight white teeth.

“I was at a friend’s,” Harry expands, opting to stop drawing out the teasing, enough for Y/N’s shoulders (that’d grown rigid) to relax a little against the seat. “Was actually having a good night, believe it or not. And then, you know.”

Unfortunately, she does know. He’s sitting in her car, after all.

“Do you know what went wrong with it?” she ponders.

“Well,” Harry the pads of his fingers over the door, and it takes every fiber in her not to sneak a glance at the motion, not to admire the yellow polish, washed with darkness, dim in the car, “the check engine light was on for a bit, to be honest. But— no,” the man pauses with a little simper, shooting her a glance, “Cars aren’t my specialty.”

They talk about loads of things — she learns all about his friends and the sort of outing they’d had (game night it’d been, Uno, and he’d beckoned her opinion on a debate that’d arisen — whether a draw four could be stacked onto a draw two). That had spawned another conversation on card games —

(“Is it like Go Fish, then?”

“No,” she snorts, “not at all.”

“Not at all?”

“There’s a board and it’s— more complicated.”

“There’s a board,” Harry parrots, shifting with his elbow brace on the center console like an armrest, “And it’s just, like. Cards, like, in a deck of cards?”

“You’ve never played cribbage?” Y/N repeats in disbelief.)

She learns about his job, and his cat, and his collection of vintage vinyls. He’s amiable, and he answers every question she directs his way with this smooth sort of charm. He’s easy to talk to, and the span of the drive cuts shorter and shorter through intriguing conversation. But she leads the way for the majority of the inquiries.

It’s not until they’re at the halfway mark before he asks his own, rather than redirecting one of hers.

“Can I ask you something?” Harry drums his fingertips over the plush of his mouth, and Y/N struggles to fix her eyes back onto the road once she’s spared him a glance.

It takes her a second to hum out an agreement, too.

“It was a bad date, wasn’t it?”

The girl expels a breath and drums her fingers over the wheel, casting her gaze onto the screen of directions.

“It wasn’t even a date,” she confesses, “he was like—“ she blinks, lashes fluttering as exasperation at the reminder leaks through, “A tinder hook up, and we didn’t even end up hooking up.”

Before he can interject, Y/N tacks on, begrudged, “He wanted to hit the bars with his posse of Mag-con wannabes, instead.”

And then there’s this sort of pause that has Y/N thinking that maybe she’s overshared. The man with the sun-polished nails isn’t an old friend she’s having a gab with, catching up on the phone — he’s a stray man she’s plucked up off some deserted road, and if he judged her for her choices, it’d kind of be justified. Namely, the one where she’d driven out in the middle of the night for impromptu cock.

And anyways, this all feels a bit surreal — the beginnings of a therapy session with a stranger who’d hopped into her sedan for a lift, filling the void of a psychologist in a great, big leather armchair.

Except Harry sounds earnestly disbelieving when he says, “You’re kidding.”

She purses her mouth and readjusts her fingers over the steering wheel. “He sort of …canceled when I was already at his door? Forgot to text me that the plans changed. That’s what he said.”

“What a dickhead.”

“Mm,” Y/N hums.

“He’s a moron for passing up the opportunity,” Harry tells her. It’s not in an awkward way, or anything creepy, either. He’s got this air to him, she finds — an ability to make a comment like with effortless delivery of charm. He’s not even looking at her when he says it, only risking her a brief glance that she catches in her peripherals. She still side-eyes him from her seat in surprise, the edges of her mouth curling up bashfully.

“M’serious,” Harry says, dimples pinching into place beside the upturned-curl of his plush mouth.

And the thing is, Harry is so friendly. He’s kind, and interesting, and despite the way Y/N had assumed allowing for his presence in her car would be the world’s greatest chore, she’s pleased to be in his company.

That’s why she lifts a wry shoulder and tells him, “The sex was bad anyways.”

The man’s face pivots to face her, then. “Yeah?” he coaxes for expansion in his molasses-slow croon of a timbre.

“It was just a little boring.”

“Boring?”

“Not— maybe not boring. Just, you know. There was nothing…” Y/N drums digits over the steering wheel, “I don’t know.”

The man beside her clears his throat.

“Was he a missionary in the dark type of bloke, then?”

“Yes,” she responds, almost instantly. Because missionary in the dark is, perhaps, the best way to describe Cody’s sexual nature. Down to the T, practically. She can’t fathom how many times she’d lay there, hoping he’d switch up into something different, something where his hands weren’t resting shallowly on the bed sheets beside her shoulders, something where his face wasn’t tucked into the crook of her neck, his mouth biting back everything but soft hisses of air as his hips rocked at an mediocrely slow pace.

Harry’s mouth quirks.

“But not even that, it’s like. He wasn’t bad at foreplay, or anything. It wasn’t the best. But, you know. It was all sort of… plain.”

The young woman pauses before she continues with an apathetic, one-shouldered shrug, “And there’s nothing wrong with plain. It gets the job done, and, you know. That’s what some people like.”

There’s a shift in energy, from there. It’s subtle, but Y/N can feel it, and she wonders whether the morph is a one-sided experience. It happens with the honesty of the context, with the way she swears jade winds over her figure from beside, with the rasp of his voice beckoning something playful.

“But that’s not what you like.”

Y/N takes a second to answer. “No.”

“What do you like?”

Maybe that phrase is where it hits her. Where she recognizes that the subtle shift in energy is not one-sided. Not by any means.

Y/N risks a haphazard glance into his direction.

“Not …that,” the girl laughs. It’s a nervous, giggly kind of sound, but it’s not because of him.

It’s different now, she thinks. He’d been so timid at first — all bashful gazes through lashes glimmering under the beam of headlights, hesitancy shaping his features. Friendly dialogue — alluring, but curt in anything beyond friendly. This is different. This is blunt and forward. This is his eyes raking over her, this is his tongue swiping out over the plush of his pink mouth, this is his dimples peeking as the corners edge up.

“What do you like?” Harry asks again, a note of flirty, lighthearted amusement to his smooth cadence.

Y/N sighs, the corners of her mouth tipping up. “I don’t know. Oh my God. Why are you interrogating me?”

Harry laughs. His brows rise, and he tips his chin down so the green sparkles at her. “You don’t know what you like?”

“I don’t know,” she huffs, good natured. And then she gives. “Something… rough. Something exciting. I don’t know, pull my hair, make it hurt a little. Don’t… lay there in the dark and…” her speech morphs into giggles, “Groan into my ear about how tight I am while I’m laying there like a dead fish.”

Y/N doesn’t know how she ends up pulled over in some deserted parking lot. She doesn’t know how her headlights end up off, how the stranger’s hands sew into her hair, how his lips mesh softly with hers, hungrily. Well. She does know, but she doesn’t care about the details in between. Because he’s hot, and he tastes of mint, and the tips of his fingers press into her scalp and tug a little when they brush through, when he slips a palm over the nape of her neck through the work of his cushiony mouth. It’s thrilling, and it’s sexy, and it’s dangerous, she thinks, but that thought becomes clouded and pushed back to the dells of her mind.

“Such a pretty little thing,” Harry murmurs when they disconnect, fingers splaying over her cheeks. Her heart hammers in her chest, and his irises trail after the motion of his thumb, bumpily dragging over the side of her lips, all the way to her cupid's bow. That same pad of his thumb pauses and tugs, drawing her bottom lip down to show the slightly parted seal of her teeth.

And then he’s taking his thumb away and nudging the tips of his index and middle finger, coaxing, “Open your mouth, open your mouth.”

The pads of his digits meet the tip of her tongue and prod in, brushing over her taste buds, until he’s tapping onto the center of the muscle and crooning, “Stick it out. Tongue out for me.”

A little hum escapes her, plucking at her vocal chords when she complies, only for him to trace further with his fingertips and nudge until he strokes the back. He holds them there and makes a little motion with his chin and a soft tut when her irises stay pinned on him, glazing with a sheen of watery protest at the depth of the intrusion.

“Ah— don’t you gag,” he tells her softly, every syllable of every word coated with these notes of dominance that almost seem …innate — like the headspace is a pair of shoes for him to slip into with ease.

It’s filthy, it’s so filthy — this stranger’s fingers in her mouth, this man she’s never seen a day in her life, a complete, nameless stranger, not even an hour prior, prodding into the warm wetness behind her lips. And her, following his aimless direction, just to please him. She doesn’t gag through the way his fingers crook, her tongue twitching and her throat bobbing, her sight growing blurry with the coating of sheen. It’s worth it, immensely, when Harry hisses out a soft curse and groans softly, his brows pinched.

It’s worth it when he takes his fingers away, and Y/N’s jaw is coated with her drool, when her tongue is still out, when Harry says, in this soft, strained voice, like it’s praise, “Christ, you’re a filthy thing.”

She finds that this impromptu rendezvous sort of gives her whiplash. She’s parked in some empty parking lot with her lights off, and an alluring stranger’s just untucked his fingers from her mouth. Maybe someone would deem this a new low — having a shag with some hitchhiker she’s scooped off the side of a back-country road. But he’s eyeing her like she’s prey, and he rolls from one action like pages flitting and flipping in a book, and every detail keeps her on her toes. She can’t keep up. Y/N pants wetly, like she’s not sure whether to slip her tongue back into her strawberry mouth, because she’s not.

Not until he swipes another thumb over the tip of the lax, twitching muscle and beckons, like he’s a little amused, “Aren’t you?”

Slowly, her tongue retreats, and that’s when his hand slips and cups over her throat, and that’s—

Her pulse thunders like it’s straining to beat out from below her skin, and Harry adjusts his grip, that same, wet thumb drawing short, slow lines over the point like he wants to test the race of her heart, like he wants to know that the pattern has skyrocketed since his palm has made homage over her windpipe. The man hums, pupils trailing and lingering slowly.

“Tell me—“ Y/N shifts in her seat, spine straightening out against the cushion, and something wracks down every individual knob when his blown gaze pins her the same way his palm pins over her neck, “Tell me you’re my filthy plaything.”

The press of his hand isn’t harsh by any extent, not until she parts her lips to answer — that’s when he nudges a little firmer. A little harder. He cocks his head at her in this condescending way — like her stifled sound of surprise entertains him, like the subtle, almost unnoticeable jolt of her eyelids, widening, pleases him. Judging by the slight quirk at the edges of Harry’s plush mouth, it does.

Her tummy coils with unanticipated desire. This feels almost scary. This feels like traipsing over a rope, like teetering over dangerous territory, and the sudden spike of adrenaline only has her thighs clenching together harder. Because this is sweet Harry, the friendly hitchhiker, in his cream sweater with his nice smile, and his charming dimples, and his loose, clean curls, with his warm palm cupped over her throat and the pad of his thumb digging into her pulse. He looks fucking hungry.

“I’m—“ her statement’s muzzled by the press of his hand, an increase in only a slight increment. It’s enough to wrest a garbled sound from the back of her throat. He tips his head.

“What’s that?”

“I’m your…” she pauses when he presses harder, again, and this time’s enough to have her feeling lightheaded, her bleary eyes wandering over his face and every muscle of her face battling the light flutter of her lashes. She thinks a dimple peeks from his cheek. Harry lets up.

Y/N siphons breaths like her lungs have been deprived for ages, and not just partly for the timespan of a short fifteen seconds. Still, his palm is glued over the front of her neck — just there. His thumb strokes over her pulse gently.

“I’m your …filthy plaything,” the young woman confesses in this pathetic little voice that’d have her ashamed in every other setting. But in this one, it doesn’t.

Arousal creeps through every fiber of being, instead, crawling through her arteries and settling into her veins like a twisted, dark goo. It thrums through her and sinks through to the trench of her tummy, frothing as chills teem down her back. He’s got this glint in his eye, like a dance around a bonfire in the deep of the night — but it’s just a stray street light that casts its shone as a spotlight when he ducks forward a tad, just enough for it to. When he tips forward, his gaze growing half-lidded, lower and lower the closer he gets, it feels like he starts to siphon every breath from her own mouth as his cushiony lips ghost over her cupid’s bow. Even for the smidge of the second it takes for their mouths to mesh again, it feels like the movement is in ultra slow motion.

The mold of their mouths together, this time, feels a lot less like she’s got her hands on the wheel — the first time had been almost testing, sweet — something soft that’d shifted into something headier, something firmer. This feels like something he guides, something he takes the clear lead in, from the pace of his hungry lips to the exploratory nudge of his tongue against the seam of her own mouth. Her fingers flex over the center console aimlessly, palm straying, and fingertips catching on a part of his cotton sweatshirt. They twist into the fabric softly when Harry’s tongue strokes over her own. A hand settles onto her thigh. It’s not her own.

“Get in the backseat,” he hums into her open mouth, squeezing over her flesh when she doesn’t immediately comply. He’s got this way of dulling her reflexes, crumbling the semblance of her mind to mush, and Y/N is convinced it has more to do with his touch than it has with the time of night, despite the way exhaustion wears at her tired muscles. “Get in the fuckin’ backseat.”

When her arms strays and she reaches for the door handle, though, he squeezes at her thigh again, and hums out a displeased note of disagreement. “Not like that.”

Bemused, Y/N shifts in her seat. A glint of something playful glows in the jade when Harry tells her, “You can find another way, can’t you, pet? Go on.”

Y/N sits in confused silence for all of three seconds before the man sits back a tad and cocks his head, irises flashing towards the backseat with a playful, little grin quirking at his lips. Like he’s suggesting.

It takes her longer than three seconds to clamber into the back from the driver’s seat, through the slot over the center console, but it satisfies Harry, evidently, judging by the way he palms over the globes of her backside through her stretchy mini-skirt. It’s not very graceful, and if she was less aroused she’d probably find it in her somewhere to be a bit embarrassed, but. She doesn’t. She wriggles over the cushion, instead, settling back.

Harry has smarter ideas. He toggles the gear on the side of the passenger seat and sets the whole top of it back, like a makeshift day-bed, and scoots into the back of the sedan through the opening. And there’s not much leg room — not for the two of them, not with the whole back of the seat splayed — and there’s not much room for their heads, either, but they manage to squeeze back, and he’s gripping onto her shoulders and twisting her on his own whim before the young woman has a chance to shift around, herself.

“Get—“ the way Harry manhandles her with a grip on her hips, (once he’s got her slumped, at least somewhat) — with ease, like he’s flipping a page in a book rather than rearranging her whole position in the cramped space of a sedan backseat — that lights something fiery in the pit of her belly. “Hands and knees, baby,” Harry tells her, grunting softly while her limbs scrabble over the pleather. He pulls her back into him, by the hips as she’s physically molded into it, parroting, quieter, “hands and knees.”

“Itsy bitsy skirt… so easy to just—” Harry hums, this sort of mischief to his cadence — and it becomes blatantly obvious, the reason for it, when his digits creep under, from behind, and his colossal palms hitch it up, “Oops.”

She’s wearing tights under it. They’re not the fleece-lined kind, despite the bite of chill in the air outside, but they are there, and Harry spans the pads of his fingers over the barrier like he doesn’t have plans to discard them the practical way.

He doesn’t. The man stripes a fingertip down her core, from behind, over the fabric and the faint hue of cheeky purple that peeks through, and makes this devious sound of mirth when her whole body twitches. And then he draws the same fingertip back up, in the same line, and nudges a bit.

“What am I gonna do with you?” Harry coos. The third, slow drag has her arching her hips back. “Hm? What am I gonna do?” He takes almost a thoughtful second, tongue peeking out to swipe out over the cushion of his pink bottom lip, before Harry splays his palms over her bum, “Pretty girl… pretty arse…”

And it’s so calm — he’s so calm, so casual, so nonchalant — Y/N doesn’t even sense it coming until he sighs, and then he’s digging the tips of his digits into the nylon, stretching it from her core, and just tearing. Casually. Nonchalantly. The sound of fabric ripping apart coaxes her jaw to slip open, and her pupils stick to the inside of the door, unblinking, as he just tears, and tears, and tears.

And she’s not even upset, is the thing. She’s not irritated that this stranger’s just torn the crotch of her tights apart — she can’t be, not when he hums devilishly and strokes over her core, a layer closer. Maybe that’s pitiful. Maybe that’s sad, that she’s so fucking horny that she doesn’t care that her tights have been split open with no prior discourse on the topic, but this direction of impulse — the way she’s not even able to try and guess his next move, it kindles something hot and hungry.

And if she ever has Cody to thank for anything, Y/N thinks maybe it’d be that he’d inspired her to shave and slip on a pair of decently attractive underthings.

“These are pretty, too,” Harry tells her, thumbing at the crotch of the thong, just over one side. The young woman gives this dreamy little sigh and arches back up into him further. “What d’you want, sweetheart? Want me to give some attention …here—“

Her spine jolts when he nudges the pad of his index right up against her clit, lightly, over the purple fabric, “Maybe? Is that it? Eager girl.”

He draws a featherlight circle over it, and then another, and another until her thighs are trembling. The tip of his digit taps. She nudges back, and he takes it away altogether. An amused sound slips from his mouth.

“Say please,” Harry demands.

Y/N jumps as his fingertips trail to her inner thigh, crooking and tickling in the line they draw.

“Please.”

Again, he makes a disapproving tut, and Y/N rolls her cheek onto on a forearm, tucked over the seat.

His eyebrows climb up his forehead, and his fingertips drift up and down the back of her thigh, drawing closer and closer where she needs him most with every lap. Each word is covered with notes of firm dominance. “Not like that. Like you mean it — like you’re pleading.”

Y/N mulls over the words, her heart thundering.

“How d’you beg?”

It takes a second for his words to sink in, but then when they do, she croons out, softer, more desperate, “Please.”

There’s a soft sound of a breath being expelled, the seat crinkling quietly as, she assumes, Harry sits back on his haunches, head ducked. Like it’s not good enough. Her tongue traces out over her lips and she beckons, “Please, please,” each plea prompting a spiral of unfamiliar humiliation — glazed with arousal — to unfurl.

“Please, please, please—“ each word emphasized with a rock back of her hips. And finally, he touches her.

His palm cradles a cheek, and he doesn’t sound even slightly impressed. Instead, his voice comes out exasperated when he tells her, “That’s not convincing. You’re desperate. You want something — you need it, you’re pleading.”

“Please— please—“

“Louder,” he scoffs, “Beg. Beg.”

“Please,” she tries, desperation creasing her voice strained on the syllable, and Harry drags fingertips, airy, across her inner thigh, from bottom to top. “Please, please, please—“

And finally, something clicks. Something slots together, at some point, when she ditches the inhibitions and her cadence starts to border on a delirious sort of desperation. Finally, something works.

“That’s better,” Harry says softly, swiping his thumb over her clit, “Much better.”

She doesn’t pick up on that, though, and she’s still begging, pleading, quietly. Quieter, quieter, quieter — the words growing more sparse the longer he spends time honing on her clit, the firmer his touch becomes.

“Good girl,” Harry coos, his fingertips latching up under the hem at the crotch of her panties, before he tugs, “Good girl. You ask nicely, and I’ll give it to you. S’that easy.”

He slips a thumb against her gushing entrance and drags it down, tracing careful shapes over the bud of nerves, before he tugs down on the hood and emphasizes on the new exposure by reigniting the touch with the thumb on his opposite hand. Two hand task — very dedicated.

“S’this all for me?” the man teases, pinching her clit, lightly, between the pad of his thumb and the side of his index. He sounds a little self-satisfied when he declares, quietly, “I’m flattered.”

Her lips part as a silent, breathy moan wrests from the back of her throat. It happens when the pad of his long middle digit prods at her entrance and nudges in. The thumb on his other hand sweeps, side to side, over where she’d most sensitive, and he stuffs into her further. And they are lengthy — his fingers. She’d seen them drumming over the center console, and smush over the raspberry tint of his lips, felt them coat her tongue, and felt them press against her throat. They can reach further than her own, crooking against her spongy walls, curling when he adds a second before straightening out and scissoring for the stretch.

“Christ, you’re gushing,” Harry says, and as if on cue, the pornographic squelch of his fingers working crowds the cramped space, “Jesus— d’you hear that?”

Y/N buries her face in her arms to muzzle the little sounds of bliss that he pries from her mouth. It’s not until he’s proper fucking into her with his digits, the pad of his thumb dragging tight, little circles over her clit, that those sounds escape her. And when they start, they pour in a flood. Because he works so expertly, so deftly — from the pace, to the angle, to the way he hones on her clit with his other hand, and the filthy dialogue he spews in his honey-smooth baritone. It’s everything, everything, and it prompts the coil in her belly to circle and squeeze, tighter, tighter — a telltale prior to its inevitable snap. She clenches over his fingers helplessly.

But then he just— stops.

The nudge of his digits skirts to a stand-still within her, and his thumb stops drawing circles, and Y/N just squeezes over him like a silent plea. He makes this sound — this mirthy, deviously pleased hum, like her displeasure at his pause amuses him. It’s pure sadism.

It’s not until she rocks her hips a bit, a shallow, desperate kind of back and forth, that the amusement seems to slip from his tone.

“Don’t—“ Harry tuts sharply, taking his thumb off her clit altogether to grip at her hip harshly, “Stay still. Naughty, little minx.”

And she does. She stays still when his voice gets hard like that. There’s a bit of quiet between his snap and the subtle freeze-up of her rocking. Soft breaths sew through the lull, but then he talks again, his tone a little nicer.

“We’re gonna play a little game, yeah?”

That’s …intriguing. Y/N shifts over the cushion. His grasp over her hip has softened considerably, but there’s still this humiliating heat that swarms her face at the fact that the crotch of her panties is still tucked against her skin, that everything’s out in the open, that Harry’s practically ogling in lieu of touching her.

“It’s a bit like Simon Says. Except, when you play Simon Says, you hesitate a little, right?”

The man’s thumb presses back to her clit, and she buries her face in her folded arms.

“And I don’t want you to hesitate. I’ll tell you something to do, and—“

His fingers sink into her, and her shoulders grow tense from the bliss. Y/N muzzles her groan.

“You’ll do it. Sounds easy enough?”

It does. It’s easy enough instructions, and when Harry pats at the same hip he’d been clutching over and beckons, “Hands back here,” Y/N obliges easily enough.

Her cheek presses to the cushion, cool against the warmth teeming beneath her skin, and she lets him manhandle and move her splayed fingers to his liking, arms stretched behind.

“That’s good,” Harry croons in his low timbre, the warm, lewd praise of it drawing chills up the nape of her neck, “Now spread a bit for me.”

Y/N does that, too. Her finger pads nudge and press into her flesh, coated with the tights, and her digits crook as the tips dig in to splay — to follow his direction, to please him. And it’s shameful, a pinch in her shoulders as her arms reach back, fingers twitchy, imprinting into her own backside with little divots as she opens herself up for him to do nothing. But his satisfied little hum sends an unfamiliar sense of accomplishment spiraling through her veins. The way his warm palm rests on and pets over the back of her thigh along with it feeds something new and starving.

“Good girl. There you go. See? S’easy.”

Y/N makes a little sound into the seat, and her fingers flex as Harry pumps his own digits, a steady rhythm of in and out, paired with a hum from him that sounds absolutely pornographic.

“Such a good girl,” the man tells her, fingers crooking, but the praise isn’t enough to muffle the bemusement that wracks her when he says in this devious hush, “Let’s try another. Bark.”

Bark.

It takes a second for the command to register past the immediate threshold of the pleasure curling in her belly as he strokes at her spongy walls. And when it does click together, his word settling past the membrane of bliss, her initial thought is that she’s definitely misheard him. Because that’s …sort of a ludicrous request. The young woman sounds strewn between groggy and muzzled when she cranes her neck a bit over the cushion and beckons with a confused hum.

“Bark,” Harry repeats, “like a dog.” Simple and nonchalant.

Bark like a dog. She’s midway through creased brows, a strained raise of her head, and a baffled what, before the man stills his fingers and takes a grip over her wrist, sliding her hand away.

And then he smacks her, hard, with his palm on one side, in the same place where her digits had dug in to spread herself open.

It’s loud, and it stings, and it sends a shockwave through her nervous system, strong enough to have everything buzzing on alert as her forehead pastes to the seat and the parted gap of her mouth struggles to mute a gasp. Maybe the most surprising part is that the hurt feels good, that the sting morphs into something else as it fizzles and ebs, that the hammer of her heart spikes this famished, unfamiliar arousal coursing through her when he doesn’t even bother stroking over the bruised skin. It’s definitely hard enough to leave a ruddy mark under the tights, and Y/N blinks down at the faux leather, wordless and a little gobsmacked.

And then Harry sighs in this way that’s so …disappointed. And the calmness of his inflection, grouped with the irony of the harsh hit… that has a chill climbing up her spine.

“That’s not how you play the game, pet.”

He says it in this eerily nonchalant note of disdain, like he’s not just casually tattooed the shape of his hand onto her backside with a blow. Like he expected better. Like it’s a little mishap they’ll gloss over. She doesn’t even realize she’s still got a vice clamped over his fingers until he shifts the digits in her, coaxing her core to flutter around him. Harry sighs again.

“Did you forget the rules, baby?” he asks, cadence soft and basked in condescension. The man strokes over the heated skin, the same spot where Y/N is sure a subtle welt has peaked to the surface below the thin veil of the sheer tights, “I tell you to do something and you do it, right?”

Her knees are starting to ache a little, a soreness settling into the joints, but she doesn’t even mind it when his fingers pump again, slowly.

“That’s how the game goes. Right? I need an answer.”

She makes a soft sound. A little sound that’s not protest. A little sound that’s not outright agreement. It’s a whimper into a void, but everything about him and his touch lights something alive in her. And she wants more. She’s dizzy off of it when she manages out a breathless, “Yes.” It’s a short word that comes out in a breath, like she’d been holding the air in her lungs.

Maybe that’s why she’s dizzy.

“Are we on the same page? Let’s try again, then. Bark.”

Y/N shifts over the seat. The hand he’d moved has splayed helplessly to her side, and the fingers curl and uncurl as the weight of the suggestion hits her. Because that’s— it’s humiliating. It’s demeaning, and it’s strange, and the fact that he demands it has the tips of a fire licking up at her insides. The young woman makes an uncharacteristically pathetic noise.

Harry sighs.

The split second of hesitation is enough, apparently, for another slap, just as hard, in the same spot. It has her rocking forward and clenching over his digits again. Harry’s quick to correct her posture with a hand on her hip, guiding her back in a way that lacks gentleness.

“I said, bark.”

This time his voice is harder. Meaner. Y/N gives.

She gives because the tips of his fingers prod at this heavenly spot inside her, because her skin smarts in a way that has her practically drooling, because she’s dizzy, and hungry, and desperate. Her thighs are quivering when she gets out a half-hearted woof, her lips shaping over the word like the task is a chore to get out.

“Better—“ another slap, aimed lower onto the back of her thigh, has her hips jutting and the straight line of her spine twisting up, “—but not what I’m looking for. Try again.”

She doesn’t even aim to please, is the thing, when her yelp overlaps with another smack. But it morphs into something surprised and deliciously pained, and evidently, it’s enough, judging by the way his touch smooths over the stinging skin.

“Oh, baby,” Harry tells her, his fingers stroking like he’s smudging the pink-tinge of bruising, “That’s pathetic.”

And it dawns on her then, that there’s no winning with this game. When he tuts and tells her, absolutely patronizingly, “So desperate for it, she’s barking like a stray.”

It dawns on her that she doesn’t want to win. She doesn’t care, because his filthy dialogue, as demeaning as it is, just draws her wetter and closer. As if to highlight on it, Harry crooks his fingers and tacks on, “You’re leaking all over the seats, pet.”

And she is, she’s sure. It’s a dirty game he plays, and she loves every part of it and more. It has her writhing when he draws circles over her clit, it has her aching for more when he guides her hand back to her backside with a squeeze and a wordless coax to keep spreading.

“Gonna let me fuck you?” Harry pulls the digits out, dirtying what’s left of her tights and smearing sticky wetness over the back of her thigh, “Hm? Gonna let me—“ his belt clinks as he unbuckles it, and then comes the soft sound of a zipper, its teeth unlatching, “—fill you up?”

“Glovebox,” Y/N mumbles, hips shifting back when he pets at her thigh.

His pupils flit, sticking to the back of her head, before they jump back down to his handiwork. Harry’s tone sounds absent-minded and mirthy when he asks, “What’s that?”

“There’s condoms in the glovebox,” she expands, a little louder than her prior murmur, bracing on her forearms to cast her gaze back at him over her shoulder.

And he looks rugged in this boyish, youthful way, then, is the thing. The corner of his mouth jolts, lopsided, and a stray tendril has flopped over his forehead. His hands are on the undone buckle of his belt, and his fly’s down, and he sounds absolutely amused when he says, “Are there?”

There are.

“You’ve prepared for this, then, have you?” Harry sets a palm onto her hip, squeezing as a dimple pinches into his cheek, “Condoms in your glovebox …like a proper dirty whore?”

Coyly, she blinks, cheek nuzzled to the seat, and she watches him stretch his arm out for the glovebox as he knees away.

“I’m always prepared,” Y/N settles on, softly.

The glovebox slips open. There’s rummaging — his torso turns to face it entirely, and then he gleans a shining, golden little packet, tucked between the pads of his digits. The young woman wriggles her hips. There’s this glint of fiery …something. Something playful, something lewd, something hungry in the jade, when he clambers back over, steadying himself with a palm on her tailbone. It coaxes her spine into a pretty, sharper arch.

“You do this a lot, do you?” Harry teases, “Pick up strange men, let them fuck you?”

She hums in agreement as the man takes the little gold square, snug between his teeth, fingers working quickly, pushing buttons through slots and tugging his cock out.

“Maybe I do.”

He tears at the wrapper with his teeth. She knows, because his next words come out a little muffled.

“Is that right?”

It’s not. It’s so out of the norm, so far from the usual, but Y/N would be a masochist to string out the arousal that’d built between her thighs in lieu of letting Harry span his palms over the globes of her ass in the backseat. Harry, with his cheeky smile and his sunshine, short-trimmed nails. Harry, with his denim-tethered bulge dragging over the back of her thigh and his filthy tongue shaping crude dialogue.

She doesn’t see him as he tuts from behind, but she can picture it; his palm cupped over the base of his shaft as he rolls the condom over and then presses the tip against her teasingly.

“Wanted to be fucked like a dirty whore, is that it?”

Her “yes” stretches and ebs and splinters into a whispery hiss when Harry nudges forward and stretches her out. And then he’s beckoning for her hands, one hand splayed over her hip and the opposite coaxing at her shoulder, tugging and jolting in gentle nudges, mouth shaping over firm, “Hands, hands, give me your hands — behind your back— that’s— just like that.”

Barred from scratching at the seats with his firm, warm grip binding the joints hostage, Y/N presses her cheek to the cushion. She slumps into his willpower, gives into him, the smush of her face sweaty on the cushion, jolting with every rock forward. The young woman clenches over him helplessly. Soft sounds slip past her lips, pried out by the nudges of his hips, over and over, again and again. Her fingers stiffen and flex, and the arch in her spine shifts when the head of his cock bumps that delicious ridge so deep in her — and it’s like Harry senses it, the way her entire body grows taut like a string. He goes at that too, prodding, again and again, until a whine plucks at her vocal chords. Every shallow jolt of his hips sends waves of paralyzing bliss licking over her insides. Every nudge forward has her slumping more. And when he talks, Y/N barely registers it over the rush of blood in her own head.

There’s been little things that fall from his mouth — soft curses and hisses as he slides in, hums and groans when he bottoms out, readjusting his grasp over her wrists. Words, though — now he’s saying words. They’re still in that gentle baritone, this sort of luring croon.

“Come on, baby. Come on — got a stranger’s cock in your pretty, little pussy—“ Harry’s voice catches on a strained note as he pulls out—

…A sigh as he rocks back in, “—and …you’re not gonna struggle?”

A warmth stems from his grasp, behind her back, and as if on reflex, her digits crook and flex. The danger of the words don’t even register. Because, yeah, he’s right. She’s got a stranger holding her restrained, rocking up against her, and all that peaks in her at the filthy dialogue is a bud of deranged arousal. She doesn’t shoulder forward though, doesn’t try to pull her hands apart, doesn’t sag forward, not even a little, too concerned that even a minute shift will alter the delicious intensity of the angle.

“Not even a little bit?” Harry tuts, grinding forward, one more time, slow, and then he squeezes over her wrists hard and picks up in pace. Just until he settles into a hard tempo of short, deep thrusts, and her shoulders are aching from the way he pulls her arms back.

His words blanket her with this patronizing sort of humiliation — the kind that has her spongy walls pulsing over his length and chills erupting from the nape of her neck to the creases between her shoulder blades. “You make it so easy.”

So easy for a stranger to fuck her — so easy, pulling over in some desolate parking lot. So easy, letting him wrap a palm over her throat and stick his fingers past her lips. So easy, following his every command for the reward of his hips pummeling against her own.

And it’s easy to get close with the way he works into her, tip bumping into a spot that sends waves of pleasure coursing through every millimeter of her nervous system. The kind that has every muscle stiffening to stone until the wave ebs. It’s so easy to lurch higher and higher, closer and closer, when his touch digs into her joints, rendering her helpless to his crude affections. When strained grunts and sordid words fall from his mouth, when his other hand slips from her hip and knots into the hair, at the roots, on the back of her scalp, only smushing her cheek into the seat with more pressure.

“Fuck,” Harry groans, the pace of his thrusts stuttering as he picks up the tempo into something merciless, his digits flexing into her hair and his body weight sagging onto her frame.

Every time his balls slap against her clit, teasing where she wants that attention the most, she feels the spring draw tighter, lips smushed to and gaping against the seat. And then he readjusts his grip, lets one of her hands free while he keeps the other pinned, and he coaxes, “Touch your pretty clit, baby. Make yourself cum all over my cock.”

Y/N makes it to the crest before he does. It’s her fingertips sloppily winding loose shapes over the bud of nerves, it’s his cock hammering down into her, it’s the pinch in her shoulder, and the way Harry’s grip grows harsher over the hand he still has pinned, the closer he gets himself. The way his digits are still flexed at the roots of her scalp, the way his moans and curses are garbled with pleasure with each pump. The way her helpless fluttering, when she tips over the peak, draws this long, sordid groan from him as he cranes his neck back. And then he slows, ducking his chin to watch below through slow thrusts.

“Dirty girl, cumming all over a stranger’s cock,” Harry swipes with a thumb where the mesh, toying at the seam of her hole when he goes deeper, again, slow.

And then his grip on her wrist gets hard again as his fingers flex, and he holds onto her hip and guides her in a steady-paced, back and forth bounce over cock. He chases his own releases, every motion rough, and full of control, and so brimmed with this unfamiliar hunger. She’s mush by the time his head tips back, and he gushes ribbon after ribbon into the condom. She’s mush when his grasp over her wrist grows lax, when he knees back clumsily on his knees, when he discards the condom, wrapping it into the confines of its wrapper, when he fixes her purple panties back over her crotch and strokes over the back of her thigh with an amused huff.

“Alright?” Y/N vaguely hears Harry say from behind when she doesn’t instantly sit up, his voice bordering on amused.

That’s. Yeah, Y/N thinks. She’s great. There’s still this rush of blood in her ears, and an ache in her joints that interweaves with the soreness of her muscles, but it’s all in such a good way. She makes a barely coherent hum of agreement and rolls her shoulder forward, planting her palms onto the seat to sit up and glance at the time over the display in the front of the car. It’s nearly three in the morning now, and it hits her then, that she’s so tired. She’s so tired, she feels like every piece of her energy had been strewn up and pulled tight on a rope, and now it’s all wasted away.

Harry gets it. Or he seems to, at least. Sleep beckons her with a whispery croon and a soft touch. The corners of his mouth crook up, and he pats at her hip.

“Hop up, pet. D’you want me to drive the rest of the way? S’just a little bit, now.”

Y/N doesn’t do hitchhikers. She doesn’t let strangers into her car in the middle of the night from some empty road, she doesn’t fuck them in the backseat, and she certainly doesn’t let strange men drive her car to some unfamiliar location, only lacking being undisclosed from its visible street name on the GPS. Y/N doesn’t do any of that. But she nods weakly and lets their roles flip. She’s mid-raising the back of the passenger seat by the time Harry jogs around to the driver’s seat and slips in.

In the rear-view, her reflection greets with her unshed tears and bloodshot eyes, mascara smudged below. He turns to face her and strokes a hand down her thigh. He picks the same hand up and sets it onto the gear-shift. Switches to reverse.

The first thing he says from the front of the car, strawberry mouth quirking as his eyes direct to the back-up camera, is, “I’m sorry about your tights. I hope that was alright.”

When they pull up to the motel, Y/N doesn’t ask questions. There’s only been a span of, maybe, ten minutes passed between the parking lot and their final stop of the night before Harry pulls into a parking spot and shuts the car off.

He tells her, “This is my stop.”

Y/N doesn’t do hitchhikers, and exhaustion wracks at every sinew of muscle in her body. She half-expects him to wordlessly hop out of the car. He doesn’t. The man fixes her with a smile, and says, “Could I get your number, maybe?”

It’s not an odd request by any means, but if she weren’t so tired, maybe she’d ask more questions. Her pupils would wend over the shoddy motel sign, and the shit cars parked beside them, and she’d wonder what the hell they were doing parked in front of some abandoned-looking motel. She’d ask why this was his stop, and not a home. Instead, she pulls a napkin from her glovebox and digs for a pen. She scribbles her digits and hands them off. In the brush of the cool air, from the night, when she clambers out to swap spots with him, she wraps her arms about herself. When she takes a seat into the driver’s side, she expects him to walk away. He doesn’t do that either. Instead, she rolls her window down when he beckons, and Harry leans onto the car and tells her, “Get home alright, yeah?”

It’s a miracle when she hobbles up the steps of her apartment complex, when she pries open the front door and crashes into her sheets. The blankets envelop her like a warm hug, and she doesn’t even bother pulling off her tights.

It’s a week before she gets a phone call. There’s no texts, and the morning after, when she’s greeted with radio-silence, she thinks that maybe she’d dreamt the whole thing.

Her tights, ripped at the crotch, prove otherwise.

She’s in bed, days later, when her screen lights up with a call. It’s an unfamiliar number, and curiosity peaks before she swipes over the answer toggle.

“Hello?”

A gap of silence, a breath, and a familiar, smooth baritone on the other end of the line.

“Y/N.”

There’s a little sound of the bedsheets stirring as she freezes up. He’s caught her off guard. A little laugh plucks at his vocal chords, tinny on the other end of the line, like he’s amused by the stretch of lull. Her lips part, the corners of her mouth inching up as she hears a sigh from him that seeps in all the way to her eardrum. But she doesn’t have time to contemplate what to say or how to say it, because he doesn’t let her get a word in before he’s talking again.

And his next words are not a playful jest at her lack of response, or anything friendly, really. In fact, the confession, said so nonchalantly, causes chills to erupt down her arms.

“I was going to kill you that night.”

The chills aren’t the initial reaction. The initial reflex is the crook of her mouth to morph bemused, the pinch between her eyebrows, and this sullen feeling of dread that twists up in her stomach. A laugh bubbles in her chest, because, what the fuck?

But then he keeps talking.

“Thought about draining the life from those pretty eyes the second you rolled your window down,” the voice on the other end sighs, and it’s got this sort of …reminiscent quality to it. Like he’s tracing the steps of the night back to its starting point. Reliving it when he tells her, “It’s such a thrill, you know. Taking that from someone. So intimate.”

The young woman doesn’t make any sounds, kind of appalled by the sick joke. Because it is sick, it’s disturbing, and it’s a twisted way, at the least, to strike up a conversation if he’s …looking to do what they did again. This isn’t the Harry she’d met on that night. This isn’t the same one who’d worn the cream sweatshirt, and talked all friendly with this smooth, wholesome charm — this wasn’t the man she’d let into her car, this wasn’t the man she’d let do all those filthy things to her, in the backseat of her sedan. This doesn’t feel like the same man at all, and she wishes she’d been aware of the sick sense of humor to his character before she’d let him …violate her. Y/N’s just about to budge in with a disgusted comment, tell him off for calling her so late at night to mess with her, but he beats her to the edge of the gap, yet again.

Except this time, he sounds sort of frustrated, and the phrase comes out like a scolding, the tone of his cadence firm and irate. “Didn’t your mum ever tell you not to talk to strangers? …Didn’t anyone ever tell you not to trust strange men on the side of the road? S’just …bloody stupid.”

He laughs. It’s this soft sort of chortle she’d been so charmed by that night — it’s identical, except then, it was this sweet sound full of wholesome mirth. Now, it feels cold. Odd and detached. Surreal.

“But you… you made it so easy,” Y/N listens to every word that comes through the line, hanging onto every syllable of the empty threat as dread churns her stomach. His words from that night crowd behind her skull. You make it so easy. “So friendly, so sweet. Just wanted to chat on and on. I was going to kill you, and you wanted to have a shag—”

Harry tuts. Her heart hammers behind her ribcage, and she only realizes that her breathing has slowed and that her grip on the smartphone’s grown white-knuckled when it shakes against her cheek. She’d let him drive her car. She’d let him get into her car, she’d let him lure her into pit-stopping in a deserted parking lot, she’d locked the doors, and dimmed the lights, and let him open her up with his fingers and his cock. And then she’d let him drive her car, and take down her number. There’s a moment of mortifying silence.

Harry sounds deadly serious when he tells her, “Don’t you ever pick up another hitchhiker.”

The line goes dead.

Y/N calls back. The number she reaches belongs to a payphone, unanswered.

#harry styles #harry styles fanfiction #harry styles smut #harry styles x reader #harry styles halloween #dom harry styles x sub reader #harry styles one shot #dark harry styles #harry styles one shots #harry styles writing

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pacifymebby · 11 months

Note

Hi! i love your blog sm! i was wondering if i could request a peaky blinders preference for how they would react if they were at a party and an enemy had their s/o’s drink spiked as a way to distract them so they could attack the peaky boys? i hope this makes sense haha Tysm !

Hi lovely thank u so much for the request, i am so sorry that youve waited so long for me to finish this!!! I loved the idea and u gave me so much to work with!! I hope its everything u wanted it to be hehe.

Warnings: spiking of drinks, violence tv level) also describe the feeling of being spiked during Bonnies which could be upsetting for some.

Tommy

🌿 He'd been on edge all evening, he didn't really want to show his face tonight anyway, one of those fancy parties he knew he had to host every now and then to remain a prominent, influencial member of high society...

🌿 But these evenings are always ruined by the other guests... If he had to put a figure on it he'd say he despises about 90% of the rooms population and if it wasn't for you dancing with him and acompanying him all evening he's not sure he wouldn't have shouted that to the whole fucking room...

🌿All in all he wasn't in the mood for a party, let alone the trouble that he could sense brewing, this darkness bubbling away under the surface... He could tell something wasn't quite right, he had that warning bell ringing in his head and everyone who entered the grand ballroom, Tommy counted them, assessed them, studied them for any tells...

🌿Tommy saw exactly what they did, saw your drink get spiked... But this is Tommy Shelby we're talking about, the man never misses a trick

🌿And when he saw that young lad slip something into your drink he knew exactly what it was for... He knew that they were only trying to distract him from the bigger picture

🌿And what better way to navigate the trouble than to let them believe that they had...

🌿So he swaps your drink, accidentally knocking the spiked drink over, along with several others, smiling and laughing it off, apologising, keeps the mood light all hands in the air like "never mind eh just a few spilt drinks"

🌿Then when he rejoins you and gives you your drink he wraps his arms around you and hugs you close, rocking you side to side gently, slow dancing with you. Giving you instructions.

🌿"Need you do somet for me angel," he says, "Don't worry it won't be difficult... Need you to pass out for me yeah, just go limp in my arms as if someones put somet in your drink and its hit you all at once... Not right now yeah, just... Sip your drink - its safe I promise - just sip your drink and dance with me now eh and then, when I go over there and start talking with John, you go talk to Pol or me sister and you tell em you don't feel so good, let them take you out for some air and then you do it alright? But make sure you're somewhere safe away from all this for me... "

🌿You're a little worried, "but why Tommy whats going on?" "Never you mind about any of that eh, you just do this one thing for me eh sweetheart, I'll take care of everything else..."

🌿So you do as he tells you and you go outside with Ada and Polly doing your best to act a little faint a little frail. And to you delight you convince them so that when you pass out in Pollys arms a woman nearby screams and Ada goes running inside to tell Tommy...

🌿And as the chaos errupts and the party falls into dissaray, the fighting breaking out between the Peakys and the rival gang Tommy is safe in the knowledge that youre alright, that youre outside away from it all, safe and sound. So he can concentrate on wiping out the bastards who tried to hurt his angel, tried to use you as a cog in their nasty plan.

🌿He's so proud of you! When the fights over and he's sure there are no more threats he comes to find you, Ada has laid you down on the bench in the garden and covered you with her jacket and when Tommy sees you he smirks, chuckling softly.

🌿He gives you a little applause, "Bravo love, bravo," he says sitting down and helping you up, his proud grin painting a bright smile on your lips.

🌿Ada and Polly being confused until the penny drops and they realise that they've been dragged into one of Tommys plans. Theyre furious that he tricked them like that but Tommy isnt paying any attention to the lecture Polly is giving him. He's just looking at you.

🌿"You should be on the stage angel, when I saw you for a second there you had me worried..." "Don't be daft," you smile shyly, leaning into him as he puts his arms around you and hugs you, kissing your temple, looking out at the garden with serious eyes.

🌿"Sorry I had to drag you into all that love, won't happen again..." but you both know it probably will and he knows now that he can rely on you to be quite the little actress whenever he needs you.

🌿"Glad I've got such a clever girl eh angel..."

Alfie

🐻 Fuckin hates parties, doesnt see why it cant just be you and him having a drink ans a dance cosy at home but then again, he's old, maybe you youngens still like a party... Mind you, he remembers being young (he ain't that old!) he wasn't much for parties then either...

🐻 But he can't insult Tommy Shelby by refusing his invitation and he takes a little joy from knowing that his old pal Tommy hates parties just as much, that at least at this party he'll get to do is two favourite things: dancing with his zieskiet and seeing Tommy Shelby pissed off.

🐻 So the two of you go to the party and he tries to keep his grumbling to a minimum, charming you with all his usual tricks, dancing with you and enjoying the jealous looks from all the other men in the room. He's certain that you must be the most beautiful woman any of these men have ever set eyes on and he loves knowing that you're all his. Loves being able to show you off subtly.

🐻 He dances with you and brings you drinks, he holds your hand at every opportunity, being extra possesive over you, he doesnt leave your side all even...

🐻 So when it happens he's shocked... Because how could it have happened? How could anyone have put anything in your drink without him noticing?

🐻 He's so shocked but this is Alfie and he knows he needs to keep it together, remain calm, remain unsettlingly calm. So he turns slowly with you still in his arms and he searches the room for Tommy Shelby.

🐻 Because this is Tommys fuckin party so its Tommys fuckin fault and Alfie isn't daft, he knows that this... Whats happened to you, your limp, seemingly lifeless body, is probably only the first step in someone elses plan.

🐻The thought flickers across his mind, perhaps this is part of Tommys plans, perhaps its Tommy himself who has done this to you, betraying Alfie - it wouldn't be the first time the old friends have betrayed eachother... But no, that would be too obvious and besides... Tommy has a little class, for a "gypsy" anyway...

🐻 So instead of threatening everyone in the room instead of firing his gun, putting a bullet through someones - anyones - head you know, just to relieve his frustration, just to calm his panic... instead of losing his mind he remains calm, walks purposefully up to Tommy and starts talking over the younger man completely ignoring Tommys company.

🐻 This is tommys fuckin party so its tommys fuckin problem and Alfie has already decided that whatever happens next he won't be sticking around to help his old friend.

🐻 "Alright Tommy my old pal alright have a nice night yeah cause me and my girl are goin now... I know I know we've not exactly stayed very long but you know how I feel about these fancy do's dont you... Fuckin can't abide em yeah... And anyway as you can see... As you can see right my girls taken a turn hasn't she, had a funny turn, passed out cold in my arms just now yeah like she'd just gone and fuckin died or somet..." he's getting theatrical now, those who were with Tommy are watching Alfie fearfully, they've heard about him, they know he can turn at any second and he sure as hell looks like he might be about to snap now.

🐻 "We were just dancing together just now, over there yeah by that big fuckin ugly tree someone seems to have just fuckin dragged in out the garden? What is that anyway a fuckin big ugly tree? You wanna fire whoever put that ugly thing there..."

🐻 Tommy is looking at Alfie and looking at you, putting the pieces together, trying to think quicker than Alfie is talking but its always difficult to stay one step ahead of Solomons when he starts on these rants.

🐻 "Anyway I digress I digress, fuckin ugly plant or not, it would appear that somehow, in your fine home... Yeah and that words important right cause as the man of my own house myself yeah, I like to keep my home nice and safe eh, a fortress if you will... Anyway, me and my girl we were just fuckin dancin right, she was just fuckin dancing, having a nice fuckin evenin and then, poof..." he lets his voice soften, making a little gesture with his fingers like hes snuffing out a candle, "its like she's fuckin died or something aint it... Look at her yeah, don't you agree... Fuckin lifeless mate thats what she is..."

🐻 "Alfie whatevers happened I promise you we'll..."

🐻 "Fuckin fix it? That what you're gonna do yeah?" Alfie cutting him off, trying not to lose his temper, nows not the time to start a fight, nows the time to get you home safe and sound.

🐻 "Well, you can enjoy the rest of your evening eh, gather all your gypsy boys up yeah, put your little thinkin caps on eh and fuckin fix whatever shit you've gotten yourself caught up in this time... But me an my girl yeah, we're going home now alright mate, cause I reckon when she wakes up yeah shes gonna have a pretty nasty headache, and the last thing I'd want for her now is for her to have to come round to the sight of your fuckin crooked mug... Mate."

🐻 Alfie would be suspicious of everyone, even Tommy who he has mostly ruled out.

🐻 As he's carrying you out to the car, calling for Ollie to bring the motor round, its Alfie who starts the fight, firing his gun once into the crowd, wounding one of tommys men with a bullet in the foot. He chuckles as he hears the cry of pain, hears the victim fall to the floor just as heavily as you had fallen.

🐻 His real priority however is you, now that he's let tommy shelby know theres bad blood between them, now that hes started a fight and left the party tumbling into chaos, all out warfare, all Alfie cares about is getting you home.

🐻 He sits in the back of the car with you cradled to his chest, bundled up in his arms like a baby. He'd be talking to you soothingly, stroking your hair, not sure whether you can hear him or not. Wanting to make sure that whatevers happening to you you know your alfies with you, you know not to be scared.

🐻Grumbling and snapping at poor Ollie because hes driving too slowly and then because hes driving too dangerously and you're getting jostled about in the back.

🐻 He doesnt trust hospitals and doctors but he begrudgingly takes you into one and sits with you all night, getting snappy and snippy with the doctors who he doesnt think are doing enough.

🐻 He is so relieved when you finally come round the next morning, he's not slept, not eaten, hes just sat holding you, even when his sciatica was playing up and he was in pain from sitting holding you like that for too long.

🐻 He is nothing but soft and tender with you all day, runs you a bath to help sooth your aching muscles, fussing over you and grumbling at anyone who dares disturb the two of you. Poor Ollie gets an earful when he tries to inform Alfie that Tommy Shelby phoned.

🐻 He feels so guilty that this happened to you on his watch, he doesnt say it to you outright, that he blames himself, but he does make you promises over and over again that when he finds out what happened, who did that to you, he'll be paying them a visit...

🐻 He was really scared for you, really scared that he was going to lose you, really scared that you might not wake up, that he might not get to dance with you or kiss you or see your pretty eyes awake and alive ever again and so for that reason he stays close to you for some time after that night, always holding you, always touching you. He kisses you every chance he gets. Even wants you to come into his office with him so that he can keep you close, sitting in his lap whilst he works.

🐻 "Next time Tommy Shelby invites us to one of his fancy little parties zieskiet, next time he sends us one of those fuckin little invites... Lets not bother yeah, lets stay home just me and you, can do all the dancin we like right here yeah poppet, can have all the fun we like right fuckin here yeah..."

Arthur

🍂 You and Arthur always go too far at these parties his brother hosts. Tommys out there trying to make contacts, trying to lobby and charm politicians and the nations elite, meanwhile you and Arthur are racing one another to the bottom of a bottle of whiskey you've nicked from the kitchens, getting silly and letting your hair down...

🍂 And you're already drunk, both of you are really really drunk!

🍂 So when you start acting like you've overstepped that hard to predict line into "one too many" territory, Arthur assumes that thats all it is. You've had one too many, surpassed your limit and now you're struggling to stand up or walk, leaning on him for balance.

🍂 When you tell him you feel a little sick he chuckles and teases you all, "Aye my love I'm not fuckin surprised eh, when you gonna learn eh sweetheart, you can't keep up with us big boys..."

🍂 But when you collapse in his arms he freezes. The smile wiped clean off his face because suddenly he understands whats happened. You aren't just a little drunk. Something far more sinister has happened.

🍂 And of course he's terrified, pretty much convinced that youre already dead... Your body is so limp, lifeless, your head fallen back, youe eyes closed. You look so fragile, so delicate, like a feather and yet suddenly he can feel the weight of your whole body and you feel so, so real, so heavy...

🍂 He's fucking terrified.

🍂But Arthur Shelby doesn't do "terrified" he has one emotional switch and thats rage. If hes heartbroken he gets angry, if he's bitter he gets angry, if hes scared, well, he gets fucking angry and thats what happens next.

🍂 He fires his gun up at the cieling, the bullet shattering the glass in the chandelier above you so that shards rain down on the now petrified crowd. The party disintergratea, the atmosphere shattered as the band stops playing and, beyond the crying of a terrified bystander, the scuffle of panicked men, the room falls silent, all eyes on him.

🍂 He's livid, his mind already hazing with rage so that he can barely think, he's breathing heavily, shallow ragged breaths.

🍂 "Right!" he shouts into the crowd, "One of yous has fuckin hurt my fuckin wife and no one leaves this fuckin room until I find out which fucker done it... By order of the peaky fuckin blinders!"

🍂 And of course, no one argues with him.

🍂 Tommy pushes his way through the crowd to his brother, tries to reason with him, one hand on Arthurs shoulder as he tells him whats happening, explains the situation...

🍂 "You need to let her go brother, give her to Polly eh, go on brother, let Polly take her now..." Tommys trying to reason with him but Arthur doesnt want to let you go. The only reason he gives in in the end is because Tommy tells him he knows whos responsible for whats happened.

🍂 When Tommy points out the men who have spiked your drink Arthur doesnt question him, doesn't ask how he knows, instead he loses the last of his control, instead he startes trembling with the adrenaline rush, the rage, the hatred burning in his veins, his mind white and blank, tunnel visioning towards destruction.

🍂 He goes feral, launching himself at the men who are responsible, horror movie scenes ensuing as Tommy and the Peakys all go to battle, cutting men left right and center. Arthur is the most blood thirsty however, driven by the image of your lifeless body, driven by the terror he feels in his tight chest every time he pictures your lifeless expression.

🍂 He can't be stopped and he beats and cuts those men until they're unrecognisable. He has to be dragged back from the smashes in head of one of them, covered in their blood and his.

🍂 He can't calm down, he's practically rabid with his own violence, his eyes dark and changed by his anger.

🍂 But when you come round hours later, when you enter the ballroom where Arthur is still smashing things, still throwing furniture and breaking glasses, doing himself damage, when you call out to him he hears you and he turns to look at you. All the energy draining from him, all the adrenaline leaving him panting and exhausted, just gazing at you in disbelief.

🍂 And then hes just a shameful guilty stream of apologies, hes sorry he let it happen to you, hes sorry you have to see him like that, hes sorry he's too bloody and disgusting to hold you, he's sorry hes ruined your beautiful dress, he's sorry he went too far again, hes sorry he wasn't there when you woke up, he's sorry he couldn't be more help...

🍂 The only way you can cut him off is with your hand over his mouth, looking deep into his eyes, combing your fingers through his hair and his beard and pressing your lips to his cheeks, to his forehead and nose and jaw and anywhere else you possibly can.

🍂 "S'alright Arthur m'love im alright I'm here and its all alright and you fuckin got em didn't you, fuckin saved me didnt you, love you so much Arthur, don't apologise for anything please love, I'm so grateful I'm your girl..." you whispering all these sweet things to him until he's sure he's going to cry, your eyes and his eyes watering.

🍂 You cleaning him up afterwards and then climbing into the bath with him. Probably fucking in the water nice and slow and gentle to use up the last of his adrenaline and sooth him the best way you know how...

John

🌼 Similar to Arthur, John just thinks you can't hold your drink. You're so much smaller than him but you always forget that when you're drinking, you've been on the gin with Pol and Ada and you haven't exactly been taking your time....

🌼 He thinks you're so funny when you're drunk, thinks youre so cute too, the way you lose yourself half way through a sentence trailing off sleepily. The way you have to lean on him, wrapping your arms around his waist and closing your eyes as if you're about to fall asleep against him.

🌼 And when you do fall asleep against him he just chuckles, "whatre y'like eh flower," he says shaking his head and kissing your cheek as he lifts you up and carries you to the edge of the dancefloor, making a bed for you out of dinner chairs, lining them up in a row and laying you down on them with the little ones who have already gone to sleep on similar makeshift beds.

🌼 He shrugs his jacket off and uses it as a cover for you draping it over your shoulders carefully, crouching down and kissing your cheek, taking a moment to admire your peaceful features. You're so pretty, he's so lucky... All the while never noticing that somethings wrong. Never noticing anything at all until its too late.

🌼 The men who spiked your drink had been expecting some kind of reaction, a ruckus of sorts, a ripple of panic which would start with you and spread through the party like a wave...

🌼 But nothing happens and they're left confused and growing ever more tense waiting to pull their move, knowing that their window of opportunity is running out fast

🌼 And in the end they have to abandon their plan because all is calm and everyone js still having a good night. John is laughing with his brothers and you, well, you appear to be sleeping peacefully with the children...

🌼 So they have to start a new commotion, one of the men taking out a knife and threatening some random politicians wife so that one by one the peaky men are dragged into a fight.

🌼 John doesn't make any connections between the commotion and whats happened to you, as far as he's concerned youre still sleeping... That is until he grabs one of these trouble makers by the collar of his shirt and the cheeky fucker licks his teeth in a grin.

🌼 "Wheres your girlfriend Shelby? Hope shes alright, would be a shame if something were to..." and just like that the penny drops and although john had only intended to wound the stupid bastard, when he realises what the man is alluding to he shoves him up against the wall and pulls his gun on him, shooting the nasty git right between the eyes.

🌼 He's feeling murderous then, no longer enjoying the fight as a bit of friendly sport. But before he can take revenge he rushes to find Pol and instructs her to take care of you, to get you to a doctor as quickly as she can.

🌼 He's worried about you, obviously, but he's also really beating himself up for being so stupid as to not realise that there was anything wrong with you. He takes that frustration out in the fight however, channeling all his anger and fear and upset into beating the living daylights out of his enemies.

🌼 He's anxious to get to you however and the moment he scans the room and sees that his brothers and the lads have everything under control he leaves to find Polly, to find you.

🌼 He irritates the hell out of Ada and Polly who are trying to attend to you whilst they wait for the doctor, because Johns not the most delicate or precise at the best of times and when hes all worked up and in a bit of a state hes even worse. He just keeps gettinf in the way, he wants to help but somehow everything he does actually makes it worse.

🌼 "For christ sakes John sit down!" Polly losing her temper with him when the doctor does finally arrive and he carries on getting in the way.

🌼 But John will not be reassured and he will not listen to the doctor or believe them when they try to tell him that you're going to be okay.

🌼 He gets annoyed when the doctor tries to leave. "Where the bloody hell dya think youre going shes still out cold!" "Mr Shelby please, she's only sleeping, she's going to be completely fine... Theres nothing more I can do for either of you but you have my assurances that..."

🌼 "I don't want your assurances doc, I want you to fuckin do something!"

🌼 Ada having to intervene and drag him away, telling him that if he really wants to help he should stay with you, maybe talk to you or something so that you know hes there with you... Shes despairing with him if shes being honest...

🌼 But John finally lets the doctor leave and he sits down with you, holding your hand, stroking your hair out your face and talking to you, trying his best to calm down and talk calmly and reassuringly to you.

🌼 Worlds wobbliest restless knees award goes to...

🌼 He's a worrier at heart, even if he usually seems so laid back and when you do come round he doesnt stop fussing or being anxious, in fact Ada tells you she actually believes he's gotten worse... If thats at all possible.

🌼 He absolutely dotes on you. He doesnt want to leave your side but he doesnt want you to go without and he doesnt trust anyone else to get your drinks or to bring you food so hes constantly torn between going to get you food or staying by your side.

🌼 Isn't affraid to admit how scared of losing you he was, tells you multiple times. Keeps taking your hand in his and just holding onto you clasping your fingers tightly. He doesnt want to let you out of his sight.

🌼 Overly doting actually to a point where you think you might go insane. "John love, sweetheart please calm down, I'm fine I'm fine I promise... I can hold my cup myself see, I'm alright really love... Are you sure you're alright you're exhausting yourself..."

🌼 But he won't let you worry about him and he forces himself to tone his anxiety down because he doesn't want you to worry about him.

🌼 Again, can't get over how fucking stupid he feels, he can't believe he thought you were just drunk. He can't believe he just left you in the corner with the kids. He has such a huge crisis of confidence about his abilities as a husband/father. You needed him and he didn't even fucking notice.

🌼 He's petrified it could happen again and he does a lot of growing up. You tease him that hes growing too serious in his old age and although sometimes he laughs and jokes along, sometimes he gets this dark guilty look in his eyes and he reminds you of what happened, what could have happened. Tells you again that he isn't gonna let you down like that again...

🌼 Obviously wont listen to you when you try to tell him he didn't and could never let you down.

Bonnie

🍀 If he was being honest, for all that he'd told Tommy Shelby he wanted fame and fortune, didn't want to be a traveller anymore with fucking nothing to his name, seeing how Tommy lived whenever he visited the Shelby manor, made him question whether he really wanted all those things afterall. There was something about that manor that made Bonnie uncomfortable, perhaps it was simply that wherever the Shelbys were involved there was trouble.

🍀 And that was why he had had mixed feelings about bringing you to this party...

🍀Thered been so many reasons he'd wajted to... Naturally... He'd been excited to show off his girl, to have all the other Peaky Boys see you in all your beauty, for them to see that the shy and somewhat reserved Bonnie Gold, could do just as well as them when it came to women...

🍀And he'd wanted to show off to you too, show you how different the Shelby family seemed to live. The wealth that Bonnie was being introduced to. He wanted to show you it all so he could show you all the things he was going to work to win for you with his boxing.

🍀And he wanted to treat you. In comparison to the other Peaky lads like Isaiah and Michael and Finn, Bonnie led a far more simple life. The other boys were always taking their girls out to fancy parties, clubs and restaurants but you and Bonnie didn't live that kind of life...

🍀So when Tommy told him to bring a girl if he liked, Bonnie knew he would be taking you...

🍀Even if he was a little apprehensive to let you so close to the darker half of his life which so often put him in danger and could put you in harms way too if he wasn't careful..

🍀But it was worth his nerves to see you smiling the way that you were now, dancing with him, drinking and laughing with Isaiahs girlfriend and Michaels too. You looked so happy, so beautiful under the twinkling candle glow which lit the ballroom. And he was happy that you were happy. He was proud that everyone could see how you shone like a little star in that room. How you fitted in perfectly...

🍀But neither of you saw that stranger slip something into your drink. A drink that had been intended for Ada Shelby who had been talking to you by the bar, your glasses side by side on the polished marble top.

🍀 At first you just felt a little odd, a little dizzy as though you'd done ten shots of gin without realising it and they were all hitting you at once and when you found Bonnie and told him you felt strange he smiled at you and teased you telling you you'd had one too many trying to keep up with "us big lads"

🍀 He tucks you under his arm and leads you out to the terrace for some air, kisses your cheek and scrapes your long hair back from your face and neck so that the cool night air might dust you and ease your dizziness.

🍀You make the mistake of asking for some water and Bonnie makes the mistake of leaving you alone outside to go and get you some.

🍀And by the time either of you realised whats really happening its too late. Your little world is blurring and spinning and you feel suddenly so unbelievably sick.

🍀So you stand up quickly, too quickly, desperate to get back to Bonnie because you have that worrisome feeling in your stomach, that instinct telling you that something is really wrong.

🍀And you bump into a stranger who holds onto your arm for a moment too long, making you feel even more like you might be in serious trouble.

🍀You call out for Bonnie, your voice much quieter, your words more slurred than you expect them to be. And of course when Bonnie hears you he recognises that something isn't right because you sound so distance. Suddenly he feels very far away from you...

🍀When he turns and sees you he drops the glass of water, not even noticing it shatter on the floor causing a stir. He rushes to you concern lacing his brows together, his young face grey with worry when he recognises all the tell tale signs of something he'd hoped would never happen to you...

🍀 You open your mouth to call out to him but as you do you falter, stumbling forward. You're lucky your boy is a boxer, agile and quick on his feet, because he manages to catch you just before your vision fails and your body falls limp everything feeling heavier and heavier until finally you find yourself completely lost under a thick hazy quilt.

🍀 You can feel that sensation of impending doom grip you then, the fear building inside you, your heart racing as you struggle against the lethargy and confusion which is dragging you down into the dark. You want to cry, want to cry out for your Bonnie to help you but you can't even move let alone speak.

🍀Bonnie is shaking, looking down at you where you lie limp in his arms, your body slumped against his. You look so pale, so washed out. You feel cold too. Its as if you're dead but he knows youre not. He knows exactly whats happened to you because he's heard stories from Isaiah about some of the shit that goes on in the city these days. Girls getting attacked by sleazy gits. Ones who can't charm women (or perhaps dont even want to) so they use drugs to make them vulnerable, to make them easy targets.

🍀He's livid. Pale with anger. His heart beating fast because he knows how dangerous these kinds of poisons can be. How much damage they can do. He's scared for you but he's fucking livid too. Who the fucks Tommy Shelby inviting into his home these days... How the fucks a gang leader as infamous as Tommy Shelby cutting about letting young girls get spiked under his watch.

🍀He kisses your forehead, whispering to you that you'll be alright, saying a little prayer, a hail mary for you, hoping you can hear him. Hoping that it'll bring you comfort wherever you are just then.

🍀And then he surprises not only himself but everyone else in the room, all the other young peaky lads watching him astounded.

🍀Because he walks straight back into the ballroom, still holding you in his arms, bundled up against his chest, the most precious cargo hes ever had to carry. He kisses you on the forehead again and he says another little prayer for you, and then he carries you right up to Tommy Shelby himself, Bonnies eyes full of a cold determination, his anger apparent in the grinding of his jaw, the complete disgust with which he looks at Tommy.

🍀 It must be the adrenaline shooting through him, it must be the funny way emotions like fear and heartbreak show themselves when youre young and impulsive, but god knows where the confidence to do what he does next comes from...

🍀"You need to sort your fuckin men out Thomas Shelby, I dont know what the fuck kind of lowlife bastards you associate with..." 🍀his dad tries to cut in and apologise to Tommy on Bonnies behalf but when he sees you he frowns too and steps back wincing when his son carries on.

🍀 "You need to be a bit more fuckin careful about who you call your fuckin friends Tommy, cause when I find the sick cunt who's spiked my lass am gonna slit his fuckin throat from ear to fuckin ear..."

🍀 "And you say we're the fuckin savages..." he spits on the ground at Tommys feet but he doesn't wait to hear the older mans response.

🍀Instead he leaves with you immediately, doesnt stay to realise the true extent of the drama which kicks off after he leaves and even when he hears about what went down in the end he doesnt care. All that matters to him is you. When he's leaving with you all he's thinking about is how he's going ti get you home safe, how he's going to take care of you...

🍀All in all the attackers are going ro regret their mistake because had they hit Ada there might have been a bigger fight kicked off, her brothers picking any poor sod in the crowd of guests to fight with. But because they hit you its all over much quicker. Bonnie doesnt let you become a distraction, he really does just carry you all the way home where he can keep you safe, watch you through your unconsciousness and make sure youre alright.

🍀He spends all night sitting up with you, talking to you quietly, kissing your hair, cradling you to his chest, worrying about you. Saying those little prayers for you hoping that you can hear him or at least feel his presence. Hoping that you can feel his love for you, hoping you know that hes got you, that youre safe.

🍀 "S'alright little dove s'alright my girl ive got you you're safe sweetpea, won't let anything happen to you lovely..."

🍀When tou come round you wake in his lap, his hand in your hair, one hand on your wrist as he counts your pulse. He's so worried about you, the longer you've been out for the more stressed hes become. His dad came home not long after he did, Aberama had had to stick around and help when the fight had broken out, he'd also had to try and save face on behalf of his son and his short temper...

🍀 "My my bonnie that was quite the performance..." "I'm not gonna apologise so don't even try it..." Bonnies still absolutely seething and will be for some time, he's angry that Tommy would let those kinds of men into his house and he can't be reasoned with. He's definitely going to hold a grudge.

🍀But when you come round properly he drops his temper and shows you only gentleness ans care, ever so sweet as he dotes on you. Doesn't try to hide his relief, doesn't try to play it cool. Tells you how worried he was, how scared he was he might lose you...

🍀He asks you how you're feeling, tells you not to lie to him or play it down. "What do you need little dove, anythin at all yeah you tell me, gonna look after you i promise..." but you don't really need him to promise you that because you know it already.

🍀In the end you have to try and talk sense to him about the whole Tommy issue, you remind him what hes working towards, "Don't throw all that away over some stupid accident Bon, you're gonna be a star remember, gonna be my champion..."

🍀"Come in Bon, forgive and forget, what is it they say... Bury the hatchet..." "Aye I'll bury it alright... In the back of his fuckin head!" "Bonnie i mean it! Please!" and eventually he has to give in and take you seriously but not without that boyish smile, not without joking about his grudge from time to time and not without making it very clear that he isn't going to apologise for what he said that night, or for leaving before he could help thwm fight. "Alright, alright sweetpea, no bad blood i promise alright if thats what you want I'll forgive him... But am not apologisin to him... I did exactly what any good lad would do eh, got to look after my girl, gotta protect her first, shes the most important thing in the whole wide world..."

🍀He does feel like he should have done more, he regrets not realising sooner, regrets even taking you to the stupid party in th3 first place. From then on he's far more protective over you, hyper alert whenever hes out with you, doesn't ever let your drinks out of his sight, doesnt ever let anyone else buy you a drink. Doesnt ever leave you on your own, not even to get you a water when you really have had one too many. Certain he wont let anything like that happen to you ever again.

Isaiah

🐀 Similiar to John, Isaiah doesn't realise somethings wrong until its really really wrong and the fights already kicked off.

🐀The two of you would have been trying to outdrink one another all night. This was one of Tommys parties, one for all his legal business contacts and endeavors and Isaiah wasnt exactly expecting to be pulling his gun on anyone or getting into any serious scraps.

🐀However when a fight does break out, when some uninvited guests turn on Arthur and pull a knife, Isaiah's first thought is of vulnerable drunk you somewhere on your own in the party, perhaps off with Ada in the bathroom or with Lizzie at the bar.

🐀He only realises the depths of the danger you're in when he shoves a half concious thug to the floor and out of his way, pausing amid the choas to look for you, to see whether you've returned from the bathroom. But instead he sees Ada, sees her with tears in her eyes, her face white as a sheet. She looks terrified and although there could be any number of reasons the Shelby sister looks so scared Isaiah knows in his gut that shes crying because of you. Somethings happened to you.

🐀"Ada what is it whats wring where the fucks y/n..." and when Ada shakes her head and bursts into tears he fears the worst. Thinks something fucking awful has happened to you.

🐀He has this moment of hesitation, torn because the fights still raging and he knows the peakys need him to stay and fight. But he's terrified, so scared that you might be lying on the floor somewhere wounded or worse, dying, without him...

🐀"Ada tell me what the fucks happened," he snaps because hes panicking. Later he'll feel guilty for scaring the young lass but just then shes the least of his worries. He can think only of you. Total tunnel vision panic. When Ada manages to tell him whats happened she starts crying harder and Isaiah feels his blood run cold. He wants to run to you but he knows there's nothing he can do fir you, knows the only way he can keep you safe now is if he makes sure not a single one of these intruders gets out alive.... So he tells Ada to go find Polly, tells her to make sure she geta you help tells her to keep the both of you safe.

🐀He's in a blind panic, his adrenaline rushing him making it hard ti focus, hard to think and all he can do is launch himself at an attacker and take all his anger and fear out on them.

🐀Knowing that one of these men has hurt you motivates him and unlocks something plain sadistic inside him, he doesnt stop fighting until hes sure theyre all dead and even then with some of them he goes overboard, cutting people who are already dead/as good as dead. Kicking at their limp bodies until their blood stains his shoes and the walls, until its splattered over his body and the other bodies which now little the floor.

🐀John has to drag him away from the body of a man who's barely recognisable anymore reminding him of you, reminding him that you need him, "Come on Saiah, enough... She'll be coming round soon and when she does she's gonna need her man eh? You gotta be there for her mate, you've got to calm the fuck down, clean yourself up... Last thing she wants see is you covered in all this blood..."

🐀Then all the fight leaves him, hes stressed, can't control his ragged breathing, can't control his shaking. Suddenly he doesnt know what to do with all that fear and upset and for a minute he's scared he's going to cry in front of everyone. Isaiah definitely puts a lot of pressure on himself to be as tough as Tommy and the older Peaky men and the fact that his response when his girl is unconcious is to cry rather than rush to protect her makes him feel sick and a little disgusted with himself. Which obviously translates to more anger...

🐀So his temper flares and he can't calm down and even when Pol tells him to breath, to relax because youre going to be fine, Isaiah cant and doesn't accept that. He just gets pissed off that anything bads happened to you at all. And when he snaps at Polly all "Don't tell me to fucking calm down woman! Thats my fuckin girl there, fuckin out cold don't tell me to be fuckin cold!" he gets a hard slap off the woman in question. "Watch who you're callin woman peaky boy or it'll be you on the fuckin floor alright..."

🐀Only then does he come to his senses, suddenly apologetic and a little more meek. A little humbled by that stark slap to the face. It was what he needed in the end to calm him, to remind him who needed him and who he needed to be in that moment.

🐀And then Lizzie and Ada start wishing they could give him a slap too because he's fussing around you and getting in the way and he isn't helping at all...

🐀"Sit down for fuck sake Isaiah, fussin like that ain't gonna help her..." Ada trying to shoo him away, Isaiah straight up ignoring her and hovering around you anyway.

🐀Will be there when you wake up, will say sorry a million times, will not be able to handle the guilt. Makes a lot of very murderous promises. But youre actually kind of fine, just tired and achey, all you really want is for him to lie diwn with you and hold you whilst you rest.

🐀"saiah please," you yawn making grabby hands at him, lethargic and sleepy with little tears in your eyes, "just want a cuddle, come here calm down be alright just want... Cuddle..." him chuckling at you, a smile painted on his lips by your sweetness despite the stress he still feels.

🐀When he climbs into bed with you and holds you in his arks you hold onto him too, you can feel the adrenaline still pumping through his body, can feel his fast heartbeat and the way hes trembling. Youre not so naive as to point it out or ask him about it, instead you kiss his chest and nuzzle into his hold and you thank him for saving you and for being there when you woke up.

🐀Youre a sweet sight to behold and Isaiah is overcome with relief, a rush of emotion hitting him as he realises just how seriously he feels for you, how much you really mean to you. He loves you so dearly and as you're lying there held close to his chest he really realises for the first time that if anything were to happen to you he wouldn't be able to live with himself.

🐀So he makes a silent vow to you and himself that from then on hes going to be your protector, hes going to be there whenever you need him. That hes never going to let you get hurt again, never going to put you in harms way. He stops messing around so much, stops getting as drunk as he used to, really grows up and starts viewing everything to do with the peakys as serious, as a potential threat to you.

🐀Later you ask him to tell you exactly what he did to the bastards that gave you such a sore head and he lights up telling you about it, very satisfied to remember that he made sure they got what they deserved. And you're kind of delighted to hear it too, the kind of story that just make your stomach turn, your body cringe in empathy when he describes the injuries those gits suffered... Instead it makes you feel safe and secure knowing that you have a man who would do literally anything to protect you.

Michael

☘️ He's always enjoyed these parties, theyre so wildly different from anything he ever knew when he was living in the countryside... They make him feel like a real man, like an adult... They're so far from anything he ever expected for himself growing up

☘️And its even better now he has you to spend the evening with, to have on his arm looking beautiful, the most desirable woman in the room. He loves the feeling of entering a room and feeling jealous eyes on him, or shocked eyes. Women who look at him and see his girl and know they don't stand a chance. Me who instinctively drop the hand of their girlfriend when they see you. Michael loves to see it, the attention the two of your draw, the power you have over a room without even having to try.

☘️But that night he finally sees the flipside, the dark threat which looms like a shadow, which follows the shelby men and their partners wherever they go. The truth of the matter is that wherever you go, no matter who you're with, no matter what who is there to protect you, there always a chance that someone out there, someone nearby wants to harm you.

☘️ And tonight it so happens that that is the case. That someone in that crowd of giddy tipsy party goers, has their eyes on you, has foul plans for you...

☘️When it happens, when the 'poison' hits you don't really know whats happening but Michael does. He recognises the signs imediately, the way your eyes cloud with fear and confusion, the way your lips tremble and slope downwards as if you were suffering some kind of turn. He realises that somethings wrong but he doesn't know what to do and when you fall limp into his side, your body heavy against his, the poor lad panics. He freezes.

☘️And this panic is something he will never be able to forgive himself for. Something he'll curse himself for everyday for the rest of his life.

☘️But thats what he does. He panics. He freezes just clutching your lifeless body to himself, staggering back a pace or two, feeling like he might be about to collapse too.

☘️Honestly he thinks you're dead or dying, he thinks he's already lost you, that theres nothing to be done and when he drops to his knees holding onto your body like his life depends on it, he doesnt realise he's shouting for his mother until she rushes to him in a panic herself.

☘️ "Mum!" its that shout that stops the party, but its his next words, words which fall on a hushed and confused low murmuring crowd, "I think shes fuckin dead mum i think shes fuckin..." which cause the evenings downfall.

☘️In that sudden silence a scream is heard somewhere else in the house. It shatters the concerned murmur hum of whispers from onlookers and suddenly sobering perty guests, the scream ricochetting around the ballroom. Honestly Michael hardly hears it over the thrum of his petrofied heart beating in his ears.

☘️Tommy and the other peaky men all rush to find the source of the scream and when Michael doesnt move tommy stops and yells for him...

☘️ "Leave her Michael come on get up, fuckin get up!" he shouts to his younger cousin, no heart for you the girl passed out in Michaels lap, no consideration for Michaels world which is shattering around him in pieces on the ballroom floor. "Fuck sake Michael fuckin move!" he yells his voice carrying across the room, other guests watching in fear when still Michael doesnt move, still clutching onto you, still mumbling to his mum in a blind panic that he thinks youre fuckin dead...

☘️He's so torn because he knows he can't stand up to Tommy, he can't shout at him or put up a fight - even though all he wants to do is tell his older cousin to get fucked - but he also can't stand the thought of leaving you. Can't bare to hand you over to his mother when he really believes that if he does he'll never get to hold you again.

☘️He's so scared and he just sits there on the floor, on his knees, still holding you, your head hanging lip, your eyes shut, your body so unbearably still. He just sits there distraught looking between you and Tommy until tommys temper flares. "fuckin move michael..."

☘️ "Go on love go with your cousin," Pol tells him, "you go and you fuckin kill em for this eh, fuckin kill em... Ive got her, she'll be alright i promise you Michael, you fuckin kill em alright?"

☘️So he pulls himself together, stands up shaking, fighting back tears, a looming sense of dread and devotion, a doomed feeling taking hold of him from the inside as he follows Tommy through the house to the fight which has broken out, which is raging on.

☘️ But he's distracted fighting because you're all he can think about. He's so worried about you and it means he misses a couple of tricks, taking more of a beating than he should have done. Getting cut by a blade, getting a kicking that leaves him feeling weak and full if self loathing. He feels humiliated, even after the fight when he's had his fair share of little victories. Even when hes headbutted another lad out cold and sent his unconcious body staggering back and falling with a thud to the dining room floor. Even when hes plunged a kitchen knife into the back of another.

☘️By the time the fights over he's bruised and bloody and he looks worse than you. Hes in a foul mood, his temper thin and stretched tight because he feels that shame looming over him.

☘️He's genuinely humilated by everything, the fact that he let that happen to you, the fact that he was so scared, the fact that he didnt put up a good fight, that he's ended up battered and looking like a man who can't defend himself or his woman. A man who is only really half a man. He feels pathetic.

☘️ And that gives him a foul temper which he almost takes out on you. Earns himself a slap from his mother who tells him not to be so fucking childish, "Wipe that fuckin sullen look of your face Michael you stupid stupid boy... Y/N fuckin needs you so stop your sulking and step up for her!" "She needs you Michael, more than your fuckin ego needs you now get in there and promise you'll never let anything like that happen to her again..."

☘️And that's exactly what he does. When he returns to you he sees the little tears in your eyes and when you try to apologise to him all, "Michael I'm so sorry, I should have been paying more attention, I should have been more careful... Oh god look at you you poor thing I can't believe it this is all my fault.." he holds his finger to your lips and hushes you. "Stop that eh love, be quiet none of this is your fault... None of this alright... Don't you dare say sorry again sweetheart..."

☘️ He holds your face in both his hands and puts his forehead against yours, closes his eyes and lets out a sigh of relief. Sheds a tear that trickles down his cheek. You're alive and thats all that matters, you're alive and he's so relieved. He hasn't lost you, you're still here. That means he has a chance to make this right. That means he can do things right from now on, be the man you need him to be.

☘️ Thought I was gonna fuckin lose you angel, thought you were gonna fuckin die... But here you are, you're alright now and I'm never gonna let anything happen to you ever again, gonna keep you safe now and always yeah?"

☘️When you ask if he's crying he denies it, then he makes you swear on his life you'll never tell a soul, and that you'll never ask if he's crying ever again. You kiss his cheek where the tear is and smile whispering that you promise. That you love him. That its going to take more than a little drink to drag you away from him.

☘️ He's far more wary around you, who you talk to, where you go, far more protective. And he starts working out more, starts going to the boxing ring with Isaiah and Finn, and when he fights he tries to tap into that panic he felt, pictures your lifeless body and channels all his emotions into every punch, the adrenaline making him ten times a better fighter.

☘️ Loves to hear you tell him how strong he's getting, loves when you run your hands over his arms to feel his muscles and say things like "How could I ever feel in danger when I've got you protecting me?"

#peaky blinders imagines #bonnie gold x reader #tommy shelby x reader #Michael gray x reader #Peaky blinders headcannons #Peaky blinders fanfiction #Isaiah Jesus x reader #John Shelby x reader #Arthur Shelby x reader

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