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#how do you writing
hirokiyuu · 1 month
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azujami forced group project
"You want to make a love potion for our project," repeats Jamil, and then, when it becomes clear Azul is not going to deny it, adds, "Do you remember the part where we're going to have it test it?"
"Of course I do," says Azul, whose twinkling smile is directly responsible for Jamil's blood pressure rising another five points; "It'll be easy to see the difference if you try it--unless, of course, you have something you'd like to tell me?"
"I am not going to try a love potion with you," says Jamil, and ignores that last sentence with every ounce of energy he can.
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inkskinned · 9 months
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because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.
you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.
you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.
don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.
if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.
you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:
how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!
aren't you happy yet?
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woke up and someone spilled vanilla extract all over my dash, so as punishment you strange little beasties are getting all the VANILLA FACTS i know:
vanilla is the 2nd most expensive spice in the world (2nd to saffron)
which is why more than 99% of what we call "vanilla extract" is actually vanillin (vanilla's dominant flavor compound) and is not extracted from real vanilla.
luckily, even professionals struggle to tell the difference when it comes to things like baked goods. but there is a distinct difference in non-heat treated products like vanilla ice cream. real vanilla has a more complex, individualized flavor profile.
why is vanilla so expensive? because it is a ridiculously delicate & demanding crop. complete primadonna.
vanilla beans come from vanilla orchids. these crazy flowers bloom for A SINGLE DAY and have to be HAND-POLLINATED in a process that is exhausting, delicate, and requires specialist knowledge passed down over generations.
then, if you're lucky, you get vanilla beans.
which then require months of further specialized treatment.
the entire process takes about a year and can go wrong at any stage
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vanilla has been cultivated for over 800 years (possibly much longer). the first known cultivators are the Totonac, an indigenous people of Mexico.
the Aztecs used it as a sweetener to balance out the bitter taste of cocoa. it was popular in a drink called xocolatl--the precursor to modern hot chocolate!
it is only pollinated by a very specific orchid bee!!!
which is why no fruit could be grown outside of Mexico until the 1800s
Edmond Albius, born into slavery, invented the pollination method we still use today--launching a global industry when he was just 12 years old.
today, the majority of the world's vanilla is grown in Madagascar
if you want real vanilla, read the labels carefully--it's harder to find than you think!
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in conclusion, those tiny black specks you see in fancy vanilla ice cream? those are vanilla bean seeds! itty bitty orchid seeds!!! they are delicious and also a PRISSY BITCH!
(src)
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littlebigmouse · 1 year
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"What if my favourite show is delayed due to writers strike?"
With respect, no one cares about your favourite tv shows.
This is about real people fighting for their real livelihoods, for their futures.
I cannot articulate sufficiently how unimportant the production of some tv show or other is.
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pillowspace · 9 months
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artist/writer cycle
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gingiekittycat · 4 months
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I forgot how lonely it is to write original fiction.
Where are the kudos? The subscriptions? The comments? The people cheerleading me chapter to chapter? Where are the kind words and compliments and reassurances that what I'm writing isn't complete crap? Where are the unhinged emojis? The asks on Tumblr? Where are my mutuals in my dms apologizing for not reading the latest chapter right away (side note, you know you don't have to apologize at all, right??). Where is the fanart? Where are the recs?
Where is my motivation to keep going?
It's something I've been thinking about a lot, actually, lately. How the experience of writing fanfic is so unique. How you already have an audience, willing and waiting and captive. And that's really it, isn't it? You have an audience. It's almost performative, writing fanfic. It's being on a stage, a one-person show (or two, if you do it with a friend); it's getting live reactions to your performance, it's feeding off the energy of the crowd and informing it back in a feedback loop; it's improvised, sometimes, in almost-real-time. It's building something that you couldn't have built by yourself. A thing that takes on a life of its own.
It's an experience you can't get writing original fiction, and, honestly, not having it is making it hard to write something original at all.
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anneapocalypse · 1 year
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So, just curious how many writers and creators will have to be forcibly outed by relentless harassment before we acknowledge that "This queer characters was written by a cishet person and that's why they're bad" is not good criticism.
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The Scooby gang are friends. The Scooby gang are BEST FRIENDS. THEY ARE BEST FRIENDS AND THEY LOVE EACH OTHER SO MUCH. THEY TRAVEL AROUND SOLVING MYSTERIES FOR AS LONG AS THEY CAN BECAUSE THEY HAVE A PASSION FOR IT AND BECAUSE IT MEANS THEY GET TO SPEND TIME TOGETHER WITH EACH OTHER. THEY ARE BEST FRIENDS.
They don’t hate each other. Maybe they get annoyed and cause they’re together all the time it might get a bit much sometimes but at the end of the day, they really deeply care about each other. They live out of a van most of the time and are on the road constantly out of CHOICE. TOGETHER. for crying out loud.
They are four teenagers and a Great Dane. They’re a family.
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densitywell · 7 months
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spent like an hour trying to find a post abt the disparity of origin companion's content in bg3 and couldn't so, hey, this fucking sucks
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bababaka · 9 months
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Yall need to interact with fanfiction author's more.
So. After the ddos attack on ao3.
I was encouraged to write more comments and make my love known to fanfic writers.
I dont really like commenting. Because im a bit shy and soooo lazy.
Now though. I am writing more comments. And dude. This is so heartwarming. Ya'll need to treat writers better. They are doing the lord's work.
Take for an example, couple of days prior, i was searching for something interesting to read, and found an oneshot quite compelling.
I read it. At the end of it, i was blown away by how good it was. It promised me something and it went beyond my expectations. But then i saw a crime, zero fucking comments!
At that moment, i wasn't feeling up to writing a comment. Because, normally i like to write huge paragraphs. But because im lazy i decided to be brief.
Next day, the author answered that the comment lift their mood for the whole day.
That warmed my heart.
Duuuuuuuude! Write comments! Suport the writers of the fics you like! No need to be something super elaborate. Just give your thoughts. Freak out. Ramble. Ask something. Make theories. Compliment. Make a joke about how you wished to give kudos every chapter but ao3 sucks(not true bby) and won't let you.
Truly. Just. Comment. It can make someone's day. And that is part of the apeal of writing fics. Interacting with people.
Just give love to fanfic writers yall. They deserve this and so much more.
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hirokiyuu · 3 months
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my nem/sol for jake is up!!!!!!! god and the universe conspired against me w/this one so im so glad its finally finished (in tears)
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inkskinned · 10 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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oldmanffucker · 26 days
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confessedlyfannish · 1 month
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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crystalflygeo · 7 months
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Mark of an Archon ft. Venti / Zhongli / Ei / Focalors / Nahida / Neuvillette + gn!reader
cw/tags: Mostly suggestive but nsfw in some parts (mostly Zhongli, Neuvillette) marking, kissing.
notes: Alright so... this is different from anything I've written before but I got inspired by the concept of the elemental symbols used as marks by the Archons to denote those important to them. Just short fluffy little dabbles I guess, first time writing everyone except the dragon men heh. I tried REALLY HARD to keep this gender neutral and be inclusive in descriptions but regardless, reader bottoms lmao. Hope y'all like it. (Y'all will NEVER guess where did I get the inspiration for all the marks' placements hehe) Edit: Y'all I have never played obey me WHEEZE the marks placement actually comes from a very old magical girl anime I loved as a kid XDDDD (except geo, it was on the belly button but-//hit)
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It is said that the Archons place a mark on the body of their loved ones. A symbol of protection, perhaps of “ownership”, imbued with their elemental energy. Legends has it that they remain mostly invisible to the naked eye, glowing brightly only when the Archon in question touches it, but leaving behind a distinctive trace able to be identified with elemental sight.
However, none of this has been proven at all, and remains mostly as a fantastic tale, just a rumor…
Or is it?
-Barbatos
Venti’s mark rests between your shoulder blades, the small Anemo sigil emulating tiny wings in the most appropriate of places. It makes him fond of calling you his “angel”, though, you know it cannot compare to his own real wings... it makes your heart flutter nonetheless.
It remains mostly covered, and yet without fail, Venti’s hand would always gently rest on it before his hand slides over to your shoulder or waist. At this point the touch soothes you and you’ve come to expect it every time you enter Angel’s share and bright Aqua eyes land on you.
In the dark of night, those precious moments of closeness and passion among the bedsheets, Venti’s nimble fingers, calloused by the Lyre and the bow alike, trail along your spine and stop at the mark, before he leans in and places a kiss on it.
For the God of Freedom to brand someone like this… it would seem as a contradiction, but you know it to be his blessing, his vow to you and your love. As his lips go up to your shoulder and his hands slide down to your waist, sneaking between your legs, he closes his eyes and hums a soft tune.
-Morax
The Geo mark is found on a rather unusual place, and to tell the truth, it even embarrassed you a little at first. The golden diamond placed just below your navel, partially hidden by the line of your underwear. When asked about it, Zhongli simply murmured something about dragon mating, fertility or virility… his cheeks dusted red.
You admit though, that once you get used to it, you do find yourself idly tracing it from time to time. Sometimes it seems to glow softly, or feel warm, perhaps responding to the Archon when he thumbs gently at it, contrasting and comparing with his own blackened arms, etched with veins of gold. Amber eyes staring up at you with love and desire as he places a kiss on it making you shiver.
Zhongli constantly wants to mark you more, in all sorts of ways. Drape you in silks and cover you in gemstones and gold. Leave bite marks along your skin. Douse you in his scent. It appeases his draconic instincts. But nothing compares to that little geo sigil, a personal indisputable claim, tattooed on your skin.
In a way, the mark could be taken as the God of Contracts’ signature and an unbreakable oath to you, his mate. It makes the dragon purr as he rolls his hips into yours, sinking deep inside you and making you whine as his palm presses against it.
-Beelzebul
Right at the center of your collarbone, like a pendant held by an invisible necklace, that is where the Electro mark was placed by Ei. Sometimes it’s a real shame it can’t be seen normally by humans, it would make for a pretty nice tattoo…
It’s not like the Electro sigil is rare to see anyway, quite the contrary, a rather popular choice and common sight all over Inazuma with deep cultural and religious meanings alike honoring Her Excellency. But one look from a youkai or one of the mikos at Narukami shrine and you know this is different.
Ei could act aloof and have a hard time expressing or understanding feelings, but the way she looks at you as she straddles you… dark violet hair cascading down her back and sides, hands roaming your chest and settling at your shoulders. She pins you there under her intense purple gaze and then bends forward to kiss at the sigil before moving to your lips.
The Goddess of Eternity considers her choices deeply and rarely ever goes back on her word or breaks a promise, and that is what she bestows upon you with her mark, a promise. Of love, of respect, of loyalty. Who would’ve thought the Electro Archon could be so… passionate?
-Focalors
You couldn’t believe just where Lady Furina had placed a pretty, blue, Hydro symbol on your skin. When asked about it she’d just giggled and said everything had a reason when it came to divine marks such as these… then proceeded to not explain at all. But seriously, your inner thigh?!
You could only sigh but smile softly at her antics as she laid across the couch, head rested in your lap, taking a nap by using your thighs as pillow, or demanding to be fed more sweets and sputtering indignantly when you poke at her nose or cheek instead, blushing.
She often drives you insane, paying special attention to the hydro marking with kisses and nibbles when you need her lips to go just a little more to the side… but oh, how she enjoyed teasing and riling you up. Mismatched blue eyes blinking coyly under thick eyelashes.
This is Lady Furina’s pledge to you, her word of honor as the Goddess of Justice, to love and cherish you no matter what. For despite her innocent act, she is guilty of having fallen for you.
-Bonus: Buer (Platonic)
Many people underestimate and doubt Nahida. A grave sin, in your opinion. When she places her mark of Dendro softly in your forehead, you feel nothing but pride, willing to follow and defend her and her teachings, for it is an honor to be her acolyte.
You see her wisdom in her actions, in the contemplating looks at her beloved city and people, in the way she always tries to solve problems and learn from difficulties, in her kindness, gentleness and little smiles. You see her love in the way she helps the elderly and soothes the children, in the candied ajilenakh nuts she shares with everyone, in the sparkle of her unique green eyes.
Like any other Archon, her nation and all its inhabitants are like her children. Despite her preferred appearance, the way she holds your hand as she guides you along and brushes at your hair gently with comforting words and praise feel more akin to a mother.  
Just as you trust her, she trusts you, that is the covenant her sigil represents. And in the eyes of the Goddess of Wisdom, one day you’ll reach the sky and stars above.
-Bonus II: Hydro Dragon Sovereign
You stare at the sigil in the palm of your hand. An ancient symbol of power, no doubt, but with a meaning long since lost to time and shrouded in mystery. Yet, its significance is crystal clear to you: “I am yours as you are mine.”
The way the Iudex would always, without fail, hold your hand gently and kiss your palm instead of the back of it as it was traditional would no doubt confuse some people, but it makes your heart skip a beat. This special connection, the knowing look from those gorgeous lavender eyes and the hidden smile pressed against your skin…
Your back arches with a moan as Neuvillette ruts softly into you, slow and reverent, peppering kisses and nuzzling at your neck. His hand takes a hold of yours, fingers intertwining and you shiver as the marking in your palm seems to react. Your grip his hand tighter, canting your hips as well and surrounding him with your legs, asking for more, more, more-
It’s unknown if one day his kind will return to power, just as it’s impossible to predict the flow of the elements and the energy in leylines or just what the future will bring. But for Neuvillette, having you by his side feels like the most refreshing spring water and makes life that much sweeter.
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neil-gaiman · 9 months
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So were you cackling like a wizard casting curses when you wrote the last part of episode 6 or is that just subtext?
No, I was really sad for them.
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