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#genre then subject
alectology-archive · 1 year
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most annoying breed of author is actually someone who doesn’t respect a genre and sets out to subvert it.
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ryllen · 1 month
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no, but pinecones is really beautiful isn't it ?
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snackugaki · 4 months
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surprise my other hobbies are window shopping and fashion
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nobodydoeseverything · 3 months
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corporate wants you to find the difference between trauma and trauma. there is no difference. I am bopping to trauma.
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crabussy · 2 months
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GRIPPING MY HEAD SCREAMING CRYING. BUGBO ISNT HORROR. IT ISNT A HORROR SERIES. STOP PUTTING HIM IN YOUR YOUTUBE HORROR VIDEO SERIES IT LITERALLY ISNT HORROR. THE CREATOR HAS SAID THAT IT ISNT HORROR. HE LOVES HIS FRIENDS AND HE
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jouno-s · 2 months
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soukoku kidfics could fix me i think
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I haven’t seen many people talk about how influential Goncharov (1973) has been on cinema. You can see how this film inspired others like Bound (and even fucking Shark Tale, but for the purpose of this post I’ll be focusing on Bound)- a mafia story with queer themes and a gruesome torture scene, where the collision of these two drives the conflict. I almost think of Bound as an AU set in America where Katya and Sofia are the protagonists. In any case, I want to give credit to Bound as it’s own film and not some lazy rehash of Goncharov. They’re both different but so similar at the same time and I love it all so much-
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arysthaeniru · 10 months
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Things I find are handled so interestingly well in the 2003 Fullmetal Alchemist compared to Brotherhood: 
Ishval! The true horror and terror of Ishval is handled so much better: it is the centre of the show’s thesis about the violence done against other people in the name of scientific progress and the empire’s violence
Speaking of: racism is handled better in this show too! The way that Ed and Al are so callous and dismissive about Ishval through most of the show, despite Marcoh’s warnings, and it really doesn’t hit them until they go there in person and realize that Rick and Rio have suffered just like them: in fact, Rick and Rio have suffered even more than them. Ed and Al can always go back to Resembool. Rick and Rio can’t. The casual racism of our main characters is really good! It’s very realistic that Ed and Al believe the racist lies about Ishval for SO LONG, despite rationally understanding the military is bad
Liore! Because Liore gets to have this back-and-forth with Ishval, you get this really strong empathy and solidarity between Rose and Scar, as this representation of Ishval and Liore: religious brown people versus the Empire coming to genocide them out of existence...the solidarity and love between Scar and Rose and the peoples of Ishval and Liore is really good!
Ed and Al really get to be kids and get to be wrong a lot? They get to be such unreliable narrators in a way that is so interesting! When they say something about alchemy or make comments on other characters, they’re often wrong and misguided! Ed’s petulance and anger and stubborn defiance and Al’s naivete and inability to question other people’s lies gets them in trouble way more often than it does in Brotherhood and it really emphasizes just how much he and Al are children out of their depth in a horrible system, in a way that Brotherhood often doesn’t. 
The metaphor of alchemy: Alchemy IS science. For all its goods, it is all the evils and fallouts of unethical science: science that is done at the expense of people, science that is done in the name of greed, science that is done only in the name of violence, and with this strong metaphor, the Philosopher’s Stone as this pinnacle of progress that is built on the blood of common people is just a less complicated metaphor. Because Alchemy is science and FMA 2003 is a commentary on imperialistic, colonial science that is so directly commenting on the Gulf War, it gets to say things much more angrily than I think Brotherhood ever gets to?? You feel the anger about the lies of the Gulf War in FMA 2003 and how it parallels to WW2 better. The animators seem more angry and I enjoy that more!
(More about pacing, characterization and the overall tone of the show under the cut!) 
Although the show ultimately whiffs it, the homunculi being the leftover remnants of human transmutation allows for so many climatic, interesting conflicts between both the homunculi and humans, but also between different humans! Ed and Izumi and their relationship in this show is defined by their fundamental disagreements regarding the role of alchemy and what to do with the homunculi: and it is SO good!
I love that the homunculi are resentful of humans for living and want the philosopher’s stone to be human again! I could do without them all being controlled by a mysterious entity who is so much more boring than all of the other homunculi, but hey. That happened in Brotherhood too, Father’s very boring. 
Speaking of the homunculi: they are so much scarier and intimidating!! When they show up to a fight, pretty much everybody loses! It’s great! It’s not until the last 10-15 episodes of the show that Ed is able to actually put up a fight against them, so you really feel the stakes everytime they show up on screen. They kill Hughes masterfully, they beat the shit out of Scar, they beat the shit out of Ed and Al, they beat the shit out of Izumi--they’re genuinely scary and I love it! In Brotherhood, they are able to evenly fight them SO MUCH MORE QUICKLY and I think it makes them less of a threat than in 2003. 
The main women in Ed and Al’s lives get so much more to do! Maria, Sheska, Izumi and Winry all have a HUGE amount of screentime compared to Brotherhood, where Winry is mostly just running around and has very little initiative to investigate the main plot! Here, she and Sheska investigate homunculi, participate in fights and really are emotionally impacted by events. Izumi barely shows up in Brotherhood ever, and she is a fundamental player in the game in 2003! And Lieutenant Maria Ross gets to really actually play the role of ‘first adult to be like CHILDREN SHOULDN’T BE IN THE ARMY’ which gives her genuine depth and emotionality. 
Oh, Martel’s a real character too! She and Al are fun, I enjoy their banter and I enjoy that she gets to really emphasize to Ed and Al that Ishval was entirely a false-flag operation 
Rose too! I love that Rose comes back as a real character and not cameo! I love that Rose’s rape too, is not just this moment where Ed truly and really realizes that the military does interpersonal violence, but also is something that motviates Rose herself! I love that moment where she screams at Ed to keep walking, just as he shouted at her at the beginning of the show. I love that her continuing on as a character means that Ed’s shitty speech at the beginning of the show gets to be recontextualized as a thing of strength again. I love her resilience, and I love her.
On the villain-side, at the expense of Greed being a character, Lust gets to be a very sympathetic character! I love her contemplations on why she wants to be human, I love her slow realization that she’s tired of the fight, I love her immediate betrayal of Dante once she realizes that Dante is just using her, I adore her and Envy’s petty bickering. She gets so much depth by being formerly human and being linked to Ishval. 
Speaking of Winry: Roy killing Winry’s parents is just. So much better. I love how it immediately breaks Winry’s faith in the government entirely, I love how much it really and truly shows how the Amestrian military is evil. I love how it really creates this moment of weakness and vulnerability in Roy, which he doesn’t get nearly as much in the other show! Roy’s too cool in Brotherhood! I love how young, sad and pathetic he is when he kills the Rockbells, it really sells the horrors of war much better. 
I really like getting to see Ed and El’s counterparts across all of the side characters: the characters that only show up for one or two episodes: everybody is brothers. Everybody is consumed by this burning posessive love. But nobody goes as far as Ed and Al are willing to. I love how they are confronted with their mistakes and failures everywhere they go! It really sets the tone of horror. It really sells Ed and Al as the protagonists of a dramatic tragedy. They made the mistake, and they will make it again, in the name of love! 
A small thing: but I love that Izumi and Ed disagree with what the Gate is? I love that Ed thinks of the Gate as Truth. And Izumi doesn’t! Izumi simply thinks it is a horror. Izumi thinks that what insight the gate gave her was not truth but something else, and I agree with her. I love the idea that Ed’s conception of reality is based on him being Mr. Edgy Angsty Atheist! I love that the gate is silent in 2003, I like that there are very little answers. And I agree with Izumi! The answer to the question: what lies behind the ultimate taboo of science is NOT truth!! It doesn’t quite make sense! 
Relatedly, I love that Ed learns all of his horrible communication skills and bottling everything up coping mechanisms from Izumi. They make all the same mistakes all the time! Izumi always takes everything on her shoulders even though she has help, as does Ed. Izumi never communicates her love and appreciation for the people around her, letting her actions do the speaking, as does Ed. They are terrible mirrors of each other, and I LOVE IT SO MUCH.
I like that Armstrong is not comic relief? He puts on ‘Mr Muscle Man’ as a facade about three times in 2003, and every single time, it’s a distraction, it’s supposed to make people look elsewhere. Most of the time in 2003, he’s incredibly solemn and serious, as he tries to endure doing the wrong thing in the name of duty. I love that he’s still suffering the consequences of being too kind in Ishval. 
I like that Mustang, Hawkeye and all our favourite main characters put Ishvalans in trains and take them off to concentration camps. It’s not very subtle with its metaphor, but it shouldn’t be. If anything, Brotherhood deeply de-emphasizes the horrendous nature of the genocidal play of the army and the constant violence they partake in. Roy and his people are so heroic in Brotherhood, and I really like how much they are complicit. How much they are ultimately soldiers who are ‘just following orders’ in a genocidal regime. 
I like that they don’t turn to act for the side of good until the very end of the show. I think it highlights the stakes a bit more. I like that the show makes us doubt Roy for a lot longer before finally giving Ed hope! It’s far more cathartic!
I like that Paninya ISN’T ACTUALLY A THIEF???? I like that Paninya is just a gal who wants to make her adoptive dad proud and she steals Ed’s pocketwatch not for Winry to teach her a lesson about how ‘stealing is bad’ but that Ed gets the lesson that he’s not the only one that makes automail work for him! I love that Ed loses actually in 2003!
I really enjoy Fletcher and Russell. Fletcher especially is my good boy. He and Al should hang out more :) 
I really like that Kimblee starts out as a fugitive in 2003! There is something so slimey in Brotherhood where the army just immediately takes him out of jail to track the Elric brothers: it definitely shows just how evil the Amestrian army is, but I think I prefer him being a traitor to Greed’s gang! I love how much more personal Martel makes her fury with him! I like how it takes a while for the military to take him back in here, mostly because it allows for Archer to be a character instead. 
I think Archer being a character makes Kimblee more effective: Kimblee is not Ed’s enemy. He’s Scar’s enemy. And I LOVE that in 2003. 
Archer’s initial attempt to do the right thing instantly being overtaken by craven greed is also a really fun arc! I just enjoy more military characters getting to be pieces of shit. 
Scar gets to interact with more Ishvalan characters because he’s not tied down by far too large an entourage cast, and as a result, he is just. SO much better. I love that he and his mentor fight and talk and he ties himself to the refugees of Ishval in a way he doesn’t quite get to in Brotherhood. I LOVE his determination to make a Philosopher’s Stone out of the military’s lives. I love that he has no hesitation about it either. This is praxis!
I love that Ishvalan people’s legacy is alchemy too! I like that alchemy is the lost art, the old art, and not something that missed Ishvalans by entirely! Although I do like that Scar’s brother in Brotherhood is trying to combine alchemy and alkahestry, I LOVE that 2003 is simply him going back to Ishval’s ancient history. It makes the science metaphor more interesting, especially when you see that apparently the ancient Ishavalsn found out how to make a Philosopher’s Stone and then rejected it and alchemy entirely as a result. I think it’s really interesting worldbuilding! 
I love that whole sequence where Ed kind of makes Wrath’s hatred of him worse? I love how mean and obsessive Ed can be in the show sometimes, I love how flawed and interesting he is. He really feels like a teenager lashing out against the cruel world, and it emphasizes the tragedy of it all.
I love that Hohenheim’s immortality is NOT an accident. I like that he actively did evil things to gain immortality and I like that now his is a story of regret! I think it makes Hohenheim so much more compelling when he is a man seeking repetence for an actual sin instead of being tricked? I think it’s more compelling that he has the same sins as his sons. I like that he was the first to do human transmutation and the first to make a Philosopher’s stone, and that these are Ed and Al’s legacy?? It’s so interesting and fun!
The slow pacing really allows for the tragedy to actually build! I love how slow yet purposeful all the episodes are! The only truly filler episodes are the weird episode about the sexy female thief that keeps tricking Al because Al is too horny/naive, and the Mustang Team’s side adventures. Every other filler episode is doing important work for building the themes of the show! And even the two filler episodes are doing importent things re: characterization! 
Shou Tucker is such a CREEPY minor villain that is used to perfection in 2003. I love how he keeps showing up, I love how awful he is, and I love how much more significant he and Nina are to 2003, because Ed and Al spend four episodes with them instead of their story being wham-blam-ka-blam like it is in Brotherhood, where everything with them happens in 1 episode. 
Laboratory Five is SO MUCH MORE DEVASTATING as a dramatic tension point for Ed! I love how much more evil it is! I love how much more hopeless the situation is. I LOVE the dramatic irony of Ed almost killing hundreds of people because he believed Shou Tucker, despite everything. It’s so good. It makes Brotherhood’s Lab Five Arc pale in comparison. 
Hot Take: I kind of love that Ed goes to Nazi Germany by going through the Gate xD They don’t spend nearly enough time on it, but I kind of adore it anyway. FMA 2003 said subtlety is for cowards, and they were CORRECT!
Things I think weren’t as good but still interesting
Brotherhood really went off with making the homunculus the root of the nation-state of Amestris. I love that in Brotherhood, the state was founded for the explicit purpose of genocidal violence, and the homunuculus as simply the underside of the genocidal turn, the secret police that make the state violence seem legitimate. The hazy relationship between the military/state and the homunuculus muddies the otherwise clear message that 2003 is going for re: state violence and the role of science in perpetrating/continuing violence. 
Dante’s bad. Not that Father is GOOD, not in any way, but Dante’s plan is very stupid and is very underexplained. Why do Trisha and Bradley still follow Dante when she clearly reveals she’s just using them  to prolong her own life and has no intention of making them human? Why do they not immediately just turn traitor like Lust does--the show never builds any real loyalty between Dante and the other homunculi, which makes for a rushed climax, alas. (I do LOVE her and Hohenheim’s bodies physically rotting, that’s some really fun body horror! And I can’t help it, I love exes who were evil scientists and one continued to be evil, and one repented. It’s a fun trope and it was DEEPLY underutilized, alas)
I’m sad Scar died! 2003 obviously has an incredibly high body count and I  defend all of them, but Scar dying is just kinda sad! I like that he has to live with himself in Brotherhood and make Ishval again. 
Greed doesn’t get to do much at all, and his weird acceptance of his own death is VERY strange compared to his own acceptance of being a man so greedy that he wants everything. Although I ended up liking his role as Ed’s first murder, I think Greedling is SUCH a highlight of Brotherhood, that its absence felt jarring. 
May Chang and Ling are such good characters, and I miss Xing! I think I really end up liking 2003′s laser focus on Ishval more, in the end, I think it does a better job of focusing on genocide and racial violence as the catalyst for the state’s and science’s expansion. But May and Ling are such lovely characters and I missed them. 
Al’s angst about maybe not being a real person goes on for SO LONG. I forgot it’s like a full four episodes! It’s the one emotional stake that doesn’t quite feel as impactful as the rest of the show. 
Sloth-Trisha had so much potential that was squandered, I loved when she finally became a fighting antagonist, but I wish they’d spent more time on Ed and Al arguing about her and what to do with her/what she means. I mean, it tracks with them both: that Al instantly goes ‘oh, homunculi are remnants of human transormati--OMIGOD MOM’S OUT THERE’ and Ed’s like ‘i refuse to think about this until the last possible minute’ it’s very in character, but it means they never get to really fight about killing Sloth-Trisha, which is a shame! 
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katabay · 9 months
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OCs!! sitting on the bench are jack and cayo, the one wearing glasses is tommy, and off in the back with the hat is bishop :)
god I made them. last year, according to a string of discord messages I sent to a friend
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they have Improved (both design wise and narratively) since then, but for now they're sitting on a bench in the sun waiting for their shift in the torment nexus plot to start again
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kindaeccentric · 7 months
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Why do I feel like a lot of criticism of OFMD here is widely exaggerated and it became trendy to hate on it? What happened to death of cringe?
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I will say one of the weirder things about progressing in art is that instead of looking at pieces you like and saying "I couldn't do that", you can look at them and say "I know how you did that"
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chloeseyeliner · 7 months
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my (very nice and cool aside from the story) professor today asked us, as an introduction to the next thing on syllabus, what our names were (it's very few of us there) and what we like in this life.
when my turn came, i told her i liked reading. she asked: "oh, that's great! what kind of books? do you like the mystery genre?", to which i replied: "not much, to be honest, haha; i actually prefer romance novels and historical fiction."
WHAT was i SUPPOSED to admit right there? that the gayer and more diverse in general the book the better? that i have read rwrb five-six times by now and every time i read dear thisbe, i wish there weren't a wall. love, pyramus, my throat feels tight all of the sudden? that i cry over poetry and i was one of the only people that read the iliad for fun after the school year ended when i was fourteen and get chills when consuming queer and poc history non-fiction books, or that i recommend books that shatter my heart and rip it right out of my chest with their bare, cold, bloody hands? hm?
(anyway, despite this fun fact thing combined with my social anxiety, she is actually such a wonderful professor, fucking finally if you ask me)
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wetcatspellcaster · 2 months
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While I love hearing about your fic writing, that last WIP Wendy has me curious. What is your thesis about??? How are you feeling so close to your submission deadline? What has teaching been like?
(I finished grad school 2 years ago, and remember the weight of academia acutely)
hey anon, thank you for asking (and condolences on the typo ;) )
i'm a PhD student based in a literature department, but my topic is actually... *fanfare* D&D! that's right, she's that one note, everybody!
anyway, my thesis examines D&D gameplay as reader response to fantasy literature - arguing that often, the ways people play reflects the things they wish was different in the books/media they consume. E.g. people who play/write drow or orc characters no longer tend to perpetuate the racism of the Forgotten Realms, implying they don't appreciate racism in fantasy, or people often queer their favourite characters from media and turn them into something new, etc. It basically takes theories from fan studies and fantasy literature academia, and applies them to D&D as a way of showing that D&D has always had a large role in shaping fantasy literature and what people expect from fantasy :)
as to how i feel finishing - my final deadline, due to my sick leave, is June 28th. I'm currently completing a full draft by the end of the month for my supervisors to read through and offer corrections on. Mostly... just tired? And scared, tbh. I've been funded and thus not really participating in capitalism for 3 and a half years, so I'm not exactly relishing unemployment and job hunting, and academic jobs in the UK are a depressing prospect as there's not many of them. It's also too early for me to do anything about it - the most useful thing for me to do right now is simply finish the thesis, so I don't outstay my welcome and my funding. I know I'll be fine eventually, but it's just going to suck.
Teaching is genuinely wonderful! I teach first year English Lit (basically Novel 101), which is like karma, as it's many books I didn't enjoy in my undergrad, but they are much easier to read now I'm at the skill level I'm at! If a class is chatty and invested, it's genuinely so much fun - it doesn't feel like work. But even the quiet hungover early morning classes are rewarding, bc often people get better grades in their finals than their midterms. Even if I have nothing to do with that, and they've just gotten better on their own, it's nice to see people improve and succeed :) (and know you didn't accidentally fuck em up along the way)
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feral-and-or-horny · 1 year
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For my friends in academia, do you ever have a moment where you're explaining your area of interest to someone and have this moment of "Oh fuck, I sound super smart??? And I'm not faking it?????"
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septembersung · 21 days
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Sitting here staring at my bookshelves contemplating how when there are more of them, with more adjustable than fixed shelves, I can organize better
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ghosttrolls · 3 months
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HI I Love your Posts about trollhunters and Danny Phantom.
they are things i gad trollhunters is different form Danny Phantom
Jim only date one girl and everyone agrees that she is the best Choice for him.
and the main creator isn't a Dick.
but my Question for is if Dash were to become Like Steve was Expose the Ghost world Just Like him how do you think would've involved and this Time his memory stays Like Jez did.
Hi, thank you! Before I say anything else I would like to clarify that while I spend a lot of time comparing themes between the two shows, I don't really feel like one could replace the other - they're both so unique in their execution! Honestly, all the characters in both shows have personalities that couldn't be copied over between the two without the status quo of each show drastically changing. I don't really think of Danny Phantom and Trollhunters in terms of "Danny and Jim are the same person," but more like "Danny and Jim experience things that are interesting parallels of each other and I like to explore those narrative parallels," which I can understand being a kind of complicated distinction.
There definitely is a thing with both of these shows where they pick sort of Traditional Character Roles to some extent, like The Bully, The Hero, The Best Friend, The Romantic Interest, etc. So thinking in terms like that, Dash and Steve do fill kind of similar roles in their shows. I am pretty sure that Dash knows ghosts exist by the end of the show, even if you're writing off Phantom Planet (the final episode that people like to ignore happened). There's an episode where all the adults in Amity Park are brainwashed to go on a "cruise" which ends up just being a way for some ghosts to use them as a power source - but because the adults are brainwashed, the kids are the ones that have to save them, and Danny uses his parents' ghost tech to work together with all the other kids to fight the ghosts. This includes Dash. They all fight ghosts on the deck of a pirate ship, and Dash and Danny stand back to back as Dash says, "When I wail on you tomorrow, I'll be wailing on a hero. But I will be wailing on you." At this point in the show, Dash and other people know about and are fans of Danny Phantom... I don't think his memory gets wiped of the incident, but Danny does get in trouble for using the tech without asking and that makes him "lame" again in the eyes of the other high schoolers. I think that's meant to be the show's explanation for why it doesn't get brought up again later.
I'd love to consider what would happen if Dash had actually been more active within the ghost fighting community - I'm pretty sure he's one of those people who thinks it's "weird," so he'd probably need some convincing. But it would be super interesting if he learned that Danny was Phantom and joined the team! I'm not the first person to say this, but still. It would be cool. I did really enjoy in Trollhunters when Steve and Eli had just formed Creepslayerz but they were trying to keep it on the down low, and acted comically to cover their tracks. I imagine Dash would have to do something similar to keep his jock friends in the dark about Danny's secret... In general, DP never really gave us that big of a look into what Dash's life is like outside of school, other than throwing a party when his parents aren't around. If he joined the team in some way we'd be able to see more of his backstory and he'd become a much more fleshed out character!
And I know you didn't ask for my opinion on this, but I do wish that Steve had more development after the end of Trollhunters and 3Below. Like, he stopped bullying Jim and Eli, he got a girlfriend - and now we learn he's really scared all the time! And they make him kind of like a knight in Wizards but he's still like, terrified of everything, and bad at very simple tasks to an almost annoying extent. It makes me wonder if the trio really explained very much to him, because we didn't see any explaining happen on screen... and then it felt like they were hinting that Steve would learn some cool stuff from Lancelot, but that never happened. And WHY didn't Aja WARN HIM that he could become pregnant like that! That was so out of the blue too. I really liked how they had Steve develop as a character over the course of Trollhunters, so when he kind of stopped changing for most of the other TOA content, I was a little sad.
I guess this is just an appreciation post for bully characters that decide to become nicer. They deserve more love, for sure.
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