You have no idea how big supporter of the theory that the fall from the cliff never happened I am.

Like— The first scene of the series didn't even happen because Will was so immersed in the story he was telling during the lecture. It was only his imagination; at the crime scene Will quickly receives confirmation of all his conclusions, such as the fact that the marriage was tapped and I truly doubt electricians would have been called immediately to the crime scene along with the police, ambulance and FBI. And then he is suddenly “magically” back in the classroom from the house of the victims, when he says, “Everyone has thought about killing someone one way or another. Be it your own hands or the hand of God”.

And since the first scene of the series didn't take place at all, why wouldn't it be the same with the ending? During the battle with Francis Dolarhyde, Will sees him with the wings of a red dragon, something that is unreal. He is also only imagining that.

And the fall is also from Will's perspective, so did it really happen? Or is this only a metaphor for his fall as a human being? He genuinely felt that the brutal pack hunting he shared with Hannibal was beautiful, so he finally accepts his dark nature — he falls as a good and moral man, descending into the depths of crime (ocean).

I love it so much. I'm sorry.

There's just something about Smallville 4x18: Spirit that manages to be very Clex-y without having Clark and Lex interact even once on-screen. Hell, the only reason Lex even shows up in two scenes is to help lead to Jason's villain-reveal.

It's the fact that he hired Lifehouse to play at a school prom. A school he never went to, has no real attachment to beyond Clark (and a lil thru Lana). And he just does it, without anyone coming up to him and asking him for help with the entertainment. No one he knows is (willingly) on the Prom Committee, and it's definitely not something he would just do at the behest of Dawn or her little clique.

It's that Chloe mentions this fact of Lex's random act of kindness to Clark in hopes that it'll convince him to go to prom. Chloe, who in a lot of ways, is Clark's mirror, who, in this season, knows him the best out of all his friends, uses this as bait, hoping he'll bite. Because he always has before, even if out of curiosity of Lex's real intentions.

Yes, the episode is called Spirit in regards to Dawn and her storyline, but also, it's inadvertently about Lex. By having him set up the entertainment, by having Lifehouse play "You and Me", Lex is there in spirit, too.

Yes, I read too much into things that were probably never intended, but...

Season 4, Episode 16: Trio

He said, while eating a lollipop, sitting with his back to a motherfucking Stargate. In a sentient alien city. That he FLEW. From one planet to another. Through HYPERSPACE. In another GALAXY. But sure, the negotiations are the thing that are not in the job description.

Anyway—

I just love those three together. As I already said, Jennifer is actually a very relatable character. And in this episode, you already see how she's starting to change—she's getting braver, and her snarky side is coming out a bit more. Also her and Sam's interactions are great. Female friendships are criminally underdeveloped in SGA and I need more! And Sam's face right before Rodney falls through the ceiling is totally Amanda trying not to burst out laughing.

This was a bit of an escape-room type situation and the set was a great design, especially as it was tilting at the end. That's insanely difficult and exhausting to act and move in. I know that the fandom has its issues with the "ohohoh, the girls might take off their shirts" jokes, but I'm willing to cut Show some slack because I remember TV from that time and let's just say, things were different. Stuff that would be unacceptable now didn't even register als problematic then. (It's still shitty and unnecessary, but I won't hold them to 2023 standards. Moving on.)

The two women setting Rodney straight about his disaster of a non-proposal to Katie was great. I live for these little personal moments.

While I am diehard McShep trash, I also am a multishipper for the simple reason that I don't like conflict, not even with myself. I will probably get things thrown at me for saying this, but watching Jennifer and Rodney sloooooowly develop mutual crushes—one, as is tradition, a bit more oblivious than the other—was kinda cute. While Katie was sweet and kind, she was too sweet. McKay needs someone to call him out on his bullshit, and when Sheppard isn't around, someone has to pick up the slack, right?

Anyway, that "I won the bet with the bar trick and now you owe me a beer which means you totally have to go out with me" was smooth as hell and good for you, Jen.

[Side note - how does money work on Atlantis? Do they have a commissary-like thing apart from the mess hall where you can buy extra stuff? Is there a thriving underground economy which deals in chocolate and the good coffee? Whenever someone goes to Earth, do they get handed a 27 page shopping list from places like Sephora and Target? Which currency are they using? I remember Chuck collecting betting money in like 8 different denominations in one episode...]

Dang it guys

we only ever talked about HALF of why these scenes were a big deal, like I just realized this today and my heart is going insane.

It’s not just that Crowley’s pissed at Gabriel for treating who he thinks as Aziraphale this way, the last thing he says to the people about to kill him is a benign and peaceful wish to see them again.

And like- this is Crowley trying to replicate Aziraphale to a T. So he legitimately just sees him as this endless well of compassion, someone who is always warm and accepting. It’s not just their friendship throughout the years, he remembers Aziraphale’s kindness on the Eastern Gate. When the angel had absolutely no reason to trust this random demon who just slithered up next to him. Crowley knows that he’s loved. Maybe not like that quite yet (although he’d be very wrong), but he knows that around his friend he’s always welcome and safe.

And Aziraphale?

Well he just thinks Crowley’s the coolest fucker alive, like he is laying it in THICK and enjoying every second. Listen to that charisma, look at that smirk. These are traits that are typically only appreciated in the context of how good it makes Crowley at tempting, a job he hates. But Aziraphale doesn’t see someone manipulative or regard this persona as signs of his “demonic nature”, he just sees Crowley. Someone charming, fun loving, and cute.

This is when we get to know precisely why they love each other, what exactly they see in the other.

edit: this is now my most popular post, good work team, lol

had a dream this was an episode

Welcome to my usual metas where we hyperfixate over Arthur Pendragon’s love for Merlin. Today’s episode features this scene right here:

To remind you of the context, it was s03e12 when Camelot was besieged and Arthur just ordered Gaius, Gwaine, and Elyan to go find shelter in the woods. A second later, he looks at Merlin, diverts his eyes, and tells him, “Merlin, you should go with them.”

Which btw translates, in Arthur Pendragon's dictionary, to: Merlin, I want you safe, I want you away from harm’s way, but Merlin, Oh Merlin, don’t leave me. I really don’t want you to leave me. I sustain my strength from you. You’re the bravest man I have ever met. I keep going because I know you’re there. Don’t go and leave me. I am urging you to go, but please don’t believe me.

I really just can’t. Because you guys, Arthur isn’t scared to go fight an entire army of the dead. He’s not scared that he is limping and injured and definitely won’t make it. He’s just scared to do it without Merlin.

And when Merlin looks at him and says, “Nah, I’ve seen the woods already”, Arthur knows Merlin had heard it all, and chose the kindest response possible that doesn’t spot on his worry and fear.

Those fucking two.

his bringing back "you wear fine things well" the little recognition of that moment from their past where they could've taken the step but both chickened out. The theme being to be better and to do better, to love your person better, to be fucking braver dammit, and now them just going for it. The kiss in the moonlight they denied themselves, now coming full circle with fingers in hair and softness and want, so much fucking want. The ending of it with their silliness, the quiet acceptance of what they are to each other, no drama, just realisation of "I'm what you got and I'm fucking keeping you"

So there's a lot to unpack here but I want to start by talking about the ending and specifically about the Metatron and the calculating moves made at the end of episode 6.

Every single piece of what happened there was a manipulation technique being employed against Aziraphale to an almost brilliant degree and I'm honestly a little obsessed with what this says about the Metatron in particular.

Let's go in order.

First of all. We see him order coffee. In a human body. Something sweet and sugary. He talks to Nina and asks her about her shop name. Does anyone ever ask for death? And when she tells him no they don't his response is to say "so predictable". Our introduction to him here even when everything about him reads like a sweet old man is presented to show us someone who reads the world in terms of being predictable to him.

He then shows up in the middle of Aziraphale's existence being threatened. He immediately cuts down the threat's authority (using outdated language like Az himself would favor) and reemphasizes his own connection to Heaven. When Michael doesn't recognize him and he puts her down and then directly engages Crowley. Crowley who, to Aziraphale, has for centuries at a minimum been someone he thinks is smarter, better, more Good than these other archangels. The Metatron validates these beliefs. Crowley is more Heavenly than these archangels who couldn't even recognize the voice of God when he was standing right in front of them.

The Metatron draws attention to the fact he's in a human body. The kind of body Aziraphale has been in and loved for nearly 6000 years. He then banishes the archangels, implying their morality is in a gray space, and validates Muriel someone we have seen Aziraphale react positively to and someone outside the current power structure. Look at me, he's saying. I see and validate the little guy.

He then tries to talk to Aziraphale. Aziraphale says "I've made my position quite clear." And then the Metatron offers Aziraphale the coffee. This bartering chip, consuming sustenance, is a thing that Aziraphale and Crowley have used as their connective tissue for centuries. It's an olive branch for them. It's giving Aziraphale bodily pleasure and the Metatron implies that he himself has partaken also - a thing we know that Aziraphale has struggled historically with moralizing. He is seen by the closest thing he has left to his parent and he is having old fears validated as safe and old habits being played upon to make him feel secure

He then REMOVES Aziraphale from his home turf. Not only does he remove Crowley from the equation but he takes Aziraphale from the place that has stood as a place of sanctuary throughout the entirety of the season. The shop is Safe and Aziraphale is leaving it and he is leaving the one person who might be able to smell the bullshit coming from the Metatron. The music notably turns absolutely dire here.

The next time we see them the Metatron tells Aziraphale that he doesn't need to answer instantly. He can take his time, if he likes. All the time he needs. And then tells him to go tell Crowley. Once again bringing Crowley in as a valid part of this while manufacturing a scenario where he can't possibly be.

Az ends up in a place where he's overwhelmed and confused and he wants so badly to believe what he's being told. It's an appealing thing from his perspective! He feels off kilter like he's made a mistake in judging the Metatron. He can't even fully articulate what happened to Crowley at first and he's had absolutely no real time to actually think it through. He's running on sheer reactive energy.

The Metatron starts their conversation by asking Aziraphale's opinion. Who should rule Heaven? This is once again playing into making Az feel validated and like he's a part of this decision making process. The Metatron corrects him, complimenting Aziraphale and making him feel capable and in control. He reassures Aziraphale's bafflement. And draws attention to some traits that, while true of Aziraphale around Crowley, are not his defining traits in the eyes of Heaven. You don't just tell people what they want to hear I find particularly notable in this regard given Aziraphale spent most of his time on earth actively lying to Heaven and doing just that. But it fits into the narrative Aziraphale has built around himself, especially post Apocalypse. The Metatron then says I need you (a phrase Az will use much more painfully here in a minute).

And even after all this Aziraphale says no. He says flat out he doesn't want to go back to Heaven. He says this!!! And then the Metatron sweetens the pot. He swaps tactics. Not once has this come up until Aziraphale pushes back against the idea. If the Metatron could've gotten him without using it I have no doubt he wouldn't have bothered with it. Come to Heaven and we can save Crowley. Aziraphale loves Crowley. Aziraphale thinks Crowley is better than any of the angels he's interacted with. Crowley is Good and Nice and Kind and always saving him and now he's being presented with a way to return that. He can Forgive Crowley - a thing Crowley has always presented to Aziraphale as something he struggles with. All of these things Aziraphale has watched Crowley react to in a way that belittles himself or distances them from one another. Of course he wouldn't consider that maybe what he was actually saying is "I'm unforgivable and I don't want that forgiveness."

The Metatron offers Aziraphale a Dream Offer for the pre Armageddon Aziraphale. You can keep your Crowley. You can heal him like you have always thought he deserved. You can have power and control the people who for your whole existence has beaten you down. It can go back to how it was but BETTER.

When Aziraphale leaves he still hasn't answered. He goes and has the conversation they have. It's intense and emotional and the Metatron comes in after the Moment all casual and asks how it goes, knowing fully well the shitstorm he had just set up to get created. And then he turns around and says "always did want to go his own way" which is not only true of Crowley but framed as a bad thing despite the fact that he has just spent twenty minutes or so telling Aziraphale that he's done his own thing and that is Good. He is playing both sides of this perspective as it suits him. And then he cuts down Crowley asking questions, pressuring Aziraphale to avoid doing the same. He then proceeds to ask Aziraphale not if he's made up his mind but if he's ready to get started. He is one by one closing off exit routes to this thing as Aziraphale starts to look more and more panicked and indecisive. He makes sure the bookshop is in good hands and asks Aziraphale if there's anything he needs to take with him. Letting Aziraphale have the illusion of choice while cutting down "I don't want to" as an option altogether.

And Az, as soon as the Metatron is out of shot, tries to express this. And then he falls back right on old coping methods. The Metatron pats him on the head. Reassures that he's the right one for this. That he is Good. That his particular skillset is needed here.

It is a masterstroke of manipulation. A very dark twist on what we see Crowley do time and time again with Aziraphale throughout the millennia. Familiar in a way that makes Aziraphale feel safe. Except this time this is being used to put him back in line. It's brilliant and painful and it fucking hurt and I need a season 3 to see the Metatron get what's coming to him stat.

Ok. I’m still trying to gather my thoughts and settle my hyperfixation after episode 3 of the Percy Jackson show, but one of my conclusions is that this is one of very few adaptations that actually understands the term ‘adaptation’ and furthermore what makes one successful.

On a fundamental level, understanding and respecting the source material is a must. You need to not just know the bullet points of the story, but you need to know the ‘why’s’- why does this story need to be heard, why do people like it, why does it stand out from the others in it’s genre, etc.

Second, you need to deconstruct the source material and piece it back together in a way that makes sense for the new format. Copy-pasting almost never works, since there will inevitably be discrepancies between the readers’ imagination and the adaptation that can distract from immersion.

Third, you need to provide something new. Why does this story deserve to be told in a different format? What can this add to the original themes of a story? What can we change to make the message come across more on screen? Will this dialogue really be as funny when it’s said out loud?

We’ve seen a lot of terrible “adaptations” of animation and books and musicals into movies/tv shows, and I think even among the better ones there is a dissonance between the desire to stay faithful to the source and the desire to make a good adaptation, with whatever changes that may necessitate.

I think while we’ve watched the casting of this series, the hints here and there, and final the premiere with bated breath, they’ve been playing the long game. They cast Walker as Percy before he was in the Adam Project. Many people expressed…unsavory…feelings when Leah was cast as Annabeth, but those of us that trusted the team behind this project- including the author himself- did our best to welcome her and were repaid tenfold with her performance in this episode particularly.

Most of the scenes in this episode were not at all how I imagined them in the book, but I adored it. They took what they were given and expanded on it. They created a mini-arc for the trio learning to trust each other. They gave Medusa a labyrinthine lair. Annabeth is a 12 year old walking into a convenience store for the first time in 6+ years with $200 in her pocket, of course she’s gonna buy as much as she can carry.

The love and care and artistry that went into this single episode brings me so much joy and gives me so much hope. Like I was already excited for a faithful adaptation, but seeing these characters come to life on screen, once you see their chemistry with each other and how they speak and push and pull at each other’s emotions, it has never been more clear to me the amount of care and foresight that went into this show.

Rick said that these kids are the characters he created and for like 2 years I’ve trusted that that was true, but today it was proven beyond the shadow of a doubt.

I am just…in awe.

The finale to Merlin is devastating, but you know what kills me? The tiny glimpse the episode gives us as to the banter we could’ve gotten if we had an earlier magic reveal:

Arthur is dying. And yet he gets this incredibly fond look on his face when remembering the day they first met.

Arthur is dying. And yet he looks at Merlin, the person who’s only just revealed his decade long lie regarding this thing that Arthur’s been raised to hate, and he jokes that Merlin cheated during their first meeting.

Arthur is dying. And he doesn’t really care that Merlin has magic. Only that he lied to him.

Can you imagine all the other moments of banter we could have had as Arthur found out all the other things Merlin did? How he didn’t really know how to juggle and that Arthur had a donkey voice for a bit because Merlin allowed it?

truly a moment in tv history. like they are directly addressing the audience with these questions while the spn tptb are in real life bullying the show's fans over these exact questions

I feel like I cannot fully explain it, but there is something so different in the way how in Mizumono Hannibal wants to kill Jack and threats Alana in comparison to how he hurts Will and kills Abigail. Besides his oblivious feelings for Will, in the way he “chases” Jack and Alana I can clearly see that terrifying the Chesapeake Ripper, the ruthless predator. But when he hurts Will? That scary murderer is gone, he is so heartbroken, that in my opinion he looks at least a few years older than he in fact is. He is so soft and vulnerable. His attitude changes again after:

Hannibal: Do you believe you could change me, the way I've changed you? Will: I already did.

Hannibal knows that Will is right and he didn't see the change within himself coming, he didn't want anyone allow to change him, but it happened, so he threw a tantrum and killed Abigail in front of Will to make a point.

So many different emotions showed only like in fifteen minutes. Something wonderful and terrifying.

I’m not sure if someone else already made a post about this, but I was rewatching Tombstone and something just hit me. Dean wanted to stay alone with Cas a little bit longer in that cowboy hotel room. Sam takes Jack with him and pairs Dean up with Cas, after noticing how happy Dean was to get Cas back (which he even made a comment on earlier in the episode, we love a supportive brother). Dean agrees with this change of plan. Sam and Jack immediately gets up to leave and head for the graveyard. But when Cas is about to get up too and get ready, Dean does this:

And this is the same fucking goddamn episode where Dean makes Cas wear a fucking cowboy hat. And then gets offended when Cas didn’t immediately recognize his Tombstone reference. “I made you watch it,” not “we.” The same way “where Dean spread your ashes” is NOT “we.” And Dean has probably already seen ALL of those movies, probably a shit ton of times. He just wanted Cas to see them too. With him. Like a movie date night. And then Cas imitates a phrase from the movie, “I’m your huckleberry.” And then Dean, after averting his eyes and closing them and gulping down, says “Yeah, exactly.” immediately followed by “…it’s good to have you back, Cas.”

AND NOT TO MENTION THE FACT THAT DEAN TOOK A PHOTO OF CAS OFF SCREEN???????? AND THEN PRINTED IT OUT??????????

Season 4, Episode 20: The Last Man

AKA we'll break your heart yet AGAIN.

Fourty-eight thousand years.

Man, this one hurt. (I know I say that about at least 50% of all episodes, but this one can't be reached by conventional pain medication. 10/10, ouch owie.)

Everything hurt. Seeing John alone in the city, seeing the hologram of old Rodney, watching everyone's sad endings that all occured because John wasn't there anymore. Sam, taking out three hive ships with her last breath. Ronon and Todd, going out with a bang like I knew they would. Poor Teyla and Jennifer. Lorne at the SGC, my MAN.

But can you imagine what that must have done to John, knowing the whole galaxy went to shit because he wasn't there? That everyone died horrible deaths, and Rodney died alone and lonely, because he wasn't there?

Rodney, working for TWENTY-FIVE FUCKING YEARS, after losing everyone, to save John and the City and the whole timeline by proxy. Teaching at a community college to make ends meet. Building a hologram that would wait for John long after the real Rodney was gone.

Seeing the City like that hurt. Seeing her light up for John even 48,000 years in the future, with less energy, less grace, but still trying.

And in the end, John stumbling - running - through the gate, back home, with a chance to set things right. With so much on his shoulders, but at least he got his people back.

Ooof. I need some fluffy fics. Where nothing bad happens. Ice cream on the pier, maybe a beach weekend on the mainland, board game night, some tlc for everyone. No bad things allowed. Everyone gets to sleep in, is hydrated, daily showers, good food, sunlight, fresh air, and NOBODY DIES. 😤

OK OK OK OK-

Ok is ANYONE else talking about the “evil coffee” theory yet??? Or is that just the discord I’m in

Cause like…. Who the FUCK puts THAT much emphasis on a RANDOM CUP OF COFFEE??

I mean Aziraphale literally says “I made my position clear” and then Metaron is immediately like “aAAH, but I brought you.. an OAT milk LaTé 👹” with foreboding music and ominous shots like some scene straight out of a fucking Disney movie, OH Kay… I see you you Jafar sounding bitch 😭😂

Only Crosshair could have let her go in that moment. Crosshair, who's learned not only to trust Omega but to respect her autonomy. Who knows what it means to be the cause of your loved one's pain for reasons outside of your control. Who's willing to risk everything to honor her wishes.

And only Omega could have convinced him to do it. Omega, the one person who never gave up on him. Who taught him that people can change for the better, even himself. The person for whom his hand doesn't shake when the shot really matters.

-

I was devastated when he failed to hit them with the tracker. It's not often that Star Wars shocks me, but I needed to let the credits roll as it sank in that he really missed.

It would have been so easy for the writers to give them the win here. For this to be the culmination of all their character growth this season. Don't get me wrong, I'm not mad about it. This is fantastic. I have no idea what's going to happen next. The writers are making some brave choices this season, and I am so here for it.