"what the hel--" danika's eyes had caught the sight of the familiar red hair in the crowd, staring across the street for far too long, her heart in her fucking ears as reality slowed. she'd been here for weeks, weeks with no fucking clue what was going on, just believing this had to be some kind of afterworld, until she saw bryce. and if that bitch was dead to be here-- she barely cared for the cars that were just slowing enough for her to beeline across, closing the distance between the two of them as she nearly skidded to a stop, just close enough behind bryce for her to hear. "b--?"
@tragcdysewn for bryce quinlan
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Incorrect Quotes
I'm SURE at some point they said that
Yuu: I'm in such a disgusting mood today that a bus passed by and I looked at the number and thought what a ridiculous numerical sequence
Idia: forced celibacy - I am no longer interested in a living soul that inhabits the earth
Ruggie: They romanticized the organ completely wrong, because the stomach is clearly much more emotional than the heart.
Rook: First time I use an Uber motorcycle: the guy flirted with me, complimented me on my perfume, almost knocked me down, didn't let me be late. 5 stars because it had romance, adventure and a satisfactory conclusion.
Leona: date idea I'll go to YOUR HOUSE, take a nap in YOUR bed and then leave
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I love the JLI’s reaction to Jaime’s survival, they’re just so darn happy! Look at Nate hold him, he’s just a little guy!
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thinking about that dialogue where sebastian suggests turning merrill and anders over to the templars and fenris completely shuts him down:
fenris at most loathes the both of them, and at the very least mistrusts them and thinks they're dangerous and says unkind things to them (not necessarily unprovoked in anders' case, but still). and yet he does not seem to even consider turning them into the templars.
you can argue that fenris does it out of respect for hawke, but whether fenris is friends with hawke depends entirely on one's playthru, and also, though he uses that as a jab at sebastian, he doesn't use it as an excuse for himself. he is simply completely firm on the fact that he isn't going to do it.
and i think the reason for this is that fenris knows what it's like to be hunted, to have to hide, to always be looking over your shoulder. he might agree with the circles, but he knows what it's like for anders and merrill to live in a city like kirkwall as apostates. and while he might despise having to admit any similarity between himself and them, i'm sure he's aware of it on some level.
and in conjunction with that, there's something of an unacknowledged quid pro quo. merrill and anders could turn fenris over to bounty hunters just as he could turn them over to templars. but they don't, and he doesn't. it's an understanding of being in the same social group. he might hate them, but he won't betray them. and he, of all people, will not be the one to bring his companions' pursuers down on their heads.
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"you look hot as hel, what the fuck--" danika said as she moved to pull her friend into a hug, having waited for athalar to be off grabbing drinks or something, sweeping bryce up with a grin. "athalar is not hogging you all night, come on. we haven't danced in fucking years, bitch."
@tragcdysewn for bryce quinlan
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Maxine: "What would you have done if I'd locked the window?"
Matt: "I give up. What would I have done?"
Maxine: "Forget it."
Daredevil vol. 1 #192 by Alan Brennert, Klaus Janson, and Joe Rosen
Given Matt's well-recorded penchant for breaking windows, I wouldn't risk it.
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Ive been thinking about this. So, there are a few productions where der Tod is supposed to only have a romantic relationship with Elisabeth, like, their relationship is "special" because hes never been in love before, whch I dont like because I always thought that hes Like That with everyone, or atleast with everyone who thinks about death and dying a lot, its just presented as special because Elisabeth is the central character. But whatever, some productions wanna make it extra amatonormative romantic so hes never felt that kind of love towards anyone before and will never feel it again after the story is done, I know thats definitely the case in the takarazuka production and I think thats also what they did for the hungarian production (i havent seen that one in a while so im not sure) and from what Ive heard about the newer austrain productions, it seems like they do it like that as well. Okay, sure, Elisabeth is der Tods one true love, why not, yay heterosexuality. But then why is doing all that shit Rudolf though
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