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#commemorating the death of a loved one
patbertram · 2 months
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Fourteen Years
I’d stopped writing about grief a while ago — I stopped writing about anything, actually, except for an occasional post to give long time readers an update on my life. I certainly hadn’t intended to write anything else on the subject, although for many years, I felt it was my mission to document my grief so that others who were going through the same thing understood the truth: no matter how…
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the-cimmerians · 3 months
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It's 2024. I have been participating in fandom for 40 years. This is a ramble commemorating some history I've experienced along the way.
In 1984, I attended my first convention, and made a beeline for the one long row of covered tables in the Dealer's Room that was, according to the whispered lore of my friends, 'the one'. "um", I said, very suavely and coherently, except for how it was totally the opposite of those things, "I'm here for the... for the, uh. For-"
"Come around here," the man behind the table said with exhausted ennui, so I went around, and he lifted up the table skirt next to him and pointed to rows and rows of boxes underneath the line of tables. "It's all under here."
It was all under there. Along with about five older ladies with glasses, graying hair, cardigans. Flipping through slash zines and chatting in whispered voices like old friends (which of course they were). I noticed one of them had the good sense to be wearing kneepads. I was still too young and ablebodied to need kneepads when crawling on a carpeted floor, but I immediately found her preparedness skills to be both impressive and hot. "You're new," one of the ladies whispered to me--a bit warily, which made sense. "Are you sure you're in the right place?"
In the faint light (the kneepads lady had also come prepared with a flashlight, additional practicality hotness points for her) I grabbed a comb-bound book with a heavy line art piece on the cover, featuring a musclebound Captain Kirk getting righteously and enthusiastically plowed by a stern-yet-ebullient Spock. "This," I said, pointing helpfully at the cover, like I was trying to make myself understood in a language I had only the vaguest knowledge of. "I'm here for this."
Outside at the convention, most of the attendees were wearing large homemade circular pins that shrieked 'K/S is BS!!!'1. But underneath the table, we reveled in the forbidden.
***
In 1985, I fell very hard for Starsky & Hutch fandom. Which was simply referred to at the time as 'the other fandom', because there were only two. We were upstarts. Many fannish elders predicted that it was just a phase.
***
The 'circulating library' was a massive stack of barely-legible pages that smelled strongly of mimeograph ink. When you were on the list, you would write stories while you waited for your turn, and when the big box was mailed to you, you would read everything (new finds, old favorites), add your own sloppily-typed or hastily-mimeographed stories, and then mail the whole thing to the next person. For me, at the time, it was an extremely expensive indulgence--but my favorite one.
***
By 1990, slash fandom had grown enough that I no longer knew everyone in it, which was both thrilling and a bit daunting. A young woman at a convention waited for me after a panel I was part of (I think it was 'writing impactful smut' or something like that), and said she had a question she didn't want to ask in a group setting. I'd heard that before. I said that's fine, go ahead and ask; and she came out with: "Why do you have to be gay?"
I blinked. "Is... that a problem?"
She looked annoyed. "Yes, because your stories are on all the recommendation lists and in all the top zines, but if you're gay and I read something you wrote and I get hot from it that makes me gay, and I'm not gay."
"Wow." I grinned, I couldn't help it. It probably made me look very predatory-dyke-about-to-score-a-toaster. Whatever, it was enough to make her back away from me fast.
When I thought about it later that night, I wondered what it would be like not to be the only queer person in slash fandom.
***
By 1997, slash started appearing on the internet. Many fannish elders claimed it was the death knell of slash fandom, or dismissed it as 'just a phase'.
***
Anyway, I wrote all this for myself as a commemoration of sorts, but if you took the time to read it--thank you. Love you, fandom. I always will.
1 In those days, m/m fandom was known as 'slash', which grew from the fannish shorthand where 'K&S' meant a story of Kirk and Spock having adventures or tribulations or what have you, and 'K/S' meant a story of Kirk and Spock getting it on (Kirk divided by Spock or Spock into Kirk--it was mathy fannish humor and I was into it then and I still am now). Slash was decidedly unpopular in the fannish world in 1984, and there was a concerted effort to force slash authors, artists, and fans out of 'mainstream' fannish public life. Hence, under the table.
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gay-dorito-dust · 22 days
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Hiiii I was looking to see if your request is open but couldn’t find it so I’ll just drop it here and feel free to write it :) I love your writings! 🌸
May I ask for batboys reacting to shy reader who wants them to lie down on her lap after their long day. She wants to praise them, play with their hair and shower them with kisses :0 thank you!
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Dick:
Would rest his head on your lap regardless of whether you asked him to do not, your lap was the perfect pillow for him and he will not have it any other way.
‘Hi baby.’ He greets as he beams up at you from the comfort of your lap.
‘Hi honey, long day?’ You greeted back, your hands already finding their way into his hair and began to comb through it slowly as he hums, burrowing himself closer to you as a means to feel more of you against him.
‘Yeah but it’s nothing I can’t handle.’ Dick replied and smiled wide when you kissed his cheek before kissing his nose, and felt his heart melt upon giggling you giggling when he scrunched up his face.
‘Is there nothing that my handsome man can’t do?’ You asked sarcastically as you pressed a kiss to his other cheek. ‘Or is he just the most perfect man in existence?’
Dick made a face at this. ‘Have you maybe considered that this handsome man of yours has an amazing, wonderful and beautifully cute spouse waiting at home for him as inspiration?’ He looks at you with a raised brow.
‘I’m the one who’s meant to be praising you tonight, not you praising me.’ You chuckled as you peppered his face in small, quick kisses that had Dick reaching a hand to the back of your head, holding you close so he could give you a plethora of kisses of his own.
‘Well what if we could just both praise the other tonight.’ Dick said against your lips.
‘I can deal with that.’ You replied as you spent the rest of the night whispering sweet nothings to one another and trading kisses.
Jason:
Your lap was his save haven after a long and tiresome day from having to listen to Bruce critique his way of ridding crime out of Gotham. So he wasn’t going to refuse your affection, not when you shyly patted your lap as an invite to rest his head and looking cute whilst doing so.
God had his permission to smite him to his second death should he actually refuses your requests to coddle him and shower him in all your love and adoration.
If anything the days where you offered up your lap to him were the best days of his entire life as he got to spend it looking up at an absolute angel that he was lucky enough to call his own.
‘How’s my gorgeous jay birdie feeling today?’ You asked as you kissed his along his jaw and stopping when you got to his chin.
‘I’m feeling fantastic now that I’m with you sweetheart. How about you.’ He replied back as he looked up at you with his pretty eyes that he knew made you weak. Jason only wanted to give you back the love and support that you give him on a daily basis tenfold, for it’s what you truly deserved in his eyes.
He loved you too much to allow you to settle for mediocrity.
‘I’m feeling much better now my strong, brave boy has come home to me safe and one less bruise to ice.’ You responded with a lighthearted chuckle as you lifted up one of his large hands and pressed a kiss to the back of it, before resting your cheek against it to commemorate his warmth and callouses to memory.
‘Don’t come at me with that sweetheart, I know you love icing my bruises, especially when they’re on my abdomen.’ Jason cheeked as he winked at you, taking pure enjoyment out of seeing your flustered face. It was a much needed breath of fresh air coming home to sweet, caring you from the cold, unforgiving outside and he cherished every bit of it for as long as he could.
‘Meanie.’ You murmur, booping him on the nose.
‘Meanie? How am I being mean chipmunk, I know how much you love my abs and my thighs.’ Jason chuckled as he booped your nose in retaliation. ‘Why do you think I never skip leg day?’
‘You’re more than perfect the way you are Jason,’ you countered, ‘perfect body or not you’re still my jay birdie. Forever and always.’ You whispered the last part as you pressed a sweet tender kiss to his lips as he smiled in response.
Tim:
He always finds himself perpetually tired from working himself to the bone, so when you offered up your lap for him to rest, the poor man practically sighed in relief, almost as if he were a man dying of thirst in the desert; finally having found the oasis he had been wandering aimlessly for.
‘You don’t know how much I needed this.’ Tim groans as he made himself comfortable in your lap, trying his hardest to not to close his eyes right then and there from the prepping of light kisses you were scattering across his forehead and under his eyes.
Gosh he hates how weak he gets from your little kisses but would die a little on the inside if you didn’t.
‘I’m sure I can take a guess.’ You said sweetly as you ran your hand through his hair. ‘You’ve been overworking yourself so much lately that I rarely see you as much,’ Tim’s stomach dropped upon hearing this but let you finish speaking, ‘but when I do see you it always makes me happy knowing that you’re okay.’ You then pressed a kiss to his cheek.
‘I’m sorry for-‘ you cut him off by pressing a finger to his lips, muttering a soft ‘don’t. Don’t blame yourself for things you can’t control.’
‘But I can control it!’ Tim exclaimed. ‘It’s not fair on you to exhaust yourself on me every night after patrol and still find it within yourself to take care of me…I don’t deserve any of it as it feels as though I’m taking advantage of you somehow.’ Tim trailed off as he looked away for you as guilt are away at him.
‘Tim,’ you called, ‘my sweet Tim as long as I know your okay and come home to me every night, then I don’t care how long I have to stay up just catch a glimpse of your handsome face.’ You reassured him as you kissed his jawline softly, and Tim felt himself weaken under your words and affection as he looked back up at you.
‘You really mean that?’ He asked almost quietly.
‘I wouldn’t say it if I didn’t mean it with all my heart my sweet, smart boy.’ You said while pressing a singular kiss to his forehead.
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tendergraphite · 11 months
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The Secret History: A Theories Guide
Richard Papen: The Master of Illusion
Julian Morrow: ''Honesty Is A Dangerous Virtue''
Henry Winter Wasn't In A Car Accident.
What Led To Henry Winters Death
Bunny Corcoran: Neglect In Plain Sight
When the Hare knows the Devil is out Hunting. [Bunny Analysis]
Francis Is The Worst Character (And Why You Should Think So Too)
Camilla & Henry: A Relationship Analysis
Stripping Back Richards Perspective—The Macaulay Twins
^Character Analysis^
The Mountain Lion: It Isn't A Theory
The Secret History's Dream Sequences.
The Secret History Isn't purposely Queer. (Richard Is Still Gay though, Here's Why!)
^Extras^
[ IF A LINK IS BROKEN, PLEASE COMMENT! ]
This post is officially completed, so I'd like to commemorate through shouting out my personal favourite TSH accounts.  Who may I add, helped me form a lot of my own theories.
Theorist/Analysis Peoplez
@estherdedlock On how  Bunny told Julian he should take Richard on as a student.
@miroana for this post “It is better to know one book intimately than a hundred superficially” (Tartt, 31).
@vivienlacroix For their ‘’Everything is cheap in hell’’ post (It's why my blog is titled that)
And of course, @henrywinterswife Who stopped posting long ago, but who I remember dearly.
Incredible Artists (Who you should comissions if their comissions are open cus their awsome)
@tovaperson I love their Bunny & Henry artwork, it's so fr.
These TSH cast headshots by qiornono Bunny & Richard are my favourites oh oh and this one too
@droptheguillotineplease One of legitimately one of my favourite artists on all of Tumblr. I mean, look at this shit.
I reblog posts so I can come back and reference them, so many of these are off my blog now because I won’t be making anymore more TSH posts. But I still wanted to thank these people and show my appreciation somehow.
Also let’s never forget my own post that ended up on reddit, and then was called thoughtless because it was a ‘’quickshot take.’’ Made me laugh, perhaps it was for the best the redditors didn’t find my other posts, their deranged.
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autisticrosewilson · 21 days
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Willis probably had INSANE dad lore. His mom runs a crime school. He worked for Two Face. He has a secret agent and LADY SHIVA in his phone book. He knew her first name. He was the subject of prison experimentation. I could literally make up anything at all about his life and there would be merit to it. Once you get past the classist writing and mischaracterization Willis is such a simultaneously funny and tragic character.
He's no one. He's got some of the most dangerous people in the world on speed dial. He probably tells dad jokes. He has very likely killed people. He has a bat tattoo to commemorate a fight with Batman. He loved his wife and kid so much he was willing to die for them. He had his death faked, escaped prison, and then took up an identity his son stole from someone else (HE WAS SMART ENOUGH TO FIGURE OUT JASON'S IDENTITY) and lured Jason back to Gotham. Jason still doesn't know Willis's identity. Willis is literally his bodyguard at the iceberg lounge.
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1968 [Chapter 5: Artemis, Goddess Of The Hunt]
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Series Summary: Aemond is embroiled in a fierce battle to secure the Democratic Party nomination and defeat his archnemesis, Richard Nixon, in the presidential election. You are his wife of two years and wholeheartedly indoctrinated into the Targaryen political dynasty. But you have an archnemesis of your own: Aemond’s chronically delinquent brother Aegon.
Series Warnings: Language, sexual content (18+ readers only), violence, bodily injury, character deaths, New Jersey, age-gap relationships, drinking, smoking, drugs, pregnancy and childbirth, kids with weird Greek names, historical topics including war and discrimination, math.
Word Count: 6.6k
Let me know if you'd like to be tagged! 🥰
💜 All of my writing can be found HERE! 💜
“So you smoked grass in college,” Aegon says, pondering you with glazed eyes as he slurps his cherry-flavored Mr. Misty. You’re in Biloxi, Mississippi where Aemond is making speeches and meeting with locals to commemorate the first summer of the beaches being desegregated after a decade of peaceful protests and violent white supremacist backlash. Route 90 runs right along the sand dunes. If you walked out of this Dairy Queen, you could look south and see the Gulf of Mexico, placid dark ripples gleaming with moonshine. “And swore, and had a boyfriend, and presumably, what, did shots? Skipped class on occasion?”
“Yeah,” you admit, smiling sheepishly, remembering. You stretch out your fingers. “I chewed gum, I talked during mass. And I loved black nail polish. The nuns would beat my knuckles with rulers, I always had bruises. I wore these flowing skirts down to my ankles and knee-high boots. My hair was a mess, long and blowing around everywhere. My friends and I would do each other’s makeup, silver glitter and purple shadow, pencil on a ridiculous amount of eyeliner and then smudge it out. If you saw a photo you wouldn’t recognize me.”
Aegon takes a drag on his Lucky Strike cigarette, weightless smoke and the tired yellowish haze of florescent lights. Buffalo Springfield’s For What It’s Worth is playing from the Zenith radio on the counter by the cash register. “I’d recognize you.”
“I used to skip this one class all the time. The professor was a demon. I could do the math, but not the way he wanted me to. Right solution, wrong steps, I don’t know. I learned it differently in high school, and I couldn’t figure out the formula he wanted me to use. So he’d mark everything a zero even if my answer was correct. I couldn’t stand that bastard. Then the nuns kept catching me sunbathing on the quad when I was supposed to be in Matrices and Vector Spaces. I racked up so many demerits they were going to revoke my weekend pass, and then I wouldn’t be able to go into the city with my friends. So I stole the demerit book and burned it up on the stove in my dorm. Almost set the whole building on fire.”
Aegon is laughing. “You did not. Not you, not perfect ever-obedient Miss America!”
“I did. I really did.” You sip your own Mr. Misty, lemon-lime. Across the restaurant, Criston and Fosco are eating banana splits—dripping chocolate syrup and melted ice cream all over their table—and passionately debating who is going to end up in the World Series; Criston favors the Cardinals and the Orioles, Fosco says the Red Sox and the Cubs. The rest of the Targaryen family is back at the hotel watching news coverage of the Republican National Convention, something you can only stomach so much of, Otto’s cynical commentary, Aemond’s remaining eye fixed fiercely on the screen as he nips at an Old Fashioned. “I was wild back then.”
“And you gave it all up to be Aemond’s first lady.”
You think back to where it started: palm trees, salt water, alligators in drainage ditches. “My father grew up in a shack outside of Tallahassee. No electricity, no running water, he dropped out of school in eighth grade to help take care of his siblings when his mom died. They moved south to live with their aunt in Tampa, and my father wound up in Tarpon Springs working as a sea sponge diver.”
Aegon’s eyebrows rise, like he thinks you’re teasing him. “Sea sponges…?”
“I’m serious! It paid better than picking oranges or sweeping up in a factory. It’s dangerous. You have to wear this heavy rubber suit and walk around on the ocean floor, sometimes 50 feet or more below the surface.”
“What do people do with sea sponges?”
“Oh right, you would be unfamiliar. You’re supposed to clean yourself with them, like a loofah. Soap? Water? Ringing any bells?”
He chuckles and rolls his eyes. “You’re a very mean person. Aren’t you supposed to be setting an example for the merciful wives and daughters of this great nation?”
“Painters and potters buy sponges too. And some women use them as contraceptives. You can soak them in lemon juice and then shove them up there and it kills sperm.”
“I suddenly have great appreciation for the sea sponge industry. God bless the sea sponges.”
“So my father spent a few years diving, and he fell in love with a girl who worked at one of the shops he sold sponges to. That was my mother. They got married when he had absolutely nothing, and by their fifth anniversary he had his own fleet of boats, a gift shop, and a processing and shipping facility, all of which they owned jointly. They just opened the Spongeorama Sponge Factory this past April, a cute little tourist trap. But my point is that they were partners from the start. My father listens to my mother, and she works alongside him, and it was never like what I’ve seen from my friends’ parents: dad at the office 80 hours a week, mom at home strung out on Valium, just these…deeply separate, cold planets locked in orbit but never touching each other. I knew I didn’t want that. I wanted a husband who was building something I could be a part of. I wanted a man who respected me.”
Aegon watches you as he lights a fresh cigarette, not saying what you imagine he wants to: And how is that working out? He puffs on his Lucky Strike a few times and then offers it to you. You aren’t supposed to smoke, not even tobacco—it’s not ladylike, it’s masculine, it’s subversive—but you take it and hold it between your index and middle fingers, inhaling an ashy bitterness that blood learns to crave. The bracelets on your wrist jangle, thin silver chains that match the diamonds in your ears. Your dress is mint green, your hair in your signature Brigitte Bardot-inspired updo. Aegon is wearing a black t-shirt with The Who stamped across the front. When you pass the cigarette back to him, Aegon asks: “What music did you listen to? The Stones, The Animals?”
“Yeah. And Hendrix, The Kinks, Aretha Franklin…”
“Phil Ochs?”
“I love him. He’s got a song about Mississippi, you know.”
“Oh, I’m aware. It’s one of my favorites.”
“And I’m currently getting a little obsessed with Loretta Lynn. She’s so angry!”
“She’s sanctimonious, that’s what she is. Always bitching about men.”
“Six kids and an alcoholic husband will do that to someone.”
Aegon winces, and then you realize what you’ve said. Loretta Lynn sounds a lot like Mimi. He finishes his Mr. Misty and then fidgets restlessly with his white cardboard cup, spinning it around by the straw. You feel bad, though you shouldn’t. You wouldn’t have a month ago.
“Aegon,” you say gently, and he reluctantly looks up at you, sunburned cheeks, blonde hair shagging over his eyes. “Why do you ignore your children? They’re interesting, they’re fun. Violeta invited me to help her make cakes with her Easy-Bake Oven last week. And Cosmo…he’s so clever. But it’s like he doesn’t know who you are. He might actually think Fosco’s his dad.”
Aegon takes one last drag off his cigarette and discards the end of it in his Mr. Misty cup. Now he’s fiddling with it again, avoiding your gaze. “I don’t have much to offer them.”
“I think you do.”
“No you don’t.”
“I do,” you insist. “You can be kind of nice sometimes.”
He frowns, staring out the window. You know he can’t see anything but darkness and streetlights. “I should have been the one to go to Vietnam. If somebody had to get shot at so Aemond could be president, I was the right choice. No one would miss me. No one would mourn me. Daeron didn’t deserve that. But I was too old, so Otto and my father got him to enlist. Now he’s in the jungle and my mother has nightmares about Western Union telegrams. If I was the son over there, I think she’d sleep easier.”
I’m glad you’re still here, you think. Instead you say: “Your children need you.”
“No they don’t. Between me and Mimi, they’re better off as orphans. Helaena and Fosco can be their parents. Maybe they’ll have a fighting chance.”
The glass door opens, and a man walks into the Dairy Queen with his two sons scampering behind him, all with sandy flip flops and carrying fishing rods. The dad is at least six feet tall and brawny, and wearing a Wallace For President baseball cap. You and Aegon both notice it, then share an amused, disparaging glance. You mouth: Imbecile bigot. The man continues to the cash register and orders two chocolate shakes and a root beer float. At their own table, Criston is mopping up melted ice cream with napkins and telling Fosco to stop being such a pig.
“Me?!” Fosco says. “You are the pig, that spot there is your ice cream, do not blame your failings on poor Fosco. I have already let you drag me to this terrible state and never once complained about the fried food or the mosquitos. And that thing out there is not a real beach. The water is still and brown, brown!”
“For once in your life, pretend you have a work ethic and help me clean up the table.”
“You are being very anti-immigrant right now, do you know that?”
Aegon begins singing, ostensibly to himself. “Here’s to the state of Mississippi, for underneath her borders, the devil draws no lines.”
“Aegon, no,” you whisper, petrified. You know this song. You know where he’s going.
He’s beaming as he continues: “If you drag her muddy rivers, nameless bodies you will find.”
Now the man in the Wallace hat is looking at Aegon. His sons are happily gulping down their chocolate shakes. Criston and Fosco, still bickering, haven’t noticed yet.
“Oh, the fat trees of the forest have hid a thousand crimes.”
“Aegon, don’t,” you plead quietly. “He’ll murder you.”
“The calendar is lyin’ when it reads the present time.”
“Hey,” calls the man in the Wallace For President hat. “You got a problem, boy?”
Aegon drums his palms on the tabletop as he sings, loudly now: “Oh, here’s to the land you’ve torn out the heart of, Mississippi find yourself another country to be part of!”
In seconds, the man has crossed the room, grabbed Aegon by the collar of his t-shirt, yanked him out of his chair and struck him across the face: closed fist, lethal intent, the sick wet sound of bones on flesh. Aegon’s nose gushes, his lip splits open, but he isn’t flinching away, he isn’t afraid. He’s yowling like a rabid animal and clawing, kicking, swinging at the giant who’s ensnared him. You are screaming as you leap to your feet, your chair falling over and clattering on the floor behind you. The man’s sons are hooting joyously. “Git him, Paw!” one of them shouts.
“Criston?!” you shriek, but he and Fosco are already here, tugging at the man’s massive arms and beating on his back, trying to untangle him from Aegon.
“Stop!” Criston roars. “You don’t want to hurt him! He’s a Targaryen!”
“A Targaryen, huh?” the man says as he steps away, wiping the blood from his knuckles on his tattered white t-shirt, stained with fish guts. “All the better. I wish that bullet they put in Aemond woulda been just another inch to the left. Directly through the aorta.”
Aegon lunges at the man again, hissing, fists swinging. Fosco yanks him back.
“Are you gonna call someone or not?!” Criston snaps at the girl behind the cash register, but she only gives him a steely glare in return. This is Wallace country. There’s a reason why it took four years after the Civil Rights Act of 1964 to finally desegregate the beaches.
“We should go,” you tell Criston softly.
“Yes, we will leave now,” Fosco says, hauling Aegon towards the front door. Then, to the cashier: “Thank you for the ice cream, but it was not very good. If you are ever in Italy, try the gelato. You will learn so much.”
“I can’t wait ‘til November,” the man gloats, ominous, threatening. His sons are standing tall and proud beside him. “When Aemond loses, you can all cart your asses back to Europe. We don’t want you here. America ain’t for people like you.”
“It literally is,” you say, unable to stop yourself. “It’s on the Statue of Liberty.”
“Yeah, where do you think your ancestors came from?!” Aegon yells at the man. “Are you a Seminole, pal? I didn’t think so—!” Fosco and Criston lug him through the doorway before more punches can be thrown.
Outside—under stars and streetlights and a full moon—Aegon burst out laughing. This is when he feels alive; this is when the blood in his veins turns to wave and riptides. You didn’t think to grab napkins from the table, so you wipe the blood off his face with your bare hand, assessing the damage. He’ll be fine; swollen and sore, but fine.
“You’re insane, you know that?” you say. “You could have been killed.”
Aegon pats your cheek twice and grins, blood on his teeth. “The world would keep spinning, little Io.” Then he starts walking back towards the White House Hotel.
~~~~~~~~~~
When the four of you arrive at your suite, Aemond, Otto, Ludwika, and Alicent are still gathered around the television. The nannies have taken the children to bed. Helaena is reading The Bell Jar in an armchair in the corner of the room. Mimi is passed out on the couch, several empty glasses on the coffee table. ABC is showing a clip they recorded earlier today of Ludwika travelling with Aemond’s retinue after he made an impassioned speech condemning the lack of recognition of the evils of slavery at Beauvoir, the historic home of former Confederate president Jefferson Davis. The reporter is asking Ludwika what she thinks makes Aemond a better presidential candidate than Eugene McCarthy, as McCarthy shares many of the same policy positions and has an additional 15 years of political experience.
“This McCarthy is not a real man,” Ludwika responds, her face stony and mistrustful. “He reminds me of the communists back in my country. Did you know he met with Che Guevara in New York City a few years ago? Why would he do such a thing?”
Now, Otto turns to her in this hotel room. “I love you.”
Ludwika takes a sip of her martini. “I want another Gucci bag.”
“Yes, yes. Tomorrow, my dear.”
“What happened to you?” Aemond asks his brother, half-exasperated and half-concerned. Criston has fetched a washcloth from the bathroom for Aegon to hold against his bleeding lip and nose. Aemond is still wearing his blue suit from a long day of campaigning, but he’s taken out his eye and put on his eyepatch. His gaze flicks from Aegon’s face to the blood still coating your left hand. On the couch, Mimi’s bare foot twitches but she doesn’t wake up.
“There was a Wallace supporter at the Dairy Queen,” you say. “Aegon felt inspired to defending you.”
Aemond chuckles. “Did you win?” he asks Aegon.
“I would have if the guy wasn’t two of me.”
On the television screen, Richard Nixon is accepting his party’s nomination for president at the Republican National Convention in Miami, Florida.
“He’s a buffoon,” Otto sneers. “So awkward and undignified. Look at him sweating! Look at those ridiculous jowls! And he comes from nothing. His family is trash.”
“Americans love a rags to riches story,” you say. And then, somewhat randomly: “He loves his wife. He proposed to Pat on their very first date, and she said no. So he drove her to dates with other men for years until she finally reconsidered. He said it was love at first sight. He’s never had a mistress. And jowls or no jowls, his family adores him.”
Aegon turns to you, still clutching the washcloth against his face. “Really?”
You nod. “That’s the sort of thing the women talk about.”
There’s a knock at the door. You all look at each other, confounded; no one has ordered room service, no one is expecting any visitors, and the nannies have keys in the event of an emergency. Fosco is closest to the door, so he opens it. A man in uniform is standing there with a golden Western Union telegram in his hands. Alicent screams and collapses. Criston bolts to her.
“It’s okay,” you say. “He’s not dead. Whatever happened, Daeron’s not dead.”
Otto crinkles his brow at you. “How do you know?”
“Because if he was killed, there would be a priest here too.” They always send a priest when the boy is dead. Aegon glances at you, eyes wet and fearful.
“Ma’am,” the soldier—a major you see now, spotting the golden oak leaves—says to Alicent as he removes his cap. “I regret to inform you that your son Daeron was missing in action for several weeks, and we’ve just received confirmation that he’s being held as a prisoner of war in Hỏa Lò Prison.”
“He’s in the Hanoi Hilton?!” Otto exclaims. “Oh, fuck those people and their swamp, how did Kennedy ever think we had something to gain from getting tangled up in that mess?”
“But he’s alive?” Aemond says. “He’s unharmed?”
“Yes sir,” the captain replies. “It is our understanding that he is in good condition. The North Vietnamese are aware that he is a very valuable prisoner, like Admiral McCain’s son John. He’ll be used in negotiations. He is of far more use to them alive than dead.”
“So we can get Daeron back,” Aegon says. “I mean, we have to be able to, right? Aemond’s running for president, he’ll probably win in November, we have millions of dollars, we can spring one man out of some third-world jail, right?”
The captain continues: “Tomorrow when your family returns to New Jersey, the Joint Chiefs of Staff will be there to discuss next steps with you. I’m afraid I’m only authorized to give you the news as it was relayed to me.” He entrusts the telegram to Otto, who rapidly opens it and stares down at the mechanical typewriter words.
“I have to pray,” Alicent says suddenly. “Helaena, will you pray with me? There’s a Greek church down the road. Holy Trinity, I think it’s called.”
Obediently, Helaena joins her mother and follows her to the doorway. Criston leaves with them. Otto gives his new wife a harsh, meaningful stare. Ludwika, an ardent yet covert atheist, sighs irritably. “Wait. I want to pray too,” she says, and vanishes with them into the hall.
As the captain departs, Mimi sits up on the couch, blinking, groggy. “What? What happened?”
“Go with Alicent,” Otto tells her. “She’s headed downstairs.”
“What? Why…?”
“Just go!” he barks.
Mimi staggers to her feet and hobbles out of the hotel room, her sundress—patterned with forget-me-nots—billowing around her. The only people left are Otto, Aemond, Fosco, Aegon, and you. The fact that you are the sole woman permitted to remain here feels intentional.
After a moment, Otto speaks. “You know, John McCain has famously refused to be released from the Hanoi Hilton until all the men imprisoned before him have been freed. He doesn’t want special treatment. And that’s a very noble thing to do, don’t you think? It has endeared him and the McCains to the public.”
Aemond and Otto are looking at each other, communicating in a silent language not of letters or accents but colors: red ambition, green hunger, grey impassionate morality. Fosco is observing them uneasily. Aemond says at last: “Daeron wants to help this family.”
“You’re not going to try to get him out.” Aegon realizes.
Aemond turns to him, businesslike, vague distant sympathy. “It’s only until November.”
“No, you know people!” Aegon explodes. “You pick up the phone, you call in every favor, you get him out of there now! You have no idea if he has another three months, you don’t know what kind of shape he’s in! They could be dislocating his arms or chopping off his fingers right now, they could be starving him, they could be beating him, you can’t just leave him there!”
“It’s not your decision. It could have been, had you accepted your role as the eldest son. But you didn’t. So it’s my job to handle these things. You don’t get to hate me for making choices you were too cowardly too take responsibility for.”
“But Daeron could die,” Aegon says, his voice going brittle.
“Any of us could die. We’re in a very dangerous line of work. Greatness killed Lincoln, Garfield, McKinley, Huey Long, Medgar Evers, John F. Kennedy, Malcolm X, Vernon Dahmer, Martin Luther King Jr., does that mean we should all give up the fight? Of course not. The work isn’t finished. We have to keep going.”
“Will you stop pretending this is about America?! This is about you wanting to be president, and everything you’ve ever done has been in pursuit of that trophy, and you keep shoving new people into the line of fire and it’s not right!”
“Aegon,” Otto says calmly. “It’s unlikely we’d be able to get him out before the election anyway. Negotiations take time. But if Aemond wins in November, he’ll be in a very advantageous position. The North Vietnamese aren’t stupid. They wouldn’t kill the brother of a U.S. president. They don’t want their vile little corner of the world flattened by nukes.”
“Still, it feels so wrong to leave a brother in peril,” Fosco says. “It is unnatural. Of course Aegon will be upset. We could at least see what a deal to get Daeron released would entail, maybe his arrival home would be a good headline—”
“And who the fuck asked you?” Otto demands, and Fosco goes quiet.
“Okay, then tell Mom,” Aegon says to Aemond. “Tell her you’re going to pretend Daeron made some self-sacrificial vow not to come home until all the other POWs can too. Tell her you’re going to let him get tortured for a few months before you take this seriously.”
Aemond replies cooly: “Why would you want to upset her? She can’t change it. You’ll only make her suffering worse.”
“What do you think?” Otto asks you, and you know that he isn’t seeking counsel. He’s summoning you like a dog to perform a trick, like an actor to recite a line. He’s waiting for you to say that it’s a smart strategy, because it is. He’s waiting for you to bend to Aemond’s will as your station requires you to, as moons are bound to their planets.
“I think it’s wrong,” you murmur; and Aemond is thunderstruck by your treason.
Without another word, you walk into the bathroom, turn on the sink, and gaze down at Aegon’s blood on your palm. For some reason, it’s very difficult to bring yourself to wash it away.
~~~~~~~~~~
It’s mid-August now, the world painted in goldenrod yellow and sky blue. The Democratic National Convention is in two weeks. You and Aemond are posing on the beach at Asteria, surrounded by an adoring gaggle of journalists who are snapping photographs and jotting down quotes on their notepads. You’re sitting demurely on a sand dune, you’re building sandcastles with the children you borrowed from Aegon and Helaena, you’re flying kites, you’re gazing confidently into the sunlit horizon where a glorious new age is surely dawning.
“Mr. Targaryen, what is it that makes your partnership so successful?” a journalist asks as flashbulbs pulse like lightning. “What do you think is the most crucial characteristic to have in a wife?”
Aemond doesn’t need to consider this before he answers. He always has his compliment picked out. “Loyalty,” your husband says. “Not just to me or to the Targaryen family, but to our shared cause. This year has been indescribably difficult for me and my wife. I announced my candidacy, we embarked on a strenuous national campaign that we’re currently only halfway through, I barely survived a brutal assassination attempt in May, in July we lost our first child to hyaline membrane disease after he was born six weeks prematurely, and at the beginning of this month we learned that my youngest brother Daeron was taken by the North Vietnamese as a prisoner of war. To find the strength not just to get out of bed in the morning, not just to be there for me and this family in our personal lives, but to tirelessly traverse the country with me inspiring Americans to believe in a better future…it’s absolutely remarkable. I’m in awe of her. And when she is the first lady of the United States, she will continue to amaze us all with her unwavering faith and dedication.”
There are whistles and cheers and strobing flashbulbs. You smile—elegant, soft, practiced—as Aemond rests a hand firmly on your waist. You lean into him, feeling out-of-place, bewildered that you’ve ever slept with him, full of dull panic that soon you’ll have to again.
“How about you, Mrs. Targaryen?” another reporter asks. “Same question, essentially. What is the trait that you most admire in your husband?”
And in the cascading clicks of photographs being captured, your mind goes entirely blank. You can think of so many other people—Aegon, Ari, Alicent, Daeron, Fosco, Cosmo—but not Aemond. It’s like you’ve blocked him out somehow, like he’s a sketch you erased. But you can’t hesitate. You can’t let the uncertainty read on your face. You begin speaking without knowing where you’re going, something that is rare for you. “Aemond is the most tenacious person I’ve ever met. When he has a goal in mind, nothing can stop him.” You pause, and there are a few awkward chuckles from the journalists. You swiftly recover. “He never stops learning. He always knows the right thing to do or say. And what he wants more than anything is to serve the American people. Aemond won’t disappoint you. He’s not capable of it. He will do whatever it takes to make this country more prosperous, more peaceful, and more free.”
There are applause and gracious thank yous, but Aemond gives you a look—just for a second, just long enough that you can catch it—that warns you to get it together. Fifteen minutes later, he and the flock of reporters are headed to one of the guest houses to conduct a long-form interview. This will be the bulk of the article; you will appear in one or two photos, you will supply a few quotes. The rest of the story is Aemond. You are an accessory, like a belt or a bracelet. He’s the person who picks you out of a drawer each morning and wears you until you go out of fashion.
Released from your obligations, you return to the main house and disappear into your upstairs bathroom. You are there for fifteen minutes and emerge rattled, routed. You pace aimlessly around your bedroom for a while, then try again; still no luck. You go back outside and stare blankly at the ocean, wondering what you’re going to do. Down on the beach, Fosco is teaching the kids how to yo-yo. Ludwika is sunbathing in a bikini.
“What’s wrong with you?”
You whirl to see Aegon, popping a Valium into his mouth and washing it down with a splash of straight rum from a coffee mug. “Huh? Nothing. I’m great.”
“No, something’s wrong. You look lost. You look like me.”
You gaze out over the ocean again, chewing your lower lip.
Aegon snickers, fascinated, sensing a scandal. “What did you do?”
Your eyes drift to him. “You can’t make fun of me.”
“Okay. I won’t.”
There is a long, heavy lull before you answer. When you speak, it’s all in a rush, like you can’t unburden yourself of the words fast enough. “I put a tampon in and I can’t get it out.”
Aegon immediately breaks his promise and cackles. “You did what?!” Then he tries to be serious. “Wait. Sorry. Uh, really?”
You’re on the verge of tears. “I’ve been bleeding since I had the baby, and I hate using tampons, I almost never do, but Aemond wanted me to wear this dress for the photoshoot and it’s super gauzy and from certain angles I felt like I could see the pad bulge when I checked in the mirror, so I put a tampon in for the first time in probably a year. I’m not even supposed to be using them for another few weeks because my uterus isn’t healed all the way or whatever. And now I can’t get it out and it’s been in there for like six hours and I’m scared I’m going to get an infection and die in the most pointless, humiliating way imaginable.”
“Okay, calm down, calm down,” Aegon says. “There’s no string?”
“No, I’ve checked multiple times. It must be a defective one and they forgot to put a string in it at the factory and I didn’t notice, or the string somehow got tucked under it, I don’t know, but I can’t get it out, it’s like…the angle isn’t right. I can just barely feel it with my fingertips, but I can’t grab it. I’m going to have to go to the hospital to get it taken out, but I’m scared word will spread and journalists will show up to get photos when I leave and then everyone will be asking me why I was at the emergency room to begin with and I’m going to have to make up something and…and…” You can’t talk anymore. There are other reasons why you don’t want to go to the hospital. You haven’t stepped foot in one since Ari died; the thought makes you feel like you are looking down to see blood on your thighs all over again, like you’ll never have enough air in your lungs.
“Did you bleed through it? Because that should help it slide out easier.”
“I don’t know,” you moan miserably. “I mean, I guess I did, because there was blood when I checked a few minutes ago. I had to stuff my underwear with toilet paper.”
“Why didn’t you just tell Aemond you couldn’t wear this dress?”
You give him an impatient glance. “I’m tired of having the same conversation.” When do you think you’ll be done bleeding? When do you think it’ll be time to start trying again?
Aegon sighs. “Do you want me to get it out for you?”
“Please stop. I’m really panicking here.”
“I’m not joking.”
You stare at him. “You can’t be serious.”
“I have fished many objects out of many orifices, you cannot shock me. I am unshockable.”
“I’d rather walk down to the sand right now and strangle myself with Fosco’s yo-yo.”
“Okay. So who are you gonna ask to drive you to the hospital?”
You hesitate.
“I’d offer to do it,” Aegon says, grinning, holding up his mug. “But I’m in no condition to drive.”
“But you are in the proper condition to extract a rogue tampon, huh?”
“Two minutes tops. That’s a guarantee. My personal best is fifteen seconds. And that was for a lost condom, much trickier to locate than a tampon.”
Perhaps paradoxically, the more you consider his offer, the more tempting it seems. No complicated trip and cover story? Over in just a few minutes? “If you ever tell anyone about this, I will never forgive you. I will hate you forever.”
Aegon taunts: “I thought you already hated me.”
You aren’t sure what you feel for him, but it’s certainly not hate. Not anymore. “Where would we do it?”
“In my office. And by that I mean my basement.”
“Your filthy, disease-ridden basement? On your shag carpet full of crabs?”
“You’re in luck,” he jokes. “My crab exterminator service just came by yesterday.”
You exhale in a low, despairing groan.
“Hey, would you rather do it on the dining room table? I’m game. Your choice.”
You watch the seagulls swooping in the afternoon air, the banners of sailboats on the glittering water. “Okay. The basement.”
You walk with Aegon to the house and—after ensuring that no one is around to notice—sneak with him down the creaking basement steps, the door locked behind you. Aegon is darting around; he sets a small trashcan by the carpet and tosses you two towels, then goes to wash his hands in his tiny bathroom, not nearly enough room for someone to stretch out across the linoleum floor.
You’re surveying the scene nervously. “I don’t want to get blood all over your stuff.”
“You’re the cleanest thing that’s ever been on that carpet. Lie down.”
You place one towel on the green shag carpet, then whisk off your panties, discard the bloody knot of toilet paper in the trashcan, and pull the skirt of your dress up around your waist so it’s out of the way. Then you sit down and drape the second towel over your thighs so you’re hidden from him, like you’re about to be examined by a doctor. Your heart is thumping, but you don’t exactly feel like you want to stop. It’s more exhilarating than fear, you think; it is forbidden, it is shameful, it is a microscopic betrayal of Aemond that he’ll never know about.
Aegon moseys out of the bathroom, flicking drops of water from his hands. He wears one of his usual counterculture uniforms: a frayed green army jacket with the sleeves rolled up to his elbows, khaki shorts, tan moccasins. He kicks them off before he kneels on the shag carpet. He checks the clock on the wall. “2:07. I promised two minutes max. Let’s see how I do. Ready?”
You rest the back of your head on your linked hands, raise your knees, take a deep and unsteady breath. “Ready.”
But he can see that you’re shaking. “Hey,” Aegon says kindly, pressing his hand down on the towel so you’re covered. “Do you want me to go to the hospital with you? I’ll try to distract people. I’ll pretend I’m having a seizure or something.”
“No, I’m okay,” you insist. “I just want it out. I want this over with.”
“Got it.” And then he begins. He stares at the wall to his left, not looking at you, navigating by feel. You feel the pressure of two fingers, a stretching that is not entirely unpleasant. He’s warm and careful, strangely unobtrusive. Still, you suck in a breath and shift on the carpet. “Shh, shh, shh,” Aegon whispers, skimming his other hand up and down the inside of your thigh, and shiver like you’ve never felt before rolls backwards up the length of your spine. “Relax. You alright?”
“Fine. Totally fine.”
“Oh yeah, it’s definitely in there,” Aegon says. His brow is creased with comprehension. “No string…you’re right, it must either be tangled up somehow or it never had one to begin with. Maybe you accidentally inserted it upside down.”
“Now you insult my intelligence. As if I’m not embarrassed enough.”
“I should have put on a record to set the mood. What gets you going, Marvin Gaye? Elvis?”
“The seductive voice of Richard Milhous Nixon. Maybe you can get him on the phone.”
Aegon laughs hysterically. His fingertips push the tampon against your cervix and you yelp. “Sorry, sorry, my mistake,” Aegon says. There are beads of sweat on his forehead, on his temples; now his eyes are squeezed shut. “I’m gonna try to wiggle it out…”
As he works, there are sensations you can’t quite explain: a very slow-building indistinct desire, a loosening, a readying, a drop in your belly when you think about the fact that he’s the one touching you. Then he happens to press in just the right spot and there is a sudden pang of real pleasure—craving, aching, a deep red flare of previously unfathomable temptation—and you instinctively reach for him. You hand meets his forearm, and for the first time since he started Aegon looks at your face, alarmed, afraid that he’s hurt you again. But once your eyes meet you’re both trapped there, and you can’t pretend you’re not, his fingers still inside you, his pulse racing, a rivulet of sweat snaking down the side of his face, his eyes an opaque murky blue like water you’re desperate to claw your way into. You know what you want to tell him, but the words are impossible. Don’t stop. Come closer.
Aegon clears his throat, forces himself to look away, and at last dislodges the tampon. It appears dark and bloody in his grasp. “No string,” he confirms, holding it up and turning it so you can see. “Factory reject.”
“Just like you.”
He glances at the clock. “2:09. I delivered precisely what was promised.” He chucks the tampon into the trashcan and then grins as he helps pull you upright with his clean hand. “So do you like to cuddle afterwards, or…?”
You’re giggling, covering your flushed face. “Shut up.”
“Personally, I enjoy being ridden into the ground and then called a good boy.”
“Go away.” You nod to where he disposed of the tampon and say before stopping to think: “You’re not going to keep that under your ashtray too?”
Aegon freezes and blinks at you. He smiles slowly, cautiously. “No, I think that would be a little unorthodox, even for me.” He pitches you a clean washcloth from the bathroom closet. “That should get you upstairs.”
“Thanks.” You shove it between your legs and rise to your feet, smoothing the skirt of your dress. “I owe you something. I’m not sure what, but I’ll figure it out.”
“Hey,” Aegon says, and waits for you to turn to him. “Maybe I’m not that bad.”
“Maybe,” you agree thoughtfully.
Just before you hurry upstairs, you steal a glimpse of Aegon in the bathroom, the door kicked only half-closed. He has turned on the water, but he’s not using it yet. Aegon is staring down at the blood on his hand, half-dried scarlet impermanent ink.
~~~~~~~~~~
Hi, it’s me again. I’m in solitary confinement. There’s a guy in the cell next to mine; we talk to each other with a modified version of Morse code. Tap tap tap on the wall, he taps back, etcetera etcetera, you get the idea. You’re not going to believe this, but he says his name is John McCain. Well, actually, he told me his name is Jobm McCbin, but I think that’s because I translated the taps wrong. I might be in the Hanoi Hilton, but at least they have me in the VIP section! Hahaha.
Every few hours the guards show up to do a very impressive magic trick: they wave their batons like wands, I turn black and blue. Sometimes one of my teeth even disappears. Isn’t that something? Houdini would love it. There’s a rat that I’m making friends with. I give her nibbles of my stale bread, she gives me someone to talk to. She’s good company. I’ve named her Tessarion.
Allow me to make something absolutely fucking clear.
I would very much like to be rescued.
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noisycroissant · 6 months
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Our Sweet Wife
Nanami × Reader × Toji
Bonus chapter
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You had been promised to the prince of the kingdom before you were even born. You knew this day would come, it was inevitable. You'd been trained how to be a consort from the minute you could walk in a straight line. Classes upon classes on etiquette, history, diction, even on how to walk and dress worthy of a royal consort.
What you didn't know was that the kingdom was ruled by not one, but two princes.
Born to different mothers, they were as different as night and day. Toji was as dark as a moonless night: pitch black hair, jade green eyes, scars to commemorate every ruthless battle he'd been in. Kento was fair as a summer's day: light blonde hair, erudite, there was no one in the kingdom who could win against him in a battle of wits.
Everyone expected the half-siblings to fight it out for their birthright, possibly ending in one's death. But surprising everyone, even their own late father, the brothers had joined forces. Brawn and brains, together their kingdom prospered. They shared every victory, every decision.
And now they're going to share you.
Their promised bride.
*******
"Relax Kento, this is not the first time we've been with a woman," Toji drawled lazily from the couch he was lounging on.
"Of course not. But you have to admit this is different. In all aspects. She's a princess. She was literally raised to be a consort to a king. A king, singular," Kento's voice rose a pitch as he got his thoughts out, "We do not know how she will accept us."
"She knows what she's getting into, Kento," Toji responds, his voice low and comforting, "Just be ourselves, that's all we need to do."
"But..." Kento's protest was cut short by the guard announcing your arrival.
"The Lady Consort, your graces," announces the guard, as you're ushered into the grand bed chamber. You keep your head low, the cloak covering your head and most of your body. Not that you were wearing much, a simple lace nightgown was what your handmaidens dressed you in.
An outfit designed and selected to confirm a consummation.
The guard turns on his heel and leaves, and you're left standing there, goosebumps rising on your arms as you feel eyes on you. You slowly raise your head to see them.
Your husbands. Plural.
*******
Toji moved first. For a man his size, he was extremely light on his feet. He flips the hood off your head and snaps the cloak off your body in seconds.
You stare at his face, taking in his green eyes, the sinful smirk, that slight scar across his lips.
"She's certainly a feast for the eyes, Kento," he says to the blonde man behind him.
Kento moves behind you, a reassuring hand at your lower back, trying to stare down the wolfish grin that grows on Toji's face as he drinks you in, "I apologize for my brother. Restraint is not one of his virtues."
"He's right, but the things I can give you while restraining you..." Toji responds suggestively.
You swallow, your mouth suddenly dry. But you feel a warmth bloom in you belly in the position you find yourself in.
Between two strong men, their scent and voices making your senses heady.
You know what's going to happen tonight. You'd fought a silent dread for years now, wondering how you'd muster courage on your consummation night.
Maybe you wouldn't have to. Your husbands look like they know just what to do with you.
"Maybe a bath first?" Kento suggests, breaking you out of your thoughts.
"Wonderful idea, as always, brother," Toji says as he walks towards the bath chamber, stripping off his clothes along the way.
Your face heats up as you catch a glimpse of his toned back muscles.
"He's a bit of an exhibitionist. Don't let it get to you," Kento says, trying to ease your mind. "We've been so looking forward to seeing you since the ceremony last month. Our lovely bride. I hope you'll be happy in our kingdom."
Kento's smooth voice quiets your nerves and you let him lead you towards the bath chamber.
Where Toji already sits in the giant tub of warm, sudsy water.
"How about Kento gets in, and then you take your time to disrobe and join us?" Toji suggests, his eyes glinting with mischief, "Would that be easier for you, princess?"
You did not miss the teasing tone stroking the way he called you princess. You'd been called that your entire life, but never in that tone.
You dart behind the changing screen and peek through the gaps to see Kento undress and enter the bath.
"Any time now, princess, we're waiting!"
You slowly emerge from behind the screen, the skin of your face and chest blooming colour as heat and shyness shoot through you. You remember your lessons and walk perfectly poised right into the bath, where the men promptly move towards either side of you.
The warm water, the desire rising through your body, the heat radiating off your husbands' skin....you were close to passing out.
"Take a sip. It'll cool you down," Kento passes you a goblet of chilled wine which you gratefully drink.
The alcohol flows through you, calming your nerves, you lean back and let the warm water soothe your muscles.
*******
Toji's thumb touches your chin and he gently moves your face closer to his. "May I kiss the bride now, princess?" You nod and his lips press against yours, his warm tongue licking the seams of your mouth seeking entry. You open and moan deliciously as Toji kisses you like he's tasting you.
You feel his hand move towards your stomach, your hands shoot out and grab Kento's for support.
"Skittish little thing," Toji whispers against your lips. Kento takes your hand and kisses his way to your neck. You turn to him, a moan caught in your throat, let out when he kisses you just as deeply if not more.
Kento tastes like the sweet wine he gave you. You try to mimic the movement of his tongue and he hums in approval. He moves down, kissing your jaw and your neck, grazing his teeth along the lobe of your ear. You let out a small whine as you feel Toji's breath on the other side of your neck before his teeth gently grazed the skin.
"Princess, are you getting all hot and bothered?" Toji whispers in your ear.
You feel your cheeks redden as you realise that you need more. More hands touching you. More of their lips against your skin.
Kento takes your lips in his again while Toji gently tells you, "I'm going to touch you now. I'll be gentle, sweetheart."
You moan as you feel his rough, calloused fingers slowly flit across your thighs, higher and higher, till they reach your pussy.
"You're soaking down here, dearest," he says as his finger slowly move into your pussy and stroke your clit. You jolt, breaking Kento's kiss.
"Touch her with me, Kento. Let's give our wife her first taste of pleasure," Toji says, not breaking eye contact with you.
"Anything for our sweet wife," says Kento as his fingers easily finds Toji's, but moves lower towards your opening. He gently eases in a finger, making you buck up.
The sensations were too much, wave after wave of pleasure washing over you, making your legs weak. Toji kept rubbing slow circles on your clit, increasing the pressure every now and again, whispering the dirtiest things you'd ever heard and moving his tongue along the shell of your ear. Kento's finger touched places inside you that you'd never dreamed could bring you such pleasure.
You lean back, their voices and touch going to your head, making you dizzy with want. "I--- I'm going to cum..please I..I can't," you gasp out.
"What lovely first words to hear from our wife, eh?" Toji snickers teasingly as he rubs your clit faster and faster. He wraps a strong arm around your waist to ground you as Kento slips in another finger and moves it in a come hither motion, touching that perfect bundle of nerves inside you.
You come apart as your orgasm hits. Your body goes stiff as your moan wantonly, burying your head against Toji's shoulder.
He holds you as you come down from your high. You lift your head to see Kento licking his fingers clean of your slick. Your eyes widen in embarrassment as Toji tells you, "The night's only beginning, sweet thing."
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project-sekai-facts · 8 months
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An's new school uniform has a black band around one arm. This is possibly based on an older practice of wearing a black armband after the death of a loved one. This armband was worn to show you were in mourning or to commemorate the deceased person.
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patbertram · 1 year
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Thirteen Years
I’d stopped writing about grief a while ago and hadn’t intended to write anything else on the subject, but today is the thirteenth anniversary of Jeff’s death, and I didn’t think the day should go uncommemorated. To be honest, I’m not sure why I feel this way. Although I still feel the jagged crack in my soul from where he was ripped from my life, it has been mostly filled with new memories, new…
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sandypelo · 1 year
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one piece made me realize how good the found family trope is,,there r so many found families in op that ican’t even fit them all if i wanted to.liek the way one piece masters the concept of “you can find your family anywhere”. if u love the found family trope and havent watched one piece literaly what are u doing
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one piece shows that you can still find your family even when you lose yours,, you arent forced to consider biological family your real family.sanji abandoning his terrible abusive biological family and finding zeff, and later joining the straw hats,, robin watching her mother and her community dying in front of her, having sauls parting words be that she will one day find friends who truly care about her,,years later meeting the straw hats, who literally declared war on the world to save her and would do it again,, law also saw his family and community die before his eyes and became consumed with hate ,,doflamingo found him and spent 3 years manipulating him and trying to mold him into a monster ,which then corazon takes law after hearing that law carries the will of d,,law and cora grow a bond , cora doing anything to save the terminally ill boy and protecting him from the hands of doflamingo,,when cora dies, law is determined to avenge his death, and he commemorates him through every single thing he does,, law learns that there was never a reason corazon loved him,and that you cant stick a reason to why somebody loves you
found family in one piece is important cuz it shows that a family can be anything. theres no such thing as to what a family is supposed to look like,, it represents many of the reasons why found family comes to be. loss, abuse, bonds,,your family is just people that genuinely respect and care about you
the lesson here is that the found family trope solos and one piece is goated
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lycheedr3ams · 11 months
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Death's Angel
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Part 1: Looking Death in the Eye
royal!fem!reader x executioner!konig
Summary: It's 1554. You're one of the eight daughters of the Austrian royal family, and your parents do everything they can to ensure their kingdom is prosperous and peaceful. No royal court is complete without their hand-picked executioner, one who stands out against the sea of black, faceless bodies that make up the profession. It just so happens that your family's new executioner, one who has made a name for himself far and wide for his skill with the axe, has caught your eye and ruined you for good.
Warnings: MDNI! eventual filthy smut, mutual pining, forbidden love, death (konig is an executioner duh), mean sisters, mentions of medieval-type violence, overbearing parents, konig is brooding, maybe dark themes bc reader likes seeing him kill people?
Part 2
.......
series inspired by the art below!
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If there was anything your parents taught you, it was to never mix with the lower, working classes. You were royalty: there was never any need for you to lift a finger, let alone even ask for anything. Everything will be served to you on a silver platter. The heads of your enemies were no exception.
You grew up watching executions like it was a normal family affair, like it was the same as lazily observing geese land in the pond behind your castle as you sat with your chin in your hand. It was always the same. Your family's star executioner, up until now, would force the victim on stage and enact whatever cruel punishment your king and queen parents decided. It was a routine. There was no malice or passion behind it, it was just a job. Chopping heads off blocks was the same as completing a to-do list for most executioners, and you grew accustomed to seeing bloodied heads rolling over cobblestone.
But your family's loyal executioner died suddenly. The peasantry said he was possessed, that the devil had finally taken the man's soul for all the heinous acts he committed. Whatever the case, your family needed a new executioner, fast. It wouldn't be long before people committed more crime, knowing the axe of judgement was temporarily frozen above their heads. you could hear your parents frantically whispering in the dead of night over which executioner to choose. there were so many contenders for the spot. you couldn't have cared less who the new executioner would be. executioners, though their jobs were necessary for functioning society, were spurned and looked down on. a necessary evil, as some may say. your parents taught you to never speak to the executioner, much less even look his way. not out of respect, but rather to keep your eyes clean from the monstrosity of whatever man could live with cutting off heads each day.
the day eventually came when your parents decided on a new executioner. they seemed pretty excited about it, and decided to get right to the "festivities" to commemorate the occasion. the new executioner would, the moment he reached the royal ground, execute the line of prisoners whose deaths had been delayed since the passing of your previous executioner. You strode elegantly, as you were taught, to your seat on the elevated surface as the victims were lined up on the lower stage. the crowd watched anxiously. there was a different feeling in the air. everyone seemed even more scared than normal. the blood-stained oak chopping block had never seemed more foreboding.
and then you saw him. out of your family's royal carriage - the oldest and dingiest one, mind you - this giant of a man stepped out and scanned the crowd. everyone went silent. not even the birds dared to sing as he walked across the stage silently, his axe slung over his shoulder, the wooden boards underneath his jagged leather boots creaking loudly. he was nothing short of a giant. his shoulders were broad, and even though his chest was clothed with black cloth, you knew he was toned. he carried that monstrous axe like it was nothing but a butter knife. the only thing that reminded you that he was, in fact, human was the faint reflection of the sunlight in his eyes from deep within his black hood.
your breath caught in your chest as you observed him. he stood still by the chopping block, so naturally that you felt your spine tingle. your father bellowed out the reason for the execution spree - something about celebration - but your mind was completely fogged, filled with nothing but morbid curiosity for this new death-bringer who would be living in your castle. the executioner was then commanded to turn towards your family and bow before the executions began. this grim reaper turned his broad back and faced your family. his eyes scanned each one of you, but they lingered on you the longest. you felt like a gust of ice wind had just raced up from his gaze alone, manifested somehow by whatever mental prowess he seemed to possess. He bowed lowly to you and your family before standing, glancing at you once more, and then facing the crowd.
your father yelled out with raised arms, "my kingdom! this is your new judge, your executioner! the one who will bring you to justice from here forth is Konig!"
king. His name means king, you thought. how ironic. that a man with such a name - likely an alias - would be performing the work that no one dared do.
for the first time in your life, you watched avidly as this new executioner, as konig, swiftly cut each victims' head off like he was slicing butter. konig commanded respect. even the crowd was silent as he worked, his grunts and the dull sound of the axe meeting wood and bone were the only things to be heard as he performed his duty. it should have scared you. he should have scared you. and when the last victim's head rolled off the block and konig rested against his up-turned axe, you released a breath that you didn't know you had been holding.
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hope you enjoyed! this will likely be multiple parts, and a slow burn. i just love this so much
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lightwise · 1 month
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Hidden Monsters
For some reason this has been a bear (dragon, Vrathean, pick your Star Wars creature) to write, but I realized after this last episode of TBB that there was more to the “monster of the week” trope that we all love to get tired of in Star Wars, and specifically for our beloved Batch members. I believe that some of the main “monsters” each member of the Batch has faced and could face represent inner turmoil and the storms/dark things within that each of them has had to wrestle with. The choices each of them have made to tame or calm or live with the creatures they have encountered, instead of automatically killing them or choosing violence against them, is a powerful metaphor. Something that looks like a monster on the outside may not necessarily be a monster on the inside, when cared for and acknowledged properly. 
Echo and the Rishi Eel
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Echo’s very first mission on Rishi station involved a giant monster, a droid army invasion, watching his superior officer die in front of him, and losing most of his squad along with the entire outpost he had been assigned to help defend. After the Rishi station is overrun by battle droids, Echo, Fives, Hevy, and Cutup escape through an air vent only to land in the middle of what turns out to be the Rishi eel’s nest. Echo is second to last in line and has to watch as Cutup is snatched up by the eel right behind him and swallowed whole. Echo is the only one to look back and commemorate Cutup with his name and a sigh before they have to keep moving. He does the same at the end of the episode when they lose Hevy, thanking him for his self sacrifice. Echo’s mind—strategic, careful, hesitant, wanting to do the right thing—is always on his brothers and their safety, and his own fears and questioning give way to courage and determination as he watches his brothers do what needs to be done.  
This formative experience is literally emblazoned on Echo’s chest and becomes part of his identity when Rex shoots the eel in the eye, wipes some of its blood on his hand, and presses it against Echo’s armor as he encourages him to keep going. This combination of bravery, looking death in the eye, and holding compassion for each of his brothers as they fall continues to be a running theme throughout Echo’s character arc—from holding 99 in his arms as he dies, to hanging in the Techno Union chamber where his mind and body were used to hunt down the brothers he loved, to overcoming the changes and loss he’s experienced and finding a new family with the Batch and Omega, to coming full circle and joining Rex to help free his brothers from the Empire’s grip. He has had to watch as brother after brother is taken away from him, but he has learned how to keep going in the face of loss. These experiences bring out who he is—caring, loyal, brave, resolute, and a symbol of endurance—and trace back to the very first monster he had to face. 
Hunter, Omega, and the Ordo Moon Dragon
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In season 1 the Batch is newly on the run from Kamino after Order 66, finding Omega, and losing Crosshair. They crash onto an uninhabited planet and while trying to repair their ship, an Ordo Moon Dragon makes off with their capacitor, leaving them stranded. Like the Zillo beast seen in season 2, it feeds on energy but is actually peaceful when not provoked. Hunter wants to track it down, by himself, but Omega insists on accompanying him. While tracking the creature, Omega brings up Crosshair’s absence, and Hunter is unwilling to even say Crosshair’s name, and he is very uncomfortable with the conversation. He is unwilling and unable to face his demons right now, and instead is wallowing in self-blame. Hunter won’t be able to fully face his inner turmoil until Crosshair returns and they encounter the Wyrm on Barton IV, another dragon-like creature which also burrows underground (although it is much, much larger, and more harmful than the Ordo Moon Dragon, signifying how much Hunter’s avoidance and resentment grows over time as it is not dealt with). It’s also interesting that this episode cuts back and forth to Crosshair fully under the influence of the chip and wiping out Saw Gurerra’s insurgents in a very violent manner. 
Hunter ends up being knocked out by the creature and Omega takes her flashlight and his blaster to complete the mission, going alone into the tunnels where the dragon lives. What Omega learns is that she doesn’t need the blaster to deal with the situation. As scary as it is, she doesn’t have to kill the dragon or use violence against it, as it’s simply hungry and looking for food. The terrifying creature becomes a thing of beauty, green electric shocks running over its rainbow colored body, illuminating the tunnel and Omega’s face as it feeds on the flashlight she throws to it in exchange for their capacitor. The visuals mimic the teal and green rippling over the Vrathean that Omega and Ventress encounter and have to calm down in season 3 (more on that further on). 
However, this wasn’t Omega’s mission. It was Hunter’s, but she ends up completing it for him. Omega learns a valuable lesson here, which fits in with her natural tendencies of drawing both people and animals to her caring, compassionate nature instead of judging them based on appearance, but I’m not sure that this was her ultimate trial in facing her own inner demons. (See my thoughts on why this is important at the end of this essay in the Ventress section.) This also was a failed attempt for Hunter, and he would end up facing his trial again in The Return in season 3. 
Wrecker and the Rancor (Muchi)
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Wrecker was introduced as a character whose expertise is in explosives and making things blow up. He lives for making a ruckus and having a good time, but his strengths are engineered to be used for destruction. 
Much of Wrecker’s character arc in season 1 is learning how to become more of an adult/parental figure for Omega, and how to put his own desires and needs aside in order to help take care of hers (letting her eat first, making a room for her in the gunners nest, watching out for her). In Rampage, the Batch is charged with rescuing a “child,” who they eventually find out is a young, ornery, and decidedly huge Rancor. Wrecker is the only one of them strong enough to sedate the creature after a lengthy bout of essentially hand to hand “combat.” They needed to bring Muchi back alive and Wrecker ends up gaining mutual affection and respect with her. Muchi is now calm and tamed enough that Omega can ride on her back with no fear or worry of danger.
Rancors adhere to a strict social and familial hierarchy, and have to challenge the alpha for authority. Wrecker starts out brash and boastful, and even though he is always caring, he becomes much more aware of his surroundings and his standing in their family unit as he grows in his responsibilities toward Omega. Rampage is shortly before his chip goes off, where he almost kills his entire squad. While his brute strength is an asset when used in the right ways, it is lethal if used for the wrong ones, and through his family bonds (especially with Omega) Wrecker is ultimately able to overcome the worst, chipped version of who he had been made to be, and instead be a source of safety and strength for Omega and his family. 
Tech and the Zillo Beast
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The Zillo beast is a marvel amongst Star Wars creatures. Its armor is impenetrable and highly valuable, and it feeds almost exclusively on energy, which allows it to become larger and morph into an even more powerful creature. When the Batch encounters it in season 2 in Metamorphasis, it tries to attack all of them, but Tech is the only one who is “fascinated” by the creature rather than scared of it. Similar to the Zillo beast feeding on energy, Tech’s mind was what he was known for, and he “fed” it by constantly consuming and integrating data about the world around him (which is transmitted by energy currents). During this episode Tech is confident in his own capabilities and extremely interested in learning more about the cloning technologies they were uncovering on this crashed ship. Tech’s research on the Zillo beast, while helpful, unfortunately comes too late and the Batch are unable to either put down or recapture the creature before it grows too strong for them to deal with. In the process, the Zillo beast escapes and is eventually recaptured by the Empire.
I’ve always been fascinated by the point in this episode where Tech is downloading the rest of the information from the terminal onto his data pad, and Hunter warns Omega that Imperials are inbound. She immediately tells Tech they need to go, and he refuses for a moment, saying he needs to finish capturing the data. If Omega did not pressure him to leave (and the electricity go out), he very well could have been standing there when ships bomb their location a few moments later, and gotten both himself and Omega killed for no good reason. At this moment his love of knowledge is overpowering his common sense and his love for his family, and it almost costs him everything. 
Contrast this to a few moments later when he pulls Omega out of danger as they leave the ship, and Plan 99 when he chooses to sacrifice himself not for his own gain, but solely so his family has a chance to live. He had to face his greatest asset where it could also be his greatest failure, and learn how to prioritize and wield his strengths. 
Crosshair and the Vulture 
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In The Outpost in season 2, Crosshair has spent almost two seasons engulfed in poor choices made both against his will (the chip), and of his own volition (staying with the Empire no matter what in pursuit of a sense of purpose and loyalty). His decisions are starting to grate on him and have led him down a dark path, but he hasn’t been fully ready to find a way to change them. When he lands on the icy planet of Barton IV, he encounters fearsome ice vultures shrieking overhead. He is told by the outpost’s commanding clone officer, Mayday, that the creatures are vicious, but admirable, because they find a way to survive. 
Vultures signify both death and cleansing and are often feared and viewed with disgust, yet are an integral part of nature. Crosshair’s isolation and status as a clone soldier have put him in a precarious and often misjudged position, in ways he doesn’t even fully realize until this episode. His very life is in danger due to the Empire’s stance toward the clones, but so far Crosshair has believed that he is valuable to the Empire in ways that the regular clones are not. This attitude and perspective are severely challenged by Lieutenant Nolan, who speaks contemptuously both about and to every clone he encounters. Nolan’s lack of respect for them as soldiers, as officers, and even as people, is an extreme look at what Crosshair’s callousness and misplaced loyalty could lead him to if he is not careful. His fate is hanging in the balance.
After being sent on an inhumane mission to retrieve two crates of armor in a blinding snowstorm, Crosshair and Mayday are caught in an avalanche. After coming up out of the snow gasping for air, Crosshair could choose to get himself back to base and leave Mayday behind. Find a way to survive in the cold on his own, but kill the last of his compassion and personal values in the process. Instead, he chooses to put his life even more at risk to bring Mayday along with him. 
Unfortunately for both of them, when they get back to base, Nolan has zero sympathy for their self-sacrifice, and allows Mayday to die unceremoniously on the platform from his wounds. Once again, a vulture is circling overhead, waiting to partake of its next meal. It signifies the threat of death but also Crosshair’s struggle and desire to survive. Crosshair is now staring his own lack of value and expendability in the face, and where he finds himself is now fully intolerable. He cannot continue on the way he has been without the very essence of who he is breaking irreparably in the process. Does he reclaim who he is, a compassionate and forceful individual who protects those he cares about? Or does he fall in line with what the Empire wants from him, knowing he will be discarded regardless?
Crosshair integrates his lesson in a visceral manner, his own personal traits mimicking the very essence of the ice vulture as he finally reorients his moral compass, takes a stand for himself and for his clone brothers, and takes vengeance on Lieutenant Nolan. His caution and inner turmoil are channeled into one desperate act as he becomes an agent/angel of death, the framing of the scene creating vulture-like wings spread on either side of him. He doesn’t expect to survive this encounter, choosing a path that looks like death on the outside but is cleansing and redeeming for him on the inside. He can now face the future as his whole, integrated self.
Hunter, Crosshair, the Vulture, and the Wyrm 
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The vulture and its meaning for Crosshair, as well as Hunter’s cut-short encounter with the Ordo Moon Dragon, both have their bookends in season 3’s episode The Return. Crosshair has seen immense character growth after his choices in The Outpost, and has not only redeemed himself but has been given the chance to start reconciling with everyone he has hurt. This episode has two creatures that serve two important purposes: the vulture returns as a metaphor for Crosshair’s need to reconcile with and forgive himself, and a new creature, a giant wyrm (nice Dune reference there, Star Wars) highlights the fractured rift between him and Hunter, and the anger, distrust, and resentment that Hunter has been running from since Aftermath. 
The Batch has returned to Barton IV, and Crosshair is greeted by the ice vulture as they land. The weather is calm and clear this time, and the creature is observing him but not in a threatening way. At the same time, tensions rise to a breaking point between Hunter and Crosshair and a long-awaited argument starts between them. Before it can be resolved, the wyrm erupts out of the ground and puts all of their lives in danger. It had been kept at bay previously by high-pitched noises, (oddly similar to Hunter’s enhanced senses, which he has been so distracted from that he wasn’t aware of the danger ahead of time) and lived underneath the same snow that had buried Crosshair and Mayday. 
In their efforts to draw the creature away from the outpost so they can turn the sensors back on, Hunter falls through the snow into the wyrm’s tunnels. Crosshair has already had his inner journey underneath the snow on Barton IV. This time, Hunter has to finally face his own struggles. Every step of the way he has been running and hiding, trying to keep his family and Omega safe by keeping them away from the Empire, away from Crosshair, away from danger, but failing miserably. This time, Hunter could simply let Crosshair haul him back up to the surface when he reaches the spot where Crosshair and Batcher have dug a hole in the ice to pull him out. But he hasn’t confirmed that the wyrm is actually past the boundary and that it is safe to turn the perimeter sensors back on. This time, Hunter stays below the surface, and keeps himself in harms way until he is absolutely sure that his family is safe and that his own emotions have been worked through. He is starting to take responsibility for his journey. His senses start to kick in again and he refuses to leave the tunnel until the wyrm is barreling down his neck, and then he finally accepts Crosshair’s help. Both of them run to safety, the perimeter beacons turn on, and the wyrm is now on the other side of an invisible barrier of sound, harmless and chastened until it finally slinks away. 
The boys exchange glances and nods. Their rift has been bridged and they are both willing to move forward, together. This is proven by the end of the episode, where Crosshair, who has remained closed off and unwilling to discuss what he’s been through, opens up slightly to Hunter before they leave, and Hunter responds with forgiveness, acknowledgement, and hope for the future. And for now, it’s enough. Crosshair looks into the sky and watches the ice vulture flying overhead once again. Except this time, it flies off into the sunset, signifying that his lessons from this planet have been fully learned, that the spirit of survival in the face of death that he has been carrying with him can now be put towards living and thriving again. Both Hunter and Crosshair are leaving slightly more whole than when they first arrived, both as individuals and in their restored relationship with each other. 
Ventress, Omega, and the Vrathean
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Omega gets a second chance at taming a terrifying creature in The Harbinger in season 3. After Asajj Ventress shows up on Pabu to help the Batch figure out the m-count conundrum that makes Omega’s blood so valuable to the Empire, (and after Omega has begged her to stay and test her capabilities), she and Omega go out onto the ocean to test Omega’s potential Force sensitivity. (Also after Ventress had to whoop the boys’ backsides to get them to slightly trust her, but we won’t go into that here). 
Throughout this season, (and really for most of her life), Omega has…not been doing well. Her time on Tantiss, leaving the rest of the clones imprisoned there behind when she and Crosshair escaped, and the relentless pursuit of her by the Empire has truly traumatized her and made her single-mindedly want to know why she is always in danger and putting everyone else around her in danger as well. Her mental health has been spiraling a bit and her inner turmoil is starting to rival Crosshair’s in season 2. She knows that m-count is important and is also thrilled at Ventress mentioning the Jedi, while the rest of the Batch and Ventress herself are very somber about the prospect that Omega might have Force capabilities. However, in her desire to have answers, she ends up being very impatient and frustrated and doesn’t even show her typical level of optimism and concentration in working through Ventress’ tests for her. It’s almost like her goal (finding answers) is at odds with what her idea of finding those answers looks like.
After having tried and failed to “reach out” to the Force to summon anything, Omega pouts and sits back down in the boat, seemingly defeated. Ventress has asked her to try to connect to nature, probably because she has seen Omega’s connection to Batcher and assumes that might be more in line with whatever her gifting might be. Two of Omega’s main traits and strengths are her optimism in the face of defeat, and her compassion toward literally every living thing she encounters. She is always curious, generous, caring, and wanting to connect with others. Which makes it even more curious that she is so easily stumped and disconnected by this exercise. She challenges Ventress to prove why *she* is the best person to be teaching Omega this lesson, and Ventress sighs but gently and carefully shows her powers by calling up a school of glowing green fish from the water. “I’m not the one holding back,” she tells Omega.
After a peaceful moment, however, another creature, this time a giant and tentacled Vrathean, emerges from the water as well and starts hunting Ventress and Omega down. It’s unclear if Ventress actually called the creature up herself or not, but if she did it was not intentional. She helps rescue Omega from the creature’s clutches and then chooses to put herself in more danger by letting it grab her, and communing with it through the Force as it tries to eat her. The deadly creature becomes a thing of astonishing beauty as the color of the sea ripples over its body and its eyes soften and recognize Ventress as a sentient being. 
This is where it gets interesting, because this peacefulness, calm, and compassion is not something we would have associated with prior versions of Ventress. Her experiences and growth throughout the Clone Wars, her associations with Ahsoka and Quinlan, and her choices have turned her into a much softer and stronger version of herself. This has now become her trial by allowing her to showcase just how much she has changed, and how much her own worldview has flipped. 
This is an incredible example for Omega, but similar to how she took Hunter’s trial for him in Replacement, Ventress has now filled what was supposed to be hers. This begs the question, what is Omega actually holding back on? Is she really Force sensitive? Or is just her compassion and tenderness toward everyone around her overtaking her in unhealthy ways? She has always had a tendency to put herself in harms way in an attempt to make up for the complications her presence brings her brothers. 
Omega will have to face these implied monsters at some point. I’m not actually certain that she will end up facing a creature like everyone else has—there’s the possibility that because she naturally has more affinity with creatures and beings that look monstrous but really aren’t, she may end up facing her inner demons in another manner. Will it be a person instead? Or a choice? Even, might I say, an identity crisis? It remains to be seen, but the fact that she must face it in order to overcome and integrate it is unquestionable. 
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spicyspiders · 1 year
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Hello good sir, can I request 141 + Alejandro and König where the reader celebrates a certain amount of hears of sobriety from drugs?
Like the reader used to abuse substance because of something traumatic like a death of a loved one or smth like that and now they're celebrating getting out of that situation?
I'm currently 1 year sober from drugs and I'm just rlly happy :)
Love your posts btw ❤❤
Congratulations on your sobriety!
It’s been a while since you’ve felt like you have control over your body. You no longer dig for the bottle. The want is still there, but that’s all it is– a want, when at the beginning it felt like a need. Overall, it’s been a year. A long year, but a year. 
It’s been almost a year and a half since your friend died. The aftermath felt like darkness that you couldn’t find your way out of. Certain days can be harder than others, but you still haven’t reached for a bottle in a year. 
You went out and bought yourself something small after you left your house. You weren’t sure what you wanted to buy even after you arrived at the store. You made the decision when your eyes landed on the sweet treat. 
You knew of people that had parties to commemorate the accomplishment, but you were happy to pick up the individual cupcake to celebrate. The cupcake was small, all wrapped up in plastic and shining under the fluorescent light. Everything used to feel so heavy when you stopped drinking, even the smallest things like getting out of bed, but now, it all feels so small. 
You probably looked crazy walking up to the self-checkout holding a cupcake and smiling, but you felt happy. You thanked an employee on your way out the door, still smiling. 
“Have a good day,” they responded, sending a small smile of courtesy your way. 
“You too.” You walked out of the store and started the walk home. The small walk home. 
Your home wasn’t the way you left it when you got home. It was full of other bodies, talking and laughing, making their presence known from the moment you stepped in. 
“How’d you get in my house?” You asked the group when you walked to where they were in the living room, all of them sprawled out and comfortable. 
“We have a copy,” Soap responded nonchalantly. 
“We?”
Price walked over to where you stood in the entryway and clapped you on the shoulder in greeting, “just him,” Price clarified. 
“Ah,” you weren’t sure if that was any better. 
“What’re you doing here?”
“We know how important today is,” Price said. With his arm around your shoulder, he pulled you to the couch. When you were settled down, your body in between his and Simon’s, he squeezed your shoulder. “It’s been a year?” He asked. 
“Just about,” you responded softly, smiling down at the cupcake you still help, clutching it protectively to your chest. 
“We’re proud of you, you know that?” Your friend would be too,” you could hear the smile in Price’s voice. 
“Thank you. I’m proud of myself, too,” you were getting choked up, but still had the smile on your face. 
König and Gaz sat on your loveseat, their bodies squeezed together to try and fit in the small space. Soap sat near their legs, digging around in his pocket, both of the men on the couch watching him with furrowed brows. 
You swallowed the lump in your throat, suddenly feeling confusion instead of sadness, “is that my key?” You asked when Soap tossed the item on your coffee table. It nearly flew off, but landed just on the edge. 
“It’s the one I used to make my copy.”
“How many did you make?”
“Me, Simon, Price, Gaz, Rudy, Ale-” Soap listed off on his fingers, getting cut off by Gaz throwing a pillow in his face. 
“Do not forget about me,” König said, ignoring the glare Gaz sent his way. 
“He’s the only one that has one,” Ghost said. 
“Has one what?” Rudy asked, who had just walked in with Alejandro. 
“Nothing!” Soap said to the two of them then threw the pillow back at Gaz. 
“You have a key too?” You asked them both. 
“Of course we do,” they both said, coming in to settle down into the space like all the others were. 
You met them all days into your sobriety when you thought it would be better to be out of your house, away from the bottles you knew you still had to throw away. Soap had run into you, the group of men playing a game in the park you decided to take a walk in. It left you with a scar on your knee, which now had the cupcake resting on top of it. 
“Did you all just break into my house to watch television?” You asked after everything had quieted down.
“Soap did, but we didn’t,” Price responded, and laughed softly at the noise Soap squawked out in protest.
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kaalbela · 8 months
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In the 16th century in Punjab, Shah Hussain, a Sufi poet and mystic met and fell in love with a Hindu boy called named Madho Lal. Though gay marriage was not legal anywhere in the world before this century, Hussain and Madho defied social conventions and lived together for six years till Hussain's death in 1599. Hussain's poetry is significantly inspired by his relationship with Madho, with some poems addressed directly to him. After Hussain's death Madho continued to live close to where he was buried in present day Baghbanpura in Lahore, and was buried next to Hussain after his death. They continue to lie buried side by side in the same enclosure to this day, and the enclosure is named Hazrat Madho Lal Hussain, embodying one soul living in two bodies.
The annual celebration called Mela Chiraghan or Festival of Lights is held in March in Lahore in order to celebrate the love of Madho and Hussain as well as Hussain's poetry. It is unknown how the ritual was established, but it dates as far back as the the 18th century: there are records of Maharaja Ranjit Singh leading a barefooted procession from the Fort to the mausoleum for this celebration. At present, the festival is conducted over three days and attracts large crowds. Cotton-seed oil lamps are lighted in the streets and houses of the city. Devotees sing and dance and read Hussain's poetry in order to commemorate the triumph of tolerance over forces of bigotry.
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morbidology · 8 months
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In 1952, a cat wandered into a classroom at Elysian Heights Elementary School, Echo Park, California, marking the beginning of a story of one of the world’s most adored cats.
After this cat came back to the same classroom each morning, the children decided to name him “Room 8″ after the number of their classroom. Room 8, just like the children, left the school for the summer and would always return on the very first day of the new year. This pattern continued each year until his death in 1968.
Room 8 became a celebrity in his own right, receiving letters from fans worldwide after appearing in Look Magazine, and even inspiring a book entitled “A Cat Called Room 8” and a song entitled “Room 8: The School Cat.”
Following his death in 1968, his obituary in the Los Angeles Times ran three paragraphs, like any other well-loved celebrity. His obituary even ran in papers as far away as Connecticut.
He is buried in the Los Angeles Pet Memorial Park in Calabasas, California, and Elysian Heights Elementary School has a wall mural and etched tributes on the side walk in commemoration of this wonderful cat that taught a lot of young children a lesson in love and compassion.
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alhaith4ms · 1 year
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note: suggestive content, mentions of biting/marking, possessive!zhongli, mentions of zhongli's dragon instincts, zhongli is just in love with you <3 + hello! t as always this isn't proofread waa
i like to think that zhongli, despite having spent years as a mortal and having such good self-control, still has the baser instincts of his more primal identity. and that he has quite a hard time keeping it in check while in the early stages of your relationship, always wanting to leave his mark or scent on you.
you've never really noticed it since he's always (barely) kept it together when he's with you, always a breathtaking smile on zhongli's lips despite the death grip he has on little tea cup in his hand or a fleeting kiss on your lips because a second longer would have him taking you then and there for everyone to see since your scent is so delectable.
however, zhongli was feeling particularly possessive one evening while the both of you were out on a walk in the harbor — the way you were dressed so beautifully coupled with how other men were openly staring at you just had his more draconic instincts wanting to come to the surface.
he simply took a deep breath and looked at you in hopes to help quell his internal battle with himself only to be met with the sight of your nape all bare and his to bite should zhongli choose to so that people would take one look at you and know that you're his and only his.
a growl threatened to bubble past zhongli's lips as he opens his mouth to bare his fangs, slowly inching closer to your nape. he'd be quick about it, not wanting to cause his beloved any pain, nor would he like anyone to hear how sweet your moans were when —
"...don't you think, 'li?" came your voice, drawing his mind back to the present and breaking him free from his stupor. you were looking at some antiques a vendor was selling, hoping to buy something to commemorate this evening with him.
zhongli couldn't help but smile, chuckling softly before pressing a kiss on your exposed nape, cheekily laving his tongue on it as well before saying. "anything of your choosing would be perfect, darling."
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