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#can I call you daddy?
queenleighx · 7 months
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Can I call you daddy while you fuck me and choke me?
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macksartblock · 2 months
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weird timing but s1 dads and their bastard fathers (and frank)
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l3viat8an · 21 days
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MC:*wearing a t-shirt that says; “Satan is my sugar daddy”* Satan! Do you like my new shirt? :D
Satan:*nodding* I do.
MC: Wait, really?-
Satan:*grinning* Of course, you should wear it on our next date.
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gunstellations · 4 months
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a little family
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quasarifxxy · 1 year
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This episode was so painful (to us viewers and) for BOTH parents
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Misaki realizing that they have almost everything she can’t provide Miri. from all types of clothing, to a room filled with everything the child wants, Misaki realized that this place has everything she couldn’t afford. In her eyes, this is paradise for a child like Miri. 
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But if there’s anything Kazuki and Rei can’t do, it’s to provide Miri a normal life. One devoid of lies and danger. If they choose to keep this up, it will hurt them all in the long run.
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spielzeugkaiser · 1 year
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[MASTERPOST]
Eskel is like "I WILL read this book about... A wolf and all his friends? Dancing and being. happy... 🥺"
#the witcher netflix#geraskier lovechild#eskel#soft eskel#geraskier#(no jeskel I am sorry but honestly I can see it at times)#omegaverse#listen retrospectively Eskel will slap his face (repeatedly) because it is at times pretty obvious (but only if you know!!)#did Milek accidentally call Eskel 'daddy' a few times? ofc he did. (how should Eskel know that he didn't just mixed it up in excitement.)#'oh he clearly meant his omega father' WELL#Roach should have been an indicator! but it's either that that name is in one of jaskiers songs (probable) and jaskier is like#'oh yeah he likes that one bard song about the horse - I swear he loves horses'#(that isn't even a lie and it's very Jaskier to compose an ode for Roach)#or he just goes 'We heard stories about a witcher crossing our town-'#and now wolf themed kids book. it's-#oh well#a lot of things are obvious when you look back to them#and I think Eskel could have made the connection! if Jaskier still had a lute. he would have gone at least once '... geralts omega bard??'#(who Geralt didn't really talk about but who they always could still smell traces of on him - bad thing that scents change after pregnancy)#but no lute?? connection not made.#that's the one jaskier thing Eskel knows of. always has a lute.#and retrospectively he can see that Milek and Geralt really look alike - it's at this age more obvious than later - because that is the age#that Eskel remembers. In which he still has a mental picture of what Geralt looked like? but it's been SO LONG#over a century#and Eskel was a traumatized child too. Things are. Very muddy.#the only ones who have a chance to recognize Milek are Visenna and Vesemir and that's it.
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bakubunny · 5 days
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a/n: *sighs.* here we go again.… ken ryuguji has been quickly taking over my brain. i would like to blame thank @sovya for planting this seed. pls forgive me bc i know this isn’t rly a thing. i just think he’s pretty and other dumb shit.
tags: soft!draken, f!reader, fluff, established relationship, cooking together, daddy kink (sort of?), daddy as a pet name, reader called baby, draken’s kind of sweet here, probably a bit ooc idk (sry)
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“ken?”
“yeah, baby?” he replied. he pulled a container of leftover rice from dinner the night before out of the fridge.
“will you let me ask you something and not give me shit for it?” you asked. scents of onion, garlic, and pepper permeated the air as you stirred the pan before you.
ken grinned. “maybe. is it somethin’ i should give you shit for?”
you smiled in return. “maybe, but….”
“but…?” his smile softened. he set his hands on your shoulders behind you as you worked.
“i’m asking you not to. just this once,” you replied. “please.”
a silence filled the room. ken’s brow furrowed.
“alright. what is it?” he said.
you hesitated, keeping your eyes on the stove in front of you as a distraction.
“can i call you daddy?” you said softly.
ken stood still. “what?” his tone was biting when he spoke.
“sorry, that was stupid, i-” you replied, pulling away to busy your hands further with anything not near him.
“no. look at me.” he said firmly. ken stepped over to where you were and turned you around by the hips. “did i fucking hear you right?”
you looked up, eyes wide, his onyx gaze now a little softer though his brow stayed furrowed.
“i don’t know, did you?” you reply. “if i’m gonna piss you off, we’re not talking about it.”
his hands held tight as you tried to escape his grasp, pushing on his stomach.
“i’m not -” he sighed. “ask me again. i’ll be nice. i promise,” he said softly.
the sound of food sizzling on the stove behind you somehow lessened the tension in the room.
“can i call you daddy?” you repeated. “just like… in general?” it felt embarrassing, the way your tummy flipped and your mouth went dry trying to get the words out. you chewed on your lip waiting for his reply.
“you're serious? you mean that?” he said. his expression was difficult to read, but his eyes flickered down to your lips and back up.
you nodded in reply.
a small laugh left his lips. he leaned down towards you. “yeah. i thought you'd never ask.”
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mini gremlins: @dcsiremc @bookcluberror @zazter-den @i-literally-cant-with-this @r4td0lll @naughtygobbo
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sevsprettyslut · 6 months
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MDNI 18+
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When Sevika eats you out she has absolutely no regards for being messy. She’ll lap and lick and suck at your cunt like she’s dying of thirst and you’re her only way of quenching it. She’d have her tongue fucking in and out of your sopping cunt as she holds your thighs in place by the sides of your chest, moans and groans rumbling against your puffy clit as the devine taste of you runs down her awaiting throat. She’d definitely make out with your pussy, her lips and tongue gliding against your folds passionately, the bottom half of her face slick with your arousal. When she’s feeling just a little mean, she’d make you cum and/or squirt by simply just slapping your pussy and clit repeatedly, up until you’re sobbing and pleading for her to be merciful on your poor and abused cunt, your hips jerking and stuttering at every hit to your pussy.
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iammorethananame · 10 months
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Me: *financially independent and uncomfortable accepting monetary help*
Also me: *fiercely anti-captalist and anti-rich people*
Still me: *staring wistfully at @theidiotwhowritesthings's sugar daddy!Joel Miller AU* I want one
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peak ot3 dynamic to me
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miekasa · 2 years
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gojo’s son calling him baby because he heard gojo calling you that. precious
HHHH I KNOW :(( Satoru always encourages infant babbling (speaks animatedly and listens with the same enthusiasm even when it’s just incoherent noises), and the kid has taken to incorporating some key phrases into his vocabulary—learning to ask for more when he’s hungry, asking for his dad to keep playing with him, saying “thank you” and “i love you” (Satoru’s personal favorite, because his L’s do sound a little like W’s and he coos every time)—but he’s also picking up on things you and Satoru say to eachother. So, it’s only natural that hearing his parents refer to each other as “baby,” makes the toddler believe that that’s a normal part of speech he can start saying.
The first time it happens, Satoru is coming back from work. He can hear giggling in the kitchen, and when he makes his way there he’s greeted with the sight of his son in his high-chair clapping happily as you scoop some of his dinner onto his plate. Satoru reaches to you first, and arm curling around your waist and his lips pressing to your cheek. You’re about to return the greeting when the words are spoken for you, a high-pitched and excited squeal from your toddler in place of your own voice, “Home, baby!” Satoru pauses and blinks, pointing a finger at his chest and observing as his son only grins wider, making grabby hands for his father. He repeats the phrase again, this time attempting a broken syllable version of the word “welcome,” that makes Satoru’s heart swell three sizes. He’s quick to scoop his son right out of the chair, twirl him around and press kisses to his cheek, “Missed you so much, too, baby!”
First it’s you and Satoru that get called baby as greetings, but soon it extends to other people. When Megumi comes over to babysit the following week, he’s met with excited squeals and raised arms (demands to be picked up), before his cheeks are squished between baby-sized palms and he’s formally greeted with, “Hi, baby!” The look on Megumi’s face is priceless—slightly red and embarrassed, but beyond fond—and he gives the kid a gentle pat on the head before telling him he missed him, too. When it’s time for Megumi to return home for the evening, he gets soft hugs and tired yawns, the words “Bye, Memi. Night, baby,” barely getting out.
Your son is a fast learner, it seems. He quickly realizes he can use the word outside of greetings and goodbyes, and tries it out with his uncle Nanamin the next time he’s over at his house. Nanami is leaning over the counter, watching carefully as the toddler eats his lunch. He reaches over to wipe some smeared tomato away from his mouth as he’s finishing up his food, and that’s when the baby grins at him, looking his uncle (godfather, really, but he doesn’t know that yet), right in the eye before saying, “Thank you, baby.” Kento only smiles softly, continuing to gently wipe down his cheeks, before cradling his head and musing, “You’re more than welcome.”
You and Satoru debate which one of you he’s been picking this up from. You think the obvious choice is your husband—Satoru’s always been the more affectionate one, and pet names comes easy to him. He argues that your son gets it from you, and that he listens more carefully to his mom. Your theory is proven correct when your son is curled up in your lap shortly after dinner time, hands reaching to be held against your chest and rocked to sleep. You think he’s finally dozing off when you hear a small, and tired, “‘Night, my baby,” from your toddler’s lips. You look up to Satoru, who grins, leaning down to kiss the top of his son’s head and then your forehead. He takes after this father, without a doubt; because while every body else was baby, only your boys had the honor of refer to your as their baby.
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notfarts · 11 months
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me at the howling eye (extreme) every tuesday at 1 am pdt taking my sweet time with Garuda and hoping she finally dates me and/or abducts me
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genericpuff · 7 months
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on the closure of MochaJump, and why we're our own worst enemies in this industry.
"MochaJump? What was that?" is probably your first question, and I'm gonna simply respond with, "Exactly."
MochaJump was a small startup platform made by /u/nunojay2 and a second site engineer (whose name I am not informed of) on reddit. It wasn't anything extraordinary, just a startup site that aimed to offer a more viable alternative to Webtoons and Tapas, with a focus on offering equal visibility to creators, focused recommendation algorithms, loosened restrictions on NSFW content, and bigger cuts for creators on their generated revenue.
Of course, such promises are a tall order, but the creator did their best to host regular discussions with creators in art and webtoon communities to get feedback on what creators really wanted out of their platforms, and they researched what they would need to make in order to keep the site afloat (it came out pretty low at $2 per user per month). Hopes were high and the site launched with a small but eager userbase.
It stayed small. The site shut down in November 2022, just 6 months after launching in May 2022.
Now, I'm not gonna sit here on some soapbox and blame anyone for the site closing down. I unfortunately didn't get much chance to use the site myself so there's surely more I could have done on my own part to help it gain traction. But this is a regular occurrence for start-ups like this, especially in an industry that's as notoriously unprofitable as webcomics. We've seen titans such as SmackJeeves and Inkblazers fall, and MochaJump was merely an infant by comparison.
But it makes me think of how we view and treat these startups as a whole. How we as readers and creators alike have become so trained to exclusively use corporate platforms like Webtoons and Tapas on the promise of "bigger gains". Unlike these bigger companies, platforms like MochaJump depend on building a strong userbase as quickly as possible, and need to find ways to generate revenue to keep things running, otherwise it's only a matter of time before they close down. They don't have a massive conglomerate like Naver or Kakao to pad their pockets through their failures. They don't have the money or reach to inject themselves into society through bus terminal ads and convention sponsorships. They don't have the investors to sink money into their platform until it becomes profitable in return.
So we don't use them. Readers don't use them because we don't see the point in using a platform that has no content... and thus creators don't use them because we don't see the point in publishing our content on a platform with no userbase. Creators seek a place that's "tight knit" and "easy to get seen", but will only post to places that come pre-loaded with massive audiences; because it's not enough anymore to have a couple hundred followers, we're in 2023 now, in the year of consumer bloat, where we expect to now pull in thousands if not millions to be considered a "success". And readers seek a place that offers high-quality high-amount content at the tip of their fingertips, but don't want to pay for the access to these works, and in the case of apps like WT, have given up in trying to support these creators through the platforms themselves because they know that those artists they want to support will likely never see a dime.
The fact of this problem is simple, yet many people seem to ignore it - we cannot expect to have a platform that is tight knit, profitable, and sustainable. These places do not exist, not so long as we continue to raise the bar on what makes a "successful" subscriber count, not so long as we continue to patronize platforms that exploit their artists and writers, and not so long as we keep chasing the dragon of "what these websites used to be". These platforms never used to 'be' anything, they merely existed in one point of time that is now long gone, when owning a smartphone was a luxury and not a need, when online video content wasn't being tethered together by ads, and when the Internet wasn't owned and entirely managed by the same three corporations, the likes of which we haven't seen since cable TV.
Platforms like Tapas and Webtoons are - besides unsustainable - unable to exist and profit in the way they do without undercutting someone along the way. Whether it's underpaying their creators, undercutting their communities, or underexposing the works that have been buried, someone will get the shit hand in the deal and that someone is usually ALWAYS someone who will rarely ever stand to gain anything in the long run from using these platforms despite their issues. The 1% got theirs, and the 10% are barely getting by, while the remaining 89% are pushing onwards, because they have faith in the systemic online enshittification that demands conformity to a single formula for "success".
We are our own worst enemies in this industry. Webcomics are one of the few online mediums that still truly belong to the people - anyone can make them, anyone can find joy in them, but we're letting platforms like Webtoons and Tapas and all the other massive corporate apps rob us of that joy and accessibility in the pursuit of "success" and profiting. Webtoons was never the sole way to profit off this medium and yet I still see people every day who underestimate the existence of legitimate publishing houses and self-publishing, who think that publishing on Webtoons and landing an Originals deal is the only way to find success in this industry. This is meant to be the era of creators, of self-starting and self-actualization, and yet we're still handing all of that control over to corporations that only seek to exploit our art, bodies, and labor, while convincing ourselves that this will somehow all be worth it. We stick with Webtoons, despite the numerous controversies it's been involved in and the lack of support it's given even its own hired creators. We stick with Tapas, despite the undercutting of its most core components such as its community and the outlier genres it used to be known for hosting. We find new ways to justify using platforms that are steadily going downhill - Patreon, Twitter/X, Youtube, Instagram, Facebook - because we've been convinced that these are the routes to success, so if we acknowledge their failures, then "success" can no longer exist.
Because we need to pay rent. Because we need to eat. Because we need to survive. Because it's a lot more complicated than just "stepping away". Because the startups just don't have any of the surface level potential for us to immediately identify and get on board with, so we don't give them a chance.
I realize this post got very existential and depressing. I've been creating comics for well over a decade now, largely unnoticed, and I've fallen victim to these same limiting mindsets that we have to stick to one way, one "formula" for success - a formula that changes with the wind and only works for those who get in on the ground floor. It's been slowly killing me from the very beginning, robbing me of my joy to create, of my reason to even do this in the first place - to tell and share stories with others, to express myself creatively, to live my life surrounded by art and stories and creations made by and for others. It's made me tired and miserable, and I can tell it's done the same to those who have shared that boat with me.
But there's one silver lining I can always be sure of, and it's one I was reminded of after realizing I was still in the MochaJump Discord, with one announcement post that I hadn't yet read.
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Webcomics are one of the few online mediums that still truly belong to the people. Corporations are trying their hardest to take that power away. Let's not continue to let them.
If you want to help sustain, patronize, and contribute to the growth of sites that are still being operated by small teams (or even one man armies), please, consider checking out the following websites, some of which serve as platforms or publishers, others which operate as link directories for independent sites run by creators.
ComicFury GlobalComix TopWebcomics The Webcomic List The Webcomic Library Hiveworks SpiderForest SmackJeeves Archive Inkblot.art And whoever wants to use the GitHub source code used for MochaJump (RIP)
Let's do our part to decentralize webcomics again. We may not be able to leave the platforms that weakly sustain us, but we can still support those that strengthen and support us.
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louisplumpyass · 11 months
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see how easily that rolls off of his tongue? yeah, exactly. you get it.
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avatarquake · 4 months
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"Come now, Alastor. She's much too young for you." said Rosie.
And my poor brain (and heart) went straight to this;
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Like, excuse you, Rosie, covering it up with 'you're an ace in the hole' right afterwards, passed as a joke, no less, is not going to make me not think you did not think they were together - or at least on their way to be.
Like, come on. There's no way no one thought Alastor was at the Hotel for either to get Charlie under one of his deals or, failing to do so, woo her to gain favor and power.
I am amazed! This is a shipping line and the fact she backtracked by making it a joke? Immediately? To cover his ass, because, it's a wing-man/wing-woman's duty to not let you make a fool of yourself -by your or their mistake? Priceless!
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endrimer · 2 days
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HBUSDJNSA
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