read the tags on a post by @weird-life-of-a-closet-fangirl hope you don't me tagging you, you just had some interesting points in your tags (also tumblr why can't i use question marks in some asks? this got so annoying today)

Mia didn't really decide as such when Eveline was another monster but the only reason Mia fought against Eveline (to the point Lucas and Marge both thought that at some point Evie was going to get tired of waiting for her) was because she knew Ethan was safe (she during a storm tried to send him a video telling him that he was right about her lying to him, to stay away from her and forget about her and have a good life) but then he wasn't because Ethan was sent an email from her account as he never got that video. And when Mia officially rejected Eveline was after the tape of Mia trying to talk to Evie and Evie going on a murderous rampage instead

so Mia was in the padded cell for 2 years from the 4th November 2015 its the file on Lucas's laptop along with the next and final entry of the email logs being Eveline getting more people kidnapped. (still want to know the act of violence from Mia that got Lucas of all people to lock her up)

Sent: Friday, November 4, 2015 2:10 AM That bitch Mia is still somewhere in between Evie-La-La Land and reality. She gets pretty violent, so I locked her up in a cell. I thought maybe Eveline would get mad since Mia’s her favorite and all, but she doesn’t seem to care. She actually goes and visits her sometimes. She thinks Mia’s her mommy. Like I said, your “bioweapon” is fucked up.

Sent: Friday, September 1, 2016 1:10 AM Eveline’s family obsession is getting out of hand. She’s making everyone kidnap more and more assholes off the street to add to her freak show of a family. Maybe she’s getting tired of Mia not coming around, but it’s a pain in the ass for me because I gotta clean up the mess whenever someone new comes along. By the way, Evie’s looking sick or something. Her skin is getting all wrinkly and she’s getting grey hairs. Is that supposed to happen? It’s almost like she’s getting old all of a sudden.

Now that I think of it I have two theories for how Evie learned of Ethan and decided that he was the key to getting Mia to accept her

1 From the start because surely she saw either video being made but didn't think about using it until later (not as likely but still a possibility)

2 personally i think in amongst the victims that were brought in to the guest house smaller scale operation there considering the needles (I have to wonder if some of those was used on Mia) and the body bags so I think that in the limited view of the room at large from Mia's cell but what you can see from the cell is the table with the list of names and pictures of victims (true the same ones you see through out the games but maybe they were the "successful" ones that they kept trying to emulate) and complacency or exhaustion on Mia's part and a victims picture on the murder board and a voice begging for mercy sounding a little to close for comfort makes that wall she probably placed around thoughts of Ethan come crumbling down and someone was around to take note of how important Ethan was to Mia and everything goes as normal

now as for Village I really wish capcom kept her with the wheelchair or gave her a cane (for this reason and additional moment of offness for Ethan to notice but is too tired to focus on the RE3R was great in showing Jill's mental state and how she partially missed the city going to hell) because in the cutscene where we find Mia https://youtu.be/NkavqZJywp4 (also quick question with the village being blasted surely leaving someone underground would not be a good idea? like with air vents and exits?) look how she moves when coming out of the cell (screenshots for my own reference) it could be because she knows about Miranda's ability to shapeshifting but the second screenshot looks like she is using the box for support and checking on her leg before coming after Chris (has anyone done a freecam thing for this bit?)

Mia as a whole there is a lot to cover and I hope RE9 is about her (if not I'm going to be very annoying) taking down the connections from the inside as Mia is one of the few people we know who worked for them who is also still alive Alan? dead, Lucas? dead, Miranda? Dead. with a small playable section with Jill (character interaction i think would be fun to see) and Rose (she getting her own kind of justice for Evie)

Must be a Sugondese joke.

Never gonna get over how the anime made this scene just so,, haunting and elevated. Like I love the manga but I love how the anime has taken these scenes and elevated the themes of death and rebirth with simple shots like this and it’s why even after reading all of the manga I still get excited for the anime because I *know* the anime will not only be a faithful adaptation, but also an artistic masterpiece as it uses the medium to its advantage

laios985

When Izzy first walked out I was worried that he would be made into a joke that the crew would laugh at

but then he started singing and the dancing began and I realized that he wasn’t meant to be a joke at all. This is the most open and happy we’ve ever seen Izzy and the show treated it that way. Not mocking him but instead celebrating this moment.

When we talk about queer representation it’s usually just focused on queer relationships, but what I love about this episode is it shows other sides of being queer. That moment where Izzy saw Wee John doing his makeup and had a realization that he wanted that too? That is what being queer means to me. The crew singing along and cheering for him? That is what being apart of the queer community means to me.

What i love about this show is that it shows queer joy, not in a sanitized way, but in away that is messy, beautiful, and without any mockery or shame.

If a fella makes a nebula right in front of you, how are you not gonna pine after him for 6000 years?

Batboys profiles

My brother-in-law has a Thing where he gives me increasingly rare copies of The Bee Movie and it’s long since gone from “Goofy running gag” to “I don’t know how much money he’s willing to commit to this bit and it Scares Me.”

Where the fuck can we go from here

felt inspired by this weeks dungeon meshi ep

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

hiii everybody are you normal about Falin showing Laios the same little spell that Marcille showed her? are you normal about Falin remembering it fondly enough that it was one of the first things she showed her brother while trying to teach him magic?

i want to share an orange with you, lovingly, tenderly

don't you ever read a piece of fanfiction so good you just

thinkign about characters i like being sweet and tender with each other