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#but i'll be posting quotes / making edits when i have the time!!
shirogane-oushirou · 1 month
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[little vent -- tldr definitely not gonna have the planned art ready for the renniversary lol.]
me: "oh hell yeah i'll have a dog-sitting "job" for the next few days, so i'll have plenty of time to work on the art leading up to friday :) "
the dogs: untrained, poorly behaved, require constant attention (not their fault but it's the reality of the situation)
so uh. i might have some simple chibi art for friday if i have enough energy between putting the dogs to bed and going to sleep hghghghgh ;;;;; i'll finish the more detailed pics as i have the time and energy :')
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hug-your-face · 3 months
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Insight today while washing the lettuce and thinking of my friend who doesn't want to vote.
They are an otherwise intelligent, responsible, generous person, who appears to be socially conscious. They have worked hard and long for their position in their profession. They express concern for the planet. They get twitchy if you use too many paper towels.
But they don’t want to vote for Biden for reasons, and quote "doesn't like the whole system where the parties take turns swinging things back and forth" unquote.
I have been dumbstruck at their attitude for about two months now. I've been thrashing back and forth trying to reconcile this person I love with their attitude:
If you care abt the planet enough to conserve paper towels, don’t you care enough to stop a Repub administration from raping the land?
If you don’t like how things can swing back and forth, don't you want an administration that's going to work to shore up, rather than dismantle, more lasting democratic systems of governance?
If you understand the value of the long game, why are you only satisfied with instant results from a single election rather than viewing that election as a single move in an ongoing process?
The insight came to me as I used an extra set of paper towels to dry my lettuce:
These people are not motivated by outcomes. They are motivated by how their choices make them FEEL.
Not how the outcomes of their choices will make them feel. But how the action associated with their choices makes them feel.
In terms of outcomes for the environment, saving paper towels doesn't do shit compared to pushing for restrictions on oil companies. But using half a paper towel is an instant dopamine hit: "Ahhh, I am caring for Mother Earth. I care. I am a good person. Ahh yes that's the stuff."
This model fits for voting too. We know that The Only Votes That Count Are Those Cast. We know that Dems Go Where The Votes Are Not Where The Votes Aren't. We know that voting in every election, every time, in numbers, is a very low-effort way to contribute to moving the Overton window farther left.
But in the moment, for people who are motivated by how their action associated with their choice makes them feel... the absolute best move for their dopamine supply is to abstain: "I am NOT supporting an old fart; I am NOT supporting genocide; I am Challenging The System; I am a good person. Ahh yes, that's the stuff."
At the time, when I challenged my friend on their position, they held up their hands and said "look, I'm not saying I have any answers, I'm just saying I don’t like how the system works."
They didn't like how participating in the system made them FEEL in the moment.
For those of us who think this is madness, hey, we aren't off the hook entirely. We are basing our choices and actions off of outcomes, true. But there's probably a feeling/dopamine component in there too. "I am holding my nose and voting Blue; I am doing my part to actually affect the future even if I hate some things abt my choice; I am a good person. Ahh yes, that's the stuff."
So maybe the difference isn't in the motivation (my feelings and self-image) but in what motivates us (my action vs the outcome of my action).
I don't have an answer to the question at this time and this post is already long enough. But I'll think on it. And I invite you to do so as well:
For these people (who seem to be a sizable part of the population), how to outweigh the choice where their action preserves their self-image, doesn't cost them dopamine for having to take a "bad" action, and maybe even gives them a happy boost for "not being part of a flawed system?"
For these people, how to help them connect more to the outcome?
Off the cuff, I can't think of any means other than cognitive-behavioral therapy. :/
EDIT: Apparently there's a term for this and it's called Emotivism -- ethics isn't abt effects but abt feelings.
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skepsiss · 8 months
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Modern Problems, Modern Solutions pt 1
Pt2
I have like 4 other parts to this written already but I'll post em when I have time to edit. Yearning with extremely awkward teen Steddie. Eddie as a proper 17 year old would be awkward as hell! I think at least. Additionally, there is quite a bit of swearing so you've been warned. Generally, I just wanted to explore EDDIE catching feelings first and being put out by that.
Modern day AU, or more or less modern give or take 5ish years circa 2015/19. I don't think this takes place in the Hawkins we know from the show.
Small American towns can be kinda backwards, but it varies a lot as to how open and accepting each town/state is. So, suspend disbelief and imagine it as a place that is tolerant of queerness. Also, read with the understanding that in a lot of places in this generalized time people think queerness is actually kinda "trendy" in some ways. It's not taboo but it's also extremely dependant on the person that is queer and "how queer they act". "be gay... but not too gay" etc.--
---
"Did you hear? Steve Harrington just came out as bi--"
Eddie looked up from his phone, feet propped up on the desk in front of him. The boy who had popped his head into their mostly empty homeroom had delivered the news so quickly that everyone there was quietly shocked.
"Son of a bitch," Eddie grumbled, putting his feet down and getting clumps of dirt on the linoleum floor. School hadn't even started and he was already having to deal with this bullshit.
"What?" Gareth asked, laughing a bit awkwardly. He sounded confused like he didn't understand where Eddie was directing his vitriol.
"Leave it to some preppy, jock, rich-boy to make 'being gay' cool--asshole," Eddie's words were drenched in sarcasm and mockery, going as far as to air-quote when he said being gay.
"I've been fucking gay since 8th grade and now some 16-year-old wannabe happens to be queer it's big news?" Eddie sat back with frustration, crossing his arms over his chest and slouching in his seat.
"I don't think you're supposed to say queer--" Jeff started to correct only to shut up quickly when Eddie whipped his head around to him and glared.
"I can say whatever the hell I want. I'm the one that's queer!" Eddie spat, hating that so much of this 'being gay is okay' culture circled around the heterosexual perspective of what was and was not okay.
Eddie grouched for the rest of the day, keeping his head down and feeling his nostrils flare every time a whisper of today's big news passed by him in the hallways. Who fucking cared? Steve Harrington was thee popular boy in school and was talked about as if he was their generation's teen heart-throb. It was to a point where Eddie knew who he was despite him being an underclassman. He was in grade 12 and he still had to hear about Steve Harrington as if he mattered. Sports star, good-looking, daddy's boy.
It was so goddamn annoying. Eddie had been out since he was thirteen and he had suffered through the humiliation of 'being queer' all the way through high school. He had the scars to prove it and it pissed him off that four years later it felt like people were singing Steve's praises for being brave enough to come out. Who fucking cared? Being gay was cool now or something--it gave you an edge and despite the fact that Eddie was bi himself, it truly felt like bisexuality was a cop-out to get girls to think you were hot with no intention to do the whole gay part of it. That was unfair to think, but in his biased opinion, some popular boy didn't deserve to be treated delicately while he had been in the trenches over it.
Eddie glared as the school day ended as he walked outside into the Autumn air. He could see Steve across the parking lot chatting to a gaggle of people around his car. He was smiling and laughing and everyone seemed so eager to let him know they accepted him. Or whatever the fuck. He couldn't actually hear what they were saying.
"Does the torture of high school know no fucking end?" Eddie grumbled, stuffing his hands in his pockets, not paying attention to where he was going.
"Tell me about it."
Eddie looked up at the sound of a voice; the words that were spoken dripped with sarcasm. Robin was leaning against her bike by Eddie, bag slung over her shoulder as she watched the fanfare from a safe distance--same as Eddie. Robin was president of the LGBT-Alliance club, and Eddie knew her from band. Robin was two years younger than him, but she had come in hot and loud about being a lesbian straight from jump. Despite how meek she was in many regards, she was smart and dedicated to her beliefs. Eddie could respect that.
"Get a load, huh?" Eddie asked, scoffing as he glanced back over at Steve.
"Hmm," Robin offered quietly, staring for a moment before starting to put on her helmet, "he's been coming to meetings pretty regularly over the last couple of months, you know."
Eddie looked back at Robin, surprised to hear her... defending Steve Harrington? He thought it was unanimous that geeks and weirdos like them hated guys like that.
"You'd know if you ever showed up for meetings," Robin said a bit flippantly, and Eddie frowned at her.
He had tried the whole LGBT-Alliance thing and it just wasn't his space. It was boring and he hated that the group generally just talked about events and progress they should make. He didn't want any of that, he just wanted to hang out with a couple of people that were queer like him. He didn't want to be scheduling and painting signs or whatever the fuck. He had his own things to do after school--band, D&D, chucking dirt wads at a wall--anything was better than sitting in what was essentially a business meeting.
"Come on," Eddie grumbled, not wanting to acknowledge that if Steve had been attending the LGBT-Alliance meetings that this 'leaving the closet thing' had been a long time coming.
"He's actually a decent guy," Robin defended as she adjusted her helmet straps, "all things considered."
Eddie huffed a laugh, scoffing at Robin.
"Didn't think I'd be hearing this from you, Buckley--I thought lesbians were supposed to hate all men or something," Eddie retorted, not really meaning it but feeling confrontational.
"Don't be a drag," Robin sighed, rolling her eyes at the comment, "talk to Will Byers about it or whatever. He's in your D&D thing, right?"
"Hellfire," Eddie corrected, thinking about that for a moment. Will was in both their clubs and he was close friends with Dustin--who also seemed to adore Steve Harrington for some reason. It was stupid, he didn't understand why half the kids in his after-school club liked the guy. Eddie had never had any personal conflict with Steve, but he fit the shape of every guy Eddie had ever taken issue with.
"Whatever," Robin retorted, getting onto her bike, "you know we're having a mixer next weekend. You should come."
Eddie looked at her, frowning again. He didn't want to go to a mixer, whatever she meant by that. Robin seemed to pick up on the mild confusion he had around the comment, explaining further.
"Geez, there's like posters around the school, Eddie. Our alliance and like 4 other schools in our district are having like an LGBT dance, mixer, party or whatever. Hosting in Talho on Saturday. We've got a pretty big turnout already, tickets are five bucks."
"Five bucks?" Eddie huffed, acting as if that number was ridiculous for an event like this. He didn't want to admit that it sounded kind of... nice. With four other school districts... that meant there would be a lot of guys that were undeniably queer he'd get to meet for the first time if he went. That was something. It'd really be something if he walked away with a date.
"I'll think about it," Eddie said, waving Robin off and continuing his slouch across the parking lot to start his long walk home.
—--
"Call me if you need a ride," Wayne said as Eddie shuffled out of the cab of the truck. He stood at the door, having to look up at Wayne in order to see him from how much the suspension of Wayne's old gas-guzzler hoisted the truck off the ground.
"Yeah, yeah," Eddie huffed, feeling put out already for having decided to come. He was having second thoughts as he stood there, holding Wayne's door.
"Eddie," Wayne said a bit more firmly, looking for a straight answer.
"I'll call if I need a ride home-- or whatever," Eddie replied, sounding annoyed as he shut the door and turned towards the school gym.
It was obvious where the event was being hosted and he felt weird showing up alone. He had decided to come after much lamenting, resigning himself to just chatting to Will all night if he hated the damn thing. It felt weird, and he quietly hoped that at least some people his age would show up. He didn't want to be stuck as the oldest person there amongst a sea of 14 and 15-year-olds.
The event wasn't formal, but Eddie had tried to clean up a bit. He'd left his leather jacket and vest at home, opting for just an old denim jacket and a T-shirt that didn't have a band or logo on it. Other than that, he was still in scuffed-up shoes and ripped jeans, but he hoped that didn't put people off. Not that it mattered. Not that he ultimately cared. He didn't want to talk to anyone who had a problem with it to begin with, but it still made him feel self-conscious. Really, he hadn't dressed up because he didn't have anything to dress up into. Even the debate of if this was worth five bucks or if he should save it in order to get the luxury of sub-par pizza next week had been a difficult choice to make. He hated showing up to things like this and sticking out like a sore thumb--he hated being easily marked as poor.
Eddie paid his entry fee and stepped into the gym; the decorations were tacky and everything screamed 'event put on by teenagers.' There was something kind of charming about that though, even if it felt a bit pedestrian. It was sort of as he feared though... there were people here--a decent amount--but everyone looked so... young. The realisation made Eddie tense a bit as he moved over to the refreshments table and idled before getting a drink.
Great. Just great. He had spent five bucks for an awkward night leaning against a wall and drinking fruit punch.
"Eddie!"
Eddie turned to see Robin waving at him. She had a vest with a button on it signifying that she was a leader in the club. She probably had responsibilities to attend to during the night, but she did look mildly excited to see him there.
Feeling like he didn't have much of an option, Eddie migrated in her direction, feeling very self-conscious about the whole thing.
"Hey, you made it," Robin offered, a few people hovering around her. It was sort of obvious that she was busy, but Eddie appreciated her taking the time to say hi.
"Yeah, figured I'd check it out at least," Eddie said, talking into his cup as he looked around the room. He didn't really have time to lament though as a small commotion worked its way towards them.
"Sorry--sorry!"
Eddie looked to see Steve Harrington making his way over to them with what looked like 4 dozen balloons. It was kind of comical really, seeing him try to fight past the sea of bobbing, colourful globes.
"Steve!" Robin said sharply, her volume subdued but still stern.
"Sorry--there was a hold-up--" Steve replied, awkwardly trying to move the balloons to see past them and talk directly to Robin.
"Oh—oh-How-what? A holdup?" Robin mocked back, tisking as she took a bundle of the balloons from Steve and handed them to the girls beside her.
"Uh, yeah, Buckley. There was a holdup, you gagging on ten-dollar lipstick or something?" Steve retorted quickly "looks good by the way." He was gesturing to the make-up Robin had on and the bright red lipstick she had applied which was fairly different compared to her usual look.
Eddie snorted into his cup, choking slightly as he tried to hold back from laughing at the burn. Robin looked offended for half a beat before smacking one of the balloons directly into Steve's face and taking the rest of the handful.
"Ow--hey," Steve complained, getting aggressively jostled as Robin walked past him.
Despite what was being said, the whole exchange had been... friendly. It was weird really, it looked and sounded like Robin and Steve were actually friends. They were toying with each other and being bitchy in a way Eddie had only ever seen best buddies do, which was really goddamn weird to see coming from a superstar, jock hunk, and the local raging feminist, band geek.
"You're on my shit-list," Robin commented, pointing over her shoulder at Steve and then bustling off with the other girls and the balloons. Obviously, they had been meant for decorations and Robin was now rushed to finish setting everything up. The whole exchange had been so quick Eddie hadn't even been able to properly react before he was standing there... with Steve.
Steve turned towards him and Eddie averted his gaze, still holding his punch glass up to his lips.
"Hey," Steve greeted, sounding much too charming.
"Hey," Eddie mumbled back, turning slightly and facing the room instead of looking at Steve. He didn't walk away, that felt like a bridge too far, but he wasn't going to open himself up to a conversation.
"Eddie, right?" Steve asked, and Eddie glanced at him, watching Steve push his hair back into place. He hadn't realised, but Steve was panting slightly, obviously catching his breath from... probably running in here to deliver Robin's balloons.
"Yeah," Eddie confirmed, looking away again as he slouched. Great. He was stuck talking to Steve with no obvious escape plan. Perfect.
"Steve--"
"I know who you are," Eddie replied, not letting Steve finish his introduction. It had probably just been to be polite anyway, but it was obvious that Eddie knew who he was. They went to school together. They had mutual friends. It wasn't rocket science.
That shut Steve up for a moment and chewed at Eddie's guts. That had been a bit rude. Steve hadn't actually done anything wrong, yet, so really he should just save it for another time. Steve was stuck here too after all, with a bunch of kids just like Eddie.
"Pretty... young," Eddie said, watching the gym as people mingled. It really was just a bunch of 14 or 15-year-olds chatting with one another. They seemed to be having fun, and Eddie was glad for that since he hadn't had anything like this when he was that age.
"Hm, yeah," Steve replied, sounding kind of amused for some reason. "Always the damn babysitter, huh?"
Eddie glanced at him for that comment, not really understanding where it was coming from.
"Yeah..." Eddie offered, wondering if he had said it because Hellfire Club also skewed younger. He had seen Steve drop Dustin off before, scolding him like a mother would over something, but he had never come inside to meet anyone at Hellfire. Eddie had just noticed it was all.
An awkward silence drew out between them and Eddie could tell that Steve was starting to feel uncomfortable too.
"You seen Will Byers anywhere?" Eddie asked, looking for an out. He knew that Steve knew Will, he was one of those mutual friends.
"Oh, yeah," Steve offered, not making a motion to point anywhere, "but I'd leave him alone tonight if I were you."
Eddie quirked a brow at Steve, something of a challenge in his stance as he looked at him. Why on earth would he leave Will Byers alone tonight?
"I drove him--" Steve half explained, obviously realising that he needed to elaborate, "that's why uh I'm--it doesn't matter. There's a boy here that he likes."
Eddie's eyebrows shot up at Steve's explanation, looking back at the floor and the sea of dweeby, little gays circling each other awkwardly. Oh. Right. This was a lot of people's first chance to do anything with someone queer like them. He hadn't considered that Will would have someone here he intended to talk to.
Eddie laughed, both at his own stupidity and the charming realisation that he was glad this whole thing was happening, even if he wasn't having a good time.
"Good for him," Eddie snorted, cheersing the room and taking a swig of his punch.
"God," Eddie sighed, finding the humour in this whole thing now, "who the hell am I supposed to bother now?"
He was lamenting for no real reason, wondering quietly to himself if he should hold out and wait to see if anyone else his age showed up or if he should just cut his losses and start the long walk home. At least then, once he got back, Wayne would just assume he got a ride and had a good time. He didn't want to admit to Wayne that he ditched, not after he had agonised over whether or not it was worth it to spend the five dollars. Wayne had supported him going and assured him it wasn't a waste if he wanted to go. Eddie didn't want to prove him wrong.
Eddie glanced at Steve, wondering how he was going to excuse himself now that his out was occupied. He caught Steve looking at him and quickly looked forward again, surveying the room. That was weird. Eddie took note of that, slowly looking back at the party unfolding before them.
"So... Bi, huh?" Eddie offered, not sure why he was trying. He'd give it until he finished his glass of punch and then he'd walk home if no one interesting entered the party.
Steve seemed to laugh a bit awkwardly to that, doing this weird thing with his hands where he clasped them behind his back and then swung them forward to clasp at his front. It was the most uncomfortable Eddie had ever seen him--not that he had paid a ton of attention to Steve before now.
Oh. Eddie realised, feeling his chest clench a little, this was a lot of people's first chance to talk to another queer person. He was the oldest one here, closely followed by Steve... they were both fish out of water. Steve had the club, but there weren't a lot of guys their age that Eddie knew of who were queer. Steve had been mingling with kids this whole time. He was the elder here... weird.
"Yeah, I didn't really expect it to become a whole... thing," Steve replied, shaking Eddie from his thoughts. Right, he had pointedly questioned Steve's sexuality. Classy.
"Yeah, well, they'll get over it," Eddie retorted, feeling a bit bad now that he had been so dismissive of Steve's attempt to talk to him.
"I mean, it's been fine, I guess," Steve replied, sounding unsure of himself but not exactly bothered. Eddie could understand that, he didn't have the same experience per se, but all the guys at Hellfire knew he was queer and it was fine. He could remember being unsure though how gay he got to act around them all. It had been awkward and uncomfortable to find the rhythm of where you all sat, even if no one was blatantly rejecting you.
"Feels like you and everyone else are walking on eggshells about it, right?" Eddie asked, sighing as he leaned back until he hit the wall behind them, slouching.
"Something like that," Steve replied, his words coming out slowly as he watched Eddie and then took half a step back to join him against the wall.
"My advice? Just don't fall in love with your best friends," Eddie joked, only half serious. It verged on real advice, but it wasn't like it was something you could help.
Steve laughed anyway, crossing his arms over his chest.
"Yeah, as if. No thanks."
Something about that made Eddie smile a bit. Steve had been so dismissive of the idea as if the mere mention of having a mild interest in some jock was unheard of.
Eddie took a swig of his punch, swallowing hard as he started to relax a little bit.
"I'm bi too, you know," he said, sucking his upper lip to get the rest of the juice off.
"I can't remember if I used that word when I came out though--people just sort of figured with me, I don't think I really had to tell anyone."
"Yeah?" Steve asked, sounding interested but not sure how to progress.
"Uh, c'ya, what do you think?" Eddie mocked back, flipping his long hair over his shoulders and then flicking it back with his hands from side to side as if he were walking down some kind of runway. Long hair didn't mean you were gay, but it was a step towards making people think you were.
Steve laughed at that too, properly this time without that edge of awkwardness to it. That, in turn, made Eddie smile a bit. He liked it when people found him funny, it felt good to make people laugh. It felt better still to be joking about something gay and not having to correct or explain anything to the other person. Steve was queer too, even if he was new at this, there wasn't that same level of judgment. Huh... funny though that he suddenly just accepted that Steve was queer when he had been put off by the idea initially.
The night carried on like that and Eddie was surprised to find... that he didn't mind talking to Steve all that much. There were quite a few cultural touchstones that he didn't have when it came to 'nerd shit' but he didn't seem to be annoyed by Eddie explaining those things to him if it was necessary. Eddie had gotten a bit louder and more loose before too long, even if he wasn't exactly buddy-buddy with Steve. And Steve, surprisingly, had stuck with him the whole night. Really, the event hadn't matured at all and Eddie had little desire to go mingle with the kids--especially when the kid that he knew here was probably trying his best to flirt. What the hell was he supposed to do? Walk up to a group of youngsters and just ask what they were talking about? "Trust me, trust me. I play games with children all the time!" Yeah, no.
Eddie's watch beeped at him and he looked at it, turning the little digital screen off. It wasn't that late, just past 10 really, but the longer he waited the more miserable the walk home would be.
"Well, that's my queue," Eddie said, pushing off the wall and leaving his cup on a table by them. "I should go."
He stuffed his hands in his pockets, not regretting having come after all, but not really feeling like staying either. Steve had made the night bearable, but Eddie wasn't all that eager to keep it up.
"Why? Or you'll turn into a pumpkin?" Steve asked, teasing a little.
Eddie snorted at him, finding that line incredibly cheesy and in turn kind of funny because of that.
"Yeah, I've got to go traipse into the woods and take root or I'll start sprouting weeds like a chia-pet."
Steve chuckled at him, looking over to the doors. Eddie started walking towards the exit anyway, and Steve seemed surprised that he was actually going. He got off the wall and walked a few paces with Eddie before they both stopped, lingering a bit.
"I've just got to start walking home," Eddie explained, pinching his brows in, finding it kind of amusing that Steve seemed... concerned? He wasn't sure, it felt out of character for a cool guy to be following him.
"Walking home?" Steve asked, again, sounding surprised. "To Hawkins?"
"No to the moon, Bilbo was writing about me. Yeah back to Hawkins," he answered sarcastically, jamming his thumb towards the doors. Steve didn't seem bothered by the reply, even if he squinted for a moment with confusion with Eddie's mention of Bilbo.
"You live at Hawkins Trailer Park, right?" Steve asked.
The question instantly made Eddie tense, and he set his jaw a bit.
"Yeah, why?" He asked, sounding a bit defensive. He didn't like this line of questioning. It always felt weird when people commented on the fact that he lived in a trailer park. It especially felt weird coming from rich-boy Steve Harrington.
"Jeez, chill. I'll give you a ride, I live near there too," Steve explained, taking his keys out of his pocket and jostling them, "Hawkins is too far to walk to from here."
Eddie blinked at him a moment, floored by the offer for some reason.
"You don't have to do that, man," Eddie replied, feeling extremely awkward all of a sudden. "You should stay."
"And do what?" Steve asked, sounding amused. He looked over his shoulder at the crowd of young teens chatting and mingling before looking back at Eddie with a raised brow.
"Fair enough," Eddie replied, banishing his guilt for now. Steve was right though, Hawkins was far to walk to from here and there really wasn't a lot keeping Steve at the mixer. Will was getting a ride home from his brother and Robin was too busy fussing over every little thing to mingle. Plus, the event really would be closing soon so Steve didn't have to stay.
Eddie still felt awkward as he walked up to Steve's beamer and prepared himself to feel awkward the whole drive back to Hawkins. It was a nice car and he couldn't help but constantly think about how he had never been in a car this nice before. It wasn't brand-spanking new, but it almost felt like it with how clean it was. The car was spotless really and it was obvious that Steve took extremely good care of his ride.
"This is... uh, a nice ride," Eddie said, running his hands over the dash as Steve drove, before sitting back again.
"Thanks," Steve replied, chuckling a little. Eddie really was admiring the car; he wasn't a gear-head but he could appreciate a nice ride. Thrill bubbled in Eddie's stomach all of a sudden as he glanced at Steve.
"How fast can this thing go?"
Steve looked at him in turn, the moment drawing out between them before Steve's lips cracked into a smile.
"Want to find out?"
Eddie's eyes widened and he smiled back, surprised and pleased that his ask was being met. God, it was so stupid. They were being such teenagers right now. Steve in his daddy's bought, fast car with the punk, bad-influence kid in his passenger's seat ready to tear it up on the freeway.
Steve pulled off the main road and Eddie's stomach swooped with excitement. He didn't know where they were going but he figured Steve knew somewhere they could drive without hitting anyone. He didn't want to be stupid about it, maybe a bit reckless, but hey--they were young. When else were they going to do this shit?
Eddie leaned forward, turning on the radio and fiddling with the dial.
"What're you doing?" Steve asked, sounding amused as they drove towards some back, country road. Perfect.
"Finding the right music!" Eddie replied, sounding equal parts excited and exasperated for being asked. He was flicking through the dial quickly, only pausing for a beat or two before switching again until he found what he was looking for.
"You done?" Steve asked as Eddie paused for a moment longer to confirm that he liked the song. He looked at Steve before cranking the volume dial and sticking his tongue out.
"Let's fucking go," Eddie whooped, sitting back and bracing himself as he felt Steve hit the gas and they started rocketing down the road.
Fear mingled with thrill as Eddie sat back, holding onto the door as they drove down this pitch-black road. He shouted with excitement, obviously stressed but having a blast. Steve seemed cool as could be, smiling with the thrill of it too but none of Eddie's anxieties.
"Fuckin' hell--" Eddie managed as they reached a bend and Steve slowed down to take it. He started to decelerate, their quick little drag race having finished.
"We should do that again!" Eddie continued, panting a bit as he felt his heart pounding in his chest.
"Chill out--" Steve snorted, falling back into the rules of the road as he stopped at an unmarked rail crossing. "Cops like to drive around here--we'd be risking it."
"Boooo," Eddie called, smiling in a joking way. He understood and he wouldn't push it even if he wanted that adrenaline rush again.
"Another time then," Eddie replied finally, pausing for a moment as he realised he had assumed he'd be in Steve's car again for some reason.
"Sure," Steve answered back easily, chuckling a little.
Eddie glanced at him, before reaching to turn the music volume back down. He didn't turn it off though, needing the quiet metal to help settle him.
Steve sure did laugh a lot, didn't he? Was Eddie really that amusing?
Eddie felt his pocket buzz and he squirmed before taking his phone out. It was Wayne. He was asking if Eddie needed a ride, surely expecting that Eddie had lost track of time or something like that. Eddie let the car fall into silence as he replied back to Wayne, feeling a bit weird all of a sudden. He kept typing and retyping what to say.
No, I got a ride from a friend. Were Steve and him friends?
I'm good. Too vague, it would worry Wayne too much.
Some guy gave me a lift. That sounded sketchy as hell. Eddie just settled on 'no, I got a ride' and left it at that, but it made him feel weird regardless.
"Everything okay?" Steve asked, drawing Eddie's attention back to him.
"Oh, yeah, no, yeah. Just my uncle wondering how I was getting home," Eddie explained, feeling weird about Steve asking him something like that. Robin had been right... he really wasn't such a bad guy after all.
"So," Eddie said, breaking the silence, running his hands over the seat, "this car get you mad puss?" He asked, his tone jovial and teasing as he stuck his tongue out between his fingers, being lewd on purpose. He didn't know why his default was raunchy humour, but it had tumbled out of him before he thought too hard about it.
"God, shut up--" Steve replied in good humour, sounding surprised and amused by the sudden comment.
"I know I've got a reputation, but jeez, man," Steve laughed, driving them back onto the main road towards Hawkins.
"So... that a yes?" Eddie teased, enjoying this little banter.
"Yeah," Steve confirmed, before glancing at Eddie out of the corner of his eye with a wry smile.
Eddie burst out laughing at that, finding it more than a little amusing that Steve was leaning into the tease and taking it on the chin.
"Fuck, dude," Eddie giggled, not sure why that was just so amusing. It felt so weird to have good-boy, Steve Harrington talking to him about getting laid. This was so fucked up. This was so fucking weird.
"So," Steve started as Eddie stared out the window, still grinning to himself a bit, "how long have you known you were..."
Eddie glanced at Steve before lounging against the door, smiling at him.
"Queer?"
Steve looked at Eddie from the corner of his eye, obviously a little unsure of himself.
"You can say it you know," Eddie offered, crossing his arms and looking nonplussed. "If you are one, you get to say it as long as you're not like slurring it at someone or something. Welcome to the restricted section."
"Alright..." Steve replied, sounding a little unsure still. Eddie smiled at that too, finding it a bit charming how baby gay Steve was over the whole thing. He felt a bit superior all of a sudden, and he liked that feeling with Steve. He was in a fast car with the most popular boy in school and he was talking to him about how to be queer. What a trip.
"Since forever," Eddie replied, "I've known since forever. It was more weird for me to figure out that not everyone felt the same way. Like, girls--guys, whatever. Hot people are hot, end of story."
Steve nodded to that and Eddie tucked into the corner of his seat, feeling cool and relaxed as he watched Steve drive.
"You?"
Steve seemed to waffle a bit at the question, putting too much thought into it no doubt.
"I don't know," he finally replied, looking dissatisfied with his own answer, "somewhat recently, I think? It's like... I acknowledged it maybe a few months ago but, I don't know. Before that, I sort of felt like I was being dramatic or something? Like, obviously, I like girls so that's fine, it felt kinda... cliche?"
Eddie cringed a bit at the phrase Steve used, nodding his head and glancing away. He had much the same judgment towards Steve until recently. That had been unfair. It didn't matter that Steve was popular or that there had been less risk involved in his 'coming out' compared to Eddie. He was pretty and sporty and even if there was something a little cliche about an all-American boy like him turning out to be queer it didn't mean it was wrong.
"Your folks know?" Eddie asked, talking softer, not wanting to pry if Steve didn't want to talk about it.
"Yeah," Steve answered easily, his tone unreadable. "They knew before I uh... came out socially?"
Eddie nodded, rubbing his head against the window and feeling the car vibrate under him.
"They... cool?" He asked, feeling a bit weird about the whole thing. He was older than Steve, but he didn't really feel like he was. Steve had so much... going on. He had his own car, activities, career paths--he seemed so put together. He was perfectly coiffed and dressed, his car spotless... Eddie was the exact opposite. He wanted to be a musician and he worked hard at it, but sometimes it felt like he was putting all his eggs in one basket.
"Uh.... yeah, mostly," Steve replied, sounding a bit hesitant.
"That great, huh?" Eddie asked, smiling lightly and trying to sound sympathetic.
"No, well, my mom seems pretty accepting of it. Unsure like... nervous? I don't know. My dad... I don't really know what he thinks yet. He's--it doesn't matter."
Eddie frowned slightly as Steve cut himself off. It was a personal topic and he didn't blame him for not wanting to share, but it felt kind of bad to hear Steve say it didn't matter.
"What about your uh... uncle?" Steve asked, sounding awkward as he shifted the conversation.
"Yeah, he's cool," Eddie replied, looking back out the window, "I don't think he really knows how to be supportive necessarily so he's just like... trucking on but he's never dropped the ball. Treats all my... gay shit as if it was just normal shit." Eddie replied, laughing a little bit. He knew he was lucky to have Wayne. Not every queer person had a supportive family and once upon a time, he hadn't had that either. Wayne was a saviour... in more ways than one.
"That's... cool," Steve answered and Eddie snorted a little at how awkward the delivery had been.
"What?" Steve replied, sounding a bit amused.
"That's... cool," Eddie mocked, making his voice sound girly and vapid.
"Shut up," Steve scoffed, drawing up the syllables a bit.
Eddie grinned, liking that Steve seemed to be easy to torment. He went for the bait every time, but he never seemed overly offended.
"Gee wiz, Eddie, your uncle seems like such a cool guy," Eddie continued, being annoying on purpose. He kept it up as Steve started to laugh in mock annoyance. "Let's you go to a pre-teen party and everything."
"Stop--" Steve booed, glancing at Eddie quickly before purposefully wobbling the steering wheel and making the car quickly veer back and forth.
Eddie jolted up right at the movement, grabbing the door.
"Shit--don't--" Eddie squawked, smiling despite how that had made his stomach drop.
"Asshole--" Eddie jeered, looking at Steve who was grinning back at him. Okay, so Steve was actually fun? Was this why Dustin and those kids liked him so much? Mr. Uptight-jock was actually a little bit of a wild child hidden behind good hair and a dazzling smile?
Eddie settled into his seat, feeling kind of good about the night as he looked back out the window and let the rest of the drive grow quiet. They weren't far from Hawkins now and a part of Eddie felt kind of strung out from the weird emotional whiplash of the night.
"You know," Eddie said as they pulled up towards the trailer park, "you're actually not a bad guy, Steve Harrington."
Steve looked at him, eyebrows pinched in with mild concern.
"Thanks?"
"It's a compliment," Eddie scoffed in a friendly way, unbuckling his seatbelt as Steve drove slowly down the gravel road.
"Oh, well, thank you then," Steve reiterated a bit more sarcastically.
"You're also kind of a bitch," Eddie retorted, smiling at him and getting an incredulous sound from Steve. The car pulled to a stop and Eddie climbed out. He shut the door but lingered a second until Steve rolled down the window. He leaned over the frame and looked in at Steve.
"I can see why those kids think you're kind of cool," Eddie continued, feeling kind of... charmed. "Guess that makes you cool in my books too."
"Cool? Or cool?" Steve asked, mocking Eddie's previous buffoonery.
Eddie laughed, shaking his head as he leaned back.
"You're a bit of a dork too, you know that?"
He liked dorky guys.
"A dork? This? Coming from you?" Steve asked, inching his car forward a bit to keep Eddie in view of the window.
"Oh, cram-it," Eddie retorted, flipping Steve off through the window. He patted the doorframe lightly, careful not to hit it with any of his rings.
"Thanks for the ride though," Eddie swallowed, not really looking at Steve but still trying to be friendly.
"Yeah, man. Don't worry about it."
Eddie nodded, feeling weird about just walking away. He kind of wanted to stay out, chat more, and just listen to the radio with Steve which was... a weird thought. They didn't really have anything in common, and somehow Eddie knew that they weren't going to talk again at school. Steve was popular, he wasn't. Eddie was graduating this year, and Steve was 16. They ran in completely different circles.
"Kay, well, later then," Eddie offered, half waving his hand in front of the window before sticking his hands in his pockets and walking towards his trailer. Steve didn't say anything back, but he waited for Eddie to get his door open before pulling away like a proper gentleman.
The whole night felt... so odd to Eddie. He didn't know if he could say he had a good time, or even what had happened during the night, but it had been... nice. It had nothing to do with the mixer or anything Eddie had prepared himself for that night but instead, his good mood rested solely on his interaction with Steve. It was so weird and it left him feeling like he was in limbo. Like this night had been a weird pocket event and he'd never have a repeat of anything like it again. Nothing big had happened, nothing important, and there was nothing to remember about it really... but it felt like he wanted to hold onto it somehow.
Eddie huffed and stretched his lips, before finally taking the last few steps into the trailer. There was no point dwelling on something he couldn't touch and thinking too hard about it would probably ruin everything anyways. This could just be a one off. He could just look back on this and think about how nice it had been to bond... with Steve Harrington.
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gallifreyanhotfive · 8 months
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My favorite quotes from each Doctor (TV only)
I'll have to do some for the EU too sometime.
One: "I don't make threats. But I do keep promises. And I promise you I shall cause you more trouble than you bargained for, if you don't return my property!"
Two (about his family): "Oh yes, I can when I want to. And that's the point really. I have to really want to, to bring them back in front of my eyes. The rest of the time they....they sleep in my mind and I forget."
Three: "Courage isn't a matter of not being frightened, you know. It's being afraid and doing what you have to do anyway."
Four: "You see, if someone who knew the future pointed out a child to you and told you that that child would grow up totally evil, to be a ruthless dictator who would destroy millions of lives, could you then kill that child?"
Five: "Once a man fell asleep and dreamt he was a frog. When he woke up, he didn't know if he was a man who dreamt he was a frog, or a frog who was now dreaming he was a man."
Six: "This is a situation that requires tact and finesse. Fortunately, I am blessed with both!"
Seven (while fighting the Master): "If we fight like animals, we die like animals!"
Eight (god the fact I'm limiting this post to TV is killing me, really shot myself in the foot there): "You're tired of life but afraid of dying!"
Nine: "Just this once, everybody lives!"
Ten: "Some people live more in twenty years than others do in eighty. It's not the time that matters, it's the person."
Eleven: "Nine hundred years of time and space and I've never met someone who wasn't important."
Twelve: "This is not a war. I fought in a bigger war than you will ever know. I did worse things than you could ever imagine, and when I close my eyes....I hear more screams than anyone could ever be able to count! And do you know what you do with all that pain? Shall I tell you where you put it? You hold it tight....til it burns your hands. And you say this - no one else will ever have to live like this. No one else will ever have to feel this pain. Not on my watch."
Thirteen: "You're wrong about humans. They're not pathetic; they're magnificent. They live with their fears, doubts, guilts. They face them down every day. And they prevail. That's not weakness. That's strength. That's what humanity is."
Bonuses (crack edition) - if you recognize all of these please marry me
"Don't be lasagna."
"Yes, I made some cocoa and got engaged."
"These shoes! They fit perfectly."
"Kill yourself."
"An unintelligent enemy is far less dangerous than an intelligent one, Jamie. Just act stupid...Do you think you can manage that?"
"If I'm ever in need of advice from a psychotic potato dwarf, you'll be the first to know."
"I tolerate this century, but I don't like it."
"I always find violent exercise makes me hungry, don't you agree?"
"If I had crayons and half a can of Spam, I could build you from scratch!"
"I'm the Doctor; I'm worse than everybody's aunt!"
"The assembled hordes of Genghis Khan couldn't get through those doors, and believe me, they've tried."
"Self pity is all I have left!"
"Come to Daddy. I mean Mummy. I mean....I really need you right now!"
"An apple a day keeps the....Ah. No, never mind."
"It was the daisiest daisy I'd ever seen."
"Now drop your weapons or I'll kill him with this deadly jelly baby!"
"In my time, I have been threatened by experts, and I don't rate you very highly at all."
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tyran-the-tyranical · 24 days
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I’m currently writing a fic and writing for Raphael is a little infuriating if I’m being honest.
Mostly because he has such a way about him, and unlike the other characters where there’s some room for deviation, he’s quite rigid in his mannerisms. So I’ve literally been scraping through his dialogue and ‘analysing’ his behaviour, and this is what I’ve ‘boggled’ it down to.
EDIT: This is actually really long, and in fact not boggled down at all, Keep Reading at your own peril...
(OK, So I've completely reorganized this post to be more readable) 
Raphael is a complex and multifaceted character, but here are some main character traits of his that I'll delve more into as we go on;  
-Manipulative and Deceptive 
-Arrogant and Condescending 
-Sadistic and Enjoys Suffering 
-Cunning and Strategic 
-Relishes Power and Control 
-Patient and Calculative 
-Dark Humor  
-Alluring and Subtly Flirtatious  
-Dual Nature and Contradictory  
-Hedonistic and Indulgent tendencies
-Ambition
Though Raphael wants to paint himself as an honest person, that still doesn’t mean he isn't Manipulative with us, he uses many tactics to gain our trust, from crafting this honest and helpful persona to literally threatening us and building pressure to make a deal to escape ceremorphosis. 
"I'm here to help, not harm” 
"I am master here. A prince of bargains cloaked like scarlet satin. All that hidden under sublimely obvious truths that cannot be discounted." (From Chapter 3 of his Diaries) 
“Come now, why playing hard to get when you're in deep over your tadpole head all those pretty little symptoms sundering skin dissolving guts they haven't manifested yet have they?" 
"I'll be around watching you squirm like a tadpole through a nice juicy brain" 
As we progress his threats go from subtle to outright fear-mongering, but this also goes into somewhat of his dual nature as when he moves past his honest persona to just pressuring you, he still wants to paint himself as some sort of Saviour. Of course, this is also just another tactic of his, painting himself as a friend or helper, as though he doesn't have his own ulterior motives, which sure he admits outright but in the ending where you do give him the crown he drops this façade and tells you he's planning on taking over more than the hells and will eventually come for you next. I also think this bleeds into his own needs to be adored, you can see this further in his little plaques he has around his house. 
"Am I a friend? Potentially, an adversary? Conceivably, but a savior? that's for certain. Try to cure yourself. Shop around - beg, borrow, and steal. Exhaust every possibility until none are left.  And when hope has been whittled down to the very marrow of despair that's when you'll come knocking on my door. Take all the time you need but make up your mind before you're counting down with tentacles"  
Additionally, this all just feeds into his performative nature - to the extent that he sometimes borders on narrator territory. He has his little monologues as he talks about us as though we’re characters in a story and he’s just recounting our actions to some unseen audience.  
[His speech before the Yurgir encounter is a good example of this]
 
"Through the dark, she went creeping and awoke what was sleeping" 
"The Shadows grow long and the hour is late" - also wherever this quote is from works well too 
There are even more subtle moments where he's still being performative, even when he's not physically present, which goes into his desire and constant longing to be seen as something akin to a True or Full Devil (or archdevil). Since he is a cambion he is restricted a lot by his mortal half. He is held back by his human needs like sleep and presumably food too. I think he tries to cover for this through excess, as if you go to the HoH in Act 3, you can see the food on the table is just filled to the brim of just rotten food, basically all of it wasted. Also, there are loads of scattered areas that have fruit or wine throughout his house. I believe he does this on purpose to try to come across as though food is nothing but a pleasurable activity he indulges in now and again rather than a necessity and he doesn't care if he wastes it (Also just saying he's rich, let them eat cake, L + Ratio). 
However his façade isn't perfect since he is still fallible, and he can fail/die. We can see this because, at every opportunity he possibly can, he attempts to convey this front of being omnipotent and powerful - as close as he can to an archdevil. To be fair, he manages to do this pretty really well, At times he can even come across as this truly unbeatable force, that we can’t ever truly defeat. This is exemplified by the fact that, even if we kill him, if we look in his logbook of previous visitors, it hints at him trying to find a way to cheat death by transferring his soul into a clone or something adjacent. 
Now whether he ever managed to accomplish this by the time we attack him is uncertain, (though there is a non-canon / cut content line where he begs for his father's help as we fight him, kinda of insinuating he never fully realized his backup plan in time and he’s actually afraid he’ll die, but that’s also not in the game so who can say for sure) 
“I cannot lose to you. Not here. Not in my home. I cannot die! Mephistopheles, hear your son! I am at your mercy - save me!” - NOT CANON BTW, but omg do I love this line 
Another slight hint that Raphael might not be as indestructible as he'd like us to believe is when he is playing lance board with Mol. 
"My, the double counter Gambit. Vicious. Exactly what I would have done" 
Now for all intents and purposes Raphael does not need to win against Mol, that wasn't the purpose of their game, either way he already had his eyes set on her to make a deal anyway. Yet it demonstrates that whether you cheat or actually manage to outwit him, he can be beaten, since he can't hide behind a persona when playing (Mostly). 
Furthermore, Raphael is like an English teacher, he loves his little similes and metaphors, and just talking in a verbose manner, and it’s not just word vomit, no no no, he makes it sound interesting, he is performing for us after all. For me personally tho, it’s difficult to replicate, unlike other characters or companions where you can deviate their dialogue, like hearing Astarion say ‘fuck you’ to Cazador, I don’t think you could get away with that for Raphael.  
"The mouse smiled brightly it outfoxed, then down came the claw and that love was that"  
"Perfect, one more rhyme for Old Time's sake; The master was slain within his own house, they dined on him both, the cat and the mouse."  
"Like a mosquito nibbling at a dragon, be gone"  
I also think it's so interesting that the man who does nothing but spout rhymes and poetry will say this if you call his poetry out for being dirt; 
"I admit it isn't my primary interest not, by any stretch" 
Excuse me, sir?  I do think he genuinely likes poetry/writing in general, he supposedly even wrote a play before sooo, also I just think that all these contradictory things he says are on purpose, he's trying to be mysterious to some extent, and he doesn't want you to be able to gauge or understand him, he just wants you to believe in his persona he's crafted for you and that's all. Though like I've said before, his mask can slip off, especially in private or when he's enraged. An example is when he's referring to his employees who have failed him.  
"[A record of various associates of Raphael's, listing their duties, and their respective performance.] 
Korrilla Hearthflame - field work - so far I've barely 
had to singe the tips of her fingers. This one shows promise. 
Archivist - naughty boy, supposed to be looking after the collection, 
but has a tendency to drift. May have to start breaking his neck to 
give his spine a chance to recover. 
Nubaldin - little shit let Gortash get away. Not letting 
him near the prisons ever again. Chamber of Egress will 
do fine until I find a replacement for him." 
Moreover, he’s also very condescending/patronizing. (I think even in one of his dialogues, the devs noted he should even come across that way). I think that’s just a part of his little superiority complex, he’s the chess player and we’re all just his little pawns (that is until we kill him ourselves, it almost makes me think that Tav/Durge is actually the other player in the game and to some extent Raphael knows this and tries to play accordingly). He constantly wants to portray this cool and confident personality, that he’s accounted for every possible outcome (and in a lot of ways he has) and that even if he doesn’t get what he wants, it doesn’t faze him, and in fact, he’ll try to make it seem like either way it benefits him, and sure in some ways it might, but I do believe he’s just saying that to mask his failure to achieve his goal. 
"I should snuff you out and make coin of your soul, but it will be more amusing to let you see the consequences of your actions. Do you really think that the crown is safer in the hands of a goddess than in the claws of a devil?" (Look, I don't like Mystra, but do I think the crown is safer with her? UH yea)  
"Such an eager little pup."  
"You really do think highly of yourself. My sights are set on something much more valuable than your soul, succulent though it would be."  
He's Definitely pissed at us for being a little shithead and giving the crown to Mystra (even tho in the game if you complete Gale's quests you rlly have no choice lol) But he still tries to play it off as this will be terrible for you but great for him, since if shit hits the fan, he's just gonna get more souls - Though I'm sure this is him just trying to save face, or at least to some extent. We can see him actually lose his composure if we ascend Gale. 
"Do not toy with me, Wizard!" - R 
"I thought you liked playing games? You can have the crown Raphael, but you'll need to come and collect it from my realm" - G 
"You can't do this!" - R 
"I hit him where he's most vulnerable, pricked his pride, and sent him back to the hells to lick his wounds. He'll be back, the question is will he find us side by side?" - G 
This is really fun to see since even Gale knows Raphael has no power over him and can just mess with him, and initially, Raphael tries to gain control by saying like 'Oh no, I'm not going to take the crown Gale's going to give me it, like we agreed' and then when Gale fucks with him and it utterly infuriates him because there's not much else he can do really since Gale, though he might not be as powerful as Mystra, is definitely more powerful than Raphael. I also think it's very interesting that, even though we've basically gone against Raphael and screwed him over, he doesn't plan on taking it out on us, and I know he says he wants us to see the consequences of our actions but I think there's a different reason to why he doesn't take action against us. I think he's genuinely afraid of us, let me explain. He was clearly already afraid of our potential before any of the endings, shown in his dream he wrote about in his diary, and when we manage to survive everything that the game throw at us and defeat the nether brain, we've basically become undefeatable (Not really but you get what I mean) The only time he even suggests he'll take one of our souls is if Gale explodes while trying to ascend and well, there's not going to be much resistance since he's already blown up. 
"There was one among them who spoke for the rest. They gestured to the melting hooks, suddenly glanced my way, and in their face I saw they had the best of me. 
In waking, my courage has firmed. I progress my plans for
the tadpoled even now. 
I am Raphael. I am not easily bested." 
Raphael is not only fueled by his ambition but his fear (I'll talk more about that later too) and so he acts accordingly, he plans and schemes for hundreds of years trying to account for every possibility, and at times he can even come across as a total control freak lol. He has Korilla literally stalk us throughout the game, he also knows personal facts about our companions (he’s done his homework), and he’s literally planned and orchestrated events in the plot to help lean towards us giving him the crown in the end (it’s implied he helped vlaakith chain Orpheus or idk some other devil did with infernal chains, and he’s the one who helps wipe Ketherics lil army to just one justiciar) he’s had a lot of time to plan and plan he has. He’s constantly aware of your movements since he picks very specific points to appear to you.  
"[Laughter] The good thing is though there's only one little voice you really should listen to, Mine" - Total control freak behavior  
"you'll be back, it's something of great importance to your master is it a love letter a warning or a deed of ownership I can give you all the Gory details"  
"Carved into that Ivory skin of yours is one part of an infernal contract between the archdevil Mephistopheles and your former master" 
"Karlach, why does that name ring a bell? hmm, perhaps I read it in a book somewhere." 
An interesting thing to note is that I think his controlling and performative tactics are the ultimate reason to why he inevitably fails (If you decide to kill him I mean) Since he's spent so much time controlling the narrative literally and figuratively, he's literally altered events leading up to our arrival so that we can give him what he wants and he even talks about us as if we are just a character in his story he's created, he's been doing this so long he truly believes he can control the narrative, that he's predicted every outcome and he really doesn't think we'd go against that we could go against him. He's been so out of the narrative himself, an observer who might nudge things to go his way now and then but never be in the action himself that he truly believed he was untouchable, that he could just float above it all like he did with Karsus’s folly happened. 
Now onto an aspect of Raphael I find very interesting – His relationship's with those around him. As I said before he’s a total control freak, and that’s clearly fueled (if not caused) by his narcissism and we can see that even outside of our protags. Look at Haarlep for instance, (there’s so much to dissect with these two) but Raphael strictly has Haarlep made to look like himself, and is the only form he’ll sleep with. There isn’t just one answer to why he’d do that, firstly, it just boils down to him being a narcissist sure, but on the other hand a point can be made that he’s doing it strategically. 
Haarlep was sent to distract him, and presumably to spy and report back as well (Hypothetically, it's not confirmed) and presumably, Raphael is clever enough to realize that. So why would he reveal anything about himself in such a vulnerable way, so why not just make the incubus be in one form and one form only? It also serves as a lil bit of a punishment I suppose, since Haarlep can be 1000 different people but is forced to stay as one. There’s also another angle to this, that narcissists generally find intimacy difficult, and being vulnerable with other people. So why be vulnerable when you can stick to the devil you know? 
Party member: How did you end up here? 
Haarlep: Sent by Mephistopheles... distract naughty son. 
He knows himself better than anyone, so why would he bother with anyone else? It’s a bit of a defense mechanism, he’s not willing to be vulnerable or let his guard down (and to be fair, for good reason) so it’d be better for him to stick to what he knows, what he’s comfortable with. I’m just going to throw this out here but he comes across as a total hedgehog dilemma��sorta of guy, gives off real Shinji Ikari vibes tbh. (NOT REALLY, He's more Gman than anything but just without the charisma 💅) 
Party member: Did you ever turn into forms besides Raphael's? 
Haarlep: Raphael... loves... only... Raphael. 
Now, this is just supposed to be a Raphael analysis but I find it impossible not to mention Haarlep and their motivations as well, since they are arguably the closest person (Literally) to Raphael. Haarlep comes across as a complete gossip type since they seem to just love to air out Raphael's little secrets, they even say how Raphael can Deny them nothing so either Raphael does trust them to some extent to make them his confidant or well, Haarlep just Wittles it out of him during their sessions. Either way, they hold some closeness to Raphael, yet I find it revealing that they immediately will expose him and actually help you (for a price ofc) and intentionally try to help you kill Raphael. Now whether they believed we could actually kill him or not is up for debate, but after you give them your form they do say that they'll enjoy misusing you and they do tell you what will happen when they use your form, so if they believed you were going to die why bother? 
Haarlep doesn't seem to be the only one as in their letter to you in the epilogue it's revealed that even the devils in Mephistopheles's court seemed to hate Raphael. 
"Since the timely end of Raphael's reign, I've gone back to Mephistopheles' Palace in Cania. Many of his Father's court are celebrating the demise of my little brat - behind closed doors. And I'm making a fortune selling evenings in his form now there is no contract binding me to secrecy. Rather tasteless to desire a dead man like that, even amongst devilkind, isn't it?" 
Haarlep even calls Raphael their little brat, though perhaps it was out of endearment as even Haarlep remarks how low it is to desire a dead man when they use Raphael's form. This could possibly show some sort of remorse towards Raphael's death, but it's pretty unclear, yet that's also to be expected since Haarlep is a full devil and they even state they're a crueler master than Raphael so perhaps that was true as well. It genuinely seems that no one actually cares for Raphael, besides perhaps Korilla, and I mean that's fair in all honestly, considering how he treats most of his employees (Hope too) but it's also funny that the people he wants to impress or become most, the devils, also hate him or want to well.. Have some fun times with his form after he's already dead.  I also think it's interesting that Haarlep refers to Raphael as a dead man rather than a devil, they don't even say 'amongst his own kind', It's interesting because Raphael himself is so adamant on calling himself a Devil rather than cambion or whatever (tbf he's not the only one, Mizora does the same or at least out characters don't care to make the distinction) Yet Haarlep doesn't care to make that distinction. Now, of course, man doesn't necessarily mean a mortal man or whatever, but it's still intriguing to note.
An interesting thing to note about Devil society is that, unlike Demons who usually just outcast or kill their cambions, Devils at least allow Cambions to intergrade into their Hierarchy, but at the same time it's a system that wasn't built for them to succeed in since cambions can't physically be promoted, they aren't guaranteed anything form their work, so everything they have, they've had to work hard for. Unlike those around him, Raphael has had to work extra for his position (though I'm sure his title of Son of Mephistopheles did help somewhat) he seems to have it quite good, and tbh I even initially thought he was his own free agent, and didn’t even have to serve under Zariel (but he does) he just has it really good, or at least better than most cambions from what it seems. At the same time, I find it intriguing that he sparsely even mentions who he is in relation to his father. Through subtle hints throughout that game, it's clear that Raphael actually probably hates his father or is perhaps extremely jealous of him, since at the same time he mirrors him in some aspects.  
I think the Dungeoncast said it best when examining the devil's mindset that I also think apply to Raphael quite well too;
"Their dogma essentially revolves around seeking power over others, always adhering to an eye-for-an-eye principle. They exploit any kindness shown to them and show no compassion for the weak, exhibiting traits of a sociopath. Winning at any cost is their mantra, often cloaked in the guise of promoting personal excellence and independence. When they harm others, they rationalize it as providing motivation to succeed."
Even though his society basically looks down on him, whether he's successful or not, Raphael still believes in their mindset, mostly since that's probably how he's survived and thrived in the Hells. This mantra that the devils have has warped who he is as a person entirely and also his ambitions, he doesn't want any other than control, he sees no point in forming meaningful relationships or other interests, and he only sees domination and power as his goal since that's all his society has told him is important.
Another thing I’ve read about cambions is their sense of entitlement, especially over mortals, and well Raphael certainly fits the bill. Which might contribute to why he wants what he wants. I mean, why does Raphael want to take over the hells? To end the blood war? Sure, almost all devils want to rise the ranks but Raphael’s goals are a lot more lofty than that, and why is that? Is it solely his ego? To be seen as something kin to a god-like Asmodeus, or is it to best and humiliate his father? Perhaps both, or perhaps neither, it’s somewhat unclear, but perhaps he just feels entitled to something greater or maybe he wants out of the rat race that is the Devil's Hierarchy.  
"It's the Fatal flaw of mortal kind take away their free will and they call you a tyrant, allow them to indulge it and they become tyrants" 
 
A final point is since he’s a narcissist, he’s obsessed with his image, yea I know, very obvious. And it’s been mentioned a few times that this is probably why he and Haarlep look so different, it’s either insecurity or wanting to come across as something more mature, why he’d look older than Haarlep when they should be an exact copy. It’s the whole reason he’s been performing, curating this image to us, one that he barely even allows himself to break at home unless he’s enraged. If you look at it for what it is, it’s just insecurity and almost desperation. A desperate desire to be seen as something greater, something akin to his father (daddy issues are making their appearance) and it honestly comes across as erratic, and extreme. 
 
He’s so obsessed with his image that perhaps when Haarlep said they’re a perfect copy of Raphael they didn’t mean as an exact copy, they meant they’re are literally a perfect version of Raphael, a better version (most likely a result of insecurities of how he's perceived). Who can say for sure what the reason is why they look so different if they’re supposed to be mirrors of each other. His whole obsession with is image really matches his father, since Mephistopheles is known to change his appearance and curates it for mortals as well (It's why he's confused with Asmodeus a lot since he just goes for a basic generic devil look). 
One more thing, considering all the characters we meet throughout the game, Raphael is or is one of the oldest characters in-game, seeing as he's possibly 2000+ years old. Considering this, it makes sense that on top of him being a devil anyway, he finds himself detached from mortals as well as his own mortal half. Though he is quite proactive in his contract seeking seeing as he not only seeks us out but characters like Mol and Lyrthindor (Tho that was more towards orchestrating his own goals) Otherwise he can just sit up in his Ivory tower devoid of mortal's strive, I mean he even says multiple times that his house is a safe haven for the tired/sick/restless/etc. On top of him already trying to detach himself from his mortal half, he also has the benefit of being so old that he probably has already become numb to it, to mortal thoughts and feelings. He wouldn't be able to emphasize or understand it (tho him being a devil wouldn't have helped either) all he would understand is how to use their suffering to his own benefit. Any possibility for humanity within Raphael is either so faint it's practically not there or there is none left entirely.  
"Never have I been so attracted to mortals as I am to those infested by the tadpole." 
He even says this himself. Mortals have never had any impact on him, physically or emotionally. Yet in saying that, they've never really been given the chance to. The closest a mortal besides us the player to have ever gotten 'close' to Raphael or have impacted him is Hope. Raphael is not only a complex character but he has so many complex relationships with the few people he lets around him. As I said before Raphael is completely blinded to humanity, he's definitely a person who believes the ends justify the means and that has never been more evident than in what he does with Hope. He doesn't care what It takes just as long as it gets him what he wants, that's why he helps orchestrate the plot to lean in his favor, why he basically tricks Yurgir, and why he has no problem torturing Hope even though she's basically no one to him, she isn't even a debtor.  
Though Raphael is almost completely removed from being anything close to a human being, even after all this time, whether he likes it or not, he still does have some human traits. His interests for one help humanize him (Which tbh he is probably aware of and uses to his advantage) Sure he likes poetry and literature, but he's also just obsessed with everything surrounding Karsus and Hope (or at least the concept) He even names his house The House of Hope and whether he renamed it that after Hope or whether that was it's original name isn't clear but either way he really likes the idea of hope in hell. You can see this throughout his house on the little plaques he has scattered throughout, he definitely wants to be people's last hope or perhaps just hope in general, it would make sense as well since he wants to literally break hope and bend her under his will. 
"Karsus's folly the Bard and Scholars call it. I call it hope, the hope of creating a better world, and The Perils of unchecked hubris"  
(Karsus and Hope are basically his only two special interests that he starts to literally combine them) 
Another very human trait of Raphael’s is that Raphael has a fear of failure. He even has dreams about us destroying everything he's worked for and killing him.  
"There was one among them who spoke for the rest. They gestured to the melting hooks, suddenly glanced my way, and in their face I saw they had the best of me. 
In waking, my courage has firmed. I progress my plans for the tadpoled even now. 
I am Raphael. I am not easily bested." 
Even though he reassures himself that he is Raphael and cannot be easily bested it's clear he's still very desperate. The only variable in his plan that he can't truly control is Us and he definitely knows this. Even other characters like Gale can tell how desperate he is. His facade of Invincibility is one of the tactics he uses against us to keep us in check against him. To be honest, all these things lend to humanizing him far greater than any poetry or quote he could ever spout because it shows his vulnerability, it shows he's not as invincible as he'd like us to believe, that he does have weaknesses and can in fact fail. A very mortal trait to have in all fairness. 
Also on another quick note, he totally has a special interest (obsession) in Karsus, like him seeing Karsus accidentally kill thousands of people in the netherese cities became a core memory for him, one that he’s never let go, even now.  
"The archdevil Mephistopheles snatched up the crown and squirreled it away in one of his vaults. He is not more than a frigid archivist"  
"I want the crown that dominates the Elder brain and then we all Gather in the House of Hope me dressed in my finest silks, you skinless, hanging from a hook to watch as your world dies"  
"you would have been Heroes if you only dealt fairly with me, instead you're not so different to doomed Karsus, overreaching your limits and burning your world to Ash"  
"The screams oh the screams hundreds of thousands of people watching in horror as the ground came up to meet them" 
His ambitions seem to be fueled a lot by his narcissism and this belief that he can achieve all he's set out for and actually do a good job in implementing order, etc. Whether this is a founded belief or not is debatable, since we don't really know what he achieves past supposedly Avernus. 
"Though with the crown, I would impose perfect order, Unity, efficiency, control, my kingdom would control its borders and stay within them" (Sure pal) 
OK, onto the kicker here; Raphael is a very alluring character, he can even come across as flirtatious at times (Also through his body language and I obvs can't demonstrate that here but u get it) Throughout the game he's saying how he'll wine and dine us if we give him what he wants, yet In the ending where we actually give him the crown, I think it's so telling that after all his promises of dining with him and getting to see him again if we deliver it, he literally doesn't follow through at all (There's a debate for this since we don't know if he might've once his plans were done) and this just proves what we were to him; that we were in fact just pawns to him. Even if he does invite us to dine with him, it'll most likely be with a purpose, that he wants something from us or for us to do something for him because otherwise he's gotten all we wanted from us, the facade has been lifted and he doesn't need to try charm or threaten us, he's effectively done with us (literally, since it is an ending). It's all just another aspect of his manipulation and Persona he uses against us (And I mean, It worked) We're all just a means to an end for him. 
ALSO, A little side thing I should note is the silly lil Dark humor Raphael has. Raphael, being a devil and all, definitely has a dark humor. You can defo gather that from his dialogue but also the way he comes up with creative punishments for his debtors. Now some of it is just basic evil shit like the guy who does the Self-flagellation stuff and the one who's forced to act like a dog, but some of it is more than that, like the guy who worships his chamber pot which just so happens to be under the statue of Mephistopheles or the debtor who's forced to dance (which I think is a reference to The Red Shoes story/movie where the character is literally forced to keep dancing) or the chick who just voyeuristically watches what goes down in the boudoir, like yea it's horrible but sometimes it just cartoonishly ridiculous and you can't help but find it somewhat amusing. 
"Hope [Laughter] such a tease" like when he says this, unbeknownst to us, he's referring to the real-life Hope, more of an inside joke to himself really. 
On top of all that - this specific paragraph isn't really poignant to Raphael's character necessarily, it's more of a personal observation but - I think if there were to ever be a romance with Raphael the best option is to not give him the crown (tho I do kinda wanna see him with his lil crown being the prince of hell). It's similar to Gortash, in that if you want to be his equal you shouldn't grovel and just give him the netherese shards, you need to challenge him and show your mettle basically. Now I'm not saying Raphael would be pleased with this, but if you wanted to be an equal, this is the best route, otherwise, there's always going to be that power imbalance like with ascended Astarion. (AKA, kill him, Do It) 
My final point that I wanna make is, that all the characters in Bg3 are designed with a fatal disbelief. Y'know Gale believes if he becomes a god he can prove himself to Mystra, Lae'zeel believes that  Vlaakith is righteous and will allow her to ascend, Shadowheart believes she can find herself/ her purpose in Shar, and Astarion believes he'll finally be safe if he becomes the vampire ascendant, yet we that these believes are all unfounded and end up being untrue wif they achieve them, and the same goes for Raphael. Now, if Raphael achieves his goal of getting the crown, he most likely will still end up not getting what he wants, for two reasons; Asmodeus literally cannot be defeated - Let me explain; So there are a few origins for Asmodeus and to most popularized one (and the one I prefer) is the one where he and some of the other archdevils were actually previously angels that got corrupted while fighting demons. 
Yet, in earlier editions, it's stated that all of that is just speculation and mythos surrounding Asmodeus and his real origin is that he is literally a cosmic force that was there at the beginning of time. OK. Now personally I don't care for this origin but either way, whichever one you believe I think my next point still stands the same. Whether Asmodeus is just a being that has achieved something as close to godhood as he can or a literal cosmic force of lawful evil, Raphael probably would still be unable to defeat him even with the Crown and scepter and any other of Karsus's little items, he most likely if anything could only get to the eighth layer. Now in saying this, this is still not his disbelief, because his personal belief is also one that all devils share, which is a complete lie, that being the entire hierarchy they abide by. Every devil abides by this meritocracy hierarchy, and the belief that if they become more powerful, and ascend - that they can reach Asmodeus status, but this is a complete an utter lie. Asmodeus keeps this facade that he could be defeated, but in truth, he's kinda way too powerful for any of the devils in hell, and he knows this and uses it as a tactic to keep them in his control.  
Now Raphael to some extent knows that he has to basically cheat to be even able to ascend, since he's a cambion and the hells system wasn't exactly designed for him to be promoted. Yet even if he manages to conquer every layer up to Cania, he's still going to lose since he's basically destroying the hierarchy and therefore he won't have control over the devils beneath him. Now the crown can be used to literally dominate people but that's not what Raphael necessarily wants - He wants to be adored and willingly followed, and of course, he'll use the crown when he has to, but to wholly subjugate everyone in hell to mindlessly obey doesn't seem to be his goal. There are more practical reasons as well why there are certain devils that have control over the layers, and Raphael, no matter what power he can possess, is still just one individual, and inevitably it seems as though there would be a lot of chaos rather the perfect order he believes he can achieve. 
I know that the crown can basically make you a god, and if Asmodeus has powers akin to a god and Raphael can theoretically do the same, then why can't he just defeat Asmodeus? well, it goes into Raphael's fatal flaw, his arrogance. If we look at Gale, for example, he made himself a literal god and still wasn't powerful enough to defeat Mystra, and yes, Raphael 'Is no mortal' but this is what I mean, he believes is above Karsus and Gale, that he'll succeed where they failed but that's just not the case. Like I've said before, Raphael desperately wants to be seen as more, his ego won't let him accept anything less but that still doesn't change the fact that he is fallible, and we don't have to look any further than when we managed to defeat him. Now in saying all this, this is all theoretical and kind of bleeds more into an opinion, since we don't know what plays out after he gets Avernus, perhaps the other archdevils managed to kill him before he achieved anything, or perhaps he really did manage to conquer Baator and the other realms, Who knows. (I might be cooked for saying this, especially since I do wanna see him be a lil prince of hell, but arguably giving him the crown, besides being our bad ending, is also his bad ending - No further explanation) 
Like I know I said, this is what I’ve boggled it down to and well, it’s not very boggled, but that’s what I mean! There’s so much going on with this little guy, it’s almost hard to keep up with, you gotta write him as suave and mysterious but also somewhat threatening and intimidating, he has to be articulate and persuasive as well as theatrical, while also keeping in mind his manipulative and narcissistic/egotistical tendencies, which doesn’t come easy to write for. 
This isn’t a slight by any means either, he’s a complicated character and that’s why I like him, but my sorry ass struggles to replicate it 🥲 though I hope this post will be a good reference to circle back to when writing for him. 
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a lil good omens brainrotted update from your mascot
Hello my maggots it's nearly midnight here's how the brainrot's going (spoiler alert, there are no, uh, ripe braincells anymore).
I just spent a rather significant amount of time drawing leaves into my bullet journal (because it's Crowley themed this month).
That whole time I listened to first Crowley's apartment ambience and then to a bunch of Good Omens edits and got extremely emotional about it but in the best way. God I love this show.
Every day (it'S a-GEtTinG clOSeR) I have a stare-off with the Good Omens book that keeps me company on my desk.
It laughs in my face, daring me to read it.
I recall the last time I opened it (to summarise, I read a line about Crowley and burst into tears like the macho guy I am). I refuse.
We are locked in a battle of wills. Who will win, the book or I? I'm torn between wanting to read it so bad and the fear that I will never be emotionally stable again if I do.
Speaking of books, just for vibesies an update on the one I'm writing, I've written 7,200 words in the past six days (when I pulled the WIP out of its musty folder because of that post Neil made).
The page I made in the bullet journal was actually a writing tracker here lemme show y'all because I'm proud of the progress I made:
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[Yes, that is the Good Omens book lurking in the top left, it's never far away. The battle is perpetual.]
Crowley quotesssss all the Crowley quotes I love them so much it's insane.
Also, I'm gonna go get yarn to I can continue my endeavour to learn crocheting to make a Crowley-beanie. @singalongpoppet is my guru and leader in this journey. Not sure if I'll manage it, but a guy can dream. Channeling my non-existent cottagecore era.
I am also considering getting a Plant.
Weirdly enough, this is not entirely brainrot, I was supposed to grow a plant back in January because my word thing of the year was Grow (the burden of prophecy is real).
However, I am dreadful at taking care of them, even succulents. I managed to kill a wild cactus that I brought home from a roadside. It survived several months but in the end being around me was too much for it, poor thing.
I assume there is a bit more to plant-parenting than misting them and screaming at them to GROW BETTER, so any advice, please?
End of update, I have no idea how to write conclusions so have a snapshot of the dynamic of Rian and Avi, the characters in the book I'm writing [spoiler alert: their dynamic is dumpster fire].
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Love you my maggots have a wonderful brainrotted day xxx
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oc-challenges · 3 months
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WELCOME TO THE INTERNATIONAL WOMENS DAY CHALLENGE!
By my fault, this challenge is super late and only three days long, from the sixth to the eighth. However, I am already planning for next year so it should be much better and everyone should have a lot more time. Thanks to @come-along-pond, a new admin on this blog, for doing everything but the gif and the post itself lol.
Rules
DO NOT copy others edits
If you are doing crossovers, PLEASE make sure that the creator of the other oc is okay with crossovers.
If you want your post to be reblogged onto this blog, it must contain the hashtag #owc2024.
Feel free to ask questions!
Everything is up to the creators interpretation, although I have tried to include some examples for help!
Have fun!
if you only do some or post them on the wrong days, shake it off!
Note: although we’ve used feminine pronouns for the descriptions, non-binary and gender neutral ocs are welcome to participate!
Challenges Below
Day One: "I'm a damsel, I'm in distress, I can handle this." (March 6th)
Everyone had someone they looked up to growing up, for lots of us, that was someone in the media, and for lots of girls across the country, they came in the shapes of Disney characters. For this day, we want you to show which female media icon your OC looked up to as a little girl. Whether that be Megara, Princess Leia or even Katniss Everdeen.
Day Two: Girls Love Each Other Like Animals (March 7th)
“We don’t guard ourselves like we do with boys”. Today is all about female relationships! Which women held your OC together in times of need? Who loved her when she needed it most? Was it, her mother, friends, partners? Or even a girl she met in the bathroom who fixed her makeup and told her not to get back with their ex.
Day Three: "In March I'll be rested, caught up and human." (March 8th)
Happy International Women’s day! Women have influenced society from its beginning, and a large part of that has been through literature. We want to know what quote/s by women represent your OC! Or even, what quotes or lyrics does your OC use to ground herself. Feel free to use any female made quote, it doesn’t have to be from poetry or a book!
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sophietv · 11 months
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Kaylor Timeline BEFORE VSFS 2013
It's a thread I did on my Twitter that I'll transfer here.
Once again, I used amazing Tumblr posts to do it. So I'll credit them as we go (If I need to do something else tell me, I'm new to the Tumblr etiquette).
So the official story is that Taylor and Karlie crossed path a couple of times without interacting and met for the first time at the Victoria Secret Fashion Show in 2013 🤔
Well they met A LOT of times and interacted before actually 😅
Let's see the Timeline before that VSFS in 2013!
***I'll edit this post as I find new interactions (because I feel like I'll find a lot of them) I'll add this 🆕 beside new additions and dates when it was added at the end of the post.
First meeting!
So what motivated my thread in the first place is this Interview Taylor did in 2014 with Andrew Bevan of Teen Vogue.
Here's the YouTube Link (X)
But here's the most important part of that interview:
He is saying that he introduced Karlie and Emma Stone to Taylor!!
Ok we know that Taylor met Emma at the 2008 Young Hollywood Award.
I don't think though that he is talking about that event. Because he says that he congratulated her for her cover.
Taylor did two covers with Teen Vogue, one in 2009 and one in 2011.
Following the Timeline and everything it's most likely the March 2009 one:
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EDIT:
Thanks to this Anon! (X)
A magazine cover is planned 2-8 months in advance, up to a year for major celebrities.
The Young Hollywood Award was on late April 2008 and the cover was for March 2009 so it make sense.
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So it's most likely that Taylor met karlie for the first time at the same event she met Emma for the first time.
🆕 Really cute fact.
On the Cover of that magazine, Taylor wears a dress from the Calvin Klein Spring 2009 show. (X)
Guess who walked that runway??
Karlie! (X)
I exceeded the limit of picture so click on the (X) to see the posts.
Tommy Hilfiger spring 2010 collection:
Septembre 16th 2009 Taylor attends the Tommy Hilfiger Spring Show during New York Fashion Week. (X)
Karlie was there too! (X)
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In this post, you can see videos of Taylor watching Karlie on the runway: (X)
Here's the YouTube video : (X)
🆕Met Gala 2010:
They were both at the Met Gala in 2010
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🆕In Milan together
Although they were not at the same Fashion Show (that we know) Taylor and Karlie were in Milan at the same time during the Fashion Week.
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Another interesting facts. This could explain the "1958" reference of Timeless:
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Thanks to Izg on Twitter for giving me this!!
Roberto Cavalli 40th Anniversary Party:
Septembre 30th 2010
Taylor and Karlie attends the Roberto Cavalli 40th Anniversary party in Paris.
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Met Gala 2011:
May 2nd 2011
Karlie and Taylor both attend the Met Gala:
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This is also the first time that we have confirmation of an interaction between them:
Thanks to that amazing post! (X)
Karlie said in Teen Vogue that they joked about having a baking date.
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Rodarte Spring 2012 fashion show:
Septembre 13th 2011
Taylor attend Rodarte Spring 2012 fashion show where Karlie walks.
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Here's a link to the video (X)
Vogue Febuary 2012:
January 17th 2012
Taylor mentions Karlie in her Vogue interview: "I love Karlie Kloss! I Want to bake cookies with her!"
And this quote, made history.
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Karlie answers the same day:
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Vogue Fashion's Night Out:
August 2012
Thanks to this post (X)
Taylor and Karlie star in the same commercial about Vogue Fashion Night Out:
youtube
Thanks to @hairpinraindrop for the video
Karlie and Taylor were present at the event too on Septembre 6th 2012
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Paris 2012:
Septembre 30th 2012
Karlie walks the runway for Jean-Paul Gauthier in Paris:
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Taylor is in Paris at the same time to film the Begin Again MV:
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Funny Koincidence(?), I went back and watch that MV again, and look at the opening scene!
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The Love Lock Bridge!!!
Elie Saab Spring Summer 2013 show:
Octobre 3rd 2012
Taylor is still in Paris and attends The Paris Fashion Week (X) at a fashion show where I'm pretty sure Karlie walked (I'm still searching for photos/videos).
But we know that Karlie was at the Paris Fashion Week too! (Thanks Astra!)
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Here's a video:
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🆕Met Gala 2013
They were also both at the Met Gala in 2013. Wich was in May.
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So there you have it! All of Kaylor interaction BEFORE the 2013 VSFS!
This explains the timing of it all.
Because they allegedly met at the 2013 Victoria Secret Fashion Show in Novembre.
But as we know, Taylor moved to New York because Karlie asked her:
youtube
Timestamp 1:23
And people believe that she moved there after their Big Sur trip in March 2014.
Actually. Back in January 2014, Taylor was already looking to buy an appartment near Karlie's:
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And she actually bought her Tribeca oenthouse in February.
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Thanks to Bigsurlor for this!!
So they definitly knew each other before 2013!
Edit August 19 2023: Met Gala 2010, Milan trip together and Met Gala 2013 and the appartment hunting
Edit August 27th 2023: the Calvin Klein Spring 2009 dress section
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nisuna · 4 months
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Edit: I have since posted the fic, check it out here!!
hi hello, so this isn't my official "comeback" yet as I'm currently sick in bed 😭 so this is just a little teaser and explanation of what I'm planning hehe
So I've had this idea for a long time, so long that it was the first fic I ever wanted to write down on this blog and the idea that motivated me to start writing in general, but things happened so yeah I'm only now finding the time to finally write for it
so basically, it's friends with benefits geto x f!reader, simple enough, right? Well, not quite (if you're not interested in too much detail, feel free to skip my rambling and scroll down for some excerpts and quotes 😘 they'll be below the cut)
It all happened one evening when your best friend came to pick you up from a party for the first time, being tipsy and sexually frustrated one thing led to another and you slept together and from then on it kind of became your guys' thing
Whenever you were out and didn't end up with someone, you called him and he actually came to pick you up
You've known each other for a few years but you just couldn't get yourself to call him Suguru, it's always Geto this Geto that, even tho he would really like you to just call him by his first name, but you're like no no no nonono I can't
And if that wasn't bad enough, your tipsy self always added -san, so it's Geto-san whenever he picks you up haha
You've done a lot already, anything dirty you could think of, been there done that, but no kissing bcs that's too intimate duh, like having a dick shoved so far up it's rearragning your guts isn't yeah yeah sweet denial
So this time there wasn't anything unusual about it, he picked you up like always and you were down to fuck so what's the worst that could happen?
he miiiighhtt make you call him by his first name and maybe just maybe you do finally kiss???!
I'm also down for maybe a prequel to the first time it happened?? 👀👀
But in any case, enjoy an excerpt from the beginning as well as some of my ideas and quotes I plan to include :D
He never understood why you liked going out to the most shabby and stuffed clubs. It reeked of alcohol and smoke mixed with all kinds of bodily fluids. As he was making his way through the dancing crowd of sweaty people grinding against each other, he finally found you sitting at the bar while some guy was leaning in your direction way too close for comfort.
He had his usual fit, hair half up with a black over sized sweater and loose black joggers. Making him look so huge that if there were any guys bothering you, they would leave you alone as soon as they saw him.
"Yo~ y/n", he touched your exposed shoulder and gave you his signature eye smile, before staring down the guy next to you that was trying to get in your pants or in this context in ypur skimpy little dress. The guys' annoyed look turned into a worried one after seeing who he was up against.
"Aahhh Geto-saannn you're here early" you mused, leaning against his hard chest. That damn honorific, he cursed but still managed to squeeze out a smile.
"Haha "-san", so you aren't her boyfriend then." the stranger snarled but soon gave up as Suguru raised an eyebrow at him and snapped a "watch it". "Alright, alright, I give up", he put his hands up in defeat. "Maybe next time, sweetcheeks."
As soon as the guy left Suguru took both of your hands in his and knelt down in front of you. "Y/n we've talked about this, if you don't want to call me Suguru at least drop the honorific. We've known each other for years now don't you think it's about time. Also, don't you think it's weird when you call the guy you fuck by his last name, hm?" He turned his head looking at you expectedly.
"But Geto-saaaan-"
"Ah ah, what did I just tell you"
"Okay okay, Geto" you huffed, "You know I'm not comfortable with that", you whined, squeezing his hands.
"I just want to hear you say it at least once. Say it and I'll fuck you real good tonight.", he smirked.
You considered it, after a hard week you really needed a good fuck. "Sugu-", is all you could manage before snapping your head away, "Nope can't do it."
He let his head drop with a loud sigh. "It's alright. It looks like I was just pushing my luck. C'mon, let's get you out of here." And with that, he rose back to his full height, grabbed your hand and pulled you from the bar stool. While making your way through the crowd and to his car, your thoughts kept wandering.
Suguru... that's such a pretty name.
----------
"What's up with you today? If you keep squeezing me that hard you might actually snap my dick off.", he chuckled. He's way to cocky. You have to do something about that.
"Have I ever told you how annoying you can be. If you don't stop talking, I think I might have to shut that mouth of yours up myself.", you whispered putting your hands on his cheeks and pulling his face close so that it was right in front of yours.
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"Is it okay? Does it hurt?"
"No, it feels really good. I can feel you all the way up here", you smiled, leaning back and tracing your fingers from your pubic bone to just over your belly button.
"Fuck, you can't just say those things out of the blue" he mumbled sitting up, finally starting to pound into you from below.
"Wow that did it, huh?" you chuckled arching your back and clawing at his shoulders. "How naive, men are so simple." you kept that thought to yourself tho.
----
"Wait", you mumbled against his lips. "Don't pull out. Keep fucking me. Hurry up." How could he say no to you, even if he felt like he was about to die from overstimulation, he couldn't possibly deny you.
-----
"Fuck, I'm hard again"
"Then keep going."
-----
Look forward to the whole thing as soon as I feel better🙈🙈🙈 and feel free to let me know what you think!❤️
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What Emma Would Do
Ignore me. This is just me working through my own thoughts and feelings on this. Also I'm an idiot.
***BIG EDIT: I misread and misinterpreted. Azel was nearly drugged and SA'd, so his reaction, however cruel, makes complete sense to me. If he was real I couldn't apologize to him enough.
Moving @/caffedrine's billion-dollar comments up here.
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My original, misguided post is below the cut if you're interested.
I have to ask myself what Emma would do. Within reason. And only within the scope of this fictional game, because I'm not about to touch this topic as it exists in the real world. That's for people much smarter than me.
But for the game, my dismissing of Azel as a cruel misogynist without seeing his circumstances and worldview shuts down the conversation the same way it does when Azel dismisses a woman as a slut without seeing her circumstances and worldview.
(Did he actually use the word 'slut' or did google just translate 痴女 like that for me... I should double-check... edit: oh my bad, he calls her a "female molester", which... I can't say he's wrong considering she tried to give him an aphrodisiac...? The word also means "stupid woman", so he could very well have meant it that way too, especially for some reasons I get into later in the post.)
Soooo, he didn't actually call her a slut. I'm an idiot 😌 I'm sorry, Azel. Dunno if any of my points below mean anything, but I'll leave it here anyway:
The running theme in Ikepri is to look beyond the beast and see the human inside. To meet them halfway. To see their heart. And that heart is always so very terribly scarred. All these guys have gone through their own traumas and come out the other end behaving in ways designed to be armor, to protect themselves from any further pain.
I can only speculate about Azel this early in his story arc, but being showered with the same adoration and reverence that people only show a god, day in and day out, probably fucks with your mentality a bit if you are still only human at the end of the day. Having women try to seduce you only because you're The Living God, well, we saw what that kind of shallow treatment did to Silvio. Women see you as an object and so women become objects to you. You want to be loved, but you don't want to be hurt.
That might only be scratching the surface with Azel, though. He's also clearly jaded from listening to the same old interpersonal problems people have when in relationships. Love is actual trash to him, not even worth a single penny. It's trash because the very people who follow him prove it to him on a daily basis, I imagine.
Yet that's still not the full picture. I mean, we obviously won't have the full picture until his main route drops, but there's another key factor to consider with Azel.
He quotes Pascal in Licht's sequel. "Man is only a reed, the weakest thing in nature; but he is a thinking reed." The full quote goes onto say:
"All our dignity consists, then, in thought. This is the basis on which we must raise ourselves, and not space and time, which we would not know how to fill. Let us make it our task, then, to think well: here is the principle of morality.”
(Did I read the entire context of the quote? HA! What do you take me for? A scholar or something?)
Free will and independent thought is arguably the most important thing to Azel. He has no respect for the sheep who flock to him for direction (though he'll happily take their money and tributes). Even with the dancer who tried to seduce him in the prologue, when he tells her to lick up the food she dropped after he tripped her, he presents it as a choice. Nevermind that the staggeringly unequal power dynamics at play made it so this was nothing short of coercion in the end; there was no way the dancer was in a position to stand up for herself and say no, even if that's exactly what Azel wanted. But from his perspective, defiance would have been welcome. That's why he phrased it as a choice. That she started licking up the food only solidified in Azel's mind that this woman is an unthinking reed without dignity. If you're going to act like trash, he'll treat you like trash... maybe that was part of his thinking.
On a slightly different note, I think another reason he hates the idea of love so much is because love makes people lose their ability to reason, to think. I believe he outright says as much, iirc.
In the end, I don't know from where exactly Azel's fury and cruelty comes from. It could be all of these things, it might be something else entirely. All I can think is, you can't be 'God' everyday and not be scarred by humans.
In conclusion, I can't excuse Azel's behavior. I don't excuse it. But I think Emma would try to understand the why of it, like she does in any other route. The other running theme in Ikepri is that, as a certain someone would put it, the essence of all people is love. It's their environment that twists them. Somewhere in Azel is the purest kind of love. A kind that would make any god look away in shame. That's what I want to believe in, anyhow.
Also, I need stress that I was SO wrong about whether he actually called the dancer a slut or not. Google fucked me over by translating it that way! Ah, Azel, I'm so sorry!
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tawaifeddiediaz · 1 year
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Hi!
I was just wondering if you have a tutorial on how you created this effect in your gifset, it's something I'd like to try but have no idea where to start. Your set is so pretty! Any helps appreciated x
https://www.tumblr.com/tawaifeddiediaz/712911415428743168/ill-take-you-with-me-then-well-both-die-you?source=share
Hey Nonnie, thank you! This is super late, but I don't actually have the psd for this set anymore (I delete them as soon as I post them), so we're just gonna wing it with a gif I made the other day. I think this ask is about the text, but if it's anything else, just drop me another line and I'll get to it when I can!
I'm pretty sure I got this tutorial from the wonderful @eddiediaaz but I then turned it into Lazy Girl Hours :)) anywho, here we go!
We’ll be making this gif:
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This tutorial assumes basic knowledge of gif-making, Photoshop, and coloring. I’ve only described the typography tutorial in this, but you can reach out if you have any questions.
Tutorial under the cut:
Couple things to note beforehand:
There is a lot of trial and error involved when doing any sort of effect, and this is no exception! You might have to play around with the colors and the settings before you find something that looks good and readable and that fits your set!
This text effect works better on big gifs (540px width).
For this, I find that a simple font works better than a fully-cursive one, but play around with what you like. The boxes may need some adjusting if you use a font with too many tall or tail letters (i.e. text where all the letters aren't on one uniform line - that's why capital letters work so well.)
Movement works really well with effects like these, but again, it depends on your gif + readability. If you have a blended gif, it may take a little more trial and error.
I work in frame animation for all my text effects, but this works just as well in timeline as well.
We’re going to start with this gif:
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First, I like to put my text on the gif. You can obviously move this around later so don't worry too much about how it looks right now.
The dialogue is "Just don't feel it." "Feel" is one of those Big Words for this quote, so I'm going to emphasize it with cursive text.
I am using Moon for the sans serif text, and Santa Fe Spring for the cursive text. Keep both of these in white for now:
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Next, we're going to use the rectangular marquee tool to draw our rectangles around the capital letters (we're not touching the cursive text right now). I just eyeball this, and then try to center it as much as possible.
(The rectangular marquee tool has a keyboard shortcut of M, and it's the second tool in that little toolbar on the left of most people's Photoshop.)
This is what that'll look like:
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Next, we're going to go down to the icons at the bottom right of the layers panel and select the half-black half-white circle > Color Fill.... You should get a color dialogue box. Choose your color - I'm using #8d0000. Then, we're going to move that layer below the corresponding text layer, and set its blending mode to Difference. This is what that looks like (click the image for better quality):
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I'm going to repeat that with the other two boxes as well, using the same color. The boxes will look different with the Difference blending mode because of the shadows underneath.
For example, the box with "it" looks like a solid red square because it's against a completely black background, while the other two have some blue shading to them since there are some highlights behind them.
This is what my gif looks like now:
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Next, I like to go The Lazy Girl™ route and put all three color-fill layers into one group underneath all the text layers. This just lets me edit the drop shadow of all three of them at the same time.
Right-click the group and open up the Blending Options. In Drop Shadow, these are the settings I'm using. The drop shadow color is #0c6477:
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(Note: uncheck "Use Global Light" especially if you're working in frame animation to make sure all the drop shadow has the same angle on all frames.)
This is what my gif looks like now:
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Now that we've finished that, time to move on to the cursive text.
I usually match the cursive text to the palette of the rest of the text, and since the drop shadow is our "accent" color, so to speak, I'm going to use a lighter version of that color. I am also going to add a drop shadow for readability.
The color I used for the text is #acfffe and I actually ended up adding two drop shadows, just because I needed something subtle that doesn't overwhelm the text, especially since it's a delicate font. Here are the settings for both layers:
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And here's what my gif looks like now:
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Now, before we move on to the lines, just check the adjustment of all these text layers, see if there's anything you want to change. It's easier to change now than after the lines are added, since you'll most likely have to redraw them if you move the boxes after the fact.
To draw the lines, we're going to use the Line Tool. I just freehand all of this, and I try to go from center to center of the boxes when I can. It all depends on your angles.
My lines are 2px thick, but you can change these depending on your preference. Here's what mine look like right now:
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We're going to do the same lazy hack that we did for the color fill, and put all three line layers into a group. Move this group below the text layer and the color fill layers. The reason for this is so that the lines look like they're coming seamlessly from the box, rather than from on top of them or something.
Then, set the group to opacity 50%. I like more subtle, simple looks in my gifs, so I don't like super high opacities.
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And that's it! This is our final gif:
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Some final notes:
Absolutely play around with the blending modes of the color fill layers for this effect. These two gifs are the exact same color we've been using, just two different blending modes. You can see how drastically different they look. The first one is Linear Dodge (Add) and the second one is Vivid Light:
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It can change how your gif looks in a BIG way, so play around with it, see what you like, especially if you don't really like the "two toned" thing going on.
Sometimes, I also like playing with the width and height of the text in the font settings, making it shorter and wider, or making it taller and more compact. You can play with the letter spacing as well. The world is your oyster, etc etc.
One other thing I've started doing is erasing the lines with a big brush, just to fade them from his face a little, like this:
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To do that, use a layer mask on the line layer folder, and a brush that's 0% hardness, and at least 200px big. For this gif, I also changed the opacity of the lines back to 100% so the fading effect is a little more pronounced:
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(this gif isn't the best example for this, but oh well. Anywho, hope this helps, Nonnie! Let me know if you have any questions.
Enjoy!
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meat-wentz · 2 years
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FOB LORE POST Pt. 1
okay so tumblr ate the original ask i was responding to and now refuses to save/post all the edits i’ve made, so this post has to come out in two parts. i’d rate it surface level-knee deep lore (maybe some waist deep, maybe some neck deep idk we'll see)! i'll be focusing on pre-hiatus just cause post-hiatus is generally easier to find (but there will also be post-hiatus because i can't help myself). also curated to my tastes these are things that *i* always think about, so big disclaimer this is not everything. this part basically covers the fob extended universe (terms/people to know, blog links, and important texts here and there), links to unrealeased tracks/rares/covers, and a rundown on the origin story.
so here's some basic things to know:
FBR- Fueled by Ramen. baby's first record label. also host to a bunch of other notable acts from the scene.
FOBR- easy to mix up. literally just falloutboyrock.com, their website. hosted journal entries, updates, the webstore, and more.
Decaydance- record label owned by Patrick and Pete under FBR, founded in 2005 when Pete wanted to sign P!ATD and realized he didn't have label to do so. AWESOME ORAL HISTORY FEATURING PETE, TRAVIE, GABE, AND SPENCER. intro to Decaydance (included in article). relaunched as DCD2 in 2014.
FOE- friendsorenemies.com, let's do a quote about this one: "If you’re one of those types that have uttered the words, “I’m their biggest fan” in reference to post-punk popsters Fall Out Boy, then you’re in luck because there is a site where like-minded people can hang out. Honda Civic Tours has joined forces with Friendsorenemies.com, to create a user-generated worldwide fan community for the Chicago-based band. The site includes dozens of up-close and oh-so-personal videos of the band, along with exclusive, unscripted content that gives an extensive behind-the-scenes look at the Fall Out Boy’s latest tour… because pop stars shouldn’t have any privacy or down time." they have a youtube with SO MANY videos here (check out their playlists, they have a bunch of fob specific ones.
OCK- Overcast Kids, fob's official fan club, usually got exclusive content, merch, pre-orders, and more. you'll see some blog posts where pete makes references to overcast kids referring to the fans.
Fuck City- essentially Andy Hurley frat house/collective/brand. he has Fuck City tatted on his knuckles. there's primers out there i'd search for "Matt Mixon primer" and you'll probably find some livejournal links.
Clandestine Industries- Pete's clothing brand. there's a whole dvd about his collab with nordstrom and in it he states he wanted to aim for "unisex," if i ever found a rip of this i'll link it here. meanwhile here's a video about their landmark store. video that was on the site. 2010 fashion show.
Pete’s blog entries (best viewed in browser). there's also this masterpost (hint, if some links don't work in this, especially for fobomatic, try amending the url to "fobomatic-blog," and it should pop up). and this tumblr: @disloyalorderofpete
Joe’s blog entries
Patrick’s blog entries
important text: “We Liked You Better Fat: Confessions of a Pariah” written by Patrick post-Soul Punk, and kicked off talks of coming off hiatus between Pete and Patrick.
important text: “Fall Out Boy Forever” by Hanif Abdurraqib
important text: “The Boy With the Thorn in His Side” by Pete (his first book), you can read here, just scroll to the bottom to start: @clandestineindustriespresen-blog
important text: to you (unfinished, off the top of my head) arguably one of the most important Pete blog entries (to the fans and to ME at least)
you'll see some names around, so here's a few touring friends and crew you'll want to make note of: Charlie (security), Dirty (personal court jester and whipping boy, he seems to like it, i want to do a study on him, he has Pete's initials branded in his ass- Pete did it himself with a hanger), HeyChris (i'll probably give him is own section), Nick Scimeca (i've never really clear on him, i think he acted as web designer/bestie, but i know for sure he lived in the dirty ass tttyg apartment), Hemingway (Pete's dog), Matt Mixon (Andy's bestie/fuck city roommate). primary ones to know are bolded.
HeyChris: okay Chris is important because he was in Arma Angelus and was fob's first supporter, caught the name HeyChris through grenade jumper (which they wrote for him!). he tours with them for awhile, i *think* doing crew duties, running the merch stand, being one helluva hypeman. QUITE A DYNAMIC with pete. part of the World's Most Hated Crew which were crew members primarily shared between mcr and fob, who had bad reputations for 1) their proximity to the bands 2) being scene kings/queens 3) gossip and drama. 2006, he and Pete have a massive falling out over their blogs. since then they've made up, still talk every once in awhile. he runs the catcade in chicago and emerges out of the woodwork to stir shit up every now and then. here's his livejournal. and another one. he also has a tumblr. so go hunting if you want. most of his updates are through instagram, he loves to troll.
list of movie references in songs
because it's referenced so much i have to include the drunk history, but be warned it's Brendon, and a whole lot of him.
here’s some of my personal fave unreleased/covers/features:
hand of god (some very uhm breathy whiny patrick vocals in this that i can’t believe are legal)
austin we have a problem (also horny vocals and for what)
star 67
we don’t take hits we write them (listen the amount of blood i would spill to get a clear recording of this song)
save your generation (jawbreaker cover)
basket case (green day cover live)
under pressure (queen and david bowie cover, patrick does both vocal parts and and it’s so cunt)
what’s this? (nightmare revisited: nightmare before christmas cover album and US SPOTIFY REFUSES TO COUGH UP THE ONE FOB TRACK, however i still recommend korn’s version of kidnap the sandy claws and rise against’s version of making christmas)
lullabye (hidden track on folie a deux written pete’s son)
catch me if you can
mr. brightside (killers cover which they did live a few times, which is extremely funny because pete and brandon flowers were feuding after brandon said fob and emo were ‘dangerous’ and ‘poisoning the minds of the youth’ and that he wanted to ‘beat all those emo bands to death’)
i write sins not tragedies
tiffany blews bridge ft. patrick vocals
patrick covering i can make you a man from rocky horror
patrick feature on one day i’ll stay home by misery signals
patrick features on cupid’s chokehold and clothes off! by gym class heroes (these may be obvious to some but i’m including just in case and also because they slap)
patrick feature on one of THOSE nights by the cab, brendon jumpscare warning, but patrick’s vocals literally made me fucking insane here, also the amount that pete is featured in this video is so funny to me
fob feature on the hand crushed by a mallet remix by 100 gecs (the way i fucking lost my mind when this dropped)
these are on spotify but often get looked over/missed/are hard to find:
roxanne (police cover): spotify, youtube
start today (gorilla biscuits cover): spotify, youtube
snitches and talkers get stitches and walkers: spotify, youtube
the music or the misery: spotify, youtube
my heart is the worst kind of weapon: spotify, youtube
my heart will always be the b-side to my tongue
pax am days
lake effect kid
yule shoot your eye out: spotify, youtube
i wanna dance with somebody (whitney houston cover): spotify, youtube
the world's not waiting (for five tired boys in a broken down van)- literally my personal favorite off of EOWYG it makes me insane: spotify, youtube
some fun extras:
there’s also this fun little behind the scenes video for cobra starship where patrick is singing city at war
this uncomfortable video of patrick and pete singing womanizer with ellen degenres
this video of fob at the inaugural dinner for obama where they have light up instruments and patrick starts off i don’t care with a little snippet of womanizer (very cunt) which also has a part 2 where pete climbs a tree and they meet the president ajbdjdksndnd.
fall out boy on teen titans go: part 1, part 2, song
deep blue love (patrick wrote this for a movie! and it makes me need to lay down) "behind the scenes" here
patrick song in star vs. the forces of evil
patrick theme for spidey and his amazing friends
patrick musical episode of dead end paranormal park (most of the patrick demos are uploaded as well)
patrick features on robot chicken, also here's the uncensored version of blue rabbits fucking
you can also look up their rare/unreleased songs and get a whole lot more than provided here, and also patrick has done so many covers it’s wild there’s a playlist on youtube that’s 130 videos long and includes bangers such as this is how we do it, let’s dance, in the air tonight, kiss my sass, fob covers of we are the champions, don’t stop believin’ and more.
NOW. as far as origin stories go. let’s start with pete who was a notable figure in the chicago hardcore scene, having been in bands on bands on bands, and very notably RACETRAITOR. pete, joe, patrick (i still haven’t found the source for patrick but it’s on wikipedia so i’ll include him) and andy have all at varying points played in racetraitor, and andy still plays with racetraitor when they get together. joe and pete become friends, joe driving him around because his license is suspended, and right around that time pete starts ARMA ANGELUS and when heychris can’t make it on tour, pete convinces joe’s parents to let him fill in on bass and they all go out on the road. when they come back, arma’s kinda its last leg and this is when pete and joe start talks for a pop-punk project. joe will play guitar, pete will play bass, now they just need a drummer and a singer.
so very important lore here, joe’s hanging out in borders when he’s interrupted by none other than one patrick stump who starts a lecture on music to which joe starts lecturing back, THIS IS HOW THEY MEET. i’ll let joe tell it (click for full view):
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this continues into another important bit of lore, which is that joe dragged pete to patrick’s house so he could audition and patrick answered the door wearing a sweater, shorts, and socks. this is important, it comes up time and time again, patrick answered the door in an sweater, shorts and socks. it’s important. to both me and pete. he proceeds to show them all his talents, but when he sings, that’s when it clicks and everyone in the room says you’ve got a massive set of pipes there, you’re our singer. now, patrick didn’t care about singing, in other bands he had primarily focused on drums. but he wanted to be in a band that would let him write music and he also had admired pete from afar on the scene and so he agreed to sing.
they finally pull andy when they start recording seriously and their drummer can’t make it so they ask andy to fill in. andy at this point is a notable drummer in the scene, like he plays in so many bands and is referred to as “the metal drummer.” pete and andy have known each other for a long while and they've had their eye on him since the beginning, it's just that he's in various other bands and going to school so he hasn't had the time. but they ask him to fill in and everything just falls into place. i’ll let patrick tell it:
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and they've been the same lineup for two decades now (outside of fill-ins every now and again for emergencies etc). as legend goes, they had switched out names quite a few times, fall out boy being one of them, referencing the character from the simpsons. one night they came out, said "we are [insert long drawn out complicated name here]" and a fan yelled "fuck that! you're fall out boy!" and they have been ever since.
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habizuh-studios · 4 months
Text
me gushing about tgcf for... idek-
Haha, don't ask why i'm making this post when I'm basically dead, BUT- TGCF is honestly was got me into the danmei fandom. Two of my friends were gushing about it so in order to not feel left out i watched the donghua and it was the BEST DECISION OF MY LIFE not only because the donghua was actually so beautifully animated and the story was so captivating, but also because i watched it in dub and got to see howard wang. Which was great, obviously. unfortunately, i spoiled a LOT. And i mean A LOT of stuff after finishing season 1. I spoiled the ghost city arc, the 800 year wait, and some of Xie Lian's trauma before even starting season 2. And i didn't even have to wait that long for it- some people were waiting over 2 years!! which is crazy to me. The character designs are so intricate and beautiful in all mediums, including the audio drama (which is actually my favorite art out of all of 'em), which HOW?!??!?!? ITS AN AUDIO DRAMA?!?!??! i ended up buying all the books, despite spoiling myself a TON. And i don't regret it at all- i even convinced myself (not really myself, but my dead bank account) to buy the special edition of TGCF!! The official art is gorgeous, the pop-up is gorgeous, the books\ mark is gorgeous, and- despite all the spoilers, after i got used to the writing style it was honestly A BLAST. I finished all the books in less than 2 weeks. I stayed up late reading them- and my favorite part was finishing a book so i could jump to the next one. And my greatest surprise was i didn't even spoil ALL of it to myself! The instigator of the war between xianle and yong'an (if ykyk, hint: family) was such a surprise to me i had to put the book down for a good second before reading it again! xie lians occasional sassiness was honestly really in character, but still a surprise. I have seen some who didnt like tgcf because of the character arcs and hualian- which is fine, but as long as you have the right expectations going into the book, you will not be disappointed. Xie Lian is honestly my favorite. Sue me for being basic, but i love him. Even before knowing all the trauma, i loved him. (Followed closely are Ruoye and Feng Xin, so i guess you can guess my type which i immediately attach to, haha) anyway, in case you weren't looking for my life story, then here: watch the donghua of tgcf, then read all the books, no spoilers. Trust me. Spoilers ruined some of the emotional moments for me yet i still felt empathy for all the characters, which is kind of hard to do. (it hurts, dream on, there is no banquet that does not come to an end). then consume the fan content. Literally all of it. We are the most blessed fandom in history. You may look up some things to expect for tgcf, because i believe the theme is actually quite different from mxtx's other works! I still love wwx tho ;) ----- PS: I also love the parallels. I'll talk about one since this post is so long already, but here- I absolutely love the quotes. A lot of times, popular quotes are remembered when Hua Cheng is saying them, but when you read the books, you realize he's just parroting what xie lian has said... im biased and this isnt for everyone, and obviously his tone and context are wayy different + he has great quotes on his own- but I think it shows his love for him. or maybe i just love Xie Lian, haha.
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sgdlr-asdfghjkl · 2 months
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Link Click Musical update 156
Beginning of April summary, part 1
(Cao Muzhi's sillies and Wang Minhui's stage door talk)
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Performances went on till April 6th and they resume on April 12th, so now we have time to catch up 🌟 I'll cover April 4th here ^^
The leaf stamp is to mark Qingming Festival. It's a period when people visit the graves and honour their ancestors.
@chocolatexiaoshi explained to me that, since it's a holiday, the theatre schedule was adjusted to hold 2 performances a day (like on the weekends). So the stamp doesn't mean any special events >< it's just to remind the audience about a different schedule.
Links in replies: cq&wmh laughing during 'Pursuers of light', stage door vid of wmh I reference later
April 4th, noon: Cao Muzhi, Wu Yihan, Qian Dongyue
These two are funny together, Cao Muzhi acts oh so clueless as Wu Yihan does his little trollin >:3 but dw cxs get a solid hug every time 💙🧡
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I made a twt thread of Cao Muzhi reaction images, (he's just so funny to me 🧡) so you can check it as a bonus~
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April 4th, night: Cai Qi, Wang Minhui, Qian Anqi
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By the end of first half of 'Pursuers of light' Cai Qi messed up the lyrics making Wang Minhui fall to his knees and laugh (classic wmh).
🌟Exclusive gossip from stage door interview with Wang Minhui, explained by @chocolatexiaoshi ☕💖🙏(quoting but I edited grammar a bit):
'a fan said: you and CaiQi are very familiar with each other, so you guys will have more feeling of cp (cooperation?). I watched the play for the first time and have a feeling that cxs and lg are really like a married couple. wmh:😳😳😳 (he shies away in an instant) then he shared with audiences how to cooperate with each partner seriously' (timestamp around 4:00)
He also talked on how he addresses his CXS's actor partners
'BaiZhuoming: 白老师 - like Mr Bai, seems not familiar and wmh wants to perform more with him and become more familiar.
TengChunpeng: 滕哥 - like brother Teng (哥means big brother), to become more familiar.
ShuRongbo: 波波 - Bobo, 'oh I know srb is the cutest boy' (🥺Bobo is his nickname and his weibo username).
CaiQi: too familiar, just calls his name directly.'
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Also, not lc related but I think some of you may like it... Wang Minhui posted this beautiful spring photoshoot on his weibo:
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Nevermind, it is LC related, bc he's wearing Lu Guang's shirt. Here's a proof, he literally took it from theatre one day ><'
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(* ̄3 ̄)╭*:・゚✧💕
see ya in next part soon
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bluginkgo · 4 months
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Quick announcement (before the diarrhea of information):
I'm gonna go on a semi-hiatus for a week or so. I'll still be around, just not posting any drawings. Need to replenish my energy and drawing reserves cause I'm dead >_<
Sleep behind scenes!
So... Ginkgo why the hell did this take you so long? Sorry, sorry 😅 Here's what happened. I got burned out after like 10 pages (specifically the manor backgrounds killed me, plus having the full gang in the story) and then got sick and was not feeling all that great. Working through the burn out, sick, AND college work on top was quite hard not gonna lie though, but I wanted to finish it ^^
Alright, now as for little unnecessary Easter eggs, I added as nods to the show and my other interests. ^_^
1. Undertale save point. Undertale had me sucked in for a good long while, and for some odd reason decided to re-emerge in a form of the star save. Made it purple for Uzi's effect over N. She made him more rebellious, so he started to question why is it his memories and dreams are strange/corrupted/missing instead of just going with the flow.
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2. Ep3 nod. V and N have history, history that I wish we get to see. V was nicer, kinder, in my opinion, prior to the absolute solver going rampage. So it makes sense for them to have some sort of friendship at the VERY least. So I decides to give it a small spin to it too. A direct quote from ep3 ^_^
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3. Ep 2 + 5 nod. I kinda pulled the moment when James dismissed N from ep2 together with events that follow after N leaves library in ep5. Chronologically, these events don't fit together, seeing as ep2 is when N first meets Cyn and ep5 is when she's already set up the massacre. But this is exactly what I was going for. N's memories are jumbled at best, so I took liberty in mixing, matching, and editing his memories just as the admin program would probably.
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4. Absolute Solver symbols nod. My chats with @absolute-solver (sorry for annoying you with tag 😅) made me realize that the absolute solver ought to have more presence now. It's activated and running systems in the background for Uzi. Whiiiiich means that drawing absolute solver should start now. BUT, it's rudimentary at best. Symbols don't really make sense and are not completed for most of the time. Not until Uzi at least sees the error message in ep2, when she truly starts questioning what that weird symbol on her visor is. I headcanon that N does know or at least feel that the absolute solver symbol is familiar, hence the little comment.
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5. Absolute Solver Nori. Why is there so many absolute solver Nori around? I'm certain she went back to normal, just like in pictures Khan showed us in ep4 post core collapse. But I connected the solvers together here. Uzi's absolute solver string is up and running, and because the solver is a hivemind, it'd connect the memories and warp them a little. So that's why Uzi's doodle of her and Nori at the end (and during memory recall) was so full of absolute solver. It's slowly taking root, whether she wants it to or not.
Personal touches/added/cut ideas:
N's tail wrapping around Uzi like a hug. Originally, Uzi was supposed to look more nervous, but not for the reasons you might think. I cut the nervous look to a more upset look so it wouldn't be confused for fear. Uzi's never scared of N (yes, I don't count ep2 either, that was a lot of events at once and very little time to process them). The nervous look was more of a "Why are you butting in?" type, you know? Being a loner makes you cautious, so when N prods at feelings, I figured Uzi would be a bit defensive.
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Cyn is fully rendered and yet I glitched her so much I felt bad. So here's full absolute solver Cyn eldrich monster thingy. ^_^
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I pulled a Hazbin hotel moment. Did you see it? Abracadabra GONE! All the scraps from first couple pages with NUzi chatting POOFED out of the existence. Did I get lazy and tired? Yes, that was the tell tale sign of burn out, when I stopped keeping track of background details and just kept the pod.
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These progress shots show pretty well how the story boarding goes and how I change my mind too easily. 😅 storyboard is still as much of a mess as ever, sketch shows you I was gonna keep Uzi's hat, but decided against it in final product. I figured this. Nori gave Uzi the jacket whenever Uzi got a bigger body + hair. These are the same jacket and hair Uzi has in canon. Uzi's body is just upgraded again and her hair gets shorter in that regard. The jacket would be big on her, and cover her hands, but what's up with the fluff if I draw canon jacket more spiky? And where's the death battery drawing? I headcanon Uzi drew those on once she got into the angsty teenager stage. The jacket is more spiky from wear and tear.
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Fun fact! You can sorta tell who's gonna show up in the comic by what memes I post prior. Here's some examples ^_^ Cyn showed up, and that was first practice with maid outfits and Cyn's eldrich form. Closely followed by manor gang, the second/final form of maid and butler outfits and prime practice for those scenes. This example is a bit spoiler for a meme I'm working on right now! I've never drawn Nori before, so I quickly sketched out the idea and continued on with the comic (otherwise, I'd lose my steam and procrastinate on it again). Memes are filler for you guys while I work on the actual projects (comics), and along the way, they give me practice and change in drawing style ^_^
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Is it a coincidence that this comic is called Sleep with the release of a certain horror game? Actually, yeah pure coincidence 😅 I had this drafted allll the way back in November, and didn't take particular interest in poppy playtime until I saw lanky boi, which was actually during a stream I watched on release day of the chapter.
(I didn't know tumblr, or at least the phone app, had a tag limit of 30, BOY was I surprised @brookiedaaroacecookie that must have been THE tag city, sorry 😅)
Next comic is Loneliness 1 and 2
This one is split into 2 POVs from both Uzi and N side, thus its 2 separate comics. That one will be more NUzi centered, too, a slight angst and comfort spin to it. That will come... sometime. I have a few more projects I wanna finish up with prior to starting on these guys ^_^
Why are you still reading this? Omg, have a cookie 🍪 you made it. Have a nice day now ^_^
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sendmyresignation · 3 months
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if you wanna indulge me, id love to hear your opinions on sing (all of mine are detractory which i know isnt the complete view of the song)
omg id love too!! sorry this took me a sec to formulate post-work haha. i know we don't agree about sing but honestly that's the beauty of music opinions- I feel like it becomes easier to define what I like about things when faced with legit measured criticism anyway
for me, i want to start with the structure and instrumental since it's usually not mentioned (most of the criticisms of sing are exclusively lyrical or intention-focused). it's so cool. and evocative. and full of tension!! my favorite use of synth on danger days, plus the keys and the drums (man i love the dd studio musician drums lmao), really emphasizes sing as a suspended moment both in the album (necessary bridge, tonally, between bulletproof and planetary imo) and in the track itself- its alllll building up to that bridge and final chorus. but there's all these little pieces- the backing vocals, there's so many hidden guitar parts that riff just under all the noise, that opening like, tambourine. sorry for not having a quote on hand but Ray's said he really loved writing sing and it's so totally obvious to me. especially live- part of the reason I was soooooo excited for sing swarm tour edition is that even during dd ray was like absolutely shredding for sing after the bridge. and everytime time it's so good. part of the reason the lyrics don't bother me is sing could stand alone instrumentally and I'd still want to listen to it. (sing also reminds me of Ray's solo music- the sentiment is more significant that the lyrics and the music is itself a vehicle for storytelling)
also though, i think there's a lot of intention with sing (it's up to the listener to determine if that paid off obv) but within the context of dd the record as a pirate radio station, sing has always read as a trojan horse song. making it a single too, like once a song takes on a life of its own outside the record there's new meaning and circumstance. so both within and outside the killjoy universe sing is a vehicle for not just the bridge but the overall sentiment of dd (how fucking excited was gerard when glenn beck took the glee bait) like, yes, i do agree they could've benefited from another pass over the lyrics (i will always defend keeping "sing it till your nuts" bc its sounds like sing it to your nuts though) but I don't personally get the criticism that sing isn't "specific enough" about what exactly it's against or is too optimistic about "sing it for the world"-- i think there are songs on the album (notably planetary right after it!) which do that job just fine. dd is gerard in arguably top lyrical form so theres a lot of meat in the rest of the record like. sing it for the world is a purposely simplistic art is the weapon. like those are the same sentiments rendered very differently!
also like. i do think there was a very directed target at the younger part of their fan base here (girl/boy) which is sweet. to me. like i did hear sing first when i was a young teen (one of the few dd songs i was familiar with) and it did feel huge and empowering at that moment. my chem are their best when they are navigating the dualities of their specific fame, which includes simultaneously making very serious, adult rock music which is concerned with violence death grief and sex, as well as being a role model for younger people and taking them seriously and neither of these are in rhetorical conflict with each other. so like whatever sing is a little juvenile. but it's still filled with passion! taken as a legitimate project with a creative instrumental and a narratively-driven music video. I like that aspect, it works for me. I'll never call it my favorite my chem song but its certainly not the worst when you add in the bridge (i wanted to prove my point without the bridge but like. damn!! it's a good bridge!!!). that's my spiel.
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