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#Sorry Disney
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Dreamworks doesn’t always hit the mark, but when they do holy hell do they hit.
And that’s why I like them better than Disney. Disney could never make anything like How to Train Your Dragon or Rise of the Guardians. Because they don’t care about quality and know they can get away making mediocre movies cuz people will still see them, but when Dreamworks is at their best you can see how much love is put into their stories. Hell, Captain Underpants is better than a lot of Disney’s stuff these days!
Anyway TL;DR: Dreamworks may slip up here and there, but when they know what they’re doing, they totally outclass Disney any day.
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daincrediblegg · 5 months
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OK THIS IS NOT A FUCKING DRILL EVERYONE FUCKING REPEAT AFTER ME. THIS IS WHAT YOU WILL DO WHEN YOU WATCH MUPPET CHRISTMAS CAROL THIS YEAR:
You will navigate to the page on disney plus (and it has to be here. Unless someone has actually uploaded the REAL movie anywhere else you cannot get it elsewhere)
BUT YOU WILL NOT HIT PLAY. You won’t do it. Because it’s NOT THE REAL VERSION OF THE FILM AND DISNEY IS FUCKING LYING TO YOU AS IT ALWAYS DOES
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You will scroll down HERE. To EXTRAS instead. You MUST GO HERE. This is non -negotiable
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THEN YOU WILL SCROLL DOWN TO THE BOTTOM OF THE EXTRAS AND YOU WILL THEN HIT PLAY ON THIS BAD BOY: THE FULL LENGTH VERSION
And you will watch it. And you will thank me for having been so blind and led astray by that stupid fucking mouse. You’re welcome.
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msclaritea · 23 days
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Takeaways From CinemaCon 2024: Not Enough Movies, Too Much Testosterone
Story by Sharon Waxman
 • 1d • 5 min read
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LAS VEGAS, NEVADA - APRIL 11: Dwayne Johnson speaks onstage at the Walt Disney Studios Presentation during CinemaCon 2024 at The Colosseum at Caesars Palace on April 11, 2024 in Las Vegas, Nevada.© TheWrap
There's some good work coming up: Universal's "Wicked" at Christmas will be incredible. Disney's "Kingdom of Planet of the Apes," coming next month, looks otherworldly. Bong Joon-ho's "Mickey 17," in which Robert Pattinson keeps dying and getting cloned, from Warners, looks insane in the best possible way. 
But the strike took its toll. The studios don't have the full complement of movies and there's no way around it: 2024 is going to be painful at the box office. The hope in the room (and there was some) is really about 2025 and 2026. 
A week in Las Vegas at the annual CinemaCon gathering of movie exhibitors with midday cocktail parties at Nobu (thanks Lionsgate) didn't mask the fact that the coming eight months of movies will be scraped together after a brutal year.
"It will be painful for moviegoers who want something other than angry shoot-em-ups, ear-shattering sound tracks and constant horror. The slates of Warner Bros., Paramount and Lionsgate particularly screamed of unrelenting testosterone and a stream of fear, anger and retribution." 
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Chris Aronson, Paramount Domestic Distribution chief, at CinemaCon (Photo by Jerod Harris/Getty Images for CinemaCon)© Provided by TheWrap
"I've said it before: Is there no joy, no tenderness, no intimacy permitted as part of the moviegoing experience? Do we audiences ever get to dream? To feel awe and empathy in between the white-knuckle moments? Are Hollywood executives who greenlight the movies unfamiliar with ... y'know, kindness? Think about it please."
(Me: YES!)
Here are my CinemaCon takeaways. 
1. Disney might have had the fewest movies, but it has the biggest winners, and had the best presentation. Several years ago, Disney -- at the top of its game and in the height of arrogance -- showed up to CinemaCon and presented a giant screen with a calendar of its upcoming releases. And that was it. This year, the studio tried a lot harder, presenting delightful chunks of footage from their slate -- including a stunning glimpse of "Apes" -- and onstage patter, with everyone from Marvel's Kevin Feige to the dapper distribution chief Tony Chambers dropping the F-bomb. It was liberating, honestly. Disney's strength lies in its array of brands that cater to audiences and taste across the board, and in a year like this one it showed: movies for kids with "Inside Out 2" and "Moana 2," the latter of which was presented by Dwayne "The Rock" Johnson; a sensory, four-quadrant experience like "Apes"; and a fully hilarious foray into R-rated superhero fare with "Deadpool & Wolverine." Actually, it was refreshing to not be bombarded with classic Marvel superhero fare. The studio was smart to let the movies do the talking, and the exhibitors responded with cheers of appreciation. 
2. New Line lives? The Warner Bros. slate presented by Mike DeLuca and Pam Abdy (maybe not professional moderators, but at least real humans) felt like nothing so much as New Line Cinema circa the 1990s, where DeLuca spent a decade of his career. The movies were heavy on genre -- violent action, horror and crime. So sure, "Furiosa" by George Miller with Anya Taylor-Joy, is a feast for all the senses. But by the time you got through "The Watchers" (horror), "Traps" (thriller), "Beetlejuice Beetlejuice" (fantasy-horror) and Todd Phillips' follow-up to "Joker" -- "Folie a Deux" (I don't know what to call this thing, but it's mad creepy) -- the audience was begging for a reason to laugh or cry — anything but cower in fear. The movie on the Warner slate that got the strongest response from the CinemaCon audience was not made by Warner. It was the Sundance documentary "Super/Man," acquired by the studio. The trailer they showed about the courage of Christopher Reeve, the love of his wife and his devotion to his children, made everybody cry. Yeah, Hollywood, that's a thing. 
3. "Where are the women?" That's what I scrawled in my notebook after the third consecutive studio presentation and the umpteenth cast with a half-dozen men and one single woman. (Actually, it was after Paramount's animated "Transformers One" and the studio's decades-later sequel of "Gladiator 2.") Not only weren't there movies to appeal specifically to a female audience, even the so-called "broad" appeal movies have overwhelmingly male casts and a token woman. "Gladiator II" has Paul Mescal, Pedro Pascal, Denzel Washington ... and Connie Nielsen. "Transformers One" has Chris Hemsworth, Brian Tyree Henry and a bunch more guys ... and Scarlett Johansson🙄. This absurd imbalance was supposed to have been addressed after the awakening of #MeToo, no? Women are half the population, and we like movies, too. But you'd never know it from these slates. Lionsgate was especially egregious in trotting out a full slate of movies that were a litany of violent combat, breaking bones, machetes and knives. Guy Ritchie and Eli Roth were in the mix, of course. Keanu Reaves was in four of the movies. One guy got stabbed in the eye. "Ballerina" stars a woman (Ana de Armas) but it's no less violent for that. I don't know what they're eating over there, but it feels like a diet of nails and rawhide.
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Ariana Grande and Cynthia Erivo, the stars of "Wicked," at CinemaCon in Las Vegas (Credit: David Becker/WireImage)© Provided by TheWrap
4. Universal is riding high after its Best Picture win with "Oppenheimer" and a box office performance that defied expectations in 2023.
(Oppenheimer, THE FLOP, had to stay in theaters for FIVE MONTHS, to make its bank back! Dear God!)
 And while the studio, blessedly, had a variety of films on its slate that suggested something other than just horror and violence (although they're going hard on the Blumhouse canon with sequels to "Five Nights at Freddy's" and "M3ghan"), that slate is undeniably thin. It's going to be a long wait until December, when the studio can unveil what appears to be a spectacular experience in "Wicked," starring Cynthia Erivo and Ariana Grande in the first of two films. Director Jon M. Chu said the production planted 8 million tulip bulbs to create the practical effect of fields of blooms in the movie. Universal cleverly gave every attendee at their presentation a tulip that lit up in the dark and created a magical, glowing effect in the auditorium.
5. Nepo-baby alert. I would have thought that Warner Bros. would be embarrassed to bring not one but TWO M. Night Shyamalan progeny out on stage to tease their new movies. There was 22-year-old Ishana with a twist on her dad's horror in the woods genre; and 27-year-old Saleka who sang live, which was probably not a great decision for "Trap," written and directed by M. Night. But then again, the studio is merely being paid a distribution fee for movies Shyamalan has financed himself.
Good luck to the box office, and see you next year, CinemaCon!
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tippenfunkaport · 4 months
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You know, it would be amazing if Hollywood learned the right lesson from the success of Nimona. Something like "Hey, maybe don't throw out a nearly done movie as a tax write off" or "people want queer stories" or even "don't be afraid to take some storytelling risks and be original" but you just know they're going to come away with some absolutely batshit takeaway like, "next time delete all the evidence and burn it to the ground so the gays can't make us look bad!"
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relaxxattack · 1 year
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i know this is just one post on tumblr but i am BEGGING people who can to be loud about strange world.
it is so fucking unfair for disney to not properly promote this movie at all and for it to bomb so badly in theaters like it’s doing just because it actually had genuinely good poc and queer rep! i am SEETHING about how they intentionally set it up to fail and i can’t imagine how the people who worked on the movie feel!
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please be loud about it! please go see it if you can, tell your friends to see it, post about it on social media, get it trending, get as many people to see it as possible!
let the idiots at the top know we WANT better representation in movies!
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citrus-c0la · 2 months
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chat is this real
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I find it so refreshing that we are in this rare stage in western animation where disney is actually not monopolizing all the attention. If anything, 2022 has been one of their worse years yet in the animation department. Everything they have done has been completely eclipsed by other studios for once. Their Pinocchio "movie" was just obliterated by Guillermo del Toro's version. Strange World was completely forgotten because of poor marketing choices, allowing Dreamworks to come back with the Bad Guys and Puss in Boots, the first being very good and the second absolutely excellent (I'm being serious, this movie is SO MUCH MORE than a simple Shrek spin-off).
TMNT even got its time to shine with probably the best 2D animated film this year (in a technical aspect at least), rekindling an interest for the entire franchise (with another TMNT movie by Seth Rogen in production!!)
The Sea Beast was amazing. Wendell & Wild was a masterclass. 2022 has just been excellent throughout, and it's Disney that happens to be the weakest at the moment. Even the Minions 2 got more attention than most things that came out on Disney + Animation this year (not saying that the movie was great or anything, but it's saying a lot)
And when we look at the next Pixar movie coming out next year, the hype pales in comparison to the Mario movie, and let's not even TALK about Across the Spiderverse......everybody knows it's going to snatch everyone's wig, and all the awards under the sun to match it.
So yeah, western animation gets to breathe a little, and it feels amazing.
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scurviesdisneyblog · 11 months
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Color keys by David Goetz from the Art of The Hunchback of Notre Dame
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hyuckonia · 1 year
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epel makes world famous harveston apple popcorn for entertainment and then jade leech proceeds to annihilate their sorry asses 🤯🤯💪💪😱😢😢😢
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egophiliac · 5 months
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Okay so I've been wanting to tell you that you're literally my favourite twst artist 😭🩷
So my question is, how do you manage to come up with these funny comics? CUZ I LOVE THEM SO MUCH
(P.s: Lovin' the art style ✨)
oh geeze, thanks! 💚💚💚 I'm really glad people enjoy my stupid sense of humor; mostly I just draw things to make myself laugh, and if it makes other people laugh too, then bonus points! usually it's just one joke or mental image that gets stuck in my head (every time I saw Fellow spin his cane, all I could think about was him go-go-gadgeting away on it...) and in my quest to justify it, it picks up other jokes and bits along the way and usually doesn't even end up as the main focus anymore. entire narrative arcs have spun out just so I could use a single bad pun in a throwaway line. this is a terrible way to explain it but I'm not sure how else to put it into words!
and sometimes it's just "weird things my sister has said that I make fun of her for"
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kristalldroppar · 5 months
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Willow may be strong , but so is Hunter, let her be carried as well <3
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riddlerosehearts · 5 months
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✧ When you wish upon a star, makes no difference who you are ♡
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inkskinned · 2 years
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i know people are good because of this: the universe often assigns me side quests. in a circular strangeness; despite my inability to locate my-own-anything, i am almost-always finding someone else's lost things. dogs, coats, phones, cash, laptops. it happens so often it's almost tiring; suddenly being looped into a tiny amount of detective work.
but when i'm with other people who are not used to this: the response is almost invariably delight. yes, maybe they are simply thrilled by the mystery. it's just... they light up so much. i think maybe more... i think they like the opportunity to do something kind.
a few weeks ago, i was at a bar and i found a wallet as soon as we stepped outside. i felt nervous to ask for help, worried i would be holding up the night. i picked it up and said go on without me, i should help this get back to its home.
instead, three people pulled out their phones - to find him on facebook, to help cancel his credit cards. two people went back into the bar to tell the bartender, two others went calling down the street. group texts, facebook posts, instagram stories. people, without even seeing what happened, start offering help to me. fifteen minutes and: someone knows someone who knows the guy. the cheer that went up - just for finding him, just for this small thing. someone gets him on the phone. strangers dance around me, hopping on their feet - are you the girl that found that wallet? good for you, that's a good thing you're doing/same thing happened to me and somebody did what you're doing and i thank god everyday for people like you/i can't believe you found him so fast this is so exciting
i gave it back to him in a parking lot. i watched his shoulders sag with relief. there was cash in it still - he checked the pocket, and then sheepishly held the money out to me. i didn't take it. i held up my hands. "it's no problem, man. i know you'd do the same for me."
i don't know him, to be honest. i don't know if he is the same kind of person i am. but he nodded at me.
and i know people are good. i know people are good, because the way this story ends isn't surprising. we wave goodbye awkwardly. my friend loops their arm around me.
"i can't believe we got it back to him," they said. "i'm going to be riding that high for weeks."
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myeagleexpert · 2 months
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Where would you go?
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And when it's all over… malleus' overblot… grim's overblot… could we finally go home?
Translated from fan to fan, see the artist's original work from the pin: https://br.pinterest.com/pin/902690319055568269/
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What's your theory about the way home?
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ghostfrog81 · 12 days
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The guys
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cheekinpermission · 28 days
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WEE WOO WEE WOO!
Yuu got in a new shade of lipstick and is now on a mission. The targets? Housewardens.
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He's so sweet and yet so bold.
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