I need more of this force sensitive teenager 😭
(With reference tho this post)
Attachment is Forbidden. To hold on too long, against the current of reality, is to bind and strangle, to cause suffering and grief.
Attachment is Essential. To become disconnected from the world around you is to fall to cruelty and madness, to cause suffering and grief.
The Force is very complicated and only vaguely comprehensible to three pounds of electrified jello piloting a meat suit and specialized to sort different kinds of berries. It is a knife's edge to walk and the blade cuts and cuts at those with the force until they learn to wield it. When you seize the edge of attachment and the blade is in your hand, the decision is yours to decide what to preserve, and what to cut away from yourself. Can you really be the Judge of which relationships, which laws, which lives are worthy to keep and which to discard?
The Jedi and Sith agree on this one facet- Yes. Yes, you can, you should, and you Must, or what is the point? The dispute is whether to trust in your own judgment, or to attempt to divine and follow the will of The Force.
There is, of course, another option.
There is always another option with the force.
The question is always, is that option worth the cost?
---
The morality of choice is not on her mind when she discovers the other option. What's on her mind is grief, the final hell of the descent of fear into anger into suffering. But the fear wasn't hers, the anger wasn't hers, even the suffering wasn't entirely hers- Her parents and siblings alike bear the emotional and physical scars of her inability to control this- but the grief, the grief is overwhelming and far too personal to be anyone else's.
It's not like anyone else can mourn the life she should have had, dead on the cold ground in front of her like a carrion corpse. She can see it so clearly in the Force, it's her as she should have been, loved and respected and loved and encouraged and loved and free to grow into the shape she should and loved and loved and LOVED- but there her theoretical future self is, dead on the ground, strangled.
And despite breaking, her heart insists on beating.
If this is the final step of the descent into darkness, and she is not dead, what's the next one to take?
Well, immediately, big ones, very fast, and very far away from here.
She runs away, away from the institutions, away from the medication that never helped, away from the frightened eyes, away from the exasperated sighs and hands that dragged and the 'its for your own good's, and into the night.
Barefoot, over the rough ground, over the sharp stones and uphill into the mountains, into the desert away from the lights of town, into the night. She's probably bleeding, her lungs burn and the windy night is cold. At the crest of the Hill she stops, wheezing and sobbing, only able to scream and cry.
The lights of the town (or at least, the few not effected by the power outage) are still close. It wouldn't take long to run back home, especially not downhill, to crawl home and scrape and beg forgiveness, it won't happen again-
...except that it would.
It always did.
And now she'd crossed the line from "Shattered furniture" to "possibly leveling part of a building". And there was no going back. Police would get involved for real this time. No more institutions would take something capable of destroying a building. Can't stay home, where she'd hurt another member of her family. Can't go somewhere private if I'm a living wrecking ball. Can't be in public, twitching and chattering, frightening people.
There is, of course, another option.
She looked down the other side of the hill, deeper into the only-sort-of-explored so-called wasteland of thorny succulents, bare rocks and unforgiving temperatures.
The question is, as always, is it worth the cost?
Well, heading back to civilization cost what was left of her dignity, and quite possibly the lives of her family. And she was fuck all out of pride, and not willing to gamble with their accounts.
Into the wild it was.
Of course- she considered, starting her descent down the other side- the desert wilderness is no place for a barefoot twelve year old, especially not alone and possibly being hunted by law enforcement. It's a place for the toughest of beasts, of nocturnal horrors and all things red of tooth and claw.
"Can't be myself anywhere, can I?" She asks, hysterical. She winces at another sharp rock. "Be nice to have proper paws or something-"
She stops.
There is, of course, another option.
---
The Jedi and Sith agree on another point too.
You can use the force to shape reality. Any part you want! Change minds with a wave of your hand! Defy gravity with extremely direct eye contact! Generate lighting by thinking about it really hard!
But they both hold a secret taboo.
As much as the Jedi profess detachment and humility and selflessness, and as much as the Sith proclaim self-determination and experimentation and manifestation of vision, they hold the same secret rule-
When you grasp the Blade of Attachment, and are deciding how to sculpt the future, don't turn the blade upon yourself.
Like how there is a line in the sand between shattered furniture and demolishing a building, or one between parental rights and child welfare, there is a line between using the force to alter your body as a means of preservation of the self, and using it to transform the self.
The line is so secret, it's rarely discussed and even then only in metaphor. It's called The Rubicon, after a mythical river a foolish emperor once crossed.
There are of course, those who have Crossed The Rubicon- Darth Nihilus and Darth Sion come to mind, though there are some suspiciously long-lived and more-hands-having-than-circumstances-would suggest Jedi as well- there's always someone who will decide the forbidden option is worth the cost. In this case, the currency is flesh, and to an extent, the self.
...But if you are twelve years old and already changing and grew up told your self as it is is repulsive and dangerous, so you grew alienated from that self to the point of being a stranger to the person everyone seemed to know and that self was useless in your present circumstances anyway...
The Force shines. It shines bright and beautiful and even the crude matter of life is luminous in the dark, and it is so, so easy to see how a hand is just an elongated paw.
She runs.
She runs down the hill, cries of pain now intermingled with those of discovery and the joy of creation. She runs toward the desert, towards the beautiful night-blooming flowers, towards the blissful silence, towards the personal space measured in hundreds of square miles, toward freedom, towards a new future self, and away from the carrion corpse of her youth.
There is a river at the bottom of the hill, and as her eyes open to new possibilities and spectra, she sees how it's nearly entirely underground, and how the ox-bow at the bottom of the hill is only where it briefly breaches the surface and she runs toward it, gait shifting awkwardly under her but everything was always awkward, but now it's awkward with Purpose-
-She leaps across the river, and when she lands palm-first on the other side, the things on the ends of her arms are no longer hands.
---
The Apprentice awakens with a terrified shriek. Her bones ache with sympathetic sensations of shape-change, winded and shaking. A dream, a dream, it was all just a terrible dream-
Her Master stumbles into the room to check on her, legs not feeling quite right, and one look between them belies the awful truth.
It was not just a dream.
They embrace, too tight and fingers digging into clothing, tears hot, faces hidden in each other's shoulders, trying to find comfort in shared horror and grief. Something happened earlier, when they heard something break, and now they were bound to this stranger's destiny.
Attachment and Detachment are the choices you make the shape reality.
Attachment and Detachment are forced upon you no matter what choices you make.
The Force is very complicated and only sort of comprehensible.
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I recently listened to The Sit and Chat (Jake and Bradley's podcast) episode that had Kelli on it and decided to create timestamps where they talked about anything relating to MM, LR, or LR:EF
But seriously go watch it for yourself, it was neat listening to Kelli talk about her life, insightful in general, and very funny!
11:46 - 12:31 - They talk about first working with each other on LR:EF and the Lab Rats vs. Mighty Med episode
20:40 - 21:08 - Billy is briefly mentioned due to Jake mixing up where Kelli is from with where Billy is from
25:00- 26:22 - Bradley and Kelli talk about how thankful they were to be on Disney as kids and their experiences
27:16 - 28:17 - Kelli talks about starting LR and how she grew up with Bree/as Bree and was happy with her character arc and where Bree ended up
28:17 - 29:22 - Bradley points out how Kaz, Oliver, Skylar, Bree, and Chase were essentially all different characters in LR:EF compared to who they were in their original respective shows
29:22 - 30:20 - They talk about how all five of them in LR:EF were ready as lead actors but were confined down to the writing of the show and how difficult that became as the characters switched leading parts in different episodes. Bradley says that they weren't angry at each other because of this, but Jake and Kelli say that something deeper than that was going on. Jake expresses that he wished he could have done more on LR:EF
30:20 - 31:09 - (continuation of conversation above) Jake talks about how he was interested with where Oliver's character arc would go in LR:EF and didn't know what to expect going from MM to LR:EF. He said he trusted the creators of LR who went on to create LR:EF and their writing for Oliver, but quickly realized in LR:EF that it wasn't what he was expecting for Oliver (I feel so bad for Jake). He still appreciates his time on the show and being on Disney, but views that time as a transition into more serious acting
31:49 - 35:33 - Bradley talks about how funny it was that Kelli always had a difficult time hitting her mark, especially when he was directing an episode ("Sheep-Shifting")
41:09 - 42:13 - They briefly talk about how they weren't allowed to do other projects without approval after LR:EF ended while they waited to find out if the show would get a season 2 and how the holdout on that was for one year after season 1 came out. Bradley says that they weren't even told what was going to happen to LR:EF and how it just dissipated out
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Neon Genesis Evangelion 07
Yeah, me neither, kid. Kind of weird that we're seven episodes in and we still don't know anything. I'm a little concerned, honestly.
This is another Misato episode. Actually, this one might be even more of a Misato episode than the last one, which is fine by me. This show had some trouble getting out of the gate, but now we're cooking. Cooking toast, that is, because that's what Shinji and Misato have for breakfast every morning. Wait... I misread my notes. Shinji has toast. Misato gets toasted. On beer.
No, wait, she's having toast too! Good, that explains why she has that second beer after Shinji leaves for school. Gotta wash it down. Shinji expresses disapproval for her slovenly, beer-swilling lifestyle, which is a big change from when he just passively agreed with everything she said. Misato is pleased that he's gotten more comfortable expressing himself lately.
Shinji is also embarassed at the prospect of Misato going to his school for some parent-teacher conference thing. Misato is essentially his guardian at this point, even though his actual dad is Misato's boss. I guess he would have signed off on this, since it seems clear he doesn't care.
All the boys at school think she's the coolest thing ever. She's a sexy lady and she's the NERV Ops Director. Shinji acts like they'd see her differently if they knew what she was like at home, but they don't care. Suzuhara and Big Rigg Mahoney are like "you keep the Earth safe, and we'll take care of Misato." Big Rigg Mahoney knows what's up. If I had me a freak like Misato, I think I could learn to live with empty beer cans. The penguin droppings might be a problem, but I think I'd get over it every night if you know what I mean.
We don't get a lot of information on the Evas in this one, but I'll go over what we do get. They're making more of them. Ritsuko and Misato talk in an elevator about the repairs on 00 and 01, and they speak of Unit 02 like it'll be along any day now. On a plane ride, Gendo Ikari speaks of Units 06 and 08, so there's plans to manufacture even more of them, though finding pilots seems to be the main hurdle.
Shinji also learns about Second Impact, the event that changed the world so much. First Impact was the hypothetical collision of the Earth with a protoplanet called Theia, which led to the formation of the Earth's Moon. Second Impact is widely known to be a meteor collision with Antarctica. According to the test in this screenshot, the meteor was only 4 inches wide, but it was traveling at 95% the speed of light, making the impact powerful enough to destroy Antarctica and cause upheavals that wiped out half of the world's population.
However, Misato tells Shinji that it wasn't actually a meteor at all, but the First Angel. It came to Earth on September 13, 2000, then exploded for some unknown reason, taking Antarctica with it.
NERV's mission, then, is to prevent a Third Impact. The Angels are still showing up on Earth, and if another one self-destructs in the same fashion, then it could cause even more devasation. So the only chance humanity has it to kill the things before they get the chance to explode.
Just to recap, we met the third Angel in Episode 1, and it self-destructed in Episode 2, but Shinji had nearly defeated it by that point, so maybe that's why it didn't produce the same destructive force as the first. And we met the fourth and fifth Angels in Episodes 3 and 5. No word yet on the second Angel, but it must have shown up in 2000, since everyone in Episode 1 talks about how there hadn't been an Angel sighting in fifteen years. It's also not clear how it was defeated, since Eva units weren't available for combat missions then.
My guess is that the second angel was susceptible to conventional weapons. That's my working theory on these things. Whatever they're up to, they seem to adapt and get more dangerous each time. The first one blew up shortly after it arrived on Earth, which might have been an accident, or some bad reaction to Earth's environment. The second one must have been killed by humans, which demonstrated that it could be done and it was a viable way to stop them from exploding.
The third angel was impervious to conventional weapons, requiring an Eva to defeat it. The fourth one... was basically the same deal, which is why Episode 3 kind of sucks. The fifth one targeted and disabled the Eva before it could get in range, requiring two Evas and a new-fangled weapon to defeat it. So the sixth one will probably be even harder to stop, which is why Gendo Ikari is trying to convince the U.N. to increase NERV's budget.
Meanwhile, Misato and Ritsuko are headed for Old Tokyo, where the Strategic Self-Defense Force are holding a demonstration. The SSDF are the guys who had that positron cannon Misato borrowed for her hail Mary play in Episode 6. Old Tokyo was destroyed in the chaos that followed Second Impact, but I guess someone decided to build a convention center out here on the remains.
I'm pretty sure the SSDF is just a continuation of the real-world Japanese Self Defense Force, but in this show they're mainly focused on finding ways to defend against the Angels, just like NERV. I mean, I guess that makes sense, given how the last three Angel attacks have been on Japanese soil. And their positron cannon did the trick, so they're not exactly bad at this sort of thing. This time, they're unveiling a new weapon, which is their own giant robot, Jet Alone.
NERV was invited to attend the ceremony, and Ritsuko takes the opportunity to question the premise of Jet Alone. It's powered by an on-board nuclear reactor, and it has no pilot. Everything is done by remote control, which seems like a really bad idea if they lose connection with the thing and the reactor melts down.
The SSDF guy laughs off her concerns, and attacks the Evangelion robots instead. They're powered by electrical cables, which is kind of impractical, and their pilots are subjected to intense stress and suffer mental instability. Also, the Evas are incredibly expensive, and every time the world increases NERV's budget, there's less money to care for the humanity they're trying to save.
So Jet Alone seems like a perfect solution. The tech is cheaper, there's no pilot to put in harm's way, and I guess they think it can hold its own in a fight, although that remains to be seen.
Misato keeps her cool at the dinner but gets furious afterward. By contrast...
Ritsuko calmly assures Misato that Jet Alone is nothing to worry about, as she burns one of the handouts they got at the dinner.
I'm pretty sure Ritsuko is awesome, but she really hasn't done a lot in this show other than provide exposition. She's practically the narrator in a lot of scenes, but damn. She can burn my papers anytime.
Soon enough, it's time to see Jet Alone in action. He looks a little primitive compared to the Evas, but I don't know, this thing kind of reminds me of Big O. I could see it getting its own show.
All they really do with it is have it walk forward, but for some reason they can't get it to stop, so it just keeps going and steps on the SSDF's control center.
And that's basically Jet Alone's whole deal. It just keeps walking in this same direction. Also its nuclear reactor is experiencing a pressure buildup, so yeah, this is turning out exactly like Ritsuko predicted at dinner. Maybe a little too exactly...
Anyway, the coolest thing about Jet Alone is its arms, which sort of dangle at its sides like tassels. I assume this is designed so it can wrap its arms around a hostile Angel like an octopus, but when it's just walking like this the arms flop back and forth and it looks adorable. He's just a struttin' and a strollin'.
Misato immediately takes charge, since the thing is headed for Atsugi and its reactor could go critical at any moment. She demands the SSDF give her an emergency shutdown password for the thing, but no one on-site has authorization to do that. So they call the authorities, but none of them want to take the responsibility without a written request. Disgusted, Misato decides to tackle the matter herself, and calls in Shinji and Eva 01.
Her plan is to just get inside JA and shut it down from the inside. For that, she needs a skintight suit to protect her from the radiation, and Eva 01 will get her close enough to the hatch to get inside. Once she's in, Shinji will have to try to hold Jet Alone so it can't move any closer to a populated area.
And Shinji seems to manage this pretty well, except he can't stop the reactor from exploding. That won't hurt Shinji, since the Eva can take it, but he's still worried about Misato, who will definitely be killed if she can't shut JA down.
Misato makes it inside, but the password to shut down the reactor (Hope), doesn't work. There's no time to figure out why that is, so instead she goes for broke and tries to shove the control rods into place manually. At least, I think that's what she's doing.
Fortunately, when she shoves one of them in, the others all retract with it. I'm not sure she knew that would happen, but it works. The red lights turn green, and Jet Alone stands down.
I'll go ahead and say it: This is actually really good fan service, as Misato promised in the preview for this episode. She said that a couple of times before, and never really delivered. I mean, she took a bath in Episode 2, but big deal. Most of the time she's wearing pretty normal clothing, and she's covered from neck to toe. Meanwhile, they keep showing Rei in various states of undress, or in her skintight pilot suit, which is the sort of thing you'd expect from fan service, except Rei's fourteen so that's creepy as hell.
But Misato wearing a skintight costume while she heroically dives into an exploding robot to shove its control rods into place? That's actually pretty sexy. YMMV, of course.
Shinji calls her success a miracle, but Misato is suspicious that it might not be as miraculous as it seems. Someone must have set all this up.
Later, Ritsuko reports on the incident to Gendo Ikari, and she says everything went exactly as planned, save for Misato's daring shutdown of the reactor. So it looks like NERV sabotaged Jet Alone, probably to discredit the SSDF and convince the UN that NERV deserves whatever funding they ask for. And since Misato's role in this was not part of the plan, it sounds like Ikari intended for Jet Alone to explode. That's why the password didn't work.
The only lingering question is whether Gendo intended for Jet Alone to explode in the middle of nowhere, or once it reached a populated area. That I feel the need to ask tells you everything you need to know about Gendo Ikari.
The next day, Suzuhara and Big Rigg Mahoney are still horny for Misato, and Shinji is still trying to convince them that she's not as cool as she seems. He tells them about how sloppy and silly she is at home, and they realize he doesn't know how lucky he is. Shinji's the only one who gets to see that side of her, and that's because Misato allows only him to see it. That means she thinks of him as family.
And there you have it. I guess this is a big eureka moment for Shinji, and maybe it helps him understand why Rei and his dad get along so well. Anyway, the next episode is supposed to have Asuka Langley in it, so maybe we'll finally find out what she's all about...
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